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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers | 0:00:20 | 0:00:22 | |
will face a different daily challenge. | 0:00:22 | 0:00:24 | |
The original cheeky chappie. | 0:00:25 | 0:00:27 | |
Lovely! | 0:00:27 | 0:00:28 | |
Putting their reputations on the line... | 0:00:28 | 0:00:30 | |
Full house. | 0:00:30 | 0:00:32 | |
Oh, I say! | 0:00:32 | 0:00:33 | |
..and giving you their top tips and savvy secrets on how to make the most money from buying and selling. | 0:00:33 | 0:00:40 | |
I'm feeling rather lucky! | 0:00:40 | 0:00:42 | |
Today's auction room action pits the haggling hero Paul "Mr Morecambe" Hayes | 0:00:44 | 0:00:48 | |
against the wily wonder that is Jonty "The Hit Man" Hearnden. | 0:00:48 | 0:00:52 | |
Coming up, Paul finds some divine inspiration... | 0:00:53 | 0:00:57 | |
# Paul will win | 0:00:57 | 0:00:59 | |
# Amen # | 0:00:59 | 0:01:01 | |
While Jonty turns to the dark side. | 0:01:02 | 0:01:05 | |
Do you know your number? Good question! | 0:01:05 | 0:01:07 | |
666? | 0:01:07 | 0:01:08 | |
That'll do! | 0:01:08 | 0:01:10 | |
And he gets a tip about not doing the housework. | 0:01:10 | 0:01:13 | |
What do you suggest people do with objects like this when it comes to cleaning? | 0:01:13 | 0:01:18 | |
Unless you have an absolute professional who knows what they're doing, | 0:01:18 | 0:01:22 | |
leave it alone! | 0:01:22 | 0:01:24 | |
This is Put Your Money Where Your Mouth Is. | 0:01:24 | 0:01:27 | |
Yes, welcome, friends and antiquarians | 0:01:39 | 0:01:42 | |
to what promises to be a blazing bric-a-brac battle | 0:01:42 | 0:01:45 | |
on the trade floor of an all-action antiques auction, | 0:01:45 | 0:01:49 | |
where money doesn't sleep and stock doesn't slumber | 0:01:49 | 0:01:52 | |
and where our two trading tycoons | 0:01:52 | 0:01:54 | |
will need to buy low and sell high | 0:01:54 | 0:01:56 | |
if they want to crush the opposition. | 0:01:56 | 0:01:58 | |
Yes, it's going to be a cat fight in this dog-eat-dog world | 0:01:58 | 0:02:02 | |
where profit is most definitely king. | 0:02:02 | 0:02:05 | |
First up in this bargaining battle | 0:02:05 | 0:02:07 | |
is our suit the mooted self-made man | 0:02:07 | 0:02:10 | |
who's climbed to the top of the antiques ladder. | 0:02:10 | 0:02:12 | |
He trades blows with the best of them, | 0:02:12 | 0:02:14 | |
but always negotiates with a smile. | 0:02:14 | 0:02:16 | |
It's the haggling heart-throb Paul "Mr Morecambe" Hayes. | 0:02:16 | 0:02:20 | |
The man that never lost any money never made any. | 0:02:20 | 0:02:23 | |
His opponent today is as bold a broker as you'll ever bump into. | 0:02:23 | 0:02:26 | |
He'll never wobble on his haggles or dither on his dealing | 0:02:26 | 0:02:29 | |
and would never back away from a bargain. | 0:02:29 | 0:02:32 | |
Specs on, it's Jonty "The Hitman" Hearnden. | 0:02:32 | 0:02:35 | |
All the signs are good at the moment. | 0:02:35 | 0:02:38 | |
Today's bidding bonanza is at Charterhouse Auctioneers in Dorset. | 0:02:38 | 0:02:42 | |
Our two dealing dynamos will have to carefully analyse the stock | 0:02:42 | 0:02:45 | |
and invest wisely if they don't want their portfolio to plummet. | 0:02:45 | 0:02:49 | |
They've each got ?1,000 of their own money to spend | 0:02:49 | 0:02:53 | |
and all the profits go to their chosen charities. | 0:02:53 | 0:02:56 | |
Gentlemen, now is the time to buy, | 0:02:56 | 0:02:58 | |
so, Paul Hayes and Jonty Hearnden, | 0:02:58 | 0:03:01 | |
it's time to put your money where your mouth is. | 0:03:01 | 0:03:04 | |
Good morning, Jonty. Morning, Paul. How are you? I'm great, thank you. | 0:03:06 | 0:03:09 | |
Welcome to Dorset. We have ?1,000 to spend at the auction sale. | 0:03:09 | 0:03:11 | |
I've noticed this auction is all online. | 0:03:11 | 0:03:14 | |
So I'm going to root around the boxes at the bottom | 0:03:14 | 0:03:17 | |
to see if I can find something that's not in the catalogue. | 0:03:17 | 0:03:19 | |
You mean the bits that aren't online. Exactly, yes! | 0:03:19 | 0:03:22 | |
What about you? I'm used to auction sales. | 0:03:22 | 0:03:25 | |
I kind of know that I have to scour everything as quickly as I can. | 0:03:25 | 0:03:29 | |
You've seen both sides of the auction. The rostrum, as well. | 0:03:29 | 0:03:33 | |
Yeah, I've done the selling and the buying. Have you done lots of auctions? | 0:03:33 | 0:03:36 | |
I've just done the buying. A little bit of selling. | 0:03:36 | 0:03:39 | |
But good luck. I'll buy you a cream tea later. That's what they have down here, isn't it? | 0:03:39 | 0:03:43 | |
I'm sure. Or is it a Cornish pasty? No, that's Cornwall. | 0:03:43 | 0:03:45 | |
They might be comrades in arms now, but our traders will have to leave their friendships at the door, | 0:03:45 | 0:03:51 | |
as they'll need to be ruthless to secure the most profitable acquisitions. | 0:03:51 | 0:03:55 | |
Jonty has an investment strategy that he's only divulging on a need-to-know basis. | 0:03:55 | 0:04:01 | |
I've kept my cards absolutely close to my chest | 0:04:01 | 0:04:03 | |
because there are some really exciting things here. | 0:04:03 | 0:04:06 | |
But I'm not showing Paul my enthusiasm just yet. | 0:04:06 | 0:04:09 | |
No. So, with his poker face on, | 0:04:09 | 0:04:11 | |
Jonty's giving nothing away. | 0:04:11 | 0:04:13 | |
But Paul's got a plan he's happy to go public with | 0:04:13 | 0:04:16 | |
as he hopes to uncover some hidden stock. | 0:04:16 | 0:04:18 | |
As you see, all the activity is in the junk room. | 0:04:18 | 0:04:21 | |
People love that rummage around. | 0:04:21 | 0:04:23 | |
It's so exciting to try and land on something you might want to buy. | 0:04:23 | 0:04:26 | |
This is where I'm at home, amongst all the junk! | 0:04:26 | 0:04:29 | |
And that's because you can turn trash to treasure, Paul. | 0:04:29 | 0:04:32 | |
So you'd better get scavenging as there's not long before the auction kicks off. | 0:04:32 | 0:04:36 | |
Both our dealers have lots to look at | 0:04:36 | 0:04:39 | |
but it's the magnate from Morecambe who is the first to find some hot property he wants to invest in. | 0:04:39 | 0:04:44 | |
Jonty's not about. Look at this. | 0:04:44 | 0:04:46 | |
I love old books. | 0:04:46 | 0:04:49 | |
These are beautiful leather-bound books, but the subject is fantastic. | 0:04:49 | 0:04:52 | |
This is the history of the Indian Mutiny. | 0:04:52 | 0:04:54 | |
They are all beautifully illustrated, | 0:04:54 | 0:04:57 | |
which is what a lot of collectors go for. | 0:04:57 | 0:04:59 | |
It's in two volumes, I and II, and the estimate is 100 to ?150. | 0:04:59 | 0:05:03 | |
I'd love to buy that. | 0:05:03 | 0:05:05 | |
So, as Paul earmarks the books, | 0:05:05 | 0:05:07 | |
it's Jonty's turn to play the markets as he eyes up a Victorian toy. | 0:05:07 | 0:05:11 | |
It's a cast metal Hansom cab carriage and driver and horse. | 0:05:12 | 0:05:16 | |
It's decorated in its original form. | 0:05:16 | 0:05:19 | |
A lot of these toys have been touched up in the past. | 0:05:19 | 0:05:23 | |
They've been refreshed. | 0:05:23 | 0:05:24 | |
But collectors, dealers, are looking for objects like this in their original form. | 0:05:24 | 0:05:29 | |
In the catalogue, it's got an estimate of 50 to ?80. | 0:05:29 | 0:05:32 | |
I regard that as value for money. | 0:05:32 | 0:05:35 | |
So Jonty thinks he's spotted a sound investment | 0:05:35 | 0:05:39 | |
while Paul has uncovered some treasure that ranks high on his wish list. | 0:05:39 | 0:05:42 | |
I've come across a pair of epaulettes. | 0:05:42 | 0:05:44 | |
These are worn by a lieutenant on the shoulder of their uniforms. | 0:05:44 | 0:05:48 | |
They date from the 19th century and I've never seen any boxed, or as fine as these. | 0:05:48 | 0:05:52 | |
That is a great lot. Hopefully that's something I can bid for if it comes up. | 0:05:52 | 0:05:56 | |
So, as Paul gets ready for kick-off, | 0:05:56 | 0:05:59 | |
Jonty is still in the changing rooms eyeing up a collection of sporting memorabilia. | 0:05:59 | 0:06:03 | |
Inside here, we've got lots of football programmes | 0:06:03 | 0:06:06 | |
like Chelsea v Wolverhampton Wanderers. | 0:06:06 | 0:06:08 | |
In the catalogue, there's no estimate at all. | 0:06:08 | 0:06:10 | |
Which means it's probably valued below the ?50. | 0:06:10 | 0:06:13 | |
This is an area of collecting I'm really not sure about. | 0:06:13 | 0:06:16 | |
But I just have a sixth sense that this is worth having a punt. | 0:06:16 | 0:06:20 | |
Well, you've got to speculate to accumulate in this game, Jonty. | 0:06:20 | 0:06:23 | |
And now it's time to get match ready as the action is hotting up in the auction hall. | 0:06:23 | 0:06:28 | |
The market's open, the floor is filled, | 0:06:28 | 0:06:31 | |
and Paul is at his post ready, willing and able to start bidding. | 0:06:31 | 0:06:34 | |
But Jonty is nowhere to be seen. | 0:06:34 | 0:06:37 | |
That's cool. | 0:06:37 | 0:06:39 | |
He's still out the back, even though the auction's started. | 0:06:39 | 0:06:42 | |
A G-plan little coffee table here. Quite desirable, now. | 0:06:42 | 0:06:46 | |
But not our man from Morecambe, no. | 0:06:46 | 0:06:49 | |
He's in poll position to take an early lead. | 0:06:49 | 0:06:51 | |
In fact, Paul's not wasting any time | 0:06:51 | 0:06:54 | |
as he's already bidding on two Clarice Cliff bowls. | 0:06:54 | 0:06:57 | |
90. 100. And 10. 120. | 0:06:58 | 0:07:01 | |
130. 140. 150. | 0:07:01 | 0:07:03 | |
160. 170. 180. | 0:07:03 | 0:07:05 | |
At 180 here. Done, going, selling. | 0:07:05 | 0:07:07 | |
Fire away the bid at 180. | 0:07:07 | 0:07:07 | |
Fire away the bid at 180. | 0:07:07 | 0:07:09 | |
8856. Thank you. | 0:07:09 | 0:07:11 | |
With auction fees, those two bowls set Paul back ?222.12 | 0:07:11 | 0:07:16 | |
and he's as pleased as Punch. | 0:07:16 | 0:07:18 | |
Clarice Cliff is probably the best known Art Deco potter in the British Isles. | 0:07:18 | 0:07:23 | |
This is a conical bowl which is extremely collectable. | 0:07:23 | 0:07:27 | |
The use of bright colour and geometry are the two key factors. | 0:07:27 | 0:07:30 | |
This is quite a rare pattern. It's the Bizarre range Fantasque. | 0:07:30 | 0:07:33 | |
The pattern is called Delecia. There's one problem. | 0:07:33 | 0:07:36 | |
DULL NOTE | 0:07:36 | 0:07:37 | |
There's a crack in there somewhere. I knew that was there anyway, because it came with this bowl. | 0:07:37 | 0:07:43 | |
It rings like a bell. That's how it should sound. | 0:07:43 | 0:07:46 | |
Yes, hearing you loud and clear, Paul. | 0:07:46 | 0:07:48 | |
Hopefully, both those bowls should ring up a nice profit. | 0:07:48 | 0:07:51 | |
With that, Paul has his first buy under his belt. | 0:07:51 | 0:07:55 | |
And Jonty still hasn't made it out onto the trading floor. | 0:07:55 | 0:07:57 | |
He's dancing to his own beat, investigating the lots out back. | 0:07:57 | 0:08:01 | |
I've had a great look around the sale room. | 0:08:01 | 0:08:03 | |
There are a lot of really interesting things to purchase. | 0:08:03 | 0:08:06 | |
I'm so excited! | 0:08:06 | 0:08:08 | |
With so much potential profit to be made, The Hit Man can hardly contain himself! | 0:08:08 | 0:08:13 | |
MIMES: # I'm so excited | 0:08:14 | 0:08:16 | |
# And I just can't hide it... # | 0:08:16 | 0:08:18 | |
Come on, dancing queen! | 0:08:20 | 0:08:21 | |
Time to step away from the glitter balls. | 0:08:21 | 0:08:23 | |
There's an auction going on. | 0:08:23 | 0:08:25 | |
Your rival is off to a flying start | 0:08:25 | 0:08:27 | |
and he's lining up his second buy, | 0:08:27 | 0:08:30 | |
a bronze Art Deco light fitting | 0:08:30 | 0:08:32 | |
that's valued at ?150 | 0:08:32 | 0:08:34 | |
and which is about to go under the hammer. | 0:08:34 | 0:08:36 | |
And I'm straight in. At ?120 bid. At 120. ?120 bid. | 0:08:36 | 0:08:40 | |
130. 140. 150. | 0:08:40 | 0:08:42 | |
Your bid at the back at 150. | 0:08:42 | 0:08:44 | |
Come on, put that hammer down! | 0:08:44 | 0:08:45 | |
I'm delighted with that! | 0:08:45 | 0:08:48 | |
That's a surprise. I didn't think I'd get that one. | 0:08:48 | 0:08:50 | |
Paul makes light work and secures his second purchase for ?185.10. | 0:08:50 | 0:08:56 | |
I've bought a real piece of Art Deco here. | 0:08:58 | 0:09:00 | |
It was very popular in the 1920s, 1930s | 0:09:00 | 0:09:03 | |
at a time when lots of the big houses were starting to get electricity to produce light. | 0:09:03 | 0:09:09 | |
What we've got, I'll just pop this down for a second, | 0:09:09 | 0:09:11 | |
we've got a light fitting here which hangs from the wall. | 0:09:11 | 0:09:14 | |
When lit up, all these wonderful frosted glass panels | 0:09:14 | 0:09:17 | |
will show up and I'm sure it will illuminate any house and help me to win this competition. | 0:09:17 | 0:09:22 | |
So Paul is powering through his purchasing, | 0:09:22 | 0:09:24 | |
storming into a two-nil lead | 0:09:24 | 0:09:26 | |
whereas Jonty hasn't even bid on a single item. | 0:09:26 | 0:09:29 | |
I wonder how Jonty's getting on. He seems to be very quite over there. | 0:09:29 | 0:09:33 | |
Keeping his cards close to his chest. | 0:09:33 | 0:09:34 | |
Well, there's keeping a low profile and there's not making an impact at all. | 0:09:34 | 0:09:39 | |
But at last it seems The Hitman has an item in his sights. | 0:09:39 | 0:09:42 | |
Coming up shortly is an Arts and Crafts copper tray. | 0:09:44 | 0:09:47 | |
If it's cheap, I might well have a punt on it. | 0:09:47 | 0:09:50 | |
Yes, and about time, too. | 0:09:50 | 0:09:51 | |
?40. 45. At 45. | 0:09:51 | 0:09:54 | |
And your number is? That's a good question. | 0:09:54 | 0:09:57 | |
666? That'll do! | 0:09:57 | 0:10:00 | |
No time, Jonty. No pressure(!) | 0:10:00 | 0:10:02 | |
5456. 5456. | 0:10:02 | 0:10:04 | |
It was a devilish deal. He walks away with his copper tray | 0:10:05 | 0:10:09 | |
for a fiendish ?55.54 with fees. | 0:10:09 | 0:10:12 | |
My first purchase is this really decorative copper beaten tray. | 0:10:12 | 0:10:16 | |
When I say beaten, it's hand beaten. | 0:10:16 | 0:10:18 | |
You can tell it's hand-beaten by the irregularity of the design. | 0:10:18 | 0:10:22 | |
The style is Art Nouveau. | 0:10:22 | 0:10:24 | |
That was a style very reminiscent of the late 19th century. | 0:10:24 | 0:10:27 | |
That, to me, represents great value for money. | 0:10:27 | 0:10:30 | |
And with that, Jonty is finally underway. | 0:10:30 | 0:10:33 | |
But the ever-vigilant Paul is keeping his eye on the rogue trader. | 0:10:33 | 0:10:37 | |
It looks like Jonty's revving up to buy something. Look. | 0:10:37 | 0:10:41 | |
I can feel the vibe coming from across the room there. | 0:10:41 | 0:10:44 | |
He's like a peacock with his feathers. | 0:10:44 | 0:10:48 | |
Yes, he's spotted all the signs. | 0:10:48 | 0:10:50 | |
The puffed-up chest, the attentive stare. | 0:10:50 | 0:10:53 | |
But what Paul hasn't guessed | 0:10:54 | 0:10:56 | |
is that Jonty is looking to swipe the soldier's epaulettes from right under his nose! | 0:10:56 | 0:11:01 | |
I like this. | 0:11:01 | 0:11:02 | |
So does Paul! | 0:11:02 | 0:11:03 | |
They're great, these. | 0:11:03 | 0:11:05 | |
Is a bidding war about to break out? | 0:11:05 | 0:11:08 | |
100. ?100 and away, now. And ten. | 0:11:08 | 0:11:10 | |
120. 130. | 0:11:10 | 0:11:12 | |
Paul's the first to strike. | 0:11:12 | 0:11:14 | |
At 150. I think I've got them... | 0:11:14 | 0:11:16 | |
At 150. | 0:11:16 | 0:11:18 | |
But just when he thinks he's got them in the bag, | 0:11:18 | 0:11:20 | |
in sweeps Jonty. | 0:11:20 | 0:11:22 | |
160. 170. | 0:11:22 | 0:11:24 | |
180. 190. | 0:11:24 | 0:11:26 | |
200. And 220 bid. | 0:11:26 | 0:11:27 | |
At 220. I can feel him bidding. | 0:11:27 | 0:11:29 | |
And Jonty's bidding hard. All guns blazing! | 0:11:29 | 0:11:33 | |
At 220, then. Let him have it. At ?220 I have now. | 0:11:33 | 0:11:36 | |
Let him have 'em. "Let him have it", he says. | 0:11:36 | 0:11:38 | |
At 240. Standing at 240. | 0:11:38 | 0:11:40 | |
That was a battle, wasn't it? | 0:11:40 | 0:11:42 | |
Not only was I battling the whole room, I was battling Mr Hayes! | 0:11:42 | 0:11:45 | |
I didn't really want to bid against him. I throw him a few crumbs now and again | 0:11:45 | 0:11:49 | |
just to cheer him up and give him a chance! | 0:11:49 | 0:11:52 | |
What? After running the price up, Paul? Yes, very charitable(!) | 0:11:52 | 0:11:55 | |
But Jonty seemed set on winning the epaulettes | 0:11:55 | 0:11:59 | |
and pays a whopping ?296.16 for the privilege. | 0:11:59 | 0:12:03 | |
These epaulettes are really superb. | 0:12:04 | 0:12:07 | |
Just look at the craftsmanship, look at the quality and the detail. | 0:12:07 | 0:12:11 | |
Everything you see here is silver, and we've even got gold thread inside this stylised rose. | 0:12:11 | 0:12:17 | |
The catalogue suggests that these belonged to the Lord Lieutenant. | 0:12:17 | 0:12:21 | |
Lord Lieutenants represent the monarch | 0:12:21 | 0:12:23 | |
in various regions of the UK. | 0:12:23 | 0:12:26 | |
I have a confession to make. I've never bought an object like this ever before in my life. | 0:12:26 | 0:12:31 | |
So I need to find my new buyers, my new market. | 0:12:31 | 0:12:33 | |
Will I make a profit? Well, we'll soon find out. | 0:12:33 | 0:12:36 | |
With victory snatched from the jaws of defeat, Jonty's brimming with confidence | 0:12:36 | 0:12:40 | |
and launches straight into another bidding brawl over the sports memorabilia | 0:12:40 | 0:12:44 | |
that he viewed earlier. | 0:12:44 | 0:12:45 | |
20. 30. 40. | 0:12:45 | 0:12:47 | |
At ?40 away. Selling at 40. At 40. | 0:12:47 | 0:12:49 | |
Jonty, thank you. | 0:12:49 | 0:12:51 | |
Scored! Yes! | 0:12:51 | 0:12:53 | |
Yes, he scores. What a goal, what a comeback, | 0:12:53 | 0:12:56 | |
as he bags his sports programmes for ?49.36 including auction fees. | 0:12:56 | 0:13:01 | |
And there's no stopping him now. | 0:13:03 | 0:13:05 | |
He's going for the double, storming on to win a copper and brass powder flask for ?37.02 with fees. | 0:13:05 | 0:13:11 | |
Now, if you were a sportsman in the early 19th century | 0:13:13 | 0:13:17 | |
and you had your shotgun, you needed one of these to keep your gunpowder in. | 0:13:17 | 0:13:21 | |
This would have had a top, so I'm missing my top. | 0:13:21 | 0:13:24 | |
But it still has the spring mechanism where the top would have been. | 0:13:24 | 0:13:28 | |
It's an object that would, once upon a time, been in the pocket of a country gentleman | 0:13:28 | 0:13:33 | |
almost 200 years ago. | 0:13:33 | 0:13:35 | |
Yes, what a turnaround, as Jonty comes from behind | 0:13:35 | 0:13:39 | |
to take a four-two lead. | 0:13:39 | 0:13:41 | |
And he's not stopping for anyone as the Victorian Hansom cab comes under the hammer. | 0:13:41 | 0:13:46 | |
40. 50. 60. ?60 and away, now. | 0:13:46 | 0:13:49 | |
At 60, 70. Selling away. Going for 70. At 70. | 0:13:49 | 0:13:52 | |
That's a really good buy. | 0:13:53 | 0:13:55 | |
What a fabulous toy. I'm going to double my money! | 0:13:55 | 0:13:58 | |
And I'm going to tell you it's rude to point. | 0:13:58 | 0:14:01 | |
But he does get the Victorian Hansom cab for ?86.38 with fees. | 0:14:01 | 0:14:05 | |
Taxi for Jonty! | 0:14:06 | 0:14:09 | |
Hold on, no-one's going anywhere right now, Paul, | 0:14:10 | 0:14:12 | |
as it's time to find out which of our experts is trading their way to the top | 0:14:12 | 0:14:16 | |
and whose stock is plummeting. | 0:14:16 | 0:14:18 | |
Both our boys started the day with ?1,000 of their own money. | 0:14:20 | 0:14:23 | |
Paul was first to buy, picking up two lots costing ?407.22 | 0:14:23 | 0:14:28 | |
leaving him with ?592.78 for the rest of the day. | 0:14:28 | 0:14:32 | |
But then Jonty had a bit of a spending spree, | 0:14:32 | 0:14:34 | |
buying five purchases for ?524.46, | 0:14:34 | 0:14:38 | |
leaving ?475.54 in his kitty. | 0:14:38 | 0:14:43 | |
What a competition this is shaping up to be. | 0:14:44 | 0:14:47 | |
Paul took an early lead, then Jonty came from nowhere, | 0:14:47 | 0:14:50 | |
zooming into first place. | 0:14:50 | 0:14:52 | |
Our man from Morecambe must get back in the game | 0:14:52 | 0:14:54 | |
and start splashing the cash | 0:14:54 | 0:14:56 | |
before The Hit Man leaves him for dead. | 0:14:56 | 0:14:57 | |
Especially as Jonty already has plans to put more money in silver. | 0:14:57 | 0:15:03 | |
I'm about to bid on hopefully two pieces of silver. | 0:15:03 | 0:15:06 | |
The first item is a Georgian silver skewer. | 0:15:06 | 0:15:10 | |
The estimate is 50 to ?80. | 0:15:10 | 0:15:12 | |
If I can get it for ?100, I will be very, very happy indeed. | 0:15:12 | 0:15:17 | |
The lot after that is a pair of Victorian bon-bon dishes. | 0:15:17 | 0:15:20 | |
The estimate in the catalogue is 120 to 140 for those. | 0:15:20 | 0:15:24 | |
Those are worth 200 to ?300 on the open market without any problem. | 0:15:24 | 0:15:28 | |
So watch this space! | 0:15:28 | 0:15:30 | |
Start me where you like. Start at 50. Bid 50. Thank you, sir. ?50 I have now. | 0:15:30 | 0:15:34 | |
50. ?50. 60. | 0:15:34 | 0:15:36 | |
70. 80. 90. 100. | 0:15:36 | 0:15:39 | |
In the room standing at ?100. | 0:15:39 | 0:15:41 | |
Against the internet. Standing right there. | 0:15:41 | 0:15:43 | |
Perfect. ?100. | 0:15:43 | 0:15:45 | |
?100 for a meat skewer. Actually, it sounds quite expensive when you say it like that! | 0:15:45 | 0:15:51 | |
It's too late for regrets now, Jonty, | 0:15:51 | 0:15:53 | |
as he gets his silver skewer for ?123.40 with fees. | 0:15:53 | 0:15:58 | |
And he's straight on to the next | 0:15:58 | 0:16:00 | |
as the silver bon-bon dishes are up for grabs. | 0:16:00 | 0:16:02 | |
130. At ?130 now. 130. | 0:16:02 | 0:16:05 | |
Selling, going, away at 130. At 130. | 0:16:05 | 0:16:09 | |
# And I get the | 0:16:09 | 0:16:11 | |
# Sweetest feeling | 0:16:11 | 0:16:13 | |
# Honey, the sweetest... # | 0:16:13 | 0:16:15 | |
It's bon-bons all round at Jonty's house! | 0:16:16 | 0:16:18 | |
You'll be lucky! Jonty shares his profits with no-one. | 0:16:19 | 0:16:22 | |
And The Hit Man gets his silver dishes for ?160.42 with fees. | 0:16:22 | 0:16:27 | |
Now, this is a really charming, simple object. | 0:16:27 | 0:16:30 | |
It's so old. It's 1811. | 0:16:30 | 0:16:32 | |
Assayed in Scotland. Wonderful hallmarks. | 0:16:32 | 0:16:36 | |
Contrast this object with my pair of bon-bon dishes. | 0:16:36 | 0:16:40 | |
Less than 100 years later. | 0:16:40 | 0:16:42 | |
Decoration moved to something really ornate. | 0:16:42 | 0:16:45 | |
These were designed, of course, to lay on the table, to look very impressive, | 0:16:45 | 0:16:49 | |
but they also have some weight to them. | 0:16:49 | 0:16:51 | |
I paid ?160 for these. | 0:16:51 | 0:16:53 | |
And that's ?160 of really good Victorian silver. | 0:16:53 | 0:16:57 | |
Because they're a pair, I know that I can make a profit on them. | 0:16:57 | 0:17:00 | |
So, after those sweet deals and having now bought seven items, | 0:17:02 | 0:17:06 | |
Jonty's got some time on his hands. | 0:17:06 | 0:17:08 | |
So he wanders over to see how his other half is holding up. | 0:17:08 | 0:17:11 | |
Ah, now, then. No pressure, Hayes? | 0:17:11 | 0:17:13 | |
Are you feeling hungry, Jonty? | 0:17:13 | 0:17:15 | |
You bought a meat skewer and a bon-bon dish! | 0:17:15 | 0:17:17 | |
Some nice bits of silver there. Yeah, I'm pleased about that. | 0:17:17 | 0:17:20 | |
I'm surprised, because silver is usually outbid, isn't it? | 0:17:20 | 0:17:23 | |
But that was affordable. That was good. How are you getting on? | 0:17:23 | 0:17:26 | |
I'm struggling, mate. Are you? | 0:17:26 | 0:17:28 | |
But I'm persevering. It's not over till the fat lady sings. | 0:17:28 | 0:17:31 | |
No, we'd never count you out, Paul. | 0:17:31 | 0:17:34 | |
You'll rally a revival. | 0:17:34 | 0:17:35 | |
His fortunes could be about to change right now | 0:17:35 | 0:17:38 | |
as the next item has really struck a chord with our man from Morecambe. | 0:17:38 | 0:17:41 | |
This is the one lot I want to buy out of all the items I've seen here today. | 0:17:41 | 0:17:47 | |
It's a 15th-century-type missal, which is a song sheet, on vellum, which is pig skin. | 0:17:47 | 0:17:54 | |
Straight in at 50. 60. 70. | 0:17:54 | 0:17:56 | |
80. 90. 100. Standing far away and selling at 100. | 0:17:56 | 0:18:01 | |
# Hallelujah # | 0:18:01 | 0:18:03 | |
I've got that. I'm absolutely delighted with that. That's amazing! | 0:18:03 | 0:18:07 | |
And with that heavenly purchase, Paul is back in the game | 0:18:07 | 0:18:10 | |
as he buys his 15th-century missal for ?119.50 with fees. | 0:18:10 | 0:18:15 | |
What an interesting lot this is. | 0:18:16 | 0:18:18 | |
It's a vellum missal or "hymnal" as it's been described. | 0:18:18 | 0:18:22 | |
It dates from the 15th century. | 0:18:22 | 0:18:24 | |
We're looking at the 1400s here. | 0:18:24 | 0:18:27 | |
It's a type of song for a chorister. | 0:18:27 | 0:18:29 | |
Of course, it would be sung during Mass. | 0:18:29 | 0:18:32 | |
It's all been done by hand in Latin. | 0:18:32 | 0:18:35 | |
But what I love about it, if we turn to the back, | 0:18:35 | 0:18:38 | |
we have very early music. | 0:18:38 | 0:18:40 | |
Can you see the way the notes are done in blocks? | 0:18:40 | 0:18:43 | |
And it's written in Latin. | 0:18:43 | 0:18:45 | |
But I think I've got the gist of it. It goes... | 0:18:45 | 0:18:47 | |
AS CHORISTER: # This is Put Your Money Where Your Mouth Is | 0:18:47 | 0:18:52 | |
# It's a programme about buying and selling antiques | 0:18:52 | 0:18:54 | |
# On today's show it will be Paul Hayes against Jonty Hearnden | 0:18:54 | 0:18:59 | |
# Paul will win | 0:18:59 | 0:19:01 | |
# Amen # | 0:19:01 | 0:19:04 | |
Hmm. After that divine intervention, Paul's full of confidence. | 0:19:07 | 0:19:11 | |
So he wades in for the two Illustrated History of the Indian Mutiny books | 0:19:11 | 0:19:15 | |
that he's been patiently waiting for. | 0:19:15 | 0:19:16 | |
90. 100. And ten. | 0:19:16 | 0:19:19 | |
Come on. 120. 130. | 0:19:19 | 0:19:20 | |
Come on! Put the hammer down! | 0:19:20 | 0:19:23 | |
130. | 0:19:23 | 0:19:25 | |
Yes! | 0:19:25 | 0:19:25 | |
Paul gets his books for ?160.42 with fees | 0:19:25 | 0:19:30 | |
and there's no stopping the eager bookworm | 0:19:30 | 0:19:32 | |
as he's about to bid on two more collectable volumes. | 0:19:32 | 0:19:35 | |
?50 is bid here. At 50. | 0:19:35 | 0:19:37 | |
60. 70. 80. 90. | 0:19:37 | 0:19:39 | |
100. ?100 and away. | 0:19:39 | 0:19:41 | |
I've bought them. Against the internet. Selling at 100. | 0:19:41 | 0:19:43 | |
So the comeback king strikes again and Paul spends some serious cash on his books | 0:19:46 | 0:19:50 | |
as they set him back ?123.40 with fees. | 0:19:50 | 0:19:54 | |
I've got Volume I and Volume II. | 0:19:55 | 0:19:57 | |
The complete set of Forty-One Years in India. | 0:19:57 | 0:20:00 | |
This is Field Marshal Lord Roberts. | 0:20:00 | 0:20:02 | |
He played a major role in the Indian Mutiny. He was there in the late 19th century. | 0:20:02 | 0:20:07 | |
Beautiful. 1897. | 0:20:07 | 0:20:09 | |
There's always a demand for good quality books. | 0:20:09 | 0:20:12 | |
So the writing's on the wall with these, Jonty! | 0:20:12 | 0:20:15 | |
What a page-turner this is becoming | 0:20:15 | 0:20:17 | |
as with those two purchases, Paul is making a storming come-back. | 0:20:17 | 0:20:21 | |
Jonty must be quaking in his boots. | 0:20:21 | 0:20:23 | |
Oh. Evidently not. | 0:20:23 | 0:20:26 | |
But Jonty would be foolish to write off the battling bidder Paul | 0:20:26 | 0:20:29 | |
as he's still in the auction room with his nose to the grindstone. | 0:20:29 | 0:20:33 | |
He has his eye on another set of books | 0:20:33 | 0:20:35 | |
that he's been biding his time for. | 0:20:35 | 0:20:37 | |
Are you opening a library, Paul? | 0:20:37 | 0:20:39 | |
This next lot is quite a personal thing to me, actually. | 0:20:39 | 0:20:42 | |
My father was a big lover of poetry | 0:20:42 | 0:20:44 | |
and his favourite book was the Rubaiyat of Omar Khayyam. | 0:20:44 | 0:20:48 | |
There's a beautifully bound example here. | 0:20:48 | 0:20:50 | |
And also some Beatrix Potter as well. | 0:20:50 | 0:20:53 | |
Five pound is bid here at 35. 40. | 0:20:53 | 0:20:54 | |
Five. 50. 60. 70. | 0:20:54 | 0:20:57 | |
At ?70, standing far away. 80 seated. | 0:20:57 | 0:20:59 | |
90 in the room, standing. | 0:20:59 | 0:21:01 | |
They've past the estimate of ?80 | 0:21:01 | 0:21:02 | |
but our decisive man from Morecambe knows what he wants and he's not backing down. | 0:21:02 | 0:21:06 | |
Standing. 120. 130. | 0:21:06 | 0:21:08 | |
Selling away at 130. There you go! | 0:21:08 | 0:21:11 | |
Absolutely made up with that. | 0:21:11 | 0:21:13 | |
Yes, it's a book-buying bonanza | 0:21:13 | 0:21:16 | |
as Paul clinches his third set | 0:21:16 | 0:21:18 | |
which includes his dad's favourite and a biography of Beatrix Potter. | 0:21:18 | 0:21:21 | |
With auction fees, they set him back ?155.35. | 0:21:21 | 0:21:25 | |
I bought this little collection of books, but I bought them for these two. | 0:21:25 | 0:21:29 | |
The first one is the Rubaiyat of Omar Khayyam. | 0:21:29 | 0:21:33 | |
Very romantic, beautifully illustrated and beautiful condition. | 0:21:33 | 0:21:36 | |
That's a good selling item. | 0:21:36 | 0:21:37 | |
This one is The Tale of Beatrix Potter. | 0:21:37 | 0:21:39 | |
She wrote her stories about Peter Rabbit to her niece | 0:21:39 | 0:21:43 | |
and she wrote them from a place near me in Ambleside. | 0:21:43 | 0:21:46 | |
I'd love to find out where she was writing these items | 0:21:46 | 0:21:49 | |
and see if I can find anybody in the Lake District with an interest in Beatrix Potter. | 0:21:49 | 0:21:54 | |
With enough books to fill a shop, | 0:21:54 | 0:21:56 | |
Paul decides he's all bought up. | 0:21:56 | 0:21:58 | |
So with both our dealers done and dusted for the day, | 0:21:58 | 0:22:01 | |
it's time to check out the figures and see who's brokered the best bargains | 0:22:01 | 0:22:04 | |
and who's crashed the market. | 0:22:04 | 0:22:06 | |
They both started the day with ?1,000 of their own money to spend. | 0:22:07 | 0:22:11 | |
Paul hopes he's done enough with his six lots | 0:22:11 | 0:22:14 | |
at a total cost of ?965.89. | 0:22:14 | 0:22:18 | |
While Jonty has bought one more item with a total of seven purchases | 0:22:18 | 0:22:22 | |
spending ?808.28. | 0:22:22 | 0:22:25 | |
Our dynamic dealers had to play hardball today | 0:22:28 | 0:22:30 | |
to get the best deals. | 0:22:30 | 0:22:32 | |
But now it's time for them to take stock of each other's stash. | 0:22:32 | 0:22:36 | |
Good day at the office? I really enjoyed myself today. | 0:22:36 | 0:22:38 | |
Did you manage to buy all the items you bid for, Jonty? | 0:22:38 | 0:22:41 | |
No, is the answer to that one! Absolutely not. | 0:22:41 | 0:22:43 | |
I certainly didn't, cos you bought one of the lots I was after. I was run up by you! | 0:22:43 | 0:22:47 | |
Tell me about this. | 0:22:47 | 0:22:49 | |
This is a 15th-century missal or hymnal. | 0:22:49 | 0:22:52 | |
Do you know what it says? No, but I am going to get it translated. | 0:22:52 | 0:22:55 | |
I can translate it for you. Go on. | 0:22:55 | 0:22:56 | |
# I paid too much for this # | 0:22:56 | 0:22:58 | |
What did you pay for it? Just over ?100, but that's very nice of you! | 0:23:00 | 0:23:03 | |
Are you pleased with everything you've bought? Definitely, yes. | 0:23:03 | 0:23:06 | |
I think there's a good chance I'm going to win this one. Is there now? | 0:23:06 | 0:23:09 | |
I think there's a good chance. Good luck. | 0:23:09 | 0:23:11 | |
Fighting talk! Yes, I think so! | 0:23:11 | 0:23:13 | |
With the buying over, there's no time to rest | 0:23:15 | 0:23:18 | |
because the real fight for the spotlight is about to begin. | 0:23:18 | 0:23:22 | |
The auction room tussle for treasure was just the warm-up | 0:23:22 | 0:23:24 | |
for the punishing schedule that is the selling spectacular. | 0:23:24 | 0:23:27 | |
In Morecambe, our bidding big-shot is surveying his spoils. | 0:23:27 | 0:23:32 | |
I'm delighted with what I've bought. | 0:23:32 | 0:23:34 | |
The first one I'm really pleased about is a pair of Clarice Cliff bowls. | 0:23:34 | 0:23:38 | |
The lamp, this is a bit unusual. | 0:23:38 | 0:23:41 | |
It's got a piece of glass missing, | 0:23:41 | 0:23:43 | |
but that's easy enough to have made. | 0:23:43 | 0:23:45 | |
This lot here were a collection of books. | 0:23:45 | 0:23:48 | |
One of them being the Beatrix Potter. | 0:23:48 | 0:23:50 | |
We have two books here on the Indian Mutiny. | 0:23:50 | 0:23:52 | |
These are the memoirs of Field Marshal Lord Roberts. | 0:23:52 | 0:23:56 | |
One of my favourite items has to be this hymnal. | 0:23:56 | 0:23:59 | |
This is a manuscript of a song that would have been performed in an abbey or perhaps a church | 0:23:59 | 0:24:05 | |
in the 15th century. | 0:24:05 | 0:24:07 | |
And finally, we have two books here of the Indian Mutiny. | 0:24:07 | 0:24:11 | |
These a little bit dog-eared, well-used, well-loved. | 0:24:11 | 0:24:15 | |
But I still think there's a bit of profit and that's what it's all about. | 0:24:15 | 0:24:19 | |
Indeed, it is, Paul. | 0:24:19 | 0:24:21 | |
Cold hard cash is the name of the game. | 0:24:21 | 0:24:23 | |
In Oxfordshire, Jonty knows this all too well | 0:24:23 | 0:24:26 | |
as he assesses his profit-making auction haul. | 0:24:26 | 0:24:30 | |
I have so much metalwork here, it's quite extraordinary. | 0:24:30 | 0:24:32 | |
But to me, it's all precious metal. | 0:24:32 | 0:24:36 | |
I've got my epaulettes, which are solid silver. | 0:24:36 | 0:24:39 | |
They're just so beautiful. | 0:24:39 | 0:24:40 | |
And I've got my very tiny meat skewer | 0:24:40 | 0:24:43 | |
which is really good quality. | 0:24:43 | 0:24:45 | |
I've already looked into and done a bit of research | 0:24:45 | 0:24:48 | |
on my cast-iron toy. | 0:24:48 | 0:24:50 | |
It's come all the way from the United States of America | 0:24:50 | 0:24:53 | |
and it's about 1890 in date. | 0:24:53 | 0:24:56 | |
My silver bon-bon dishes, I know I can get those away, cos they're really beautiful. | 0:24:56 | 0:25:00 | |
I'm really excited about the programmes. | 0:25:00 | 0:25:02 | |
I took a bit of a punt on those | 0:25:02 | 0:25:04 | |
because I've never traded with this sort of thing at all. | 0:25:04 | 0:25:07 | |
I just love them. I love a bit of footy, so I thought I'd have a go. | 0:25:07 | 0:25:10 | |
My tray I'm really excited about cos that's all hand-beaten. | 0:25:10 | 0:25:13 | |
Should be a profit in that. | 0:25:13 | 0:25:15 | |
And also I love my little cask. It's really decorative. | 0:25:15 | 0:25:18 | |
Every item here is so different | 0:25:18 | 0:25:22 | |
but perfect for me cos I'm into profit. | 0:25:22 | 0:25:25 | |
Brimming with confidence, Jonty's hoping to be a money magnet. | 0:25:27 | 0:25:30 | |
Our auction house heroes now put away their wallets | 0:25:30 | 0:25:33 | |
and take out their contact books, | 0:25:33 | 0:25:35 | |
transforming into selling superstars turning their purchases into profit. | 0:25:35 | 0:25:39 | |
Remember, till they've had a handshake, no deal is truly sealed. | 0:25:39 | 0:25:43 | |
Paul is first out of the blocks, | 0:25:43 | 0:25:45 | |
wasting no time opening his campaign. | 0:25:45 | 0:25:48 | |
He's done his research and got the inside story on a specialist in the Lake District | 0:25:48 | 0:25:53 | |
who knows his puddle-ducks from his tiggy-winkles! | 0:25:53 | 0:25:56 | |
I bought these fantastic books from an auction in Dorset | 0:25:56 | 0:25:59 | |
and I'm taking me to the quaint backstreets of Kendal in Cumbria. | 0:25:59 | 0:26:03 | |
I'm here for a reason. There's a wonderful little book shop here | 0:26:03 | 0:26:06 | |
which specialises in Beatrix Potter books. | 0:26:06 | 0:26:08 | |
Hopefully, he's interested in this little lot here. | 0:26:08 | 0:26:11 | |
Paul's collection of books cost him ?155.35 | 0:26:13 | 0:26:17 | |
but will he be able to squirrel away some profit when he meet Lyndon, | 0:26:17 | 0:26:21 | |
an antiquarian book dealer. | 0:26:21 | 0:26:23 | |
Do you know anything about Margaret Lane? | 0:26:23 | 0:26:26 | |
Do you know much about her in particular? | 0:26:26 | 0:26:27 | |
She was a journalist, very interested in female writers. | 0:26:27 | 0:26:30 | |
She wrote that just after Potter's death. | 0:26:30 | 0:26:33 | |
It's about Beatrix and the writing of the books and her life, really. | 0:26:33 | 0:26:36 | |
Is it something you'd have an interest for? | 0:26:36 | 0:26:38 | |
Yeah. It's still something that people want to buy. | 0:26:38 | 0:26:41 | |
It's a first edition of the first biography of Potter. | 0:26:41 | 0:26:43 | |
Start me at ?155. | 0:26:43 | 0:26:45 | |
I can do better than your money back. Smashing. | 0:26:45 | 0:26:47 | |
I understand that you've got to sell at a profit. | 0:26:47 | 0:26:49 | |
How do you see them? I think about ?200. | 0:26:49 | 0:26:52 | |
Great minds think alike. I was thinking of asking ?200 for them. | 0:26:52 | 0:26:55 | |
That's a fair price. Shall we shake on that, then? Yeah. | 0:26:55 | 0:26:58 | |
Thank you, Lyndon. An absolute pleasure. | 0:26:58 | 0:27:00 | |
Yes, text book sale there, Paul. | 0:27:00 | 0:27:02 | |
That deal leaves him with a profit of ?44.65 and an early lead. | 0:27:02 | 0:27:07 | |
Jonty is in Oxford to make a sale, | 0:27:07 | 0:27:10 | |
but the dreaming spires are bringing out his softer side. | 0:27:10 | 0:27:13 | |
Oh, Oxford, seat of learning. | 0:27:13 | 0:27:16 | |
How humbling and inspiring. | 0:27:16 | 0:27:19 | |
How the great and good have passed through your cobbled lanes. | 0:27:19 | 0:27:24 | |
How inspirational! | 0:27:24 | 0:27:26 | |
Inspirational? | 0:27:26 | 0:27:28 | |
Inspirational to make a profit, more like! | 0:27:28 | 0:27:31 | |
Yes, that's the real Jonty, the poet of profit, | 0:27:31 | 0:27:34 | |
here to take a punt on his first sale. | 0:27:34 | 0:27:37 | |
He's hoping to sell his Victorian Hansom cab, which set him back ?86.38, | 0:27:38 | 0:27:43 | |
to John, who runs a shop that specialises in toy models. | 0:27:43 | 0:27:46 | |
I've done a bit of research on this. | 0:27:48 | 0:27:50 | |
I've discovered that it's American. Yes, it is. | 0:27:50 | 0:27:52 | |
Pratt and Letchworth. We get a lot of American tourists. OK. | 0:27:52 | 0:27:56 | |
In America, they're very popular. | 0:27:56 | 0:27:58 | |
So, yes, it's something we'd probably display in the window, | 0:27:58 | 0:28:00 | |
probably telling people how wonderful it is and how much they'd love to own it! Price. | 0:28:00 | 0:28:05 | |
Right. ?160. | 0:28:05 | 0:28:06 | |
How about 110? | 0:28:06 | 0:28:08 | |
No, no, that's way too low for me. I'll come down a bit. | 0:28:08 | 0:28:12 | |
You will? Yeah. OK. 140 I'll do. | 0:28:12 | 0:28:14 | |
How about 125? | 0:28:14 | 0:28:16 | |
You wouldn't do a fiver more for me? | 0:28:16 | 0:28:19 | |
130 is definitely a deal. Thank you very much indeed. Thank you very much. | 0:28:19 | 0:28:23 | |
Jonty makes it look like child's play as that sale nets him a profit of ?43.62. | 0:28:23 | 0:28:29 | |
But in West London, his rival is on the march. | 0:28:29 | 0:28:33 | |
He's found an antiquarian book dealer in Chiswick | 0:28:33 | 0:28:36 | |
who could be interested in his first set of Indian memoirs | 0:28:36 | 0:28:39 | |
that set him back ?123.40. | 0:28:39 | 0:28:42 | |
I've brought you along Forty-One Years in India, two complete volumes. OK. | 0:28:42 | 0:28:46 | |
Is this a work that you're familiar with? Yes. | 0:28:46 | 0:28:49 | |
It was printed in 1897, but they actually printed lots and lots of them. | 0:28:49 | 0:28:54 | |
But they sold huge numbers. | 0:28:54 | 0:28:55 | |
What can you tell me about it? These belonged to Viscount Gormanston | 0:28:55 | 0:28:59 | |
and I believe he was out in India with Field Marshal Roberts. | 0:28:59 | 0:29:03 | |
He's made some pencilled notes himself. | 0:29:03 | 0:29:05 | |
Now, does that make any difference? | 0:29:05 | 0:29:08 | |
The provenance helps it | 0:29:08 | 0:29:10 | |
because it's going to lift it and make it that bit more interesting | 0:29:10 | 0:29:13 | |
than the more ordinary copies out there. OK. | 0:29:13 | 0:29:15 | |
The last copy of this we sold | 0:29:15 | 0:29:18 | |
was in very similar condition | 0:29:18 | 0:29:20 | |
and we sold for ?75. Oh, wow. | 0:29:20 | 0:29:22 | |
And it does turn up fairly frequently. | 0:29:22 | 0:29:25 | |
But I have actually got someone who's looking for a copy of this at the moment. | 0:29:25 | 0:29:29 | |
And I think that will appeal to him. | 0:29:29 | 0:29:31 | |
Realistically, I think the most I will be able to pay you | 0:29:31 | 0:29:34 | |
and it really is my best offer, is ?100. | 0:29:34 | 0:29:37 | |
Do you know what, I think I'll accept your offer. Thank you very much. | 0:29:37 | 0:29:40 | |
Well, that didn't quite go to book, and Paul makes a loss of ?23.40. | 0:29:40 | 0:29:45 | |
OK. So those books aren't as rare as I thought. | 0:29:46 | 0:29:50 | |
But what really helped and what saved the day there | 0:29:50 | 0:29:53 | |
was the provenance, and that was all-important. | 0:29:53 | 0:29:55 | |
So I may have lost the battle, but I haven't lost the war just yet, Jonty. | 0:29:55 | 0:29:59 | |
No. Paul took a gamble, and this time it didn't pay off. | 0:29:59 | 0:30:02 | |
But our man from Morecambe won't be beaten by this set-back. | 0:30:02 | 0:30:05 | |
Jonty is also in London, where he's found Mike, a specialist in metalwork and Art Nouveau, | 0:30:05 | 0:30:12 | |
the perfect dealer for the copper tray that cost just over ?55. | 0:30:12 | 0:30:16 | |
But can The Hit Man carry off a profit? | 0:30:16 | 0:30:18 | |
Where do you think it was made? | 0:30:19 | 0:30:21 | |
It's definitely English. It has a sort of Celtic feel about it. Yes. | 0:30:21 | 0:30:24 | |
From the tooling, could be Birmingham Guild area. | 0:30:24 | 0:30:29 | |
What would you suggest that people do with objects like this when it comes to cleaning? | 0:30:29 | 0:30:34 | |
Leave it alone. Golden rule. | 0:30:34 | 0:30:37 | |
Unless you have an absolute professional who really knows what they're doing, | 0:30:37 | 0:30:41 | |
leave it alone. | 0:30:41 | 0:30:43 | |
These kind of things do turn up. Yes. | 0:30:43 | 0:30:46 | |
Normally in a bit more battered condition than this. | 0:30:46 | 0:30:48 | |
I need to know kind of what you need to get for it. What I'm after? | 0:30:48 | 0:30:51 | |
I'm looking at 180, something like that. | 0:30:51 | 0:30:53 | |
DEALER LAUGHS | 0:30:53 | 0:30:54 | |
I'm nearer the 100 mark, to be honest. | 0:30:54 | 0:30:57 | |
If I say 120, are we done? | 0:30:57 | 0:30:59 | |
I'll tell you what I'll do. Split the difference, 110, got a deal. | 0:30:59 | 0:31:02 | |
Sold to you, sir. | 0:31:03 | 0:31:05 | |
Thanks very much. | 0:31:05 | 0:31:06 | |
So that brings Jonty a profit of ?54.46 | 0:31:06 | 0:31:10 | |
but Paul's not going to let his rival just blaze on ahead. | 0:31:10 | 0:31:14 | |
He's in an antiques centre in Preston to see a fellow dealer. | 0:31:14 | 0:31:18 | |
And he's brought his Art Deco light fitting, which cost him ?185.10 | 0:31:18 | 0:31:23 | |
plus ?4.99 for a new panel of glass. | 0:31:23 | 0:31:25 | |
Bronze, and it's frosted glass. | 0:31:28 | 0:31:30 | |
It's got a very French look about it, hasn't it? Yeah? | 0:31:30 | 0:31:32 | |
What makes you think it's French? The panels, the glass. | 0:31:32 | 0:31:35 | |
Um, it is, it's a nice thing. | 0:31:35 | 0:31:38 | |
Very decorative. I can imagine that with a light behind it. Yeah. | 0:31:38 | 0:31:41 | |
Would you polish that up to a brass colour or leave it with that patination? | 0:31:41 | 0:31:44 | |
I would probably just very lightly polish it to give it a shine. | 0:31:44 | 0:31:49 | |
A little bit of depth. | 0:31:49 | 0:31:51 | |
It stands me about ?190 all in. Is there a margin there for me? | 0:31:51 | 0:31:56 | |
I wouldn't want to pay you much more than the 200 mark to get my hands on it. | 0:31:56 | 0:32:00 | |
Can we say 210, maybe? I'm happy enough at 210. Right. | 0:32:00 | 0:32:03 | |
Shall we shake on that? Yes, absolutely. | 0:32:03 | 0:32:05 | |
Right. Well, that's now yours. Lovely to see you. | 0:32:05 | 0:32:08 | |
All sweetness and light. Our polished pro makes a profit of ?19.91 | 0:32:08 | 0:32:13 | |
and gets one up on Jonty. | 0:32:13 | 0:32:16 | |
But never to be outdone, The Hit Man is ready for his next deal | 0:32:16 | 0:32:19 | |
and he's armed with double trouble. | 0:32:19 | 0:32:21 | |
He's in Oxfordshire to see Andy, a jeweller, | 0:32:21 | 0:32:24 | |
with his two bon-bon dishes that set him back ?160.42. | 0:32:24 | 0:32:29 | |
There you go. Thought those would be just up your street. | 0:32:29 | 0:32:31 | |
They're turn-of-the-century. What do you think? | 0:32:31 | 0:32:33 | |
I think they would be quite saleable for me. You like those? | 0:32:33 | 0:32:36 | |
Yeah. So it's down to price. | 0:32:36 | 0:32:38 | |
OK. Well, they're cheap. Are they? | 0:32:38 | 0:32:40 | |
260 quid. Probably a little bit steep for me. | 0:32:40 | 0:32:44 | |
I was probably thinking more about ?190 mark. | 0:32:44 | 0:32:48 | |
I bet you were! | 0:32:48 | 0:32:50 | |
I can go, say, 225. I'll be happy with that. There's something in that for me, then. | 0:32:50 | 0:32:54 | |
I'm happy with that. | 0:32:54 | 0:32:56 | |
Tres bonne, Jonty. That sweet deal nets him a profit of 64.58. | 0:32:56 | 0:33:00 | |
And with that, let's see how our selling supremos are faring. | 0:33:00 | 0:33:04 | |
Who's the leader of the pack, and who's fallen at the first hurdle? | 0:33:04 | 0:33:07 | |
So far, Paul has sold three items and made a profit of ?41.16. | 0:33:09 | 0:33:14 | |
Selling superman Jonty has also sold three items, | 0:33:14 | 0:33:18 | |
but he's notched up ?162.66 in profit. | 0:33:18 | 0:33:23 | |
So, at this stage, Jonty is taking a convincing lead | 0:33:23 | 0:33:27 | |
but this race isn't over yet. | 0:33:27 | 0:33:29 | |
And a church in Morecambe may hold the answer to Paul's prayers. | 0:33:29 | 0:33:34 | |
He's found Father Tom Davis, an ecclesiastical scholar, | 0:33:34 | 0:33:37 | |
who he's hoping will see the value in his 15th-century missal. | 0:33:37 | 0:33:42 | |
I'm quite excited about it, really. Great! | 0:33:42 | 0:33:44 | |
It's actually from vespers, evening prayer, for Sundays. | 0:33:44 | 0:33:48 | |
Unfortunately, it starts towards the end of the first line | 0:33:48 | 0:33:52 | |
but it's actually the hymn O Blessed Creator of the Light. | 0:33:52 | 0:33:56 | |
And it's on vellum. You get the idea that it's pre- the dissolution of the monasteries | 0:33:56 | 0:34:03 | |
which was about 1538. | 0:34:03 | 0:34:05 | |
Who would have used such a thing? What was it used for? | 0:34:05 | 0:34:08 | |
This would probably have been used by a community of monks. | 0:34:08 | 0:34:11 | |
It would have been sung in what we call the ordinary tide, | 0:34:11 | 0:34:14 | |
which is the period between Epiphany and Lent. | 0:34:14 | 0:34:17 | |
And then after Pentecost until Advent. Wow. | 0:34:17 | 0:34:19 | |
The reverse, is that part of the same sort of hymn? | 0:34:19 | 0:34:23 | |
No, it then follows on | 0:34:23 | 0:34:25 | |
and the Latin says, "Let my prayer come before you, oh Lord, | 0:34:25 | 0:34:30 | |
"like incense in your sight." | 0:34:30 | 0:34:33 | |
And then it leads into The Magnificat, the great hymn of Mary, | 0:34:33 | 0:34:36 | |
"My soul doth magnify the Lord." | 0:34:36 | 0:34:39 | |
I've never been this close to something like this before in my life! | 0:34:39 | 0:34:42 | |
Makes two of us, then! | 0:34:42 | 0:34:44 | |
It's really quite amazing. | 0:34:45 | 0:34:46 | |
If I were to ask you a couple of hundred pounds? I'd probably go 150. OK. | 0:34:46 | 0:34:50 | |
I will accept that, Father, if that's OK with you? | 0:34:50 | 0:34:52 | |
Thank you very much. | 0:34:52 | 0:34:54 | |
And that leaves Paul with a profit of ?30.50. | 0:34:55 | 0:34:58 | |
You'd better watch out, Jonty. Paul's got divine providence on his side! | 0:34:58 | 0:35:02 | |
But in this beautiful game, it seems both our dealers are blessed. | 0:35:02 | 0:35:06 | |
I was sorting through my football programmes | 0:35:07 | 0:35:10 | |
and came across a bit of a gem. | 0:35:10 | 0:35:12 | |
Here it is. | 0:35:12 | 0:35:13 | |
It's a souvenir programme | 0:35:13 | 0:35:15 | |
for the Ali/Cooper fight from 1966. | 0:35:15 | 0:35:18 | |
I paid just under ?50 for the whole collection. | 0:35:18 | 0:35:22 | |
But I'm hoping this will be worth an awful lot more money than that. | 0:35:22 | 0:35:26 | |
Now, I've come to a farmyard. | 0:35:26 | 0:35:29 | |
And in some of these buildings is a boxing club. | 0:35:29 | 0:35:31 | |
I've come to meet John, who runs the club. | 0:35:31 | 0:35:34 | |
He also collects boxing memorabilia. | 0:35:34 | 0:35:37 | |
Will he be interested in this? | 0:35:37 | 0:35:39 | |
So, in Oxfordshire, in the green corner, | 0:35:41 | 0:35:45 | |
Jonty Hearnden taking on John, | 0:35:45 | 0:35:48 | |
a boxing enthusiast. | 0:35:48 | 0:35:50 | |
This will be an epic battle. Dealer versus collector. | 0:35:50 | 0:35:54 | |
Will The Hitman come out on top? Let's have a clean fight, gentlemen. | 0:35:54 | 0:35:59 | |
Do you collect Ali as well as Cooper stuff? | 0:36:01 | 0:36:03 | |
I collect all boxing memorabilia. I'm very interested in the period. | 0:36:03 | 0:36:06 | |
This is a very iconic fight. The 1966 fight between Cooper and Ali. | 0:36:06 | 0:36:09 | |
Absolutely. It was their second meeting. Have you ever seen this before? | 0:36:09 | 0:36:13 | |
I've never seen one of these before, no. | 0:36:13 | 0:36:14 | |
It was Cooper's one chance at the World Heavyweight title. | 0:36:14 | 0:36:17 | |
He'd previously had a fight with Ali where he'd lost in the fifth round, stopped due to cuts. | 0:36:17 | 0:36:22 | |
But he famously knocked Ali down in that fight. | 0:36:22 | 0:36:24 | |
So everybody was hoping he'd unleash that 'Enery's 'Ammer again | 0:36:24 | 0:36:27 | |
and bring the title back to the UK. | 0:36:27 | 0:36:29 | |
Will I stand a chance of selling this to you? That's the important thing. | 0:36:29 | 0:36:33 | |
It would go very well with our memorabilia in the gym. | 0:36:33 | 0:36:35 | |
So here we see it's five shillings. But it's a bit more than that now! | 0:36:35 | 0:36:39 | |
I bought it for 50 quid. | 0:36:39 | 0:36:41 | |
What about if I gave you...110? | 0:36:41 | 0:36:45 | |
You know what? I'm going to take it, because I don't want to pick a fight! | 0:36:45 | 0:36:48 | |
That's very good of you. Thank you very much. Thank you. | 0:36:48 | 0:36:52 | |
Brilliant. That's a knock-out blow to me. | 0:36:52 | 0:36:54 | |
Somebody ring the bell. That's a fantastic hit of a profit for Jonty! | 0:36:55 | 0:37:00 | |
And boxing clever, he sells the rest of the memorabilia | 0:37:01 | 0:37:05 | |
to a football programme collector for ?100, | 0:37:05 | 0:37:08 | |
netting him a total profit of ?160.64. | 0:37:08 | 0:37:12 | |
Paul had hoped to draw a profit from his second set of Indian books | 0:37:12 | 0:37:16 | |
by selling them to a print collector for the illustrations. | 0:37:16 | 0:37:19 | |
But he was unable to find a buyer. | 0:37:19 | 0:37:21 | |
So he took a calculated decision to sell them to an antiques book dealer | 0:37:21 | 0:37:24 | |
for a loss of ?60.42. | 0:37:24 | 0:37:27 | |
But Paul's quick to draw a line under this and move on. | 0:37:28 | 0:37:31 | |
He's travelling to the Yorkshire Dales hoping to score big | 0:37:31 | 0:37:34 | |
with his two bowls that set him back ?222.12. | 0:37:34 | 0:37:38 | |
He's found Colin, a world expert on Clarice Cliff pottery | 0:37:39 | 0:37:43 | |
who's brought along some of his own personal collection. | 0:37:43 | 0:37:46 | |
How important is shape, when looking at a Clarice Cliff? | 0:37:48 | 0:37:50 | |
Absolutely. There are three important things. The pattern, the shape and the condition. | 0:37:50 | 0:37:55 | |
They dictate the value. | 0:37:55 | 0:37:57 | |
What can you tell me about these two items I've brought along? | 0:37:57 | 0:38:00 | |
It's a different colour scheme going on here. | 0:38:00 | 0:38:02 | |
This is a traditional-shaped bowl. It's a pattern called Blue Chintz, | 0:38:02 | 0:38:06 | |
which is quite saleable. | 0:38:06 | 0:38:07 | |
OK. That comes from 1932. | 0:38:07 | 0:38:10 | |
It's part of the Fantasque Bizarre range. | 0:38:10 | 0:38:13 | |
This one, unfortunately, has a chip. How does that affect its resale? | 0:38:13 | 0:38:17 | |
It'll cost quite a lot to restore it, and restored will reduce the value as well. | 0:38:17 | 0:38:22 | |
So it does knock it down quite a chunk. | 0:38:22 | 0:38:25 | |
How do you see them? What's it worth? | 0:38:25 | 0:38:26 | |
I'd be looking at paying somewhere in the region of 250 for the pair. | 0:38:26 | 0:38:32 | |
If I asked you for 270 for them? Yeah, that's fine. | 0:38:32 | 0:38:35 | |
Is that all right with you? That's fine. That's fine. | 0:38:35 | 0:38:37 | |
It was a bit too quick, there, wasn't it? | 0:38:37 | 0:38:39 | |
Shall we shake on that? Yeah. That's lovely. | 0:38:39 | 0:38:42 | |
Thanks. Do we have to do the Charleston or just shake? | 0:38:42 | 0:38:44 | |
And that nifty bit of jive talking nets Paul a profit of ?47.88. | 0:38:45 | 0:38:49 | |
But Jonty is also a silver-tongued selling star | 0:38:49 | 0:38:54 | |
as he sold his Scottish meat skewer to a jeweller in Oxfordshire | 0:38:54 | 0:38:57 | |
for a profit of ?36.60. | 0:38:57 | 0:38:59 | |
And there's no stopping The Hit Man | 0:38:59 | 0:39:01 | |
as he marches across the countryside to his next sale. | 0:39:01 | 0:39:05 | |
I've come to Hungerford in Berkshire | 0:39:05 | 0:39:08 | |
to show my epaulettes and my gunpowder holder | 0:39:08 | 0:39:11 | |
to a dealer who might be interested in buying them both. | 0:39:11 | 0:39:14 | |
Now, I paid just under ?300 for my epaulettes. | 0:39:14 | 0:39:18 | |
And just under ?40 for my gunpowder holder. | 0:39:18 | 0:39:21 | |
The question is, will I make a profit at all, because I fear I've paid too much money for these. | 0:39:21 | 0:39:27 | |
Jonty's arranged to meet Pete, a dealer in militaria and shooting paraphernalia. | 0:39:30 | 0:39:35 | |
So he should be the right man for both objects. | 0:39:35 | 0:39:38 | |
What do you think of those? Very nice. | 0:39:38 | 0:39:41 | |
Do you like those? Very nice indeed. | 0:39:41 | 0:39:42 | |
That's in remarkable condition. Can I check the other one? | 0:39:42 | 0:39:45 | |
Absolutely. They're really in perfect condition. | 0:39:45 | 0:39:47 | |
I love the inside of them. Turn them around and look at this lovely Moroccan leather here. | 0:39:47 | 0:39:52 | |
It's perfect. The important thing is that the wires are in good condition. | 0:39:52 | 0:39:57 | |
Yes. That's the most important thing. | 0:39:57 | 0:39:59 | |
They're very good. Very good indeed. | 0:39:59 | 0:40:01 | |
The question is price. | 0:40:01 | 0:40:03 | |
I paid ?300 at auction for them. | 0:40:03 | 0:40:05 | |
You did? I did. | 0:40:05 | 0:40:07 | |
How about if we say...325? | 0:40:07 | 0:40:11 | |
You've got a deal. We've got a deal. Brilliant. Thank you so much. | 0:40:11 | 0:40:15 | |
And Jonty thought he wouldn't make a profit. | 0:40:15 | 0:40:17 | |
But that sale nets him ?28.84. | 0:40:17 | 0:40:21 | |
Will his second sale work out as well? | 0:40:21 | 0:40:23 | |
What do you think about that? | 0:40:23 | 0:40:25 | |
I think that should be up your street. | 0:40:25 | 0:40:27 | |
Yes. You've got the measure in the top, which is damaged, I'm afraid. | 0:40:27 | 0:40:32 | |
That does affect the price. The cost of replacing parts to these is quite expensive. Right. | 0:40:32 | 0:40:37 | |
?50 I want for that. Would you go 40? | 0:40:37 | 0:40:40 | |
I'd be happy with that, yes. Absolutely. | 0:40:40 | 0:40:43 | |
You've got a deal. | 0:40:43 | 0:40:44 | |
And that sale nets Jonty a profit of just ?2.98. | 0:40:44 | 0:40:49 | |
I managed to squeeze a profit. The Hit Man's done it again! | 0:40:50 | 0:40:55 | |
And with that, our dealers are all sold up. | 0:40:56 | 0:40:59 | |
They fought hard and sold hard, | 0:40:59 | 0:41:01 | |
but now there's nothing more our battlers can do. | 0:41:01 | 0:41:04 | |
Their fate has been sealed. | 0:41:04 | 0:41:06 | |
And we'll soon find out who's won the war. | 0:41:06 | 0:41:08 | |
Our eminent experts each started with ?1,000 of their own money. | 0:41:10 | 0:41:15 | |
Paul splashed out ?970.88 including restoration costs | 0:41:15 | 0:41:19 | |
and bought six items. | 0:41:19 | 0:41:21 | |
Jonty bought seven items in total | 0:41:21 | 0:41:24 | |
and spent ?808.28. | 0:41:24 | 0:41:27 | |
But the only question that matters now | 0:41:27 | 0:41:29 | |
is who's made the most profit? | 0:41:29 | 0:41:31 | |
All the money that Paul and Jonty have made | 0:41:33 | 0:41:36 | |
will go to the charities of their choice, | 0:41:36 | 0:41:38 | |
so it's time to find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:38 | 0:41:42 | |
Hello, Jonty, how are you? How you doing? Great to see you. | 0:41:42 | 0:41:45 | |
Enjoy the auction sale? Yeah, quite difficult. We were battling against the world there. | 0:41:45 | 0:41:49 | |
Battling against you! | 0:41:49 | 0:41:52 | |
No, I was battling against you with those wonderful epaulettes. | 0:41:52 | 0:41:55 | |
What was your favourite item? | 0:41:55 | 0:41:57 | |
Remember the Hansom cab and little pony? Yes. | 0:41:57 | 0:42:00 | |
I paid just under 90 quid for it and sold it for 130. | 0:42:00 | 0:42:03 | |
I was pleased. What about you? Brilliant. My favourite item was the 15th-century song sheet. | 0:42:03 | 0:42:09 | |
What an amazing thing. I found a gentleman who knew what song it was | 0:42:09 | 0:42:13 | |
and what it related to the church. Fascinating. And a bit of profit. | 0:42:13 | 0:42:17 | |
Shall we see how we got on? You say when. | 0:42:17 | 0:42:20 | |
OK. Ready? OK. | 0:42:20 | 0:42:22 | |
Wow, look at that. Whoa! | 0:42:22 | 0:42:24 | |
The books didn't quite pan out the way we wanted them to. Well done. | 0:42:24 | 0:42:27 | |
Well done to you. Brilliant. Absolutely brilliant. | 0:42:27 | 0:42:29 | |
You made a profit. Congratulations. | 0:42:29 | 0:42:31 | |
Jonty was victorious today because he took a chance on the sporting memorabilia. | 0:42:31 | 0:42:35 | |
And then dealt Paul the knockout blow. | 0:42:37 | 0:42:39 | |
Auction rooms are my bread and butter, | 0:42:40 | 0:42:42 | |
but sometimes I find them really difficult to buy at. | 0:42:42 | 0:42:45 | |
Which means I am doubly pleased because I made profits on all the items I purchased. | 0:42:45 | 0:42:50 | |
I struggled, really, on the two sets of books. | 0:42:50 | 0:42:53 | |
I think that was my downfall. | 0:42:53 | 0:42:55 | |
I was bidding against the world, though. A great auction house. | 0:42:55 | 0:42:59 | |
The internet was bidding and I think I got carried away a little bit. | 0:42:59 | 0:43:02 | |
But you live and learn! | 0:43:02 | 0:43:03 | |
Well, tomorrow, Paul gets the chance to redeem himself, | 0:43:03 | 0:43:07 | |
as the duelling duo go head-to-head at a Lincolnshire antiques fair. | 0:43:07 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:25 |