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This is Put Your Money Where Your Mouth Is, | 0:00:03 | 0:00:05 | |
the show that pitches TV's best loved antiques experts | 0:00:05 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
And gives YOU the insiders' view of the trade. | 0:00:13 | 0:00:17 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week one pair of duelling dealers will face a different | 0:00:20 | 0:00:23 | |
daily challenge. | 0:00:23 | 0:00:25 | |
The original cheeky chappie. | 0:00:25 | 0:00:27 | |
Lovely! | 0:00:27 | 0:00:28 | |
Putting their reputations on the line... | 0:00:28 | 0:00:30 | |
Full house! | 0:00:30 | 0:00:32 | |
Oh, I say! | 0:00:32 | 0:00:33 | |
And giving you their top tips | 0:00:33 | 0:00:35 | |
and savvy secrets on how to make the most money | 0:00:35 | 0:00:38 | |
from buying and selling. | 0:00:38 | 0:00:40 | |
I'm feeling rather lucky. | 0:00:40 | 0:00:42 | |
Coming up, Kate Bliss' haggling provokes an extreme reaction. | 0:00:45 | 0:00:49 | |
Argh! | 0:00:49 | 0:00:51 | |
How to spot a quality vase. | 0:00:51 | 0:00:52 | |
That is ES and that's got Eliza Simmonds. | 0:00:52 | 0:00:55 | |
She is one very, very highly regarded decorator at Doulton. | 0:00:55 | 0:00:59 | |
And there's a whole lot of shaking going on. | 0:00:59 | 0:01:02 | |
This is Put Your Money Where Your Mouth Is. | 0:01:02 | 0:01:05 | |
Yes, welcome, friends, to this white knuckle antiques nail-biter | 0:01:19 | 0:01:23 | |
with a French flavour of Parisian purchasing, | 0:01:23 | 0:01:27 | |
where, once again, two tiptop TV experts gamble | 0:01:27 | 0:01:31 | |
with their reputations in an all-out, head-to-head face-off. | 0:01:31 | 0:01:35 | |
And first to stand up and be counted is quite literally a living legend. | 0:01:35 | 0:01:39 | |
When he's looking at China, there is no-one finer. | 0:01:39 | 0:01:42 | |
When it comes to pottery, for him it is no lottery. | 0:01:42 | 0:01:45 | |
He is Burnley's favourite connoisseur, Eric "Knocker" Knowles. | 0:01:45 | 0:01:49 | |
It's always as well to have a ferret. | 0:01:49 | 0:01:51 | |
And, taking on Eric today, is the first lady of the collectables. | 0:01:51 | 0:01:54 | |
When it comes to objet d'art her mind is aglow with willing, | 0:01:54 | 0:01:57 | |
transient modes of thought, careening through a cosmic vapour | 0:01:57 | 0:02:01 | |
of antiques know-how. | 0:02:01 | 0:02:03 | |
Yes, fighting out of Herefordshire it's Kate "Absolute" Bliss. | 0:02:03 | 0:02:07 | |
I think I need to go up a gear, raise my game. | 0:02:08 | 0:02:11 | |
Yes, both our auctioneers will have to switch | 0:02:11 | 0:02:13 | |
to turbo mode because they are being sent to battle in France | 0:02:13 | 0:02:16 | |
and the Porte de Vanves flea market in the south of Paris. | 0:02:16 | 0:02:19 | |
It has over 350 stalls of furniture, trinkets, | 0:02:19 | 0:02:22 | |
paintings and jewellery, the sort of once cherished treasures | 0:02:22 | 0:02:26 | |
that you wouldn't find back in the UK. | 0:02:26 | 0:02:29 | |
Both experts are laden with ?750 worth of euro. | 0:02:29 | 0:02:32 | |
It's their own money and buying to sell back home is the aim of the game, | 0:02:32 | 0:02:36 | |
with all the profits going to their chosen charities. | 0:02:36 | 0:02:39 | |
So, Kate Bliss and Eric Knowles, it's time | 0:02:39 | 0:02:43 | |
To Put Your Money Where Your Mouth Is. | 0:02:43 | 0:02:47 | |
Hello, Kate. Monsieur. Bonjour. | 0:02:49 | 0:02:51 | |
Are you well? Yeah, very well. | 0:02:51 | 0:02:53 | |
Are you in your comfort zone, that's what I want to know? | 0:02:53 | 0:02:55 | |
Do you enjoy buying here in la belle France? In gay Paris? | 0:02:55 | 0:02:59 | |
In gay Paris, it's so exciting, isn't it? They're setting up behind us. | 0:02:59 | 0:03:03 | |
My fingers are twitching. | 0:03:03 | 0:03:05 | |
We've got 825 euros, which is roughly ?750... Correct. | 0:03:05 | 0:03:09 | |
..burning a hole in my pocket. Yes, yes, yes. What are you going to be looking for? | 0:03:09 | 0:03:14 | |
I'm going to try and play to my strengths. | 0:03:14 | 0:03:16 | |
I'm sort of an Art Nouveau/ Art Deco sort of person. | 0:03:16 | 0:03:18 | |
You are that kind of guy. It is difficult to buy well here | 0:03:18 | 0:03:21 | |
because they know exactly what they've got. Really? | 0:03:21 | 0:03:24 | |
The bargains are few and far between. What about yourself? | 0:03:24 | 0:03:26 | |
Do you know, I've got a completely open mind here. | 0:03:26 | 0:03:29 | |
I'm going to go in there and just see what's about. | 0:03:29 | 0:03:31 | |
I'm going to try and work the market thoroughly. | 0:03:31 | 0:03:35 | |
Do it stall by stall... OK. | 0:03:35 | 0:03:37 | |
All right. Step by step. | 0:03:37 | 0:03:39 | |
It goes that way and it goes that way. | 0:03:39 | 0:03:41 | |
You've been here before, you see, you know your way around. I do, yes. | 0:03:41 | 0:03:45 | |
Whereas, moi, I'm at sea. Let's get going. OK. | 0:03:45 | 0:03:48 | |
Bon chance, mon ami. | 0:03:48 | 0:03:49 | |
Thank you very much my dear, that's very sweet of you. Cheerio. | 0:03:49 | 0:03:52 | |
Yes, a bit of psychological jostling going on there. | 0:03:52 | 0:03:55 | |
Kate looking fresh faced, lively, ready to face the French sellers | 0:03:55 | 0:03:59 | |
but Eric making quite sure she knows that he's been here before. | 0:03:59 | 0:04:03 | |
This is his stomping ground and she is the new girl. | 0:04:03 | 0:04:06 | |
I was very interested in Mrs Bliss' strategy. | 0:04:06 | 0:04:10 | |
She says she's going to take it in her stride, | 0:04:10 | 0:04:13 | |
do it methodically and, erm, | 0:04:13 | 0:04:15 | |
that's all well and good but I should point out | 0:04:15 | 0:04:18 | |
that this fair, this street market, | 0:04:18 | 0:04:21 | |
actually finishes at about lunchtime. | 0:04:21 | 0:04:24 | |
In actual fact, speed is of the essence! | 0:04:24 | 0:04:28 | |
Be warned, Kiss Me Kate, be warned. | 0:04:28 | 0:04:33 | |
Well, Eric's supremely confident, almost smug | 0:04:33 | 0:04:35 | |
but is he understimating his rival? | 0:04:35 | 0:04:38 | |
Well, if Eric's after Art Deco pieces, | 0:04:38 | 0:04:41 | |
if I see anything like that I'm going to have to be quick off the mark. | 0:04:41 | 0:04:44 | |
I'm going to go in with a really open mind. | 0:04:44 | 0:04:46 | |
I think if you're actually focusing on one thing, | 0:04:46 | 0:04:49 | |
and you can't find it, you can get a bit distracted. | 0:04:49 | 0:04:51 | |
Let's get at it. | 0:04:51 | 0:04:54 | |
Yes, and get at it they both do in search of their first bargain. | 0:04:54 | 0:04:58 | |
While Eric works his way expertly through the market, | 0:04:58 | 0:05:01 | |
Kate is sifting through the stalls looking for her prey, | 0:05:01 | 0:05:04 | |
scything through the French passers-by | 0:05:04 | 0:05:07 | |
as if they were matchsticks. | 0:05:07 | 0:05:08 | |
Mmm, lovely to watch an expert like this at work. | 0:05:08 | 0:05:10 | |
Of course, one advantage that Kate does have over her rival, | 0:05:10 | 0:05:14 | |
she speaks French. | 0:05:14 | 0:05:16 | |
Well, un petit peu. | 0:05:16 | 0:05:17 | |
Bonjour. | 0:05:17 | 0:05:19 | |
C'est combien? C'est petite commode? | 0:05:19 | 0:05:21 | |
Trois cents. | 0:05:21 | 0:05:23 | |
Trois cents? Oui. | 0:05:23 | 0:05:25 | |
Trois cents. 300. | 0:05:25 | 0:05:27 | |
The escutcheon, which is the little bit around where the key goes in, | 0:05:27 | 0:05:32 | |
this little bit here, is missing on the top drawer, just here. | 0:05:32 | 0:05:36 | |
Yes, Kate thinks she's onto a treasure here. | 0:05:36 | 0:05:38 | |
Time for a bit of extreme bilingual haggling. | 0:05:38 | 0:05:42 | |
Deux cents? | 0:05:42 | 0:05:44 | |
Kate going hard there with the first offer. | 0:05:44 | 0:05:46 | |
He wants 300, a lot more than Kate wants to pay. | 0:05:46 | 0:05:49 | |
Non, deux cents, monsieur. | 0:05:49 | 0:05:51 | |
Deux cents parce que le livre... | 0:05:51 | 0:05:53 | |
Deux cents. | 0:05:53 | 0:05:54 | |
Kate offers 200. | 0:05:54 | 0:05:55 | |
He drops to 230 but she's still pushing. | 0:05:59 | 0:06:02 | |
Deux cent dix, le dernier prix. | 0:06:02 | 0:06:04 | |
She's at 210 and appears to be finally grinding him down. | 0:06:04 | 0:06:08 | |
Oui, oui. | 0:06:08 | 0:06:10 | |
Never mind putting your money where your mouth is. | 0:06:10 | 0:06:13 | |
She is going to put her money where his hand is. | 0:06:13 | 0:06:16 | |
Voila! Deux cents dix. | 0:06:17 | 0:06:19 | |
Yes, gets them every time. Monsieur, you've been Kate Bliss-ed. | 0:06:19 | 0:06:23 | |
Bon! | 0:06:23 | 0:06:25 | |
I'm quite pleased with this. I got myself a little miniature chest, | 0:06:26 | 0:06:29 | |
about 1880 in date. | 0:06:29 | 0:06:31 | |
It's veneered in birdseye maple and kingwood, very French. | 0:06:31 | 0:06:35 | |
OK, it needs a little bit of work. | 0:06:35 | 0:06:37 | |
A little bit of cosmetic attention here. | 0:06:37 | 0:06:39 | |
I'm thinking the Cotswolds for this. | 0:06:39 | 0:06:42 | |
Yes, Kate very happy with her first purchase, | 0:06:42 | 0:06:44 | |
210 euro works out at ?190.91. | 0:06:44 | 0:06:48 | |
Take that, Eric Knowles! | 0:06:48 | 0:06:50 | |
This might be your manor but you have a fight on your hands. | 0:06:50 | 0:06:53 | |
Is he starting to buckle? | 0:06:53 | 0:06:55 | |
The thing about these markets, the Paris markets are wonderful | 0:06:55 | 0:06:59 | |
because you find lots of things here you're not going to find back in the UK. | 0:06:59 | 0:07:02 | |
But you do get little boxes of things and it's always as well | 0:07:02 | 0:07:06 | |
to have a quick skate about, to have a ferret, you know. | 0:07:06 | 0:07:10 | |
Yes, you're not in Burnley now, Eric, there are no ferrets here | 0:07:10 | 0:07:13 | |
but there are some uniquely French treasures and it's not long before | 0:07:13 | 0:07:16 | |
Eric hones in on one. | 0:07:16 | 0:07:18 | |
Combien le dernier prix? 40. | 0:07:18 | 0:07:21 | |
40? For you, 40. | 0:07:21 | 0:07:23 | |
For me? The best price. The best price! | 0:07:23 | 0:07:25 | |
ERIC CHUCKLES | 0:07:25 | 0:07:27 | |
I love it! OK. | 0:07:27 | 0:07:29 | |
No sooner said. | 0:07:29 | 0:07:31 | |
Oh, one, two, three... OK, thank you. Is that OK? | 0:07:31 | 0:07:34 | |
Thank you very much, monsieur, thank you. | 0:07:34 | 0:07:37 | |
Yeah, not even going to bother to haggle on that price. | 0:07:37 | 0:07:39 | |
40 euro, that's ?36.36 | 0:07:39 | 0:07:41 | |
and Eric thinks he's onto a winner. | 0:07:41 | 0:07:44 | |
It's not very old. This is post-war but it is Daum. | 0:07:44 | 0:07:47 | |
The thing is, that's a good name. | 0:07:47 | 0:07:50 | |
As a design, that's probably a round about 1955 to 1965 | 0:07:50 | 0:07:56 | |
but it's of its type and it's the best. | 0:07:56 | 0:07:59 | |
For 40 euro, erm, it was well worth having. | 0:07:59 | 0:08:04 | |
Well, Eric breaks his duck. | 0:08:04 | 0:08:06 | |
Both dealers up and running but with this only being a morning market | 0:08:06 | 0:08:09 | |
there is no time to waste and Kate has found a bit of glass of her own. | 0:08:09 | 0:08:14 | |
It's like a Lalique design, | 0:08:14 | 0:08:16 | |
a little scent bottle, typically French. | 0:08:16 | 0:08:18 | |
It's not by him, it's a poor man's copy, if you like. | 0:08:18 | 0:08:22 | |
I'll just find out how much it is anyway. Where is my man. | 0:08:23 | 0:08:26 | |
Ah, monsieur... C'est combien? | 0:08:26 | 0:08:29 | |
Cent euro. Cent? | 0:08:29 | 0:08:31 | |
That's 100 euro, surely she is not going to settle for that. | 0:08:31 | 0:08:34 | |
Go on, Kate, let's see your haggling skills. | 0:08:34 | 0:08:37 | |
Non, merci, trop cher. | 0:08:37 | 0:08:40 | |
Le dernier prix? Soixante-dix. | 0:08:40 | 0:08:42 | |
Soixante-dix. 65? | 0:08:42 | 0:08:45 | |
No, Kate, soixante-dix is actually 70. Either way, still too much. | 0:08:45 | 0:08:49 | |
Go on, hit him low. | 0:08:49 | 0:08:51 | |
Trente? | 0:08:51 | 0:08:52 | |
She's trying 30. | 0:08:52 | 0:08:54 | |
30 is ?25, roughly, in sterling. | 0:08:54 | 0:08:58 | |
Quarante? | 0:08:58 | 0:08:59 | |
Quarante. 40? | 0:08:59 | 0:09:01 | |
OK. OK. | 0:09:01 | 0:09:03 | |
Merci beaucoup. | 0:09:03 | 0:09:06 | |
We done a deal. | 0:09:06 | 0:09:08 | |
Quarante euro, which is 40 euros, | 0:09:08 | 0:09:10 | |
probably far too much money, which is roughly ?35 sterling. | 0:09:10 | 0:09:15 | |
Erm... | 0:09:15 | 0:09:17 | |
I'm going to need a wing and a prayer for that one. | 0:09:17 | 0:09:21 | |
She might be worried about selling it on at a profit | 0:09:21 | 0:09:23 | |
but my goodness she's hard on those dealers. | 0:09:23 | 0:09:25 | |
It started at 100 and she knocked him down by 60% | 0:09:25 | 0:09:29 | |
to 40 euro, | 0:09:29 | 0:09:31 | |
which works out at ?36.36. | 0:09:31 | 0:09:33 | |
Once again, what a haggler! | 0:09:33 | 0:09:35 | |
And, while Kate is knocking the prices down, | 0:09:36 | 0:09:39 | |
Eric has snapped up a couple of quickies in the form of a brooch. | 0:09:39 | 0:09:43 | |
It is fair to say that is a design which speaks for itself. | 0:09:43 | 0:09:46 | |
And a perfume bottle pendant. | 0:09:46 | 0:09:49 | |
It was a collaboration between the perfume manufacturer | 0:09:49 | 0:09:52 | |
and Mark Lalique. | 0:09:52 | 0:09:54 | |
Together the brooch and the pendant cost ?136.36 | 0:09:54 | 0:09:58 | |
so Eric's stepping out of his comfort zone. | 0:09:58 | 0:10:00 | |
But, he is soon back in it, when he spots, among the tat, | 0:10:00 | 0:10:03 | |
a possible hidden treasure of the ceramic variety. | 0:10:03 | 0:10:06 | |
I've got my specs on because I've just seen a piece | 0:10:06 | 0:10:09 | |
of a little bit of England here. | 0:10:09 | 0:10:12 | |
A little bit of Lambeth. A little bit of Doulton. | 0:10:12 | 0:10:14 | |
I suppose it is all down to price, really, | 0:10:14 | 0:10:16 | |
because this is all hand done. | 0:10:16 | 0:10:19 | |
Monsieur. 'Allo. | 0:10:19 | 0:10:20 | |
'Allo, 'Allo! I'm looking for the best price on something like this. | 0:10:20 | 0:10:23 | |
My best price could be 120 euro. | 0:10:23 | 0:10:26 | |
That is the best price, yes? Yes. | 0:10:26 | 0:10:29 | |
OK. Maybe you can make a... | 0:10:29 | 0:10:31 | |
Maybe you can make an offer. | 0:10:31 | 0:10:33 | |
Well, I would offer 100 but whether or not you would accept that, | 0:10:33 | 0:10:36 | |
I don't know. 100 in cash, yeah, it's OK. | 0:10:36 | 0:10:38 | |
100 in cash is OK. OK. | 0:10:38 | 0:10:40 | |
Well, that's good. | 0:10:40 | 0:10:41 | |
Yes, nice technique from Eric. | 0:10:41 | 0:10:43 | |
Putting the vase down, looking like he's going to walk away at 120, | 0:10:43 | 0:10:46 | |
instantly gets 20 euro knocked off and the vase is his for 100 euro, | 0:10:46 | 0:10:50 | |
or ?90.91, but what is it? Is it something special? Do tell. | 0:10:50 | 0:10:55 | |
This is one very nice vase. | 0:10:55 | 0:11:00 | |
This shouted Doulton Lambeth stoneware. | 0:11:00 | 0:11:03 | |
What a design. | 0:11:03 | 0:11:05 | |
This decoration is incise. | 0:11:05 | 0:11:08 | |
It's cut into the clay. | 0:11:08 | 0:11:11 | |
Look underneath it and it gets better. | 0:11:11 | 0:11:14 | |
Because we've got the Doulton Lambeth rosette mark. | 0:11:14 | 0:11:16 | |
This is between 1891 and about 1900. | 0:11:16 | 0:11:20 | |
What is special is that little monogram there. | 0:11:20 | 0:11:23 | |
It's a tiny monogram, it's hidden. | 0:11:23 | 0:11:25 | |
That is ES and that's for Eliza Simmonds. | 0:11:25 | 0:11:28 | |
She is one very, very highly regarded decorator at Doulton, | 0:11:28 | 0:11:32 | |
let me tell you. Now it cost me 100 euro. | 0:11:32 | 0:11:35 | |
I have to say that I intend to do well on this. | 0:11:35 | 0:11:40 | |
I aim to, when I say do well, | 0:11:40 | 0:11:42 | |
I'm going to double and a bit more and a bit more, I hope. | 0:11:42 | 0:11:46 | |
Oh, Eric looking very pleased with himself there and why not? | 0:11:46 | 0:11:50 | |
He thinks he's found a real money-spinner in that vase. | 0:11:50 | 0:11:52 | |
So much so that he can even afford to take his foot off the pedal | 0:11:52 | 0:11:55 | |
and have a nice cup of coffee. | 0:11:55 | 0:11:57 | |
Monsieur Knowles, you're looking far too relaxed. | 0:11:57 | 0:12:00 | |
Well, I've done most of me buying, actually. | 0:12:00 | 0:12:03 | |
I'm just trying to decide where I'm going to go for dinner tonight. There you are. | 0:12:03 | 0:12:06 | |
Seriously, you know the hare and the tortoise? | 0:12:06 | 0:12:09 | |
Yes, I do. | 0:12:09 | 0:12:11 | |
It's not all about speed. No. It's about quality. Yes. | 0:12:11 | 0:12:14 | |
I'll tell you what, I've been working this street. | 0:12:14 | 0:12:16 | |
You told me to go down there, you said all the best stuff was there. | 0:12:16 | 0:12:19 | |
It is. I haven't found anything. Oh, darling, no. The odd bit. | 0:12:19 | 0:12:22 | |
I found a lovely French cabinet, well, miniature chest, really. | 0:12:22 | 0:12:26 | |
Oh, yes. In kingwood and birdseye maple. Oh, yeah. | 0:12:26 | 0:12:29 | |
So what is your best buy, then, spill the beans? | 0:12:29 | 0:12:31 | |
Actually, I've bought something British. Have you? | 0:12:31 | 0:12:34 | |
I have bought something English. Have you? | 0:12:34 | 0:12:37 | |
I have bought something from south London | 0:12:37 | 0:12:39 | |
and Lambeth and Doulton and I... | 0:12:39 | 0:12:42 | |
I knew it had to be a pot. | 0:12:42 | 0:12:43 | |
THEY LAUGH | 0:12:43 | 0:12:45 | |
Yeah, but what a pot! I'm very pleased with that. | 0:12:45 | 0:12:47 | |
OK, I'm not liking the look of this. | 0:12:47 | 0:12:50 | |
You look far too pleased with yourself, Mr Knowles. | 0:12:50 | 0:12:52 | |
I think you should buy me a cup of coffee. I think I should. | 0:12:52 | 0:12:54 | |
I think the thing to remember, Kate, is we're battling for Britain. | 0:12:54 | 0:12:57 | |
We are battling for Britain. Come on. | 0:12:57 | 0:12:59 | |
Mmm. Patriotic stuff, Eric, but profit knows no borders. | 0:12:59 | 0:13:02 | |
So as the piano man plays, it's time to see who's been striking | 0:13:02 | 0:13:06 | |
the right chords and who has been hitting the bum notes. | 0:13:06 | 0:13:09 | |
Well, both our experts started the day | 0:13:11 | 0:13:13 | |
with ?750 worth of euros in their pockets | 0:13:13 | 0:13:16 | |
and so far Eric has bought four objects and spent ?263.63. | 0:13:16 | 0:13:21 | |
That leaves him with ?486.37 left to spend. | 0:13:21 | 0:13:26 | |
Kate, on the other hand, | 0:13:26 | 0:13:27 | |
has currently bought just two items but spent ?227.27, | 0:13:27 | 0:13:32 | |
so moneywise not far from Eric with ?522.73 still in her kitty. | 0:13:32 | 0:13:37 | |
But time waits for no man, or woman and there's no time for drifting | 0:13:41 | 0:13:44 | |
in this continental contest. | 0:13:44 | 0:13:47 | |
Kate shows she's not for slacking as she spots, and buys, | 0:13:47 | 0:13:51 | |
a glass artefact that puts her right back in the mix. | 0:13:51 | 0:13:53 | |
This is something that I don't normally buy. | 0:13:53 | 0:13:56 | |
It's a cocktail shaker. | 0:13:56 | 0:13:57 | |
The reason I don't buy them | 0:13:57 | 0:13:59 | |
is they are not particularly fashionable, or commercial. | 0:13:59 | 0:14:02 | |
It's got a really nice quality, heavy cut glass base | 0:14:02 | 0:14:05 | |
and on that base is a very special mark. | 0:14:05 | 0:14:09 | |
The mark is for a very well known French glass factory | 0:14:09 | 0:14:12 | |
called Saint Louis. | 0:14:12 | 0:14:13 | |
That's really going to add a bit of a cachet to this piece | 0:14:13 | 0:14:17 | |
and certainly is a sign of quality. | 0:14:17 | 0:14:19 | |
I have got somebody in mind for this. | 0:14:19 | 0:14:21 | |
I've just got to hope they want to share a drink with me. | 0:14:21 | 0:14:25 | |
Well, Kate paid 55 euro for the shaker | 0:14:25 | 0:14:28 | |
which translates to ?50 exactly. | 0:14:28 | 0:14:30 | |
Time for a bit of Michael Jackson, anyone? | 0:14:30 | 0:14:32 | |
MUSIC: "Thriller" by Michael Jackson | 0:14:32 | 0:14:36 | |
No, perhaps not. | 0:14:36 | 0:14:37 | |
Frank Spencer, then? | 0:14:37 | 0:14:39 | |
MUSIC: Some Mothers Do 'Ave 'Em Theme. | 0:14:39 | 0:14:41 | |
No. Back to the buying! Kate has found a clock she likes the look of | 0:14:41 | 0:14:45 | |
but once again it all comes down to the haggle | 0:14:45 | 0:14:46 | |
and, yet again, Kate gets her way. | 0:14:46 | 0:14:49 | |
Quarante. Le dernier prix, oui? Oui. | 0:14:49 | 0:14:52 | |
Merci beaucoup. | 0:14:52 | 0:14:53 | |
I think this is a bit of a steal. | 0:14:55 | 0:14:57 | |
I've just paid 40 euros, which is roughly ?35/?36. | 0:14:57 | 0:15:03 | |
This is an original Art Deco clock garniture, | 0:15:03 | 0:15:06 | |
so dating from the 1930s. | 0:15:06 | 0:15:08 | |
It's in marble and you've got a really lovely enamel dial there. | 0:15:08 | 0:15:13 | |
It's all original. | 0:15:13 | 0:15:14 | |
There are a few nibbles to the marble, | 0:15:14 | 0:15:16 | |
particularly on the garnitures here. | 0:15:16 | 0:15:18 | |
The clock itself has got to be worth 40 quid, if not a bit more. | 0:15:18 | 0:15:22 | |
Now, Art Deco clock garnitures were making serious money | 0:15:22 | 0:15:26 | |
but they have gone down a little bit in price. | 0:15:26 | 0:15:29 | |
To the right buyer there has got to be a profit here. | 0:15:29 | 0:15:33 | |
Well, if she sells it on for ?40 it will be very small profit | 0:15:33 | 0:15:37 | |
as the 40 euro she paid for the clock works out at ?36.36. | 0:15:37 | 0:15:41 | |
But a profit is a profit. | 0:15:41 | 0:15:43 | |
While Kate has been on something of a spending spree, | 0:15:43 | 0:15:46 | |
Eric has been struggling with the steep Parisian prices. | 0:15:46 | 0:15:49 | |
In fact, both dealers have had to accept their money is not | 0:15:49 | 0:15:52 | |
going as far as they would like. | 0:15:52 | 0:15:54 | |
# Don't you want me baby...? # | 0:15:54 | 0:15:57 | |
A little bit too much money. | 0:15:57 | 0:15:59 | |
# Don't you want me, oh-oh-oh...? # | 0:15:59 | 0:16:01 | |
Its 250 euros. | 0:16:01 | 0:16:03 | |
# Don't you want me, baby...? # | 0:16:03 | 0:16:05 | |
That's half my budget. | 0:16:05 | 0:16:06 | |
1,500 euros! | 0:16:09 | 0:16:12 | |
But if you're Eric Knowles, and you look long enough | 0:16:12 | 0:16:14 | |
and hard enough, something will eventually jump out at you | 0:16:14 | 0:16:17 | |
such as a china dish for ?54.55. | 0:16:17 | 0:16:20 | |
I've bought myself a nice piece of French faience. | 0:16:21 | 0:16:25 | |
It's tin glaze, look at that decoration, that's all hand done. | 0:16:25 | 0:16:29 | |
I mean, that's just crying out for a turkey or a whacking big salmon, | 0:16:29 | 0:16:33 | |
isn't it, really? | 0:16:33 | 0:16:35 | |
Mmm, bon appetit. Yes, Eric's definitely swimming with the tide now | 0:16:35 | 0:16:38 | |
and leaps in to try and buy a tobacco holder. | 0:16:38 | 0:16:41 | |
I've just spotted this. | 0:16:41 | 0:16:43 | |
The thing that attracted me was the turtle and tortoise on the top. | 0:16:43 | 0:16:48 | |
It is French plate and it has got tortoiseshell, | 0:16:48 | 0:16:54 | |
which is really turtle shell. | 0:16:54 | 0:16:56 | |
This was made an awful long time ago. | 0:16:56 | 0:16:58 | |
Today, of course, this is protected, quite rightly. | 0:16:58 | 0:17:02 | |
This dates probably to round about 1880, or thereabouts. | 0:17:02 | 0:17:07 | |
It's quite ancient. | 0:17:07 | 0:17:08 | |
It's quite nice. I'm going to ask the price. | 0:17:08 | 0:17:12 | |
What is the best price on this again? 80 euro. 80? | 0:17:12 | 0:17:16 | |
80 euros is the best price. | 0:17:16 | 0:17:18 | |
And 80 euros is... | 0:17:18 | 0:17:20 | |
It's sold. It's sold. | 0:17:20 | 0:17:22 | |
Eric agrees 80 euros for the tobacco holder | 0:17:22 | 0:17:25 | |
which translates to ?72.73. | 0:17:25 | 0:17:29 | |
While he continues to rummage around on that stall, | 0:17:29 | 0:17:31 | |
Kate has nabbed a treasure of her own. | 0:17:31 | 0:17:34 | |
Now this is an interesting little purchase. | 0:17:34 | 0:17:37 | |
It's a very simple, engine-turned photograph frame. | 0:17:37 | 0:17:40 | |
It's in French silver. | 0:17:40 | 0:17:42 | |
This is a little bit different because if I turn it up | 0:17:42 | 0:17:44 | |
we've got some very special marks here, | 0:17:44 | 0:17:47 | |
for Boin Taburet. | 0:17:47 | 0:17:49 | |
Now, Boin Taburet were a firm of silver manufacturers here in Paris | 0:17:49 | 0:17:54 | |
that started about the 1870s and they are very well known for making | 0:17:54 | 0:17:59 | |
really nice, quality pieces. | 0:17:59 | 0:18:01 | |
Now, the price started at 200 euros for this piece. | 0:18:01 | 0:18:05 | |
I got him down to 140 euros, which is roughly ?130 sterling. | 0:18:05 | 0:18:10 | |
I'm hoping its elegance, its quality | 0:18:10 | 0:18:13 | |
will shine through and, at the very least, | 0:18:13 | 0:18:15 | |
I'm quite proud of my negotiating. | 0:18:15 | 0:18:18 | |
And so you should be, Kate, you knocked that dealer down | 0:18:18 | 0:18:21 | |
30% to 140 euro, which translates | 0:18:21 | 0:18:24 | |
to ?127.27 sterling. | 0:18:24 | 0:18:27 | |
Eric, meanwhile, has finished his sifting and has captured | 0:18:27 | 0:18:30 | |
a pair of ceramic elephant book ends for a stomping ?100. | 0:18:30 | 0:18:34 | |
When you come to French flea markets you are going to see an awful | 0:18:34 | 0:18:37 | |
lot of animals in this white glaze. | 0:18:37 | 0:18:41 | |
It's not just the white glaze, it's sort of crazed. | 0:18:41 | 0:18:43 | |
It's crazed intentionally. | 0:18:43 | 0:18:45 | |
It's a sort of a craquelure type glaze. | 0:18:45 | 0:18:48 | |
You've got to be on your guard | 0:18:48 | 0:18:50 | |
because there are an awful lot of copies. | 0:18:50 | 0:18:53 | |
When you see a pair of elephants like this and you turn them over, | 0:18:53 | 0:18:56 | |
and you can see the name Louviere on there, | 0:18:56 | 0:18:59 | |
that's a good sign. | 0:18:59 | 0:19:00 | |
That gives them credibility. It gives them age. | 0:19:00 | 0:19:04 | |
These two elephants, which as you can see, are book ends, | 0:19:04 | 0:19:07 | |
have been at loggerheads since around about 1925/1930. | 0:19:07 | 0:19:12 | |
And the elephants are the final item in Eric's buying trunk | 0:19:12 | 0:19:16 | |
as he book ends his buying for the day, | 0:19:16 | 0:19:18 | |
confident he has all he needs to make a winning profit. | 0:19:18 | 0:19:21 | |
Kate, however, still has money to spend. | 0:19:21 | 0:19:24 | |
With the market stallholders packing up and going home, | 0:19:24 | 0:19:27 | |
she is running out of options. | 0:19:27 | 0:19:29 | |
Things are getting desperate for her when, all of a sudden, | 0:19:29 | 0:19:31 | |
she spies a box. | 0:19:31 | 0:19:32 | |
C'est combien? Cinqante euro. | 0:19:32 | 0:19:36 | |
Oh... | 0:19:36 | 0:19:37 | |
Er, 50. | 0:19:37 | 0:19:40 | |
You are going home, yes? | 0:19:40 | 0:19:43 | |
I could make you an offer. A little offer? | 0:19:43 | 0:19:47 | |
Now as both Kate and the dealer get lost in translation, | 0:19:47 | 0:19:51 | |
perhaps a few subtitles might help. | 0:19:51 | 0:19:53 | |
Mmm, Kate's loving that pirate impression! | 0:20:04 | 0:20:06 | |
25! | 0:20:32 | 0:20:34 | |
Le dernier, dernier, dernier. | 0:20:34 | 0:20:36 | |
Vingt-deux. | 0:20:36 | 0:20:37 | |
Oh, thank goodness for that. They settle on 23 euro, | 0:20:49 | 0:20:52 | |
or ?20.91. | 0:20:52 | 0:20:55 | |
I haven't spent much money, | 0:20:55 | 0:20:57 | |
but what I've got | 0:20:57 | 0:20:59 | |
is what has been a lovely quality parquetry box. | 0:20:59 | 0:21:04 | |
It dates from the late 19th century. | 0:21:04 | 0:21:08 | |
It's definitely a restoration project. | 0:21:08 | 0:21:11 | |
The hinges are in place | 0:21:11 | 0:21:13 | |
but, as you can see, it comes apart in one place. | 0:21:13 | 0:21:17 | |
Now I'm hoping that I can replace | 0:21:19 | 0:21:22 | |
that little bit of veneer that's missing, | 0:21:22 | 0:21:24 | |
I can get the colour looking a bit better. | 0:21:24 | 0:21:26 | |
For 23 euros, that cant be bad. | 0:21:26 | 0:21:29 | |
Yes, Kate's left herself with a bit of work to do on that box | 0:21:29 | 0:21:32 | |
when she gets home, but as that was her final purchase of the day, | 0:21:32 | 0:21:35 | |
she's still got a little bit of money left over to pay for it. | 0:21:35 | 0:21:39 | |
Remember, both dealers started out here in Paris | 0:21:39 | 0:21:41 | |
with ?750 worth of euro in their pockets. | 0:21:41 | 0:21:45 | |
Eric ended up purchasing seven items and spent a solid ?490.91. | 0:21:45 | 0:21:51 | |
From the start, Kate lagged behind her rival | 0:21:51 | 0:21:53 | |
and ended up with just six items. | 0:21:53 | 0:21:55 | |
She also spent slightly less too, forking out a total of ?461.81. | 0:21:55 | 0:22:01 | |
But, all in all, this has the makings of a very tight race, | 0:22:01 | 0:22:04 | |
and as our two heroes now collide, | 0:22:04 | 0:22:06 | |
Eric is keen to show off his very English discovery. | 0:22:06 | 0:22:10 | |
Here I am, I'm in Paris and I find myself a Doulton vase. | 0:22:10 | 0:22:14 | |
I know, look at that! | 0:22:14 | 0:22:15 | |
I've never seen a piece of Doulton in Paris in the all years I've come. | 0:22:15 | 0:22:18 | |
I didn't see that, but I would like to know about this. | 0:22:18 | 0:22:20 | |
Tell me about your glass. | 0:22:20 | 0:22:22 | |
This is Daum. It is a post-war one. | 0:22:22 | 0:22:26 | |
It's sort of very typical post-war. | 0:22:26 | 0:22:29 | |
I'm looking at, first of all, the clock set. I do like them. | 0:22:29 | 0:22:33 | |
I have to say I didn't spot that, because I would have bought that. | 0:22:33 | 0:22:37 | |
You know, I know you're after Art Deco, | 0:22:37 | 0:22:39 | |
so I got in there pretty quick with that one. | 0:22:39 | 0:22:41 | |
You did, as well. But this was my slight panic buy. | 0:22:41 | 0:22:46 | |
Well, not panic buy, | 0:22:46 | 0:22:47 | |
but I bought it quite quickly and it was quite a lot of money. OK. | 0:22:47 | 0:22:49 | |
Probably too much money. | 0:22:49 | 0:22:51 | |
It's quality and so you're not going to go far wrong. So happy? | 0:22:51 | 0:22:55 | |
Happy. I tell you what, Kate? I'm bordering on the ecstatic. | 0:22:55 | 0:22:58 | |
Fantastic. Tell me about your Art Deco contacts, Eric. | 0:22:58 | 0:23:01 | |
Yeah, well, there's a price for everything, Kate. | 0:23:01 | 0:23:04 | |
Now then, this is a game of two halves. | 0:23:06 | 0:23:09 | |
Both out brave buyers must now become | 0:23:09 | 0:23:11 | |
super sellers as they turn their attentions to | 0:23:11 | 0:23:14 | |
shifting on their items for as much money as they can manage, | 0:23:14 | 0:23:17 | |
hoping to make the biggest profit. | 0:23:17 | 0:23:19 | |
But before they dive into the maelstrom, | 0:23:19 | 0:23:21 | |
our experts return home to assess their wares. | 0:23:21 | 0:23:25 | |
In her Herefordshire hideaway, | 0:23:25 | 0:23:27 | |
Kate is contemplating the best course of action. | 0:23:27 | 0:23:29 | |
Well, I'm back from gay Paris and I'm getting straight down to business. | 0:23:31 | 0:23:35 | |
Now for my Art Deco clock garniture, I could go two ways - | 0:23:35 | 0:23:39 | |
I could either aim it at a clock specialist | 0:23:39 | 0:23:41 | |
or I could direct it towards somebody who loves Art Deco. | 0:23:41 | 0:23:45 | |
My chest, I am really pleased with. | 0:23:45 | 0:23:47 | |
I think it's a really nice piece | 0:23:47 | 0:23:48 | |
and I'm going to try and sell this | 0:23:48 | 0:23:51 | |
to a specialist of period furniture | 0:23:51 | 0:23:53 | |
who likes collectable pieces just like this one. | 0:23:53 | 0:23:56 | |
My silver photograph frame is an interesting one, | 0:23:57 | 0:24:00 | |
because it may only be a small profit, | 0:24:00 | 0:24:02 | |
but I'm confident I can sell it on. | 0:24:02 | 0:24:04 | |
My parquetry box down here, | 0:24:04 | 0:24:06 | |
I've decided I'm going to sell it on exactly as it is. | 0:24:06 | 0:24:09 | |
Now for my perfume bottle, I found a vintage specialist who has her | 0:24:09 | 0:24:13 | |
own personal collection of perfume bottles. | 0:24:13 | 0:24:17 | |
So this could be just perfect. | 0:24:17 | 0:24:19 | |
And for this cocktail shaker, I am really excited | 0:24:19 | 0:24:23 | |
because it's Saint-Louis French glass, | 0:24:23 | 0:24:26 | |
silver plate in great condition. | 0:24:26 | 0:24:28 | |
This really commands a high price. | 0:24:28 | 0:24:31 | |
So, Knocker Knowles, good luck because I think you might need it. | 0:24:31 | 0:24:36 | |
Yes, Kate's super confident | 0:24:36 | 0:24:38 | |
but Eric knows that in this game you make your own luck. | 0:24:38 | 0:24:41 | |
Over in his Buckinghamshire base, | 0:24:41 | 0:24:43 | |
he's got a few tricks on how to win up his sleeve. | 0:24:43 | 0:24:47 | |
I don't think I'm going to find any shortage | 0:24:47 | 0:24:50 | |
of potential buyers for my Doulton vase. | 0:24:50 | 0:24:53 | |
I've checked it over, it is in pristine condition. | 0:24:55 | 0:24:59 | |
That's what the collectors demand. | 0:24:59 | 0:25:02 | |
Here's an unusual object, the likes of which I'd never seen before. | 0:25:02 | 0:25:05 | |
I was told that it was for tobacco. It's got a wooden interior. | 0:25:05 | 0:25:09 | |
Give it a good polish, it'll look better as a result. | 0:25:10 | 0:25:14 | |
The vase cost me around about ?36, which, to be frank with you, | 0:25:14 | 0:25:18 | |
I thought again was a very good buy. | 0:25:18 | 0:25:21 | |
The great thing about this dish is that it's all hand painted. | 0:25:21 | 0:25:26 | |
It's a piece that has been made in the 18th-century style | 0:25:26 | 0:25:30 | |
but probably in the late 19th century. | 0:25:30 | 0:25:34 | |
My Chanel brooch is a symbol of French luxury excellence. | 0:25:34 | 0:25:39 | |
At the front we've got my Nina Ricci pendant perfume. | 0:25:39 | 0:25:43 | |
It's not of any great age. It may be 20, 30 years old. | 0:25:43 | 0:25:47 | |
Well, I'm hoping that my elephants will appeal to | 0:25:47 | 0:25:49 | |
an Art Deco collector. | 0:25:49 | 0:25:52 | |
I don't think there's going to be any competition here. | 0:25:52 | 0:25:55 | |
Eric one, Kate nil. | 0:25:55 | 0:25:56 | |
Yes, not quite, Eric. It's still all-square until the selling begins. | 0:25:57 | 0:26:01 | |
With both our dealers supremely confident that victory is within | 0:26:02 | 0:26:06 | |
their grasp, it's ignitions on and pedals to the | 0:26:06 | 0:26:09 | |
metal as they both try to drive home a profit | 0:26:09 | 0:26:11 | |
knowing that no deal is sealed until they've shaken on it | 0:26:11 | 0:26:14 | |
and the cash is in their hands. | 0:26:14 | 0:26:16 | |
Eric is in Brighton with the Daum vase that cost him ?36.36. | 0:26:18 | 0:26:23 | |
Kate is in Hereford with a perfume bottle that also cost her ?36.36. | 0:26:23 | 0:26:30 | |
She's taking it to Polly, the owner of a vintage shop hoping | 0:26:30 | 0:26:34 | |
there's a whiff of profit in the air. | 0:26:34 | 0:26:36 | |
I've brought you a little scent bottle. | 0:26:36 | 0:26:39 | |
I picked it up in a French flea market | 0:26:39 | 0:26:40 | |
and I thought this would be just the shop in Hereford. Have a little look. | 0:26:40 | 0:26:45 | |
Yeah, that's beautiful. So the stopper is original | 0:26:45 | 0:26:48 | |
and the nice thing about it is it's all in really good condition. | 0:26:48 | 0:26:52 | |
I would say 1920s, 1930s, perhaps, in date. | 0:26:52 | 0:26:56 | |
Definitely French and on the base it's actually moulded "France", | 0:26:56 | 0:27:01 | |
which is rather nice. | 0:27:01 | 0:27:02 | |
Actually, when you look at the detail on this one, | 0:27:02 | 0:27:04 | |
you've got this lovely moulded floral... | 0:27:04 | 0:27:07 | |
Looks like a rose, here on this side. I mean, certainly a period piece. | 0:27:07 | 0:27:11 | |
Yeah. No, it's absolutely beautiful and it just looks amazing. It does. | 0:27:11 | 0:27:15 | |
I think with those bottles, yeah. | 0:27:15 | 0:27:17 | |
Well, if you like it, Polly, we better talk price, I suppose. | 0:27:17 | 0:27:19 | |
Yes, certainly. | 0:27:19 | 0:27:21 | |
Well, I was hoping for around the ?150 mark. | 0:27:21 | 0:27:24 | |
What about 80? Do you think 80? | 0:27:24 | 0:27:27 | |
Could we say 90? | 0:27:27 | 0:27:29 | |
90 it is. I was hoping for, if you're happy with that. | 0:27:29 | 0:27:32 | |
Yeah, definitely. | 0:27:32 | 0:27:33 | |
OK, fantastic. I'm happy with that. Amazing. Thank you. | 0:27:33 | 0:27:36 | |
A ?90-sale and Kate walks away with | 0:27:36 | 0:27:39 | |
a profit of ?53.64 on the perfume bottle. | 0:27:39 | 0:27:43 | |
Over in Brighton, Eric is attempting to sell his vase that also | 0:27:43 | 0:27:47 | |
cost ?36.36. | 0:27:47 | 0:27:49 | |
He's meeting Sue, the owner of a shop dealing in furniture, | 0:27:49 | 0:27:53 | |
lighting and, you've guessed it, glassware. | 0:27:53 | 0:27:55 | |
But will he get one over on his rival | 0:27:55 | 0:27:57 | |
and improve on Kate's first profit? | 0:27:57 | 0:27:59 | |
I'm holding it here in my hand. | 0:28:00 | 0:28:02 | |
All I can tell you is that from a pedigree point of view, | 0:28:02 | 0:28:07 | |
it is Daum. | 0:28:07 | 0:28:09 | |
Stylistically it is about 1955. | 0:28:09 | 0:28:15 | |
A chunky piece. It is chunky. | 0:28:15 | 0:28:17 | |
The good news is that I'm not looking for a lot of money. | 0:28:17 | 0:28:21 | |
What's not a lot of money? | 0:28:22 | 0:28:24 | |
If I could get near the hundred, I'd be happy. | 0:28:24 | 0:28:28 | |
I was thinking of nearer the ?50 mark. | 0:28:28 | 0:28:31 | |
If I went to 70, would we still be in...would we still be playing? | 0:28:31 | 0:28:36 | |
I think we should go nearer to 60. | 0:28:36 | 0:28:38 | |
Let's go to 65 and then we'll... Shall we call it a day? | 0:28:38 | 0:28:41 | |
Let's call it a day. 65. There you go. You're on. OK. | 0:28:41 | 0:28:45 | |
Well, a profit of ?28.64 isn't bad, | 0:28:45 | 0:28:48 | |
but it's not the mammoth amount he was hoping for. | 0:28:48 | 0:28:51 | |
But Eric's not to get disheartened. No. | 0:28:51 | 0:28:54 | |
He remains in Brighton seeking to sell his next item. | 0:28:54 | 0:28:57 | |
I'm here to do a little bit of business. | 0:28:57 | 0:28:59 | |
Bearing in mind that they cost me 100, let's hope for a profit. | 0:28:59 | 0:29:03 | |
Eric's taking the elephants to Maggie - an Art Deco dealer | 0:29:04 | 0:29:07 | |
and gallery owner. | 0:29:07 | 0:29:09 | |
Are they signed? | 0:29:09 | 0:29:10 | |
They are signed, which is very unusual for Louviere, | 0:29:10 | 0:29:14 | |
which I believe is Belgian. | 0:29:14 | 0:29:17 | |
So what are we talking about? 1930s? | 0:29:17 | 0:29:19 | |
I think we are. I think we're around about 1930. | 0:29:19 | 0:29:21 | |
Do they come in different colours? Was it always cream or...? | 0:29:21 | 0:29:24 | |
I've only ever come across Louviere in this colour, which is | 0:29:24 | 0:29:28 | |
a crackled glaze. I think they're nice. | 0:29:28 | 0:29:31 | |
We're not buying a great deal at the moment, | 0:29:31 | 0:29:33 | |
but I do like these and we would definitely be interested. | 0:29:33 | 0:29:36 | |
I was hoping for somewhere around about...around about ?160 | 0:29:36 | 0:29:41 | |
or thereabouts. | 0:29:41 | 0:29:42 | |
The sort of price I'd be looking for is 110, 120. | 0:29:42 | 0:29:46 | |
I think if we, if we could... | 0:29:47 | 0:29:49 | |
just find our way | 0:29:49 | 0:29:51 | |
up to around about ?135. | 0:29:51 | 0:29:56 | |
125. | 0:29:56 | 0:29:57 | |
130, we've got a deal. | 0:29:57 | 0:29:59 | |
Thank you, it's a pleasure to do business with you. | 0:29:59 | 0:30:01 | |
Yes, top haggling from Eric there. | 0:30:01 | 0:30:03 | |
He walks away with a profit of ?30 for the elephants. | 0:30:03 | 0:30:07 | |
Kate's maintaining a good pace too, though. | 0:30:07 | 0:30:09 | |
She's come to Leominster to visit Steph, | 0:30:09 | 0:30:11 | |
a homes and interiors shop owner, | 0:30:11 | 0:30:13 | |
hoping to make money on the ?191.91 she paid for the drawer unit. | 0:30:13 | 0:30:19 | |
I think it's pretty, I have to say. | 0:30:19 | 0:30:20 | |
You've got a lot of craftsmanship, I think. | 0:30:20 | 0:30:24 | |
You've got this lovely bur wood. | 0:30:24 | 0:30:26 | |
You've got rosewood cross-banded here on the top, | 0:30:26 | 0:30:28 | |
which I think is quite nice. | 0:30:28 | 0:30:30 | |
I think that's kingwood, don't you? I think that's kingwood. | 0:30:30 | 0:30:33 | |
Of course, kingwood was used a lot in French furniture | 0:30:33 | 0:30:36 | |
and probably dates to about 1880, I would say. | 0:30:36 | 0:30:38 | |
It's actually very pretty, isn't it? There's a lot of work that's gone on. | 0:30:38 | 0:30:42 | |
Obviously, you've got one, two... | 0:30:42 | 0:30:43 | |
A lovely arrangement of six drawers. | 0:30:43 | 0:30:45 | |
If you just take one of those out, these are all nicely made. | 0:30:45 | 0:30:49 | |
You've got your dove tails here, nice linings. | 0:30:49 | 0:30:52 | |
The front of the drawers are really quite nice. | 0:30:53 | 0:30:57 | |
Now, you have got a tiny bit of damage in that you've lost | 0:30:57 | 0:31:00 | |
the escutcheon here and there's a little bit of colour loss here, | 0:31:00 | 0:31:04 | |
which I think you could probably get back quite easily. | 0:31:04 | 0:31:06 | |
I think that would be quite nice for myself, | 0:31:06 | 0:31:08 | |
depending on price, of course. | 0:31:08 | 0:31:10 | |
Fantastic. | 0:31:10 | 0:31:12 | |
I think it's quite a nice commercial size, Steph, quite pretty. | 0:31:12 | 0:31:16 | |
I'm looking for roughly ?300. How does that sound? | 0:31:16 | 0:31:19 | |
You have to treat yourself sometimes, don't you? | 0:31:19 | 0:31:21 | |
You do. Most definitely. | 0:31:21 | 0:31:24 | |
Would you do 250 on it? | 0:31:24 | 0:31:25 | |
Can we say 260? | 0:31:26 | 0:31:28 | |
255? | 0:31:28 | 0:31:30 | |
Done. Happy with that? Lovely. Thank you. | 0:31:30 | 0:31:33 | |
Kate is delighted with a profit of ?64.09. | 0:31:33 | 0:31:36 | |
There's no stopping this live wire as next Miss Bliss sells | 0:31:37 | 0:31:41 | |
the silver picture frame to a private buyer, Richard. | 0:31:41 | 0:31:44 | |
When I bought this in Paris... Yeah. ..I thought of you. | 0:31:44 | 0:31:48 | |
It's French silver | 0:31:48 | 0:31:50 | |
and dates from around the very early part of the 20th century. Wow. | 0:31:50 | 0:31:55 | |
That's lovely, Kate. It's beautiful. Now, how much do you want? | 0:31:55 | 0:31:57 | |
260? | 0:31:57 | 0:31:59 | |
(260...260...) | 0:31:59 | 0:32:00 | |
260, deal. Thank you. Well done. | 0:32:00 | 0:32:03 | |
The picture frame delivers a massive profit of ?132.73. | 0:32:03 | 0:32:08 | |
Kate is the picture of happiness, | 0:32:08 | 0:32:10 | |
whereas Eric is looking a little worried. | 0:32:10 | 0:32:14 | |
Well, I have been having concerns about my brooch, | 0:32:14 | 0:32:16 | |
so I brought it along to a lady who specialises in costume jewellery. | 0:32:16 | 0:32:21 | |
PI Knocker Knowles was having one of those days. | 0:32:28 | 0:32:31 | |
He was beginning to think the brooch might be a fake, unlike the blonde | 0:32:31 | 0:32:35 | |
who was about to walk into his life and blow this case wide open. | 0:32:35 | 0:32:39 | |
Her name was Wanda, | 0:32:39 | 0:32:40 | |
but would it be hello to big bucks or the long kiss goodbye? | 0:32:40 | 0:32:44 | |
Well, Wanda, I appreciate you taking the time | 0:32:46 | 0:32:49 | |
to check out one brooch, | 0:32:49 | 0:32:51 | |
which has given me a little bit of concern. | 0:32:51 | 0:32:54 | |
It has a look of any other piece of costume jewellery. | 0:32:54 | 0:32:58 | |
But turning it over... | 0:32:58 | 0:32:59 | |
..we can see it's really quite cheaply made. | 0:33:01 | 0:33:04 | |
An original Chanel piece would never have this bar, | 0:33:04 | 0:33:10 | |
the pin bar, applied to it, | 0:33:10 | 0:33:11 | |
soldered to it in the way that this is. | 0:33:11 | 0:33:13 | |
Sorry to have to tell you, Eric... | 0:33:13 | 0:33:15 | |
..that this is not an original piece. | 0:33:16 | 0:33:19 | |
Oh, I am here to learn. | 0:33:19 | 0:33:20 | |
I am delighted to know the truth. | 0:33:22 | 0:33:25 | |
So a knock-back for Knocker Knowles. | 0:33:25 | 0:33:27 | |
But he's got plans for his fake brooch. | 0:33:27 | 0:33:29 | |
Well, as a dealer you win some and you lose some. | 0:33:29 | 0:33:32 | |
It hurts, it hurts when you lose 100 euros. | 0:33:32 | 0:33:34 | |
Having said that, it's not something I can wear | 0:33:34 | 0:33:37 | |
and it's not something that Mrs Knowles wants to wear, so... | 0:33:37 | 0:33:41 | |
I'm going to take a certain amount of pleasure in destroying it. | 0:33:41 | 0:33:45 | |
So a tooled-up Eric gets rid of the counterfeit item | 0:33:47 | 0:33:50 | |
for once and for all. | 0:33:50 | 0:33:51 | |
Eric lost ?90.91 on the brooch, but it's not dented his confidence. | 0:33:53 | 0:33:57 | |
No. | 0:33:57 | 0:33:59 | |
I'm just going to take it on the chin. | 0:33:59 | 0:34:00 | |
That's the spirit, Eric. | 0:34:00 | 0:34:01 | |
There's plenty of time to get back on the road to | 0:34:01 | 0:34:04 | |
victory as we're only at the halfway stage of selling. | 0:34:04 | 0:34:07 | |
So let's see who's looking like a genuine contender | 0:34:07 | 0:34:09 | |
and who's looking a bit suspect. | 0:34:09 | 0:34:12 | |
So far Eric has sold two items, but after the fake brooch incident, | 0:34:12 | 0:34:17 | |
he's currently in negative figures on -?32.27. | 0:34:17 | 0:34:21 | |
Kate has sold three items, hasn't smashed any up | 0:34:21 | 0:34:24 | |
and is riding high with a profit of ?250.46. | 0:34:24 | 0:34:29 | |
Eric is going to have to double his efforts to come out of this on top. | 0:34:29 | 0:34:32 | |
But our Knocker Knowles is nothing if not a grafter. | 0:34:32 | 0:34:36 | |
However, his chance to claw back the gap between him | 0:34:36 | 0:34:38 | |
and Kate will have to wait as it's Kate's turn next. | 0:34:38 | 0:34:42 | |
She's taking the marble clock that cost her ?36.36 to Ray, | 0:34:42 | 0:34:46 | |
a south London Art Deco dealer, | 0:34:46 | 0:34:48 | |
hoping to make a timely profit. | 0:34:48 | 0:34:50 | |
Ray, what I've brought you, I think, is a great example of Art Deco, | 0:34:51 | 0:34:55 | |
because we've got a clock garniture. | 0:34:55 | 0:34:57 | |
Obviously these bits just for decoration at the side. | 0:34:57 | 0:35:01 | |
But to me, it's a great shape, it's almost sort of triangular | 0:35:01 | 0:35:04 | |
in shape, for a clock, which I think is a little bit different. | 0:35:04 | 0:35:08 | |
The use of the materials - you've got the marble casing here. | 0:35:08 | 0:35:12 | |
And these lovely black marble inlays. | 0:35:12 | 0:35:15 | |
Very often with these clocks, | 0:35:15 | 0:35:17 | |
the movement is just a basic movement in the back, but with this one, | 0:35:17 | 0:35:21 | |
you've got the original movement there and it is striking. | 0:35:21 | 0:35:24 | |
You've got a bell there as well, which is quite nice, really. | 0:35:24 | 0:35:27 | |
Better than your standard movement. It's an eight-day movement. | 0:35:27 | 0:35:31 | |
You can tell that by the two winding holes here, | 0:35:31 | 0:35:33 | |
as opposed to a 30-hour one. | 0:35:33 | 0:35:36 | |
Does it work? It... Well, I can't guarantee that it works, actually. | 0:35:36 | 0:35:40 | |
On a good day, if I was selling that, | 0:35:40 | 0:35:42 | |
if it was working, I'd ask about ?150 for it. | 0:35:42 | 0:35:45 | |
OK. So... | 0:35:45 | 0:35:46 | |
I mean, I'd want to pay round about ?100 for it. | 0:35:47 | 0:35:50 | |
We're not a million miles away in price. | 0:35:50 | 0:35:52 | |
I was hoping for around the ?150 mark. | 0:35:52 | 0:35:54 | |
But maybe we could meet somewhere in the middle. How do you feel? | 0:35:54 | 0:35:58 | |
125. | 0:35:58 | 0:35:59 | |
130? Yeah. Fantastic. That's good for me. Thank you, Ray. | 0:35:59 | 0:36:03 | |
Lovely. Well, I hope you do well on it. | 0:36:03 | 0:36:04 | |
Kate makes a profit of ?93.64 and she's ticking over with confidence. | 0:36:04 | 0:36:10 | |
Well, the clock looks great in that shop. | 0:36:10 | 0:36:12 | |
I've got a good profit and I reckon Ray's going to do well on it too. | 0:36:12 | 0:36:16 | |
Yes, Kate's happy with that. | 0:36:16 | 0:36:17 | |
Meanwhile, Eric is tearing through the country on a selling mission. | 0:36:17 | 0:36:21 | |
He's taking the perfume necklace to London. | 0:36:21 | 0:36:24 | |
He's hoping Linda, an antique shop owner and jewellery expert, | 0:36:24 | 0:36:27 | |
will help him make a profit on the ?45.45 he paid for it. | 0:36:27 | 0:36:31 | |
I got this the other day. | 0:36:31 | 0:36:32 | |
I thought it might be for you, it might not, | 0:36:34 | 0:36:37 | |
because I realise it's not vintage, but it is very much a collectable. | 0:36:37 | 0:36:41 | |
Have a look. You can see it's got the... Nina Ricci. | 0:36:41 | 0:36:46 | |
Air du temps? Air du temps. Air du temps. | 0:36:46 | 0:36:48 | |
That's where I think it's from. The bird of peace. | 0:36:48 | 0:36:52 | |
Well, that's good to know, cos I'm looking for a piece | 0:36:52 | 0:36:54 | |
of the action here. | 0:36:54 | 0:36:56 | |
THEY LAUGH | 0:36:56 | 0:36:57 | |
Maybe it's ten or 15 years old, but it is very stylish. | 0:36:57 | 0:37:01 | |
It's lovely. People love wearing things. | 0:37:01 | 0:37:04 | |
You can wear your perfume on your neck, which is really lovely. | 0:37:04 | 0:37:08 | |
I'm looking for ?60-70. | 0:37:08 | 0:37:11 | |
Could you do it for...I don't know, 40? | 0:37:11 | 0:37:15 | |
I could do it for 50. | 0:37:15 | 0:37:16 | |
OK. Is that all right? I think it's so pretty I will try. Yes, I'm sure. | 0:37:18 | 0:37:23 | |
Thank you, darling. Thank you. | 0:37:23 | 0:37:24 | |
Eric makes a modest profit of ?4.55 on the necklace. | 0:37:24 | 0:37:27 | |
He's going to have to up his game to win this, but he still does have | 0:37:27 | 0:37:31 | |
three items left and one of those is his prize catch - the Doulton jug. | 0:37:31 | 0:37:35 | |
Kate is still riding high on her successes so far and has found | 0:37:36 | 0:37:41 | |
a buyer for her wooden box, selling it to Vicky for a profit of ?9.09. | 0:37:41 | 0:37:46 | |
Meaning she only has one item to go - the cocktail shaker. | 0:37:46 | 0:37:50 | |
Now I'm a stone's throw from the City of London | 0:37:52 | 0:37:55 | |
and I found a great looking Art Deco cocktail bar. | 0:37:55 | 0:37:58 | |
This shaker cost me ?50 in Paris. | 0:37:58 | 0:38:00 | |
I'm hoping because it's such a great quality item, | 0:38:00 | 0:38:03 | |
it's going to shake up a good profit. | 0:38:03 | 0:38:05 | |
And with happy hour fast approaching, | 0:38:06 | 0:38:09 | |
can Kate get a double profit with a twist from Edmund the bar owner? | 0:38:09 | 0:38:13 | |
Well, listen, this is the cocktail shaker that I was telling you about. | 0:38:14 | 0:38:18 | |
Have a look at it. Thank you very much. | 0:38:18 | 0:38:21 | |
The glass is actually by Saint-Louis glass, which is | 0:38:21 | 0:38:25 | |
a really prestigious glass manufacturer in France. | 0:38:25 | 0:38:28 | |
If you tip it up, you can see that it is Saint-Louis | 0:38:28 | 0:38:31 | |
because you have a little mark on the bottom. OK. | 0:38:31 | 0:38:35 | |
So we know that it is obviously the real McCoy. | 0:38:35 | 0:38:38 | |
Great. Yeah, it's a three-piece shaker. | 0:38:38 | 0:38:40 | |
It's a three-piece shaker, yes. | 0:38:40 | 0:38:42 | |
It looks like it's in pretty good condition. | 0:38:42 | 0:38:44 | |
It is a very nice piece. | 0:38:45 | 0:38:47 | |
I think it's worth... | 0:38:49 | 0:38:51 | |
..really, to a collector, towards the ?300 mark. | 0:38:52 | 0:38:55 | |
We certainly want this, | 0:38:55 | 0:38:57 | |
but I think there's going to have to be a little bit of haggling, | 0:38:57 | 0:38:59 | |
because it is so far beyond our normal budget. | 0:38:59 | 0:39:01 | |
Would you take 200 for it? | 0:39:01 | 0:39:04 | |
I think if you could just come and meet me just a wee bit more, | 0:39:04 | 0:39:07 | |
I'd be happy. | 0:39:07 | 0:39:08 | |
Would you take... | 0:39:08 | 0:39:10 | |
225? | 0:39:10 | 0:39:11 | |
230 and we've got a deal. | 0:39:11 | 0:39:14 | |
230. | 0:39:14 | 0:39:15 | |
It's only a fiver. Go on, then. | 0:39:15 | 0:39:17 | |
Great. | 0:39:17 | 0:39:18 | |
Kate makes ?180 from the shaker, | 0:39:18 | 0:39:22 | |
and in high spirits, has a go at cocktail making | 0:39:22 | 0:39:25 | |
with expert mixologist Matt, | 0:39:25 | 0:39:27 | |
who seems to have entered some kind of trance-like state. | 0:39:27 | 0:39:30 | |
That's it, Kate. It's all in the hips. | 0:39:35 | 0:39:37 | |
And so Kate has sold the last of her cocktail of goodies. | 0:39:41 | 0:39:45 | |
Eric has also been a busy boy, | 0:39:45 | 0:39:46 | |
having sold the tobacco storer to Peter, | 0:39:46 | 0:39:48 | |
a London-based antiques dealer, and earned himself a profit of ?12.27. | 0:39:48 | 0:39:55 | |
But he's had less luck finding a buyer for his china dish | 0:39:55 | 0:39:58 | |
and taken a loss of ?54.55. | 0:39:58 | 0:40:02 | |
So it's time for his final sale. | 0:40:03 | 0:40:05 | |
He's in Malvern with his beloved Doulton ware, | 0:40:05 | 0:40:08 | |
hoping that Martin, a dealer of Royal Doulton, will be | 0:40:08 | 0:40:11 | |
interested in the vase that cost him ?90.91. | 0:40:11 | 0:40:15 | |
Could this be the deal that wins the match for Eric? | 0:40:15 | 0:40:19 | |
This vase, actually, was made somewhere between 1892 and 1902. | 0:40:19 | 0:40:25 | |
Right, so... Because it's Doulton Lambeth, not Royal Doulton. | 0:40:25 | 0:40:29 | |
Everything from 1902 onwards is Royal Doulton | 0:40:29 | 0:40:33 | |
because that's when Doulton got the royal warrant from King Edward VII. | 0:40:33 | 0:40:39 | |
It's a lovely piece. | 0:40:39 | 0:40:40 | |
What impressed me was the quality of the scrafeto work - | 0:40:40 | 0:40:44 | |
this incise decoration. | 0:40:44 | 0:40:46 | |
Also, I just love those autumnal, rustic shades. | 0:40:46 | 0:40:52 | |
Looks to be in absolutely pristine condition. | 0:40:52 | 0:40:56 | |
It's signed, numbered. | 0:40:56 | 0:40:58 | |
I was hoping it would be somewhere in the region of around about ?400. | 0:40:58 | 0:41:03 | |
If you were thinking in terms of ?300, then, you know, | 0:41:03 | 0:41:07 | |
I could gladly say, "Yes, we have a deal." | 0:41:07 | 0:41:10 | |
I'm going to take ?300. I'm going to shake your hand. | 0:41:10 | 0:41:12 | |
Eric more than trebles his money with his final sale | 0:41:14 | 0:41:17 | |
and brings in a magnificent profit of ?209.09. | 0:41:17 | 0:41:20 | |
So before we find out whether Eric's efforts have been enough to win, | 0:41:20 | 0:41:24 | |
let's remind ourselves of how much our competitors spent today. | 0:41:24 | 0:41:28 | |
Having started the day with ?750 of their own euros to spend, | 0:41:29 | 0:41:34 | |
Eric "Knocker" Knowles purchased seven items and spent ?490.91. | 0:41:34 | 0:41:40 | |
Kate Bliss bought six items and spent just less at ?461.81. | 0:41:40 | 0:41:46 | |
But who's made the biggest profit? | 0:41:48 | 0:41:50 | |
All the money will go to our dealers' chosen charities, so let's | 0:41:50 | 0:41:53 | |
find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:53 | 0:41:58 | |
Well, hello. Hello. How are you doing? | 0:41:58 | 0:42:01 | |
I'm very well, thank you. | 0:42:01 | 0:42:02 | |
Tell me, what do you think was your best sale? | 0:42:02 | 0:42:05 | |
Most memorable piece, I think, was my cocktail shaker. | 0:42:05 | 0:42:08 | |
Very smart piece. | 0:42:08 | 0:42:09 | |
I only bought it for 55 euros | 0:42:09 | 0:42:12 | |
and I sold it to a very swanky bar in the middle of London | 0:42:12 | 0:42:16 | |
for ?230. | 0:42:16 | 0:42:18 | |
What?! | 0:42:18 | 0:42:19 | |
It was nice to buy that Doulton vase well | 0:42:19 | 0:42:22 | |
at 100 euros, ?90. | 0:42:22 | 0:42:26 | |
I ended up with a very nice tidy profit, because I sold it for 300. | 0:42:26 | 0:42:29 | |
Whoa! | 0:42:29 | 0:42:31 | |
So we took the French on at their own game. | 0:42:31 | 0:42:33 | |
Are you ready? Steady. One, two, three, go. | 0:42:33 | 0:42:36 | |
Ooh! | 0:42:38 | 0:42:39 | |
Oh, the girl trounced me! Well done. | 0:42:39 | 0:42:43 | |
You did well on that vase, though. | 0:42:43 | 0:42:44 | |
Yes, I did well on the vase, | 0:42:44 | 0:42:46 | |
but I came unstuck on one or two other things. | 0:42:46 | 0:42:48 | |
Well, we all have some of those. We do, don't we? | 0:42:48 | 0:42:50 | |
Come on, this way. | 0:42:50 | 0:42:51 | |
So Kate is today's dealing diva having belted out a profit | 0:42:51 | 0:42:55 | |
with every number. | 0:42:55 | 0:42:56 | |
Paris was actually a really tough day for me | 0:42:58 | 0:43:00 | |
and I wasn't quite sure what I bought, whether it was good enough. | 0:43:00 | 0:43:04 | |
But it turns out I bought some really good stuff | 0:43:04 | 0:43:06 | |
and got a decent profit. | 0:43:06 | 0:43:08 | |
Ouch, that really smarts. | 0:43:08 | 0:43:10 | |
I can take some small comfort in the fact that | 0:43:10 | 0:43:13 | |
I may have lost the battle, but I haven't lost the war. | 0:43:13 | 0:43:17 | |
How very true. | 0:43:18 | 0:43:19 | |
Tomorrow, our dealers fight it out on the battlefield of a car | 0:43:19 | 0:43:22 | |
boot sale in Battersea. | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:40 |