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This is Put Your Money Where Your Mouth Is, the show that pitches | 0:00:02 | 0:00:04 | |
Britain's best loved antiques | 0:00:04 | 0:00:06 | |
experts against each other in an all out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines! | 0:00:10 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:17 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers will face a different | 0:00:18 | 0:00:22 | |
daily challenge. | 0:00:22 | 0:00:24 | |
The original cheeky chappy! | 0:00:24 | 0:00:26 | |
Lah-vly! | 0:00:26 | 0:00:27 | |
-Putting their reputations on the line... -And I'm truly rockin'! | 0:00:27 | 0:00:31 | |
..and giving you their top tips | 0:00:31 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
Get in there! | 0:00:39 | 0:00:41 | |
Today, hold on to your hats for the greatest antiques | 0:00:41 | 0:00:45 | |
challenge on television. Prepare for the pyrotechnics, | 0:00:45 | 0:00:48 | |
as the Prince of Porcelain, Eric Knowles, | 0:00:48 | 0:00:51 | |
takes on the first lady of auctioneering, Catherine Southon, | 0:00:51 | 0:00:54 | |
in the fearsome Put Your Money Where Your Mouth Is Showdown. | 0:00:54 | 0:00:59 | |
It's going to be explosive. | 0:00:59 | 0:01:02 | |
Coming up, Eric gives his expert advice on price setting. | 0:01:02 | 0:01:06 | |
If you think that may be worth, you know, £10, you start at 15. | 0:01:06 | 0:01:10 | |
Are you with me? | 0:01:10 | 0:01:12 | |
Catherine faces the perils of buying something you've not seen. | 0:01:12 | 0:01:16 | |
Oh, gosh! | 0:01:16 | 0:01:18 | |
It's not even that brilliant. | 0:01:18 | 0:01:21 | |
And Eric lets the showdown pressure go to his head. | 0:01:21 | 0:01:25 | |
Hang on, hang on. They can't see it. | 0:01:25 | 0:01:27 | |
Keep going, Eric. 12 is bid. | 0:01:27 | 0:01:30 | |
This is Put Your Money Where Your Mouth Is. | 0:01:30 | 0:01:33 | |
Welcome one, welcome all, | 0:01:46 | 0:01:47 | |
to the pinnacle of the Put Your Money pentathlon. | 0:01:47 | 0:01:50 | |
Our two tenacious traders have been slugging it out all week | 0:01:50 | 0:01:54 | |
and if they think that's been tough, they ain't seen nothing yet. | 0:01:54 | 0:01:57 | |
The showdown requires buckets of brawn, | 0:01:57 | 0:01:59 | |
the very finest wheeling and dealing | 0:01:59 | 0:02:01 | |
and every last ounce of knick-knack knowledge, | 0:02:01 | 0:02:04 | |
but there can only be one winner, so who will shed blood, | 0:02:04 | 0:02:08 | |
sweat and tears to emerge victorious? | 0:02:08 | 0:02:11 | |
And who will end up crying alone in the corner? | 0:02:11 | 0:02:14 | |
Let's meet the contenders. | 0:02:14 | 0:02:16 | |
First up, a man who masters momentous missions like this. | 0:02:16 | 0:02:19 | |
He's brave in his bargaining, skilled in his selling, | 0:02:19 | 0:02:23 | |
and after nearly 40 years in the business, | 0:02:23 | 0:02:25 | |
he's cemented himself as antiques aristocracy. | 0:02:25 | 0:02:29 | |
Please be upstanding for Eric 'Knocker' Knowles. | 0:02:29 | 0:02:35 | |
What an international dealer, eh! | 0:02:35 | 0:02:38 | |
His opponent will push him all the way. | 0:02:38 | 0:02:40 | |
A dealing diva who drives for discounts, | 0:02:40 | 0:02:42 | |
then makes mountains of cash in the flash of a lash. | 0:02:42 | 0:02:45 | |
Her expertise is extraordinary | 0:02:45 | 0:02:48 | |
and she's a fearsome fighter who takes no prisoners. | 0:02:48 | 0:02:51 | |
Show your appreciation for 'Cunning' Catherine Southon. | 0:02:51 | 0:02:54 | |
Wham-bam, thank you, ma'am. | 0:02:56 | 0:02:58 | |
These two titans of the trade can take on any tussle, | 0:02:58 | 0:03:01 | |
but even they will struggle to survive in today's mega challenge. | 0:03:01 | 0:03:05 | |
They'll be fighting it out at their normal haunts, | 0:03:05 | 0:03:08 | |
a car boot sale, an antiques fair, an auction, and a foreign market. | 0:03:08 | 0:03:12 | |
So, they'll need their wits about them. | 0:03:12 | 0:03:16 | |
They've each got £1,000 of their own money to spend | 0:03:16 | 0:03:19 | |
and any profit they make will go to their chosen charities. | 0:03:19 | 0:03:22 | |
So, brace-brace, everybody. We're ready to rumble. | 0:03:22 | 0:03:26 | |
Eric Knowles and Catherine Southon, | 0:03:26 | 0:03:28 | |
it's time to Put Your Money Where Your Mouth Is. | 0:03:28 | 0:03:32 | |
-Good to see you. -And you, too. -How are you doing? | 0:03:32 | 0:03:36 | |
-Oh, I'm doing fine! But we're under starter's orders. -We certainly are! | 0:03:36 | 0:03:40 | |
So, start the ball rolling. | 0:03:40 | 0:03:41 | |
Well, Eric, "Welcome to the mighty Showdown. The rules are simple. | 0:03:41 | 0:03:46 | |
"You must each buy two items at every one of your regular | 0:03:46 | 0:03:50 | |
"Put Your Money challenges. | 0:03:50 | 0:03:52 | |
"You have £1,000 to spend." | 0:03:52 | 0:03:55 | |
"You can sell up to four items wherever you want. | 0:03:55 | 0:04:00 | |
"The rest will be sold at an auction in direct competition | 0:04:00 | 0:04:03 | |
"with your opponent. | 0:04:03 | 0:04:05 | |
"The winner is the dealer who makes the most profit." | 0:04:05 | 0:04:09 | |
And it ends by giving us both a little bit of good luck. | 0:04:09 | 0:04:12 | |
-We might need it. -I think so too. | 0:04:12 | 0:04:15 | |
-You take the high road and I'll take the low road. -Good luck. | 0:04:15 | 0:04:19 | |
They both seem nervous. | 0:04:19 | 0:04:20 | |
Maybe it's the prospect of the terrifying Put Your Money | 0:04:20 | 0:04:23 | |
Showdown auction that's giving them the jitters. | 0:04:23 | 0:04:26 | |
First, they dive into round one, the car boot sale. | 0:04:26 | 0:04:29 | |
For this, they are in Battersea in South London, | 0:04:29 | 0:04:32 | |
so what superb strategy does Southon have? | 0:04:32 | 0:04:35 | |
My plan for the showdown is to spend as little as possible | 0:04:35 | 0:04:40 | |
in order to maximise on the profit. | 0:04:40 | 0:04:42 | |
So cunning Catherine will be | 0:04:42 | 0:04:44 | |
exercising her hardest hammer haggles. Watch out, Battersea. | 0:04:44 | 0:04:49 | |
Eric also has a clever plan. | 0:04:49 | 0:04:51 | |
With a car boot, the tricky thing is finding it, | 0:04:51 | 0:04:55 | |
but if I can give you a tip, and that is, look at the tabletop, | 0:04:55 | 0:04:59 | |
but then look underneath the table | 0:04:59 | 0:05:02 | |
because quite often good things get relegated under there. | 0:05:02 | 0:05:05 | |
He's done this before so Eric goes off to search high and low | 0:05:05 | 0:05:09 | |
and Catherine may have already found her first item. | 0:05:09 | 0:05:12 | |
She's having a good look at a bracelet. | 0:05:12 | 0:05:15 | |
Stamped on the back 925. | 0:05:15 | 0:05:17 | |
Which would suggest silver, but it's not English silver, it's continental. | 0:05:18 | 0:05:24 | |
Let's see how much it is. | 0:05:24 | 0:05:26 | |
-How much is that one? -15. -15! | 0:05:26 | 0:05:29 | |
-Is that too much? -Yeah. I tell you what, I'll give you eight for it. | 0:05:29 | 0:05:34 | |
-Does that sound all right? -No. -Oh, go on. -OK then. | 0:05:34 | 0:05:36 | |
-Take it for eight. -Great. | 0:05:36 | 0:05:39 | |
Don't think even Catherine expected that to work. | 0:05:39 | 0:05:42 | |
Let's see her face again. Yes, delighted. | 0:05:42 | 0:05:44 | |
The lady she bought it from looks a bit miffed though. | 0:05:44 | 0:05:48 | |
But she's off and running | 0:05:48 | 0:05:50 | |
Across the sale, Knocker is picking up speed. | 0:05:50 | 0:05:52 | |
-Do you mind if I fondle this? -No. | 0:05:52 | 0:05:54 | |
I'm just making sure there's no chips or cracks. | 0:05:54 | 0:05:56 | |
-What sort of money have we got on it? -£10. | 0:05:56 | 0:05:59 | |
I will give you £10 for that but the next time somebody comes | 0:05:59 | 0:06:02 | |
-they will probably say to you, "What's your best price?" -OK. | 0:06:02 | 0:06:06 | |
If you think that may be worth £10 you start at 15 and then you... | 0:06:06 | 0:06:11 | |
Are you with me? | 0:06:11 | 0:06:13 | |
Ah, the old master passes on his knowledge to the newcomers | 0:06:13 | 0:06:16 | |
but if you ever see him selling, you now know his little secret. | 0:06:16 | 0:06:20 | |
This is cut and pressed glass. That's electroplated nickel silver. | 0:06:21 | 0:06:25 | |
It would have been silver like the underside but that's worn away. | 0:06:25 | 0:06:30 | |
This dates from around 1890. | 0:06:30 | 0:06:32 | |
It's got all the trademarks of what you want in an object | 0:06:32 | 0:06:36 | |
but one thing it lacks at the moment are buyers. | 0:06:36 | 0:06:40 | |
Leave off the selling for now, Eric. | 0:06:40 | 0:06:42 | |
There's still a long way to go before you get to that point | 0:06:42 | 0:06:44 | |
although Knocker is soon a step closer. | 0:06:44 | 0:06:47 | |
I've just paid £25 for a 1920s or '30s ceiling bowl, | 0:06:48 | 0:06:53 | |
which is made from a soft stone. This is actually alabaster. | 0:06:53 | 0:06:57 | |
I think it was money well spent. | 0:06:57 | 0:06:59 | |
Eric has sated his antiques appetite for now, | 0:06:59 | 0:07:02 | |
which means Catherine needs to pick up the pace and get her second item. | 0:07:02 | 0:07:07 | |
I love this sign. | 0:07:08 | 0:07:10 | |
"Police. Slow-down." | 0:07:10 | 0:07:14 | |
French. Probably '50s. | 0:07:14 | 0:07:17 | |
-Excuse me, how much is it? -It's £90. -SHE GASPS | 0:07:17 | 0:07:23 | |
-Oh! Would you take 50 on it? -The very best would be 65. | 0:07:23 | 0:07:28 | |
Right. I'm going to show you the colour of my money. | 0:07:29 | 0:07:32 | |
I thought she was saving her money. | 0:07:32 | 0:07:34 | |
That's a lot to spend on a single car boot purchase | 0:07:34 | 0:07:36 | |
but she clearly loves the police sign. | 0:07:36 | 0:07:39 | |
Will it signal an enormous profit? Find out later. | 0:07:39 | 0:07:42 | |
That's the car boot conquered. Let's assess their assets. | 0:07:42 | 0:07:45 | |
Eric and Catherine started the showdown | 0:07:45 | 0:07:48 | |
with £1,000 of their own money to spend. | 0:07:48 | 0:07:51 | |
Eric "Knocker" Knowles has spent £35, leaving £965 in his wallet. | 0:07:51 | 0:07:57 | |
"Cunning" Catherine Southon said she'd spend as little as possible | 0:07:57 | 0:07:59 | |
but she's actually spent double Eric's outlay. | 0:07:59 | 0:08:03 | |
£73 gone, meaning there's £927 left in her kitty. | 0:08:03 | 0:08:08 | |
And with that, our pair of dealing dynamos move on to round two | 0:08:08 | 0:08:11 | |
- the antiques fair. And this is a tough one. | 0:08:11 | 0:08:14 | |
They are at Ardingly in West Sussex, | 0:08:14 | 0:08:17 | |
which claims to be the largest fair of its kind in southern England | 0:08:17 | 0:08:21 | |
so how will they each pick out the best two items on offer | 0:08:21 | 0:08:23 | |
when there's 1,700 stalls to trawl? | 0:08:23 | 0:08:27 | |
When you're in the business of buying and selling, | 0:08:27 | 0:08:29 | |
I know it sounds a bit daft, but you've got to think about now. | 0:08:29 | 0:08:31 | |
So I'm not thinking Victoriana I'm thinking retro, | 0:08:31 | 0:08:34 | |
I'm thinking Arts and Crafts, I'm thinking Art Deco. | 0:08:34 | 0:08:36 | |
That's what I'm thinking, but will I find it? | 0:08:36 | 0:08:38 | |
Where there's a will, there's a way. | 0:08:38 | 0:08:41 | |
We'll see how that pans out but Eric needs to hurry up because | 0:08:41 | 0:08:44 | |
Catherine's already locked eyes on her first potential purchase. | 0:08:44 | 0:08:48 | |
For some reason I kind of had it in my head | 0:08:48 | 0:08:50 | |
that I wanted to buy an ice bucket today | 0:08:50 | 0:08:53 | |
and I like this one purely and simply because of the shape. | 0:08:53 | 0:08:57 | |
It's got a really beautiful shape - nice, fluted edge, | 0:08:57 | 0:09:00 | |
nice, fluted edges and also the handles. | 0:09:00 | 0:09:03 | |
It is chrome plated | 0:09:03 | 0:09:05 | |
and I can imagine this with a finest bottle of champagne inside it. | 0:09:05 | 0:09:09 | |
Catherine buys the bucket from someone who's a little camera shy. | 0:09:09 | 0:09:12 | |
She pays a cool £23 but there's nothing chilled about this | 0:09:12 | 0:09:15 | |
ticking time bomb of trader versus trader. | 0:09:15 | 0:09:18 | |
Talking of ticking, Eric soon clocks his next target and quickly buys it. | 0:09:18 | 0:09:22 | |
Well, I wasn't going to leave this for £55 | 0:09:24 | 0:09:27 | |
because it's a good clock from probably around 1930. | 0:09:27 | 0:09:33 | |
The size of it tells me that it probably stood in a boardroom | 0:09:33 | 0:09:37 | |
cos it is larger than most but it does need a bit of work. | 0:09:37 | 0:09:40 | |
You can see here that it has suffered the ravages of time. | 0:09:40 | 0:09:45 | |
It's a good looking piece of 1930s horology. | 0:09:45 | 0:09:50 | |
And Eric stays true to his mini mission of Art Deco items. | 0:09:51 | 0:09:54 | |
Our bullish bargainers each need one more item here in West Sussex. | 0:09:54 | 0:09:58 | |
The competition couldn't be closer. | 0:09:58 | 0:10:00 | |
Excuse me, can I have a little look at this? The little dog. | 0:10:00 | 0:10:03 | |
Is it the top of a cane? It's not a cane, is it? It's like a whip. | 0:10:03 | 0:10:06 | |
-Yeah, it's a whip. -Ah-ha. | 0:10:06 | 0:10:08 | |
Now, this isn't to everyone's taste | 0:10:08 | 0:10:10 | |
because of the hunting scene that's on it and the hunting associations | 0:10:10 | 0:10:15 | |
but let me tell you, this is something that is very interesting | 0:10:15 | 0:10:18 | |
and something which is really quite unique. | 0:10:18 | 0:10:21 | |
So the top of this, we've got a carved head of a hound, a dog, | 0:10:22 | 0:10:27 | |
and then a whistle at the top. | 0:10:27 | 0:10:29 | |
And he has got his original glass eyes which is really nice | 0:10:29 | 0:10:32 | |
because often these can be missing. | 0:10:32 | 0:10:34 | |
And then we've got a silver collar. | 0:10:34 | 0:10:36 | |
This dates to the beginning of the 20th century. | 0:10:36 | 0:10:39 | |
-How much for your whip? -The very best is £90. | 0:10:39 | 0:10:42 | |
Could you say 85? | 0:10:42 | 0:10:44 | |
-Go on. 85. -Is that all right? | 0:10:44 | 0:10:46 | |
Thank you very much indeed. I really like that. | 0:10:46 | 0:10:49 | |
That's Catherine done and dusted for now. | 0:10:49 | 0:10:51 | |
As she hightails it to round three, | 0:10:51 | 0:10:53 | |
Eric's hunt continues but he might have just | 0:10:53 | 0:10:55 | |
-found something and it's more Deco. -I like your mirror. | 0:10:55 | 0:10:59 | |
It's in wrought iron. It's nice. What is the best? | 0:11:00 | 0:11:04 | |
-£50. -Put it there. | 0:11:04 | 0:11:07 | |
-OK. -Thank you. -You can assure me that's a slimming mirror, can't you? | 0:11:07 | 0:11:12 | |
I can assure you it's a slimming mirror, yes. | 0:11:12 | 0:11:14 | |
Very important when you buy a mirror, | 0:11:14 | 0:11:16 | |
make sure it's a slimming mirror because there are fattening mirrors | 0:11:16 | 0:11:19 | |
and it's only women that know the difference cos I haven't got a clue. | 0:11:19 | 0:11:22 | |
He's a real charmer, isn't he? | 0:11:22 | 0:11:25 | |
Our showdown ship is moving on | 0:11:25 | 0:11:27 | |
but before it docks at the next location, let's tot up the tallies. | 0:11:27 | 0:11:30 | |
After two antiques events, Eric has spent £140 on his four items | 0:11:30 | 0:11:35 | |
so he's got £860 left in his kitty. | 0:11:35 | 0:11:39 | |
Catherine, meanwhile, has spent a little more - £181, | 0:11:39 | 0:11:43 | |
meaning she has £819 to play with. | 0:11:43 | 0:11:46 | |
Our count and countess of collectables | 0:11:46 | 0:11:48 | |
move on to round three, the auction. | 0:11:48 | 0:11:50 | |
Our gavel wise go-getters are in Nottingham | 0:11:50 | 0:11:53 | |
at the Mellors And Kirk saleroom. | 0:11:53 | 0:11:55 | |
They have both scanned the catalogue and had a decent poke around | 0:11:55 | 0:11:58 | |
so they've got a good idea of the lots they love | 0:11:58 | 0:12:01 | |
but as ever at auction, they need their wits about them. | 0:12:01 | 0:12:05 | |
The observant Catherine has scanned the room and she's got a plan. | 0:12:05 | 0:12:09 | |
Some of the jewellery seems to be going quite cheaply. | 0:12:09 | 0:12:12 | |
There's not a huge amount of people bidding here. | 0:12:12 | 0:12:15 | |
I have seen a rather nice ring. | 0:12:15 | 0:12:18 | |
190. 200. And 20. 220, now. | 0:12:18 | 0:12:20 | |
220 I am bid. 220. Going once at 220... | 0:12:20 | 0:12:23 | |
Oh, she's in. | 0:12:25 | 0:12:27 | |
At £250 over here. I sell. | 0:12:28 | 0:12:31 | |
That's what you call an impulse buy. | 0:12:31 | 0:12:33 | |
It could be a very big oops. | 0:12:33 | 0:12:36 | |
Already doubting herself? | 0:12:36 | 0:12:38 | |
Catherine has just blown a whole load of money. | 0:12:38 | 0:12:40 | |
Including the saleroom fees she pays £302.50. | 0:12:40 | 0:12:43 | |
Once she gets up and close with the ring, is she impressed? | 0:12:45 | 0:12:48 | |
Oh, gosh. | 0:12:48 | 0:12:50 | |
It's not even that brilliant. | 0:12:52 | 0:12:54 | |
It's not really nicely made. | 0:12:55 | 0:12:57 | |
It's not the best quality I've seen, I must admit. | 0:12:57 | 0:12:59 | |
But 18 carat white gold ring with stepped centre ruby | 0:13:01 | 0:13:06 | |
and these trapeze cut diamonds on the side. | 0:13:06 | 0:13:10 | |
Is someone going to pay £400 for it? | 0:13:10 | 0:13:13 | |
This is a lesson to you all. | 0:13:13 | 0:13:16 | |
Look, look and look again before you buy. | 0:13:17 | 0:13:21 | |
Could that rush of bidding blood to the brain prove fatal? | 0:13:21 | 0:13:25 | |
Has she just ruined her campaign in one fell swoop? Let's hope not. | 0:13:25 | 0:13:29 | |
Catherine does choose her next lot with caution | 0:13:29 | 0:13:32 | |
but more bad news for our lady. | 0:13:32 | 0:13:34 | |
Eric is targeting it too | 0:13:34 | 0:13:36 | |
so who will win the clash of the condiment set? | 0:13:36 | 0:13:39 | |
And Catherine's got an inkling of what's going on. | 0:13:41 | 0:13:43 | |
I've got a feeling Mr Knowles might be going for this. | 0:13:43 | 0:13:46 | |
110. 120. 130. | 0:13:46 | 0:13:48 | |
140. And I sell for £140... | 0:13:48 | 0:13:52 | |
Oh, she was too late. A dramatic last-minute change of mind. | 0:13:54 | 0:13:58 | |
Eric is elated and Catherine's saleroom struggle continues. | 0:13:58 | 0:14:02 | |
Knocker gets his first auction purchase for £169.40 with fees. | 0:14:02 | 0:14:07 | |
This is my Mappin & Webb cruet set. | 0:14:09 | 0:14:11 | |
I get two mustard pots, two salt cellars and two pepper pots | 0:14:11 | 0:14:17 | |
but I also get the little spoons and they are all marked. | 0:14:17 | 0:14:21 | |
It's always nice when you get something like this | 0:14:21 | 0:14:24 | |
in its original presentation box. | 0:14:24 | 0:14:27 | |
So Eric is full of the joys of silver | 0:14:27 | 0:14:29 | |
but Catherine has lost her cunning streak. | 0:14:29 | 0:14:32 | |
First impulse and then hesitation have weakened her position. | 0:14:32 | 0:14:36 | |
How will she fare with the next lot she's interested in? | 0:14:36 | 0:14:39 | |
An Arts and Crafts brass jardiniere. | 0:14:39 | 0:14:42 | |
35 for it. | 0:14:42 | 0:14:43 | |
40. 45. 50. | 0:14:43 | 0:14:45 | |
-50, I'm bid. -Eric's bidding against her. | 0:14:45 | 0:14:48 | |
No? £70. | 0:14:48 | 0:14:50 | |
The lady's bid over here and I'm selling at £70. | 0:14:50 | 0:14:55 | |
(I was the underbidder. | 0:14:55 | 0:14:58 | |
(And that cunning girl was the successful bidder.) | 0:14:58 | 0:15:02 | |
Anyone would think he bid her up on purpose. Naughty Knocker! | 0:15:02 | 0:15:06 | |
As a result Catherine paid £84.70 including fees | 0:15:06 | 0:15:10 | |
but it doesn't matter. She is pleased with her lot. | 0:15:10 | 0:15:13 | |
It's brass, a sheet of brass but it's got these embossed flowers on | 0:15:13 | 0:15:18 | |
so it has got a little bit of style there but it's not too fussy | 0:15:18 | 0:15:23 | |
and that was the whole ethos behind Arts and Crafts | 0:15:23 | 0:15:26 | |
in the late 19th century period. | 0:15:26 | 0:15:28 | |
It's what William Morris was shouting about. | 0:15:28 | 0:15:31 | |
He wanted good design but he wanted things that could be useful. | 0:15:31 | 0:15:35 | |
-We've got it there, in a nutshell. -Nice to see Catherine smiling. | 0:15:35 | 0:15:39 | |
Eric rounds off the auction action by buying three plates. | 0:15:39 | 0:15:43 | |
They all come together in one lot and he pays £30.25 with fees. | 0:15:43 | 0:15:47 | |
They are all made by different makers. | 0:15:48 | 0:15:51 | |
This one, as you can see, with wonderful iris type plant on it. | 0:15:51 | 0:15:55 | |
It says here, Coalport 1860. | 0:15:55 | 0:15:57 | |
This one is all hand-painted on a dark cobalt background. | 0:15:59 | 0:16:04 | |
The third one, which is the one that really attracted my eye, | 0:16:04 | 0:16:07 | |
is in fact Royal Worcester and it's signed by an artist called Phillips. | 0:16:07 | 0:16:14 | |
This is all hand-painted round about 1910 or 1920. | 0:16:14 | 0:16:20 | |
Hopefully I'll find a happy owner. | 0:16:20 | 0:16:23 | |
Eric, as ever, happiest when he's perusing the porcelain. | 0:16:23 | 0:16:26 | |
That's three rounds down. Let's do some number crunching. | 0:16:26 | 0:16:30 | |
Both our dealers started the challenge | 0:16:30 | 0:16:33 | |
with £1,000 of their own money. | 0:16:33 | 0:16:35 | |
Eric has spent £339.65 so far, | 0:16:35 | 0:16:39 | |
leaving £660.35 for the final round. | 0:16:39 | 0:16:43 | |
Catherine has spent considerably more - £568.20. | 0:16:43 | 0:16:48 | |
That means she's got £431.80 left to play with. | 0:16:48 | 0:16:52 | |
So we move on to our final rendezvous. | 0:16:53 | 0:16:56 | |
Round four is the foreign market. | 0:16:56 | 0:16:59 | |
Our sparring Spartans change their leftover pounds into euros | 0:16:59 | 0:17:02 | |
ready for a final forage in France | 0:17:02 | 0:17:05 | |
at the upmarket St Antoine flea market in Paris. | 0:17:05 | 0:17:07 | |
This place is renowned for its high prices but that shouldn't matter. | 0:17:08 | 0:17:12 | |
They've both got plenty of cash to splash. | 0:17:12 | 0:17:14 | |
Before they embark on this last lap, | 0:17:14 | 0:17:16 | |
Catherine takes some time out to go over her gameplay. | 0:17:16 | 0:17:20 | |
Two pieces that I'm looking for today for my showdown | 0:17:20 | 0:17:25 | |
have to be "wham, bam, thank you, ma'am". | 0:17:25 | 0:17:28 | |
They have to be things, for me, | 0:17:28 | 0:17:31 | |
-that are going to go to the auction. -Very wise. | 0:17:31 | 0:17:34 | |
Already planning ahead to avoid the terror of the showdown auction. | 0:17:34 | 0:17:38 | |
And while Eric wanders around, | 0:17:38 | 0:17:40 | |
Catherine spots some powder boxes made by Tiffany. | 0:17:40 | 0:17:43 | |
It's saying 350 euros for the three. | 0:17:43 | 0:17:46 | |
That's really too much money. | 0:17:46 | 0:17:49 | |
They are beautiful and they are top, top quality | 0:17:49 | 0:17:52 | |
because they are retail by Tiffany. Sterling silver at the top. | 0:17:52 | 0:17:56 | |
Beautifully cut. And this guilloche enamel is just perfect. | 0:17:57 | 0:18:02 | |
-A really pretty pink colour. -Deux cent quarante. | 0:18:02 | 0:18:06 | |
-Allez. -Oh, 240. | 0:18:06 | 0:18:08 | |
-Deux cent trente? C'est tout? That's it. -Voila. | 0:18:11 | 0:18:13 | |
Merci, monsieur. Merci beaucoup. | 0:18:15 | 0:18:17 | |
230 euros. I must be mad. (But I love it!) | 0:18:17 | 0:18:21 | |
-It is Tiffany, darling. -Oh, darling. | 0:18:22 | 0:18:25 | |
Our little luvvie got a massive discount. | 0:18:25 | 0:18:29 | |
Converting the price back into sterling, | 0:18:29 | 0:18:31 | |
Catherine pays £209.10. | 0:18:31 | 0:18:33 | |
Eric is still walking around frankly getting nowhere as Catherine | 0:18:33 | 0:18:37 | |
prepares to pounce again. | 0:18:37 | 0:18:39 | |
These are sales catalogues, auction catalogues from Sotheby's, | 0:18:39 | 0:18:43 | |
mainly in the '70s. | 0:18:43 | 0:18:45 | |
These, now, are essential reference guides. | 0:18:46 | 0:18:50 | |
Catherine knocks the seller down from eight euros to five | 0:18:50 | 0:18:53 | |
and strikes a deal. | 0:18:53 | 0:18:55 | |
That works out at £4.55. Catherine can relax. | 0:18:55 | 0:18:58 | |
She's got her eight buys in the bag. | 0:18:58 | 0:19:00 | |
Time to catch up with Eric. He's spotted some quizzing glasses. | 0:19:00 | 0:19:04 | |
What would be the best? I know. | 0:19:04 | 0:19:07 | |
Je prefere cent cinquante. | 0:19:07 | 0:19:09 | |
-Which is? -150. -150. OK. | 0:19:09 | 0:19:13 | |
-OK. -Can I buy that? -Yes, of course. | 0:19:13 | 0:19:16 | |
Eric's oddly quiet there. | 0:19:16 | 0:19:19 | |
He pays £136.36 and didn't even haggle. | 0:19:19 | 0:19:22 | |
Does he think he is on to a winner? | 0:19:22 | 0:19:24 | |
I just spent 150 euros on a very small object | 0:19:24 | 0:19:27 | |
but it is an exquisite object insofar as the decoration, | 0:19:27 | 0:19:32 | |
which is called pique work. | 0:19:32 | 0:19:34 | |
It appears to be either gold or silver | 0:19:34 | 0:19:36 | |
which has been inset into tortoiseshell. | 0:19:36 | 0:19:39 | |
This dates to probably round about 1870 - 1880s. | 0:19:39 | 0:19:42 | |
So it is well before the legislation | 0:19:42 | 0:19:46 | |
that, quite rightly, protects turtles. | 0:19:46 | 0:19:49 | |
A lorgnette is essentially a sort of quizzing glass. | 0:19:49 | 0:19:52 | |
Something you need when you just want to examine | 0:19:52 | 0:19:55 | |
a little bit more detail on something. | 0:19:55 | 0:19:57 | |
Let me just take a closer look. | 0:19:57 | 0:20:00 | |
Yes, yes. You are looking bigger, everybody. You are looking bigger. | 0:20:01 | 0:20:04 | |
Is he trying to tell us we need one of his famous slimming mirrors? | 0:20:04 | 0:20:07 | |
Cheeky monkey! Eric is fully focused and soon spots something | 0:20:07 | 0:20:12 | |
that could be his final find. | 0:20:12 | 0:20:15 | |
This is quite a pretty piece. It's got a lovely amethyst... | 0:20:15 | 0:20:19 | |
It matches your top, darling. No, no, no, no. | 0:20:19 | 0:20:22 | |
-No, oui. Mauve, mauve, mauve. -Ah, oui. OK. OK. | 0:20:22 | 0:20:25 | |
Colour-coordinated dealer. | 0:20:25 | 0:20:27 | |
Is 120 possible? | 0:20:27 | 0:20:29 | |
-120? -140. -140. | 0:20:29 | 0:20:32 | |
-140, 120. -120? OK. | 0:20:32 | 0:20:35 | |
120. Madame, 120. | 0:20:35 | 0:20:38 | |
-Oui. -OK. D'accord. -Fantastic. | 0:20:38 | 0:20:41 | |
That was rather confusing for the lady but just to be clear, | 0:20:41 | 0:20:43 | |
Eric pays £109.09 for his box and he's as pleased as punch. | 0:20:43 | 0:20:49 | |
This is a lovely little purple glass box and cover. | 0:20:49 | 0:20:52 | |
It is made by a firm called Moser in Carlsbad which at that time | 0:20:52 | 0:20:56 | |
was in Czechoslovakia. | 0:20:56 | 0:20:58 | |
The decoration is using an acid cut technique so they lay on a stencil. | 0:20:58 | 0:21:03 | |
You've got this continuous band of what appear to be Amazon women | 0:21:03 | 0:21:08 | |
all heightened in gilt so all I can hope now | 0:21:08 | 0:21:11 | |
is that these girls strut their stuff and get me a profit. | 0:21:11 | 0:21:16 | |
There we are. | 0:21:16 | 0:21:17 | |
All they've got to do now is sell everything and that's the hard bit. | 0:21:17 | 0:21:20 | |
Before the fun really starts, | 0:21:20 | 0:21:23 | |
let's have a look at their final spending figures. | 0:21:23 | 0:21:25 | |
Both our bargain hunters joined the showdown | 0:21:25 | 0:21:27 | |
with £1,000 of their own money to spend. | 0:21:27 | 0:21:30 | |
After all eight purchases are accounted for, | 0:21:30 | 0:21:32 | |
Eric has paid out a total of £585.10. | 0:21:32 | 0:21:36 | |
Catherine has spent almost £200 more at £781.85. | 0:21:36 | 0:21:42 | |
Before they attempt to turn all that into spanking great profits, | 0:21:43 | 0:21:47 | |
who feels they spent most wisely? | 0:21:47 | 0:21:50 | |
-So that's the buying done. -The showdown is over. | 0:21:50 | 0:21:54 | |
-It is. -How has it been for you? -Well, I'm OK. | 0:21:54 | 0:21:57 | |
I'm sure that my quizzing glasses will come good | 0:21:57 | 0:22:01 | |
because it's just the most exquisite quality. What about you? | 0:22:01 | 0:22:05 | |
My favourite purchase of the showdown has to be my auction catalogues, | 0:22:05 | 0:22:09 | |
which I paid five euros for. | 0:22:09 | 0:22:12 | |
-Well, may the force be with you, my sweet. OK. All right. -And you. | 0:22:12 | 0:22:15 | |
-Bye. -See you in Angleterre. | 0:22:15 | 0:22:17 | |
Yes, they head back to Blighty because | 0:22:21 | 0:22:23 | |
although they've bought their booty, the showdown is not show-done. | 0:22:23 | 0:22:27 | |
In fact, far from it. | 0:22:27 | 0:22:29 | |
Eric and Catherine must now transform into selling supremos | 0:22:29 | 0:22:32 | |
as they try to off-load every last item for maximum profit | 0:22:32 | 0:22:35 | |
but that's even harder today. | 0:22:35 | 0:22:37 | |
You see, the showdown has a twist - the auction. | 0:22:37 | 0:22:41 | |
A place where they have no control, no chance to haggle, | 0:22:41 | 0:22:44 | |
persuade or sweet talk. | 0:22:44 | 0:22:46 | |
The selling prices are completely out of their hands. | 0:22:46 | 0:22:48 | |
Our trading tycoons must put at least four items under the hammer. | 0:22:48 | 0:22:52 | |
They could see their profits soar or they could lose everything. | 0:22:52 | 0:22:57 | |
Both our experts return to their respective bases to draw | 0:22:57 | 0:23:00 | |
up their battle plans and crucially decide which items they will | 0:23:00 | 0:23:04 | |
sell privately and which will stand their ground in a saleroom. | 0:23:04 | 0:23:07 | |
Back at Knocker HQ in Buckinghamshire, | 0:23:07 | 0:23:11 | |
-Eric has got it all worked out. -This is my almighty haul, | 0:23:11 | 0:23:14 | |
including my wrought iron French demilune wall mirror, | 0:23:14 | 0:23:19 | |
my silver cruet set and on top of that | 0:23:19 | 0:23:23 | |
my Moser amethyst glass box and cover | 0:23:23 | 0:23:26 | |
and my French lorgnette with beautiful intricate pique work. | 0:23:26 | 0:23:32 | |
And for auction, one English cut glass biscuit barrel. | 0:23:32 | 0:23:37 | |
I've also got my alabaster shade, date-wise round about 1925. | 0:23:37 | 0:23:43 | |
My three plates, the most important of which is the Royal Worcester | 0:23:43 | 0:23:46 | |
example, which is actually signed. | 0:23:46 | 0:23:48 | |
Finally I've got my Art Deco clock, | 0:23:48 | 0:23:52 | |
which looks as though at some stage it has graced | 0:23:52 | 0:23:55 | |
the boardroom of some city firm. | 0:23:55 | 0:23:58 | |
I am playing all my cards. | 0:23:58 | 0:24:01 | |
The question I'm asking myself | 0:24:01 | 0:24:03 | |
is does my competitor have an ace up her sleeve? | 0:24:03 | 0:24:07 | |
Let's see, shall we? Cunning Catherine is now home in Kent | 0:24:07 | 0:24:11 | |
and she's nearly made up her mind about her battle plan. | 0:24:11 | 0:24:14 | |
Now, the items I know that are definitely going off to the auction | 0:24:14 | 0:24:18 | |
are the catalogues, the whip - I think it's fabulous, | 0:24:18 | 0:24:21 | |
it's got a lot of things going for it - and the powder bottles. | 0:24:21 | 0:24:24 | |
They're pink and they're perfect. I've just got one more to choose. | 0:24:24 | 0:24:30 | |
It's definitely not going to be the jardiniere, | 0:24:30 | 0:24:32 | |
cos I've got somebody in mind for that, | 0:24:32 | 0:24:34 | |
and my piece de resistance is my fabulous police sign. | 0:24:34 | 0:24:38 | |
The ring, this is something that I bought at auction completely blind. | 0:24:38 | 0:24:44 | |
I looked at it and I realised that it's actually not fabulous quality. | 0:24:44 | 0:24:49 | |
This little bracelet I paid eight pounds for. | 0:24:49 | 0:24:53 | |
It's nothing particularly special but there's something in that. | 0:24:53 | 0:24:56 | |
The bucket is not going to set the room alight. | 0:24:56 | 0:25:00 | |
All in all, not a bad selection but some are better than others. | 0:25:00 | 0:25:07 | |
Always the way Catherine, always the way. | 0:25:07 | 0:25:10 | |
Both our dastardly dealers get to work finding the very best buyers | 0:25:10 | 0:25:13 | |
who will hand over masses of cash. | 0:25:13 | 0:25:15 | |
With the showdown auction looming, | 0:25:15 | 0:25:17 | |
they don't have any time to hang about and remember, | 0:25:17 | 0:25:20 | |
until they have shaken on it and the money has changed hands, | 0:25:20 | 0:25:23 | |
no deal is ever sealed. | 0:25:23 | 0:25:25 | |
Cunning Catherine is straight out there. | 0:25:25 | 0:25:28 | |
She is near Westerham in Kent and is hoping to plant a profit with | 0:25:28 | 0:25:30 | |
her brass jardiniere from the late 19th-century. | 0:25:30 | 0:25:34 | |
It owes her almost £85. | 0:25:34 | 0:25:36 | |
I've come to the gorgeous village of Brasted to see Jonathan | 0:25:36 | 0:25:40 | |
who runs an antiques shop here. | 0:25:40 | 0:25:42 | |
I've come to see if he will buy my rather smart jardiniere. | 0:25:43 | 0:25:49 | |
-What do you think? Arts and Crafts? -Arts and Crafts. | 0:25:49 | 0:25:52 | |
-It's nice. -It's lovely, isn't it? -It's brass, not copper, isn't it? | 0:25:52 | 0:25:55 | |
-Yes. -Yeah. -I thought the design was simple yet very attractive. | 0:25:55 | 0:26:00 | |
It's super. Yeah. | 0:26:00 | 0:26:02 | |
So surprise me how little you want for it. | 0:26:02 | 0:26:05 | |
I would quite like 150. | 0:26:05 | 0:26:09 | |
I'm thinking about 125 for that. | 0:26:09 | 0:26:11 | |
If we could shake on 130, Jonathan, I would be jolly happy. | 0:26:11 | 0:26:15 | |
-OK. -Could we shake on that? -I would do that for you. | 0:26:16 | 0:26:19 | |
-Thank you very much. -That's a nice thing to own. | 0:26:19 | 0:26:21 | |
Catherine makes an impressive start. | 0:26:21 | 0:26:23 | |
The jardiniere pots a profit of £45.30. | 0:26:23 | 0:26:27 | |
Eric is aiming high with his first attempt at a sale. | 0:26:27 | 0:26:30 | |
He's ventured into the heart of London with his quizzing glasses | 0:26:30 | 0:26:33 | |
and he's just across the park from Buckingham Palace. | 0:26:33 | 0:26:36 | |
I've been in touch with this remarkable jewellery shop | 0:26:36 | 0:26:40 | |
who have expressed an interest in my lorgnette. | 0:26:40 | 0:26:43 | |
And I'm not one to name-drop but the Queen actually buys here | 0:26:43 | 0:26:49 | |
so as we say in my part of the world, | 0:26:49 | 0:26:52 | |
if it's good enough for 'er, it's good enough for me. | 0:26:52 | 0:26:55 | |
Let's hope your lorgnette is good enough for them. | 0:26:55 | 0:26:58 | |
It cost Eric just over £136. He's meeting Stanley. | 0:26:58 | 0:27:03 | |
When I came across this little lorgnette I was totally smitten. | 0:27:03 | 0:27:09 | |
How lovely. | 0:27:09 | 0:27:11 | |
The pique work, I think, is a mixture of two coloured golds. | 0:27:11 | 0:27:16 | |
Yes. It's lovely with the yellow gold and the rose gold. | 0:27:16 | 0:27:20 | |
It's quite unusual because normally it would be silver and gold. | 0:27:20 | 0:27:23 | |
I was thinking date-wise somewhere round about 1890 or thereabouts. | 0:27:23 | 0:27:28 | |
Spot on, yes. | 0:27:28 | 0:27:30 | |
-I was hoping for somewhere in the region of around about £600. -Really? | 0:27:30 | 0:27:36 | |
Tortoiseshell is not always the easiest thing to sell. | 0:27:36 | 0:27:41 | |
I would have thought 260 to £280. | 0:27:41 | 0:27:44 | |
If we met at the halfway mark? | 0:27:44 | 0:27:47 | |
I think at £300 we would have a deal. | 0:27:47 | 0:27:50 | |
-I think at £300 we've got a deal. -Thank you very much. | 0:27:50 | 0:27:53 | |
That's a pleasure. Thank you. | 0:27:53 | 0:27:55 | |
It might be a long way from what he wanted | 0:27:55 | 0:27:57 | |
but it's an excellent start nonetheless. £163.64. | 0:27:57 | 0:28:02 | |
So Eric leaps into the lead and Catherine has her work cut out. | 0:28:02 | 0:28:07 | |
But she's upping the stakes by trying a double deal. | 0:28:07 | 0:28:10 | |
She's brought her bracelet and ice bucket to Otford in Kent. | 0:28:10 | 0:28:13 | |
She needs a total of £31 to break even here | 0:28:13 | 0:28:16 | |
so will antiques dealer Angie help her out? | 0:28:16 | 0:28:19 | |
First of all, have a look at that. | 0:28:20 | 0:28:22 | |
-Oh! -Rather pretty bracelet. | 0:28:23 | 0:28:26 | |
-I thought, this to me looks like malachite. -It does. -And silver. | 0:28:26 | 0:28:31 | |
I am looking for around 50 or £60. | 0:28:31 | 0:28:34 | |
-What do you think? -40? -40. -40. | 0:28:34 | 0:28:37 | |
OK, 40. We'll go for 40 if that's what you're happy with. | 0:28:37 | 0:28:41 | |
-I think that's brilliant. -I'm sure you do. £40! | 0:28:41 | 0:28:43 | |
-Second item, ice bucket. -That's nice. Yeah. -It's all right, isn't it? | 0:28:43 | 0:28:47 | |
I mean, there's not a lot you can say about it. | 0:28:47 | 0:28:50 | |
-What would you offer for that? -Gosh. I don't know. 25. | 0:28:50 | 0:28:54 | |
That's what I paid for it | 0:28:55 | 0:28:57 | |
so I couldn't possibly let you have it at that. | 0:28:57 | 0:29:00 | |
-35. -40. Go on. -All right. | 0:29:00 | 0:29:02 | |
-Yeah. OK. -Happy with that? -Yeah. That's good. | 0:29:02 | 0:29:04 | |
So, Catherine achieves the double deal | 0:29:04 | 0:29:07 | |
and more than doubles her money. | 0:29:07 | 0:29:09 | |
The two sales combined bring in a total profit of £49. | 0:29:09 | 0:29:12 | |
Our cunning cat is going great guns, three sales to Eric's one. | 0:29:12 | 0:29:16 | |
But he's hoping for big things from his condiment set. | 0:29:16 | 0:29:20 | |
I'm in London's Chancery Lane and if you're talking silver, | 0:29:20 | 0:29:25 | |
that means the London Silver Vaults. | 0:29:25 | 0:29:27 | |
I'm here to meet Joel Langford, | 0:29:27 | 0:29:30 | |
who's expressed an interest in my condiment set by Mappin & Webb | 0:29:30 | 0:29:34 | |
and sadly, I think I'm going to be parting company. | 0:29:34 | 0:29:38 | |
At auction, Eric paid just shy of £170 | 0:29:38 | 0:29:41 | |
for the six piece set that dates to 1919. | 0:29:41 | 0:29:45 | |
But will Joel be impressed? | 0:29:45 | 0:29:47 | |
Looking around, Joel, it's very humble, what I have to offer. | 0:29:47 | 0:29:51 | |
But have a look, because they are at least all original | 0:29:52 | 0:29:56 | |
and they're in the original presentation case. | 0:29:56 | 0:29:58 | |
-Have a look. -Inspect them? -Please do. -OK. | 0:29:58 | 0:30:02 | |
There's a little dent there, I noticed. Let's have a look. | 0:30:02 | 0:30:05 | |
It's nice that it's got the spoons. They look original, which is good. | 0:30:05 | 0:30:09 | |
And that's in good order. Same date and the maker. Dings can come out. | 0:30:09 | 0:30:13 | |
In this case, so far, so good. Well, that one seems OK. | 0:30:13 | 0:30:17 | |
And all the blue glass liners are original and in good order. | 0:30:17 | 0:30:21 | |
-So, I was looking for around about £300 on this. -I would say £230. | 0:30:21 | 0:30:28 | |
-£230. There's my hand. There's the shake. -Why, thank you very much. | 0:30:28 | 0:30:35 | |
Yes, you get the idea he could have eked out a bit more there, | 0:30:35 | 0:30:38 | |
but no matter. He still heads home with a profit of £60.60. | 0:30:38 | 0:30:42 | |
Eric is still in the league, | 0:30:42 | 0:30:44 | |
but Catherine is a force to be reckoned with. | 0:30:44 | 0:30:46 | |
She's travelled to Weybridge in Surrey to try her luck with | 0:30:46 | 0:30:49 | |
what she calls the piece de resistance - her police sign. | 0:30:49 | 0:30:53 | |
I've come to see Rob. | 0:30:53 | 0:30:55 | |
He owns an online business selling French bits and pieces | 0:30:55 | 0:30:58 | |
and I have a feeling this is going to be tre fantastic. | 0:30:58 | 0:31:04 | |
Her confidence is sky-high, | 0:31:04 | 0:31:06 | |
so will Rob part with more than the £65 Catherine forked out? | 0:31:06 | 0:31:10 | |
-What do you think about that? -Wow. That's really...impressive, huh? | 0:31:10 | 0:31:15 | |
-It's good, isn't it? -Yeah. | 0:31:15 | 0:31:16 | |
-They're normally sort of the UK size, the little... -A lot smaller. | 0:31:16 | 0:31:20 | |
I'm going to have to put it down because it is incredibly heavy. | 0:31:20 | 0:31:23 | |
I could see a market for it. | 0:31:23 | 0:31:25 | |
-I'd be looking at between £100 to £150. -Wow. | 0:31:25 | 0:31:28 | |
-Probably looking just under that, maybe £90. -100? | 0:31:28 | 0:31:32 | |
I'll do 100 but that would be as far as I'd go. | 0:31:32 | 0:31:34 | |
That would be as far as you go. Let's shake on it. | 0:31:34 | 0:31:37 | |
And I wish you lots of luck with that | 0:31:37 | 0:31:39 | |
because I think that has fantastic potential. | 0:31:39 | 0:31:41 | |
So, the sign shows her the way to another £35 of profit, | 0:31:41 | 0:31:45 | |
which means the ruby and diamond ring that | 0:31:45 | 0:31:48 | |
she was so unimpressed with will be going to auction. | 0:31:48 | 0:31:51 | |
And with Catherine all sold up, Eric needs to pull his finger out. | 0:31:51 | 0:31:55 | |
He sells his Art Deco mirror for £65 to a dealer in Chiswick | 0:31:55 | 0:31:58 | |
in West London and that brings in another £15 for his profit pot. | 0:31:58 | 0:32:03 | |
For his final item, Eric decides to leave the capital. | 0:32:03 | 0:32:06 | |
He motors up to the Midlands with his purple box. | 0:32:06 | 0:32:09 | |
Well, I'm in Birmingham | 0:32:10 | 0:32:11 | |
and I'm here to meet a collector of Continental glass. | 0:32:11 | 0:32:16 | |
Now, I've sent him an image of my Moser box and cover and he likes it, | 0:32:16 | 0:32:23 | |
so, so far so good. | 0:32:23 | 0:32:25 | |
He's seen it in two dimensions, he's now going to see it in three | 0:32:25 | 0:32:27 | |
and, hopefully, he's going to buy it. | 0:32:27 | 0:32:30 | |
Attila has quite a collection of continental glass. | 0:32:30 | 0:32:33 | |
Eric's box cost just under £110. | 0:32:33 | 0:32:37 | |
Have a look. | 0:32:37 | 0:32:39 | |
The gilding is quite good. | 0:32:39 | 0:32:41 | |
I'm hoping that it appeals enough for you to want to buy it. | 0:32:41 | 0:32:44 | |
Yeah, well, it depends on the price. | 0:32:44 | 0:32:46 | |
I mean, I was looking for £190 or something like that. | 0:32:46 | 0:32:50 | |
-How about 130? -For 140 I'll sell it to you. | 0:32:50 | 0:32:55 | |
-140 is all right. -Is 140 all right? -Yes. -Put it there. OK. | 0:32:55 | 0:33:00 | |
You're a star. | 0:33:00 | 0:33:01 | |
And that last private sale makes Knocker a profit of £30.91, | 0:33:01 | 0:33:05 | |
so there we have it. | 0:33:05 | 0:33:07 | |
All that's left is the showdown auction, | 0:33:07 | 0:33:10 | |
but before we brave the bidding, | 0:33:10 | 0:33:12 | |
let's see how their figures are adding up. | 0:33:12 | 0:33:14 | |
Both our daring dealers have sold four items so far. | 0:33:14 | 0:33:17 | |
Eric "Knocker" Knowles has done well. | 0:33:17 | 0:33:20 | |
At the moment he is £270.15 in profit. | 0:33:20 | 0:33:23 | |
Cunning Catherine Southon is looking less impressive. | 0:33:23 | 0:33:25 | |
£129.30 so far, | 0:33:25 | 0:33:28 | |
but her three most expensive items are still to be sold. | 0:33:28 | 0:33:31 | |
So, the time has finally arrived. | 0:33:31 | 0:33:33 | |
The moment we've all been waiting for. | 0:33:33 | 0:33:35 | |
It's the mighty showdown auction, | 0:33:35 | 0:33:37 | |
the antiques version of a penalty shoot out. | 0:33:37 | 0:33:40 | |
Dreams are made and hearts are broken | 0:33:40 | 0:33:42 | |
and our dealers can only stand back and watch as the great | 0:33:42 | 0:33:46 | |
British public helps them to win big or makes them lose everything. | 0:33:46 | 0:33:50 | |
All of Eric and Catherine's remaining items will go under | 0:33:50 | 0:33:53 | |
the hammer at the Diss Auction Rooms in Norfolk. | 0:33:53 | 0:33:56 | |
Our experts are in the hands of the auctioneers now and must pay all | 0:33:56 | 0:33:59 | |
the usual selling fees and Catherine, in particular, is feeling the fear. | 0:33:59 | 0:34:04 | |
I am scared. I've got really risky stuff today. Yours is not so risky. | 0:34:04 | 0:34:08 | |
True. True. But I have learnt my lesson in years gone by. | 0:34:08 | 0:34:12 | |
I'm just holding my breath today, it's as simple as that. | 0:34:12 | 0:34:15 | |
So, before the fun starts, | 0:34:15 | 0:34:16 | |
Eric and Catherine check out each other's lots one last time. | 0:34:16 | 0:34:20 | |
Eric only paid £10 and is estimated at 25-30, he's got no worries there. | 0:34:20 | 0:34:25 | |
It will walk out. | 0:34:25 | 0:34:26 | |
I'm not so sure that there is much of a market for old catalogues. | 0:34:26 | 0:34:30 | |
I hope I am wrong because I've got about 2,000 at home. | 0:34:30 | 0:34:34 | |
Again, not my cup of tea, not something I would focus on, | 0:34:34 | 0:34:38 | |
but he's seen them, he's seen that he can make money | 0:34:38 | 0:34:41 | |
and he's going to walk away with cash in his pocket. | 0:34:41 | 0:34:46 | |
Looks painful whatever it is. I'll give that a miss. | 0:34:46 | 0:34:49 | |
Well, he's done it again, hasn't he? | 0:34:50 | 0:34:52 | |
I mean, he's bought something low value, | 0:34:52 | 0:34:54 | |
£25 and it's got £20-30 on, so he's got profit written all over it. | 0:34:54 | 0:35:00 | |
She paid £200 for these and a bit more | 0:35:00 | 0:35:02 | |
and they've estimated them at 80-120, which I think is a bit mean, | 0:35:02 | 0:35:05 | |
so I think she will come good with these. | 0:35:05 | 0:35:08 | |
It's Art Deco, it's very sleek, | 0:35:08 | 0:35:11 | |
it's slim and it's just classy. | 0:35:11 | 0:35:14 | |
That is going to make a large amount of cash. | 0:35:14 | 0:35:19 | |
I know she paid 300 for it. They estimate it at 60-80. | 0:35:19 | 0:35:25 | |
Well, with all due respect, I am not a jewellery expert, | 0:35:25 | 0:35:28 | |
but that has got to be worth more than that, surely? | 0:35:28 | 0:35:31 | |
The auction soon gets under way | 0:35:31 | 0:35:33 | |
and first up is Catherine's riding crop that cost her £85. | 0:35:33 | 0:35:38 | |
It's an interesting object, isn't it? | 0:35:38 | 0:35:40 | |
I think it's got quite a lot going for it. | 0:35:40 | 0:35:41 | |
40 bid, sir. 45. 50, 5. | 0:35:41 | 0:35:45 | |
60, 5. 70. £70. Are you all done? | 0:35:45 | 0:35:51 | |
Once auction fees are deducted, Catherine makes a loss of £27.90. | 0:35:53 | 0:35:58 | |
Don't worry about that too much. | 0:35:58 | 0:36:00 | |
-I think this is the first of many today. -Don't say that! | 0:36:00 | 0:36:02 | |
-We've got to be gung ho. -Positive. -We've got to be positive, exactly. | 0:36:02 | 0:36:06 | |
Well, Mr Positive is up next. | 0:36:06 | 0:36:09 | |
-It's the plates that cost him just over £30. -40 I will take. | 0:36:09 | 0:36:14 | |
30 then to start. £10 a plate. 30 bid in the galleries. 32 downstairs. | 0:36:14 | 0:36:19 | |
-35 in the gallery and selling. -35. | 0:36:19 | 0:36:23 | |
There may be a loss after paying my charges there, you know. | 0:36:23 | 0:36:26 | |
-I think there will be, Eric. -Ouch. | 0:36:26 | 0:36:28 | |
Yes, they're absolutely right. | 0:36:28 | 0:36:30 | |
After fees, Eric digests a loss of £2.91. | 0:36:30 | 0:36:33 | |
He has a little more luck with his Victorian biscuit barrel. | 0:36:33 | 0:36:37 | |
At 20 and selling. | 0:36:37 | 0:36:40 | |
£20 hammer price and once the fees are taken, | 0:36:40 | 0:36:42 | |
it makes a profit of £4.60. | 0:36:42 | 0:36:45 | |
Next, it's the turn of Catherine's auction catalogues. | 0:36:45 | 0:36:48 | |
She thinks they are a useful reference tool for antiques' lovers, | 0:36:48 | 0:36:52 | |
so she is hoping they will fly today. She paid £4.55. | 0:36:52 | 0:36:56 | |
If the estimates are anything to go by in these catalogues, this is my | 0:36:56 | 0:37:00 | |
only hope because I paid under £5 and they're estimated at 20-30. | 0:37:00 | 0:37:05 | |
Start me at 20. | 0:37:05 | 0:37:08 | |
-Ten, I will take. -Oh, ten he's offered. -£10 is bid. | 0:37:08 | 0:37:12 | |
They will sell by main bidder at £10. £10. | 0:37:12 | 0:37:16 | |
Well, I have doubled my money. | 0:37:16 | 0:37:19 | |
Well, normally, that's a good thing but once fees are deducted, | 0:37:19 | 0:37:22 | |
she makes a profit of £1.55, which, let's be honest, | 0:37:22 | 0:37:26 | |
doesn't really help. | 0:37:26 | 0:37:27 | |
The auction soon comes round to Eric's alabaster light fitting. | 0:37:27 | 0:37:31 | |
He paid £25 but he's not feeling confident. | 0:37:31 | 0:37:35 | |
I don't mind telling you, Catherine, this is my weakest card actually. | 0:37:35 | 0:37:39 | |
Start me at £30. | 0:37:39 | 0:37:41 | |
It's Alabaster, it's lovely. £30 a ceiling bowl. | 0:37:41 | 0:37:45 | |
-20 I will take. Come on. Surely? -Hang on, what's he up to? | 0:37:45 | 0:37:52 | |
-Hang on, they can't see it. -Keep going, Eric. | 0:37:52 | 0:37:56 | |
Our auction action hero gets involved. | 0:37:56 | 0:37:58 | |
He will do anything for a profit. | 0:37:58 | 0:38:02 | |
-Hat, bowl? -22 by the door. Any advance on 22? | 0:38:02 | 0:38:09 | |
Well done, Mr Knowles. | 0:38:09 | 0:38:11 | |
Oh, well, all the jumping about didn't really do the trick. | 0:38:11 | 0:38:13 | |
The alabaster makes another loss, £8.70 this time. | 0:38:13 | 0:38:18 | |
Eric has just one item left, | 0:38:18 | 0:38:20 | |
so will his Art Deco clock chime in a massive profit? It cost him £55. | 0:38:20 | 0:38:25 | |
It is going to do well. This is your best item in my eyes. | 0:38:25 | 0:38:29 | |
£30 and start me. It's 30 bid. 32. 35, 40, 45, 50 is bid. | 0:38:29 | 0:38:37 | |
-50. That's not enough, is it? -That's a loss, isn't it? -It's a loss. -£50. | 0:38:37 | 0:38:44 | |
Oh, the auction has not been kind to our Knocker. | 0:38:45 | 0:38:48 | |
Taking the fees into account, the clock yet makes another loss. | 0:38:48 | 0:38:52 | |
£14.90. | 0:38:52 | 0:38:54 | |
If your good things are doing badly, | 0:38:54 | 0:38:57 | |
-what chance have I got with my bad things? -But you've got glitter. | 0:38:57 | 0:39:00 | |
Well, everything could well turn on its head. | 0:39:00 | 0:39:02 | |
Catherine still has her two most expensive lots left - | 0:39:02 | 0:39:05 | |
the ring and the powder boxes. | 0:39:05 | 0:39:07 | |
If these two well, she could blow Mr Knowles out of the water. | 0:39:07 | 0:39:11 | |
The ring is up first but she is not confident. | 0:39:11 | 0:39:14 | |
It owes her just over £300. | 0:39:14 | 0:39:16 | |
-This is the one you have been losing sleep over. -It's just awful. | 0:39:17 | 0:39:21 | |
It's a ring that will fit a lot of fingers. | 0:39:21 | 0:39:24 | |
-Catherine is very anxious. She's certain it's going to bomb. -100. | 0:39:24 | 0:39:30 | |
110, 120, 130, 140, 150, 160, 170, | 0:39:30 | 0:39:37 | |
180, 190, 200, 220, 240, | 0:39:37 | 0:39:41 | |
260, 280, 300, 320, 340. | 0:39:41 | 0:39:46 | |
For sale for £340. | 0:39:46 | 0:39:51 | |
-I don't believe that. -340. And, you know, I had all this. | 0:39:51 | 0:39:55 | |
Are we on the right lot? | 0:39:55 | 0:39:57 | |
Listen, this was on stand-by for you and we don't need it. | 0:39:57 | 0:40:01 | |
I'm sorry but I really genuinely don't believe that. | 0:40:01 | 0:40:04 | |
Catherine is shocked, but the evidence is right there. | 0:40:04 | 0:40:08 | |
She makes a much smaller loss than expected, £15.90. | 0:40:08 | 0:40:12 | |
So, it all comes down to Catherine's final lot, | 0:40:12 | 0:40:16 | |
the Tiffany powder boxes that cost £209. She's not confident | 0:40:16 | 0:40:20 | |
about these either, but will they go the same way as the ring? | 0:40:20 | 0:40:24 | |
Let's hope so. | 0:40:24 | 0:40:25 | |
I have bids on, I have to start in straight in at £100. | 0:40:25 | 0:40:29 | |
£100 I have. Who's a ten? | 0:40:29 | 0:40:30 | |
110, 120, 130, 140, | 0:40:30 | 0:40:33 | |
150, 160, 170, 180, 190, 200, 210, 220. | 0:40:33 | 0:40:39 | |
-Bid's 220 at the moment. -Come on. Give us a bit more. | 0:40:39 | 0:40:45 | |
And that's a final loss. | 0:40:45 | 0:40:46 | |
£24.50, but Catherine expected that to be a lot worse. | 0:40:46 | 0:40:51 | |
So, their mammoth challenge is over and they are all sold up. | 0:40:51 | 0:40:55 | |
We will find out who is the showdown champion in just a moment, | 0:40:55 | 0:40:58 | |
but before we do, let's remind ourselves who spent what. | 0:40:58 | 0:41:01 | |
Both our dealers started out with £1,000 | 0:41:01 | 0:41:04 | |
of their own money to spend on eight purchases. | 0:41:04 | 0:41:07 | |
Eric did not go wild. He handed over £585.10 all up. | 0:41:07 | 0:41:12 | |
Catherine did spend considerably more, £781.85, | 0:41:12 | 0:41:16 | |
but all the hard work is now out of the way. | 0:41:16 | 0:41:19 | |
Let's find out who sold best. | 0:41:19 | 0:41:22 | |
All of the profit that Eric and Catherine have made will be | 0:41:22 | 0:41:25 | |
going to the charities of their choice, so let's find out who | 0:41:25 | 0:41:28 | |
is today's Put Your Money Where Your Mouth Is showdown champion. | 0:41:28 | 0:41:33 | |
-How are you? -I'm fine. I'm fine. | 0:41:33 | 0:41:37 | |
I found this a little bit tricky and also the auction, I was lucky. | 0:41:37 | 0:41:42 | |
-What about you? -Well, the auction was a bit of a non-event for me too. | 0:41:42 | 0:41:47 | |
What about the things you sold though? | 0:41:47 | 0:41:49 | |
I managed to sell my silver cruet set, my Mappin & Webb. | 0:41:49 | 0:41:53 | |
-Oh, yes, I liked that. -What about you? | 0:41:53 | 0:41:56 | |
I had that nice road sign, do you remember that? | 0:41:56 | 0:41:59 | |
-That wasn't bad but everything else was OK. -OK. -Shall we have a look? | 0:41:59 | 0:42:04 | |
One, two, three. | 0:42:04 | 0:42:06 | |
Oh, Eric! You've really done very well. | 0:42:09 | 0:42:13 | |
Yes, Eric wins hands down, but both our experts have been | 0:42:15 | 0:42:18 | |
building up their profit pots over a week of challenges. | 0:42:18 | 0:42:21 | |
They have struck over 130 deals in total, | 0:42:21 | 0:42:24 | |
so let's reveal the overall winner. | 0:42:24 | 0:42:27 | |
-Are you ready? -One, two, three. | 0:42:27 | 0:42:30 | |
-Oh! -Well done! You did brilliantly! | 0:42:30 | 0:42:35 | |
-That's really generous of you. -Gosh, you did really well! | 0:42:35 | 0:42:38 | |
-Not that far behind. -It's been such great fun. -It has been good fun. | 0:42:38 | 0:42:42 | |
And I've seen an awful lot of Britain. I don't know about you. | 0:42:42 | 0:42:46 | |
Yes, Eric is this week's master of the mission, but between them, | 0:42:46 | 0:42:50 | |
our dealers have made close to £2,300 profit | 0:42:50 | 0:42:53 | |
and every last penny will be going to their chosen charities. | 0:42:53 | 0:42:57 | |
The charity that I have chosen to send my profits to is UNICEF. | 0:42:57 | 0:43:04 | |
My charity is Demelza Hospice, | 0:43:04 | 0:43:07 | |
which looks after children with terminal illnesses. | 0:43:07 | 0:43:10 | |
It's been a week of no-holds barred combat. | 0:43:10 | 0:43:13 | |
Our excellent experts have really put their money | 0:43:13 | 0:43:16 | |
where their mouths are and showed they can make a convincing profit | 0:43:16 | 0:43:19 | |
from buying and selling antiques when their own money is on the line. | 0:43:19 | 0:43:24 |