Browse content similar to Jonty Hearnden v Paul Hayes - Car Boot. Check below for episodes and series from the same categories and more!
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'This is the show that pitches TV's best-loved antiques experts 'against | :00:09. | :00:12. | |
each other in an all-out battle for profit. ' And gives you the | :00:13. | :00:15. | |
insider's view of the trade.' Who's there? | :00:16. | :00:22. | |
'Each week, one pair of duelling dealers 'will face a different daily | :00:23. | :00:25. | |
challenge.' The original cheeky chappy! Lovely! 'Putting their | :00:26. | :00:31. | |
reputations on the line.' Full house. Oh, I say! ' And giving you | :00:32. | :00:38. | |
their top tips and savvy secrets 'on how to make the most money from | :00:39. | :00:41. | |
buying and selling.' I'm feeling rather lucky. | :00:42. | :00:47. | |
'Today, Oxfordshire's hardest haggler, Jonty Hearnden, 'takes on | :00:48. | :00:49. | |
Morecambe's nicest negotiator, Paul Hayes. 'Coming up, Jonty gets into a | :00:50. | :00:55. | |
tasty negotiation.' I'm a decent honest bloke. But I need a curry | :00:56. | :01:04. | |
tonight. Curry? Yeah. ' Paul almost loses his nerve.' Run out of time! | :01:05. | :01:14. | |
Everyone's gone home! ' And in the selling, Jonty learns a harsh | :01:15. | :01:16. | |
lesson.' That was interesting but, for me, disappointing because I've | :01:17. | :01:20. | |
lost a sale, really. 'This is Put Your Money Where Your Mouth Is.' | :01:21. | :01:23. | |
'Today, a battle of pride will rage on the Sussex hills 'amongst the | :01:24. | :01:27. | |
stands and stalls of Ford Airfield car-boot sale. | :01:28. | :01:39. | |
'A classic duel will befall our two gentlemen of antiquities 'as they | :01:40. | :01:42. | |
seek to bring honour and profit to their respective houses. 'Each of | :01:43. | :01:47. | |
our distinguished experts must plunder and pillage 'in search of | :01:48. | :01:54. | |
prize pieces at premium prices. 'First, the courageous cavalier of | :01:55. | :01:56. | |
the south with great expectations to conquer his rival, it I've got some | :01:57. | :02:05. | |
more hunting to do. 'Up against him it's the noble man of the north... | :02:06. | :02:11. | |
'A celebrated scourer and dastardly dealer. 'He'll stop at nothing in | :02:12. | :02:17. | |
his quest for victory.' I see no ships, only hardships. 'These | :02:18. | :02:20. | |
resplendent warriors must stake out a dawn raid mission 'to scalp and | :02:21. | :02:25. | |
steal the best car boot booty. 'With loot in hand, they must sell their | :02:26. | :02:30. | |
items for the highest profit. 'But only one can return home with their | :02:31. | :02:40. | |
head held high. 'They've each got ? 250 of their own money to spend 'and | :02:41. | :02:44. | |
all the profit goes to their chosen charities. | :02:45. | :02:46. | |
'The night before this epic tussle, 'our heroes put their differences | :02:47. | :02:49. | |
aside 'to have a quiet cuppa and talk strategy.' Now, Jonty, are you | :02:50. | :02:53. | |
cosy by the fire here? Very, very cosy. It's unusual to see you the | :02:54. | :02:58. | |
night before battle. Yeah. We're at Ford car-boot sale? That's right. | :02:59. | :03:05. | |
It's a massive air strip. Great place to buy and we've got ?250 to | :03:06. | :03:10. | |
spend. Absolutely. Have you got a tactic? I'm looking for things that | :03:11. | :03:13. | |
call to me. Have you had that experience? They say, "Paul! Come | :03:14. | :03:17. | |
and buy me!" Something to get my teeth into. What about yourself? | :03:18. | :03:19. | |
Just something with a profit. Nothing more, nothing less. We both | :03:20. | :03:23. | |
need a good night's sleep. I'll see you in the morn 5ing. | :03:24. | :03:30. | |
'And so to bed doth Paul Hayes creep with Flopsy at his side. 'Safe and | :03:31. | :03:36. | |
sound, he doesn't know is cometh to him cry. 'For in the dark, when | :03:37. | :03:41. | |
demons dance and hope has all but gone 'Beware he must a tall dark man | :03:42. | :03:45. | |
'Known to his friends as Jon-ty.' WIND WHISTLES AND HOWLS. Hello? | :03:46. | :03:58. | |
SPOOKY MOANING. Hello? Who's there? Pa-a-u-u-l. Are | :03:59. | :04:05. | |
you the ghost of car boots future come to take me away? No, it's me, | :04:06. | :04:09. | |
Jonty, come to give you a wake-up call. We've got to go! 'Oh! What an | :04:10. | :04:13. | |
alarm, but there's no time for messing around. 'As dawn breaks, our | :04:14. | :04:16. | |
early risers must prepare for action. 'After banishing his | :04:17. | :04:18. | |
nightmares, Paul is thinking 'about how he can get the upper hand in | :04:19. | :04:22. | |
this car boot battle.' car-boot sales are fantastic places. You can | :04:23. | :04:28. | |
buy anything you want. You have to get here early, make sure you have | :04:29. | :04:33. | |
the correct change. Try and buy quality, things that jump out at | :04:34. | :04:36. | |
you. 'So, buying quality is Paul's masterplan for success today. 'That | :04:37. | :04:40. | |
and having the right change, but Jonty is one fierce opponent. 'He | :04:41. | :04:47. | |
also has boot sale blueprint all worked out.' As I revealed to Paul, | :04:48. | :04:51. | |
my plan of attack is to buy anything that is a profit. I need to scour | :04:52. | :04:55. | |
the whole place, but before I do that I need to wrap up because it's | :04:56. | :04:59. | |
a really cold day. So, I've got my trusty hat... And I'm ready for | :05:00. | :05:04. | |
action. # Let's get ready to rhumble! | :05:05. | :05:09. | |
# MUSIC: "Let's Get Ready To Rhumble" by Ant and Dec. | :05:10. | :05:13. | |
'Yes, this is it, the crusade for car boot supremacy is under way. | :05:14. | :05:21. | |
'With nothing more than his woolly hat and trading guile, 'Jonty | :05:22. | :05:24. | |
fearlessly faces up to his first potential purchase. That's rather | :05:25. | :05:34. | |
sweet. How much is it? ?20. 20 quid? That's very expensive firewood. | :05:35. | :05:42. | |
Yeah. Look! A warped top as well! 'Oh, yes. Look at that! Bad-mouth | :05:43. | :05:46. | |
the product. 'Then knock down the price. Master tactician!' I'm going | :05:47. | :05:50. | |
to halve it. I'm going to give you a tenner. 15. I'm under instructions. | :05:51. | :06:04. | |
Let's go halfway. ??12.50. No. 15. You were about to shake my hand. No, | :06:05. | :06:08. | |
I wasn't. I'm a decent honest bloke! But I need a curry tonight. A curry? | :06:09. | :06:13. | |
Yeah. Curry's not 15 quid. No, it's 18, actually! BOTH LAUGH. Watch it, | :06:14. | :06:18. | |
as prices go up! Give me a pound off and it's mine. 15. 14. 14.50. Go on, | :06:19. | :06:24. | |
then. Thank you very much. 'Well, it was hard work, but everyone's a | :06:25. | :06:27. | |
winner. 'Even the booter will get her biryani.' This is an Indian | :06:28. | :06:30. | |
folding occasional table. You can see that it's folding because it's | :06:31. | :06:34. | |
got hinges just here. So this whole stand will fold so it can be packed | :06:35. | :06:37. | |
away. This is all hand-carved on the top and one piece of wood. You can | :06:38. | :06:41. | |
tell that it's hand-carved. You can see the irregularity of the floral | :06:42. | :06:45. | |
design. If you look on the inside, it's brass inlay as well. We're | :06:46. | :06:48. | |
probably looking at a table that's Edwardian, so possibly 100 years | :06:49. | :06:52. | |
old. A piece of furniture like this would have come home from the Brits | :06:53. | :06:56. | |
who were part of the Ra mj. They would have brought occasional | :06:57. | :06:58. | |
furniture like this back. ?14.50 for an occasional table, all hand-made? | :06:59. | :07:03. | |
That has to be a bargain. 'Jonty's off to a flyer and he's not content | :07:04. | :07:06. | |
with buying his own stuff. 'He thinks he may have spotted his retro | :07:07. | :07:11. | |
rockabilly rival's next purchase. Every night, Paul Hayes will be | :07:12. | :07:15. | |
doing this to the King. # Don't be cruel... # 'Yes, don't be | :07:16. | :07:19. | |
cruel! Mind you, he's not far off the mark. | :07:20. | :07:22. | |
'Music-loving Paul's rocking radar HAS picked something up.' I just | :07:23. | :07:25. | |
spotted something which is calling to me. It's an old record player. I | :07:26. | :07:29. | |
LOVE records! It's so retro. This is something from the 1950s, 1960s. | :07:30. | :07:33. | |
It's that rock 'n' roll era. This one's made in France. It's got a bit | :07:34. | :07:36. | |
of Bakelite. "Arret" means "stop". It's quite sophisticated. You would | :07:37. | :07:40. | |
carry this around the dance halls and have a jive. What I like is that | :07:41. | :07:44. | |
it will play the standard records. It'll play 33, which is the old LP. | :07:45. | :07:48. | |
45, which is a single. It'll even play the 78s, which are the very old | :07:49. | :07:52. | |
records. I'm going to take a chance on this. | :07:53. | :08:02. | |
Do you know whether this is working? Have you tried it? I'm pretty sure | :08:03. | :08:07. | |
it is. I had it going. I had Cliff Richard on there. It was skipping a | :08:08. | :08:17. | |
bit. How much do you want? ?25. Can I give you ?20 and I'll take it? ?20 | :08:18. | :08:21. | |
and you've got it. Thank you very much, sir. 'There he goes, like a | :08:22. | :08:25. | |
greyhound from the traps - 'ears pricked and senses primed, always | :08:26. | :08:28. | |
alert for that next deal.' I can't hear anything calling me. "Hello!" | :08:29. | :08:39. | |
MUSIC: "Call Me" by Blondie. 'Our scavenging superhero is leaving | :08:40. | :08:43. | |
no stone unturned. 'No stall is spared his deal-seeking gaze. 'He's | :08:44. | :08:47. | |
fiddling with everything. Oh, Jonty! TUNELESS SCRAPING. Where are you, | :08:48. | :08:53. | |
Jonty? I think we'll stop there. Dear me! 'Concentrate on the job at | :08:54. | :08:57. | |
hand, as that's what your rival is doing. | :08:58. | :09:02. | |
'Ello, 'ello, 'ello. He's spotted an item - a policeman's truncheon. | :09:03. | :09:05. | |
There are collectors for these things. Often, they're decorated | :09:06. | :09:08. | |
with armorial - you know, police emblems. How much is it? ?25. What's | :09:09. | :09:19. | |
your best? That's it, ?25. No, what's your best price? ?25. I can't | :09:20. | :09:24. | |
buy it for 25 quid. 'The stallholder might be digging his heels in, but | :09:25. | :09:28. | |
Jonty's got a trick up his sleeve - 'bulk buying to get the price down.' | :09:29. | :09:32. | |
Tell me about this globe. I quite like this. Just a 1960 Chad Valley | :09:33. | :09:35. | |
one. I see. "Chad Valley, Made in England." It says, "By appointment | :09:36. | :09:38. | |
to Her Majesty, Queen Elizabeth." How much is that? ?20. And if I | :09:39. | :09:42. | |
bought the two? What are we talking then? ?40 for the pair. 40 quid? | :09:43. | :09:52. | |
Yeah. Will you do 35 and then we're happy? I will do, yeah. 35 quid? | :09:53. | :09:55. | |
Yeah. Thank you very much indeed. So, I bought my Victorian truncheon. | :09:56. | :09:59. | |
You can tell that by the shape. Not my cup of tea at all, Often they are | :10:00. | :10:03. | |
decorated in armorial designs, painting on the truncheon itself. | :10:04. | :10:05. | |
They're very collectable, but this is plain. But it's nice and tactile, | :10:06. | :10:09. | |
bit of Victorian curio. And I've got something completely different - a | :10:10. | :10:15. | |
1960s retro globe. I just think it's great fun. The base is painted to | :10:16. | :10:19. | |
make it look like a hardwood, but the whole thing is made of tin - it | :10:20. | :10:23. | |
rattles like tin. This reminds me of a little globe sitting on a school | :10:24. | :10:27. | |
desk. You'd transport that onto somebody's modern desk today. This | :10:28. | :10:36. | |
is ?20 and my globe is 15. Two great buys. | :10:37. | :10:43. | |
Yes, Jonty's at the top of his game and races into a 3-1 lead. 'But ahoy | :10:44. | :10:48. | |
shipmates. What's Paul spotted on the horizon? | :10:49. | :10:50. | |
I just found this interesting telescope. How much is it? 45. But | :10:51. | :10:56. | |
you can haggle with me. PAUL LAUGHS. I like that! This is a | :10:57. | :11:02. | |
night and day telescope. A rule of thumb is that it's a good one if | :11:03. | :11:06. | |
it's got three pulls. But it needs a bit of restoration. We all need a | :11:07. | :11:09. | |
bit of restoration. LAUGHING: Some more than others! | :11:10. | :11:14. | |
Steady! 'The blue-eyed boy's on the charm | :11:15. | :11:20. | |
offensive.' 25 quid? How about 30 and it's yours cos you've got a nice | :11:21. | :11:24. | |
smile. 'The stallholder's hitting back with kind words of her own. | :11:25. | :11:27. | |
'Who will win this battle of niceties?' You know what? You should | :11:28. | :11:31. | |
come and work for me. I'd give you a job! 'Oh, stop it, you two!' Can't | :11:32. | :11:36. | |
do ?25? No. I just knocked ?15 off for you. I'll have that and the only | :11:37. | :11:41. | |
reason is the nice engraving on here. | :11:42. | :11:47. | |
'So, our charmer's been charmed and settles at ?30 for the telescope.' | :11:48. | :11:50. | |
This is a great naval telescope. It's 19th century, not in the best | :11:51. | :11:54. | |
of condition, but what I love is you have a clear maker's mark, G Wilson, | :11:55. | :11:58. | |
London. And it has the person that this telescope was registered to. A | :11:59. | :12:01. | |
Mr Bodle of Woolston Hall, Essex. I'm really pleased with that. ?30, I | :12:02. | :12:05. | |
think it's a bargain. Especially if you can spot the icebergs from 30 | :12:06. | :12:09. | |
yards! Oh, I can see Jonty! He's nice and warm, though. | :12:10. | :12:13. | |
Off in the distance, Jonty has acquired some treasure of his own. I | :12:14. | :12:19. | |
wanted to show you this tea service which I've bought. It's no ordinary | :12:20. | :12:22. | |
tea service because it has a fantastic maker's stamp. Shelley. | :12:23. | :12:25. | |
Shelley were very, very into their Art Deco designs. Sadly, this is not | :12:26. | :12:34. | |
quite an Art Deco design. They're not the classic shape. Shelley | :12:35. | :12:37. | |
designs tend to be more a trumpet shape. This is more rounded at the | :12:38. | :12:43. | |
top. Therefore, from a market perspective, not so desirable. I've | :12:44. | :12:51. | |
just paid ?20 for it. Absolute steal - real bargain. | :12:52. | :12:57. | |
The hit man's feeling pretty pleased with his bargain hunting prowess, | :12:58. | :13:00. | |
'but don't get too cocky, as Paul's not bowled out just yet.' I've | :13:01. | :13:03. | |
bought something I've never bought before. This is a set of crown-green | :13:04. | :13:07. | |
bowls. It'll date some time, maybe 1930s. Could be a bit later. They | :13:08. | :13:12. | |
were so cheap, ?15, I didn't haggle. Lady was lovely. I do know that | :13:13. | :13:17. | |
they're made from lignum vitae, the hardest, densest wood known. It | :13:18. | :13:25. | |
actually sinks. When I was 12-years-old, I entered a | :13:26. | :13:28. | |
competition for crown-green bowls. Do you know what? I won! I must have | :13:29. | :13:32. | |
been a natural. It's been a long time since I've played. I wouldn't | :13:33. | :13:36. | |
mind giving these a whirl before I sell them. | :13:37. | :13:42. | |
That was a nice trip, but come on, Paul, drag yourself back from memory | :13:43. | :13:48. | |
lane! It's not long before he's back on antiques alley 'checking out his | :13:49. | :13:52. | |
opponent's moves. Ahoy, Jonty! Hello, there. I could | :13:53. | :13:57. | |
see you coming from miles away. Do you like my haircut? I love the | :13:58. | :14:01. | |
haircut. But what a great buy! How much did you pay for that? 30 quid. | :14:02. | :14:06. | |
19th-century maker. Bit of restoration this end. 30 quid? | :14:07. | :14:10. | |
That's got to be a bargain. Exactly. What about yourself? I bought a | :14:11. | :14:14. | |
globe at 15 quid. In fact, everything I've bought is dirt | :14:15. | :14:17. | |
cheap. A truncheon, all sorts of things. I bought a French record | :14:18. | :14:20. | |
player. Really? Yes. Do you have any French records? | :14:21. | :14:24. | |
BOTH LAUGH. Let's crack on. Fair enough. See you later. | :14:25. | :14:27. | |
'Before our deal-hunting dons get back to the booty 'time to find out | :14:28. | :14:32. | |
who's off to a flyer and who's stuck on the runway. 'Jonty and Paul each | :14:33. | :14:35. | |
started the day with ?250 of their own cash. 'Nice guy negotiator Paul | :14:36. | :14:38. | |
has bought three items... 'Demon dealer Jonty is ahead. 'He's done | :14:39. | :14:42. | |
four deals... 'Our experts are off again, 'as they bid to become the | :14:43. | :14:46. | |
Lord of the Car Boot. 'With time running out, every second counts. | :14:47. | :14:48. | |
'Although Paul is playing catch-up, it's Jonty who's spotted a potential | :14:49. | :14:50. | |
fifth purchase. My eyes have gone to this book, | :14:51. | :15:12. | |
Scottish Clans And Their Tartans. How fantastic is this? If you open | :15:13. | :15:18. | |
it up, you can see that it's got the old tartans inside. I think it's | :15:19. | :15:21. | |
absolutely wonderful. Good sir, how much is this book? ?5. A fiver? I | :15:22. | :15:27. | |
really like that. I'm going to take it. Thank you, sir. | :15:28. | :15:39. | |
Ker-ching! Another purchase! He's unstoppable. So this is really a | :15:40. | :15:44. | |
reference book, referencing most of the tartans from Scotland. There's | :15:45. | :15:47. | |
no date inside, but by turning to the inside page, you can glean a lot | :15:48. | :15:50. | |
of information. There's an advert here for a Highland Regimental | :15:51. | :15:53. | |
Tailors. He has to be turn-of-the-century. I've got a few | :15:54. | :15:56. | |
Scottish friends. Are they going to be interested? Not sure. See if I | :15:57. | :16:01. | |
can persuade them. Och! Our monarch of the glen is | :16:02. | :16:05. | |
riding into the lead, 'leaving Mr Morecambe trailing in his dust. | :16:06. | :16:08. | |
'With the stalls packing up, Paul is under pressure to spend. | :16:09. | :16:11. | |
How much is your monument thing? 20. Let's have a look at that. I might | :16:12. | :16:17. | |
buy a few things here. OK. I'll put that to one side. Let's have a look | :16:18. | :16:25. | |
at your pen. It's original box. Yeah. I like that. How much is he? | :16:26. | :16:32. | |
50. 50! What's your best on your pen? The pen is ?50. I cannot budge | :16:33. | :16:40. | |
on 50 on the pen. I will do something on the Cenotaph. What if I | :16:41. | :16:44. | |
put the two together? I asked 20 for the Cenotaph. A tenner on that. ??60 | :16:45. | :16:56. | |
the two. ?60 the two? 'It's a tough call. Paul must keep costs down but | :16:57. | :17:00. | |
time is running out.' Can't do 50 quid for the two? I can't. I really | :17:01. | :17:04. | |
can't. Right, I'll have them. Why not? | :17:05. | :17:10. | |
And just like that, he's back in the competition.' It's one of my | :17:11. | :17:13. | |
favourite items. I love a good fountain pen. This is by one of the | :17:14. | :17:17. | |
best makers, Mabie Todd, based in London. This one is the Swan range, | :17:18. | :17:21. | |
1930s, 1940s. The whole thing has a 14-carat gold nib. The idea is you | :17:22. | :17:24. | |
pop it into your inkwell. Using this little lever, you draw up the ink | :17:25. | :17:28. | |
into your pen. It's in beautiful condition. That would make a great | :17:29. | :17:32. | |
present. So I've got high hopes for that. It's cost me ?50. Some of | :17:33. | :17:35. | |
these can run into hundreds of pounds so I'm very excited. At the | :17:36. | :17:39. | |
same time, I bought this model of a cenotaph. For a bit of First World | :17:40. | :17:43. | |
War memorabilia for a tenner, it's priceless. | :17:44. | :17:50. | |
'Our duelling dealers are neck and neck at five apiece. With money | :17:51. | :17:53. | |
burning holes in their pockets, they need to act fast 'as this car boot | :17:54. | :17:57. | |
battle ground is rapidly becoming a wasteland. By the second, this | :17:58. | :18:02. | |
market is emptying. Look to my right. To my left. They're all | :18:03. | :18:08. | |
packing away. Yes, Jonty, you've just got moments before this place | :18:09. | :18:11. | |
becomes a ghost town.' MUSIC: "Ghost Town" by the Specials 'One by one, | :18:12. | :18:14. | |
the traders disappear.' It's getting quite nerve-racking. | :18:15. | :18:27. | |
There's very little left so I need to get my skates on. 'And all our | :18:28. | :18:33. | |
boys can do is wave goodbye.' I've got so much money to spend and I | :18:34. | :18:43. | |
don't know what I'm going to buy. Too late. Run out of time. | :18:44. | :18:48. | |
Everyone's gone home. Aargh! 'With only a handful of stalls left, this | :18:49. | :18:52. | |
is their darkest hour - 'but then a Siren call, a ray of sunlight, 'a | :18:53. | :18:55. | |
photo of a lovely lady that's just cracking.' You just dropped it? I | :18:56. | :19:03. | |
was packing the van. I can't deal with breakables. She's quite fun. | :19:04. | :19:09. | |
What would you take? I can't take less than a tenner. It's worth a | :19:10. | :19:13. | |
fiver to me. I could keep it meself for a fiver. Give me a tenner, come | :19:14. | :19:18. | |
on. Put a glass in and that's worth ?45 to somebody. A tenner. Go on, | :19:19. | :19:21. | |
then. There's ?10 there. Thank you very much. Thank you very much | :19:22. | :19:23. | |
indeed. 'Going home with a Hollywood screen | :19:24. | :19:26. | |
goddess, 'Jonty, you lucky boy!' Who would have thought it, coming into | :19:27. | :19:30. | |
this market I'd walk away with Judy Garland? I need to take the glass | :19:31. | :19:33. | |
out of this frame, but underneath all of this I'm sure is a publicity | :19:34. | :19:38. | |
still of Judy Garland. Whether it's a photograph or a reproduction of a | :19:39. | :19:42. | |
photograph, I'm not sure. If it's a genuine photograph, it's going to | :19:43. | :19:45. | |
have a lot of value. If it's not, then it's not worth a great deal. | :19:46. | :19:53. | |
Jonty snapped a right beauty and is sitting pretty. Across the boot | :19:54. | :19:56. | |
fair, it's last-chance saloon for Paul, 'desperately trying to spend | :19:57. | :19:59. | |
his money.' Do you know what? It's late in the day. I don't really buy | :20:00. | :20:03. | |
this sort of thing, but it's speaking to me. Good garden statues | :20:04. | :20:11. | |
can be very expensive. What do we know about this lion? It's about 30 | :20:12. | :20:17. | |
years old, I think. A little bit out the back, a little chunk. How much | :20:18. | :20:21. | |
is he? It's a fiver. Can't say fairer than that. I shall have that. | :20:22. | :20:26. | |
Lovely. Cheers. They've done all they can. Buying | :20:27. | :20:36. | |
time is up. 'With his last-minute lion at his side, Paul's hoping he's | :20:37. | :20:40. | |
done enough to ride away with this one. | :20:41. | :20:42. | |
It's been a really enjoyable day. It is more like an antiques fair. All | :20:43. | :20:46. | |
my buying's now done, so it's time to get on my bike and to get meself | :20:47. | :20:50. | |
home! Oh! Gizza push! 'You won't make it far on that! | :20:51. | :20:53. | |
You're wobbling all over the place. 'Time to tally up today's spending | :20:54. | :20:57. | |
totals. Jonty and Paul both started the day with ?250 of their own | :20:58. | :21:01. | |
money. 'Jonty has made six deals and spent... 'Paul also picked up six | :21:02. | :21:07. | |
purchases, but spent quite a bit more... 'This is all about who's | :21:08. | :21:10. | |
going to make the biggest profit. 'With their pennies and farthings | :21:11. | :21:14. | |
counted, 'it's time for our gents to retire to the den and reveal their | :21:15. | :21:22. | |
spoils.' How was your day? That car boot's quite special, isn't | :21:23. | :21:26. | |
it? It's more like an antique fair. It's a good market, but didn't it go | :21:27. | :21:32. | |
fast? Very fast. What's your favourite thing? I think I'm | :21:33. | :21:35. | |
genuinely pleased with everything. Like my cracking picture? What made | :21:36. | :21:40. | |
you buy a broken picture? It's what's behind the glass. Is that | :21:41. | :21:46. | |
what it is? Record player? What's that about? It's rock 'n' roll. That | :21:47. | :21:50. | |
is just me. Does it work? It certainly does. It can play Cliff | :21:51. | :21:53. | |
Richard records. Only Cliff Richard records? The one I put my neck on | :21:54. | :22:01. | |
the line for is the fountain pen. I paid ?50 for that. Did you? Yes. The | :22:02. | :22:09. | |
writing's on the wall! I paid ?14.50 for my table. That's a really good | :22:10. | :22:13. | |
buy. Everything was cheap, so I'm hoping I'm going to make some | :22:14. | :22:16. | |
profit. Enjoyed the purchasing. Enjoy the selling. Will do. | :22:17. | :22:21. | |
So, the blockbuster of buying has reached its epic conclusion. 'Let | :22:22. | :22:26. | |
selling commence as our two trading titans journey home 'to start the | :22:27. | :22:29. | |
preparations for turning their trinkets into top dollar. 'Back in | :22:30. | :22:32. | |
Oxfordshire, Jonty's feeling top of his game 'as he takes stock of his | :22:33. | :22:36. | |
looty from the booty.' This is my armoury to beat Paul Hayes from the | :22:37. | :22:41. | |
boot sale. I'm really quite pleased with the collection in front of me. | :22:42. | :22:45. | |
I am very excited with my last purchase, the Judy Garland. The | :22:46. | :22:51. | |
table is probably not a very big return. I've managed to find a | :22:52. | :22:55. | |
tartan shop in London. I can't wait to see them because they are | :22:56. | :22:58. | |
genuinely interested in looking at this book. I loved it and I'm | :22:59. | :23:04. | |
pleased they want to see it. The globe was a brilliant investment and | :23:05. | :23:07. | |
the truncheon, that was probably one of my most expensive buys. Of | :23:08. | :23:12. | |
course, everyone loves tea. I now have to do my homework to find those | :23:13. | :23:16. | |
buyers. So, as Jonty prepares for battle, | :23:17. | :23:20. | |
'over at Hayes HQ, Paul is assessing his armoury.' We've returned from | :23:21. | :23:23. | |
the car-boot sale and I think I've got the upper hand on that Jonty | :23:24. | :23:25. | |
Hearnden. My favourite item has to be this | :23:26. | :23:28. | |
wonderful record player which dates from the 1950s. We also have a stone | :23:29. | :23:32. | |
lion. These things are great items for a garden. It's cost me ?5. | :23:33. | :23:36. | |
There's going to be a buyer out there for that. We've got a | :23:37. | :23:39. | |
telescope here. This dates a little bit earlier than what I expected. | :23:40. | :23:42. | |
This one's about 1805, 1810. The fountain pen is a British maker and | :23:43. | :23:46. | |
it's in great condition. Hopefully, I've got somebody interested in | :23:47. | :23:49. | |
that. The Cenotaph and then the bowls. Apparently, these are three | :23:50. | :23:51. | |
bias and they bend quite quickly. So, Jonty Hearnden, I'm going to | :23:52. | :23:55. | |
bowl you over with all the profit I'm going to make and set you in a | :23:56. | :23:58. | |
spin! The laugh of an evil mastermind. | :23:59. | :24:15. | |
Wa-hahahahaha! 'Both our selling strategists must hit the phones and | :24:16. | :24:18. | |
tap up their contacts 'but no deal is done until it's sealed with a | :24:19. | :24:21. | |
handshake. 'As the mighty sellathon begins, it's Jonty who's first off | :24:22. | :24:29. | |
the blocks. He's got the whole world in his hands as he heads to the | :24:30. | :24:34. | |
riverside town of Henley-On-Thames. I've got my globe with me, which | :24:35. | :24:38. | |
cost me ?15. I've come to show it to Gillian, who runs a travel agency | :24:39. | :24:42. | |
here in Henley-On-Thames. I think I could be in for a bit of a profit. | :24:43. | :24:52. | |
Would you like to have a good old gander at that? Yes. Lovely. What do | :24:53. | :24:57. | |
you think? It's lovely. It's made of tin and, date-wise, it's probably | :24:58. | :25:00. | |
late 1950s or early 1960s. It's around 50 years in date. This is | :25:01. | :25:03. | |
made by a company called Chad Valley. Chad Valley made toys and | :25:04. | :25:07. | |
games. I remember. Is it a name that resonates with you? Yeah. | :25:08. | :25:10. | |
Definitely. A good talking piece for children when we have families come | :25:11. | :25:14. | |
in. I can imagine the kids having a look and thinking, "Where is that?" | :25:15. | :25:21. | |
For a business like this, I hope it's up your street. What cost were | :25:22. | :25:27. | |
you thinking? I'm looking for ?80. 80. Would you be open to an offer? | :25:28. | :25:32. | |
I'm always open to an offer. If we said 65...? I'm happy with ?65. | :25:33. | :25:37. | |
Yeah? Thank you very much indeed. Yeah. Thank you. | :25:38. | :25:46. | |
Jonty's off to a storming start with a profit of ?50. 'Paul is no slouch | :25:47. | :25:54. | |
and he's marching through Morecambe to meet Paul Lomax 'a collector of | :25:55. | :25:57. | |
war memorabilia at the town's Cenotaph. | :25:58. | :25:59. | |
Now then, Paul. How are you? I'm fine, thank you. Great to see you. | :26:00. | :26:03. | |
You have an association with the armed forces? I do. I worked in Iraq | :26:04. | :26:07. | |
with the coalition f What's the idea with a Cenotaph? What was the idea | :26:08. | :26:10. | |
of the monument? Primarily, they were built by the varying councils | :26:11. | :26:13. | |
just to, literally, remember the dead. Somewhere that people could | :26:14. | :26:16. | |
gather on 11th November of each year to pay their respects on the | :26:17. | :26:20. | |
Armistice Day. Have you come across this model? I haven't, the one of | :26:21. | :26:26. | |
Pevensey. I've got several similar in my own collection. This one, it | :26:27. | :26:31. | |
does say, it was made in 1919. I believe it was modelled on the | :26:32. | :26:35. | |
Cenotaph in Whitehall. Is it the sort of thing you'd like to add to | :26:36. | :26:38. | |
your collection? Yes. Always room for one more. I haven't got a | :26:39. | :26:47. | |
Pevensey one. Depending on what you were looking for it, I would be | :26:48. | :26:51. | |
interested. It stands me at a tenner. How would you see it? I'd be | :26:52. | :26:55. | |
more than willing to pay 20 and put it in my collection. We'll shake on | :26:56. | :26:59. | |
that, Pau It's been a pleasure. No problem whatsoever. 'With military | :27:00. | :27:02. | |
precision, Paul makes ?10 on the china memorial statue, 'doubling his | :27:03. | :27:04. | |
money.' That's part of the enjoyment. | :27:05. | :27:06. | |
I found a genuine collector of those Cenotaphs. | :27:07. | :27:11. | |
Paul's delighted. There's a bit of profit in the meantime as well. It's | :27:12. | :27:14. | |
a win-win situation. 'Down south, Paul's rival is taking | :27:15. | :27:18. | |
a trip to the big smoke, 'the capital, London town. 'We all know | :27:19. | :27:22. | |
that Jonty chooses his purchases with precision, 'always taking his | :27:23. | :27:25. | |
items to the most relevant of places. 'So, here he is with an item | :27:26. | :27:31. | |
no Londoner can live without(!). So, I have with me my Scottish clans | :27:32. | :27:35. | |
book which I bought in the market for ?5. I'm here in the centre of | :27:36. | :27:39. | |
London because I've come to meet Stephen, who operates, believe it or | :27:40. | :27:43. | |
not, a tartan shop business. He could be just the right person. | :27:44. | :27:55. | |
'Yes, Jonty's not going to let the 500 miles between London and the | :27:56. | :27:59. | |
Highlands 'get in the way of a good deal. 'He's found an English kilt | :28:00. | :28:01. | |
shop! I've brought you my little book | :28:02. | :28:04. | |
here. It's seen better days, I have to tell you. OK. If I show it to | :28:05. | :28:20. | |
you. What really interests me is the tartans themselves. They're | :28:21. | :28:23. | |
wonderful colours. Yes. They do look very nice. It's quite a fun piece. I | :28:24. | :28:27. | |
think the first tartans, or first kilts, were around, what, third to | :28:28. | :28:30. | |
fourth century AD? They were originally like that and they | :28:31. | :28:33. | |
weren't pleated, as they currently are. They were folded up. You laid | :28:34. | :28:37. | |
down on the floor and wrap a belt round. There'd just be some sort of | :28:38. | :28:39. | |
pleating to them. ?50 is a bit over the top for us but | :28:40. | :28:53. | |
it is authentic. Would you consider something like 35? I would like a | :28:54. | :28:58. | |
bit more for me. How do you feel about getting close to 35? I will do | :28:59. | :29:08. | |
40. Thank you so much. ?40 for the book means a whopping ?35 profit. | :29:09. | :29:16. | |
Then Jonty turns to the fulfilment of a long-term ambition on the tails | :29:17. | :29:20. | |
of his success. I have a confession. I have never one kilt -- one kilt. | :29:21. | :29:28. | |
Would you like to try an English kilt? What do you reckon? That is | :29:29. | :29:41. | |
just me! It is a bonny site! What is under your sporran, Jonty? Yes, some | :29:42. | :29:46. | |
things are best left to the imagination! Paul breezes through | :29:47. | :29:53. | |
yet another sale as he makes ?10 profit on his lion statue and he is | :29:54. | :29:58. | |
not stopping there. He takes his ?50 pen to Mark, a vintage fountain pen | :29:59. | :30:08. | |
dealer. Was this the company that made them? It might have started off | :30:09. | :30:14. | |
as Todd and barred in the States and then brought a across to the UK. My | :30:15. | :30:24. | |
initial reaction is that it is a grey snakeskin spend dating from | :30:25. | :30:30. | |
1936 to about 1938. -- snakeskin pen. They started off with a | :30:31. | :30:36. | |
number-1 neighbour and this is a number two but it went right up to | :30:37. | :30:43. | |
number eight. Would it be something you wanted to buy? Do you want to | :30:44. | :30:51. | |
give it ten for the box? ?50, including the box. No problem. ?60. | :30:52. | :31:04. | |
Another profit for Paul as he makes ?10 on the pen. But don't write | :31:05. | :31:09. | |
Jonty off just yet. He is at the Metropolitan Police Museum to show | :31:10. | :31:14. | |
his Victoria and truncheon to the museum's Crater, Neil. I know the | :31:15. | :31:20. | |
timber is lignum vitae, a very dense, tropical hardwood. Can see | :31:21. | :31:26. | |
the different officer numbers on the side. Roundabout 1900 it would have | :31:27. | :31:33. | |
been issued. This would have been used up to 1945, 19 50s. So during | :31:34. | :31:44. | |
the war? Yes. So far, so good, but this isn't going to be as | :31:45. | :31:48. | |
straightforward as Jonty thinks. Well, it would be an offence for you | :31:49. | :31:54. | |
to walk around the streets with this because it is an offensive weapon so | :31:55. | :31:58. | |
you cannot just bring it to London. But you can still trade these | :31:59. | :32:04. | |
objects? Yes, the law was never meant to stop antiques traders | :32:05. | :32:13. | |
trading objects from the past. I now feel really uncomfortable taking it | :32:14. | :32:16. | |
away because it is not the right thing to do, so I am going to donate | :32:17. | :32:19. | |
it to your collection, if that is all right for you. We are very | :32:20. | :32:25. | |
pleased to accept it. Thank you. We will put it with the others. My | :32:26. | :32:30. | |
lesson is, don't buy another truncheon! Jonty's generous donation | :32:31. | :32:37. | |
to the museum means he has taken a ?20 hit. I have lost the sale thigh | :32:38. | :32:43. | |
am disappointed but I feel so much more comfortable leaving it here, | :32:44. | :32:47. | |
because, technically, the truncheon is a weapon best left in their | :32:48. | :32:54. | |
collection. -- I have lost the sale and I am disappointed. It now means | :32:55. | :33:00. | |
I have a lot more work to do. We are halfway through the selling and it's | :33:01. | :33:03. | |
time to look at the totals to see who is feeling more like Mr | :33:04. | :33:08. | |
moneybags and who is more of a peddling pauper. Jonty has sold two | :33:09. | :33:12. | |
items, but lost money on the truncheon, giving him a profit of | :33:13. | :33:18. | |
?65. Paul is not far behind with a profit of ?30. So, right now, Jonty | :33:19. | :33:25. | |
may have the lead but you would not want to predict who is going to | :33:26. | :33:30. | |
finish champion in this trading tug-of-war, as both our selling | :33:31. | :33:33. | |
strongmen have a tight grip on the rope and are heaving towards the | :33:34. | :33:37. | |
profit. And it is Jonty who is hoping to pull away as he takes his | :33:38. | :33:42. | |
?14 50 wooden table to see Sarah, the deputy manager of a local hotel. | :33:43. | :33:51. | |
-- ?14.50. Isn't that a lovely table? It is very intricate. Inside | :33:52. | :34:01. | |
is brass and it has hinges. That is lovely. The whole idea is the top | :34:02. | :34:05. | |
can come off and fold the base away so it on sports, so it is a | :34:06. | :34:09. | |
classical design of an Indian table. Do you think you have room for a lot | :34:10. | :34:14. | |
of table like this? I think we can find somewhere for it. I should | :34:15. | :34:19. | |
think that fits somewhere! It is a very cheap table. It is ?60. I would | :34:20. | :34:28. | |
feel better about 50! I am happy to take ?50 from you. Thank you Ray | :34:29. | :34:35. | |
much indeed. It is all yours. So a tremendous profit of ?35, and he | :34:36. | :34:41. | |
doesn't stop there as he goes on to make a profit of ?10 on his Shelley | :34:42. | :34:46. | |
tea set. Paul heads to his local Bowls club where he is hoping Bob | :34:47. | :34:54. | |
can spin him a profit. I have got this wonderful set of goals. Lovely | :34:55. | :35:01. | |
box! Yes, that is thrown in. What can you tell me about these? These | :35:02. | :35:12. | |
come in different weights. These are flat Scottish Green Bowls. So why | :35:13. | :35:19. | |
did pick the right one? Yes. So I throw it along... Right over to the | :35:20. | :35:28. | |
jack. That is fantastic. Chalets have a go? -- shall I have a go? | :35:29. | :35:43. | |
That is miles out! They are heavy. I think we are insured, I'm not sure! | :35:44. | :35:57. | |
They vary from ?5. Each? ?10 each? I could settle for that. I will throw | :35:58. | :36:05. | |
the box in. Thank you very much! Paul spent ?50 on his Bowls, which | :36:06. | :36:13. | |
means he gets a profit of ?25. Back in Oxbridge, Jonty is about to find | :36:14. | :36:16. | |
out whether his Judy Garland picture is the real deal. The moment of | :36:17. | :36:22. | |
truth! Now, just looking at the back, it is good news. This is a | :36:23. | :36:28. | |
photograph, not a facsimile. There she is in all her glory. Looking at | :36:29. | :36:34. | |
her, she is a photograph. You can tell by the photographic paper. You | :36:35. | :36:40. | |
know what it feels like. It is rather greasy. A facsimile is just a | :36:41. | :36:46. | |
photocopy, so something that can be completely mass-produced. As you | :36:47. | :36:50. | |
know, from a photocopier, and completely worthless. This is a | :36:51. | :36:53. | |
photograph, a proper image. This has value. Yes, great news for Jonty, | :36:54. | :37:01. | |
and buoyed by his discovery, he hotfoot sit straight to an autograph | :37:02. | :37:05. | |
shop in London, where he has arranged to meet the manager, Anya. | :37:06. | :37:10. | |
It is not signed but think this is a great picture of Judy Garland. What | :37:11. | :37:16. | |
do you think? It is a stunning, stunning photograph. I am looking | :37:17. | :37:25. | |
for ?80 for that. Just looking at that edge... The edge gives it | :37:26. | :37:37. | |
character. May be ?60? 65? OK. Thank you very much. She is all yours. A | :37:38. | :37:42. | |
prophet like that would have anybody clicking their heels with joy. What | :37:43. | :37:51. | |
a fabulous item! I can't wait to get home and celebrate. There's no place | :37:52. | :37:52. | |
like home! Jonty may be all sold up and off to | :37:53. | :38:10. | |
see the wizard but his rival will not be made a munchkin. Paul is | :38:11. | :38:17. | |
homing in on his next deal. It is time to try to sell this wonderful | :38:18. | :38:22. | |
telescope. I'd got it for ?30 and I am bringing it to a binocular and | :38:23. | :38:27. | |
telescope dealer in Lancaster. How are you? Great to see you. What have | :38:28. | :38:35. | |
you got? This is a night and day scope. I was hoping it will be | :38:36. | :38:41. | |
something you are interested in. The only made scopes from about 1852 Bob | :38:42. | :38:52. | |
1830. It would have been a naval scope originally. And then adapted. | :38:53. | :39:01. | |
And that is why it got the night and day. So it would have been used | :39:02. | :39:11. | |
for... Well, you are looking to be able to see through it and it isn't | :39:12. | :39:20. | |
good. I would be happy with ?40. ?50 sounds better. In the middle. I'd | :39:21. | :39:24. | |
tell you what, you can have it for ?45. Thank you very much. That ?15 | :39:25. | :39:34. | |
profit just goes to show selling is a serious business. Jonty maybe | :39:35. | :39:38. | |
locking around in London dressed up as Dorothy, but Paul does everything | :39:39. | :39:46. | |
with focus and poise. Maybe not. Don't panic! Only me! What do you | :39:47. | :39:52. | |
think of the outfit? Isn't it fantastic! Time now to sell this | :39:53. | :39:55. | |
wonderful record player and I've brought it to the last remaining | :39:56. | :40:01. | |
record shop in Wigan. Hopefully this outfit will mean I'll leave with a | :40:02. | :40:09. | |
profit. Interesting tactic. Let's see if it works. Elvis Presley! Yes! | :40:10. | :40:16. | |
I was all Shook up this morning. Have you seen one of these before? I | :40:17. | :40:21. | |
didn't recognise the name but I was aware that there were Dan sets in | :40:22. | :40:29. | |
this country and this is French. So it is a version of that. It does | :40:30. | :40:35. | |
produce a sound but the strange thing is is that the Speaker is | :40:36. | :40:39. | |
invalid. Is it the sort of thing you think you could find a customer for? | :40:40. | :40:46. | |
It would sit in the window and people would certainly stop. They | :40:47. | :40:50. | |
would go and ask me about it, no doubt about it. If I was to ask | :40:51. | :40:57. | |
you, say, ?35, how does that sound? Yes, I could live with ?35. Shall we | :40:58. | :41:08. | |
shake on that? Yes! That is Paul all sold up. So, nothing more our | :41:09. | :41:13. | |
dealers can do, but before we find out who is the winner, let's remind | :41:14. | :41:18. | |
ourselves of what they have spent. Paul and Jonty started out with ?250 | :41:19. | :41:37. | |
of their own. Paul spent ?133. Jonty only spent ?84 but the only thing | :41:38. | :41:42. | |
that matters now is who has made the most profit. All of today's money | :41:43. | :41:48. | |
will go to our dealers' chosen charities. So, let's find out who is | :41:49. | :41:54. | |
our Put Your Money Where Your Mouth Is champion. How you? How was the | :41:55. | :41:59. | |
car-boot sale? I really enjoyed it. The variety is endless and you can | :42:00. | :42:05. | |
buy literally anything. The best buy has to be that set of bowls. What | :42:06. | :42:11. | |
about you? Do you remember that tartan book I've bought? I've found | :42:12. | :42:18. | |
the perfect buyer who dressed me in the perfect attire. I will say no | :42:19. | :42:23. | |
more! Shall we see? Are you happy with what you bought? Let's see. I | :42:24. | :42:34. | |
am pleased. What about you? Delighted! I am going to buy you an | :42:35. | :42:39. | |
ice cream to remind us. It was freezing! Victory for Jonty and he | :42:40. | :42:46. | |
is more than a bit surprised. Now, that was a really tough challenge. | :42:47. | :42:50. | |
I'm really pleased with the result at the end of the day. It was such a | :42:51. | :42:55. | |
cold day and I'd tripped up on my truncheon as well, so, yes, I am | :42:56. | :43:00. | |
relieved. I was delighted with what I've bought at the car-boot sale. | :43:01. | :43:04. | |
I've made a firm profit on a resume of sold and I've learned a bit about | :43:05. | :43:10. | |
bowls in the process. Fantastic! Tomorrow, Paul has a chance to | :43:11. | :43:17. | |
avenge his loss when our experts go up against the gavel at an auction | :43:18. | :43:19. | |
in Dorset. | :43:20. | :43:25. |