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This is the show that pitches TV's best-loved antiques experts | 0:00:03 | 0:00:08 | |
against each other in an all-out battle for profit... | 0:00:08 | 0:00:12 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:20 | 0:00:22 | |
will face a different daily challenge... | 0:00:22 | 0:00:25 | |
The original cheeky chappie. Lovely! | 0:00:25 | 0:00:28 | |
..putting their reputations on the line... | 0:00:28 | 0:00:31 | |
Full house! Oh, I say! | 0:00:31 | 0:00:33 | |
..and giving you their top tips and savvy secrets | 0:00:33 | 0:00:36 | |
on how to make the most money from buying and selling. | 0:00:36 | 0:00:40 | |
I'm feeling rather lucky! | 0:00:40 | 0:00:43 | |
Today, Oxfordshire's no-nonsense negotiator Jonty Hearnden | 0:00:44 | 0:00:49 | |
takes on Morecambe's politest plunderer, Paul Hayes. | 0:00:49 | 0:00:52 | |
Coming up - Jonty can't believe his luck... | 0:00:52 | 0:00:55 | |
I've found a bargain in the most expensive market in Paris! Wow! | 0:00:55 | 0:00:59 | |
..Paul sings for his supper... | 0:00:59 | 0:01:01 | |
# Merci beaucoup... # You understand? Vous connais? | 0:01:01 | 0:01:04 | |
THEY LAUGH | 0:01:04 | 0:01:06 | |
..and Jonty shows us the importance of ageing gracefully. | 0:01:06 | 0:01:10 | |
Up here there's just a very small amount of pitting, | 0:01:10 | 0:01:14 | |
so slight damage, but that's perfect, | 0:01:14 | 0:01:17 | |
because it shows us that this mirror is old. | 0:01:17 | 0:01:21 | |
This is Put Your Money Where Your Mouth Is. | 0:01:21 | 0:01:24 | |
Today's show-stopping buying spectacular is set in Paris, | 0:01:37 | 0:01:40 | |
surely the most romantic city in the world. | 0:01:40 | 0:01:44 | |
Our two leading men will have to dance, sing and bargain | 0:01:44 | 0:01:47 | |
as they haggle to get the best deals. | 0:01:47 | 0:01:49 | |
They'll need to bring out their greatest performances | 0:01:49 | 0:01:53 | |
in this musical melee, as profit is the number-one hit here. | 0:01:53 | 0:01:56 | |
He's been warming up his vocal cords, looking to break his way | 0:01:56 | 0:02:00 | |
into the antiques hall of fame. | 0:02:00 | 0:02:02 | |
It's the original song-and-dance dealer, | 0:02:02 | 0:02:05 | |
Paul "Mr Morecambe" Hayes! | 0:02:05 | 0:02:08 | |
Wish me luck. Bonne chance. | 0:02:08 | 0:02:10 | |
And introducing the man who'll be fighting him | 0:02:10 | 0:02:12 | |
for the best bargains, bringing a bit of glitz and glamour | 0:02:12 | 0:02:16 | |
and a hard haggling eye to this production, | 0:02:16 | 0:02:18 | |
it's Jonty "The Hitman" Hearnden. | 0:02:18 | 0:02:21 | |
It's like an Aladdin's cave in here. | 0:02:21 | 0:02:23 | |
Today's matinee performance takes place at St-Ouen flea market, | 0:02:23 | 0:02:26 | |
the world's largest antiques market, with over 2,500 dealers, | 0:02:26 | 0:02:29 | |
and covering more than 17 acres. | 0:02:29 | 0:02:32 | |
So our two antiques artists will need to hit all the right notes | 0:02:32 | 0:02:35 | |
if they want to come out on top. | 0:02:35 | 0:02:38 | |
They've each got ?750 of their own euros to spend, | 0:02:38 | 0:02:41 | |
and all the profit goes to their chosen charities. | 0:02:41 | 0:02:44 | |
You're on in five, Jonty Hearnden and Paul Hayes. | 0:02:44 | 0:02:46 | |
It's time to put your money where your mouth is. | 0:02:46 | 0:02:50 | |
So, where are we, Jonty? That's a very good question. | 0:02:50 | 0:02:53 | |
Of course we're in the heart of Paris, the St-Ouen market... Right. | 0:02:53 | 0:02:57 | |
..which is, and I don't want to alarm you, really quite expensive. | 0:02:57 | 0:03:00 | |
You've been here before, haven't you? Yes, I have, | 0:03:00 | 0:03:03 | |
and today's going to be a tough challenge. Good luck, | 0:03:03 | 0:03:06 | |
but I have a pocket full of euros. So do I. | 0:03:06 | 0:03:08 | |
?750 worth. That's about 800, just over 800 euros. | 0:03:08 | 0:03:11 | |
Do you think these shops are going to be the place to buy the things? | 0:03:11 | 0:03:15 | |
There's all sorts of places to buy here. | 0:03:15 | 0:03:17 | |
You've got to look as hard as you possibly can. | 0:03:17 | 0:03:20 | |
Good luck. I'm going to get myself lost in Paris. See you later. | 0:03:20 | 0:03:24 | |
# Bonjour Paris # | 0:03:24 | 0:03:27 | |
Our two dealers have pockets full of dosh | 0:03:27 | 0:03:30 | |
that they're just itching to spend, so it's lights, camera and action! | 0:03:30 | 0:03:34 | |
But this isn't Jonty's first time on set. Oh, no. | 0:03:34 | 0:03:37 | |
This is a market that I've been to before, | 0:03:37 | 0:03:40 | |
so hopefully that's to my advantage, | 0:03:40 | 0:03:42 | |
because there are little nooks and crannies where you have to go, | 0:03:42 | 0:03:45 | |
so I'm just ducking and diving into these smaller back avenues | 0:03:45 | 0:03:49 | |
which are just perfect for bargain-spotting. | 0:03:49 | 0:03:52 | |
Brimming with confidence as always, Jonty. But watch out, | 0:03:52 | 0:03:55 | |
because Paul's got a plan that could bring the house down. | 0:03:55 | 0:03:59 | |
What Jonty doesn't realise is that I have a secret plan, | 0:03:59 | 0:04:02 | |
a strategy to win this competition. | 0:04:02 | 0:04:04 | |
Here in Paris there's a great fondness, a great enthusiasm, | 0:04:04 | 0:04:08 | |
for British singers. So I've come here in my best suit | 0:04:08 | 0:04:11 | |
trying to impress the stallholders and the shop-owners, | 0:04:11 | 0:04:14 | |
see if I can get a good price. So I've actually written a song. | 0:04:14 | 0:04:17 | |
There goes Paul, a one-man, music-making, buying machine. | 0:04:17 | 0:04:21 | |
Both our dealers are tightly wound and ready to spring into action | 0:04:21 | 0:04:24 | |
as soon as something catches the eye, | 0:04:24 | 0:04:26 | |
but the man from Morecambe is first to pick up the scent | 0:04:26 | 0:04:29 | |
of a potential bargain. He's spotted a bit of bronze | 0:04:29 | 0:04:32 | |
that he thinks could net him a profit. | 0:04:32 | 0:04:35 | |
Madame? Bonjour. Bonjour. | 0:04:35 | 0:04:38 | |
C'est le prix pour ca? Yes, it is. | 0:04:38 | 0:04:39 | |
I like it. Le dernier prix pour moi? | 0:04:39 | 0:04:42 | |
Oui. Have ten percent off that, so it is 80. | 0:04:42 | 0:04:45 | |
?80. ?80. Not ?80. | 0:04:45 | 0:04:48 | |
80 euro. THEY LAUGH | 0:04:48 | 0:04:51 | |
Could I ask maybe ?70? Could you possibly... | 0:04:51 | 0:04:54 | |
Oh, I don't know how much it is pounds. | 0:04:54 | 0:04:58 | |
70 euro. You have a very difficult... | 0:04:58 | 0:05:02 | |
very hard... Really? I don't think I'm hard. | 0:05:02 | 0:05:07 | |
Our blooming bargainer seems to be struggling to charm the price down, | 0:05:07 | 0:05:11 | |
but don't worry, viewer, as Paul still has his secret plan | 0:05:11 | 0:05:14 | |
up his sleeve. | 0:05:14 | 0:05:16 | |
I tell you what's happening. In England, I'm a singer. | 0:05:16 | 0:05:20 | |
In England, a chanson, OK? # I'm in a competition | 0:05:20 | 0:05:23 | |
# To buy and sell antiques | 0:05:23 | 0:05:26 | |
# I have to buy some things from here | 0:05:26 | 0:05:29 | |
# And sell them in two weeks | 0:05:29 | 0:05:31 | |
# I would like to buy this lovely piece | 0:05:31 | 0:05:33 | |
# To beat that friend of mine | 0:05:33 | 0:05:35 | |
# If you would please give me your best price | 0:05:35 | 0:05:37 | |
# Then, I will give you mine... | 0:05:37 | 0:05:39 | |
SHE LAUGHS # Merci beaucoup # | 0:05:39 | 0:05:41 | |
You understand? Vous connais? HE LAUGHS | 0:05:41 | 0:05:44 | |
Yes, what a charmer! He must have won her round. | 0:05:44 | 0:05:47 | |
Does that make any difference to the price? Non. | 0:05:47 | 0:05:50 | |
HE LAUGHS For, um, English people, | 0:05:50 | 0:05:53 | |
I say, for you, 70. | 0:05:53 | 0:05:57 | |
Oh, merci beaucoup. | 0:05:57 | 0:05:59 | |
Bravo! Paul's plan pays off, | 0:05:59 | 0:06:01 | |
and he gets his bronze carving of a crustacean for a song, | 0:06:01 | 0:06:04 | |
at ?63.64. | 0:06:04 | 0:06:06 | |
I'm delighted with this little item here. | 0:06:08 | 0:06:10 | |
I bought myself a Japanese bronze. It dates from about 1880, | 0:06:10 | 0:06:14 | |
and it's been made by the top craftsmen of the day, | 0:06:14 | 0:06:18 | |
the Japanese metalworkers who were working on Samurai swords. | 0:06:18 | 0:06:21 | |
The fashion stopped, so they started to produce commercial bronzes | 0:06:21 | 0:06:25 | |
where the quality are always superb, like this. | 0:06:25 | 0:06:27 | |
The way to tell, really, it's a lot more natural. | 0:06:27 | 0:06:31 | |
The French and English designers tend to be romantic. | 0:06:31 | 0:06:33 | |
This is very realistic, and that's typically Japanese. | 0:06:33 | 0:06:36 | |
It's superb, and there's definitely a good chance of a profit on it. | 0:06:36 | 0:06:40 | |
As our performing purchaser hot- foots it off to find another hit, | 0:06:40 | 0:06:44 | |
Jonty's had his head turned by a chest of drawers. | 0:06:44 | 0:06:47 | |
This is a 20th-century piece of furniture. | 0:06:47 | 0:06:50 | |
You can tell a lot by looking at the inside of the drawer. | 0:06:50 | 0:06:53 | |
The lining here is contemporary, so 20th century. | 0:06:53 | 0:06:56 | |
If it was older, this would have no polish in here at all. | 0:06:56 | 0:06:59 | |
It has some kind of industrial finish. This is all machine-cut. | 0:06:59 | 0:07:03 | |
I can instantly tell this is 20th century, not 19th century. | 0:07:03 | 0:07:07 | |
And while Jonty ponders over the drawers, | 0:07:07 | 0:07:09 | |
he spots something glistening in the corner. | 0:07:09 | 0:07:12 | |
Could this mirror prove to be a hidden treasure? | 0:07:12 | 0:07:14 | |
Er, 50. Cinquante. | 0:07:14 | 0:07:17 | |
Oui? Cinquante? | 0:07:17 | 0:07:19 | |
Have a look at this. Before I part with the money... | 0:07:19 | 0:07:22 | |
First of all, have a look at the back. It doesn't excite me, | 0:07:23 | 0:07:27 | |
because there's all machine-made here. | 0:07:27 | 0:07:29 | |
If this was a period mirror, there'd be irregularities to it. | 0:07:29 | 0:07:33 | |
But just take a look at the front. | 0:07:33 | 0:07:35 | |
It has a really antique feel. | 0:07:35 | 0:07:36 | |
It has a really antique feel. | 0:07:36 | 0:07:38 | |
So the style of this mirror is 18th century, | 0:07:38 | 0:07:41 | |
but it's an absolute copy, probably no more than 30, 40 years old. | 0:07:41 | 0:07:46 | |
But that's fine, because it just has the look, | 0:07:46 | 0:07:49 | |
and for 50 euros, I see that there's a profit in that. | 0:07:49 | 0:07:53 | |
Look, I've found a bargain in the most expensive market in Paris! Wow! | 0:07:53 | 0:07:58 | |
C'est magnifique! His mirror comes to ?45.45, | 0:07:58 | 0:08:02 | |
so Jonty tries for an encore, | 0:08:02 | 0:08:04 | |
heading back to the chest of drawers he was eyeing up earlier. | 0:08:04 | 0:08:08 | |
So, your best price, 150 euros? Yes. | 0:08:08 | 0:08:10 | |
OK. Good. Good. | 0:08:10 | 0:08:12 | |
Merci. Merci. | 0:08:12 | 0:08:15 | |
Jonty is stealing the show as he negotiates a deal for the drawers, | 0:08:15 | 0:08:19 | |
coming in at ?136.36. | 0:08:19 | 0:08:22 | |
While the Hitman is finding it easy to splash the cash, | 0:08:24 | 0:08:27 | |
Paul's spotted some pretty pictures that are way out of his league. | 0:08:27 | 0:08:31 | |
These are the sort of thing I'd love to buy, | 0:08:31 | 0:08:33 | |
the extremely Art Deco travel posters. Wonderful. | 0:08:33 | 0:08:36 | |
But those are 4,000 euros. Gosh, you could buy that cruise ship! | 0:08:36 | 0:08:39 | |
Yes, but you'd have trouble getting it back in your hand luggage, Paul! | 0:08:39 | 0:08:43 | |
So, as he ploughs on trying to bag a bargain, | 0:08:43 | 0:08:45 | |
Jonty thinks he's already found one - | 0:08:45 | 0:08:48 | |
an iron window grille. | 0:08:48 | 0:08:50 | |
Date-wise, we're probably looking at turn of the century. | 0:08:50 | 0:08:53 | |
If it had been Victorian or 19th century, | 0:08:53 | 0:08:56 | |
it would have had a little bit more detail. | 0:08:56 | 0:08:58 | |
It's just fabulously decorative, | 0:08:58 | 0:09:00 | |
and it's the sort of thing that we just don't have in the UK, | 0:09:00 | 0:09:03 | |
and it's the sort of object that dealers and traders really want to get their hands on back home. | 0:09:03 | 0:09:10 | |
Jonty strikes while the iron is hot, | 0:09:10 | 0:09:12 | |
and picks up the window grille for ?40.91. | 0:09:12 | 0:09:15 | |
With that, the scene-stealer from Oxfordshire leaps into the lead | 0:09:15 | 0:09:18 | |
with three items under his belt. | 0:09:18 | 0:09:20 | |
But is Paul about to upset the apple cart? | 0:09:20 | 0:09:23 | |
A set of 12 decorative menu holders have caught his eye. | 0:09:23 | 0:09:27 | |
These are really interesting. These are little menu holders | 0:09:27 | 0:09:30 | |
or card holders, and they're a set of 12. | 0:09:30 | 0:09:32 | |
I thought they might be solid silver. The lady said they're plate. | 0:09:32 | 0:09:35 | |
You put your little business card in there, you see, or your menu. | 0:09:35 | 0:09:39 | |
These are 120 euros for 12, which is like a tenner each. | 0:09:39 | 0:09:42 | |
Le dernier prix? 100. | 0:09:42 | 0:09:44 | |
100 pour moi? Yes. Yes. I love them. | 0:09:44 | 0:09:47 | |
So his haggling bears fruit | 0:09:47 | 0:09:49 | |
as he gets the price down to around eight euros each, | 0:09:49 | 0:09:52 | |
but our serenading songster still has his ace to play. | 0:09:52 | 0:09:56 | |
# I'm in a competition | 0:09:56 | 0:09:59 | |
# To buy and sell antiques | 0:09:59 | 0:10:00 | |
# I have to buy and sell some things from here | 0:10:00 | 0:10:03 | |
# And sell them in two weeks | 0:10:03 | 0:10:05 | |
# I would like to buy these lovely things | 0:10:05 | 0:10:07 | |
# To beat that friend of mine | 0:10:07 | 0:10:09 | |
# If would give me your best price then, I will give you mine # | 0:10:09 | 0:10:12 | |
Vous connais? Ah, I understand, yes. | 0:10:12 | 0:10:15 | |
THEY LAUGH | 0:10:15 | 0:10:16 | |
How can any animal, mineral or vegetable resist those dulcet tones? Surely she's putty in his hands! | 0:10:16 | 0:10:23 | |
OK. You... No. 100... Is it. | 0:10:23 | 0:10:26 | |
Or not. | 0:10:26 | 0:10:28 | |
Do you want? Deal. OK. Merci beaucoup. | 0:10:28 | 0:10:30 | |
The seller might not have succumbed to the little ditty, | 0:10:30 | 0:10:34 | |
but Paul's still pleased to walk away with his menu holders | 0:10:34 | 0:10:36 | |
for ?90.91. | 0:10:36 | 0:10:39 | |
Across the market, Jonty's buying streak continues | 0:10:39 | 0:10:42 | |
as he makes another two purchases. | 0:10:42 | 0:10:45 | |
I was instantly taken to this lamp, which is really stylish. | 0:10:45 | 0:10:49 | |
1950s, 1960s. That is just perfect for the UK market. | 0:10:49 | 0:10:53 | |
And I was also attracted to this mirrored picture frame. | 0:10:53 | 0:10:57 | |
Very popular in France in the 1950s and 1960s, | 0:10:57 | 0:11:00 | |
and if you look at the back, you can see clearly this is a picture frame | 0:11:00 | 0:11:05 | |
that is a good 50, 60 years in date. | 0:11:05 | 0:11:08 | |
This lamp started off at 30 euros. | 0:11:08 | 0:11:10 | |
I managed to get that down to 15. | 0:11:10 | 0:11:13 | |
The picture frame started off at 12 euros. | 0:11:13 | 0:11:16 | |
I've got that down to five euros. Are you listening, Paul Hayes? | 0:11:16 | 0:11:20 | |
Paul probably can't hear you over all the singing. | 0:11:20 | 0:11:23 | |
Jonty's hard haggling pays off as he picks up the lamp for ?13.64 | 0:11:23 | 0:11:29 | |
and the photo frame for ?4.55. | 0:11:29 | 0:11:32 | |
And yet he's still unable to tear himself away from his stall, | 0:11:34 | 0:11:38 | |
and has spotted something else he wants to buy. | 0:11:38 | 0:11:41 | |
Back home, this would be generically known as a ladies' pocket watch, | 0:11:41 | 0:11:46 | |
because it's small. Gents' pocket watches tend to be a lot bigger. | 0:11:46 | 0:11:49 | |
We have some interesting marks on the inside, | 0:11:49 | 0:11:51 | |
which indicate that this is silver. | 0:11:51 | 0:11:54 | |
The original price tag was 25 euros, | 0:11:54 | 0:11:58 | |
and I got that down to 15. | 0:11:58 | 0:12:00 | |
What a fantastic bargain! | 0:12:00 | 0:12:03 | |
The Hitman scores yet another purchase, | 0:12:03 | 0:12:06 | |
picking up a pocket watch for ?13.64. | 0:12:06 | 0:12:08 | |
He's storming ahead of our warbling warrior, | 0:12:08 | 0:12:11 | |
and hogging all the limelight. But the leading man from Morecambe | 0:12:11 | 0:12:14 | |
won't be left waiting in the wings for long, | 0:12:14 | 0:12:16 | |
as he swoops in for a closer look at a statue. | 0:12:16 | 0:12:20 | |
This dates from the 19th century. | 0:12:21 | 0:12:23 | |
It's a classical pose. She's quite morose. | 0:12:23 | 0:12:26 | |
It could be an ornament, maybe, for a grave | 0:12:26 | 0:12:28 | |
or, perhaps, an important building. | 0:12:28 | 0:12:31 | |
Why I like carvings is that every one is unique. | 0:12:31 | 0:12:34 | |
This has been hand-done. This has all been sculpted. | 0:12:34 | 0:12:37 | |
Bonjour, monsieur! Bonjour. Ca va? | 0:12:37 | 0:12:39 | |
How much is it? Do you know? The last price? | 0:12:39 | 0:12:42 | |
Yes? 130. 130 to death? | 0:12:42 | 0:12:44 | |
OK. Well, do you know what? | 0:12:44 | 0:12:46 | |
Sometimes you have to take a chance in life. Yeah, OK. | 0:12:46 | 0:12:49 | |
Take your chance. OK. OK. | 0:12:49 | 0:12:52 | |
I'll buy that. I'll have that. 130. Merci, monsieur. | 0:12:52 | 0:12:55 | |
So, the statue comes in at ?118.18. | 0:12:55 | 0:12:58 | |
Why didn't you use your secret weapon, Paul? | 0:12:58 | 0:13:01 | |
Don't tell us you've given up on it. | 0:13:01 | 0:13:04 | |
Perhaps he should try it out on his rival, | 0:13:04 | 0:13:06 | |
as our two travelling treasure-hunters cross paths. | 0:13:06 | 0:13:09 | |
Ah! Mr Hearnden! Bonjour. Ca va? How's it going for you? | 0:13:09 | 0:13:13 | |
It's going all right, thank you very much. I went inside. | 0:13:13 | 0:13:16 | |
I tried to buy a couple of bits and pieces, and I bought a couple. | 0:13:16 | 0:13:19 | |
So, how have you done? Good. I've bought a load of scrap iron. | 0:13:19 | 0:13:22 | |
Really? I actually bought this grille that goes over a window. | 0:13:22 | 0:13:26 | |
I bought some furniture as well, a mirror and a chest of drawers. | 0:13:26 | 0:13:29 | |
It's a great place. I'll try a few more outdoor pitches now. | 0:13:29 | 0:13:32 | |
That means I need to go indoors. I've used my secret weapon. | 0:13:32 | 0:13:35 | |
Secret weapon? # Merci beaucoup # | 0:13:35 | 0:13:37 | |
Good luck. Interesting! Secret weapon, eh? Secret weapon? | 0:13:37 | 0:13:41 | |
Oh, Jonty, you must be the only one still in the dark | 0:13:41 | 0:13:44 | |
about Paul's sensational singing. | 0:13:44 | 0:13:46 | |
And now it's time for a short interval, | 0:13:46 | 0:13:48 | |
to take a look at the spending | 0:13:48 | 0:13:50 | |
and see who is centre stage and who is the box-office flop. | 0:13:50 | 0:13:53 | |
Jonty and Paul each had up to ?750 of their own cash to spend today. | 0:13:53 | 0:13:57 | |
Paul's made only three deals, and spent ?272.73, | 0:13:57 | 0:14:03 | |
leaving him with ?477.27 to spend. | 0:14:03 | 0:14:07 | |
He's buying little but spending big. | 0:14:07 | 0:14:10 | |
Jonty, on the other hand, is buying big and spending little, | 0:14:10 | 0:14:15 | |
having purchased six items for ?254.55, | 0:14:15 | 0:14:19 | |
leaving him with ?495.45. | 0:14:19 | 0:14:23 | |
So, the lights are back up on this buying extravaganza | 0:14:24 | 0:14:28 | |
as our two star-crossed dealers return to the stage. | 0:14:28 | 0:14:31 | |
With the final curtain drawing ever nearer, | 0:14:31 | 0:14:33 | |
both must now pick up the pace, | 0:14:33 | 0:14:35 | |
and it's Jonty who's first to home in on another potential purchase | 0:14:35 | 0:14:39 | |
when he spots a decorative table. | 0:14:39 | 0:14:42 | |
Classic French form, cabriole legs, so that's an outswept leg. | 0:14:42 | 0:14:46 | |
We've got this serpentine front, which means it's slightly bowed | 0:14:46 | 0:14:51 | |
in the middle, bowed on the side, | 0:14:51 | 0:14:53 | |
and it's been painted in that very fashionable colour tone | 0:14:53 | 0:14:58 | |
that work so well in the UK. | 0:14:58 | 0:15:00 | |
Now, she's asking 80 euros for it at the moment. | 0:15:00 | 0:15:03 | |
Madame, s'il vous plait. Soixante pour moi? | 0:15:03 | 0:15:07 | |
Oui? Bon. | 0:15:07 | 0:15:09 | |
Jonty's spending spree continues, | 0:15:09 | 0:15:12 | |
and he gets his table for ?54.55. | 0:15:12 | 0:15:15 | |
And his rival's in the swing of things, too, | 0:15:15 | 0:15:17 | |
as across the market, Paul's picked up some light reading. | 0:15:17 | 0:15:21 | |
C'est combien? 20 euro. 20 euro for... | 0:15:21 | 0:15:23 | |
Each. Each. So, what we've got here is an original comic | 0:15:24 | 0:15:27 | |
to do with Mickey Mouse. Le dernier prix? | 0:15:27 | 0:15:30 | |
Oh, no. It's a cheap price. OK. OK! | 0:15:30 | 0:15:33 | |
HE LAUGHS | 0:15:33 | 0:15:35 | |
The lady seems to be sticking to her original price. | 0:15:35 | 0:15:38 | |
Now, if only there was something Paul could do | 0:15:38 | 0:15:41 | |
to swing this in his favour. | 0:15:41 | 0:15:43 | |
May I sing you a song? Est-ce je peux une chanson pour vous? Oui? | 0:15:43 | 0:15:48 | |
Maybe we'll just skip this one. | 0:15:48 | 0:15:50 | |
# Merci beaucoup # HE LAUGHS | 0:15:50 | 0:15:53 | |
Oh, Paul, she's spellbound! Enchanted! | 0:15:53 | 0:15:56 | |
Has your song finally worked its magic? | 0:15:56 | 0:15:59 | |
C'est... It's the dernier prix? Oui. | 0:15:59 | 0:16:02 | |
Oui. OK, OK. | 0:16:02 | 0:16:04 | |
Perhaps not. Paul's really giving it his all, | 0:16:04 | 0:16:07 | |
but he's working a hard crowd. He did get his comic, though, | 0:16:07 | 0:16:10 | |
and for only ?18.18. | 0:16:10 | 0:16:12 | |
I'm really pleased with this. This is a very rare item indeed. | 0:16:14 | 0:16:17 | |
We've got a comic from 1935 which features Mickey Mouse. | 0:16:17 | 0:16:21 | |
Now, if my recollection is correct, | 0:16:21 | 0:16:23 | |
Mickey only really appeared as we know him from about 1932, | 0:16:23 | 0:16:27 | |
so this is very early on in his career, and collectors do go mad. | 0:16:27 | 0:16:31 | |
If this was in England, I'd expect to pay a lot more. | 0:16:31 | 0:16:33 | |
That's a great, saleable item. Bit of memorabilia, | 0:16:33 | 0:16:36 | |
and it's fun to read as well. | 0:16:36 | 0:16:38 | |
Yeah, but there's no time for reading now, Paul, | 0:16:38 | 0:16:41 | |
as speedy spendthrift Jonty has spotted a potential eighth purchase. | 0:16:41 | 0:16:45 | |
How cheap could this mirror be to me? | 0:16:45 | 0:16:47 | |
So, this one is at 220. Yeah. | 0:16:47 | 0:16:50 | |
And for you I can do it for a really good price - 170. | 0:16:50 | 0:16:55 | |
That's not a very good price. | 0:16:55 | 0:16:58 | |
150. You can do it at 150? | 0:16:58 | 0:17:00 | |
Well, it's real... It's about... About a hundred years old, huh? | 0:17:00 | 0:17:05 | |
Yeah. That's it. OK. | 0:17:05 | 0:17:07 | |
And the price I made you was really the best price. | 0:17:07 | 0:17:10 | |
OK. It's mine. 150. OK. | 0:17:10 | 0:17:14 | |
And just like that, Jonty bags his second mirror of the day | 0:17:14 | 0:17:18 | |
for ?136.36. | 0:17:18 | 0:17:20 | |
The most important thing with mirrors | 0:17:22 | 0:17:24 | |
is to make sure the plate is in good condition. | 0:17:24 | 0:17:26 | |
So if you see, just up here, there's just a very small amount of pitting, | 0:17:26 | 0:17:32 | |
so slight damage, but that's perfect, | 0:17:32 | 0:17:34 | |
because it shows us that this mirror is old. | 0:17:34 | 0:17:39 | |
It's actually in very good condition. So the question for me is, | 0:17:39 | 0:17:42 | |
do I paint it and get it up to a very saleable state, | 0:17:42 | 0:17:46 | |
or do I just pass it on to the trade? | 0:17:46 | 0:17:49 | |
With that purchase, Jonty finally shells out some serious euros, | 0:17:49 | 0:17:53 | |
but it seems Paul's definitely got his spending mojo going too, | 0:17:53 | 0:17:57 | |
as he sets his sights on a vase priced up at 350 euros. | 0:17:57 | 0:18:01 | |
Now, I did set out to buy something typically French. | 0:18:01 | 0:18:05 | |
So why am I looking at a Japanese vase? | 0:18:05 | 0:18:07 | |
Well, in a roundabout way, this is French. | 0:18:07 | 0:18:10 | |
It dates from the 1880s, 1900. It's Japanese Satsuma pottery, | 0:18:10 | 0:18:14 | |
and it's a region in Japan where they manufacture all this stuff. | 0:18:14 | 0:18:17 | |
It's top quality. But when it arrived here in France, | 0:18:17 | 0:18:20 | |
they tended to mount it with these ormolu mounts. | 0:18:20 | 0:18:23 | |
This is gilded bronze. What I like about this one | 0:18:23 | 0:18:26 | |
is that it has two potential buyers or two functions, | 0:18:26 | 0:18:28 | |
one being a collector of the Satsuma pottery, | 0:18:28 | 0:18:30 | |
the other being a collector of oil lamps, so two bites of the cherry. | 0:18:30 | 0:18:35 | |
Now, Paul's already serenaded this seller, | 0:18:35 | 0:18:37 | |
so will she more receptive this time, | 0:18:37 | 0:18:39 | |
even with his faltering Franglais? | 0:18:39 | 0:18:42 | |
Mais... It, um... Est-ce que je peux acheter pour trois cents, | 0:18:42 | 0:18:47 | |
s'il vous plait, pour moi? | 0:18:47 | 0:18:49 | |
About 300 euros, for those of you who don't speak Franglais. | 0:18:49 | 0:18:53 | |
Trois cents? Trois cents. Trois cent euro, pour moi. | 0:18:53 | 0:18:56 | |
For you, it's OK. OK! THEY LAUGH | 0:18:56 | 0:19:00 | |
That's lovely. Ah, merci beaucoup, madame. OK. Merci beaucoup. | 0:19:00 | 0:19:03 | |
So, it seems Paul's charm is working its magic after all, | 0:19:03 | 0:19:07 | |
but the vase still sets our big spender back ?272.73. | 0:19:07 | 0:19:12 | |
# Hey, big spender # | 0:19:14 | 0:19:16 | |
Paul is spending money like water, | 0:19:18 | 0:19:20 | |
but Jonty is sticking by his tight-fisted tactics, | 0:19:20 | 0:19:23 | |
and something fishy is about to go down | 0:19:23 | 0:19:26 | |
as he spots a set of six moulds. | 0:19:26 | 0:19:28 | |
Qu'est-ce que c'est, madame? Pour... Pour le chocolat. | 0:19:28 | 0:19:32 | |
Pour chocolat. Chocolat de Paques. OK. | 0:19:32 | 0:19:34 | |
Quel age? Dix-neuf cent cinquante, dix-neuf cent soixante. | 0:19:34 | 0:19:37 | |
1960s. OK. Yeah, yeah. They're great fun. | 0:19:37 | 0:19:40 | |
C'est combien? Vingt-cinq. Vingt-cinq. | 0:19:40 | 0:19:44 | |
What's your dernier prix? Vingt. | 0:19:44 | 0:19:46 | |
Vingt? Oui. Quinze? Non. | 0:19:46 | 0:19:48 | |
Vingt? Oui. OK. | 0:19:48 | 0:19:51 | |
I will buy those, because apart from anything else I'm feeling hungry, | 0:19:51 | 0:19:54 | |
and I just love seeing things that I've never seen before. | 0:19:54 | 0:19:58 | |
That is just perfect. I am going to find a chocolatier who will fall in love with these. | 0:19:58 | 0:20:03 | |
Oh, stop it, Jonty! You're making us all hungry! | 0:20:03 | 0:20:06 | |
And at ?18.18, he'll be hoping for a tasty profit. | 0:20:06 | 0:20:10 | |
Meanwhile, Paul has managed to find someone | 0:20:10 | 0:20:13 | |
even more theatrical than himself. | 0:20:13 | 0:20:16 | |
C'est combien, ca? HE SPEAKS RAPID FRENCH | 0:20:16 | 0:20:19 | |
OK. So, four euros, I can buy this one? | 0:20:22 | 0:20:25 | |
I hope... I hope you can. OK. We shall shake hands. | 0:20:25 | 0:20:28 | |
I hope... I hope for you. | 0:20:28 | 0:20:30 | |
What a bargain! And Paul is all smiles | 0:20:30 | 0:20:34 | |
as he snaps up the Charlie Chaplin poster for ?3.64. | 0:20:34 | 0:20:37 | |
I've been wandering round, and I've finally found something affordable. | 0:20:37 | 0:20:41 | |
A complete bargain, I think. There's no great age to it, | 0:20:41 | 0:20:44 | |
but it's very visual. Film posters are extremely expensive | 0:20:44 | 0:20:47 | |
and very saleable. And what I liked about it, A, it's Charlie Chaplin, | 0:20:47 | 0:20:50 | |
probably the greatest silent-movie actor ever, | 0:20:50 | 0:20:53 | |
and also it's Sur La Plage, which is On The Beach, | 0:20:53 | 0:20:57 | |
and, of course, I live in Morecambe, which is a seaside town. | 0:20:57 | 0:21:00 | |
And, with that final purchase, both our experts are all bought up. | 0:21:00 | 0:21:04 | |
As we draw the curtain on this antiques extravaganza, | 0:21:04 | 0:21:07 | |
it's time to see what they both spent. | 0:21:07 | 0:21:10 | |
Jonty and Paul both started the day | 0:21:10 | 0:21:12 | |
with ?750 of their own money. | 0:21:12 | 0:21:14 | |
Paul bought big, spending ?567.28 on just six items. | 0:21:14 | 0:21:20 | |
Jonty put on a purchasing performance, | 0:21:20 | 0:21:22 | |
making nine deals, but spending over ?100 less. | 0:21:22 | 0:21:26 | |
His total was ?463.64. | 0:21:26 | 0:21:30 | |
But this is all about who's going to make the most profit. | 0:21:30 | 0:21:33 | |
With all their euros and cents counted | 0:21:33 | 0:21:37 | |
and the buying drawn to a close, it's time for our two experts | 0:21:37 | 0:21:40 | |
to get off the lot and go through their award-winning buys. | 0:21:40 | 0:21:44 | |
Jonty, is there anything that you haven't bought here today? | 0:21:44 | 0:21:47 | |
You've bought a whole bedroom suite. | 0:21:47 | 0:21:49 | |
I'm even loaning my furniture for putting your stuff on, as well. | 0:21:49 | 0:21:53 | |
I know, and don't they look great? I have to say, Paul, | 0:21:53 | 0:21:57 | |
that is amazing. What a purchase! Thank you very much. | 0:21:57 | 0:21:59 | |
How much did it cost you? I'm pleased to think that, | 0:21:59 | 0:22:02 | |
cos it cost me all the money. Really? It was 300 euros. | 0:22:02 | 0:22:04 | |
It's worth it, though. But it's the best I've ever seen. | 0:22:04 | 0:22:08 | |
What's been your favourite thing? I'm pleased with my furniture. | 0:22:08 | 0:22:11 | |
Have a look at this. Right, OK. I like that. | 0:22:11 | 0:22:14 | |
What are you going to do with that? | 0:22:14 | 0:22:17 | |
I have no idea. It's a real, proper architectural salvage piece. | 0:22:17 | 0:22:20 | |
Now, are you feeling peckish? I am feeling peckish, actually. | 0:22:20 | 0:22:24 | |
Do you know what I'm going to treat you to? A croque-monsieur. | 0:22:24 | 0:22:27 | |
It's a cheese-and-ham toastie, but they do it the wrong way round. | 0:22:27 | 0:22:31 | |
After the box-office bonanza, there was the buying. | 0:22:34 | 0:22:37 | |
It's now time for the hotly anticipated sequel, | 0:22:37 | 0:22:39 | |
as our debonair dealers go head-to-head | 0:22:39 | 0:22:43 | |
selling their Gallic goods. | 0:22:43 | 0:22:45 | |
In his Oxfordshire dressing room, | 0:22:45 | 0:22:48 | |
Jonty's taking a tour through his French fancies. | 0:22:48 | 0:22:51 | |
As you can see, I brought half Paris back to the Oxfordshire countryside. | 0:22:51 | 0:22:55 | |
But I'm very pleased with what I got. | 0:22:55 | 0:22:58 | |
This chest of drawers - what a fabulous first purchase this was! | 0:22:58 | 0:23:02 | |
I'm very pleased also with this table sitting beside it, | 0:23:02 | 0:23:05 | |
with the cabriole legs. This grille - what a bargain! | 0:23:05 | 0:23:09 | |
I've got a dealer already lined up with this. | 0:23:09 | 0:23:12 | |
This was so cheap. This is very reasonable. | 0:23:12 | 0:23:14 | |
I'm sure I can find a buyer for that. And likewise, this mirror here, | 0:23:14 | 0:23:18 | |
this lovely carved-oak mirror, 19th century - | 0:23:18 | 0:23:21 | |
I think I've got a dealer already that's interested in that. | 0:23:21 | 0:23:25 | |
My small little items here, little table retro light, | 0:23:25 | 0:23:28 | |
retro frame, and also this lovely chocolate mould. | 0:23:28 | 0:23:32 | |
And last but not least, my little gem. My little antique, | 0:23:32 | 0:23:36 | |
my pocket watch. We've got large and very small, | 0:23:36 | 0:23:40 | |
but there's a common theme that runs through all of this - profit. | 0:23:40 | 0:23:44 | |
Yes, Jonty means business, but so does his rival, | 0:23:44 | 0:23:47 | |
as up in Morecambe, Paul's rehearsing his lines | 0:23:47 | 0:23:49 | |
and checking out his own prop collection. | 0:23:49 | 0:23:52 | |
Bonjour, mes amis! There you are. I can speak perfect Franglais. | 0:23:52 | 0:23:56 | |
I'm delighted with what I've bought. | 0:23:56 | 0:23:59 | |
My favourite item has to be this beautiful sculpture. | 0:23:59 | 0:24:02 | |
I think she's exquisite. | 0:24:02 | 0:24:05 | |
The Japanese vase, it's top, top quality. | 0:24:05 | 0:24:07 | |
Satsuma ware you can find from the worst quality to the best. | 0:24:07 | 0:24:11 | |
This is the best. That's going to be a great-selling item. | 0:24:11 | 0:24:14 | |
The French comic... There you are. Mickey Mouse, 1935. | 0:24:14 | 0:24:18 | |
The start of his career, when he was nobody. | 0:24:18 | 0:24:20 | |
And of course we have this movie poster. | 0:24:20 | 0:24:23 | |
Everyone loves these old films. Charlie Chaplin, Sur La Plage, | 0:24:23 | 0:24:26 | |
which is On The Beach. Er, the crustacean... | 0:24:26 | 0:24:30 | |
What can I say about that? It's Japanese, it's bronze, | 0:24:30 | 0:24:32 | |
and these wonderful silver apples. | 0:24:32 | 0:24:35 | |
These were designed to hold your name card, | 0:24:35 | 0:24:37 | |
so you knew where to sit at an elaborate meal or function, | 0:24:37 | 0:24:40 | |
and another great-selling item. C'est formidable! | 0:24:40 | 0:24:43 | |
Full of confidence and charm, | 0:24:43 | 0:24:46 | |
Paul will need to pull out all the stops | 0:24:46 | 0:24:48 | |
as he goes up against the cold, hard determination of the Hitman. | 0:24:48 | 0:24:52 | |
The phone-bashing now starts as both dealers hit up their contacts, | 0:24:52 | 0:24:55 | |
old and new. But remember, no deal is complete | 0:24:55 | 0:24:58 | |
until it's settled with a handshake. | 0:24:58 | 0:25:00 | |
And it's Jonty who's first out of the gates | 0:25:00 | 0:25:04 | |
as he heads to Henley-on-Thames with his iron window grille. | 0:25:04 | 0:25:06 | |
When it comes to selling, he'll happily swap the glamour of the stage for the graft of a sale. | 0:25:06 | 0:25:11 | |
I'm in an industrial estate, so it looks rather plain | 0:25:11 | 0:25:15 | |
from the outside here, but I've come to meet Gary, | 0:25:15 | 0:25:18 | |
and he has an Aladdin's cave of goodies. | 0:25:18 | 0:25:21 | |
Let's hope he makes your wishes come true, Jonty. | 0:25:21 | 0:25:24 | |
Gary's an antiques and architectural salvage merchant, | 0:25:24 | 0:25:28 | |
but will he give Jonty a profit on the ?40.91 he spent on the grille? | 0:25:28 | 0:25:32 | |
What's your first impressions? | 0:25:32 | 0:25:34 | |
Shouldn't say this before I've bought it, but I love it. | 0:25:34 | 0:25:37 | |
That's a relief! Date-wise, I think this is probably turn of the century. | 0:25:37 | 0:25:42 | |
It's about 100 years old. If not a little older, I think. | 0:25:42 | 0:25:44 | |
Do you think so? Do you think it's more 19th century? | 0:25:44 | 0:25:47 | |
I think so, yeah. The quality of the casting is really quite superb, | 0:25:47 | 0:25:53 | |
but also we can see that it's got real age because we've got depth, | 0:25:53 | 0:25:56 | |
layers of colour, layers of paint. | 0:25:56 | 0:25:59 | |
Another good way of telling if something is genuinely old | 0:25:59 | 0:26:03 | |
is the layers of paint on something like this. | 0:26:03 | 0:26:05 | |
What would you do with something like this? | 0:26:05 | 0:26:07 | |
Gut instinct is, I'd put a mirror behind that. | 0:26:07 | 0:26:10 | |
Failing that, it could be a console. Make a great console table. | 0:26:10 | 0:26:14 | |
Right. Well, let's cut to the chase. I want ?400 for this grille. | 0:26:14 | 0:26:17 | |
Whoa! HE LAUGHS | 0:26:17 | 0:26:19 | |
It's not unreasonable, but I'd need to get it for less than that | 0:26:19 | 0:26:24 | |
for me to be able to do a bit more with it. | 0:26:24 | 0:26:26 | |
OK. Well, tell me where you're at. | 0:26:26 | 0:26:29 | |
300. 300? | 0:26:29 | 0:26:31 | |
You can't do a bit more than that? What about 325? | 0:26:31 | 0:26:34 | |
325? That's OK. That's good. I can do that. | 0:26:35 | 0:26:38 | |
You happy? Yeah. That's brilliant. Thank you, sir. | 0:26:38 | 0:26:40 | |
# Any old iron, any old iron # | 0:26:40 | 0:26:43 | |
Yes, direct and decisive in his dealing, | 0:26:43 | 0:26:45 | |
Jonty walks away with a whopping profit of just over ?284. | 0:26:45 | 0:26:49 | |
Seems it's not just any old iron after all. | 0:26:49 | 0:26:52 | |
Cunning Jonty spotted the window grille's potential, | 0:26:52 | 0:26:55 | |
and with the buyer confident of a profit, everyone's happy. | 0:26:55 | 0:26:59 | |
I know that, with a bit of creativity and a bit of skill, | 0:26:59 | 0:27:03 | |
I can turn it into a nice profit. | 0:27:03 | 0:27:06 | |
But back in Morecambe, Paul's got his work cut out. | 0:27:08 | 0:27:11 | |
He's eager to claw back the advantage | 0:27:11 | 0:27:13 | |
and is fishing for a profit on the bronze crustacean | 0:27:13 | 0:27:16 | |
he bought for just under ?64. | 0:27:16 | 0:27:18 | |
He's no slouch when it comes to reeling in the right buyers, | 0:27:18 | 0:27:23 | |
and he's found Mark, whose family have been potting shrimps | 0:27:23 | 0:27:26 | |
for over 200 years. | 0:27:26 | 0:27:28 | |
Ah, good morning, Mark! Morning. Are you well? | 0:27:28 | 0:27:30 | |
Very well, thank you. I can smell that lovely aroma of potted shrimps. | 0:27:30 | 0:27:34 | |
What I've brought you along is a wonderful bronze crustacean. | 0:27:34 | 0:27:39 | |
That looks like a brown shrimp, better known as Crangon crangon. | 0:27:39 | 0:27:44 | |
It dates from about 1880, 1900. It's an interesting object. Right. | 0:27:44 | 0:27:48 | |
How much are we looking? Well, it stands me at ?65, | 0:27:48 | 0:27:53 | |
but it is a Japanese bronze and it's a saleable thing in its own right. | 0:27:53 | 0:27:56 | |
Mm. If I asked you ?100 for it, would that be out of the way, | 0:27:56 | 0:28:00 | |
do you think? | 0:28:00 | 0:28:02 | |
Bit more than I'd be wanting to pay, really. | 0:28:02 | 0:28:05 | |
So even if I offered you 70, you've still made a fiver. | 0:28:05 | 0:28:08 | |
THEY LAUGH | 0:28:08 | 0:28:10 | |
If you did ?80, I'll help you out in some way | 0:28:10 | 0:28:13 | |
in what you're doing here today. So, you'll put the blue hair net on | 0:28:13 | 0:28:17 | |
and a white coat? That sound all right to you? | 0:28:17 | 0:28:20 | |
For ?80. Great start. You got a deal. | 0:28:20 | 0:28:22 | |
That's fantastic. Thank you very much. | 0:28:22 | 0:28:25 | |
And with that sale, he hits a profit of ?16.36. | 0:28:25 | 0:28:28 | |
But Paul must make it official by joining the potting production line. | 0:28:28 | 0:28:33 | |
This is quite therapeutic, isn't it, really? | 0:28:34 | 0:28:38 | |
Is it your kind of "plaice", Paul? | 0:28:38 | 0:28:41 | |
Ah! There we are. Wasn't that wonderful, | 0:28:43 | 0:28:46 | |
to re-home that beautiful bronze item? | 0:28:46 | 0:28:48 | |
I'm sure Mark will be delighted with that here, | 0:28:48 | 0:28:51 | |
and we made a bit of a profit. | 0:28:51 | 0:28:53 | |
And I've learned a lot about potted shrimps! | 0:28:53 | 0:28:55 | |
So I'm on my way now to a seafood disco. | 0:28:55 | 0:28:58 | |
Last time I was there, I pulled a "mussel"! | 0:28:58 | 0:29:00 | |
RIMSHOT | 0:29:00 | 0:29:02 | |
At least you're having a whale of a time. | 0:29:02 | 0:29:04 | |
And in Oxfordshire, Jonty's pretty chipper too. | 0:29:04 | 0:29:07 | |
Still flying high from his first deal, | 0:29:07 | 0:29:09 | |
he's trying to clock up sale number two. | 0:29:09 | 0:29:12 | |
He's hoping to sell his ladies' pocket watch | 0:29:12 | 0:29:14 | |
to contact Andy, a jeweller. | 0:29:14 | 0:29:17 | |
It's seen better days, I have to say that, | 0:29:17 | 0:29:20 | |
but it is silver, silver cased. And also I am convinced | 0:29:20 | 0:29:23 | |
that the fob chain is silver. There's no marks on there at all. | 0:29:23 | 0:29:26 | |
It certainly feels like silver. It's got the weight there. | 0:29:26 | 0:29:29 | |
Yeah. It dates it into the 19th century | 0:29:29 | 0:29:32 | |
rather than the 20th century. I can hear it ticking, Jonty. | 0:29:32 | 0:29:36 | |
The watch is working, which is a bonus. | 0:29:36 | 0:29:38 | |
Yeah, I think we could probably do something on that. You like it? | 0:29:38 | 0:29:41 | |
I like it, yeah. Price? 75 quid. | 0:29:41 | 0:29:44 | |
How about 60? That would be good for me, | 0:29:44 | 0:29:47 | |
and I think a fair price for you too. | 0:29:47 | 0:29:50 | |
Happy. I'm happy with that. Andy, thanks very much indeed. | 0:29:50 | 0:29:54 | |
Yes! Jonty picks up a respectable ?46.36 profit. | 0:29:54 | 0:29:58 | |
Meanwhile in Stockport, | 0:29:58 | 0:30:00 | |
Paul's hoping his next sale will see him hit the selling big-time. | 0:30:00 | 0:30:03 | |
He's found Alfred, a specialist in Oriental antiques, | 0:30:03 | 0:30:06 | |
who should be the perfect buyer for his Satsuma vase. | 0:30:06 | 0:30:10 | |
But will Paul be able to squeeze him for a profit? | 0:30:10 | 0:30:13 | |
I bought this out in Paris, and in the traditional French way, | 0:30:14 | 0:30:18 | |
it's been mounted in ormolu, but this is Japanese Satsuma. | 0:30:18 | 0:30:21 | |
I know this is beautiful quality. | 0:30:21 | 0:30:23 | |
Does it get any finer than this? Oh, God, yes. | 0:30:23 | 0:30:26 | |
The detail is absolutely beautiful. All the Satsumas, to be honest, | 0:30:26 | 0:30:29 | |
when you think of the time that was spent to paint, | 0:30:29 | 0:30:34 | |
sometimes with one camel hair... | 0:30:34 | 0:30:36 | |
If you wanted to recreate the painting that they've done now, | 0:30:36 | 0:30:41 | |
it takes probably months and months to do such a scene. | 0:30:41 | 0:30:44 | |
Now, when we say Satsuma, that's a particular region in Japan. | 0:30:44 | 0:30:48 | |
Yes. Is it like saying it's made in Manchester? | 0:30:48 | 0:30:51 | |
Is that the sort of... Yes. It's the area. | 0:30:51 | 0:30:54 | |
Well, obviously it's something I would love to keep myself. Yes. | 0:30:54 | 0:30:57 | |
But it cost me 300 euros. I want to make a little bit of profit. | 0:30:57 | 0:31:00 | |
I like to be honest. How much do you... | 0:31:00 | 0:31:03 | |
If I asked you ?400, is that too much? | 0:31:03 | 0:31:05 | |
I think it's very nice. Er... What about 350? | 0:31:05 | 0:31:09 | |
I think it's a great setting, and it's lovely to see you again. | 0:31:09 | 0:31:12 | |
It's a good profit. That's lovely. Thank you very much. | 0:31:13 | 0:31:16 | |
Paul's hard work pays off and he makes a juicy profit of ?77.27. | 0:31:16 | 0:31:22 | |
There we are. I'm delighted I managed to find such a great home | 0:31:23 | 0:31:27 | |
for that Satsuma vase. I feel like I've learned a lot more about it, | 0:31:27 | 0:31:30 | |
and I've got a good bit of profit there as well. | 0:31:30 | 0:31:33 | |
So, bon appetit, Jonty! | 0:31:33 | 0:31:35 | |
I think that means "game on", doesn't it? | 0:31:35 | 0:31:38 | |
No? | 0:31:38 | 0:31:39 | |
Yes, Paul's French might not be up to much, | 0:31:39 | 0:31:42 | |
but he certainly speaks the language of profit. | 0:31:42 | 0:31:45 | |
Could his rival be feeling the pressure? | 0:31:45 | 0:31:47 | |
Jonty sold his photo frame to an interior-design shop | 0:31:47 | 0:31:50 | |
and only managed a small profit of ?5.45. | 0:31:50 | 0:31:54 | |
But, back in Henley-on-Thames, he's found Justine, | 0:31:56 | 0:31:59 | |
a specialist in French antiques. | 0:31:59 | 0:32:01 | |
He's hoping to sell her his large wooden mirror. | 0:32:01 | 0:32:05 | |
So, it's late 19th century. OK. The mirror plate is correct. | 0:32:05 | 0:32:08 | |
Right. It's not a replacement. OK. | 0:32:08 | 0:32:12 | |
What do you think of my lovely mirror? | 0:32:12 | 0:32:14 | |
SHE LAUGHS I think it's a good size. | 0:32:14 | 0:32:17 | |
Dark furniture's coming back in slightly, | 0:32:17 | 0:32:19 | |
but not dark-framed mirrors at the moment, | 0:32:19 | 0:32:22 | |
so in order to sell it on, I would need to lighten the frame up. | 0:32:22 | 0:32:26 | |
So I've come to the right place? You have. | 0:32:26 | 0:32:28 | |
Price? Oh! Well, what were you thinking? | 0:32:28 | 0:32:33 | |
300 quid. No. No. Not even close. | 0:32:33 | 0:32:36 | |
Not even close?! No, no. | 0:32:36 | 0:32:38 | |
I was actually thinking 195, somewhere around there. | 0:32:38 | 0:32:41 | |
HE SNORTS Can't do that, I'm afraid. | 0:32:41 | 0:32:44 | |
275, then. I wouldn't go above 250. | 0:32:44 | 0:32:48 | |
I really wouldn't. I've got to sell it on. | 0:32:48 | 0:32:50 | |
What about 260? Come on! I'll split the difference. | 0:32:50 | 0:32:54 | |
255? That's it. | 0:32:54 | 0:32:57 | |
255. You're on. | 0:32:57 | 0:32:59 | |
Cor, you had your work cut out there, Jonty! | 0:32:59 | 0:33:02 | |
You wouldn't want to haggle Justine in a dark alley. | 0:33:02 | 0:33:05 | |
But he stuck to his guns, and takes home a hard-won ?118.64 profit. | 0:33:05 | 0:33:10 | |
Paul's not letting his rival take the mick, though, | 0:33:11 | 0:33:14 | |
and sells his 1935 comic to a collector | 0:33:14 | 0:33:17 | |
for a profit of ?11.82. | 0:33:17 | 0:33:19 | |
And on a selling roll, Paul heads to see local stonemason Susan, | 0:33:19 | 0:33:24 | |
hoping he can carve out an even bigger profit | 0:33:24 | 0:33:27 | |
on the statue that set him back ?118.18. | 0:33:27 | 0:33:31 | |
You've already seen this. Yes. It's lovely. | 0:33:31 | 0:33:33 | |
It's fair to say you've fallen in love with it? It's beautiful. | 0:33:33 | 0:33:36 | |
It's been really nicely carved. Do we know what this is made from? | 0:33:36 | 0:33:41 | |
I think it's alabaster. I know it's the 19th century, | 0:33:41 | 0:33:44 | |
and the gentleman I bought it off - I bought it in France - | 0:33:44 | 0:33:47 | |
and he thought it could be Italian, even though it's French. | 0:33:47 | 0:33:50 | |
Would that fit in with the style? | 0:33:50 | 0:33:52 | |
I think it does shout Italian, yes, to me. Really? | 0:33:52 | 0:33:56 | |
It does. It's just the style. Part of the enjoyment with me | 0:33:56 | 0:33:59 | |
is to find somebody who really likes something, and you love this. | 0:33:59 | 0:34:03 | |
Is that the sort of thing you would like to have for your collection? | 0:34:03 | 0:34:07 | |
Yeah, I would. Beautiful. | 0:34:07 | 0:34:09 | |
If I was to ask you ?170, does that sound all right to you? | 0:34:09 | 0:34:13 | |
Oh, a bit high for me, I think, yeah, to begin with. | 0:34:13 | 0:34:18 | |
Where do you want to be? | 0:34:18 | 0:34:20 | |
Mmm... 130, maybe. | 0:34:20 | 0:34:23 | |
130. You couldn't do 150? 150, yeah. | 0:34:23 | 0:34:27 | |
Would that be all right to you? That'd be great. | 0:34:27 | 0:34:29 | |
Part of the enjoyment is bringing something home, | 0:34:29 | 0:34:32 | |
so we'll shake on that. Thanks very much. | 0:34:32 | 0:34:34 | |
That's a rock-solid ?31.82 for Paul. | 0:34:34 | 0:34:38 | |
So at the halfway stage, let's take a quick intermission | 0:34:38 | 0:34:42 | |
and look at the totals to see who's stealing the show | 0:34:42 | 0:34:44 | |
and who's ready to bow out. | 0:34:44 | 0:34:47 | |
Paul's sold four items and made ?137.27 profit. | 0:34:47 | 0:34:53 | |
Jonty has also done four deals, | 0:34:54 | 0:34:56 | |
and he's landed ?454.54 profit. | 0:34:56 | 0:35:00 | |
Paul's left himself a real mountain to climb | 0:35:00 | 0:35:04 | |
in this Everest of selling battles, | 0:35:04 | 0:35:06 | |
but there could be a twist in this tale yet, | 0:35:06 | 0:35:09 | |
as both our dealers still have everything to play for. | 0:35:09 | 0:35:12 | |
Our man from Morecambe's chance to turn it around | 0:35:12 | 0:35:14 | |
must wait a moment, though, as next up it's Jonty. | 0:35:14 | 0:35:17 | |
He's staying in Oxfordshire and is going to see Julie, | 0:35:17 | 0:35:21 | |
who runs a vintage shop. He's not got one but two items | 0:35:21 | 0:35:23 | |
that he thinks could be right up her street - | 0:35:23 | 0:35:27 | |
his table lamp that he bought for just over ?13, | 0:35:27 | 0:35:29 | |
and his table, which set him back nearly ?55. | 0:35:29 | 0:35:33 | |
What are your first impressions? Really nice. You like? | 0:35:33 | 0:35:35 | |
Yeah, very much. Very my style. I like the colours. | 0:35:35 | 0:35:38 | |
Very saleable. Very in fashion at the moment. | 0:35:38 | 0:35:40 | |
This is very you. I've given you ballpark figures of my pricing. | 0:35:40 | 0:35:44 | |
Yeah. 225 for my table and 50 quid for the lamp. | 0:35:44 | 0:35:48 | |
Right. I've just had the lamp PAT tested, as well, | 0:35:48 | 0:35:51 | |
so it's ready to be sold. I need this to start with a one. | 0:35:51 | 0:35:54 | |
With a one? Yeah. 225 is too close to what I'd like to be selling it for. | 0:35:54 | 0:35:58 | |
OK. Well, where are we? | 0:35:58 | 0:36:00 | |
150? 150. | 0:36:00 | 0:36:02 | |
You're being cheeky now, aren't you? What about 195? 175. | 0:36:02 | 0:36:08 | |
You're on. You can have that table at 175. Great. | 0:36:08 | 0:36:12 | |
And the lamp? No haggling, please. I think that's a fair price. Good. | 0:36:12 | 0:36:16 | |
Brilliant. So, 175 for my table. Yep. | 0:36:16 | 0:36:19 | |
?50 for the lamp. Do we have a deal? We do. | 0:36:19 | 0:36:22 | |
Brilliant. Great. Thank you. | 0:36:22 | 0:36:24 | |
Tremendous haggling from the Hitman. | 0:36:24 | 0:36:26 | |
So, the table gives Jonty a profit of ?120.45, | 0:36:26 | 0:36:30 | |
and with the safety-testing costs, | 0:36:30 | 0:36:33 | |
the lamp has raised a profit of ?32.86. | 0:36:33 | 0:36:37 | |
Heady with success and hoping for a hat trick, | 0:36:37 | 0:36:40 | |
Jonty decides to show Julie his mirror, | 0:36:40 | 0:36:42 | |
which set him back ?45.45. | 0:36:42 | 0:36:45 | |
I'm looking for ?100 for my lovely mirror. | 0:36:45 | 0:36:48 | |
I think that's a bit optimistic. How about 65? | 0:36:48 | 0:36:51 | |
Whoa! A bit more, then it's yours. Just a bit more. 75. | 0:36:51 | 0:36:54 | |
You're on. Brilliant. Thank you so much. Great. Thank you. | 0:36:54 | 0:36:57 | |
Yes, you want to give Julie a loyalty card, Jonty! | 0:36:57 | 0:37:00 | |
That sale gives him a ?29.55 profit. | 0:37:00 | 0:37:04 | |
I've just made a fantastic profit. | 0:37:04 | 0:37:07 | |
Julie's going to make a great profit. | 0:37:07 | 0:37:09 | |
Do you know what? Money does make the world go round. | 0:37:09 | 0:37:12 | |
Yes - that and the gravitational pull of the sun. | 0:37:12 | 0:37:16 | |
Hmm! Next up, it's Paul's turn to make the world spin | 0:37:16 | 0:37:19 | |
as he sells his silver menu holders to an antiques exporter | 0:37:19 | 0:37:23 | |
for ?100, which gives him a small profit of ?9.09. | 0:37:23 | 0:37:28 | |
Every penny counts in this game, though, and Paul's not stopping, | 0:37:28 | 0:37:31 | |
as he heads to the movies in Clapham, South London, | 0:37:31 | 0:37:35 | |
to sell his Charlie Chaplin poster. | 0:37:35 | 0:37:37 | |
And he's acting every inch the vintage-movie star. Mmm! | 0:37:37 | 0:37:41 | |
Paul paid ?3.64 for this piece of memorabilia, | 0:37:54 | 0:37:57 | |
and he's hoping Michael, the deputy manager of this picture house, | 0:37:57 | 0:38:01 | |
will be a big fan of the poster. | 0:38:01 | 0:38:04 | |
You can't mention black-and-white movies | 0:38:04 | 0:38:06 | |
without mentioning one gentleman in particular. | 0:38:06 | 0:38:08 | |
You've already seen an image of this. Charlie Chaplin! Oh, wow! | 0:38:08 | 0:38:12 | |
Isn't that fantastic? Doesn't that sum up the whole art of cinema? | 0:38:12 | 0:38:16 | |
The Tramp, as he called himself. I follow in his footsteps slightly. | 0:38:16 | 0:38:20 | |
Is that the sort of thing I could interest you in? Totally. | 0:38:20 | 0:38:24 | |
That would get an honourable corner somewhere. | 0:38:24 | 0:38:28 | |
So... Well, if I was to ask you ?30, how does that sound? | 0:38:28 | 0:38:32 | |
30 quid? It's definitely worth it. Shall we shake on that? | 0:38:32 | 0:38:35 | |
Yes. I'll take it for ?30. OK. I'll fold it up nicely, | 0:38:35 | 0:38:39 | |
cos I know the lights are going to come down any second now, | 0:38:39 | 0:38:43 | |
and I got my popcorn, and we'll shake on that and watch the movie. | 0:38:43 | 0:38:46 | |
Thank you very much. Thank you very much. | 0:38:46 | 0:38:48 | |
Oh, bravo! What a star turn, Paul! | 0:38:49 | 0:38:51 | |
That sale gives him a profit of ?26.36. | 0:38:51 | 0:38:57 | |
And now, ladies and gentlemen, for the first time on the silver screen, | 0:38:57 | 0:39:01 | |
in his greatest role yet, | 0:39:01 | 0:39:04 | |
the negotiator is Mr Paul Hayes! | 0:39:04 | 0:39:09 | |
Well, that's your BAFTA in the bag, Paul. | 0:39:14 | 0:39:16 | |
Not to be outdone, Jonty is also putting on a stellar performance, | 0:39:18 | 0:39:22 | |
and has sold his chest of drawers for a profit of ?63.64 | 0:39:22 | 0:39:26 | |
to a specialist in French furniture. | 0:39:26 | 0:39:29 | |
And in London, Willy Wonka would be proud, | 0:39:29 | 0:39:31 | |
as Jonty's found a museum of chocolate. Yes! | 0:39:31 | 0:39:34 | |
And he's hoping it'll be the perfect home for his mould, | 0:39:34 | 0:39:37 | |
which set him back just over ?18. | 0:39:37 | 0:39:40 | |
Will chocolatier Isabel offer him a sweet deal? | 0:39:40 | 0:39:43 | |
Now, I've brought you my lovely chocolate mould. OK. | 0:39:43 | 0:39:46 | |
Now, this is French, so it's a tin-lined mould... All right. | 0:39:46 | 0:39:50 | |
..in the shape of fish, as you can see. | 0:39:50 | 0:39:52 | |
I find it really interesting, because people don't realise it, | 0:39:52 | 0:39:55 | |
but every bar of chocolate comes from a mould, doesn't it? | 0:39:55 | 0:39:59 | |
It does, but mostly plastic now, which are much more convenient... | 0:39:59 | 0:40:03 | |
Absolutely. ..because they're shiny. They mould very easily, | 0:40:03 | 0:40:06 | |
so you want that type of surface. | 0:40:06 | 0:40:09 | |
I see you've got some other moulds here. | 0:40:09 | 0:40:12 | |
Yes, but these are collectables, and that's still the way we are making chocolate. | 0:40:12 | 0:40:16 | |
This is great. This is shaped as a mask. | 0:40:16 | 0:40:19 | |
Looks like... It's as sinister as Paul Hayes, don't you think? | 0:40:19 | 0:40:22 | |
SHE LAUGHS I'm looking for ?60 for my mould. | 0:40:22 | 0:40:25 | |
What about, er...50? | 0:40:25 | 0:40:29 | |
Could we just do a little bit more? 55? | 0:40:29 | 0:40:31 | |
Yes. I would agree for 55. Yes. I would agree. Yes. | 0:40:31 | 0:40:34 | |
Brilliant. Thank you so much. Thank you too. | 0:40:34 | 0:40:37 | |
That gives Jonty a delectable profit of ?36.82, | 0:40:37 | 0:40:41 | |
and a taste of success. | 0:40:41 | 0:40:44 | |
So, that's the final curtain on the selling, | 0:40:46 | 0:40:48 | |
but before we find out who is today's winner, | 0:40:48 | 0:40:51 | |
let's recap on what our experts have spent. | 0:40:51 | 0:40:54 | |
Paul and Jonty both started out with ?750 of their own money. | 0:40:54 | 0:40:59 | |
Paul made six deals, and spent a total of ?567.28. | 0:40:59 | 0:41:04 | |
Jonty picked up nine purchases, | 0:41:04 | 0:41:07 | |
and, including electrical testing on his lamp, | 0:41:07 | 0:41:09 | |
he paid ?467.14. | 0:41:09 | 0:41:12 | |
But all that matters now is, who has made the biggest profit? | 0:41:12 | 0:41:16 | |
All the money from today's challenge | 0:41:16 | 0:41:18 | |
will go to our dealers' chosen charities, | 0:41:18 | 0:41:20 | |
so let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:20 | 0:41:25 | |
Ah, bonsoir, Jonty! How you doing? | 0:41:25 | 0:41:27 | |
All right. How are you? Good! Wasn't that fantastic out there? | 0:41:27 | 0:41:31 | |
I love Paris. Love that market as well. | 0:41:31 | 0:41:33 | |
My favourite item was that Satsuma oil lamp, | 0:41:33 | 0:41:37 | |
with ormolu mount. What a quality item that was! | 0:41:37 | 0:41:39 | |
I paid 270, do you remember? That sort of price. Sold it for ?350. | 0:41:39 | 0:41:43 | |
Congratulations. That was really good quality. Tres bon. | 0:41:43 | 0:41:47 | |
My most satisfying sale was the window grille. Do you remember that? | 0:41:47 | 0:41:51 | |
Really heavy item. Now, I paid just over ?40 for it, | 0:41:51 | 0:41:55 | |
but sold it for ?325. | 0:41:55 | 0:41:58 | |
Massive great big profit. But what was even more pleasing was, | 0:41:58 | 0:42:01 | |
the dealer I sold it to was going to make good profit on that as well, | 0:42:01 | 0:42:05 | |
so really, really satisfying. Fantastic. Really good. | 0:42:05 | 0:42:08 | |
Right. Shall we see, er... There we go. | 0:42:08 | 0:42:10 | |
It sounds like you're on a winner here, mate. | 0:42:10 | 0:42:12 | |
I don't know. You ready? | 0:42:12 | 0:42:14 | |
Oh, look at that! Oh, my word! That is amazing. | 0:42:14 | 0:42:18 | |
Goodness! No, it's "ooh la la". | 0:42:18 | 0:42:20 | |
THEY LAUGH Oh! That is fantastic. | 0:42:20 | 0:42:23 | |
I'm dead proud of that, as well, but that is amazing. | 0:42:23 | 0:42:27 | |
Is that a one or a seven? THEY LAUGH | 0:42:27 | 0:42:29 | |
Come on, then. | 0:42:29 | 0:42:31 | |
So it's victory for Jonty, who showed plenty of French flair | 0:42:31 | 0:42:35 | |
when flogging his fare. | 0:42:35 | 0:42:37 | |
I couldn't believe it when I opened the box. Over ?700 profit! | 0:42:37 | 0:42:41 | |
I knew I was into big profit, but I couldn't believe it. | 0:42:41 | 0:42:44 | |
It was the window grille. Wow! What an investment, and what a sale! | 0:42:44 | 0:42:48 | |
I loved all the items that I bought out in France. | 0:42:48 | 0:42:51 | |
There was such quality out there, and to make such a big mark-up | 0:42:51 | 0:42:55 | |
on that Satsuma vase, I thought I'd done really well. | 0:42:55 | 0:42:57 | |
But Jonty, that grille... Oh, dear me! Fantastic! | 0:42:57 | 0:43:00 | |
Fair play to you. Well done. | 0:43:00 | 0:43:02 | |
Tomorrow, join us for one last round | 0:43:02 | 0:43:06 | |
as our courageous competitors slog it out | 0:43:06 | 0:43:08 | |
in the Put Your Money Where Your Mouth Is showdown. | 0:43:08 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:15 | |
E-mail [email protected] | 0:43:15 | 0:43:19 | |
. | 0:43:19 | 0:43:19 |