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This is Put Your Money Where Your Mouth Is, | 0:00:01 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers will face a daily challenge. | 0:00:20 | 0:00:24 | |
The original cheeky chappie! Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line! | 0:00:27 | 0:00:30 | |
Full house! | 0:00:30 | 0:00:31 | |
And giving you their top tips and savvy secrets | 0:00:32 | 0:00:36 | |
on how to make the most money from buying and selling. | 0:00:36 | 0:00:39 | |
I'm feeling rather lucky! | 0:00:40 | 0:00:42 | |
Prepare for a white-knuckle ride | 0:00:43 | 0:00:46 | |
as our two daring experts are about to face the most formidable challenge to date. | 0:00:46 | 0:00:50 | |
The Dealers' Showdown! | 0:00:50 | 0:00:52 | |
Our duelling duo will have their work cut out | 0:00:53 | 0:00:56 | |
as they crash and collide across counties and countries, | 0:00:56 | 0:00:59 | |
each hoping to uncover hidden treasures and sell them on for the biggest possible profit. | 0:00:59 | 0:01:04 | |
I'll take that. Fabulous. | 0:01:04 | 0:01:06 | |
Coming up - James Lewis forgets his specs... | 0:01:06 | 0:01:08 | |
When you're looking at things from a distance, if you need glasses, put them on! | 0:01:08 | 0:01:13 | |
Bingo Braxton offers his rival some advice. | 0:01:13 | 0:01:16 | |
Copper and brass is very popular with scrap metal merchants! | 0:01:16 | 0:01:20 | |
And things get silly with a comedy icon! | 0:01:20 | 0:01:24 | |
Watch what you're doing. You've got licence to tickle! | 0:01:24 | 0:01:27 | |
This is Put Your Money Where Your Mouth Is! | 0:01:27 | 0:01:30 | |
Welcome antiques fans and adrenaline junkies to The Showdown, | 0:01:42 | 0:01:48 | |
where to of our super-human purchasing power houses | 0:01:48 | 0:01:51 | |
go up against each other in one ultimate finale. | 0:01:51 | 0:01:54 | |
Who could these two trading Titans be? | 0:01:54 | 0:01:57 | |
First into the ring, he's speedier than a speeding bullet, | 0:01:57 | 0:02:00 | |
more loco than a locomotive. | 0:02:00 | 0:02:02 | |
Is it a bird, is it a plane? | 0:02:02 | 0:02:05 | |
No, it's just James "The Lionheart" Lewis. | 0:02:05 | 0:02:08 | |
I need to spend some good money today. | 0:02:09 | 0:02:12 | |
And who would be foolishly brave enough to take on The Lionheart? | 0:02:12 | 0:02:17 | |
Well, a man so charming, he should run a charm school. | 0:02:17 | 0:02:20 | |
So clever, he should be put in a library. | 0:02:20 | 0:02:22 | |
That's me. | 0:02:25 | 0:02:26 | |
Top hole, Bingo! | 0:02:26 | 0:02:28 | |
And today, you'll have to sum up every bit of your vast reserves | 0:02:28 | 0:02:32 | |
as it's the final supreme battle | 0:02:32 | 0:02:34 | |
to sort out for once and for all who's the better barterer. | 0:02:34 | 0:02:38 | |
Expect blood, sweat and tears, | 0:02:38 | 0:02:41 | |
earth, wind and fire, it's time for a showdown! | 0:02:41 | 0:02:45 | |
Mr Braxton! James. How are you? | 0:02:45 | 0:02:47 | |
Very well. You? Yeah, very good, very good. | 0:02:47 | 0:02:50 | |
"The mighty showdown. The rules are simple. | 0:02:50 | 0:02:52 | |
"You must each buy two items at every one of your regular Put Your Money challenges. | 0:02:52 | 0:02:57 | |
"You have ?1,000 to spend." | 0:02:57 | 0:02:59 | |
"You can sell up to four items wherever you want. | 0:02:59 | 0:03:02 | |
"The rest will be sold at auction in Cheltenham. | 0:03:02 | 0:03:06 | |
"The winner is the dealer or auctioneer who makes the most profit." | 0:03:06 | 0:03:10 | |
Well, good luck! | 0:03:10 | 0:03:13 | |
Good luck to you, too, my friend! | 0:03:13 | 0:03:15 | |
So, no nonsense there, just an air of tension. | 0:03:15 | 0:03:18 | |
Maybe even a faint whiff of terror, | 0:03:18 | 0:03:20 | |
as our heavyweights size up the enormity of the task ahead. | 0:03:20 | 0:03:23 | |
With their ?1,000 budgets, they will be buying in their usual hunting grounds. | 0:03:23 | 0:03:28 | |
An auction, a car boot sale, a UK antiques fair | 0:03:28 | 0:03:33 | |
and a foreign antiques market. | 0:03:33 | 0:03:36 | |
They will both have to buy two items at each location | 0:03:36 | 0:03:39 | |
and the winner will be the dealer who makes the most profit | 0:03:39 | 0:03:42 | |
from selling all their items. | 0:03:42 | 0:03:43 | |
So, let's unleash the Titans. It's Round One, the auction. | 0:03:43 | 0:03:48 | |
Our duelling duo will be let loose amongst the lots at the TW Gaze Auction Rooms in Diss, Norfolk. | 0:03:48 | 0:03:55 | |
The place is packed with tempting trinkets and captivating collectables. | 0:03:55 | 0:03:59 | |
But with a two-item limit, our boys will have to be very selective indeed. | 0:03:59 | 0:04:03 | |
After a quick sweep of the auction, | 0:04:03 | 0:04:05 | |
Bingo Braxton settles on his first target. | 0:04:05 | 0:04:08 | |
In the catalogue, they've called it a cricket table, | 0:04:08 | 0:04:11 | |
but cricket tables are generic names for things that have three legs, | 0:04:11 | 0:04:16 | |
as in three stumps of a cricket wicket. | 0:04:16 | 0:04:20 | |
So this has four, so it's more like a good country pub table. | 0:04:20 | 0:04:25 | |
Bingo there quick to set his sights on a goal. | 0:04:25 | 0:04:29 | |
The Lionheart now enters the arena, | 0:04:29 | 0:04:30 | |
butterflies in stomach - and there's room for a few! | 0:04:30 | 0:04:34 | |
But the auction has barely begun when Bingo's table comes up. | 0:04:34 | 0:04:37 | |
At 130 you have it. We sell at ?130. | 0:04:37 | 0:04:40 | |
And Bingo get's the table for just over ?150 all in. | 0:04:42 | 0:04:46 | |
Obviously panicked by his rival's early start, | 0:04:46 | 0:04:49 | |
James Lewis bids for a watercolour he's spotted across the room. | 0:04:49 | 0:04:52 | |
He wins it for less than half the estimated price, | 0:04:52 | 0:04:56 | |
so was he just lucky, or has he spotted something the others haven't? | 0:04:56 | 0:04:59 | |
Lot 9268. Thank you, sir. | 0:04:59 | 0:05:03 | |
That was an interesting watercolour. | 0:05:03 | 0:05:05 | |
The reason I think the picture people ignored it | 0:05:05 | 0:05:08 | |
is because it's a study of a porcelain. | 0:05:08 | 0:05:11 | |
That's a porcelain artist painting on watercolour for 12 quid. That's cheap. | 0:05:11 | 0:05:16 | |
Yes, but will the watercolour bear closer scrutiny? | 0:05:16 | 0:05:18 | |
When you're looking at things from a distance, | 0:05:18 | 0:05:21 | |
if you needs glasses, it's a good idea to put them on! | 0:05:21 | 0:05:24 | |
I didn't, and I'm now regretting it | 0:05:24 | 0:05:27 | |
because that is an awful picture! | 0:05:27 | 0:05:29 | |
Whoops! | 0:05:29 | 0:05:31 | |
Yes. "Whoops" not a word we're used to hearing from James Lewis. | 0:05:31 | 0:05:35 | |
The pressure of the showdown really getting to him | 0:05:35 | 0:05:38 | |
as the watercolour cost him 14.16 with fees. | 0:05:38 | 0:05:41 | |
Let's hope he's learned from his mistake. | 0:05:41 | 0:05:43 | |
Next, he buys a Royal Worcester twin-handled vase. | 0:05:43 | 0:05:47 | |
Estimated at 20 to ?25, | 0:05:47 | 0:05:49 | |
but costing him ?14.16 after fees. | 0:05:49 | 0:05:53 | |
But once again, there's a problem. | 0:05:53 | 0:05:55 | |
This is a classic bit of Royal Worcester. | 0:05:55 | 0:05:58 | |
I know there's a date code there for 1909. | 0:05:58 | 0:06:01 | |
But the bad news is, | 0:06:01 | 0:06:03 | |
it has been totally smashed! | 0:06:03 | 0:06:06 | |
And to the restorer, | 0:06:06 | 0:06:08 | |
if they can restore that themselves, | 0:06:08 | 0:06:11 | |
I'm sure I can get 40 or 50 quid for it. | 0:06:11 | 0:06:15 | |
It may not be perfect, but James can still see a profit in it. | 0:06:15 | 0:06:18 | |
Bingo is also hoping he'll be toasting his success | 0:06:18 | 0:06:23 | |
when he picks up a silver tankard estimated at 50 to ?60 | 0:06:23 | 0:06:26 | |
for just over ?80 after fees. | 0:06:26 | 0:06:28 | |
With both our battling bidders bought up, let's see the scoreboards. | 0:06:30 | 0:06:33 | |
Both our gutsy gaveleers started out with ?1,000 to play with. | 0:06:36 | 0:06:39 | |
James The Lionheart Lewis took a gamble on his two items. | 0:06:39 | 0:06:44 | |
But jaunty Bingo Braxton was happy to splash out at the auction. | 0:06:51 | 0:06:55 | |
There's no time to relax as we go straight into Round Two. | 0:07:02 | 0:07:06 | |
Our duelling duo will be unleashed in a field in Denham in Buckinghamshire, | 0:07:08 | 0:07:13 | |
where hundreds of traders have all turned up at sunrise for some early morning bargain hunting. | 0:07:13 | 0:07:17 | |
The question is, are our two art market auctioneers | 0:07:17 | 0:07:21 | |
going to find any top treasures amongst the tumuli of tat? | 0:07:21 | 0:07:25 | |
They both need to spend big to win, | 0:07:25 | 0:07:28 | |
and no-one knows that better than James The Lionheart Lewis. | 0:07:28 | 0:07:32 | |
My showdown trough is full of over ?970-worth of loot. | 0:07:32 | 0:07:38 | |
Now, here at the car boot sale, I'm not going to spend it all, | 0:07:38 | 0:07:41 | |
but I'm certainly going to try and spend as much as possible. | 0:07:41 | 0:07:44 | |
Yes, and you need to, James, or all your money will back up into the final two rounds | 0:07:44 | 0:07:50 | |
which could be risky. | 0:07:50 | 0:07:51 | |
So, what are you going to start with? Something substantial? Something enormous? | 0:07:51 | 0:07:55 | |
How much is that? | 0:07:55 | 0:07:57 | |
50p, mate. 50p. I'll take it. | 0:07:57 | 0:08:00 | |
Well, James just flies in the face of his own strategy | 0:08:00 | 0:08:02 | |
and spends 50p! | 0:08:02 | 0:08:04 | |
James, what on earth are you up to? | 0:08:04 | 0:08:06 | |
This little rabbit looks very much like Doulton Flambe. | 0:08:06 | 0:08:10 | |
Doulton were probably one of the most famous factories in British history. | 0:08:10 | 0:08:13 | |
It made everything from the sewer pipes under the street | 0:08:13 | 0:08:16 | |
to the finest china on some of the biggest dining tables in the world. | 0:08:16 | 0:08:20 | |
But unfortunately, it looks like it, but it's not. | 0:08:20 | 0:08:23 | |
Certainly a cheap buy for 50p! | 0:08:23 | 0:08:26 | |
So, Lewis buys a funny bunny for not much money. | 0:08:26 | 0:08:29 | |
But his rival makes a dash to splash some serious cash. | 0:08:29 | 0:08:33 | |
?15 for a priceless bit of 1970s furniture. | 0:08:33 | 0:08:37 | |
We've got a sort of historical map of the world | 0:08:37 | 0:08:41 | |
and I think this could be a little winner. | 0:08:41 | 0:08:43 | |
How much will I get for it? I don't know. 80? 120? | 0:08:43 | 0:08:47 | |
Well, 80 or 120 would certainly be a handsome profit | 0:08:47 | 0:08:50 | |
on that '70s table. | 0:08:50 | 0:08:52 | |
And James Lewis is also counting his money-making chickens, | 0:08:52 | 0:08:55 | |
having spent ?15 on some copperware. | 0:08:55 | 0:08:58 | |
There are very few occasions when you buy something | 0:08:59 | 0:09:02 | |
when you know it's a guaranteed profit. | 0:09:02 | 0:09:05 | |
But this is one of those occasions. | 0:09:05 | 0:09:07 | |
Lovely quality, solid copper. | 0:09:07 | 0:09:09 | |
Lined in zinc. But look at the base. | 0:09:09 | 0:09:12 | |
This is the thing that tells you it's a good early pan. | 0:09:12 | 0:09:15 | |
It has the brass key-shaped solder line to the base. | 0:09:15 | 0:09:19 | |
And the weight is fantastic. | 0:09:19 | 0:09:22 | |
I hope that that will make 50 to ?70 on its own. | 0:09:22 | 0:09:26 | |
The rest, if I have to, I'll take it to the scrap man. | 0:09:26 | 0:09:29 | |
Let's hope he doesn't have to do that. | 0:09:29 | 0:09:32 | |
After spending ?15 on the saucepans, | 0:09:32 | 0:09:35 | |
James Lewis's Round Two purchases are all done. | 0:09:35 | 0:09:38 | |
There's been some uncharacteristically cautious purchasing from The Lionheart. | 0:09:38 | 0:09:42 | |
In contrast, though, Bingo has swooped in and spent ?60 on an antique silver ash tray. | 0:09:42 | 0:09:49 | |
It is very obviously an ash tray. | 0:09:50 | 0:09:51 | |
Now, if I'm going to add value to this, | 0:09:51 | 0:09:53 | |
I'm going to take these three lugs off, then I've got a useful little dish. | 0:09:53 | 0:09:59 | |
This has been cleaned and used and bashed for almost 100 years. | 0:09:59 | 0:10:06 | |
It has an old penny in here, dated 1797, George III one penny. | 0:10:06 | 0:10:11 | |
They're colloquially known as cartwheels. | 0:10:11 | 0:10:13 | |
?60. Whether I can tickle ten or ?20 out of it, I don't know. | 0:10:13 | 0:10:19 | |
But we'll see what it looks like when I've taken those lugs off. | 0:10:19 | 0:10:21 | |
Well, it sounds like Bingo has a plan. | 0:10:21 | 0:10:24 | |
But let's see where things stand at the end of Round Two. | 0:10:24 | 0:10:27 | |
Both our bargain busters started with ?1,000 of their own money. | 0:10:29 | 0:10:32 | |
James Lewis has been very slow with his spending, | 0:10:32 | 0:10:36 | |
having now parted with a mere ?43.82. | 0:10:36 | 0:10:39 | |
Leaving a very worrying ?956.18 burning a hole in his pocket. | 0:10:39 | 0:10:45 | |
Bingo Braxton has been slow but steady so far, | 0:10:46 | 0:10:49 | |
spending ?311, | 0:10:49 | 0:10:51 | |
which gives him a more respectable ?689 still to spend. | 0:10:51 | 0:10:56 | |
Time is now running out for James Lewis, as we move on to Round Three. | 0:10:56 | 0:11:00 | |
This will take place at the Ardingly International Antiques and Collectors Fair | 0:11:02 | 0:11:06 | |
in West Sussex, | 0:11:06 | 0:11:08 | |
where there are up to 1,700 stalls. | 0:11:08 | 0:11:10 | |
The Lionheart in particular needs to spend, spend, spend, | 0:11:10 | 0:11:14 | |
but first our two duelling dealers meet up to discuss the lie of the land. | 0:11:14 | 0:11:18 | |
James, how are you doing? It's embarrassment. | 0:11:18 | 0:11:21 | |
An embarrassment of riches? No! | 0:11:21 | 0:11:24 | |
50 quid! | 0:11:24 | 0:11:26 | |
50 pounds?! I do not know what is wrong with me at the moment! | 0:11:26 | 0:11:29 | |
I normally buy loads, spend high, | 0:11:29 | 0:11:32 | |
and I'm just not doing it! | 0:11:32 | 0:11:34 | |
Anyway, good luck. Spend more money! | 0:11:34 | 0:11:38 | |
I'll try! I'll try! | 0:11:38 | 0:11:39 | |
Yes, good advice from his rival, | 0:11:39 | 0:11:41 | |
because James Lewis is, if he doesn't pull his socks up, | 0:11:41 | 0:11:44 | |
heading for a disaster. | 0:11:44 | 0:11:45 | |
And things get even worse | 0:11:45 | 0:11:47 | |
when it's Bingo who uncovers the first potential purchase of the round. | 0:11:47 | 0:11:51 | |
There's nothing like a good old foot scraper! | 0:11:51 | 0:11:53 | |
It's probably been outside since about 1850, this. | 0:11:53 | 0:11:58 | |
What do you want for this huge lump of cast iron? | 0:11:58 | 0:12:01 | |
?40? I'll give you ?40. | 0:12:01 | 0:12:03 | |
Oh, good chap. That's very kind. | 0:12:03 | 0:12:05 | |
Thank you very much indeed. | 0:12:05 | 0:12:06 | |
Yes, deal done without a haggle in sight. | 0:12:06 | 0:12:09 | |
But will he be able to scrape off a profit for his purchase? | 0:12:09 | 0:12:12 | |
Here's a lovely foot scraper, Victorian. | 0:12:12 | 0:12:15 | |
Some nice moulded pillars here. Look at that. | 0:12:15 | 0:12:17 | |
Architectural shapes, aren't they? | 0:12:17 | 0:12:20 | |
To relieve this flat area, they've put some square moulds there. | 0:12:20 | 0:12:24 | |
This sets the tone as you approach the door. | 0:12:24 | 0:12:28 | |
People always talk about kerbside appeal | 0:12:28 | 0:12:30 | |
This is doorside appeal. | 0:12:30 | 0:12:32 | |
Yes, doorside appeal. You heard it here first. | 0:12:32 | 0:12:35 | |
And with that purchase, he's hoping victory will be a shoe in. | 0:12:35 | 0:12:38 | |
Although James Lewis will probably respond by saying, "Cobblers". | 0:12:38 | 0:12:42 | |
Because he's found a shoemaker's automaton. | 0:12:42 | 0:12:44 | |
Quite fun, isn't it? Yes. Are you very flexible? | 0:12:45 | 0:12:49 | |
Bit personal(!) | 0:12:49 | 0:12:50 | |
Three and a half would be the very best. Could you do a bit better? | 0:12:50 | 0:12:54 | |
340. Definitely 340. No less than that. | 0:12:54 | 0:12:58 | |
You've got yourself a deal. | 0:12:58 | 0:13:00 | |
Thank you. | 0:13:00 | 0:13:01 | |
This is very much in the tradition of antiques. | 0:13:01 | 0:13:05 | |
It's known as an automaton. It would have been in a shoe shop in the 1950s, probably in the window. | 0:13:05 | 0:13:09 | |
These sort of things have been done since the 1800s, | 0:13:09 | 0:13:15 | |
although it's 1950s. | 0:13:15 | 0:13:16 | |
It's just a great thing. I didn't want to leave it here. | 0:13:16 | 0:13:19 | |
?340 for a cobbler, now that's more like it. | 0:13:19 | 0:13:24 | |
Having dragged his feet in the spending stakes so far, | 0:13:24 | 0:13:27 | |
he's finally prised his wallet open and now he's got a taste for it! | 0:13:27 | 0:13:31 | |
Silver heart-shaped mirror | 0:13:32 | 0:13:34 | |
within a repousse frame. | 0:13:34 | 0:13:36 | |
Would have been a thin sheet of silver, embossed and stamped at the same time. | 0:13:36 | 0:13:42 | |
We've got a hallmark here for London, | 0:13:42 | 0:13:44 | |
it's H, which is about 1908, 1909, | 0:13:44 | 0:13:47 | |
and a WC for William Cummins. | 0:13:47 | 0:13:50 | |
He was one of the most important makers of dressing table items of the period. | 0:13:50 | 0:13:54 | |
The mirror. What would be your best on it? | 0:13:54 | 0:13:58 | |
Well, it's a nice thing, isn't it? 250. | 0:13:58 | 0:14:01 | |
I was hoping you'd start with a one! | 0:14:01 | 0:14:03 | |
Just a little bit too low. If you can do 230, I'll sell it to you. | 0:14:04 | 0:14:08 | |
180. No, it cost more. 210. Give me 210, you've bought it. | 0:14:08 | 0:14:12 | |
195, and that's my limit. | 0:14:14 | 0:14:16 | |
Go another fiver, you've got a deal. That's the best I can do. | 0:14:16 | 0:14:20 | |
Give me 200 quid. Go on, then. | 0:14:20 | 0:14:22 | |
So, after a tremendous haggle, | 0:14:22 | 0:14:25 | |
James spends ?200 on the dressing table mirror | 0:14:25 | 0:14:28 | |
and he hopes to see a profit reflected in it! | 0:14:28 | 0:14:31 | |
Not one to be outdone by his rival, | 0:14:31 | 0:14:33 | |
Bingo has spotted a silver matchbox cover | 0:14:33 | 0:14:36 | |
and when it comes to haggling, he knows the first rule. | 0:14:36 | 0:14:39 | |
Identify the seller's credentials. | 0:14:39 | 0:14:41 | |
"Incorporated Society of Valuers and Auctioneers. Past Branch Chairman." | 0:14:41 | 0:14:47 | |
What august company I am in! | 0:14:47 | 0:14:50 | |
Sounds important, but what on earth does it mean? | 0:14:50 | 0:14:53 | |
What it is is I give you very fair price and you don't bid. How about that? OK. | 0:14:53 | 0:14:57 | |
How much have you got on it? To you, ?60. | 0:14:57 | 0:15:00 | |
I'm going to take that. Thank you very much indeed. You're welcome. Branch chairman! | 0:15:00 | 0:15:05 | |
This is a lovely bit. The clue really is in its contents. | 0:15:05 | 0:15:09 | |
It's a matchbox cover. | 0:15:09 | 0:15:11 | |
This was a luxury good. It's got a good weight to it. | 0:15:11 | 0:15:13 | |
The retailer's even bothered to hand engrave this. | 0:15:13 | 0:15:17 | |
Most of these have bashes. | 0:15:17 | 0:15:20 | |
They're bent, they've fallen off the mantelpiece where they were used to light the fire. | 0:15:20 | 0:15:24 | |
This one's in good nick, | 0:15:24 | 0:15:26 | |
and at ?60, there's a good profit for me. | 0:15:26 | 0:15:29 | |
So, that's Round Three all wrapped up. | 0:15:29 | 0:15:31 | |
But when it comes to the crunch will Bingo's foot scraper boot away the competition from Lewis's cobbler? | 0:15:31 | 0:15:37 | |
Both chaps started this contest with ?1,000. | 0:15:38 | 0:15:41 | |
James Lewis took a while to start spending, | 0:15:41 | 0:15:44 | |
but has at last parted with ?583.82 | 0:15:44 | 0:15:47 | |
leaving himself a reasonable ?416.18 | 0:15:47 | 0:15:51 | |
for the final push. | 0:15:51 | 0:15:53 | |
James Bingo Braxton has been in the lead up until now | 0:15:53 | 0:15:57 | |
but has suddenly been overtaken by his rival, | 0:15:57 | 0:15:59 | |
having only spent a total of ?411, | 0:15:59 | 0:16:02 | |
leaving a sizeable ?589 lingering in his kitty. | 0:16:02 | 0:16:06 | |
This is the last chance for our audacious experts to prove their buying bravery. | 0:16:12 | 0:16:16 | |
They're going to need to stay focused this time | 0:16:17 | 0:16:19 | |
as they're being sent to France and the St-Ouen flea market in Paris, | 0:16:19 | 0:16:23 | |
one of the biggest antiques markets in the world. | 0:16:23 | 0:16:26 | |
But also one of the most expensive. | 0:16:26 | 0:16:29 | |
Profit-making items will be few and far between. | 0:16:29 | 0:16:32 | |
James Lewis isn't intimidated, though. | 0:16:32 | 0:16:35 | |
I've got over 400 euros to spend today | 0:16:35 | 0:16:38 | |
and really, I'd like to spend as much as possible. | 0:16:38 | 0:16:41 | |
The auction was a struggle. The car boot sale wasn't much better. | 0:16:41 | 0:16:45 | |
At the antiques fair, I spent a good bit there | 0:16:45 | 0:16:47 | |
but today, for me, it's all about spending money. | 0:16:47 | 0:16:51 | |
Well, it sounds like The Lionheart is going to come out fighting. | 0:16:51 | 0:16:54 | |
When the going gets tough, James Lewis gets going, going, gone | 0:16:54 | 0:16:58 | |
and, true to his word, he's off to a flying start. | 0:16:58 | 0:17:01 | |
He gets his hands in his pockets and spends ?36.36 on a vase. | 0:17:01 | 0:17:07 | |
This is an Oriental vase in bronze and ormolu. | 0:17:07 | 0:17:11 | |
We've got grotesque marks on the corner, | 0:17:11 | 0:17:14 | |
we've got two sections made and bolted together through the base, | 0:17:14 | 0:17:18 | |
and this is a vase traditionally shaped from the 17th century. | 0:17:18 | 0:17:24 | |
If it was period and it was 1700s, | 0:17:24 | 0:17:28 | |
I'd be jumping up and down for joy. | 0:17:28 | 0:17:30 | |
A 19th-century one like this, though, | 0:17:30 | 0:17:32 | |
is still going to show me a really good profit. | 0:17:32 | 0:17:35 | |
Yes, The Lionheart oozing confidence now. | 0:17:35 | 0:17:38 | |
Having finally found his stride, | 0:17:38 | 0:17:40 | |
this is a man who can not only smell a profit, he's had a whiff of victory. | 0:17:40 | 0:17:44 | |
But there's still the little matter of his rival to get past. | 0:17:44 | 0:17:47 | |
Bingo is fighting back when he spots a religious picture. | 0:17:47 | 0:17:51 | |
It's nice. It's an oil painting | 0:17:52 | 0:17:55 | |
painted on a wooden panel. | 0:17:55 | 0:17:58 | |
With a frame, a gilt frame would really lift that. | 0:17:58 | 0:18:02 | |
So James does a deal on the painting for ?72.73 | 0:18:02 | 0:18:06 | |
and he doesn't stop there. | 0:18:06 | 0:18:08 | |
Like lightning, he's straight on to his next potential purchase. | 0:18:08 | 0:18:11 | |
This is a Chinese table. | 0:18:11 | 0:18:13 | |
We call this en Angleterre wangwali. | 0:18:13 | 0:18:17 | |
This is known as black wood. | 0:18:17 | 0:18:19 | |
This is very turn-of-the-century. | 0:18:19 | 0:18:21 | |
This is a classic item that was made in China for export to Europe. | 0:18:21 | 0:18:27 | |
So, he likes the table. Now all he has to do is agree a price. | 0:18:27 | 0:18:31 | |
Deux cents? Deux cents cinquante. | 0:18:31 | 0:18:32 | |
Deux cents. So 200. | 0:18:32 | 0:18:35 | |
Deux cents cinquante. Cinquante. 500? | 0:18:35 | 0:18:38 | |
200 et... Cinq... Euro. Zero. | 0:18:38 | 0:18:42 | |
Non. 250? | 0:18:42 | 0:18:45 | |
Goodness me! We could be here for a while. | 0:18:45 | 0:18:47 | |
Deux cents, monsieur. | 0:18:47 | 0:18:49 | |
Non. Deux cents trente. | 0:18:49 | 0:18:51 | |
So that's 230, you're saying. | 0:18:51 | 0:18:53 | |
My price deux cents vingt. | 0:18:53 | 0:18:56 | |
OK. OK? OK. Merci, monsieur. | 0:18:56 | 0:19:00 | |
I haven't quite understood what we've shaken on! | 0:19:00 | 0:19:03 | |
No, whether he understands or not, | 0:19:03 | 0:19:05 | |
he pays 220 euros for the Chinese table, | 0:19:05 | 0:19:08 | |
which translates as precisely ?200. | 0:19:08 | 0:19:11 | |
So that's James Braxton all spent up | 0:19:11 | 0:19:13 | |
and it's not long before his rival has finished, too, | 0:19:13 | 0:19:16 | |
having bought a Punch inkwell for just over ?180. | 0:19:16 | 0:19:20 | |
All the way to Paris to find a little chap from England. | 0:19:22 | 0:19:26 | |
It's a salt-glazed stoneware inkwell | 0:19:26 | 0:19:30 | |
made around 1870, with the diamond registration mark on the back. | 0:19:30 | 0:19:35 | |
That will tell you the exact day, month and year that this design was registered. | 0:19:35 | 0:19:40 | |
The character, Mr Punch, gives it another possible market for selling. | 0:19:40 | 0:19:46 | |
I'm spent up, just about, and I'm really pleased with the day's work. | 0:19:46 | 0:19:51 | |
That's the way to do it! | 0:19:51 | 0:19:53 | |
Now, that's what you call a punch line! | 0:19:53 | 0:19:55 | |
And with that final purchase, it's over. | 0:19:55 | 0:19:58 | |
The buying section of the showdown is done and dusted | 0:19:58 | 0:20:01 | |
and our two brave boys can breathe a sigh of relief, for the time being | 0:20:01 | 0:20:05 | |
Yes, it might au revoir to France, | 0:20:05 | 0:20:08 | |
but the tricky bit is yet to come | 0:20:08 | 0:20:10 | |
for the mighty selling sellathon is on the horizon. | 0:20:10 | 0:20:13 | |
So let's quickly tot up their tallies | 0:20:13 | 0:20:15 | |
and find out who spent what. | 0:20:15 | 0:20:17 | |
Both our Jameses started the show with ?1,000 of their own money. | 0:20:17 | 0:20:22 | |
After a slow start, James Lewis parted with a total of ?802 | 0:20:22 | 0:20:26 | |
on his eight items. | 0:20:26 | 0:20:27 | |
His arch rival, Bingo Braxton, | 0:20:27 | 0:20:29 | |
ended up spending a little more on his eight purchases, | 0:20:29 | 0:20:32 | |
splashing out a total of ?683.73. | 0:20:32 | 0:20:36 | |
Time for our two gladiators to review their bits and bobs. | 0:20:38 | 0:20:41 | |
How did you find it today? Tres difficile. | 0:20:43 | 0:20:45 | |
Of all the places, I struggled most at the auction. | 0:20:45 | 0:20:48 | |
What's your star lot, do you think? | 0:20:48 | 0:20:50 | |
I think... I bought a Chinese/French bronze and ormolu vase today. | 0:20:50 | 0:20:57 | |
Knowing the prices here, what was that, 200 euros? | 0:20:57 | 0:21:00 | |
40. 40?! Yeah. | 0:21:00 | 0:21:02 | |
So that was a... Sacre bleu! Really?! 40? That's a bargain. | 0:21:02 | 0:21:07 | |
It was. You don't get bargains in Paris! | 0:21:07 | 0:21:09 | |
Well, I did! Well done. I was pleased with that. Congratulations. | 0:21:09 | 0:21:12 | |
So, the next time I see you I guess will be at the auction. | 0:21:12 | 0:21:15 | |
Yep. Having made masses of profit on all your objects. | 0:21:15 | 0:21:19 | |
Bonne chance. Bonne chance. | 0:21:19 | 0:21:21 | |
Well done. | 0:21:21 | 0:21:22 | |
So, having bartered, bought and battled across counties and countries, | 0:21:25 | 0:21:29 | |
our two epic warriors must now transform into selling machines | 0:21:29 | 0:21:34 | |
as they sell their items for as much as they can, | 0:21:34 | 0:21:36 | |
hoping to win ultimate victory. | 0:21:36 | 0:21:38 | |
But the showdown sell-off has a twist. | 0:21:38 | 0:21:41 | |
The auction. James and James must put at least half their items under the hammer, | 0:21:41 | 0:21:46 | |
where they'll be unable to control whether their profits fly high or dip low. | 0:21:46 | 0:21:51 | |
So the two Jameses retreat to their respective base camps | 0:21:51 | 0:21:54 | |
to draw up their battle plans. | 0:21:54 | 0:21:56 | |
Back in his Sussex bunker, | 0:21:56 | 0:21:57 | |
Bingo is scheming and strategising. | 0:21:57 | 0:22:01 | |
Here I am, surrounded by my showdown items. | 0:22:01 | 0:22:04 | |
I love this elm table. It was described in the auction room as a cricket table. | 0:22:04 | 0:22:10 | |
Elm, now, is quite exotic. It's quite valuable. | 0:22:10 | 0:22:13 | |
And then, rather fun, I like that. Really good country house manor. | 0:22:13 | 0:22:16 | |
I think I know the person for that. | 0:22:16 | 0:22:18 | |
The car boot. ?60. | 0:22:18 | 0:22:20 | |
That's a tuppenny piece, generically known as a cartwheel. | 0:22:20 | 0:22:23 | |
And the christening cup. | 0:22:23 | 0:22:25 | |
It's got a nice reeded moulding rushing around here, | 0:22:25 | 0:22:28 | |
which reinforces the silver shape. | 0:22:28 | 0:22:31 | |
This is made, I think, by a company called Regency Line. | 0:22:31 | 0:22:35 | |
I might put that into auction because I bought it well. ?15. | 0:22:35 | 0:22:39 | |
A lovely Edwardian luxury good, retailed by H.Rodriguez. | 0:22:39 | 0:22:44 | |
And that is a lovely item. | 0:22:44 | 0:22:46 | |
Again, I'll put that forward to auction. | 0:22:46 | 0:22:48 | |
And my picture. I paid about ?70 for that. | 0:22:48 | 0:22:51 | |
That's going to auction. Who knows? 100 to ?150. | 0:22:51 | 0:22:55 | |
Alongside the picture and the other items, Bingo will be putting the Chinese table into auction. | 0:22:55 | 0:23:01 | |
But in Derbyshire, how's Mr Lewis feeling? | 0:23:01 | 0:23:04 | |
This looks a really mixed bag! | 0:23:04 | 0:23:07 | |
I have to say my favourite of the lot is my Mr Punch salt-glazed inkwell from France. | 0:23:07 | 0:23:14 | |
But then the mirror. A lot of money, but William Cummins is a great maker, | 0:23:14 | 0:23:19 | |
and a lovely, lovely object. | 0:23:19 | 0:23:21 | |
The Worcester vase. Less than ?20. | 0:23:21 | 0:23:24 | |
If I can find a ceramic restorer with real talent, | 0:23:24 | 0:23:28 | |
they'll be able to bring this vase back to life again. | 0:23:28 | 0:23:31 | |
My last thing is the automaton. | 0:23:31 | 0:23:33 | |
He's off having his flat cap replaced. | 0:23:33 | 0:23:36 | |
I'm going to have to sell him more locally, and probably to a local cobbler for a window display. | 0:23:36 | 0:23:41 | |
But the four things that I know are going into auction for sure | 0:23:41 | 0:23:44 | |
are my copper pans, my little Flambe rabbit - 50p from a car boot sale. | 0:23:44 | 0:23:51 | |
My Chinese bronze vase with a French ormolu base. | 0:23:51 | 0:23:53 | |
The fourth thing that is definitely an auction candidate - I've left it down here deliberately - | 0:23:53 | 0:23:59 | |
why did I buy this?! | 0:23:59 | 0:24:01 | |
It's appalling! | 0:24:01 | 0:24:03 | |
What an awful picture! | 0:24:03 | 0:24:05 | |
All in all, I'm quite confident, but James bought well, too, | 0:24:05 | 0:24:08 | |
so it'll be touch and go! | 0:24:08 | 0:24:11 | |
Well, both our experts must now get to work | 0:24:11 | 0:24:14 | |
and demonstrate exactly how they've climbed to the top of the antiques business, | 0:24:14 | 0:24:18 | |
as they set about finding buyers for their sellables. | 0:24:18 | 0:24:20 | |
Remember, no deal is sealed until they've shaken on it and the cash is in their hands. | 0:24:20 | 0:24:25 | |
And first to step into the ring is James Lewis with his automaton, | 0:24:25 | 0:24:30 | |
having targeted cobbler Andy as the perfect buyer. | 0:24:30 | 0:24:33 | |
My biggest purchase ever on the show. | 0:24:33 | 0:24:37 | |
My cobbler automaton. | 0:24:37 | 0:24:39 | |
?340 paid for him at the antiques fair. | 0:24:39 | 0:24:43 | |
I've come to Chesterfield to Peter's cobblers and shoemakers | 0:24:43 | 0:24:46 | |
who make traditional English shoes. | 0:24:46 | 0:24:48 | |
I just had the feeling this is the perfect home for him. | 0:24:48 | 0:24:51 | |
There he is. He's got a few blemishes on the skin. Yeah. Where he's been in the window and it's been hot. | 0:24:51 | 0:24:57 | |
He looks like he's at retirement age! | 0:24:57 | 0:24:59 | |
He's old, isn't he? Yeah. | 0:24:59 | 0:25:01 | |
I think he was made in the 1950s. | 0:25:01 | 0:25:03 | |
He'd make a good window display, it would be a good advert. | 0:25:03 | 0:25:06 | |
He could have a nice big hand-painted sign on the front. | 0:25:06 | 0:25:09 | |
That would be great. It would be a good centre-piece. The kids will love it in the window. | 0:25:09 | 0:25:13 | |
How cheap is it, James? | 0:25:13 | 0:25:15 | |
600? | 0:25:15 | 0:25:16 | |
Six hundred pounds?! For this? Yeah. Yeah? | 0:25:16 | 0:25:19 | |
Right. That's a bit steep for me, that. I was thinking 400. | 0:25:19 | 0:25:23 | |
I'd say four and a half. How about 550? | 0:25:23 | 0:25:26 | |
I'd say ?500 and that's probably the most... You've got a deal. Yeah? You've got a deal. Excellent. | 0:25:26 | 0:25:31 | |
Brilliant. Thank you very much. Great. | 0:25:31 | 0:25:33 | |
You've got your own cap! He's quite authentic, isn't he? | 0:25:33 | 0:25:36 | |
We can form a partnership, can't we, Pop? | 0:25:36 | 0:25:39 | |
It was a major investment, but I've got a profit out of it. | 0:25:40 | 0:25:43 | |
And look, doesn't he look super? | 0:25:43 | 0:25:45 | |
Yes, James makes a profit of ?147.50 after restoration costs. | 0:25:45 | 0:25:51 | |
And he's put his best foot forward. | 0:25:51 | 0:25:54 | |
Over in Bexhill in East Sussex, | 0:25:54 | 0:25:56 | |
Bingo is hoping to sell the table he bought at auction for just over ?150. | 0:25:56 | 0:26:01 | |
He's taken it to antiques dealer Andy. | 0:26:01 | 0:26:03 | |
But it seems the table has a more complicated heritage than he realised. | 0:26:03 | 0:26:08 | |
I like the elm top to it. I don't know what the base is, probably oak. | 0:26:08 | 0:26:12 | |
Yes, it is, yeah. | 0:26:12 | 0:26:14 | |
It's an old stool base, by the looks of it. | 0:26:14 | 0:26:16 | |
An old stool base?! How do you work that one out, then, Andy? | 0:26:16 | 0:26:19 | |
Well, you've got a tripod top, for a start. | 0:26:19 | 0:26:21 | |
Oh, I see. Yeah, I've got you. It's the base of a stool. | 0:26:21 | 0:26:26 | |
So it's a funny old amalgam, then. Yes. It's a little marriage. | 0:26:26 | 0:26:29 | |
A marriage made in heaven? | 0:26:29 | 0:26:31 | |
Well, I don't know. I'm sure they've had a golden or a diamond wedding anniversary, these two. | 0:26:31 | 0:26:36 | |
I'm looking for sort of, anywhere between sort of 140, 180. | 0:26:36 | 0:26:41 | |
No, I couldn't, James. What's your top on that? | 0:26:41 | 0:26:45 | |
130 I'd say on that. | 0:26:45 | 0:26:47 | |
How about 150 on it? | 0:26:47 | 0:26:48 | |
I really don't see it at that, James. 140? Go on. | 0:26:48 | 0:26:52 | |
You're a tough man, Andy. | 0:26:52 | 0:26:54 | |
Oh, dear. Mr Braxton kicks off his showdown selling with a loss of ?13.40. | 0:26:54 | 0:26:58 | |
But he's looking on the bright side. | 0:26:58 | 0:27:01 | |
My country elm table turned out to be two items. | 0:27:01 | 0:27:04 | |
Turned out to be a stool and the top of an old wine table. | 0:27:04 | 0:27:08 | |
So I've managed to sell it. Not at a profit, | 0:27:08 | 0:27:11 | |
but I got out of a mistake. | 0:27:11 | 0:27:13 | |
And while Bingo's cutting and running, James Lewis has also been busy. | 0:27:14 | 0:27:19 | |
Having sold his twin-handled vase for a profit of ?20.84, | 0:27:19 | 0:27:22 | |
he's now hoping for a sale from his mirror. | 0:27:22 | 0:27:25 | |
I'm waiting at my sale room along with this lovely heart-shaped mirror. | 0:27:25 | 0:27:30 | |
I've shown it to a friend of mine, Mike, | 0:27:30 | 0:27:31 | |
and I'm hoping he might like it enough to show me a good profit. | 0:27:31 | 0:27:35 | |
Which will mean him paying more than the ?200 it cost James. | 0:27:35 | 0:27:39 | |
It is such a beautiful thing. | 0:27:40 | 0:27:42 | |
It's nice to get a refresh on just how good the silverwork of it is and everything. | 0:27:42 | 0:27:47 | |
If you turn it over, that will be the original colour. | 0:27:47 | 0:27:49 | |
It's over 100 years old. It's good to see the wear, the use. It's good to see the item's history. | 0:27:49 | 0:27:56 | |
In the good old days, when that sort of thing was fashionable, | 0:27:56 | 0:27:59 | |
it might have made 750, something like that. | 0:27:59 | 0:28:03 | |
Would you be happy at 250? | 0:28:03 | 0:28:05 | |
310? 280? | 0:28:05 | 0:28:07 | |
Hold me there? | 0:28:07 | 0:28:09 | |
90? | 0:28:09 | 0:28:11 | |
Oh. OK, fine! | 0:28:11 | 0:28:12 | |
285. 295. 285. 95. | 0:28:12 | 0:28:15 | |
95. 290, then. It's got to be there at 285! | 0:28:15 | 0:28:17 | |
It's yours. 285 is fine. Brilliant. | 0:28:19 | 0:28:23 | |
Cor, that got fast and furious! | 0:28:23 | 0:28:25 | |
Still, James can reflect on the fact that he's made a profit of ?85. | 0:28:25 | 0:28:28 | |
Now, talking of silver, | 0:28:28 | 0:28:30 | |
Bingo Braxton's taken his silver tankard to antiques dealer Adrian | 0:28:30 | 0:28:35 | |
but he didn't get the price he was hoping for | 0:28:35 | 0:28:37 | |
and lost 60 pence! | 0:28:37 | 0:28:39 | |
Still, never write off an underdog, because Mr Braxton still has plenty more tricks up his sleeve. | 0:28:39 | 0:28:44 | |
But then so does James Lewis, | 0:28:44 | 0:28:46 | |
who is down to his final item. | 0:28:46 | 0:28:48 | |
And what a wonderful day it is for popping up to Liverpool | 0:28:48 | 0:28:51 | |
to sell his salt-glazed inkwell. | 0:28:51 | 0:28:53 | |
I've come armed with my salt-glazed inkwell of Mr Punch | 0:28:53 | 0:28:57 | |
to one of England's most beautiful cities, here in Liverpool. | 0:28:57 | 0:29:01 | |
Now, it's a city known for The Beatles, Cilla Black, but also the patron of the Punch and Judy Club, | 0:29:01 | 0:29:07 | |
Ken Dodd! | 0:29:07 | 0:29:09 | |
James paid ?181.82 for the Mr Punch inkwell. | 0:29:09 | 0:29:13 | |
So will he be able to tickle up a profit from Doddy? | 0:29:13 | 0:29:16 | |
I have to say, when I was in France, looking at this little inkwell... | 0:29:16 | 0:29:20 | |
A what well? Inkwell. I've got it here somewhere! I thought you'd brought me champagne! | 0:29:20 | 0:29:26 | |
The last person on earth I thought I'd be with on a stage in Liverpool is you. | 0:29:27 | 0:29:32 | |
But there we are. He's nice, isn't he? | 0:29:32 | 0:29:34 | |
Mr Punch. Mr Punch. | 0:29:34 | 0:29:37 | |
It was made in about 1850. He was made in London. | 0:29:37 | 0:29:40 | |
And he's salt-glazed. | 0:29:40 | 0:29:42 | |
Tell me about your connections with Punch. | 0:29:42 | 0:29:44 | |
My first experience of show business and the industry | 0:29:44 | 0:29:48 | |
was, for a birthday present, I got a Punch and Judy Show. | 0:29:48 | 0:29:54 | |
I used to give backyard concerts. How old were you then? | 0:29:54 | 0:29:57 | |
About eight. No. | 0:29:57 | 0:29:59 | |
It could be one of your little diddy men. Yes. I'll fix him up with his own tickling stick! | 0:29:59 | 0:30:03 | |
Where did that idea come from, the tickling stick? | 0:30:03 | 0:30:05 | |
It's a jester's prop. The jesters of old always had a little prop with them. Sometimes a little face. | 0:30:05 | 0:30:13 | |
Like Mr Punch there. Would you like one? I'd love one! | 0:30:13 | 0:30:16 | |
Take your pick. Which colour would you like? | 0:30:16 | 0:30:18 | |
That one. All right, then. | 0:30:18 | 0:30:20 | |
Watch what you're doing. You've got licence to tickle! | 0:30:20 | 0:30:23 | |
James has whetted Doddy's appetite. | 0:30:23 | 0:30:26 | |
But can he make a profit on the inkwell? | 0:30:26 | 0:30:28 | |
Be reasonable, because I am a struggling comedian! | 0:30:28 | 0:30:32 | |
500? | 0:30:34 | 0:30:36 | |
What's your lowest? How about 350? | 0:30:40 | 0:30:43 | |
That seems reasonable. Is that all right? 350, yes. | 0:30:44 | 0:30:47 | |
I can just manage that. You've got a deal. | 0:30:47 | 0:30:49 | |
So James Lewis is happy with a not so diddy profit of ?168.18 for the inkwell | 0:30:49 | 0:30:56 | |
and he gets to meet a comedy icon! | 0:30:56 | 0:30:58 | |
Well, with that, James Lewis is ready for the auction. | 0:30:58 | 0:31:01 | |
But it's not time to say tatty-bye just yet | 0:31:01 | 0:31:04 | |
as Bingo Braxton is still busy selling. | 0:31:04 | 0:31:07 | |
But not very well. He makes another loss, this time on his ash tray, | 0:31:07 | 0:31:11 | |
which he sells for ?40, making a disappointing ?20 loss. | 0:31:11 | 0:31:15 | |
Still, it may be one step back, but it could be two steps forward | 0:31:15 | 0:31:19 | |
as he arrives in rainy Berkshire | 0:31:19 | 0:31:21 | |
hoping to scrape a profit on the foot scraper from Stewart, an expert in antique metalware. | 0:31:21 | 0:31:26 | |
Here's this mighty heavy beastie. Yep. | 0:31:26 | 0:31:30 | |
It's been outside for some time. | 0:31:30 | 0:31:32 | |
It's a good country house look, isn't it, the boot scraper? | 0:31:32 | 0:31:35 | |
They like cast iron boot scrapers. They're good sellers. | 0:31:35 | 0:31:38 | |
Interesting here, you've got provision for brushes on the side. | 0:31:38 | 0:31:42 | |
So when you scrape your boots, you brush the side of the soles as well. | 0:31:42 | 0:31:46 | |
Ah, I've seen those before. It has a Regency look to it, doesn't it? | 0:31:46 | 0:31:50 | |
It could be 1850, couldn't it? 1840? | 0:31:50 | 0:31:53 | |
I'm erring slightly later than that, personally. Yeah. | 0:31:53 | 0:31:55 | |
Because they're not hand-cut nuts underneath. | 0:31:55 | 0:31:58 | |
Ah. Right, OK. It's going to be 1880s. 1880s. | 0:31:58 | 0:32:02 | |
I know what I want to pay for it, so... Is it ?100? 120 quid. | 0:32:02 | 0:32:06 | |
You want to pay 120 quid? That's what I was going to bid you. | 0:32:06 | 0:32:09 | |
I'll take it. Are we there already? I'll take that. That's fabulous. | 0:32:09 | 0:32:12 | |
Thank you very much indeed. | 0:32:12 | 0:32:14 | |
From 40 to 120! I'm in the money. | 0:32:14 | 0:32:17 | |
So Bingo's rightfully delighted with a profit of ?80 for the foot scraper. | 0:32:17 | 0:32:22 | |
Before our two brave boys head for the auction, | 0:32:22 | 0:32:25 | |
it's time to find out how their selling efforts have set them up | 0:32:25 | 0:32:27 | |
ready for the final part of this epic battle. | 0:32:27 | 0:32:30 | |
James Lewis has sold his four items but already has a sizeable profit of ?421.52. | 0:32:31 | 0:32:38 | |
Bingo has also sold all four purchases, | 0:32:38 | 0:32:40 | |
but with a profit of only ?46 | 0:32:40 | 0:32:43 | |
has his hopes riding high on the auction. | 0:32:43 | 0:32:45 | |
Our boys' efforts to target perfect buyers end here, | 0:32:45 | 0:32:49 | |
because their remaining items must go in the showdown auction, | 0:32:49 | 0:32:53 | |
a place where all the experience in the world will be unable to influence what happens. | 0:32:53 | 0:32:58 | |
I'm dreading this! I'm looking forward to this, James. | 0:32:58 | 0:33:02 | |
Are you? Yes. | 0:33:02 | 0:33:03 | |
Anxious anticipation from one, utter terror from the other! | 0:33:05 | 0:33:08 | |
This truly is an experience that stretches fear and excitement to breaking point. | 0:33:08 | 0:33:12 | |
Because how, James and James's hopes and dreams are firmly in the hands of others | 0:33:12 | 0:33:17 | |
as their items go on sale at British Bespoke Auctioneers in Cheltenham. | 0:33:17 | 0:33:21 | |
But before the hammer starts to fall, | 0:33:21 | 0:33:24 | |
there's just time for James Lewis to give his verdict on one of Bingo's items. | 0:33:24 | 0:33:28 | |
Words fail me when I look at this table. | 0:33:28 | 0:33:31 | |
When it was made, probably in the 1970s, | 0:33:31 | 0:33:33 | |
it didn't have any style or taste. | 0:33:33 | 0:33:35 | |
Now, it's just old, battered without any style or taste! | 0:33:35 | 0:33:39 | |
James Lewis pretty damning there about his rival's table. | 0:33:39 | 0:33:42 | |
Bingo, on the other hand, always the gentleman. | 0:33:42 | 0:33:45 | |
Where's Lionheart's courage disappeared to? | 0:33:45 | 0:33:48 | |
He's paid just over ?14 for this. | 0:33:48 | 0:33:50 | |
It's a watercolour. It's quite pretty. Slightly sentimental, I suppose. | 0:33:50 | 0:33:55 | |
It's in its original oak frame with its gilt slit moulding. | 0:33:55 | 0:33:58 | |
I think he's going to make a profit. | 0:33:58 | 0:34:00 | |
And so, as the bidding gets underway, | 0:34:00 | 0:34:03 | |
there's an expectant buzz in the air. | 0:34:03 | 0:34:05 | |
The first lot to go under the hammer is James Lewis's bronze vase, | 0:34:05 | 0:34:08 | |
which cost him ?36.36 at the Parisian market. | 0:34:08 | 0:34:12 | |
This is the one that I have all my hopes on! | 0:34:12 | 0:34:15 | |
An antique ormolu-mounted 19th-century dark patinated Chinese bronze vase. | 0:34:15 | 0:34:20 | |
Got to be worth 20. In straightaway at ?20 in the room. | 0:34:20 | 0:34:22 | |
Looking for 22. At 22 in the back of the room. Thank you. 22. | 0:34:22 | 0:34:25 | |
Got you at 25. 28? | 0:34:25 | 0:34:26 | |
30. Two. Five? 32 with you, then. | 0:34:26 | 0:34:30 | |
35. Got him. At 35. 38? That's enough. That's enough! | 0:34:30 | 0:34:33 | |
It might be enough for you, Bingo, but the price on James's vase is still going up. | 0:34:33 | 0:34:38 | |
At ?50, the right hand corner. | 0:34:38 | 0:34:41 | |
And five. 55 in the room. Another bidder at 55. At 60. | 0:34:41 | 0:34:44 | |
And five. 70. And five. Sir, would you like to go? 75. Thank you. | 0:34:44 | 0:34:49 | |
We're going to sell at ?75. Going once, twice, at ?75. | 0:34:49 | 0:34:52 | |
Sold! | 0:34:52 | 0:34:54 | |
That's a good start from The Lionheart as he makes a profit of ?18.54 after auction costs. | 0:34:54 | 0:34:59 | |
Next up is Mr Lewis's pots and pans | 0:35:00 | 0:35:03 | |
which he bought from the car boot for ?15. | 0:35:03 | 0:35:06 | |
I know copper and brass is not in fashion at the moment. | 0:35:06 | 0:35:11 | |
But I really like this sort of... I take issue on that. | 0:35:11 | 0:35:16 | |
Copper and brass is very popular with scrap metal merchants! | 0:35:16 | 0:35:19 | |
We're going to start with a commission bid on this, ladies and gentlemen. With me. | 0:35:19 | 0:35:22 | |
At ?30. Looking for ?32 on this. | 0:35:22 | 0:35:25 | |
I've got ?30 on the net. Thank you. | 0:35:25 | 0:35:27 | |
35 elsewhere? 32 on the net. We're looking at ?35. | 0:35:27 | 0:35:30 | |
We've got 32. At 35. At ?35, then. | 0:35:30 | 0:35:34 | |
Sold. Thank you. | 0:35:34 | 0:35:35 | |
That's another profit for James Lewis, | 0:35:35 | 0:35:37 | |
albeit not a massive one, as he makes ?7.10 on his metalware. | 0:35:37 | 0:35:41 | |
Now it's Bingo Braxton's turn, | 0:35:41 | 0:35:44 | |
as his oil painting goes under the hammer. | 0:35:44 | 0:35:46 | |
In the overall scheme of things, in terms of percentage and confidence... | 0:35:46 | 0:35:52 | |
Brimming. Brimming. | 0:35:52 | 0:35:54 | |
Whether I make a profit on it, at a purchase price of ?73... | 0:35:54 | 0:35:59 | |
A very nice period piece, this. | 0:35:59 | 0:36:02 | |
I'm going to start the bidding straight in with me at ?90. | 0:36:02 | 0:36:05 | |
A commission bid at ?90. We've got 90 on this. | 0:36:05 | 0:36:07 | |
?90 with me. I'm looking for 95 in the room or at home. | 0:36:07 | 0:36:10 | |
At 95 now. We've got 95 and now 100. At ?100. | 0:36:10 | 0:36:14 | |
Going once, twice, at ?100. | 0:36:14 | 0:36:17 | |
Sold. Thank you. Well done. | 0:36:17 | 0:36:19 | |
I wasn't expecting that! No, I wasn't, either! | 0:36:19 | 0:36:22 | |
I think "brimming" seems really appropriate! | 0:36:22 | 0:36:25 | |
Yes, he looks relieved. But after auction costs are taken off, | 0:36:26 | 0:36:28 | |
he makes a profit of just ?2.67. | 0:36:28 | 0:36:31 | |
Don't get too confident, now, Bingo! | 0:36:31 | 0:36:33 | |
Next up it's the silver matchbox holder that cost him ?60 at the antiques fair. | 0:36:33 | 0:36:38 | |
Let's start the bidding with me at ?38. Commission bid at 38 and 40 in straightaway. | 0:36:38 | 0:36:43 | |
I've got 40. And 42. On the internet at 42. And 45 in the room. | 0:36:43 | 0:36:47 | |
I'm looking for 48. 48 I'm bid. 48 and 50. Thank you. | 0:36:47 | 0:36:49 | |
55 on the net now, and 60. | 0:36:49 | 0:36:51 | |
60 in the room. I'm looking for 65 on the net. | 0:36:51 | 0:36:53 | |
I've got it. Looking for 70 now. | 0:36:53 | 0:36:56 | |
Have we got 70 in the room or at home? | 0:36:56 | 0:36:57 | |
Yes. 70 in the room. Sure, sir? At ?70. | 0:36:57 | 0:37:00 | |
At 70 with you, sir, at ?70. | 0:37:00 | 0:37:02 | |
We're looking for 75 on the net now. I've got ?75. Going once, twice, at ?75. | 0:37:02 | 0:37:07 | |
Sold to the net. Thank you. | 0:37:07 | 0:37:09 | |
So Bingo loses ?5.10 on the matchbox holder. | 0:37:09 | 0:37:12 | |
But the pressure is back on James Lewis next | 0:37:12 | 0:37:15 | |
as the ceramic rabbit that cost him 50p hops into the limelight. | 0:37:15 | 0:37:19 | |
Who will start me off at ?20 only for the Flambe. At ?20. | 0:37:19 | 0:37:23 | |
We'll start it off at 15, then. | 0:37:23 | 0:37:25 | |
It's got to be worth ?15. Come on! | 0:37:25 | 0:37:28 | |
We've got a bid on the net at 15. And 18. | 0:37:28 | 0:37:30 | |
And 20 now. We're looking for 22. | 0:37:30 | 0:37:32 | |
Have we got 22? We've got 22. | 0:37:32 | 0:37:34 | |
Looking for 25. 25 now bid. | 0:37:34 | 0:37:36 | |
At ?25. Going once, twice. Sold. Thank you very much. | 0:37:36 | 0:37:40 | |
That's a good profit. Well done! | 0:37:40 | 0:37:42 | |
Yes, very gracious Mr Braxton there, | 0:37:42 | 0:37:46 | |
while his rival wins a profit of ?13.40 for the rabbit. | 0:37:46 | 0:37:49 | |
Which means it's James Lewis's final lot, the watercolour, | 0:37:49 | 0:37:53 | |
which he has no faith in. | 0:37:53 | 0:37:55 | |
I'm not proud of this lot. How much did you buy it for? | 0:37:55 | 0:37:57 | |
Not much. Less than ?15. About 12 or 14. | 0:37:57 | 0:38:00 | |
That's probably an indication of its worth, isn't it? | 0:38:00 | 0:38:03 | |
Yes, it really can be a problem buying from one auction and selling at another. | 0:38:03 | 0:38:07 | |
So, how will it do? | 0:38:07 | 0:38:09 | |
Any takers at ?10? Are we sure? At ?10... Thank you, madam. | 0:38:09 | 0:38:12 | |
At ?10. You obviously like nice still life paintings. | 0:38:12 | 0:38:15 | |
Anyone give 12? 12 with you. | 0:38:15 | 0:38:17 | |
At 12. At 15, madam? | 0:38:17 | 0:38:19 | |
15. At ?18, then, going once, twice, at ?18. Sold. | 0:38:19 | 0:38:26 | |
Oh! That's all right, isn't it? My world's ended! | 0:38:26 | 0:38:30 | |
So James Lewis is dealt a bit of a blow when he loses ?6 on the watercolour. | 0:38:30 | 0:38:36 | |
Now all of James Lewis's lots have gone, | 0:38:36 | 0:38:38 | |
it's all down to Bingo Braxton's two tables to turn the tables on this bitterly fought battle. | 0:38:38 | 0:38:43 | |
First up is the Chinese table he bought in France. | 0:38:43 | 0:38:47 | |
?200, I paid for it! | 0:38:47 | 0:38:49 | |
What on earth... | 0:38:49 | 0:38:51 | |
At ?120. At 120. | 0:38:52 | 0:38:55 | |
120 we're looking for. 120. 130. 140. | 0:38:55 | 0:38:58 | |
It'll have to go a lot higher than that to get Bingo into the black! | 0:38:58 | 0:39:01 | |
I've got 160, now. It went quickly up to 160. | 0:39:01 | 0:39:03 | |
170, thank you in the room. 170. 180 with me. | 0:39:03 | 0:39:06 | |
At ?180, then, we're going to sell. | 0:39:06 | 0:39:08 | |
Going, once, twice, at ?180. | 0:39:08 | 0:39:11 | |
Oh, dear. Minus the auction costs, that's a devastating loss of ?60.44. | 0:39:11 | 0:39:18 | |
And so it's Bingo's brass table. His final item. | 0:39:18 | 0:39:22 | |
It's solid brass. It's just solid rubbish. It's horrid. | 0:39:22 | 0:39:26 | |
It's lovely. It's not. It's early 1980s. | 0:39:26 | 0:39:30 | |
You don't like this, do you? 1980s. Love it. | 0:39:30 | 0:39:33 | |
I'm expecting big profits. | 0:39:34 | 0:39:36 | |
Well, you can't make a big loss, can you? | 0:39:36 | 0:39:38 | |
?15. Who knows? | 0:39:38 | 0:39:40 | |
A wood and brass coffee table by Regency Line of Birmingham. | 0:39:40 | 0:39:44 | |
At ?35. No! | 0:39:44 | 0:39:47 | |
At ?35. I'm looking for 38. | 0:39:47 | 0:39:50 | |
Nobody's been on holiday? And they're all bidding. | 0:39:50 | 0:39:53 | |
At 38. You can all bid. We don't mind if you bid together. | 0:39:53 | 0:39:57 | |
At 38. At 40 with me. | 0:39:57 | 0:39:59 | |
And 42. Go on! Go on! | 0:39:59 | 0:40:03 | |
At 42. We're looking for... 42 with you and back with me. | 0:40:03 | 0:40:06 | |
At ?45. 45 we've got. | 0:40:06 | 0:40:08 | |
We're looking for ?48 now. | 0:40:08 | 0:40:10 | |
We're looking for ?48. 45 and 48. Thank you. | 0:40:10 | 0:40:14 | |
Going once, twice, at ?48. | 0:40:14 | 0:40:18 | |
He'll even deliver for you madam! Sold. Thank you. | 0:40:18 | 0:40:20 | |
Yes, and a sportsmanlike round of applause from James Lewis. | 0:40:22 | 0:40:26 | |
Bingo's table goes for over three times what he paid for it | 0:40:26 | 0:40:29 | |
and he finishes his auction with a profit | 0:40:29 | 0:40:31 | |
of ?17.76. | 0:40:31 | 0:40:33 | |
All our experts' lots have now been sold | 0:40:33 | 0:40:36 | |
and there's nothing more they can do. | 0:40:36 | 0:40:38 | |
The question is, though, who's the overall victor? | 0:40:38 | 0:40:41 | |
Both James Braxton and James Lewis started the showdown with ?1,000 of their own money. | 0:40:42 | 0:40:48 | |
James Lewis spent a total of ?814.50 on his eight items | 0:40:48 | 0:40:52 | |
and a little restoration on the side. | 0:40:52 | 0:40:54 | |
Whereas James Braxton spent ?683.73 | 0:40:54 | 0:40:59 | |
on his eight purchases. | 0:40:59 | 0:41:01 | |
All the money that James and James have made today | 0:41:03 | 0:41:05 | |
will be going to charities of their choice. | 0:41:05 | 0:41:07 | |
So without further ado, it's time to find out | 0:41:07 | 0:41:10 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:10 | 0:41:15 | |
Good to see you. Good to see you. How are you? | 0:41:15 | 0:41:17 | |
Showdown, my word. | 0:41:17 | 0:41:19 | |
And that auction! The one thing I took away from that auction | 0:41:19 | 0:41:22 | |
was my Italian picture, I couldn't think who to sell it to | 0:41:22 | 0:41:26 | |
that I wouldn't get come-back from. | 0:41:26 | 0:41:27 | |
And that did all right! It did. A profit. | 0:41:27 | 0:41:30 | |
Always wash your mistakes through auction. | 0:41:30 | 0:41:32 | |
What was your biggie? I think my biggest percentage profit | 0:41:32 | 0:41:36 | |
was the little rabbit from the car boot sale for 50p | 0:41:36 | 0:41:40 | |
that made over ?20. | 0:41:40 | 0:41:42 | |
I was chuffed with that. If you keep those profits like that, | 0:41:42 | 0:41:45 | |
I might actually win this one! Let's have a look. | 0:41:45 | 0:41:48 | |
One, two, three, go! | 0:41:48 | 0:41:51 | |
Oh, my word! | 0:41:51 | 0:41:53 | |
Hey? Sorry? | 0:41:53 | 0:41:55 | |
What?! 89p?! | 0:41:55 | 0:41:57 | |
How did that happen? | 0:41:59 | 0:42:01 | |
Yes, Bingo genuinely lost for words | 0:42:02 | 0:42:05 | |
as James Lewis wins today's showdown. | 0:42:05 | 0:42:07 | |
But our experts have been building up their profit pots over a week of challenges. | 0:42:07 | 0:42:12 | |
So it's time to find out who is the overall winner. | 0:42:12 | 0:42:14 | |
So, shall we reveal the week? Yeah, I want to get this off! | 0:42:15 | 0:42:19 | |
There we go. | 0:42:20 | 0:42:21 | |
Oh, that is very respectable, Mr Lewis. | 0:42:21 | 0:42:24 | |
That's not bad, either. | 0:42:24 | 0:42:26 | |
I'm not too bad. I've suffered some scrapes and rigours, but you have taken it. | 0:42:26 | 0:42:30 | |
Well done, young man. It's been good fun. Good fun. | 0:42:30 | 0:42:33 | |
We've raised a lot of money. We've done very well. Let's go and celebrate. | 0:42:33 | 0:42:37 | |
So a gracious James Braxton concedes victory to his rival. | 0:42:37 | 0:42:41 | |
Both our duelling dealers have made fantastic profits | 0:42:41 | 0:42:44 | |
and all that money will go to their chosen charities. | 0:42:44 | 0:42:47 | |
About six months ago, I had a letter from a veteran from Afghanistan | 0:42:47 | 0:42:51 | |
who'd been blown up by an IED. | 0:42:51 | 0:42:53 | |
He said how the show was watched over in Afghanistan and it gave him great pleasure. | 0:42:53 | 0:42:57 | |
So my money is going to the Queen's Royal Lancers Regimental Association. | 0:42:57 | 0:43:02 | |
My money is going to a local Eastbourne charity, | 0:43:02 | 0:43:06 | |
St Wilfrid's Hospice. | 0:43:06 | 0:43:08 | |
After a week of all-out action | 0:43:08 | 0:43:10 | |
and hard-fought close combat, | 0:43:10 | 0:43:12 | |
both Jameses have put their money where their mouths are | 0:43:12 | 0:43:14 | |
and proved they can make big profits from antiques when their own money is on the line. | 0:43:14 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:36 |