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This is Put Your Money Where Your Mouth Is, pitching TV's best-loved antiques experts against each other | 0:00:02 | 0:00:08 | |
in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
And giving you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:18 | |
Each week, one pair of duelling dealers will face a different daily challenge. | 0:00:19 | 0:00:25 | |
The original cheeky chappie! | 0:00:25 | 0:00:27 | |
Putting their reputations on the line... Full house! Oh, I say! | 0:00:27 | 0:00:32 | |
..and giving you their top tips and savvy secrets on how to make the most money buying and selling. | 0:00:32 | 0:00:39 | |
I'm feeling rather lucky. | 0:00:39 | 0:00:42 | |
Coming up: James Lewis offers a lesson in economics. | 0:00:43 | 0:00:47 | |
As the supply in England is lower, let's just hope the demand is higher. | 0:00:47 | 0:00:52 | |
James Braxton gets lost in translation. Er... mon francais est...lamentable. | 0:00:52 | 0:01:00 | |
And the Lionheart ignites a new career. The Lionheart candle! There you are! A new range. | 0:01:00 | 0:01:07 | |
This is Put Your Money Where Your Mouth Is. | 0:01:07 | 0:01:11 | |
Yes, welcome, friends and antiques lovers. | 0:01:23 | 0:01:27 | |
Prepare for an overflowing magnum of memorabilia madness. | 0:01:27 | 0:01:31 | |
Expect danger as our two towering antiques experts go head to head, | 0:01:31 | 0:01:35 | |
romance as they fall in love with lost treasures | 0:01:35 | 0:01:38 | |
and explosive action as they try to sell their wares for the greatest profit. | 0:01:38 | 0:01:44 | |
And today's first contender is a connoisseur whose reputation is so large, | 0:01:44 | 0:01:50 | |
lesser experts get drawn into its gravitational pull. | 0:01:50 | 0:01:55 | |
Fighting once more out of the county of Derbyshire, we give you James "The Lionheart" Lewis. | 0:01:55 | 0:02:01 | |
Anything can make a profit. | 0:02:01 | 0:02:04 | |
Our second auction actioneer is a chap who's been in the fine art and furniture business man and boy, | 0:02:04 | 0:02:11 | |
who's dedicated his life to trading treasures of yesteryear. | 0:02:11 | 0:02:15 | |
Why does he do it? Because he can. Who does he do it for? For you! | 0:02:15 | 0:02:19 | |
It's the poshest professor of purchasing - James "Bingo" Braxton. | 0:02:19 | 0:02:24 | |
I've got to buy, buy, buy. I'm off. | 0:02:24 | 0:02:27 | |
Yes. Golly gosh, Bingo! What have you let yourself in for? | 0:02:27 | 0:02:31 | |
Today we're cranking the challenge up a notch or two | 0:02:31 | 0:02:35 | |
as we send our brave boys off to buy bits and bobs in foreign parts. | 0:02:35 | 0:02:40 | |
France, in fact. And the Saint Ouen flea market in Paris. | 0:02:40 | 0:02:44 | |
Over 100 years old, it claims to be the biggest antiques market in the world, | 0:02:44 | 0:02:49 | |
an unmissable attraction for Parisians and tourists and the perfect battleground for our dealers | 0:02:49 | 0:02:56 | |
who are packing ?750-worth of euros. It's their own money and making profit is the name of the game. | 0:02:56 | 0:03:01 | |
So, James Lewis and James Braxton, it's time to Put Your Money Where Your Mouth Is. | 0:03:01 | 0:03:08 | |
Bonjour! Bonjour, James. Ca va? Ca va tres bien. Et vous? Oui, aussi. | 0:03:10 | 0:03:15 | |
We're in the centre of antiques. We are. And antiquities. | 0:03:15 | 0:03:20 | |
Have you been here before? Once. It's not the cheapest market in the world. It's not. | 0:03:20 | 0:03:25 | |
How much money have we got? 825 euros. | 0:03:25 | 0:03:29 | |
En francais? | 0:03:29 | 0:03:31 | |
Oh...huit cents vingt cinq. Ah, tres bien, tres bien. | 0:03:31 | 0:03:35 | |
Je ne parler, er...anglais. You don't speak English? Non, non. Really?! | 0:03:35 | 0:03:41 | |
En francais, mangetout, mangetout. OK? | 0:03:41 | 0:03:45 | |
Good luck. Bonne chance! I think we're going to need it. Bonne chance. | 0:03:45 | 0:03:50 | |
A classic bit of pre-match banter as Bingo Braxton tries to throw his opponent with his dodgy French, | 0:03:50 | 0:03:57 | |
while the Lionheart is giving him the willies about how pricey it is. | 0:03:57 | 0:04:01 | |
Still, Bingo's not worried...is he? | 0:04:01 | 0:04:04 | |
Suddenly it's dawned on me how expensive this market is. | 0:04:04 | 0:04:09 | |
I've got my work cut out. I'll have to be tough on prices. | 0:04:09 | 0:04:13 | |
Yes, that's the spirit, Bingo. Hard work will win the day. | 0:04:13 | 0:04:18 | |
But what about Mr Lewis? If he knows so much about it here, what are his plans for the day? | 0:04:18 | 0:04:24 | |
I have to not look at things I'm interested in personally | 0:04:24 | 0:04:28 | |
and open my eyes and look at everything - anything that can make a profit. Looking at everything | 0:04:28 | 0:04:34 | |
might be a tall order in a market of this size, but good luck. | 0:04:34 | 0:04:38 | |
And it is Mr Lewis who spies his first potential purchase, but what could it be? | 0:04:38 | 0:04:44 | |
This is a 19th-century bronze pestle and mortar. | 0:04:44 | 0:04:48 | |
The French had quite strong links with places like Morocco | 0:04:48 | 0:04:52 | |
and the trade links were strong, so you get more Moroccan things here in France. | 0:04:52 | 0:04:59 | |
Traditionally, they were used for pharmacies, for grinding medicines and powders, | 0:04:59 | 0:05:05 | |
but today, of course, they're used for herbs and spices. | 0:05:05 | 0:05:08 | |
James is hooked on the pestle and mortar, but can he get a good deal? | 0:05:08 | 0:05:13 | |
The dealers here are probably the hardest in France to move on price. | 0:05:13 | 0:05:17 | |
Em...trente? | 0:05:17 | 0:05:19 | |
James ploughs in with 30 euro, but the man's having none of it. He wants 50. | 0:05:19 | 0:05:25 | |
Quarante cinq. Oh, he's shifted to 45 now. | 0:05:25 | 0:05:29 | |
Trente cinq? Non. | 0:05:29 | 0:05:31 | |
James offers 35, but he might just as well have slapped the bloke in the face. | 0:05:31 | 0:05:37 | |
Go on, try 40. Monsieur...quarante? | 0:05:37 | 0:05:41 | |
OK. Oui? Merci. | 0:05:41 | 0:05:43 | |
There you go. 40 euro. That's ?36.36 and James Lewis is off the mark. | 0:05:43 | 0:05:49 | |
Now what about old Bingo? He's found a bit of garden furniture that he's interested in. | 0:05:49 | 0:05:55 | |
Time for some good old Franglais. | 0:05:55 | 0:05:57 | |
Qu'est-ce que c'est...votre... your dernier prix...pour le table? | 0:05:57 | 0:06:02 | |
Quatre vingt euro. | 0:06:02 | 0:06:06 | |
En anglais, it's 80. Yes, James has been buffing up his French numbers. | 0:06:06 | 0:06:12 | |
I like it. Very good. Thank you. | 0:06:12 | 0:06:15 | |
Does it have a name? C'est un gueridon. | 0:06:15 | 0:06:19 | |
Gelion? Un gueridon de jardin. | 0:06:19 | 0:06:22 | |
Gueridon...ce le jardin. Voila. | 0:06:22 | 0:06:25 | |
Yes, mind like a whip. Picking up the lingo and doing a deal. | 0:06:25 | 0:06:29 | |
80 euro for the table is ?72.73. Now when we say table, | 0:06:29 | 0:06:33 | |
it's not a table. It's a geri... jeri... What have you bought? | 0:06:33 | 0:06:38 | |
A gueridon de le... | 0:06:38 | 0:06:41 | |
..de le jardin. A small table. | 0:06:41 | 0:06:43 | |
Maybe a stand for plants or for the aperitifs, en francais. | 0:06:43 | 0:06:48 | |
It's got a good weight to it. Wrought iron base. | 0:06:48 | 0:06:51 | |
It's got a little hole here. | 0:06:51 | 0:06:55 | |
I should be able to make a small profit. | 0:06:55 | 0:06:58 | |
So both dealers now up and running and battle is well underway. | 0:06:58 | 0:07:03 | |
Earlier on, James Lewis was winding Bingo up about the prices here in Paris, | 0:07:03 | 0:07:09 | |
but it's him who is first to be drawn by the temptation of a very expensive item. But what is it? | 0:07:09 | 0:07:15 | |
It's known as a portico clock. | 0:07:15 | 0:07:18 | |
They take their design from the front section of a classical house. | 0:07:18 | 0:07:24 | |
And these columns are Doric. | 0:07:24 | 0:07:27 | |
This was made probably in France in the 1850s. 350 euros. | 0:07:27 | 0:07:32 | |
350 euros is about ?295, getting on for about half of his remaining budget. | 0:07:33 | 0:07:39 | |
And it doesn't stop there because the pair of candlesticks | 0:07:39 | 0:07:43 | |
are a further ?250 on top. | 0:07:43 | 0:07:47 | |
Wow. That's a huge chunk out of my budget. | 0:07:47 | 0:07:51 | |
It's expensive, but he loves it. Look at that face. | 0:07:51 | 0:07:55 | |
Merci. | 0:07:55 | 0:07:57 | |
Well, James walks away from the clock, but he can't get it out of his mind. | 0:07:57 | 0:08:02 | |
The clock continually ticks away in his consciousness, crying out, "Buy me, James! Buy me!" | 0:08:03 | 0:08:11 | |
And it's not long before he's back, desperate to get the price down. | 0:08:12 | 0:08:16 | |
Madame, regardez, s'il vous plait. | 0:08:16 | 0:08:19 | |
Ici. Ici. | 0:08:19 | 0:08:22 | |
Ici. | 0:08:22 | 0:08:24 | |
He points out some damage, offers 500, but she won't shift on 550. What are you going to do, James? | 0:08:24 | 0:08:31 | |
I can come back. Merci. | 0:08:31 | 0:08:34 | |
So James walks away again. | 0:08:34 | 0:08:36 | |
He knows that spending nearly two-thirds of his budget on one lot is an enormous gamble. | 0:08:36 | 0:08:42 | |
To take his mind off it, he seeks solace in a good cheap vase. | 0:08:42 | 0:08:46 | |
I guess this is 1960s, but it's a classic bit of French glass. | 0:08:46 | 0:08:50 | |
Flowing lines, very sculptural. | 0:08:50 | 0:08:54 | |
Two things that I think are always good to go for in a foreign market | 0:08:54 | 0:08:58 | |
are, one, foreign things, maybe English things, | 0:08:58 | 0:09:03 | |
that make more in England because we recognise them. | 0:09:03 | 0:09:06 | |
Also, things that are really, really common here and quite rare there. | 0:09:06 | 0:09:11 | |
So they're almost two extremes and you see these all over the place in France. | 0:09:11 | 0:09:18 | |
Not so much in England, so the theory is that as the supply in England is lower, | 0:09:18 | 0:09:23 | |
let's hope the demand is higher. | 0:09:23 | 0:09:26 | |
James pays 17 euro for the vase. That translates to ?15.45, | 0:09:26 | 0:09:31 | |
but has it taken his mind off that expensive clock? | 0:09:31 | 0:09:35 | |
No, it hasn't. Elsewhere, Bingo is still struggling with the prices. | 0:09:35 | 0:09:41 | |
Not that he can't afford them, but that he can't understand them. | 0:09:41 | 0:09:45 | |
He's found a set of six chairs he'd like to buy for 200 euro, but the dealer speaks no English. | 0:09:45 | 0:09:51 | |
We could be here for a while. Le francais...tres difficile pour moi. Deux cents euro. Non. | 0:09:51 | 0:09:58 | |
Non? Non? | 0:09:58 | 0:10:00 | |
If you want to know which corner of a foreign field is forever England, it's in Bingo's head, | 0:10:00 | 0:10:06 | |
but with the help of a friendly bilingual shopkeeper, he manages a purchase. My price. | 0:10:06 | 0:10:12 | |
Deux cents cinquante. | 0:10:12 | 0:10:14 | |
OK. OK? OK. | 0:10:14 | 0:10:17 | |
Merci, monsieur. | 0:10:17 | 0:10:19 | |
I have just bought a lovely set of six chairs. Typically French. | 0:10:19 | 0:10:24 | |
This is a sort of plastic weave. It's rather jolly colours. We've got this red and cream. | 0:10:24 | 0:10:30 | |
And they're good, solid fellows. Made of light materials. And we've got a date here - 1995. | 0:10:30 | 0:10:36 | |
That is a surprise. I was hoping for 1950s, '60s. | 0:10:36 | 0:10:41 | |
I thought, "Oh, good. It's dated." And there it was, 1995. | 0:10:41 | 0:10:45 | |
Je suis desole. | 0:10:45 | 0:10:47 | |
When can I cry? | 0:10:47 | 0:10:49 | |
You have to cry in your own time. Poor old Bingo, confused by the prices, | 0:10:49 | 0:10:54 | |
confused by the dates, confused by France in general. | 0:10:54 | 0:10:59 | |
He pays 250 euro or ?227.27 for the set of six bistro chairs. | 0:10:59 | 0:11:05 | |
That's almost a third of his budget. Will he see a profit? Time will tell. | 0:11:05 | 0:11:11 | |
Now James Lewis has a brain like an encyclopaedia of antiques. | 0:11:11 | 0:11:15 | |
There are very few objects he won't recognise, but one has tweaked his curiosity. | 0:11:15 | 0:11:21 | |
I think it's something to do with making cheese. It looks like some sort of cheese press. | 0:11:21 | 0:11:27 | |
Combien? Trente euro. | 0:11:27 | 0:11:29 | |
Trente. 30 euro. Vingt? | 0:11:29 | 0:11:32 | |
Oui? Merci. | 0:11:32 | 0:11:34 | |
My spending isn't getting higher. But your choices get weirder. Some sort of cheesy pressy thing | 0:11:34 | 0:11:41 | |
for 20 euro translates to ?18.18 and James moves straight onto an equally odd purchase. | 0:11:41 | 0:11:48 | |
At least this time he knows what it is. It's a candle mould. | 0:11:48 | 0:11:53 | |
So the wick goes down one hole, up over these little indentations here and down the other side. | 0:11:53 | 0:12:00 | |
And then they're pulled tight here through these holes. | 0:12:00 | 0:12:04 | |
Once you've snapped it shut, you pour molten wax through the top. | 0:12:04 | 0:12:09 | |
What's it worth? Well, 120 euro they've got on it. | 0:12:09 | 0:12:13 | |
I'll see what he'll take for it. | 0:12:13 | 0:12:15 | |
Bonjour, monsieur. Bonjour. Trop cher! Hundred? | 0:12:15 | 0:12:19 | |
I was thinking 60, but... 70, it's yours. | 0:12:21 | 0:12:24 | |
You've got a deal. Thank you. James knocks the dealer down | 0:12:24 | 0:12:28 | |
from 120 euro to 70. | 0:12:28 | 0:12:31 | |
That's ?63.64 for the candle maker. | 0:12:31 | 0:12:34 | |
How is he going to sell these quirky objects on? And will he be able to make a profit? | 0:12:34 | 0:12:39 | |
Well, his rival, having accidentally splashed out a third of his budget on a set of modern chairs | 0:12:39 | 0:12:46 | |
is now back on the trail of a proper antique and has one in his sights. | 0:12:46 | 0:12:50 | |
Look at this table. It's over 100 years old. It is. | 0:12:50 | 0:12:54 | |
It's Ottoman, it's Turkish. | 0:12:54 | 0:12:57 | |
Missing its blocks here. It's a bit tired. Tres fatigue. | 0:12:57 | 0:13:01 | |
We've got some nice inlay here. Mother of pearl. Mother of pearl. | 0:13:01 | 0:13:05 | |
Yeah. Lovely colours to it. | 0:13:05 | 0:13:09 | |
My price is...cent quatre-vingt. My goodness! | 0:13:09 | 0:13:13 | |
So James offers 180 euro and nearly gives the man a heart attack. | 0:13:13 | 0:13:18 | |
If you like it, I make it 200 euro. | 0:13:18 | 0:13:21 | |
200 euro? OK. | 0:13:21 | 0:13:23 | |
Acheter. I buy. Merci, monsieur. | 0:13:23 | 0:13:26 | |
Well, they settle on 200 euro. That's ?181.82 for the antique table, | 0:13:26 | 0:13:32 | |
although once again James is about to get a nasty surprise as no sooner does he walk round the corner | 0:13:32 | 0:13:38 | |
than he finds another stall full of Turkish tables and yes - sorry, James - they're cheaper. | 0:13:38 | 0:13:45 | |
That's interesting. Another stall. | 0:13:45 | 0:13:47 | |
This is the Ottoman empire. | 0:13:47 | 0:13:50 | |
150. Haven't you just paid 200 for one of those? | 0:13:50 | 0:13:54 | |
I think I paid too much for mine. Yeah, you paid 200! | 0:13:54 | 0:13:58 | |
Cent...vingt? Cent trente. | 0:13:58 | 0:14:02 | |
Cent trente? Oui, monsieur. The other table was older so cost that little bit more, | 0:14:02 | 0:14:07 | |
but this one is newer so he spent less, at ?118.18. | 0:14:07 | 0:14:11 | |
At least he's getting through his budget. James Lewis is struggling to find anything he likes. | 0:14:11 | 0:14:18 | |
He's probably got something on his mind. I'm thinking about that clock and those candlesticks. | 0:14:18 | 0:14:24 | |
I'm going to see if they're still there. Fingers crossed, she'll give me a bit of a discount. | 0:14:24 | 0:14:30 | |
Even more fingers crossed she hasn't sold them. How many fingers?! | 0:14:30 | 0:14:35 | |
I don't want to look too keen or the price might go up! | 0:14:35 | 0:14:39 | |
You've been in the shop three times! That's hardly playing hard to get. | 0:14:39 | 0:14:44 | |
Cinq cent? Oui. Oui? | 0:14:44 | 0:14:47 | |
Cinq cent. Merci. | 0:14:47 | 0:14:49 | |
500. The clock and the candlesticks. My heart's beginning to pound a bit. | 0:14:50 | 0:14:55 | |
That's not surprising. 500 euro is ?454.55, | 0:14:55 | 0:15:00 | |
a massive chunk of his cash. When the dealers do that, though, you just know they think they have | 0:15:00 | 0:15:06 | |
a real moneymaker on their hands. | 0:15:06 | 0:15:08 | |
We've got a portico clock, made in alabaster. Made around 1820, | 0:15:08 | 0:15:13 | |
1850. Got more flowers and this great band of stylised lotus leaves, | 0:15:13 | 0:15:19 | |
something that you see in classical architecture all over the place. | 0:15:19 | 0:15:23 | |
If you've got a clock on your mantelpiece and it doesn't have a bell or a gong, it's not a clock. | 0:15:23 | 0:15:30 | |
The definition of a clock is it tells the time, but also chimes. | 0:15:30 | 0:15:34 | |
If it doesn't chime, it's a timepiece. The candlesticks are made from ormolu. | 0:15:34 | 0:15:39 | |
Very fashionable in France. Ormolu is gold-plated bronze. | 0:15:39 | 0:15:44 | |
Two great pieces of French 19th-century art, | 0:15:44 | 0:15:48 | |
but both of them inspired by what was going on 2,000 years earlier. | 0:15:48 | 0:15:52 | |
Was James buying with his head or his heart? It feels like a gamble. | 0:15:52 | 0:15:57 | |
That one huge budget-busting buy could make or break him when it comes to selling on. | 0:15:57 | 0:16:03 | |
So let's check the stats to see where things are on the spending. | 0:16:03 | 0:16:07 | |
Remember, our duelling dealers started the day with ?750-worth of their own euro. | 0:16:07 | 0:16:13 | |
So far, James Lewis has invested in five purchases and spent a whopping ?588.18, | 0:16:13 | 0:16:18 | |
leaving him just a paltry ?161.82 still to spend. | 0:16:18 | 0:16:23 | |
His arch rival, James "Bingo" Braxton, on the other hand, | 0:16:23 | 0:16:27 | |
has so far made four purchases at a cost of exactly ?600, | 0:16:27 | 0:16:31 | |
leaving him with ?150 in his kitty. | 0:16:31 | 0:16:35 | |
Aha! Some purchases. You find me. | 0:16:35 | 0:16:38 | |
Very nice. What do you think? I don't like the chairs. I like this. The barrow? No, the chairs! | 0:16:38 | 0:16:45 | |
Very expensive chairs they were. How much? They were 41 euro each. | 0:16:45 | 0:16:50 | |
Each?! Each! Oh! | 0:16:50 | 0:16:52 | |
How have you done? I've spent quite a lot, yeah. | 0:16:52 | 0:16:56 | |
How's the French coming on? Oh, magnifique. Parlez vous francais? Like a native! | 0:16:56 | 0:17:02 | |
Sur le marche. I'm off. Go on! | 0:17:02 | 0:17:05 | |
So off they pop on the final round of buying here in France. | 0:17:05 | 0:17:09 | |
Bingo has a bit of catching up to do and needs to find a decent antique after his bistro chair boo-boo. | 0:17:09 | 0:17:16 | |
A real treasure is what he needs. His rival is giving no quarter, scouring the stands for bargains. | 0:17:16 | 0:17:23 | |
Bingo has to concentrate. Concentrate! | 0:17:23 | 0:17:27 | |
Oh, forget it. What IS he doing now? Yes, what IS he doing? | 0:17:27 | 0:17:31 | |
He's trying on a dirty old mac! | 0:17:31 | 0:17:34 | |
And falling for salesman's flattery! | 0:17:34 | 0:17:37 | |
Like Humphrey Bogart. Humphrey. | 0:17:37 | 0:17:40 | |
Humphrey Dumpty, more like! | 0:17:40 | 0:17:43 | |
Good. Look this. | 0:17:43 | 0:17:45 | |
C'est bon. And what's worse, Bingo is thinking of buying it! | 0:17:45 | 0:17:49 | |
120 euro. Non! Yes, of course! Monsieur... | 0:17:49 | 0:17:55 | |
What cost in shop? In shop, plus cher. But you're not in the shop! | 0:17:55 | 0:18:00 | |
It's the street and second-hand! | 0:18:00 | 0:18:03 | |
It's a great coat, isn't it? Yes. | 0:18:03 | 0:18:06 | |
Quatre-vingt dix? Yes, yes! | 0:18:06 | 0:18:08 | |
Just say no, Bingo! Quatre-vingt dix, good. C'est bon. | 0:18:08 | 0:18:13 | |
Good! Merci, monsieur. Too late. He's done the deal. | 0:18:13 | 0:18:17 | |
90 euro. That's ?81.82. | 0:18:17 | 0:18:20 | |
Bingo Braxton, explain yourself. | 0:18:20 | 0:18:23 | |
This is a lovely coat. I'd hate to buy it in Regent Street, | 0:18:23 | 0:18:28 | |
but there we are. It feels almost like a second skin. I've only just bought it for all of 90 euro. | 0:18:28 | 0:18:35 | |
Zut alors! My coat, my phone, my glasses! Quick! | 0:18:36 | 0:18:40 | |
For goodness sake, what's he like? It's one thing losing your shirt, but coat, glasses and your phone? | 0:18:40 | 0:18:47 | |
That's a different matter. | 0:18:47 | 0:18:50 | |
Across the way, James Lewis has purchased a carved Spanish galleon for 100 euro, | 0:18:50 | 0:18:55 | |
?90.91 to you and me. It comes complete with all sorts of bits and pieces | 0:18:55 | 0:19:00 | |
and will be a right old jigsaw. | 0:19:00 | 0:19:03 | |
Model boats like these have been made for a couple of hundred years, really. | 0:19:03 | 0:19:08 | |
The majority of them that we see are 20th century. | 0:19:08 | 0:19:13 | |
This one has a few things about it that make me believe it's slightly earlier. | 0:19:13 | 0:19:18 | |
The choppy sea - they're normally on a stand. | 0:19:18 | 0:19:22 | |
The fact that it's carved out of a solid, rather than made of parts. | 0:19:22 | 0:19:27 | |
And what a great job. A boat with the sea like that, in perfect condition, | 0:19:27 | 0:19:33 | |
is worth ?500 or ?600. | 0:19:33 | 0:19:36 | |
Damaged, I'm still hoping it might be worth three, but it might be a bit of a choppy ride to get there. | 0:19:36 | 0:19:44 | |
As the boat clears out James's wallet, he calls it a day, | 0:19:44 | 0:19:48 | |
leaving his eccentric rival a free run at the market. Will he pull something out of the bag? | 0:19:48 | 0:19:53 | |
This is a flat weave fellow, generically known as kilim. | 0:19:53 | 0:19:57 | |
You keep these hot colours with vegetable dyes. Definitely over 100 years old. | 0:19:57 | 0:20:03 | |
This is just a sack, a useful thing for carrying stuff in. | 0:20:03 | 0:20:08 | |
If I can buy that for under 100 euro, I will be a happy man. | 0:20:08 | 0:20:11 | |
And, indeed, he successfully negotiated a stunning price of 70 euro. That's ?63.64. | 0:20:11 | 0:20:19 | |
With the stallholders packing up, Bingo also throws in the towel, | 0:20:19 | 0:20:23 | |
apart from one last smaller purchase. | 0:20:23 | 0:20:26 | |
Whilst in France... Bonjour, monsieur. Ah, c'est bon! | 0:20:26 | 0:20:31 | |
Yes, and that comes out of your other pocket, Bingo! Now it was fiercely fought here in Paris. | 0:20:31 | 0:20:38 | |
Both boys struggled with the steep prices, but did they do what they set out to do? Well, let's check. | 0:20:38 | 0:20:44 | |
Both our auction actioneers set off for France with ?750-worth of euro in their wallets. | 0:20:44 | 0:20:50 | |
James Lewis ended up buying six items and spending a fraction over ?679. | 0:20:50 | 0:20:56 | |
His arch rival James "Bingo" Braxton likewise will be returning home with six items. | 0:20:56 | 0:21:02 | |
However, he ended up outspending James Lewis by parting with ?745.46. | 0:21:02 | 0:21:08 | |
Now all they have to do is return their goods to the UK and sell them. How do they think the day went? | 0:21:08 | 0:21:15 | |
We've got quite a bit. We have. It's quite a good haul. | 0:21:15 | 0:21:19 | |
You've gone for trendy. I've gone for traditional. | 0:21:19 | 0:21:23 | |
I see this fabulous clock. I like that. Was that cheap? That and the candlesticks were... | 0:21:23 | 0:21:30 | |
500 euro. Plus cher. | 0:21:30 | 0:21:32 | |
And that. A ship of the line with a very naturalistic base. | 0:21:32 | 0:21:36 | |
That's what I liked about it. The base. What do you think will show your best profit? Best profit? | 0:21:36 | 0:21:43 | |
Probably my hot-coloured rug. Kilim. What did that cost? That cost me 70. | 0:21:43 | 0:21:49 | |
But I'll get two large cushions out of that with some backing. Ah, OK. | 0:21:49 | 0:21:53 | |
I think I can add value to that. Yeah. | 0:21:53 | 0:21:57 | |
Anyway, good luck, James. Good luck. | 0:21:57 | 0:21:59 | |
So our two adventurers return home from their continental excursion. | 0:22:03 | 0:22:07 | |
They must now convert all that potential into pounds as each tries to make the biggest profit | 0:22:07 | 0:22:13 | |
and bring home a victory. But before the selling struggle starts, | 0:22:13 | 0:22:18 | |
Messieurs Braxton and Lewis retreat home to assess their wares. | 0:22:18 | 0:22:22 | |
In Bingo's Sussex bunker, how's he feeling about his foreign buys? | 0:22:22 | 0:22:27 | |
Here you find me sitting amongst my Paris market. | 0:22:27 | 0:22:31 | |
To my right, domestic France, to my left, almost French colonies. | 0:22:31 | 0:22:35 | |
My lovely carpet, this is a kilim, a flat weave fellow. | 0:22:35 | 0:22:40 | |
I'll get two cushions out of it. I'll have to unstitch these | 0:22:40 | 0:22:44 | |
and put a soft linen backing on them. | 0:22:44 | 0:22:47 | |
My lovely tables, I spent some money on these. 200 euros on that fellow and then I went along the way | 0:22:47 | 0:22:54 | |
and I bought that for a lot less. 130 euros. | 0:22:54 | 0:22:58 | |
Who could resist these lovely three-legged tables? This collapses. | 0:22:58 | 0:23:03 | |
It's got some age, the zinc top. Six of these lovely bistro chairs. | 0:23:03 | 0:23:09 | |
These represent very much the Rolls-Royce of bistro chairs. And this is a classic trenchcoat. | 0:23:09 | 0:23:15 | |
No gentleman should be without this. Quiet, methodical Bingo working out how to put his best foot forward. | 0:23:15 | 0:23:21 | |
But over at the Lionheart's lair, Mr Lewis is also sifting through his sellables. | 0:23:21 | 0:23:27 | |
Of all the things I bought in Paris, this is the one that's going to take all the time. | 0:23:27 | 0:23:33 | |
I was so chuffed with it, I thought, "?100 seems fine." I shouldn't have given up Sea Scouts. | 0:23:33 | 0:23:40 | |
My candlemaker, I've already got loads of people interested. | 0:23:40 | 0:23:44 | |
The pestle and mortar. I can't find any examples of French ones that look like it, | 0:23:44 | 0:23:50 | |
but I can't find any North African ones either. Then the cheese press. | 0:23:50 | 0:23:55 | |
Really, really good thing. People who collect kitchenalia like it, | 0:23:55 | 0:24:00 | |
but also people with dairies that still make cheese at home. | 0:24:00 | 0:24:05 | |
The thing I haven't got a clue what to do with is the glass bowl. It really isn't me. | 0:24:05 | 0:24:10 | |
The candlesticks and the clock, by far the best things, | 0:24:10 | 0:24:15 | |
but at the moment... no interest at all. | 0:24:15 | 0:24:18 | |
So, for me, it's time to find a buyer. | 0:24:18 | 0:24:23 | |
That's the name of the game, James. Both must now find buyers. | 0:24:23 | 0:24:27 | |
They'll scour the land for the best deals, knowing no deal is sealed until the cash is in their hands. | 0:24:27 | 0:24:33 | |
And flying off to an early start is Bingo, who takes the white table to Julian, | 0:24:36 | 0:24:42 | |
a Tunbridge Wells brasserie owner, hoping for a healthy profit | 0:24:42 | 0:24:46 | |
on the ?72.73 he paid for it at the French market. | 0:24:46 | 0:24:51 | |
A rather lovely thing, isn't it? Proper French? Proper French fellow. | 0:24:51 | 0:24:55 | |
A wrought iron base. The three legs, always sitting true. Zinc top. | 0:24:55 | 0:25:01 | |
No, it's nice. It seems right that it should come back to a brasserie. | 0:25:01 | 0:25:06 | |
It does. I'd love to offer you 50. What about 80? Em... | 0:25:06 | 0:25:11 | |
70 and I'm a happy man. | 0:25:11 | 0:25:14 | |
In the middle, in the middle. | 0:25:14 | 0:25:16 | |
Wey-hey! I've made two quid. | 0:25:16 | 0:25:19 | |
Not quite the profit he was hoping for, but it's better than you think. | 0:25:19 | 0:25:24 | |
He's actually made ?2.27 on the table. | 0:25:24 | 0:25:28 | |
James Lewis is up next as he takes his cheese press to Adrian and Alan, who run a dairy farm. | 0:25:28 | 0:25:33 | |
Having paid ?18.18 for the cheese press, will he be able to squeeze out a profit here? | 0:25:33 | 0:25:40 | |
I guess this is the sort of thing that a farm wife would have used in her kitchen. | 0:25:40 | 0:25:45 | |
Her husband would have made it. A little bit missing. This would have formed a well. | 0:25:45 | 0:25:51 | |
That puts the money down. It does, very much so. | 0:25:51 | 0:25:55 | |
I think it adds to the character. | 0:25:55 | 0:25:58 | |
Look at the size of that wing nut! It does get quite a lot of pressure down. | 0:25:58 | 0:26:03 | |
So you seriously have force on it? Quite a lot of force. So is it of interest to you? | 0:26:03 | 0:26:10 | |
We wouldn't use it, but it is interesting historically because we hope to have a visitors centre | 0:26:10 | 0:26:17 | |
that tells the story of cheesemaking in the Peak District. What do you think it's worth? A good ?30 | 0:26:17 | 0:26:23 | |
of anyone's money. Yeah. I don't think so! | 0:26:23 | 0:26:27 | |
How about 80? If we were stretched to 50, you'd be getting a good deal. You're getting a good deal, too. | 0:26:27 | 0:26:33 | |
And you've got one. I'm happy. Shows me a profit. | 0:26:33 | 0:26:37 | |
Cheers. James presses the flesh and makes a passable profit of ?31.82, | 0:26:37 | 0:26:43 | |
leaving him with a nice cheesy grin. | 0:26:43 | 0:26:45 | |
There are some deals that just feel absolutely right. | 0:26:45 | 0:26:50 | |
It's not all about profit. It's finding the right home for them. This was one of those deals. | 0:26:50 | 0:26:56 | |
Yes, but it is the profit that will win you the contest, a fact that Bingo is all too aware of. | 0:26:56 | 0:27:02 | |
He's still in Tunbridge Wells with his two Turkish tables. | 0:27:02 | 0:27:07 | |
He hopes Peter, a dealer in arts and crafts, will buy them. These mighty tables, why do you like them? | 0:27:07 | 0:27:13 | |
We always try to carry a stock of these Ottoman inlaid tables. | 0:27:13 | 0:27:18 | |
They were really in fashion in the 1890s. Right. But continued to be made into the 1920s. | 0:27:18 | 0:27:24 | |
I think they're early 20th century. | 0:27:24 | 0:27:26 | |
Have you got any others? Let's bring this one over and perhaps we can compare them. | 0:27:26 | 0:27:33 | |
The range of inlaid Ottoman tables, these are towards the lower end. | 0:27:33 | 0:27:37 | |
I know they need a bit of work, but I know also that they are quite fashionable | 0:27:37 | 0:27:43 | |
and I had to pay some money for them. I'd be looking at 120 quid. | 0:27:43 | 0:27:48 | |
My bottom price on these would be 450. Yeah. | 0:27:48 | 0:27:52 | |
Sorry, James. No? That's all right, Peter. | 0:27:53 | 0:27:57 | |
I'll have to work a little harder. | 0:27:57 | 0:28:00 | |
So Bingo's failure to sell only strengthens his resolve. | 0:28:01 | 0:28:05 | |
He may be walking out with the tables, but he's now got a plan to do a little restoration. | 0:28:05 | 0:28:12 | |
Peter's left me with this ebony and mother of pearl. I've a busy couple of days restoring these. | 0:28:12 | 0:28:18 | |
I think it was the condition of the items that stopped a sale, | 0:28:18 | 0:28:23 | |
but, when done, hopefully I'll get my price. | 0:28:23 | 0:28:27 | |
Having so far sold one table and failed to sell two more, what next? | 0:28:27 | 0:28:32 | |
Ah, yes, six chairs. He takes them to Charlie, a holiday home owner, | 0:28:32 | 0:28:36 | |
hoping to make something on the ?227.27 they cost him. | 0:28:36 | 0:28:42 | |
If you come away on holiday, you want to relax and sit down on these fabulous fellows. | 0:28:42 | 0:28:47 | |
And how old are they? They look like they have the wear of the 1960s, | 0:28:47 | 0:28:51 | |
but I turn one over - 1995! | 0:28:51 | 0:28:54 | |
So shall we try them for comfort? This is the benefit of the tub-shaped chair. The comfort. | 0:28:56 | 0:29:02 | |
It's an aggregate of flimsy materials that flexes. | 0:29:02 | 0:29:06 | |
If I made you an offer of, say, ?40 a chair? ?40? Can I squeeze 50? | 0:29:06 | 0:29:10 | |
50 a chair? 50 is good. 50 is good? Thank you. Thank you very much. Excellent. | 0:29:10 | 0:29:16 | |
So a sit-down deal and a comfortable profit of ?72.73 for the chairs. | 0:29:16 | 0:29:21 | |
James Lewis definitely isn't sitting down on the job. He's in Derbyshire to sell his cast-iron candlemaker. | 0:29:22 | 0:29:30 | |
I've come to Tissington in the heart of Derbyshire. | 0:29:30 | 0:29:34 | |
A very small village that's well-known for its arts and crafts. | 0:29:34 | 0:29:39 | |
In particular, well dressing, but also candle making. | 0:29:39 | 0:29:44 | |
So will Candle Annie want to give him a profit | 0:29:44 | 0:29:48 | |
on the ?63.64 that he paid for it? | 0:29:48 | 0:29:51 | |
Feel the weight of that. | 0:29:51 | 0:29:53 | |
Yeah, that is really, really... heavy. Isn't it? | 0:29:53 | 0:29:58 | |
I've never seen one like it. It's fascinating. | 0:29:58 | 0:30:02 | |
And I think that it was more than likely used in households, for people to make their own candles. | 0:30:02 | 0:30:09 | |
Not a commercial thing. No. | 0:30:09 | 0:30:11 | |
Before he goes in with his asking price, James's tactic is to prove that the mould still works. | 0:30:11 | 0:30:17 | |
The wax is just its neutral colour. OK. What colour would you like? A maroon-y red. Maroon-y red? | 0:30:17 | 0:30:24 | |
Perfect. | 0:30:24 | 0:30:26 | |
So do we just pour it down the edge? Yeah. Just pour it into that hole. | 0:30:26 | 0:30:30 | |
As if you're pouring a cup of tea. | 0:30:30 | 0:30:33 | |
How long will this take to set now? | 0:30:34 | 0:30:37 | |
About half an hour. Right. | 0:30:37 | 0:30:39 | |
Because it's cast iron, will that take longer? A little bit, for being metal. | 0:30:39 | 0:30:44 | |
Made in our special candle maker. Our mould. | 0:30:44 | 0:30:48 | |
Lionheart candles. There you go! A new range! | 0:30:48 | 0:30:52 | |
You'll have to have a little picture of me as a lion. A big sticker. | 0:30:52 | 0:30:56 | |
Is it useful? Do you want it? | 0:30:58 | 0:31:00 | |
Or is it just a pain in the bum? I'd quite like it. OK. | 0:31:00 | 0:31:04 | |
That's good, then. Expecting to haggle, bear that in mind. Yeah. 200. | 0:31:04 | 0:31:10 | |
I was thinking more of...145. Are you ready to go up from there? | 0:31:10 | 0:31:16 | |
A tiny bit. 146? | 0:31:17 | 0:31:19 | |
I'm not going to argue. That's fine. Really? You've got a deal. | 0:31:19 | 0:31:23 | |
That shows me a profit. I'm happy. Shall we look? Go on. | 0:31:23 | 0:31:27 | |
Look at those! Absolutely gorgeous! | 0:31:29 | 0:31:32 | |
Well done, mould. | 0:31:32 | 0:31:34 | |
That is so satisfying. Not only have I made a profit, | 0:31:34 | 0:31:38 | |
but that candle mould is going to go into use and have candles being made again. | 0:31:38 | 0:31:43 | |
Perfect ending! | 0:31:43 | 0:31:46 | |
# Mama, I'm sho' hard to handle now... # | 0:31:46 | 0:31:50 | |
So James makes ?82.36 on the candle mould and as both our battling competitors wax on | 0:31:50 | 0:31:56 | |
and wax off, let's find out who's burning brightly and who's getting on everyone's wick. | 0:31:56 | 0:32:02 | |
James Lewis has only sold two items and has made ?114.18. | 0:32:02 | 0:32:07 | |
Bingo has also sold two items for a profit of ?75. | 0:32:07 | 0:32:11 | |
So there really is everything to play for, but both our boys will want to pull out all the stops. | 0:32:12 | 0:32:19 | |
James Braxton braves the great outdoors for his next sale at a tepee field in Eastbourne. | 0:32:19 | 0:32:25 | |
That carpet bag I bought in Paris is now two lovely cushions | 0:32:25 | 0:32:29 | |
with the addition of this lovely French blue linen on the back. | 0:32:29 | 0:32:34 | |
We've a soft side and a hard kilim side. | 0:32:34 | 0:32:37 | |
Always one to maximise his profits with some clever shenanigans, | 0:32:37 | 0:32:41 | |
James has turned his bag into a pair of cushions which he hopes will fit into these tepees for hire. | 0:32:41 | 0:32:48 | |
Including restoration costs, he's so far spent ?66.64, | 0:32:48 | 0:32:52 | |
but will tepee park owner Sarah give him a profit? | 0:32:52 | 0:32:56 | |
Let's have a look. Have a seat. Thank you. Very Indian style. | 0:32:56 | 0:33:00 | |
You can see I'm an Englishman. I'm not used to this. | 0:33:00 | 0:33:04 | |
I got these in Paris. It started off as a bag. | 0:33:04 | 0:33:09 | |
These bags were used for everything. All the things that a nomadic tribesman would use. | 0:33:09 | 0:33:14 | |
Quite coarse, isn't it? It feels very robust. It does. | 0:33:14 | 0:33:19 | |
So what are you looking for? I would really like about... Yeah, 130-150, I think. | 0:33:19 | 0:33:27 | |
How about 80 for the pair? 80 for the pair? That's quite low. | 0:33:28 | 0:33:34 | |
What about 120? Call it 100 and we're there. | 0:33:34 | 0:33:38 | |
What about 110 and I'll do it? Go on, then. 110 it is. | 0:33:38 | 0:33:43 | |
Bingo makes a cushy profit of ?43.36 for the cushions. | 0:33:43 | 0:33:47 | |
What extraordinary lengths our dealers will go to for sales! | 0:33:47 | 0:33:51 | |
James Lewis is hoping to sell his pestle and mortar next and has travelled to a distant land, | 0:33:51 | 0:33:57 | |
full of mystery and ancient magic. I've come to Marrakesh. No, not THE Marrakesh. | 0:33:57 | 0:34:04 | |
Marrakesh in Derby, to sell my Moroccan pestle and mortar. | 0:34:04 | 0:34:07 | |
I paid about ?36, ?37 for it, but, do you know, I have no idea what I want for it. | 0:34:07 | 0:34:14 | |
So we'll just play it by ear. | 0:34:14 | 0:34:17 | |
Yes, James Lewis has brought his pestle and mortar to a Moroccan restaurant | 0:34:17 | 0:34:22 | |
where he hopes owner Steve will want to buy it. I think it's much nicer than the majority of them we see. | 0:34:22 | 0:34:29 | |
They're normally plain. Normally plain. Normally that shape. | 0:34:29 | 0:34:34 | |
And we get an awful lot of them. And a lot larger. | 0:34:34 | 0:34:38 | |
I think this is probably for spice and not for pharmaceutical use. | 0:34:38 | 0:34:44 | |
You want to barter. | 0:34:44 | 0:34:46 | |
I think we should... If we were in Morocco we would. I normally run away! I love it! | 0:34:46 | 0:34:53 | |
I will offer you 100. | 0:34:53 | 0:34:56 | |
130. This is my last and final offer... | 0:34:56 | 0:35:00 | |
But that doesn't matter. You're in Marrakesh. True. | 0:35:00 | 0:35:05 | |
110. 120. | 0:35:05 | 0:35:07 | |
What's the... 115 and that IS my final offer. Deal. | 0:35:07 | 0:35:11 | |
Deal. I'd have taken 100, but as we're in Marrakesh I just had to haggle. | 0:35:11 | 0:35:18 | |
James getting more than he hoped for and making a spicy profit of ?78.64 on the pestle and mortar. | 0:35:18 | 0:35:24 | |
And he isn't stopping there. He's caught a few fair winds in this selling storm so far | 0:35:24 | 0:35:30 | |
and he successfully sells the 1960s glass vase for a profit of ?13.55 to Stephen from Nottinghamshire | 0:35:30 | 0:35:37 | |
who wants it for a centrepiece in his dining room. | 0:35:37 | 0:35:41 | |
Next, James blows into the capital city, hoping someone goes overboard when paying for his wooden ship. | 0:35:41 | 0:35:47 | |
The Tudors fought the Spanish Armada for decades and they never reached London. Well, until now. | 0:35:49 | 0:35:55 | |
My Spanish galleon is here, right in London's heartland. | 0:35:55 | 0:36:00 | |
I'm hoping that a ?90 investment will result in doubloons of profit. | 0:36:00 | 0:36:05 | |
James has painstakingly repaired the ship and has now set his sights on Shane, | 0:36:05 | 0:36:10 | |
the manager of a central London pub called The Ship Tavern. | 0:36:10 | 0:36:14 | |
Do you like it? It's absolutely beautiful. | 0:36:14 | 0:36:18 | |
It's something that I've not seen before with the carved solid waves. No, exactly. | 0:36:18 | 0:36:24 | |
When I first saw it, I thought, "How wonderful. I'll put it together." | 0:36:24 | 0:36:28 | |
Now I hate it. | 0:36:29 | 0:36:31 | |
I hate it. | 0:36:31 | 0:36:33 | |
The sails took me... You don't want to know how long | 0:36:33 | 0:36:38 | |
to try to reassemble that from a bag of bits. | 0:36:38 | 0:36:42 | |
So what would you do with it? Where would you put it? Probably above the fireplace here. | 0:36:42 | 0:36:48 | |
We have another ship already there. What do you think it's worth? Two, maximum. Carved out of a solid? | 0:36:48 | 0:36:54 | |
Not out of a kit. All the way from Paris. All the cannon are there. Little mother of pearl hatches. | 0:36:54 | 0:37:01 | |
260, then. | 0:37:01 | 0:37:04 | |
250. | 0:37:05 | 0:37:07 | |
250. You've got a deal. | 0:37:07 | 0:37:10 | |
Well, I'm in danger of sinking with my treasure chest full of profit, but the wind's in my sails | 0:37:10 | 0:37:17 | |
and I'm just hoping it's plain sailing ahead. Well, a profit of ?159.09 | 0:37:17 | 0:37:23 | |
leaves James with only one item to go. Bingo had better get his skates on, | 0:37:23 | 0:37:29 | |
especially still with those tables. After a bit of elbow grease, he's back in action. | 0:37:29 | 0:37:35 | |
I've done a little work to them, cleaned them up with ammonia and steel wool, reglued the blocks, | 0:37:35 | 0:37:41 | |
even cut one mother of pearl items. I still believe in them. And I think I've found somebody who loves them. | 0:37:41 | 0:37:48 | |
With the restoration work done, James takes the tables that have cost him ?301 to London | 0:37:48 | 0:37:55 | |
where he hopes Christopher, an interior designer, will buy them. | 0:37:55 | 0:37:59 | |
They're such a useful, functional table, as well as highly decorative. | 0:37:59 | 0:38:04 | |
And an incredible amount of workmanship in them with this inlay, mother of pearl and ebony. | 0:38:04 | 0:38:10 | |
They are very popular. | 0:38:10 | 0:38:12 | |
Are they? And getting harder to find. They're not quite a pair. | 0:38:12 | 0:38:17 | |
They're a near pair and people always want pairs. | 0:38:17 | 0:38:22 | |
Would 350...? Em, 325? | 0:38:22 | 0:38:25 | |
325. I could definitely sell them at 325. | 0:38:25 | 0:38:28 | |
Let's agree on that. Really kind. 325. | 0:38:28 | 0:38:32 | |
Finally! I'm so delighted. I've actually made a profit. | 0:38:32 | 0:38:36 | |
Those lovely Ottoman tables. All the way from Paris. | 0:38:36 | 0:38:40 | |
And after restoration costs, James makes ?24 on the Turkish tables, meaning he's down to his final item. | 0:38:40 | 0:38:47 | |
Agent Braxton is on a mission. His target: Bill, owner of a vintage clothes shop. | 0:38:47 | 0:38:52 | |
His weapon: the overcoat that cost him just over ?80. His aim: to make a killing. | 0:38:52 | 0:38:57 | |
It isn't quite the weather for this. Not really, so you're wearing it for a purpose. Yes, I am, Bill. | 0:38:57 | 0:39:04 | |
Do you recognise this fellow? Aquascutum, for Old England. | 0:39:04 | 0:39:10 | |
Incredible shop, right beside the Louvre. It was a flagship for the best of British gentleman's clothing | 0:39:10 | 0:39:16 | |
in Paris. Yeah, what the French think is the best of British. Aquascutum is a well-known name. | 0:39:16 | 0:39:23 | |
What would you give me for this? 70 quid? Not in a thousand years. | 0:39:23 | 0:39:28 | |
I'd buy it for 30, 40 quid. And an extra tenner for Old England. So that's 50 quid. | 0:39:28 | 0:39:34 | |
And that's really top whack. | 0:39:34 | 0:39:37 | |
Let's shake on it. All right. 50 quid. | 0:39:37 | 0:39:41 | |
Oh, dear! Bingo's first foray into fashion flops and he's forced to wear a loss of ?31.82. | 0:39:41 | 0:39:47 | |
At least he's all sold up, whereas his opponent still has his portico clock and candlesticks. | 0:39:47 | 0:39:54 | |
Having ummed and ahed about buying them, James eventually spent a massive ?454.55, | 0:39:54 | 0:40:00 | |
so this truly is a make or break deal. He'll have to find someone willing to pay big bucks | 0:40:00 | 0:40:05 | |
if he's to squeeze out a profit. So is Rob, an Ashbourne-based clockmaker, the man? | 0:40:05 | 0:40:11 | |
Alabaster and ormolu portico clock. And a pair of white marble and ormolu candlesticks. | 0:40:13 | 0:40:20 | |
I bought them as one lot together | 0:40:20 | 0:40:24 | |
and they look well together. | 0:40:24 | 0:40:26 | |
OK, that's very pretty. Lovely. | 0:40:26 | 0:40:29 | |
Sort of...1840? Something like that. That's what I thought. | 0:40:29 | 0:40:33 | |
For an alabaster one, it's in pretty good nick. Yeah. Not too bad at all. | 0:40:33 | 0:40:38 | |
They always have these marks. | 0:40:38 | 0:40:41 | |
I suppose the obvious question is how much are they? | 0:40:41 | 0:40:45 | |
How about...550? | 0:40:45 | 0:40:48 | |
Honestly, I wouldn't want to spend more than ?400 on it. Not being mean. | 0:40:48 | 0:40:52 | |
How much are the candlesticks? Maybe this might soften the blow. | 0:40:52 | 0:40:56 | |
I reckon I'd get ?350 for those at auction. They're wonderful quality ormolu. | 0:40:56 | 0:41:02 | |
How about if we said ?675 for the set? | 0:41:02 | 0:41:08 | |
Would you make it a nice round seven? Yeah. Deal. Brilliant. Thank you. | 0:41:08 | 0:41:14 | |
The Lionheart has made a fantastic profit of ?245.45 for the clocks and candlesticks, | 0:41:14 | 0:41:21 | |
showing that in this game you have to speculate to accumulate. | 0:41:21 | 0:41:26 | |
Before we find out who is minutes away from victory and who is second, let's see what they spent today. | 0:41:26 | 0:41:33 | |
Both set off to France with ?750-worth of their own euros in their wallets. | 0:41:33 | 0:41:38 | |
James Lewis bought six items and spent ?679.09. | 0:41:38 | 0:41:43 | |
His rival, James "Bingo" Braxton, also made six purchases | 0:41:43 | 0:41:47 | |
and, after a little restoration, ended up spending a total of ?749.46. | 0:41:47 | 0:41:53 | |
All the money from today's challenge will go to our dealers' charities, | 0:41:53 | 0:41:58 | |
so let's find out who is today's champion. | 0:41:58 | 0:42:02 | |
Hi, how are you? Hi, James. How did you find it? | 0:42:02 | 0:42:07 | |
Paris, it's quite expensive. Yeah. Just slightly! | 0:42:07 | 0:42:10 | |
My biggest profit came from the biggest investment, the clock and the candlesticks. | 0:42:10 | 0:42:17 | |
500 euros I had to spend. My most difficult item, that took the most time, were those tables. | 0:42:17 | 0:42:24 | |
A bit of restoration. Did you do it? I didn't really cut anything. Lots of cleaning. | 0:42:24 | 0:42:29 | |
One fellow offered me not the price I wanted. Oh... | 0:42:29 | 0:42:35 | |
So I had to take them to another fellow and I got the price. | 0:42:35 | 0:42:38 | |
Let's... One, two, three. | 0:42:38 | 0:42:41 | |
Wey! Well done. A convincing win. | 0:42:41 | 0:42:46 | |
Thanks. You took that fair and square. Thank you. Oh, blimey. | 0:42:46 | 0:42:51 | |
So James Lewis wins today, having found a better conversion rate than his rival. | 0:42:51 | 0:42:57 | |
Paris, it's a tough old market, that Saint Ouen. | 0:42:57 | 0:43:02 | |
?110. Not the greatest profit. James did very well. | 0:43:02 | 0:43:06 | |
As all the little sales go along, you don't think they'd add up to such a great total. I'm thrilled. | 0:43:06 | 0:43:13 | |
But tomorrow James Braxton has one final time to defend his honour and come out on top | 0:43:13 | 0:43:18 | |
as the two Jameses go head-to-head at the ultimate contest - the showdown. | 0:43:18 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:37 |