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This is Put Your Money Where Your Mouth Is, | 0:00:03 | 0:00:05 | |
the show that pitches TV's best-loved antiques experts | 0:00:05 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:12 | |
Hey-hey! | 0:00:12 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:18 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:21 | 0:00:23 | |
will face a different daily challenge... | 0:00:23 | 0:00:26 | |
The original cheeky chappie! | 0:00:26 | 0:00:27 | |
Lovely! | 0:00:27 | 0:00:28 | |
..putting their reputations on the line... | 0:00:28 | 0:00:30 | |
Full house! | 0:00:30 | 0:00:32 | |
Oh, I say! | 0:00:32 | 0:00:33 | |
..and giving you their top tips | 0:00:33 | 0:00:35 | |
and savvy secrets on how to make the most money | 0:00:35 | 0:00:38 | |
from buying and selling. | 0:00:38 | 0:00:40 | |
I'm feeling rather lucky. | 0:00:40 | 0:00:42 | |
So, strap yourselves in as our two antiques aficionados | 0:00:45 | 0:00:49 | |
go head-to-head in the Showdown - | 0:00:49 | 0:00:51 | |
the most demanding challenge our eminent experts have ever faced. | 0:00:51 | 0:00:55 | |
Our dealers need to be at the top of their game | 0:00:55 | 0:00:58 | |
as they undertake a mission to scour the country | 0:00:58 | 0:01:01 | |
and continent to pick up the finest treasures they can find, | 0:01:01 | 0:01:04 | |
that they must then sell on for maximum profit. | 0:01:04 | 0:01:08 | |
Coming up, | 0:01:09 | 0:01:10 | |
Paul comes in with a cheeky offer. | 0:01:10 | 0:01:12 | |
One and a half. | 0:01:12 | 0:01:14 | |
There's a tip up the road! | 0:01:14 | 0:01:15 | |
No, I'm only joking. | 0:01:15 | 0:01:17 | |
Jonty tries to wind up his rival... | 0:01:17 | 0:01:19 | |
I bought it for you. Paul, that's broken - it's got an arm missing. Thank you very much! | 0:01:19 | 0:01:24 | |
..and he falls in love with a lucky lady. | 0:01:24 | 0:01:26 | |
Sometimes at auctions there are objects that you look at | 0:01:26 | 0:01:30 | |
and you think, "I just have to take that home with me". | 0:01:30 | 0:01:33 | |
And here she is. | 0:01:33 | 0:01:34 | |
This is Put Your Money Where Your Mouth Is. | 0:01:34 | 0:01:36 | |
Welcome to the Showdown - the Grand Slam of antiques, | 0:01:50 | 0:01:53 | |
the final face-off in the fight for profit | 0:01:53 | 0:01:55 | |
and ultimate victory. | 0:01:55 | 0:01:57 | |
And entering the arena first | 0:01:57 | 0:01:59 | |
is our haggling heart-throb, the sophisticated, smooth-talking blue-eyed boy, | 0:01:59 | 0:02:03 | |
but you'd better not forget he's in it to win it - | 0:02:03 | 0:02:06 | |
It's Paul "Mr Morecambe" Hayes. | 0:02:06 | 0:02:09 | |
We're here to witness the downfall today | 0:02:09 | 0:02:12 | |
of one Jonty Hearnden. | 0:02:12 | 0:02:15 | |
And this is the man he's referring to. | 0:02:15 | 0:02:17 | |
He's cool, calm and collected | 0:02:17 | 0:02:19 | |
and more than able to retaliate - it's the titan of trading, | 0:02:19 | 0:02:22 | |
Jonty "The Hitman" Hearnden. | 0:02:22 | 0:02:24 | |
I'm going to double my money. | 0:02:24 | 0:02:26 | |
Yes, this will be an epic battle, | 0:02:26 | 0:02:29 | |
using every ounce of our experts' knowledge, expertise | 0:02:29 | 0:02:32 | |
and skill. | 0:02:32 | 0:02:34 | |
They'll need to step up to the plate and deliver | 0:02:34 | 0:02:36 | |
at four major antiques events. | 0:02:36 | 0:02:38 | |
They'll have ?1,000 of their own money to spend | 0:02:38 | 0:02:41 | |
and all the profits go to their chosen charities. | 0:02:41 | 0:02:43 | |
But who will survive to emerge as the Put Your Money Where Your Mouth Is champion? | 0:02:43 | 0:02:48 | |
Good morning, Jonty, are you well? How are you doing? | 0:02:50 | 0:02:53 | |
We have a challenge. What is it? | 0:02:53 | 0:02:54 | |
Well, it says here, "Welcome to the mighty Showdown. | 0:02:54 | 0:02:57 | |
"You must each buy two items at every one of your Put Your Money challenges. | 0:02:57 | 0:03:02 | |
"You have ?1,000 to spend." | 0:03:02 | 0:03:05 | |
Hmm. It says here, "You can sell up to four items wherever you want. | 0:03:05 | 0:03:09 | |
"The rest will be sold at an auction in Cheltenham, | 0:03:09 | 0:03:12 | |
"in direct competition with your opponent." | 0:03:12 | 0:03:14 | |
There you go. "The winner is the dealer who makes the most profit." | 0:03:14 | 0:03:18 | |
What's it like to be on the losing side, Jonty? | 0:03:18 | 0:03:20 | |
It actually says here, "Good luck". | 0:03:20 | 0:03:22 | |
Good luck to you too. See you later. | 0:03:22 | 0:03:24 | |
Well, behind the friendly banter, these fearsome rivals | 0:03:24 | 0:03:27 | |
are all too aware that only one will be crowned king. | 0:03:27 | 0:03:31 | |
So, let battle commence. | 0:03:31 | 0:03:33 | |
They'll be stalking their usual hunting grounds - | 0:03:33 | 0:03:36 | |
an auction, a car boot sale, | 0:03:36 | 0:03:38 | |
an antiques fair | 0:03:38 | 0:03:40 | |
and a foreign antiques market. | 0:03:40 | 0:03:42 | |
At each venue they must buy two items | 0:03:42 | 0:03:45 | |
and to win this war, they must make the most profit. | 0:03:45 | 0:03:48 | |
First is the concrete jungle that is the car boot sale. | 0:03:48 | 0:03:52 | |
They'll be foraging for bargains at Ford Airfield, | 0:03:52 | 0:03:55 | |
where vigilance is the name of the game, | 0:03:55 | 0:03:58 | |
as nothing worth buying hangs around for long in this trading terrain. | 0:03:58 | 0:04:02 | |
And quick as a flash, Paul is the first to blaze a trail. | 0:04:02 | 0:04:06 | |
Something's caught my eye here. | 0:04:06 | 0:04:09 | |
This is a very traditional Victorian antique oil painting. | 0:04:09 | 0:04:13 | |
Beautiful. Look at that. Lovely big frame, | 0:04:13 | 0:04:15 | |
signed at the bottom here. | 0:04:15 | 0:04:17 | |
Very pleasing picture. I'm not sure who the artist is. | 0:04:17 | 0:04:20 | |
It says "Old Hyde Farm", | 0:04:20 | 0:04:24 | |
so you actually know where it is as well, | 0:04:24 | 0:04:26 | |
which ticks all the boxes. | 0:04:26 | 0:04:28 | |
What's on your painting, mate? ?300. | 0:04:28 | 0:04:29 | |
You can't do one and a half? | 0:04:29 | 0:04:31 | |
There's a tip up the road! No, I'm only joking. | 0:04:31 | 0:04:34 | |
Best on it is 280. | 0:04:34 | 0:04:35 | |
It's not dear for that. | 0:04:35 | 0:04:37 | |
280 quid... Bearing in mind I was thinking of putting this in auction, we'll have a bit of commission... | 0:04:37 | 0:04:42 | |
So it's going to have to get three and half before I get any profit on it. | 0:04:42 | 0:04:45 | |
But I do like it. It's a good feeling. It's very well painted. | 0:04:45 | 0:04:48 | |
I'm sorry to bother you, mate - you can't say a couple of hundred? | 0:04:48 | 0:04:51 | |
The absolute death on it is 270. | 0:04:51 | 0:04:54 | |
And I'll not get nothing out of it. | 0:04:54 | 0:04:56 | |
It's 270 - that was the death? 270. | 0:04:56 | 0:04:58 | |
All right. Thank you very much, mate. | 0:04:58 | 0:05:00 | |
Purchase number one and Paul's already breaking into a sweat. | 0:05:00 | 0:05:04 | |
The Showdown calls for nerves of steel. | 0:05:04 | 0:05:06 | |
He deliberated long and hard and the seller wasn't for moving, | 0:05:06 | 0:05:10 | |
but Paul jumps straight into the lead. | 0:05:10 | 0:05:12 | |
His rival, though, isn't going to be left behind for long. | 0:05:12 | 0:05:15 | |
No. In fact, Jonty has already plotted the course straight to a potential bargain. | 0:05:15 | 0:05:19 | |
Excuse me. Can you tell me more about what you've got in here? | 0:05:19 | 0:05:23 | |
It's a World War II Japanese... | 0:05:23 | 0:05:25 | |
Is it a compass? Compass, yes. 1943. | 0:05:25 | 0:05:29 | |
So it's made of brass. | 0:05:29 | 0:05:31 | |
Because we've got some moisture in there, it looks like | 0:05:31 | 0:05:34 | |
the seal has been broken. | 0:05:34 | 0:05:35 | |
What's the damage on that? | 0:05:35 | 0:05:37 | |
I was asking 100 originally, but could take 80. | 0:05:37 | 0:05:40 | |
I'm interested, but not at that point. I want to half it. | 0:05:40 | 0:05:43 | |
What, 40? Yeah. | 0:05:43 | 0:05:45 | |
It's damaged. I could do 55. | 0:05:45 | 0:05:47 | |
40 quid, come on. I'll do 45. | 0:05:47 | 0:05:49 | |
45? 45 and you can have it. | 0:05:49 | 0:05:52 | |
What's your name? Bob. Bob. | 0:05:52 | 0:05:54 | |
You've done me, Bob. | 0:05:54 | 0:05:55 | |
Has he, Jonty? It was you that was driving the price down. | 0:05:55 | 0:05:58 | |
Well, here's hoping that compass will help you find your way to profit. | 0:05:58 | 0:06:02 | |
And as time is ticking on, Paul has clocked his second possible buy. | 0:06:02 | 0:06:06 | |
How much is this old clock? | 0:06:06 | 0:06:08 | |
Three pound to you. Three pounds? Yeah. | 0:06:08 | 0:06:10 | |
I think I'll have that. OK. | 0:06:10 | 0:06:13 | |
I'm not even going to haggle at ?3. I don't think you should. | 0:06:13 | 0:06:16 | |
No, I don't think I should either. | 0:06:16 | 0:06:18 | |
Can I have a look at that other one on the floor? | 0:06:18 | 0:06:21 | |
I think it's a load of rubbish. | 0:06:21 | 0:06:23 | |
It's actually a good case. Yeah. | 0:06:23 | 0:06:24 | |
But it's battery. That's a beautiful 19th-century oak case. | 0:06:24 | 0:06:29 | |
You can have it for ?1 if you want it. | 0:06:29 | 0:06:31 | |
I'll have that. Why not? Make it four quid. | 0:06:31 | 0:06:33 | |
All right. | 0:06:33 | 0:06:35 | |
So, big spender, what have you bought? | 0:06:35 | 0:06:37 | |
Do you know what, I think these have been the bargain of the day. | 0:06:37 | 0:06:40 | |
This is an American gingerbread, or Ansonia, which is the region where this comes from. | 0:06:40 | 0:06:44 | |
It's got a complete glass, it's all painted. | 0:06:44 | 0:06:47 | |
And it works when I put the key in. ?3! A complete bargain. | 0:06:47 | 0:06:51 | |
And this one was ?1. This is a good, solid oak clock | 0:06:51 | 0:06:54 | |
from about 1890, 1910, that sort of time. | 0:06:54 | 0:06:57 | |
But look at the back - it has got a battery movement. | 0:06:57 | 0:07:00 | |
Look out for these ones, Jonty. | 0:07:00 | 0:07:02 | |
It's the right TIME to sell them. | 0:07:02 | 0:07:04 | |
Well, there's no time to wind Jonty up now, Paul, | 0:07:04 | 0:07:07 | |
as he's hooked up with another possible purchase. | 0:07:07 | 0:07:10 | |
This is an interesting little object. | 0:07:10 | 0:07:12 | |
It's for putting on your desk. | 0:07:12 | 0:07:14 | |
Little hook on the top there. | 0:07:14 | 0:07:16 | |
Slip your bills on there. So it's a desktop filing system, essentially. | 0:07:16 | 0:07:21 | |
But what's really interesting here is we've got a little hallmark, | 0:07:21 | 0:07:24 | |
which means it's silver. So we've got a silver base. | 0:07:24 | 0:07:27 | |
This top section, the hook section, | 0:07:27 | 0:07:29 | |
is not silver. It's discoloured, | 0:07:29 | 0:07:31 | |
so this is plated. | 0:07:31 | 0:07:33 | |
so this is plated. | 0:07:33 | 0:07:33 | |
Just by looking at the design, | 0:07:33 | 0:07:35 | |
it's Edwardian, so it's about 100 years old. | 0:07:35 | 0:07:38 | |
What's your death on that one? | 0:07:38 | 0:07:39 | |
40. What about 30? | 0:07:41 | 0:07:42 | |
Meet me in the middle. | 0:07:44 | 0:07:45 | |
Can you do it a little bit less than 35? | 0:07:45 | 0:07:47 | |
34. Go on, then. | 0:07:47 | 0:07:49 | |
It's mine for 34. | 0:07:49 | 0:07:51 | |
So Jonty's landed his final item from the car boot, | 0:07:51 | 0:07:54 | |
and with that, Round 1 of the Showdown is over. | 0:07:54 | 0:07:57 | |
Both our battling buyers are still standing | 0:07:57 | 0:08:00 | |
and ready to slug it out in Round 2, | 0:08:00 | 0:08:02 | |
but how much have they spent so far? | 0:08:02 | 0:08:04 | |
Paul and Jonty's Showdown budget is ?1,000. | 0:08:04 | 0:08:08 | |
Paul has been splashing the cash, | 0:08:08 | 0:08:10 | |
spending ?274 on his two lots, | 0:08:10 | 0:08:13 | |
leaving him with ?726 in his kitty. | 0:08:13 | 0:08:17 | |
Jonty has been more frugal, | 0:08:17 | 0:08:19 | |
spending only ?79, | 0:08:19 | 0:08:21 | |
so he's left with ?921. | 0:08:21 | 0:08:24 | |
And so to Round 2. | 0:08:24 | 0:08:26 | |
Our plucky pair will be fighting it out | 0:08:26 | 0:08:28 | |
at the Lincolnshire Antiques Fair. | 0:08:28 | 0:08:30 | |
Our captains of the collectables are ready to haggle hard and will stop at nothing | 0:08:30 | 0:08:34 | |
to find the best buys. | 0:08:34 | 0:08:36 | |
And full of that British bulldog spirit, | 0:08:36 | 0:08:38 | |
they've both prepared a battle plan. | 0:08:38 | 0:08:40 | |
There are dealers that sell relatively low-end antiques, | 0:08:40 | 0:08:43 | |
but there are also dealers that have got an eye for the quirky, | 0:08:43 | 0:08:47 | |
eye for the different. | 0:08:47 | 0:08:49 | |
And I suppose ultimately that's where my heart is. | 0:08:49 | 0:08:51 | |
So the Hitman's not afraid of standing out from the crowd, | 0:08:51 | 0:08:54 | |
especially if his hat's anything to go by. | 0:08:54 | 0:08:56 | |
Anyway, Paul is reflecting on his spending spree at the car boot sale. | 0:08:56 | 0:09:01 | |
This is quite a difficult challenge. I've already spent a good chunk of my budget. | 0:09:01 | 0:09:05 | |
So I need to watch my pennies now, | 0:09:05 | 0:09:07 | |
but there's still bargains to be had. | 0:09:07 | 0:09:09 | |
Well, remember fortune favours the brave, Paul. | 0:09:09 | 0:09:12 | |
And our man from Morecambe doesn't hesitate to enter the fray | 0:09:12 | 0:09:15 | |
and go for bust. | 0:09:15 | 0:09:16 | |
I must admit, these sort of busts are one of my favourite objects. | 0:09:16 | 0:09:19 | |
It's extremely Art Nouveau. Made from terracotta. | 0:09:19 | 0:09:22 | |
It's been broken off something. It's been a plinth there. | 0:09:22 | 0:09:25 | |
That's nice - a signature. | 0:09:25 | 0:09:26 | |
1898, 1890, something like that. | 0:09:26 | 0:09:29 | |
Do you mind me asking how much this is? It's ?85, sir. | 0:09:29 | 0:09:32 | |
Any age to it? Don't know. | 0:09:32 | 0:09:35 | |
It's come out of an 18th-century farmhouse in Herefordshire. | 0:09:35 | 0:09:38 | |
Can you ease it a little bit for me? 75 would be the very best. | 0:09:38 | 0:09:41 | |
That's the very best? I'm going to have that. I like it. | 0:09:41 | 0:09:44 | |
Thank you very much. No problem. | 0:09:44 | 0:09:46 | |
And with that, Paul is head and shoulders above his competitor. | 0:09:46 | 0:09:49 | |
But Jonty has plans to level the playing field, | 0:09:49 | 0:09:52 | |
as he's spotted some interesting lamps. | 0:09:52 | 0:09:55 | |
So will he make light work of his first deal? | 0:09:55 | 0:09:58 | |
Tell me about these lovely lamps. | 0:09:58 | 0:10:00 | |
Basically, these are balustrading from walls. | 0:10:00 | 0:10:03 | |
Are they made of constituted stone? Constituted stone. | 0:10:03 | 0:10:06 | |
So this is the sort of thing for outside in the garden, a sort of a wall with a top and a bottom? | 0:10:06 | 0:10:12 | |
And around ponds. What are they a pop? | 0:10:12 | 0:10:14 | |
I don't differentiate to anybody. | 0:10:14 | 0:10:17 | |
?75 each. | 0:10:17 | 0:10:19 | |
So 150 for two? 150 for two, Jonty. | 0:10:19 | 0:10:22 | |
I'm going to choose two, if that's all right with you. That's fine. Done deal. | 0:10:22 | 0:10:25 | |
Well, there was no wiggle room for the wily haggler there | 0:10:25 | 0:10:28 | |
as he takes the balustrade lamps for the asking price. | 0:10:28 | 0:10:31 | |
Will he fare any better in his next attempt, as, quick as a flash, | 0:10:31 | 0:10:34 | |
he's found another item? | 0:10:34 | 0:10:36 | |
What about these cufflinks here? Aren't they great? | 0:10:36 | 0:10:39 | |
I've got 30 on them. | 0:10:39 | 0:10:41 | |
You're going to have to do me a better price. What are you thinking? I'm halving it. | 0:10:41 | 0:10:45 | |
You're trying to put me out the game! | 0:10:45 | 0:10:48 | |
I'm talking 15 quid at the moment. Where are we? | 0:10:51 | 0:10:53 | |
Look, I tell you what, give me 18. | 0:10:53 | 0:10:56 | |
18? Can we do that? I'll do that. | 0:10:56 | 0:10:58 | |
Can you do it? Thank you very much indeed. No problem. | 0:10:58 | 0:11:01 | |
What's so nice about these cufflinks, | 0:11:01 | 0:11:03 | |
these novelty cufflinks, | 0:11:03 | 0:11:04 | |
is that they really do look period. | 0:11:04 | 0:11:07 | |
Now, these cameras had that '50s, '60s look. | 0:11:07 | 0:11:10 | |
The look of a Leica camera | 0:11:10 | 0:11:12 | |
was the coolest machine to have | 0:11:12 | 0:11:15 | |
if you were into photography at that time. | 0:11:15 | 0:11:18 | |
They're only made of a polished metal | 0:11:18 | 0:11:21 | |
and at ?18, | 0:11:21 | 0:11:23 | |
well, I think I'm in for a very large profit. | 0:11:23 | 0:11:26 | |
So Jonty's snapped up his two items | 0:11:26 | 0:11:29 | |
and the pressure is all now on Paul | 0:11:29 | 0:11:31 | |
to match his rival's purchasing power. | 0:11:31 | 0:11:33 | |
He's not going to let Jonty sail away with this one. | 0:11:33 | 0:11:36 | |
I spotted a bit of Royal memorabilia earlier on. | 0:11:36 | 0:11:39 | |
This is a poster | 0:11:39 | 0:11:41 | |
and it commemorates Her Majesty Queen Elizabeth II's Silver Jubilee, 1977. | 0:11:41 | 0:11:45 | |
I remember it well. | 0:11:45 | 0:11:47 | |
What I like about it is it's actually a poster that shows | 0:11:47 | 0:11:50 | |
all the flotilla of ships that were involved | 0:11:50 | 0:11:52 | |
around the Isle of Wight | 0:11:52 | 0:11:54 | |
at the time, to celebrate the Coronation. | 0:11:54 | 0:11:56 | |
What's on your picture? I'll take a tenner on it. | 0:11:56 | 0:11:59 | |
A tenner? A tenner. | 0:11:59 | 0:12:01 | |
Right, I shall have that. OK, mate. | 0:12:01 | 0:12:03 | |
Nice to see you. Thank you very much. | 0:12:03 | 0:12:05 | |
And that's it - time out on Round 2. | 0:12:05 | 0:12:08 | |
Our trading titans have both picked up their two purchases, | 0:12:08 | 0:12:11 | |
so let's see how much they've splashed out. | 0:12:11 | 0:12:14 | |
Our boys started out with a Showdown budget of ?1,000. | 0:12:14 | 0:12:17 | |
Paul has now spent ?359, | 0:12:17 | 0:12:20 | |
leaving him with ?641 to spend in the remaining two rounds. | 0:12:20 | 0:12:25 | |
Jonty has spent slightly less than his rival, | 0:12:25 | 0:12:27 | |
parting with ?247, | 0:12:27 | 0:12:29 | |
leaving him ?753. | 0:12:29 | 0:12:32 | |
So, time for Round 3. | 0:12:32 | 0:12:35 | |
Both our battling bargain hunters are still standing, | 0:12:35 | 0:12:38 | |
ready to fight it out. | 0:12:38 | 0:12:40 | |
They've crossed the Channel for the next stand-off | 0:12:40 | 0:12:42 | |
and are scouring the side alleys at the Saint Antoine flea market in Paris. | 0:12:42 | 0:12:47 | |
They're ready to bust a gut to bring home the best bargains | 0:12:47 | 0:12:50 | |
and Jonty is hoping for an early lead as he spots | 0:12:50 | 0:12:53 | |
a side table with plenty of French flair. | 0:12:53 | 0:12:56 | |
This is a wrought-iron console table | 0:12:57 | 0:13:00 | |
from the 1950s, possibly the 1960s. | 0:13:00 | 0:13:03 | |
Solid marble top. | 0:13:03 | 0:13:05 | |
It's wonderfully French | 0:13:05 | 0:13:07 | |
and it's stylised in that kind of 19th, 18th-century look | 0:13:07 | 0:13:11 | |
with a stylised acanthus leaf here on the front. | 0:13:11 | 0:13:14 | |
This is perfect for that retro, | 0:13:14 | 0:13:18 | |
dare I say, almost kitsch market which is so popular back in the UK. | 0:13:18 | 0:13:22 | |
Now, your eyes may be deceiving you, because if you look closely, | 0:13:22 | 0:13:26 | |
this is not 200 euros - it says 20 euros. | 0:13:26 | 0:13:29 | |
I have negotiated that down to 15 euros. | 0:13:29 | 0:13:34 | |
What a bargain! | 0:13:34 | 0:13:36 | |
So the Oxfordshire haggler gets his marble-topped console | 0:13:36 | 0:13:40 | |
for just ?13.64. | 0:13:40 | 0:13:42 | |
But the man from Morecambe isn't willing to be beaten | 0:13:42 | 0:13:44 | |
on cross-Channel charm, | 0:13:44 | 0:13:46 | |
as he tracks down an item of his own. | 0:13:46 | 0:13:48 | |
Now then, I've found some unusual items here. | 0:13:48 | 0:13:51 | |
Something that we're always looking for. | 0:13:51 | 0:13:53 | |
These are nice 19th-century leather boxes, | 0:13:53 | 0:13:55 | |
but they were designed for the carriage clocks | 0:13:55 | 0:13:59 | |
that were used in the travelling carriages in the Victorian times. | 0:13:59 | 0:14:02 | |
These are always in demand, because the carriage clocks turn up | 0:14:02 | 0:14:05 | |
far more often than the actual cases. | 0:14:05 | 0:14:07 | |
Bonjour, monsieur! Oui, monsieur? | 0:14:07 | 0:14:11 | |
C'est combien? | 0:14:11 | 0:14:13 | |
C'est 25. | 0:14:13 | 0:14:15 | |
If I buy two...dernier prix? | 0:14:15 | 0:14:17 | |
I can make two for 40. | 0:14:17 | 0:14:20 | |
You couldn't do two for 30? | 0:14:20 | 0:14:22 | |
OK. OK, I'll buy two. | 0:14:22 | 0:14:24 | |
Merci beaucoup. | 0:14:24 | 0:14:26 | |
Ah, what a nice polite haggle - lovely! | 0:14:26 | 0:14:30 | |
Paul manages to charm his way into getting | 0:14:30 | 0:14:33 | |
his two carriage clock holders for ?27.27. | 0:14:33 | 0:14:36 | |
But then Paul's expert eye spots another treasure in the back of the same trader's cabinet. | 0:14:36 | 0:14:42 | |
You don't see many in England this design. | 0:14:42 | 0:14:45 | |
So he swoops in and buys the carriage clock | 0:14:45 | 0:14:49 | |
for ?136.36. | 0:14:49 | 0:14:51 | |
I'm actually delighted with this particular clock. | 0:14:53 | 0:14:55 | |
It's typically French. | 0:14:55 | 0:14:57 | |
It's very different to what you find in England. | 0:14:57 | 0:14:59 | |
We tend to be more classical design. | 0:14:59 | 0:15:01 | |
It's got a beautiful ormolu case, | 0:15:01 | 0:15:03 | |
which has been decorated with these vine leaves. | 0:15:03 | 0:15:05 | |
This dates from about 1870, 1880. | 0:15:05 | 0:15:08 | |
The rule of thumb when looking at any of these platform escapement clocks | 0:15:08 | 0:15:11 | |
is if you give it a bit of a rock, | 0:15:11 | 0:15:13 | |
the whole spring moves backwards and forwards. | 0:15:13 | 0:15:15 | |
That's the balance wheel and it's very important that's intact. | 0:15:15 | 0:15:18 | |
For 150 euros, | 0:15:18 | 0:15:20 | |
I think that's a great price. | 0:15:20 | 0:15:22 | |
So Paul completes his buying for the round | 0:15:22 | 0:15:24 | |
and the pressure is now on Jonty to find that final purchase. | 0:15:24 | 0:15:28 | |
And it's not long before he spots something | 0:15:28 | 0:15:30 | |
that sits well with him. | 0:15:30 | 0:15:32 | |
Take a closer look at my chair here. | 0:15:32 | 0:15:34 | |
It's a really good quality frame. | 0:15:35 | 0:15:37 | |
It's probably a beech frame. | 0:15:37 | 0:15:38 | |
And dated the early part of the 20th century. | 0:15:38 | 0:15:41 | |
It's been recovered, so this fabric here is pretty nasty. | 0:15:41 | 0:15:45 | |
But the upholstery is in really good condition. | 0:15:45 | 0:15:48 | |
If you look at the quality of the carving, | 0:15:48 | 0:15:50 | |
it's not wonderfully 19th-century. | 0:15:50 | 0:15:53 | |
It's slightly later, so everything here is probably machine-turned. | 0:15:53 | 0:15:57 | |
Hand-finished, but the quality isn't quite there. | 0:15:57 | 0:16:01 | |
But it's a great chair. | 0:16:01 | 0:16:02 | |
At 350 euros, it's a really, really good buy. | 0:16:02 | 0:16:06 | |
And it's the most expensive one of the Showdown so far, | 0:16:06 | 0:16:10 | |
as it sets Jonty back ?318.18. | 0:16:10 | 0:16:13 | |
And with that, the third round draws to a close. | 0:16:13 | 0:16:17 | |
But will Jonty's chair furnish him with a nice bit of profit? | 0:16:17 | 0:16:19 | |
And will Paul's carriage clock tick the money-making box? | 0:16:19 | 0:16:23 | |
Let's check on the spending so far. | 0:16:23 | 0:16:25 | |
Both of our boys started the Showdown with ?1,000 | 0:16:25 | 0:16:27 | |
of their own money to spend. | 0:16:27 | 0:16:29 | |
Paul has now parted with over half his budget, | 0:16:29 | 0:16:32 | |
spending ?522.63, | 0:16:32 | 0:16:34 | |
leaving ?477.37 in his kitty. | 0:16:34 | 0:16:38 | |
Jonty has now turned the tables and spent more than his rival - | 0:16:38 | 0:16:42 | |
?578.82, | 0:16:42 | 0:16:44 | |
meaning he has ?421.18 | 0:16:44 | 0:16:46 | |
going into the final round. | 0:16:46 | 0:16:48 | |
And so to Round 4 of this shopping slugfest. | 0:16:48 | 0:16:53 | |
And what better place to end this fight | 0:16:53 | 0:16:54 | |
than in the deadliest arena of all - the auction? | 0:16:54 | 0:16:57 | |
A place where prayers can be answered | 0:16:57 | 0:17:00 | |
or dreams crushed. | 0:17:00 | 0:17:01 | |
And today, our two glory hunters will be at Charterhouse Auctioneers | 0:17:01 | 0:17:04 | |
in Dorset. | 0:17:04 | 0:17:06 | |
Our dealers must buy two items each, | 0:17:06 | 0:17:08 | |
and it's Paul who's wading into the fight first | 0:17:08 | 0:17:11 | |
as he has already earmarked a lot | 0:17:11 | 0:17:13 | |
and is hoping to channel the heroics of one of history's great leaders. | 0:17:13 | 0:17:16 | |
John and Henry Doulton | 0:17:16 | 0:17:18 | |
made their fortune from making the sewage pipes of London | 0:17:18 | 0:17:21 | |
and they used this stoneware to protect the people | 0:17:21 | 0:17:25 | |
living in the slums and the poorer areas | 0:17:25 | 0:17:28 | |
to give them clean water. | 0:17:28 | 0:17:29 | |
And as a by-product, they started to make items from stoneware. | 0:17:29 | 0:17:33 | |
This is one of the mostly highly prized and recognised. | 0:17:33 | 0:17:36 | |
This is one of Admiral Nelson, | 0:17:36 | 0:17:38 | |
and on the bottom here it says "Doulton and Watts" | 0:17:38 | 0:17:41 | |
and we have an estimate of ?100 to ?150 | 0:17:41 | 0:17:43 | |
and I think that's a great bit of history | 0:17:43 | 0:17:45 | |
to hopefully bring back to Morecambe. | 0:17:45 | 0:17:47 | |
But to secure this victory, | 0:17:47 | 0:17:49 | |
Paul is going to need to harness all his bidding bravery, | 0:17:49 | 0:17:52 | |
as he has competition from an internet bidder. | 0:17:52 | 0:17:55 | |
At 110. And 10. | 0:17:55 | 0:17:57 | |
120, 130, 140, 150. | 0:17:57 | 0:17:59 | |
160, 170, 180, 190. | 0:17:59 | 0:18:02 | |
This is a fierce fight. | 0:18:02 | 0:18:04 | |
Will it go Paul's way? | 0:18:04 | 0:18:06 | |
220. Room bid before the internet. | 0:18:06 | 0:18:09 | |
240. Go on - one more. | 0:18:09 | 0:18:11 | |
260. It's a room bid at ?260. | 0:18:11 | 0:18:14 | |
Selling then. I think I'm beaten. | 0:18:14 | 0:18:16 | |
280. Go on - one more. 300. | 0:18:16 | 0:18:19 | |
At 300. | 0:18:19 | 0:18:21 | |
I bought it! There we go. | 0:18:21 | 0:18:23 | |
Paul, that's broken - it's got an arm missing! Thank you very much! | 0:18:23 | 0:18:27 | |
As Jonty said, it's got an arm missing. Very funny. | 0:18:28 | 0:18:31 | |
That's at the top end of what I wanted to pay, | 0:18:31 | 0:18:33 | |
but I'm delighted to beat the internet. | 0:18:33 | 0:18:35 | |
I've made the effort to come here today to buy. | 0:18:35 | 0:18:37 | |
Yes, Paul's giving it all he's got, putting his heart and soul into this fight, | 0:18:37 | 0:18:41 | |
and that purchase cost him big. | 0:18:41 | 0:18:43 | |
The Doulton and Watts jug set him back ?370.20 with fees. | 0:18:43 | 0:18:47 | |
And, on a roll, he's straight into bidding again | 0:18:47 | 0:18:51 | |
as he's after a commemorative Queen Mother enamel box. | 0:18:51 | 0:18:54 | |
At ?70. Bidder goes away at 70. | 0:18:54 | 0:18:56 | |
What a noble acquisition, | 0:18:56 | 0:18:59 | |
as Paul claims his enamel box for ?86.38 with fees. | 0:18:59 | 0:19:03 | |
I bought something here that certainly isn't antique, | 0:19:05 | 0:19:08 | |
but is extremely collectable. | 0:19:08 | 0:19:09 | |
It's a Bilston enamel box, | 0:19:09 | 0:19:12 | |
and Bilston enamel was the traditional way of making | 0:19:12 | 0:19:14 | |
a copper box covered in enamel, | 0:19:14 | 0:19:16 | |
to give this wonderful coloured decoration. | 0:19:16 | 0:19:18 | |
They have been made since the 18th century. | 0:19:18 | 0:19:20 | |
But this one was made quite recently. | 0:19:20 | 0:19:22 | |
It's to commemorate the fifth anniversary of the passing | 0:19:22 | 0:19:26 | |
of the Queen Mother. | 0:19:26 | 0:19:28 | |
But this is done after a painting by Samuel Warburton in 1923, | 0:19:28 | 0:19:32 | |
just before she married the future King George VI. | 0:19:32 | 0:19:35 | |
It has the box and the certificates | 0:19:35 | 0:19:37 | |
and it's just a beautiful thing. | 0:19:37 | 0:19:39 | |
And with that Royal purchase, | 0:19:39 | 0:19:40 | |
Paul is king of the castle, | 0:19:40 | 0:19:42 | |
as he's bought all eight of his Showdown items. | 0:19:42 | 0:19:45 | |
But Jonty - well, he's no dirty rascal | 0:19:45 | 0:19:47 | |
and is charging straight into the bidding | 0:19:47 | 0:19:49 | |
on set of pewter chargers. | 0:19:49 | 0:19:51 | |
At 45. | 0:19:51 | 0:19:52 | |
50. 60. 70. | 0:19:52 | 0:19:54 | |
80. | 0:19:54 | 0:19:56 | |
90. 100. And 10. | 0:19:56 | 0:19:58 | |
120. 120? | 0:19:58 | 0:20:00 | |
Selling at 120. | 0:20:00 | 0:20:02 | |
Jonty forces his way back into the competition, | 0:20:02 | 0:20:04 | |
picking up the two pewter chargers for ?148.08, with fees. | 0:20:04 | 0:20:09 | |
Now, in the 18th and 19th century, | 0:20:09 | 0:20:11 | |
pewter was exceedingly common, | 0:20:11 | 0:20:13 | |
so in every tavern, every dining table | 0:20:13 | 0:20:16 | |
would have had a plate similar to this. | 0:20:16 | 0:20:19 | |
Now, this is larger than your average plate | 0:20:19 | 0:20:22 | |
and for that reason, they're called chargers. | 0:20:22 | 0:20:24 | |
But the one marking that I'm really impressed with | 0:20:24 | 0:20:28 | |
is this sticky label here on the back that somebody's placed | 0:20:28 | 0:20:31 | |
and they've put, "Robert Sadler, London and Newcastle, circa 1750." | 0:20:31 | 0:20:36 | |
And I'm really interested in doing some research when I get back home. | 0:20:36 | 0:20:40 | |
And Jonty's hoping the next lot will help him keep his head above water | 0:20:40 | 0:20:44 | |
as he raises the sails | 0:20:44 | 0:20:45 | |
and steers towards a bidding battle for a pond yacht. | 0:20:45 | 0:20:48 | |
At ?120. 130. | 0:20:48 | 0:20:50 | |
140. Jonty's bid standing. And selling at 140. | 0:20:50 | 0:20:54 | |
Now I'm sailing! | 0:20:54 | 0:20:56 | |
And Jonty gets his pond yacht for ?172.76, with fees. | 0:20:56 | 0:21:01 | |
Sometimes at auctions there are objects that you look at | 0:21:03 | 0:21:06 | |
and you think, "I just have to take that home with me". | 0:21:06 | 0:21:09 | |
And here she is - | 0:21:09 | 0:21:11 | |
my beautiful pond yacht. | 0:21:11 | 0:21:12 | |
And looking at the whole structure of this, | 0:21:12 | 0:21:14 | |
there's some really good attention to detail. | 0:21:14 | 0:21:16 | |
Looking at the quality of the mast and how the sails can be lowered | 0:21:16 | 0:21:20 | |
and heightened. | 0:21:20 | 0:21:22 | |
It's a beautiful object, originally designed | 0:21:22 | 0:21:24 | |
to actually be placed onto ponds so the yacht could be sailed around. | 0:21:24 | 0:21:28 | |
But today these are just sold as wonderful decorative objects. | 0:21:28 | 0:21:31 | |
She's named Lady Luck. | 0:21:31 | 0:21:32 | |
What a great name! | 0:21:32 | 0:21:34 | |
Perhaps she'll be your lucky charm, Jonty. | 0:21:34 | 0:21:37 | |
And with that, this bout is over. | 0:21:37 | 0:21:39 | |
Our dealers have bought all they can. | 0:21:39 | 0:21:41 | |
Will Jonty's pond yacht help him sail away with the competition? | 0:21:41 | 0:21:44 | |
Will Paul's jug prove to be an heroic purchase? | 0:21:44 | 0:21:48 | |
It's time to take one final look at their spending totals. | 0:21:48 | 0:21:51 | |
Our top traders each started the day | 0:21:51 | 0:21:53 | |
with ?1,000 of their own money to spend. | 0:21:53 | 0:21:56 | |
Paul nearly blew his entire budget, spending ?979.21, | 0:21:56 | 0:22:01 | |
while Jonty's Showdown selection cost him a total | 0:22:01 | 0:22:03 | |
of ?899.66. | 0:22:03 | 0:22:06 | |
Before the selling starts, our two dealers take the chance to meet up | 0:22:08 | 0:22:12 | |
and try to get the inside scoop | 0:22:12 | 0:22:13 | |
and gauge how the impending battle will play out. | 0:22:13 | 0:22:16 | |
What a week! What a challenge that was! | 0:22:16 | 0:22:19 | |
I think I bought some good things. | 0:22:19 | 0:22:22 | |
I'm delighted with the Showdown items I've got. | 0:22:22 | 0:22:24 | |
That beautiful painting could do well. | 0:22:24 | 0:22:27 | |
And of course, this terracotta bust. | 0:22:27 | 0:22:29 | |
I did very well at the antiques market. I bought a pair of balustrade lamps, | 0:22:29 | 0:22:32 | |
which are going to sell to an interior designer, I'm convinced. | 0:22:32 | 0:22:36 | |
I bought my lovely yacht. | 0:22:36 | 0:22:37 | |
All I need is to find somebody with a pond. | 0:22:37 | 0:22:39 | |
Know anyone? No, but Morecambe Bay's quite big! | 0:22:39 | 0:22:43 | |
May the best man win, Jonty. | 0:22:43 | 0:22:46 | |
See you at the auction. | 0:22:46 | 0:22:48 | |
Buying their booty was just the first part of this ultimate challenge for Showdown glory. | 0:22:51 | 0:22:55 | |
Jonty and Paul must now transform into selling supremos | 0:22:55 | 0:23:00 | |
as they look to offload all their purchases | 0:23:00 | 0:23:02 | |
for maximum profit. | 0:23:02 | 0:23:04 | |
But the Showdown has a twist - | 0:23:04 | 0:23:06 | |
the auction. | 0:23:06 | 0:23:07 | |
Our two experts must each put four of their eight items under the hammer, | 0:23:07 | 0:23:11 | |
where they'll have no haggling power whatsoever over the buyers. | 0:23:11 | 0:23:15 | |
They might see their profits soar... | 0:23:15 | 0:23:16 | |
or they might lose everything. | 0:23:16 | 0:23:18 | |
Over at the Hitman's headquarters in Oxfordshire, | 0:23:18 | 0:23:21 | |
Jonty is sizing up his stash. | 0:23:21 | 0:23:24 | |
I've got the lot here. | 0:23:24 | 0:23:27 | |
I have an interior designer interested already | 0:23:27 | 0:23:29 | |
in my balustrade lamps, | 0:23:29 | 0:23:31 | |
and that's good news, because when I purchased them, | 0:23:31 | 0:23:34 | |
I knew they were interior designer stock. | 0:23:34 | 0:23:37 | |
I've already got somebody interested in my 1960s Leica camera cufflinks. | 0:23:37 | 0:23:42 | |
I've got somebody interested in my chair, | 0:23:42 | 0:23:44 | |
but I paid so much for that | 0:23:44 | 0:23:46 | |
that maybe there's not all that much profit in it. | 0:23:46 | 0:23:49 | |
The best of all is my beautiful pond yacht. | 0:23:49 | 0:23:52 | |
What a bargain! | 0:23:52 | 0:23:54 | |
That is my best piece out of the whole collection. | 0:23:54 | 0:23:58 | |
If I can get that away, I hope that I might be able to make an awful lot of money there. | 0:23:58 | 0:24:03 | |
Jonty has already decided to sell his Japanese compass, | 0:24:03 | 0:24:07 | |
Edwardian silver bill hook, | 0:24:07 | 0:24:09 | |
two pewter chargers | 0:24:09 | 0:24:11 | |
and marble-topped console at auction. | 0:24:11 | 0:24:13 | |
I am ready for the challenge, Mr Hayes! | 0:24:13 | 0:24:17 | |
So he's all fired up and raring to go, | 0:24:17 | 0:24:19 | |
and over in Morecambe, Paul is also stoked with his stock. | 0:24:19 | 0:24:23 | |
Watch out for these, Jonty, because we've got some great, great items. | 0:24:23 | 0:24:27 | |
Bit of Royal memorabilia here. | 0:24:27 | 0:24:29 | |
This is something quite new, | 0:24:29 | 0:24:30 | |
but it's top, top quality. | 0:24:30 | 0:24:33 | |
It's a Battersea enamel, it's of the Queen Mum. | 0:24:33 | 0:24:35 | |
Two carriage clock cases. | 0:24:35 | 0:24:37 | |
I know quite a lot of clock dealers and watch dealers and collectors, | 0:24:37 | 0:24:41 | |
so I think I'll be able to shift those. | 0:24:41 | 0:24:43 | |
I bought two clocks for ?4. | 0:24:43 | 0:24:46 | |
You can't get any cheaper than that. It's a crazy, crazy price. | 0:24:46 | 0:24:50 | |
I think those are something I can definitely sell privately. | 0:24:50 | 0:24:53 | |
This fella is Admiral Lord Nelson. | 0:24:53 | 0:24:56 | |
He's extremely popular. One of the great names in British culture. | 0:24:56 | 0:25:00 | |
One of our greatest leaders. | 0:25:00 | 0:25:02 | |
Coupled together with the fact it's made by Doulton and Watts. | 0:25:02 | 0:25:05 | |
I did actually see one of these online, | 0:25:05 | 0:25:06 | |
which was priced at over ?1,000. | 0:25:06 | 0:25:09 | |
So what I've decided to do with this one is a dedicated Doulton sale. | 0:25:09 | 0:25:13 | |
I think this has got a great chance to make some good money. | 0:25:13 | 0:25:16 | |
So, going to auction will be this wonderful old map, | 0:25:16 | 0:25:20 | |
this beautiful bust, | 0:25:20 | 0:25:22 | |
this lovely clock | 0:25:22 | 0:25:24 | |
and of course, this ancient painting of Balham. | 0:25:24 | 0:25:26 | |
It's cost me ?270, but I think there's a good chance of getting a good profit on that. | 0:25:26 | 0:25:32 | |
Get one over on that Jonty Hearnden! | 0:25:32 | 0:25:34 | |
Strong words, Paul, but now it's time to turn that talk into action | 0:25:34 | 0:25:38 | |
as our trading tycoons hit the selling trail. | 0:25:38 | 0:25:41 | |
But remember, no deal is truly sealed | 0:25:41 | 0:25:42 | |
until they've shaken on it. | 0:25:42 | 0:25:44 | |
Jonty is keen to take an early lead, | 0:25:46 | 0:25:48 | |
so, quick as a flash, he's found Christian, | 0:25:48 | 0:25:50 | |
a photographer in Yorkshire, who he hopes will snap up the camera cufflinks | 0:25:50 | 0:25:55 | |
that he bought for ?18. | 0:25:55 | 0:25:56 | |
Here we go. | 0:25:56 | 0:25:58 | |
They're beautiful. | 0:25:58 | 0:25:59 | |
We've got cameras on the end there. Do you like them? | 0:25:59 | 0:26:02 | |
Oh, I love them! | 0:26:02 | 0:26:04 | |
They look good. | 0:26:04 | 0:26:05 | |
Now, these are only ?30 each. | 0:26:05 | 0:26:09 | |
?30 each? That's nice that you split it up there. | 0:26:09 | 0:26:12 | |
Well, they sound cheaper! | 0:26:12 | 0:26:15 | |
What would you say to ?20 each? | 0:26:15 | 0:26:17 | |
?20? ?40... | 0:26:17 | 0:26:19 | |
How about ?25 each? | 0:26:19 | 0:26:21 | |
Yeah, go on, then! Brilliant! | 0:26:21 | 0:26:24 | |
Yes, that sale nets Jonty a profit of ?32. | 0:26:24 | 0:26:27 | |
Not just a pretty face, are you, Jonty? | 0:26:27 | 0:26:30 | |
Yes, step aside, Kate Moss, because the Hitman | 0:26:30 | 0:26:33 | |
is about to work it. | 0:26:33 | 0:26:35 | |
I like that, Jonty, that's beautiful! | 0:26:35 | 0:26:37 | |
You are looking good! | 0:26:37 | 0:26:39 | |
Well, if you've got it, flaunt it. | 0:26:39 | 0:26:41 | |
Anyway, Jonty is a model of selling success | 0:26:41 | 0:26:44 | |
as he goes on to sell his balustrade lamps | 0:26:44 | 0:26:46 | |
for a profit of ?68 | 0:26:46 | 0:26:48 | |
to a dealer who specialises in reclaimed furniture. | 0:26:48 | 0:26:51 | |
In Yorkshire, Paul has done his research | 0:26:51 | 0:26:54 | |
and found the perfect potential buyer | 0:26:54 | 0:26:56 | |
in Robert, but will he clock up a sale? | 0:26:56 | 0:26:59 | |
Robert, how are you? It's lovely to see you. | 0:27:01 | 0:27:04 | |
Now, I bought these out in Paris. | 0:27:04 | 0:27:06 | |
How important would it be to have a clock in a case? | 0:27:06 | 0:27:09 | |
Would it make a difference when you come to sell an item? Well, yeah. | 0:27:09 | 0:27:12 | |
If we go back... | 0:27:12 | 0:27:14 | |
This pops out. You'd have had a piece of glass in there. | 0:27:14 | 0:27:19 | |
Let's have a look. | 0:27:19 | 0:27:21 | |
Oh, look at that! | 0:27:21 | 0:27:24 | |
Look at that! Perfect. | 0:27:24 | 0:27:25 | |
The key... | 0:27:25 | 0:27:27 | |
It was made for you, that one. | 0:27:27 | 0:27:29 | |
The key would have gone in there. | 0:27:29 | 0:27:30 | |
And there we are. | 0:27:30 | 0:27:32 | |
You have your travelling clock. | 0:27:32 | 0:27:34 | |
Is the box or case an important feature of it? | 0:27:34 | 0:27:36 | |
Well, yeah, it's like most things, really. | 0:27:36 | 0:27:38 | |
Same with toys or anything like that. | 0:27:38 | 0:27:41 | |
If you've got the packaging or, in this case, | 0:27:41 | 0:27:45 | |
the carrying case, obviously you add value to the clock. | 0:27:45 | 0:27:48 | |
Now, was there a connection to Nelson? | 0:27:48 | 0:27:51 | |
Originally, the classic carriage clock | 0:27:51 | 0:27:53 | |
was originated from Paris. | 0:27:53 | 0:27:54 | |
The story goes that one of Nelson's officers was late for a battle | 0:27:54 | 0:27:59 | |
and they nearly lost the battle because he was late. | 0:27:59 | 0:28:03 | |
So after that, he ordered all his officers to... | 0:28:03 | 0:28:05 | |
carry a carriage clock at all times. Right. | 0:28:05 | 0:28:08 | |
And from then on, they were actually known as the officer's clock. | 0:28:08 | 0:28:13 | |
They cost me 30 euros - about 27, 28 quid for the pair. | 0:28:13 | 0:28:16 | |
Is there a profit in them? Are they worth a bit more to yourself? | 0:28:16 | 0:28:20 | |
Um, yeah, there is a profit. | 0:28:20 | 0:28:22 | |
Would you be happy if we said ?60? | 0:28:22 | 0:28:24 | |
Do you know what, I'd be absolutely made up with that. | 0:28:24 | 0:28:27 | |
Shall we do that? Yeah, it's a deal. | 0:28:27 | 0:28:28 | |
Thank you very much. | 0:28:28 | 0:28:30 | |
Yes, Paul is ticking all the right boxes | 0:28:30 | 0:28:32 | |
as he scores a profit of ?32.73 | 0:28:32 | 0:28:35 | |
with that sale. | 0:28:35 | 0:28:36 | |
But he's not done there, | 0:28:36 | 0:28:38 | |
as he's targeting Robert for another sale. | 0:28:38 | 0:28:40 | |
He thinks he may be the ideal dealer for his two clocks | 0:28:40 | 0:28:43 | |
that he bought for just ?4. | 0:28:43 | 0:28:45 | |
They sold for ?4? For the pair. | 0:28:45 | 0:28:47 | |
I'll give you ?10 for the pair. | 0:28:47 | 0:28:50 | |
Shall we do that? Shall we do that? | 0:28:50 | 0:28:52 | |
Go on, we'll do that. Thank you very much. | 0:28:52 | 0:28:54 | |
And that gives Paul a small profit of ?6. | 0:28:56 | 0:28:59 | |
But with time marching on, he's then forced to accept a loss | 0:29:04 | 0:29:07 | |
on his enamel box, as he sells it to a private collector | 0:29:07 | 0:29:10 | |
who'll only give him ?75 for it, | 0:29:10 | 0:29:12 | |
leaving him down ?11.38. | 0:29:12 | 0:29:16 | |
In Oxfordshire, Jonty's hoping to sell the French chair that he bought for ?318.18 | 0:29:16 | 0:29:22 | |
to Gary, an antiques and architectural salvage merchant. | 0:29:22 | 0:29:25 | |
It's a lovely quality chair. The frame is absolutely sound, | 0:29:25 | 0:29:29 | |
which is the first thing you need to look at. | 0:29:29 | 0:29:31 | |
The upholstery is sound. | 0:29:31 | 0:29:33 | |
For a chair that's come from France, to have no woodworm is amazing. | 0:29:33 | 0:29:36 | |
Extraordinary, isn't it? | 0:29:36 | 0:29:38 | |
Because the walnut is much more susceptible than tropical hardwoods to woodworm, isn't it? | 0:29:38 | 0:29:43 | |
Absolutely. | 0:29:43 | 0:29:44 | |
Gary seems keen, but he's driving a hard bargain. | 0:29:44 | 0:29:46 | |
So after some intense haggling, | 0:29:46 | 0:29:49 | |
will Jonty make a profit? | 0:29:49 | 0:29:51 | |
425. | 0:29:51 | 0:29:52 | |
430. | 0:29:52 | 0:29:54 | |
Done. | 0:29:54 | 0:29:55 | |
And that sale nets him a profit of ?111.82. | 0:29:55 | 0:29:59 | |
But his hard work doesn't end there. | 0:29:59 | 0:30:02 | |
Jonty has been extensively researching potential buyers | 0:30:02 | 0:30:05 | |
and it's led him to Devon, | 0:30:05 | 0:30:07 | |
where he's found Mark, whose company is the world's largest stockist of marine antiques, | 0:30:07 | 0:30:11 | |
so Jonty hopes he's the perfect dealer for his pond yacht. | 0:30:11 | 0:30:14 | |
But will it be plain sailing? | 0:30:14 | 0:30:16 | |
Now, my beautiful yacht here | 0:30:16 | 0:30:19 | |
has a lovely sort of pre-war feel to it. | 0:30:19 | 0:30:21 | |
Post-war, I'd say, to be honest, Jonty. | 0:30:21 | 0:30:23 | |
I prefer, and so do a lot of my customers prefer, | 0:30:23 | 0:30:27 | |
the older style pond yachts. | 0:30:27 | 0:30:29 | |
Turn of the century, early 20th century pond yachts. | 0:30:29 | 0:30:33 | |
But it's a nice example of a basic pond yacht. | 0:30:33 | 0:30:35 | |
To you, sir, ?700. | 0:30:35 | 0:30:38 | |
That would be more than my asking price. | 0:30:38 | 0:30:40 | |
I'm going to come down a couple of hundred quid for you. | 0:30:40 | 0:30:43 | |
You've come down to the sort of figure that I can see myself asking for it. | 0:30:43 | 0:30:48 | |
So in order to sell it for 500, | 0:30:48 | 0:30:51 | |
I don't want to pay any more than 400. | 0:30:51 | 0:30:53 | |
Can we do 450? I can only go...split the difference again. Four and a quarter. | 0:30:53 | 0:30:58 | |
?425? | 0:30:58 | 0:31:00 | |
You've killed me. | 0:31:00 | 0:31:02 | |
Thanks, Jonty. Thanks very much. | 0:31:02 | 0:31:05 | |
Jonty's tactical decision to back down from his original high price | 0:31:05 | 0:31:09 | |
means that he not only survives a stormy haggle | 0:31:09 | 0:31:11 | |
but he emerges with a healthy profit of ?252.24. | 0:31:11 | 0:31:16 | |
That was tough, but I got there in the end. | 0:31:16 | 0:31:19 | |
I quite fancy a sailor's life! | 0:31:19 | 0:31:22 | |
And surely you'd be the admiral of the fleet, Jonty! | 0:31:22 | 0:31:25 | |
And with that, he's now offloaded all the items he planned to sell privately. | 0:31:25 | 0:31:29 | |
Paul still has one more item left to sell - | 0:31:29 | 0:31:32 | |
his stoneware jug. And he's tracked down | 0:31:32 | 0:31:34 | |
the perfect place to sell it, | 0:31:34 | 0:31:36 | |
a specialist Doulton pottery auction. | 0:31:36 | 0:31:38 | |
We'll find out more about that later. | 0:31:38 | 0:31:41 | |
And there you have it. | 0:31:41 | 0:31:42 | |
Our valiant pair have done all they can. | 0:31:42 | 0:31:45 | |
So with the Showdown auction looming, let's find out | 0:31:45 | 0:31:47 | |
who's currently leading the rich list | 0:31:47 | 0:31:49 | |
and who needs big-money bidders. | 0:31:49 | 0:31:51 | |
Paul has so far sold three of his buys | 0:31:51 | 0:31:54 | |
and clocked up a profit of ?27.35. | 0:31:54 | 0:31:57 | |
Jonty, on the other hand, has sold four items | 0:31:59 | 0:32:02 | |
and has accumulated a profit | 0:32:02 | 0:32:05 | |
of ?464.06. | 0:32:05 | 0:32:06 | |
Our experts fought hard to track down the most profitable buyers. | 0:32:08 | 0:32:11 | |
But the remainder of this clash is now out of their hands, | 0:32:11 | 0:32:14 | |
because all their remaining items will be sold at the Showdown auction, | 0:32:14 | 0:32:18 | |
where their hard-nosed haggling skills have absolutely no influence over what happens, | 0:32:18 | 0:32:23 | |
because they're in the hands of the team at the saleroom in Gloucestershire. | 0:32:23 | 0:32:27 | |
With just moments before the auction kicks off, | 0:32:27 | 0:32:30 | |
our anxious dealers waste no time taking a look at their opposition's lots. | 0:32:30 | 0:32:33 | |
Jonty is checking out Paul's carriage clock. | 0:32:33 | 0:32:37 | |
I hate to admit this, but this a really nice purchase by Paul. | 0:32:37 | 0:32:41 | |
In the catalogue, it's a ridiculously low estimate of ?30 to ?40. | 0:32:41 | 0:32:46 | |
If it sells for that, that will be far too cheap. | 0:32:46 | 0:32:48 | |
But don't tell Paul that! | 0:32:48 | 0:32:51 | |
Your secret is safe, Jonty. | 0:32:51 | 0:32:53 | |
But what does Paul think of your choices? | 0:32:53 | 0:32:55 | |
A lovely small wrought-iron console table | 0:32:57 | 0:33:00 | |
with a marble top - a great item, Jonty. | 0:33:00 | 0:33:04 | |
?13 - c'est magnifique, n'est-ce pas? | 0:33:04 | 0:33:07 | |
Very good, that means. Well done. | 0:33:08 | 0:33:10 | |
Our two trading titans may be full of compliments now, | 0:33:10 | 0:33:13 | |
but their auction voyage is about to begin. | 0:33:13 | 0:33:15 | |
It all comes down to this. | 0:33:15 | 0:33:17 | |
They're squaring up for their final bout, | 0:33:17 | 0:33:20 | |
and now their fate is in the hands of bidders. | 0:33:20 | 0:33:22 | |
Jonty is the first to head out, | 0:33:22 | 0:33:24 | |
looking for profit with his World War II Japanese compass. | 0:33:24 | 0:33:27 | |
Interesting. In the catalogue, they've put ?80 to ?100. | 0:33:27 | 0:33:30 | |
I paid ?45 for it, so I'm hoping I could be in for a profit. | 0:33:30 | 0:33:35 | |
Good luck. | 0:33:35 | 0:33:36 | |
I'll start the bidding at ?65. | 0:33:36 | 0:33:38 | |
At ?65, a commission bid. | 0:33:38 | 0:33:40 | |
70. | 0:33:40 | 0:33:41 | |
70 in the room there. Thank you. | 0:33:41 | 0:33:43 | |
75 back with me. | 0:33:43 | 0:33:44 | |
At 80 with you in the room, sir. | 0:33:44 | 0:33:46 | |
We're going once, twice...at ?80... | 0:33:46 | 0:33:48 | |
BANGS GAVEL | 0:33:48 | 0:33:50 | |
Well done, sir! | 0:33:50 | 0:33:51 | |
That's a profit! | 0:33:51 | 0:33:53 | |
So Jonty is off to a flying start. | 0:33:53 | 0:33:55 | |
After fees, the Japanese compass finds its way to a profit of ?14. | 0:33:55 | 0:33:59 | |
So the pressure is now on Paul. | 0:33:59 | 0:34:01 | |
He knows he needs to win big to stay in the game. | 0:34:01 | 0:34:04 | |
My first one now. | 0:34:04 | 0:34:06 | |
The terracotta bust. Do you like that? | 0:34:06 | 0:34:09 | |
I think it's lovely. Really? Yes. | 0:34:09 | 0:34:11 | |
But do the bidders agree? | 0:34:11 | 0:34:14 | |
She's turned enough heads already that the bidding has reached ?65. | 0:34:14 | 0:34:17 | |
Will it go any higher? | 0:34:17 | 0:34:19 | |
At 65 with you. And 70, sir. | 0:34:19 | 0:34:21 | |
And 5, sir, would you like to go? | 0:34:21 | 0:34:23 | |
80 at the back of the room. We're looking for 85. | 0:34:23 | 0:34:26 | |
85 we're looking for. 85 on the net. | 0:34:26 | 0:34:28 | |
At 90, sir, would you like to go, at the back? | 0:34:28 | 0:34:31 | |
To make a profit, the bust must sell for at least ?100. | 0:34:31 | 0:34:35 | |
At 90 in the room I've got. I need 95 now. | 0:34:35 | 0:34:37 | |
I've got 90. Going once... | 0:34:37 | 0:34:39 | |
twice...at ?90... | 0:34:39 | 0:34:41 | |
Sold. | 0:34:41 | 0:34:42 | |
After fees, the hammer price of ?90 | 0:34:42 | 0:34:44 | |
is not quite enough to make Paul a profit, | 0:34:44 | 0:34:46 | |
and he winds up with a small loss of ?7.80. | 0:34:46 | 0:34:50 | |
He's got a mountain to climb | 0:34:50 | 0:34:52 | |
if he's to win this fight. | 0:34:52 | 0:34:54 | |
But Jonty's not very much better | 0:34:54 | 0:34:56 | |
as the 18th-century pewter chargers he paid nearly ?150 for | 0:34:56 | 0:34:59 | |
only serve up ?85. | 0:34:59 | 0:35:02 | |
Sold. | 0:35:02 | 0:35:04 | |
That's the low end of the estimate too! | 0:35:04 | 0:35:06 | |
The Showdown auction is a huge test of wills | 0:35:06 | 0:35:10 | |
that can slay the biggest talents. | 0:35:10 | 0:35:12 | |
Deary me! | 0:35:12 | 0:35:15 | |
Someone get Jonty a hanky, | 0:35:15 | 0:35:16 | |
as the pewter chargers make a loss of ?84.98. | 0:35:16 | 0:35:20 | |
I bid a little bit more at the auction. I was keen to buy them. | 0:35:22 | 0:35:24 | |
I thought they were really nice and decorative, | 0:35:24 | 0:35:27 | |
but actually, people are looking for the slightly earlier ones. | 0:35:27 | 0:35:31 | |
They're only 250 years old! | 0:35:31 | 0:35:32 | |
Both of our dealers are struggling today. | 0:35:32 | 0:35:34 | |
This room is giving our boys a hard time, | 0:35:34 | 0:35:37 | |
but will Paul's next lot ring up a profit | 0:35:37 | 0:35:40 | |
as his carriage clock that cost ?136.36 comes under the hammer? | 0:35:40 | 0:35:44 | |
This is a 19th-century French ormolu carriage clock. | 0:35:44 | 0:35:48 | |
How are you feeling about this clock? | 0:35:48 | 0:35:50 | |
This is my favourite item of all the items I've bought. | 0:35:50 | 0:35:53 | |
I hate to admit this, | 0:35:53 | 0:35:55 | |
but it's my favourite item that you bought as well! | 0:35:55 | 0:35:57 | |
And it's a hit with the bidders too, | 0:35:57 | 0:35:59 | |
because in no time at all the clock strikes ?100. | 0:35:59 | 0:36:02 | |
At ?100 on the net. | 0:36:02 | 0:36:04 | |
?110. | 0:36:04 | 0:36:07 | |
At 120. We've got 110. At 120 now. | 0:36:07 | 0:36:09 | |
120. It's going up. | 0:36:09 | 0:36:11 | |
140 on the net. | 0:36:11 | 0:36:14 | |
150, sir, would you like to go? | 0:36:14 | 0:36:15 | |
140, 150. | 0:36:15 | 0:36:16 | |
150. 160. | 0:36:16 | 0:36:19 | |
170, sir? Going once, twice, at ?170. | 0:36:19 | 0:36:23 | |
Sold. | 0:36:23 | 0:36:25 | |
But has it made a profit? | 0:36:25 | 0:36:27 | |
That's definitely more than I paid, | 0:36:27 | 0:36:29 | |
but it depends what the commission rate is. | 0:36:29 | 0:36:32 | |
Up...down? I might just be under. | 0:36:32 | 0:36:34 | |
Yes, yet again, Paul hasn't made a penny, | 0:36:34 | 0:36:37 | |
because after commission fees, the clock brings in a small loss | 0:36:37 | 0:36:40 | |
of ?4.82. | 0:36:40 | 0:36:42 | |
They are at the mercy of the room, | 0:36:42 | 0:36:45 | |
and this is a tough crowd. | 0:36:45 | 0:36:47 | |
Jonty's next item, the silver bill hook, | 0:36:47 | 0:36:48 | |
also makes a loss, this time of ?18.40. | 0:36:48 | 0:36:52 | |
And the stormy waters continue | 0:36:52 | 0:36:55 | |
when Paul's flotilla poster notches up a loss of 20p. | 0:36:55 | 0:36:58 | |
This Showdown auction is well and truly out of our experts' control. | 0:36:58 | 0:37:02 | |
Now it's Paul's most expensive item in the auction - | 0:37:02 | 0:37:05 | |
his oil painting. | 0:37:05 | 0:37:07 | |
This is a big one for you, Paul. | 0:37:07 | 0:37:09 | |
Yeah, this is a massive one for me. | 0:37:09 | 0:37:11 | |
It's cost me ?270. | 0:37:11 | 0:37:13 | |
I've worked out I think I need this to fetch ?343 | 0:37:13 | 0:37:18 | |
to break even. That's after all the commission. Really? | 0:37:18 | 0:37:21 | |
That's quite a tall order. It's all hand done. | 0:37:21 | 0:37:24 | |
The hours that were spent by the artist. The frame is good quality - its original frame. | 0:37:24 | 0:37:29 | |
Good luck, Mr Hayes! | 0:37:29 | 0:37:30 | |
And you'll need it, Paul. | 0:37:30 | 0:37:33 | |
Jonty might recognise quality when he sees it, | 0:37:33 | 0:37:35 | |
but will the crowd? | 0:37:35 | 0:37:36 | |
Their wallets seem sealed shut today. | 0:37:36 | 0:37:39 | |
Shall we start the bidding on that, ladies and gentlemen, at ?80? | 0:37:39 | 0:37:42 | |
A commission bid at 80. | 0:37:42 | 0:37:44 | |
At 80. And 5. | 0:37:44 | 0:37:45 | |
85. At 90. And 5 on the net. | 0:37:45 | 0:37:48 | |
Come on! | 0:37:48 | 0:37:49 | |
I'm looking for ?100. | 0:37:49 | 0:37:51 | |
Yes, all rivalry is set aside as even Jonty thinks this painting is worth much more, | 0:37:51 | 0:37:56 | |
but he's not here to splash the cash | 0:37:56 | 0:37:58 | |
and the bidders in this room are just not spending today. | 0:37:58 | 0:38:01 | |
At ?95, then. | 0:38:01 | 0:38:03 | |
Going once, twice at ?95... | 0:38:03 | 0:38:06 | |
Dear me! | 0:38:06 | 0:38:08 | |
There we go. There's my shoulder. | 0:38:10 | 0:38:12 | |
He'll need more than a shoulder to lean on, Jonty. | 0:38:14 | 0:38:16 | |
Paul has taken a big hit there. | 0:38:16 | 0:38:19 | |
That sale leaves him with a loss of ?198.70. | 0:38:19 | 0:38:22 | |
Our man from Morecambe just isn't getting the profits he deserves. | 0:38:22 | 0:38:26 | |
You took a gamble. You took that risk. | 0:38:26 | 0:38:28 | |
And do you know what? I would again. | 0:38:28 | 0:38:30 | |
That's the sign of a true dealer - always looking at the bigger picture | 0:38:30 | 0:38:33 | |
and not afraid of a risky venture. | 0:38:33 | 0:38:36 | |
And remember, Paul has yet to discover what his Doulton jug will fetch at the specialist auction. | 0:38:36 | 0:38:40 | |
It's been a tough day for both our dealers | 0:38:40 | 0:38:43 | |
and as the last lot of the day comes under the hammer, | 0:38:43 | 0:38:46 | |
can Jonty raise a profit on his mid-20th-century wrought-iron table? | 0:38:46 | 0:38:50 | |
Now, I paid just under ?14 for this. | 0:38:50 | 0:38:53 | |
Got to make over ?23 to make a profit. OK. | 0:38:53 | 0:38:57 | |
Yes, Jonty feeling those auction nerves. | 0:38:57 | 0:39:00 | |
Going to start the bidding with a commission bid on this. | 0:39:00 | 0:39:03 | |
Commission bid. | 0:39:03 | 0:39:04 | |
?50. 50 quid! | 0:39:04 | 0:39:07 | |
Don't look so surprised. | 0:39:07 | 0:39:09 | |
Jonty's already in the money, so no harm in trying to drum up some more. | 0:39:09 | 0:39:13 | |
55. More! | 0:39:13 | 0:39:15 | |
55...and 60 with me. | 0:39:15 | 0:39:18 | |
And 5. | 0:39:18 | 0:39:20 | |
And 70. On the net at ?70. | 0:39:20 | 0:39:23 | |
Little bit of competition there. | 0:39:23 | 0:39:25 | |
5 more! | 0:39:25 | 0:39:27 | |
..and 5. 75. Yeah! | 0:39:27 | 0:39:30 | |
Yes, now he can smell a profit, the Hitman can't help but get excited. | 0:39:30 | 0:39:33 | |
Sold. | 0:39:33 | 0:39:35 | |
JONTY WHOOPS | 0:39:35 | 0:39:37 | |
What a result! | 0:39:37 | 0:39:38 | |
At last, one of our dealers wins big with these bidders, | 0:39:38 | 0:39:41 | |
with Jonty netting ?41.26. | 0:39:41 | 0:39:45 | |
With that, the auction is done. | 0:39:45 | 0:39:46 | |
That was good, Jonty. | 0:39:46 | 0:39:48 | |
What's next - snow to Eskimos? | 0:39:48 | 0:39:51 | |
Well, it's been a rollicking ride for our battling boys | 0:39:54 | 0:39:57 | |
and it's not over for Paul yet, | 0:39:57 | 0:39:58 | |
as he still needs to find out if his jug | 0:39:58 | 0:40:01 | |
has won big at the specialist auction. | 0:40:01 | 0:40:03 | |
How did we do? | 0:40:03 | 0:40:06 | |
Did everything go all right? | 0:40:06 | 0:40:07 | |
We'll find out later how that sale went. | 0:40:07 | 0:40:10 | |
Now, it's been a tough fight. | 0:40:10 | 0:40:12 | |
Paul's certainly had some bad luck in the auction, | 0:40:12 | 0:40:15 | |
but the Showdown always is a mighty battle. | 0:40:15 | 0:40:17 | |
So let's remind ourselves who spent what in today's show-stopping spectacular. | 0:40:17 | 0:40:22 | |
Our battling bargainers each started out | 0:40:22 | 0:40:24 | |
with ?1,000 of their own money to spend. | 0:40:24 | 0:40:27 | |
Paul's Showdown buys cost him a total of ?979.21, | 0:40:27 | 0:40:31 | |
while Jonty spent a total of ?906.66 | 0:40:31 | 0:40:36 | |
including electrical testing for his balustrade lamps. | 0:40:36 | 0:40:38 | |
But the only that matters now is who's made the biggest profit. | 0:40:38 | 0:40:43 | |
All the money that Paul and Jonty have made | 0:40:43 | 0:40:46 | |
will be going to a charity of their choice, | 0:40:46 | 0:40:48 | |
so let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:40:48 | 0:40:53 | |
Paul, good to see you. Good to see you, Jonty. | 0:40:53 | 0:40:56 | |
This is the big one. | 0:40:56 | 0:40:57 | |
This was the hard one, wasn't it? | 0:40:57 | 0:40:59 | |
Shall we find out how we've done? | 0:40:59 | 0:41:01 | |
Yes. Good luck to you! | 0:41:01 | 0:41:03 | |
This is the big one. The really big one. | 0:41:03 | 0:41:05 | |
Two, three... | 0:41:05 | 0:41:07 | |
Oh, look at that! | 0:41:07 | 0:41:08 | |
It's close. No, it isn't close. | 0:41:08 | 0:41:10 | |
Look - that's a minus! | 0:41:10 | 0:41:12 | |
THEY LAUGH | 0:41:12 | 0:41:13 | |
I'm glad you can laugh, Jonty! | 0:41:13 | 0:41:15 | |
It was quite difficult, the auction. | 0:41:15 | 0:41:18 | |
Sadly for Paul, the jug made a loss | 0:41:18 | 0:41:22 | |
as the auctioneers discovered tiny imperfections around the handle | 0:41:22 | 0:41:25 | |
which affected the price. | 0:41:25 | 0:41:26 | |
I didn't honestly spot those firing cracks | 0:41:28 | 0:41:30 | |
and that's what's happened today, unfortunately. | 0:41:30 | 0:41:33 | |
But life is a gamble. This one unfortunately hasn't paid off. | 0:41:33 | 0:41:36 | |
Well, the oil painting and the jug lost Paul a lot of money, | 0:41:36 | 0:41:39 | |
which means it's a Showdown victory for Jonty. | 0:41:39 | 0:41:42 | |
However, our two experts have been building their profit stash up for over a week of challenges. | 0:41:42 | 0:41:48 | |
Shall we see how we've done for the whole week? One, two, three... | 0:41:48 | 0:41:51 | |
Oh, dear! | 0:41:55 | 0:41:56 | |
Well, do you know what? I'm delighted I've managed to come out with actually a bit of profit, | 0:41:56 | 0:42:00 | |
so it was a total disaster for me, that one, but that's life. | 0:42:00 | 0:42:04 | |
Well, we all take gambles. It doesn't pay off all the time. | 0:42:04 | 0:42:06 | |
Thank goodness that's all over! | 0:42:06 | 0:42:09 | |
Oh, dear. The drinks are on me. | 0:42:09 | 0:42:11 | |
An overall win for Jonty, but is Paul down? | 0:42:11 | 0:42:15 | |
Well, things didn't quite turn out the way that I planned with those items, | 0:42:15 | 0:42:19 | |
but that is the antique business. | 0:42:19 | 0:42:21 | |
You buy with your gut instinct, and sometimes it doesn't pay off. | 0:42:21 | 0:42:25 | |
In my case, it didn't pay off quite dramatically, really! | 0:42:25 | 0:42:27 | |
But over the entire week, I'm delighted with what happened. | 0:42:27 | 0:42:30 | |
It just came down to the Showdown at the end. | 0:42:30 | 0:42:33 | |
Wow, that Showdown was tough! | 0:42:33 | 0:42:36 | |
To come out with losses at the auction sale was difficult, | 0:42:36 | 0:42:39 | |
but to come out with the profits that I did, | 0:42:39 | 0:42:42 | |
well, the Hitman strikes again! | 0:42:42 | 0:42:44 | |
Both Paul and Jonty have made profits, | 0:42:44 | 0:42:48 | |
and all that money will be going to their chosen charities, | 0:42:48 | 0:42:51 | |
so where's the money going? | 0:42:51 | 0:42:52 | |
My charity is the Macmillan Cancer Support, | 0:42:52 | 0:42:54 | |
which provides real help and service to people who are suffering from cancer | 0:42:54 | 0:42:58 | |
and also their families. I'm delighted to give a relatively small amount, | 0:42:58 | 0:43:02 | |
but do you now what? When I go back to Morecambe, I'm going to have a whip-round | 0:43:02 | 0:43:06 | |
and see if I can make it into a big amount. | 0:43:06 | 0:43:08 | |
My chosen charity is Taylan's Project, which is a charity | 0:43:08 | 0:43:10 | |
that raises funds for brain cancer research. | 0:43:10 | 0:43:15 | |
It's been a week of wheeling and dealing. | 0:43:15 | 0:43:17 | |
Paul and Jonty have both put their money where their mouths are | 0:43:17 | 0:43:19 | |
and proved that they can make profits from antiques | 0:43:19 | 0:43:22 | |
when their own money is on the line. | 0:43:22 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:34 |