Browse content similar to Eric Knowles v Catherine Southon - Foreign Antiques Market. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is. | 0:00:02 | 0:00:04 | |
The show that pitches TVs best loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
And gives you the insider's view of the trade. | 0:00:12 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different | 0:00:19 | 0:00:22 | |
daily challenge. | 0:00:22 | 0:00:24 | |
The original cheeky chappie. | 0:00:24 | 0:00:26 | |
Lovely! | 0:00:26 | 0:00:27 | |
Putting their reputations on the line... | 0:00:27 | 0:00:29 | |
And I am truly rocking! | 0:00:29 | 0:00:31 | |
WOLF WHISTLE | 0:00:31 | 0:00:33 | |
And giving you their top tips | 0:00:33 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:39 | |
It's getting there. | 0:00:40 | 0:00:41 | |
Today, two prime professionals go head-to-head | 0:00:43 | 0:00:45 | |
as the veteran valuer, Eric Knowles takes on the auspicious auctioneer, | 0:00:45 | 0:00:50 | |
Catherine Southon in a plush Parisian market. | 0:00:50 | 0:00:53 | |
Coming up, Catherine shares her haggling secrets. | 0:00:54 | 0:00:57 | |
It's OK to have a bit of a laugh, push them a little bit. | 0:00:57 | 0:01:00 | |
At the end of the day you don't want to upset them. | 0:01:00 | 0:01:03 | |
Eric stakes his claim. | 0:01:03 | 0:01:04 | |
Oh, merci. OK. | 0:01:04 | 0:01:06 | |
Possession is nine tenths of the law in this business! | 0:01:06 | 0:01:10 | |
You've got to grab it when you see it. | 0:01:10 | 0:01:12 | |
And Catherine is entertained the old-fashioned way. | 0:01:12 | 0:01:15 | |
You can make the dog bark. | 0:01:15 | 0:01:16 | |
DOG BARKS | 0:01:16 | 0:01:19 | |
It looks gorgeous, the colours are wonderful. | 0:01:19 | 0:01:21 | |
This is Put Your Money Where Your Mouth Is. | 0:01:21 | 0:01:24 | |
'Allo, 'allo and bienvenue to another rip-roaring roller coaster | 0:01:38 | 0:01:41 | |
ride through the peaks and troughs of the antiques world. | 0:01:41 | 0:01:44 | |
If any show can give you palpitations about pottery | 0:01:44 | 0:01:47 | |
or put you in a fine art frenzy, it's this one. | 0:01:47 | 0:01:51 | |
Let's bring out the bargain bunting and dance to a trading tune | 0:01:51 | 0:01:54 | |
as we watch in awe | 0:01:54 | 0:01:55 | |
as two of the greatest dealers the world has ever seen square up. | 0:01:55 | 0:01:59 | |
First, a man who's an antiques idol. | 0:02:01 | 0:02:04 | |
He can reduce robust retailers to discounting dust. | 0:02:04 | 0:02:07 | |
When a price is too high, one nip of know-how | 0:02:07 | 0:02:10 | |
and he's negotiating like a ninja. | 0:02:10 | 0:02:12 | |
It's Burnley's best boy, the prince of porcelain, | 0:02:12 | 0:02:16 | |
it's Eric "Knocker" Knowles. | 0:02:16 | 0:02:18 | |
I'm now in a position to do business. | 0:02:18 | 0:02:21 | |
Facing up to him, a woman for whom bargaining has no borders. | 0:02:22 | 0:02:26 | |
Oh, no, she's masterful with merchants from London to Lyon. | 0:02:26 | 0:02:29 | |
She'll hunt down and haggle until the dealers squeal | 0:02:29 | 0:02:32 | |
and the price is repealed. | 0:02:32 | 0:02:34 | |
It's Kent's collectables queen, it's the baroness of buying, | 0:02:34 | 0:02:37 | |
"Cunning" Catherine Southon. | 0:02:37 | 0:02:39 | |
One can always break the rules. | 0:02:41 | 0:02:43 | |
We'll be keeping a close eye on her! | 0:02:44 | 0:02:46 | |
Today, our experts have been planted in Paris | 0:02:46 | 0:02:49 | |
at the Saint Ouen flea market. | 0:02:49 | 0:02:51 | |
A paradise packed with awesome artworks, top treasures | 0:02:51 | 0:02:54 | |
and one-off wonders that will leave clued-up collectors | 0:02:54 | 0:02:58 | |
salivating into their sauvignon blanc. | 0:02:58 | 0:03:00 | |
Our sparring Spartans have each brought £750 worth of euros | 0:03:00 | 0:03:03 | |
and, as ever, it is their own money that they'll be spending. | 0:03:03 | 0:03:08 | |
Once they've bought their bargains they must sell it all | 0:03:08 | 0:03:10 | |
for maximum profit. | 0:03:10 | 0:03:12 | |
So, the stalls are out, the shops are stocked, this is a battleground | 0:03:12 | 0:03:16 | |
braced for the bargaining behemoths that are about to break forth. | 0:03:16 | 0:03:19 | |
Eric Knowles and Catherine Southon, | 0:03:19 | 0:03:22 | |
it's time to put your money where your mouth is. | 0:03:22 | 0:03:25 | |
Mon cheri! Mon cheri! | 0:03:25 | 0:03:28 | |
-So here we are in Paris. -In Paris, the city of love. | 0:03:28 | 0:03:33 | |
Yes, as far as we're concerned the city of purchases. | 0:03:33 | 0:03:37 | |
We're in the Marche Biron, which is quite a smart little part | 0:03:37 | 0:03:41 | |
of the Marche aux Puces, or the flea market. | 0:03:41 | 0:03:44 | |
I'm a bit worried because this is all very familiar to you, isn't it? | 0:03:44 | 0:03:47 | |
-This is your territory. -I've been coming here for quite a few years. | 0:03:47 | 0:03:50 | |
-We have £750-worth of euros. -Right, OK. | 0:03:50 | 0:03:54 | |
And I have absolutely no idea about this place. | 0:03:54 | 0:03:57 | |
I've never been here before so I might be following you. | 0:03:57 | 0:04:00 | |
There's just so much, you know, to take in. | 0:04:00 | 0:04:04 | |
So forget about lunch, that's not going to happen. | 0:04:04 | 0:04:07 | |
Time is the second most precious commodity that we've got today. | 0:04:07 | 0:04:10 | |
-Right. -OK. | 0:04:10 | 0:04:12 | |
The fact I've been coming here for years and years and years, | 0:04:12 | 0:04:15 | |
counts for nothing. All right? | 0:04:15 | 0:04:17 | |
-That makes me feel a bit better. -OK. | 0:04:17 | 0:04:19 | |
-That's what I am here for. -Bonne chance. -Thank you. -Have a good day. | 0:04:19 | 0:04:23 | |
-You too. -See you later. -Au revoir. | 0:04:23 | 0:04:24 | |
Don't worry? Is Eric already playing mind games? | 0:04:24 | 0:04:28 | |
Surely his experience of Saint Ouen must count for something? | 0:04:28 | 0:04:32 | |
Catherine thinks I have a decided advantage here today because | 0:04:32 | 0:04:36 | |
I've been coming to this particular market for literally donkey's years. | 0:04:36 | 0:04:40 | |
But there's so much legwork to do that I think she's got the advantage | 0:04:40 | 0:04:45 | |
because at least she has youth on her side. | 0:04:45 | 0:04:49 | |
Well, he's right about this place. | 0:04:49 | 0:04:51 | |
It's absolutely enormous. | 0:04:51 | 0:04:53 | |
A massive mixture of outdoor and covered spaces | 0:04:53 | 0:04:56 | |
spread across a warren of streets. | 0:04:56 | 0:04:59 | |
And while Eric insists he doesn't have an advantage, | 0:04:59 | 0:05:03 | |
Catherine is not at all convinced. | 0:05:03 | 0:05:05 | |
I'm actually rather worried. | 0:05:05 | 0:05:07 | |
Now, I could do one of two things. | 0:05:07 | 0:05:09 | |
I could either follow in his footsteps | 0:05:09 | 0:05:11 | |
or I could just go off my own route, find the cheapest shop | 0:05:11 | 0:05:17 | |
and buy everything there. | 0:05:17 | 0:05:19 | |
I don't know what I'm going to do. | 0:05:21 | 0:05:23 | |
But I think you're going to have to wish me good luck. | 0:05:23 | 0:05:26 | |
Be bold, be brave, be cunning, Catherine. | 0:05:26 | 0:05:29 | |
Knocker's nemesis may be more nimble but she's far from confident. | 0:05:29 | 0:05:32 | |
One thing's for sure, we're in for a fearsome fight. | 0:05:32 | 0:05:36 | |
Our antiques athletes get cracking and against the odds, | 0:05:36 | 0:05:39 | |
it's Catherine who makes the first find. Some antique entertainment. | 0:05:39 | 0:05:42 | |
She's spotted a slide from a Magic Lantern, an early type of projector. | 0:05:42 | 0:05:47 | |
These can be really collectable. | 0:05:47 | 0:05:49 | |
If you think, once upon a time, we didn't have television, | 0:05:49 | 0:05:51 | |
we didn't have radio. | 0:05:51 | 0:05:53 | |
These are the kind of thing that used to amuse the family. | 0:05:53 | 0:05:56 | |
They can be very desirable. I'm going to find out how much it is. | 0:05:56 | 0:05:59 | |
Bonjour. | 0:06:00 | 0:06:01 | |
She's acting all sweetness and light. | 0:06:01 | 0:06:04 | |
C'est combien pour moi? | 0:06:04 | 0:06:06 | |
But she's going in for the kill. | 0:06:06 | 0:06:09 | |
It's got 150 on. Quatre-vingts? | 0:06:09 | 0:06:11 | |
Catherine goes in at 80. | 0:06:11 | 0:06:13 | |
Quatre-vingts. 80. | 0:06:14 | 0:06:16 | |
So we've got down to 80. | 0:06:16 | 0:06:19 | |
He agreed to that a bit too lively, which always worries me. | 0:06:19 | 0:06:22 | |
Shall I try and knock it down a bit more? | 0:06:22 | 0:06:25 | |
Soixante-dix? | 0:06:25 | 0:06:27 | |
So, that's 70. | 0:06:28 | 0:06:30 | |
Soixante-dix. Merci beaucoup. | 0:06:30 | 0:06:33 | |
Well, what a laid-back gentleman. | 0:06:33 | 0:06:35 | |
Maybe he just wanted to get rid of her. | 0:06:35 | 0:06:38 | |
Nevertheless, reducing her offer right at the end | 0:06:38 | 0:06:40 | |
is an interesting way to trade. | 0:06:40 | 0:06:42 | |
But they don't call her Cunning for nothing. | 0:06:42 | 0:06:44 | |
Convert that money back to sterling and it works out at £63.64. | 0:06:44 | 0:06:48 | |
Now this lantern slide is French. | 0:06:50 | 0:06:52 | |
There's an interesting little scene going on. | 0:06:52 | 0:06:55 | |
The fact that we've got a little dog in it is a nice seller. | 0:06:55 | 0:06:59 | |
I would have thought it's about late 19th-century, maybe 1870, 1880, | 0:06:59 | 0:07:03 | |
but the chap in the shop is convinced it's earlier. | 0:07:03 | 0:07:06 | |
He thinks more 1850. I really think I can make a profit on this. | 0:07:06 | 0:07:11 | |
The only thing worries me is that he sold it to me so quickly. | 0:07:11 | 0:07:16 | |
Mmm! Was Cunning Catherine actually outwitted by a clever seller? | 0:07:16 | 0:07:19 | |
Or was he just a very generous man? | 0:07:19 | 0:07:22 | |
We won't know until she sells the piece. | 0:07:22 | 0:07:25 | |
Now it's Eric's turn to get a taste of the buying action | 0:07:25 | 0:07:28 | |
and show the colour of his money, as a cake slice catches his eye. | 0:07:28 | 0:07:32 | |
What I like about this is that the handle is very Deco, and it matches. | 0:07:32 | 0:07:37 | |
Sometimes you get knife handles that have just been married, | 0:07:37 | 0:07:40 | |
and it's just silver plate. I'm going to have a go on this. | 0:07:40 | 0:07:45 | |
-Bonjour, monsieur. Ca va? Donner un prix pour... -Vingt-cinq euro. -OK, 25. | 0:07:45 | 0:07:51 | |
OK, yeah, oui. Put it there. OK. | 0:07:51 | 0:07:55 | |
Yes, piece of cake. | 0:07:55 | 0:07:56 | |
For Knocker, £22.73 is a nice price for a silver plate slice. | 0:07:56 | 0:08:01 | |
He moves on to the scoreboard with a smooth, no-nonsense purchase. | 0:08:01 | 0:08:06 | |
While I was looking at this, I noticed in the same tray, | 0:08:06 | 0:08:10 | |
you see, what I like about this place is that everything is priced. | 0:08:10 | 0:08:14 | |
His predator's eyes are darting everywhere. | 0:08:14 | 0:08:17 | |
Underneath that smooth exterior is a shark ready to bite. | 0:08:17 | 0:08:21 | |
And when another buyer gets too close to his next target, | 0:08:21 | 0:08:23 | |
he pounces like a coiled spring! | 0:08:23 | 0:08:26 | |
Possession is 9/10 of the law in this business. | 0:08:26 | 0:08:29 | |
You've got to grab it when you see it. | 0:08:29 | 0:08:31 | |
I've just come across this lovely little inkwell, | 0:08:31 | 0:08:33 | |
in French enamel. This is called champleve enamel. | 0:08:33 | 0:08:36 | |
This is actually a brass that's been cut into | 0:08:36 | 0:08:39 | |
and then the enamel's been inset into the brass. | 0:08:39 | 0:08:42 | |
But that is a little treasure. | 0:08:42 | 0:08:44 | |
It's got a pen rest, it's in onyx, | 0:08:44 | 0:08:48 | |
and it's down at 30 euros. | 0:08:48 | 0:08:51 | |
So I think that's worth a go. | 0:08:51 | 0:08:54 | |
A nifty bit of Knocker negotiation sees the price of the inkwell | 0:08:54 | 0:08:57 | |
dip to 25 euros, or £22.73. And the man is nothing short of a miracle. | 0:08:57 | 0:09:04 | |
He immediately knocks up his third success, a tea caddy for £54.55. | 0:09:04 | 0:09:09 | |
Eric's campaign has claimed | 0:09:09 | 0:09:11 | |
three quick conquests in speedy succession. | 0:09:11 | 0:09:14 | |
Well, I've just bought myself a tea caddy, or should I say, | 0:09:15 | 0:09:18 | |
as in La Belle France, a THE caddy. | 0:09:18 | 0:09:20 | |
Date-wise, it's probably round about 1860-1880. | 0:09:21 | 0:09:25 | |
It's in a lovely, lovely rosewood. | 0:09:25 | 0:09:29 | |
It needs a little bit of work. | 0:09:29 | 0:09:32 | |
It's got its brass feet, that's all there | 0:09:32 | 0:09:34 | |
and I've got somebody in mind to buy it. | 0:09:34 | 0:09:37 | |
He's actually a cabinet-maker as well, | 0:09:37 | 0:09:39 | |
so, for that sort of money, I'm a happy bunny. | 0:09:39 | 0:09:44 | |
And with a buyer in mind, he's already got a leg up. | 0:09:44 | 0:09:47 | |
Maybe Catherine was right to be worried. | 0:09:47 | 0:09:49 | |
Eric kicks off with a hat-trick, and whilst he's doing well | 0:09:49 | 0:09:52 | |
out of what IS here, he's also concerned about what isn't. | 0:09:52 | 0:09:56 | |
One thing you will notice | 0:09:56 | 0:09:57 | |
when you come to one of these flea markets | 0:09:57 | 0:10:00 | |
is the total lack of anything | 0:10:00 | 0:10:02 | |
that appears to be British. | 0:10:02 | 0:10:05 | |
It's as though, as a country, we don't exist. | 0:10:05 | 0:10:10 | |
Oh, surely not, Eric! | 0:10:11 | 0:10:13 | |
Just stop for a second. | 0:10:13 | 0:10:15 | |
If you listen, listen like a French dog with its head cocked, | 0:10:15 | 0:10:18 | |
it'll come to you. You'll hear it. Something unmistakably British. | 0:10:18 | 0:10:23 | |
Yes, a Brit abroad, bargaining in terrible Franglais. | 0:10:23 | 0:10:26 | |
I have to carry it to Angleterre. | 0:10:26 | 0:10:29 | |
Carry. Oh, it's so heavy! Vingt. Vingt?! | 0:10:29 | 0:10:31 | |
Quarante? | 0:10:31 | 0:10:33 | |
40? I won't pay any more than 20. Vingt? Yeah? | 0:10:33 | 0:10:38 | |
Are you happy with that? | 0:10:38 | 0:10:39 | |
I don't know what I'm going to do with it, but merci! | 0:10:42 | 0:10:45 | |
Yes, Catherine's "woe-is-me, I'm a poor, weak woman" act | 0:10:45 | 0:10:48 | |
has paid off. Our iron lady buys an iron plant stand | 0:10:48 | 0:10:52 | |
for half price, at £18.18. | 0:10:52 | 0:10:54 | |
Imagine this with some beautiful plants | 0:10:54 | 0:10:58 | |
and lovely flowers flowing out. | 0:10:58 | 0:11:00 | |
This is going to be fantastique! | 0:11:00 | 0:11:04 | |
Yes, she's clearly got her confidence back | 0:11:05 | 0:11:07 | |
but just as she's catching up with Eric, he only races off again | 0:11:07 | 0:11:11 | |
and makes his fourth purchase - | 0:11:11 | 0:11:13 | |
a pair of wall lights for £81.82. | 0:11:13 | 0:11:15 | |
So, has he unearthed a glowing bargain? | 0:11:15 | 0:11:19 | |
They've got a hint of that very | 0:11:19 | 0:11:22 | |
sort of 1940 look, | 0:11:22 | 0:11:24 | |
which has always been popular. | 0:11:24 | 0:11:26 | |
The decoration's enamelled. | 0:11:26 | 0:11:29 | |
It's all hand-done. | 0:11:29 | 0:11:30 | |
No machine decoration there. | 0:11:30 | 0:11:33 | |
And, for 90 euros, I think | 0:11:33 | 0:11:35 | |
they're well worth buying. | 0:11:35 | 0:11:37 | |
Eric really is setting the pace today. | 0:11:37 | 0:11:39 | |
And he was worried his Knocker knees wouldn't be nimble enough. | 0:11:39 | 0:11:43 | |
Catherine really does need to pick up speed, | 0:11:43 | 0:11:45 | |
or she may find herself going down the pan. | 0:11:45 | 0:11:48 | |
Talking of which... | 0:11:48 | 0:11:50 | |
Love these copper pans. Aren't they super? | 0:11:50 | 0:11:53 | |
I mean, that's heavy before you even put the contents in. | 0:11:53 | 0:11:56 | |
I just really love this whole idea of the big, heavy copper pots. | 0:11:56 | 0:12:02 | |
I just think they look lovely. | 0:12:02 | 0:12:04 | |
I don't think you'd ever use it. | 0:12:04 | 0:12:06 | |
Monsieur. Bonjour, bonjour! How much are these two pots? | 0:12:06 | 0:12:11 | |
First one costs 20 euro, and that one is 10 euro. | 0:12:11 | 0:12:15 | |
20 for this one and ten for that. | 0:12:15 | 0:12:18 | |
I tell you what, I'll give you 20 for two. | 0:12:18 | 0:12:22 | |
But he's not agreeing. Boss is saying no. | 0:12:22 | 0:12:25 | |
-Will you go and have a word with Boss? -OK. | 0:12:25 | 0:12:28 | |
-Just give me a few minutes, I'll be back. -OK, lovely, in a few minutes. | 0:12:28 | 0:12:33 | |
20 euros is what I'm asking, 20 euros for the two. | 0:12:33 | 0:12:37 | |
-He said OK. -Did he? -Yeah. -Oh! | 0:12:37 | 0:12:39 | |
Very good. Wonderful. OK, let's shake. | 0:12:39 | 0:12:43 | |
-Thank you very much. -20! | 0:12:43 | 0:12:46 | |
Oh, and a hint of a little dance there. She's pleased as punch. | 0:12:46 | 0:12:49 | |
Catherine carts off | 0:12:49 | 0:12:51 | |
the copper pots for £18.18. | 0:12:51 | 0:12:54 | |
When you are haggling and trying to get the best possible price, | 0:12:54 | 0:12:58 | |
whether it's abroad or whether it's in England, | 0:12:58 | 0:13:01 | |
the important thing is to gauge the vendor correctly. | 0:13:01 | 0:13:06 | |
And make sure that you're being fair to them. | 0:13:06 | 0:13:09 | |
It's OK to have a bit of a laugh and push them a little bit. | 0:13:09 | 0:13:12 | |
At the end of the day, you don't want to upset them. | 0:13:12 | 0:13:14 | |
You want to get that deal, but you want to get it right. | 0:13:14 | 0:13:17 | |
Hmmm! A little peek inside the mind of a master dealer there, | 0:13:17 | 0:13:21 | |
ladies and gentlemen. As Cunning Catherine heads off to hammer out | 0:13:21 | 0:13:24 | |
yet more hard haggles, let's see how our daring dealers have done so far. | 0:13:24 | 0:13:29 | |
Both our experts arrived with the euro equivalent of £750. | 0:13:29 | 0:13:34 | |
Eric "Knocker" Knowles has wasted no time. | 0:13:34 | 0:13:37 | |
Four pacy purchases for just under £182 | 0:13:37 | 0:13:40 | |
leaving him little more than £568 to spend. | 0:13:40 | 0:13:43 | |
Catherine has been slower on her uptake. | 0:13:43 | 0:13:47 | |
Three deals done for bang-on £100, so there's £650 still in her kitty. | 0:13:47 | 0:13:53 | |
Neither of our battling barterers seem to be caving in | 0:13:53 | 0:13:56 | |
under the pressure just yet, but stop right there! | 0:13:56 | 0:13:59 | |
Is our Catherine considering a Cunning croque monsieur? | 0:13:59 | 0:14:03 | |
-Excusez-moi! -Ah, caught in the act! | 0:14:03 | 0:14:07 | |
I did say to you that this is a very demanding day | 0:14:07 | 0:14:10 | |
and I did say to you, did I not, Catherine, | 0:14:10 | 0:14:13 | |
that lunch was not even an option, never mind a consideration? | 0:14:13 | 0:14:17 | |
Well, I thought I would peruse the menu | 0:14:17 | 0:14:20 | |
-because things are going rather well, Eric. -Oh, are they? | 0:14:20 | 0:14:23 | |
Oh, I'm delighted for you(!) | 0:14:23 | 0:14:25 | |
I was going to follow in your shadow | 0:14:25 | 0:14:28 | |
but then I thought, no, I'm going to go off on my own. | 0:14:28 | 0:14:31 | |
And I have to say, not bad. What about you? | 0:14:31 | 0:14:33 | |
Once you've made that first purchase, | 0:14:33 | 0:14:35 | |
-all of a sudden you seem to get on a roll. -Go on a roll. | 0:14:35 | 0:14:38 | |
Yeah, I'm about halfway there but I've got it all to play for. | 0:14:38 | 0:14:42 | |
-And time is... -Ticking on, isn't it? | 0:14:42 | 0:14:45 | |
Not only is it ticking on, but time is money, Honey! | 0:14:45 | 0:14:48 | |
So, listen, if your conscience is clear, you go ahead, | 0:14:48 | 0:14:52 | |
but as for me, it's business as usual. | 0:14:52 | 0:14:55 | |
-See you. -Bye! | 0:14:55 | 0:14:57 | |
I think I'm going to press on as well. | 0:14:59 | 0:15:01 | |
Forget the lunch. | 0:15:01 | 0:15:03 | |
Yes, no lunch for our master of... Oh! | 0:15:03 | 0:15:06 | |
I'm not sure if my opposition today is showing confidence | 0:15:06 | 0:15:10 | |
or sheer defiance, but I'm not proud. | 0:15:10 | 0:15:13 | |
I am going to be eating literally on the run. | 0:15:13 | 0:15:17 | |
Yes, that's the way to do it, Knocker, | 0:15:17 | 0:15:19 | |
but no refuelling for Catherine! | 0:15:19 | 0:15:21 | |
No, she's found the inner strength deep down at the core | 0:15:21 | 0:15:24 | |
of her competitive nature. | 0:15:24 | 0:15:26 | |
Or is this an act? | 0:15:26 | 0:15:27 | |
Is she calm on the surface, | 0:15:27 | 0:15:29 | |
while underneath paddling away like the proverbial...swan? | 0:15:29 | 0:15:33 | |
That is fabulous. | 0:15:33 | 0:15:35 | |
We've got a planter in the form of a swan. | 0:15:35 | 0:15:39 | |
What I would do is sell that, either to a pub, The Swan Pub, Hotel, | 0:15:39 | 0:15:44 | |
somewhere like that, or take it somewhere | 0:15:44 | 0:15:46 | |
where they have lots of swans, somewhere like Cookham, | 0:15:46 | 0:15:50 | |
but what's the price? | 0:15:50 | 0:15:51 | |
Madame! | 0:15:51 | 0:15:53 | |
-Madame, bonjour. C'est combien? -Deux cents. | 0:15:53 | 0:15:56 | |
Deux cents. | 0:15:56 | 0:15:58 | |
The lady's asking 200 euros. | 0:15:58 | 0:16:01 | |
Je prefer | 0:16:01 | 0:16:02 | |
un cent vingt. | 0:16:02 | 0:16:05 | |
120? That's a lot of money! | 0:16:05 | 0:16:08 | |
Uh, it's OK. | 0:16:09 | 0:16:10 | |
-Is that OK? -Yeah, it's a good deal. | 0:16:10 | 0:16:13 | |
-Yeah? -A good deal for you or me? -No, for you! | 0:16:13 | 0:16:15 | |
Catherine swans off with her fourth purchase, having paid £109.09. | 0:16:17 | 0:16:22 | |
And in celebratory mood, Catherine makes time for a tipple. | 0:16:24 | 0:16:27 | |
She buys a set of retro glassware for 75 euros, or £68.18 back home. | 0:16:27 | 0:16:32 | |
Fancy a drink? I know I do. This is very thirsty work. | 0:16:33 | 0:16:38 | |
But I've picked up this rather smart 1950s little decanter set | 0:16:38 | 0:16:43 | |
with eight shot glasses. | 0:16:43 | 0:16:45 | |
Very retro, very now | 0:16:45 | 0:16:47 | |
and pretty funky. | 0:16:47 | 0:16:49 | |
I love the different colours here. | 0:16:49 | 0:16:51 | |
I love the primary colours - nice, bright, in your face, very retro. | 0:16:51 | 0:16:56 | |
Nice textured glass there. | 0:16:56 | 0:16:58 | |
75 euros? I don't think that's too bad at all. | 0:16:58 | 0:17:02 | |
Cheers. | 0:17:02 | 0:17:04 | |
Yes, bottoms up! | 0:17:04 | 0:17:05 | |
And that mini run has helped Catherine storm past Eric, | 0:17:05 | 0:17:08 | |
whose cheese baguette appears to have slowed his purchasing prowess. | 0:17:08 | 0:17:12 | |
He's been wandering round and round and, if the truth be told, | 0:17:12 | 0:17:15 | |
Knocker's struggling to spot anything. | 0:17:15 | 0:17:18 | |
This is not a look of panic on my face. It's just a look of... | 0:17:19 | 0:17:22 | |
..determined concern. | 0:17:23 | 0:17:25 | |
"Determined concern"? Hmm, must remember that one! | 0:17:25 | 0:17:28 | |
Maybe this is a matter of nimbleness after all. | 0:17:28 | 0:17:32 | |
While Catherine has youth on her side, | 0:17:32 | 0:17:34 | |
is age really going to be a barrier to the boy from Burnley? | 0:17:34 | 0:17:37 | |
Surely not, this man's a pro and he focuses on what he knows best - | 0:17:37 | 0:17:41 | |
pots. | 0:17:41 | 0:17:43 | |
So, you have a very interesting collection here, haven't you? | 0:17:43 | 0:17:48 | |
The things I'm interested in - for example, who is this by? | 0:17:48 | 0:17:52 | |
-Louis Dage. -Louis Dage? | 0:17:52 | 0:17:55 | |
It was made in the '20s. | 0:17:55 | 0:17:58 | |
-Combien? How much is that? -It's not very expensive. | 0:17:58 | 0:18:01 | |
Oh, I like those words. | 0:18:01 | 0:18:02 | |
"Not very expensive", | 0:18:02 | 0:18:04 | |
that's the first time I've heard a Frenchman say that. | 0:18:04 | 0:18:06 | |
-195. -Are we talking derriere prix? | 0:18:06 | 0:18:10 | |
-Don't mind me asking, I have to ask. -150. | 0:18:11 | 0:18:14 | |
150, OK. | 0:18:14 | 0:18:15 | |
I love to see a signature. | 0:18:15 | 0:18:16 | |
I like to see a man who's proud to put his name on his pot. | 0:18:16 | 0:18:21 | |
150, well, I'll give it a go. | 0:18:21 | 0:18:23 | |
There he goes, back at the heart of the game. | 0:18:23 | 0:18:26 | |
The ceramic pot sets Eric back £136.36. | 0:18:26 | 0:18:30 | |
He knows he's running short of time, so he decides to stay where he is. | 0:18:30 | 0:18:34 | |
That, and the fact that his legs are tired. | 0:18:34 | 0:18:36 | |
But it's all good, because he's clocked his next target. | 0:18:36 | 0:18:40 | |
Cor, blimey! Be careful with that! Eric's nerves are shot as it is. | 0:18:40 | 0:18:44 | |
Ah, voila. | 0:18:44 | 0:18:45 | |
I think it's stylish. | 0:18:45 | 0:18:46 | |
I like the dragonfly. | 0:18:46 | 0:18:49 | |
And is that derriere prix? 45? | 0:18:49 | 0:18:51 | |
35. | 0:18:51 | 0:18:53 | |
-35. -OK. | 0:18:53 | 0:18:54 | |
-Yep, definite. -Eric, stop saying "derriere prix"! | 0:18:54 | 0:18:57 | |
your derriere is your backside, | 0:18:57 | 0:18:59 | |
but no matter, really - the man understood | 0:18:59 | 0:19:02 | |
and Eric makes purchase number six. | 0:19:02 | 0:19:04 | |
The red vase costs him £31.82. | 0:19:04 | 0:19:07 | |
I've just gone and bought myself two pots and I have to admit | 0:19:07 | 0:19:12 | |
that I knew nothing about the maker of either. | 0:19:12 | 0:19:17 | |
Starting with this fella, this lovely platinum design. | 0:19:17 | 0:19:22 | |
It's a cross between Nouveau and Deco, | 0:19:22 | 0:19:24 | |
but I love the dragonfly on there. | 0:19:24 | 0:19:27 | |
But even more pleased with this box and cover. | 0:19:27 | 0:19:30 | |
Louis Dage - I'd never heard of him before. | 0:19:31 | 0:19:34 | |
The great thing for me | 0:19:34 | 0:19:35 | |
is I'm going back to England knowing far more than I did before I came. | 0:19:35 | 0:19:39 | |
But I love that design | 0:19:39 | 0:19:41 | |
and I just love the pot itself, | 0:19:41 | 0:19:43 | |
because this is so, so Deco, | 0:19:43 | 0:19:46 | |
and the decoration, it's almost raised like, if you will, | 0:19:46 | 0:19:51 | |
almost like copper-type enamel decoration. | 0:19:51 | 0:19:54 | |
But, of course, it's ceramic. | 0:19:54 | 0:19:55 | |
I thought it was worth a go | 0:19:55 | 0:19:57 | |
because I think that is a fabulous piece of Art Deco ceramic design. | 0:19:57 | 0:20:03 | |
Well, there's proof - you can teach an old dealer new tricks | 0:20:03 | 0:20:06 | |
and Eric's so pleased with his haul, he decides to call time on his shop. | 0:20:06 | 0:20:10 | |
Catherine, however, is still in the party mood, | 0:20:10 | 0:20:13 | |
always wanting one last dance before home time. | 0:20:13 | 0:20:16 | |
She's hoping to siphon off a little more party profit. | 0:20:16 | 0:20:19 | |
This is priced up at 85 euros. | 0:20:19 | 0:20:22 | |
I quite like the fact that it's glass, cos quite often they're... | 0:20:22 | 0:20:26 | |
-Big glass. -..metal. Yeah, it's very thick. | 0:20:26 | 0:20:28 | |
This is probably '30s. | 0:20:28 | 0:20:30 | |
-1920s... -'20s, '30s, yep. | 0:20:30 | 0:20:34 | |
And this is etched, is it? | 0:20:34 | 0:20:35 | |
It was the name of the bar. | 0:20:35 | 0:20:37 | |
The bar, ah, I see. | 0:20:37 | 0:20:38 | |
-The owner of the bar. It was in Rouen. -Ah, in Rouen. -Yep. | 0:20:38 | 0:20:43 | |
OK, would you take 50? | 0:20:43 | 0:20:45 | |
No, I can't. It's impossible. | 0:20:45 | 0:20:47 | |
-You can't? -No, because I buy at 50. | 0:20:47 | 0:20:49 | |
-You buy at 50? -I can sell at 70 if you want. | 0:20:49 | 0:20:52 | |
Can I give you 60, and then you have a little profit and then I can sell? | 0:20:52 | 0:20:57 | |
Yeah? Yeah, 60? | 0:20:57 | 0:20:59 | |
-Is that OK? -60, OK. | 0:20:59 | 0:21:01 | |
Thank you very much. It is lovely. | 0:21:01 | 0:21:03 | |
Yes, Catherine's usual trick of holding out her hand works | 0:21:03 | 0:21:07 | |
once again and in that final spurt, the siphon costs her £54.55. | 0:21:07 | 0:21:13 | |
And that winds up the Battle of St Ouen, | 0:21:13 | 0:21:16 | |
but before our combatants convene for a little rendezvous, | 0:21:16 | 0:21:19 | |
let's take a look at their spending figures. | 0:21:19 | 0:21:22 | |
Both our bargain barterers started the day | 0:21:22 | 0:21:25 | |
with the equivalent of £750 in their pockets. | 0:21:25 | 0:21:28 | |
Eric picked up six purchases and spent £350.01 in the process. | 0:21:28 | 0:21:34 | |
Catherine also did half a dozen deals | 0:21:34 | 0:21:36 | |
and spent very slightly less, £331.82. | 0:21:36 | 0:21:41 | |
Despite neither spending even half of their budgets, | 0:21:41 | 0:21:44 | |
they're very evenly matched, so do our have-a-go hagglers stand | 0:21:44 | 0:21:48 | |
half a chance of making a decent profit? | 0:21:48 | 0:21:51 | |
-Tres bien, tres bien! -Mission accomplished, you might say. | 0:21:51 | 0:21:55 | |
-I think yours looks better than mine. -I've gone a bit Deco, I know. | 0:21:55 | 0:21:58 | |
I always do, but you can't help it in France, it's here. | 0:21:58 | 0:22:01 | |
And you are a heavy metal chick, no two ways about it. | 0:22:01 | 0:22:05 | |
Well, I think I've gone down a bit of a homely route. | 0:22:05 | 0:22:08 | |
With an emphasis on drink as well, I've noticed, there. | 0:22:08 | 0:22:11 | |
-Sh, you're not supposed to see that. -Big lump of wrought iron over there. | 0:22:11 | 0:22:15 | |
20 euros. | 0:22:15 | 0:22:16 | |
Hey, at 20 euros, it'll scrap for more than that back home. | 0:22:16 | 0:22:19 | |
What have you bought? | 0:22:19 | 0:22:21 | |
I actually quite like the earliest thing, | 0:22:21 | 0:22:22 | |
which is probably this little caddy, actually inlaid with "The". | 0:22:22 | 0:22:27 | |
Now, I don't know about you but I'm catching a train | 0:22:27 | 0:22:30 | |
and on that train there is a place that sells "the" | 0:22:30 | 0:22:35 | |
and I will stand you to a cup of whatever you like. | 0:22:35 | 0:22:39 | |
-So, I will get packed and I will see you... -See you on the train. | 0:22:39 | 0:22:44 | |
Yes, one train ride later | 0:22:48 | 0:22:49 | |
and Eric and Catherine are back on British soil | 0:22:49 | 0:22:52 | |
and our prime purchasers must now become super sellers. | 0:22:52 | 0:22:55 | |
All their carefully selected foreign fare needs to make maximum profits | 0:22:55 | 0:23:00 | |
and it's our dealers' jobs to find the best buyers | 0:23:00 | 0:23:03 | |
using their contacts, researching people they've never met, | 0:23:03 | 0:23:06 | |
or just finding someone with loads of money. It doesn't matter. | 0:23:06 | 0:23:10 | |
What's at stake? | 0:23:10 | 0:23:11 | |
Only the glory of being crowned today's Put Your Money champion. | 0:23:11 | 0:23:15 | |
Yes! | 0:23:15 | 0:23:16 | |
It's time for our bargain hunters to assess their wares. | 0:23:16 | 0:23:19 | |
At Knocker HQ, Mr Knowles is rather pleased with his stash. | 0:23:19 | 0:23:23 | |
Surprise, surprise - everything's French, | 0:23:23 | 0:23:26 | |
including an interesting pair of Art Deco wall lights, | 0:23:26 | 0:23:30 | |
enamelled with gazelle-type designs. | 0:23:30 | 0:23:33 | |
There's no doubting that my rosewood caddy is French | 0:23:33 | 0:23:37 | |
because it's beautifully lettered. | 0:23:37 | 0:23:39 | |
My Art Deco cake slice, it's very stylish, | 0:23:39 | 0:23:42 | |
and it was very inexpensive, | 0:23:42 | 0:23:45 | |
as was my lovely little inkwell on an onyx stand. | 0:23:45 | 0:23:51 | |
My most interesting object has to be this Art Deco box and cover. | 0:23:51 | 0:23:57 | |
I'm all the wiser from having gone to Paris to find out about Louis Dage. | 0:23:57 | 0:24:03 | |
The eagle-eyed amongst you will probably notice | 0:24:03 | 0:24:06 | |
that I'm actually lacking a red pottery vase. | 0:24:06 | 0:24:09 | |
Well, the sad tale there is that it, through no fault of my own, | 0:24:09 | 0:24:12 | |
actually got broken in transit from la belle France. | 0:24:12 | 0:24:16 | |
Yes, these things do happen. | 0:24:16 | 0:24:18 | |
Since the breakage wasn't Eric's fault, | 0:24:18 | 0:24:20 | |
the Put Your Money games masters have decided to pay | 0:24:20 | 0:24:23 | |
to have the vase restored, | 0:24:23 | 0:24:24 | |
so we'll see what happens later on. | 0:24:24 | 0:24:27 | |
In Kent, Catherine's back at Cunning Towers, | 0:24:27 | 0:24:30 | |
so how's she feeling about her French foray? | 0:24:30 | 0:24:33 | |
I was little bit sceptical about St Ouen when we first started | 0:24:33 | 0:24:37 | |
at the market because it was a market | 0:24:37 | 0:24:40 | |
that Mr Knowles knew extremely well. | 0:24:40 | 0:24:43 | |
Firstly, my copper pots - | 0:24:43 | 0:24:45 | |
20 euros I paid for those. Bargain. | 0:24:45 | 0:24:49 | |
I love my magic lantern slide. | 0:24:49 | 0:24:53 | |
That is going to be a peach of a purchase. | 0:24:53 | 0:24:56 | |
My soda siphon - you see these all the time | 0:24:57 | 0:24:59 | |
but that is a really nice example. | 0:24:59 | 0:25:02 | |
Lovely, colourful, retro glasses there. | 0:25:02 | 0:25:06 | |
I don't think they'll be too problematic. | 0:25:06 | 0:25:08 | |
As soon as I saw this swan, | 0:25:08 | 0:25:11 | |
I had to have it. I've got just the person in mind for this. | 0:25:11 | 0:25:15 | |
One of my favourite pieces has to be this wrought iron plant stand. | 0:25:15 | 0:25:22 | |
I really can't believe that I paid just under £20 for it. | 0:25:22 | 0:25:26 | |
All in all, I am delighted with everything here, | 0:25:26 | 0:25:30 | |
so it wasn't too bad after all. | 0:25:30 | 0:25:33 | |
Good news. | 0:25:33 | 0:25:34 | |
So, our titanic twosome get down to some fearsome phone bashing | 0:25:34 | 0:25:38 | |
to line up those stellar sales, | 0:25:38 | 0:25:40 | |
and remember, until they've shaken on it | 0:25:40 | 0:25:42 | |
and the money's changed hands, no deal is ever sealed. | 0:25:42 | 0:25:46 | |
And Catherine is the eager beaver, | 0:25:46 | 0:25:48 | |
straight out there on the hunt for a double deal. | 0:25:48 | 0:25:51 | |
She's brought the soda siphon | 0:25:51 | 0:25:52 | |
and the decanter set to the village of Wateringbury near Maidstone | 0:25:52 | 0:25:56 | |
and a tea room that sells antiques, | 0:25:56 | 0:25:58 | |
so will the owner, Mark, be interested? | 0:25:58 | 0:26:01 | |
You did express some interest. | 0:26:01 | 0:26:02 | |
-It's very nice. -..in this soda siphon. | 0:26:02 | 0:26:04 | |
Have a feel, because feel the weight of that - | 0:26:04 | 0:26:06 | |
it's pretty heavy, isn't it? | 0:26:06 | 0:26:07 | |
Oh, it is a nice one. | 0:26:07 | 0:26:09 | |
It's got a real quirky look and we like quirky in this shop. | 0:26:09 | 0:26:12 | |
You like quirky? Oh, I am pleased. | 0:26:12 | 0:26:14 | |
It all depends on the price, Catherine. You know how it goes. | 0:26:14 | 0:26:17 | |
I would like around... | 0:26:17 | 0:26:19 | |
-..about £80. -I think I would be happy on 70, if we could do 70. | 0:26:21 | 0:26:26 | |
-OK, £70 for that one. -Is that a deal? -We'll shake on that. | 0:26:26 | 0:26:29 | |
I'm very happy to be the new owner of this little fella. | 0:26:29 | 0:26:32 | |
The soda siphon squeezes out a profit of £15.45, | 0:26:32 | 0:26:36 | |
not the greatest starting profit, but she's not done yet. | 0:26:36 | 0:26:39 | |
I've brought you something else as well, | 0:26:39 | 0:26:41 | |
because I think it's quite retro, it's quite fun, | 0:26:41 | 0:26:45 | |
-so we've got a little decanter set. -Yeah. | 0:26:45 | 0:26:47 | |
I thought the colours were great and all in good condition. | 0:26:47 | 0:26:51 | |
-They're not rubbed or anything. -There's no chips either. | 0:26:51 | 0:26:53 | |
That's always very nice. | 0:26:53 | 0:26:55 | |
And how much were you looking for? | 0:26:55 | 0:26:56 | |
In order to make an eentsy-teentsy profit, again, | 0:26:56 | 0:26:59 | |
I'm looking at £90, 80-90. | 0:26:59 | 0:27:02 | |
Outside of my range. I could go up to 50. | 0:27:02 | 0:27:06 | |
I would make a loss on that. | 0:27:06 | 0:27:07 | |
-I could help you a little bit and go to 60. -Could you? -Yeah. | 0:27:07 | 0:27:11 | |
-You happy with that? -I'm happy. | 0:27:11 | 0:27:13 | |
Yes, but it's still a loss. | 0:27:13 | 0:27:15 | |
The decanter set leaves Catherine £8.18 worse off, | 0:27:15 | 0:27:18 | |
thought the siphon sales does mean she leaves in profit overall. | 0:27:18 | 0:27:22 | |
That's the way this game works | 0:27:22 | 0:27:23 | |
and we've only just started this mammoth selling mission. | 0:27:23 | 0:27:27 | |
Now, our Knocker has decided to kick off his campaign in London's Soho. | 0:27:28 | 0:27:32 | |
He wants to sell his cake slice | 0:27:32 | 0:27:34 | |
to the oldest patisserie in the capital. | 0:27:34 | 0:27:36 | |
It's been there for over 140 years. | 0:27:36 | 0:27:39 | |
The Art Deco item owes him nearly £23, | 0:27:39 | 0:27:42 | |
so will the shop's owner, Michelle, give him a profit? | 0:27:42 | 0:27:45 | |
There it is. | 0:27:45 | 0:27:47 | |
It's in perfect working order. | 0:27:47 | 0:27:49 | |
From a date point of view, I'd have thought that's about 1925. | 0:27:49 | 0:27:52 | |
Just about the time of the big Paris Exposition | 0:27:52 | 0:27:57 | |
that happened and which is synonymous with Art Deco. | 0:27:57 | 0:28:01 | |
Could you tell me why it's got this little pattern on it here? | 0:28:01 | 0:28:05 | |
I think it's just part of the design, | 0:28:05 | 0:28:07 | |
but it goes without saying that it makes it that little bit lighter, | 0:28:07 | 0:28:11 | |
because it's actually reducing the weight. | 0:28:11 | 0:28:14 | |
We're going to see if it works first of all, are we? Go on, give it a go. | 0:28:14 | 0:28:17 | |
I'll see if it slices. | 0:28:17 | 0:28:18 | |
-It looks very nice, doesn't it? Look at that? -Yeah. | 0:28:18 | 0:28:21 | |
I was hoping for somewhere round about £45 for this little fella, | 0:28:21 | 0:28:26 | |
but what would you be happy paying? | 0:28:26 | 0:28:28 | |
£30. | 0:28:28 | 0:28:30 | |
Could we meet halfway? 35 at a push? | 0:28:30 | 0:28:34 | |
-32.50? -32.50? That gets complicated. | 0:28:34 | 0:28:37 | |
Can we just round it up? | 0:28:37 | 0:28:38 | |
Round it down? | 0:28:38 | 0:28:40 | |
-OK, let's round it down to £32, shall we? Yes? -Yes. | 0:28:40 | 0:28:43 | |
-You've got yourself a cake slice for £32. -Merci beaucoup. | 0:28:43 | 0:28:46 | |
That's all right. No, merci bien. | 0:28:46 | 0:28:49 | |
Mmm, a savvy businesswoman there. | 0:28:49 | 0:28:51 | |
So, no icing on Eric's cake. | 0:28:51 | 0:28:53 | |
He does leave with a profit, though, of £9.27. | 0:28:53 | 0:28:56 | |
It's not going great for either of our experts, | 0:28:56 | 0:28:59 | |
but it's a marathon, not a sprint, and Put Your Money's answer | 0:28:59 | 0:29:03 | |
to Sebastian Coe is hoping for more luck with his next sale. | 0:29:03 | 0:29:06 | |
He's heading for another specialist shop in London, | 0:29:06 | 0:29:09 | |
this time in upmarket Hampstead. | 0:29:09 | 0:29:11 | |
He's taking his inkwell to show Smarda, who deals in fountain pens. | 0:29:11 | 0:29:15 | |
Eric paid almost £23 for it. | 0:29:15 | 0:29:18 | |
There it is. Let me just show you. | 0:29:18 | 0:29:20 | |
Please, feel free to hold it, | 0:29:22 | 0:29:25 | |
and you can see that the decoration has champleve enamel, | 0:29:25 | 0:29:29 | |
so it's been cut into the brass | 0:29:29 | 0:29:33 | |
and then the enamel's been flooded into the cloisonnes | 0:29:33 | 0:29:37 | |
and the base itself is a very pale green Brazilian onyx. | 0:29:37 | 0:29:43 | |
It's a beautiful piece. | 0:29:43 | 0:29:45 | |
The problem with them is they don't collect like marble. | 0:29:45 | 0:29:53 | |
-The onyx? -Yeah. | 0:29:53 | 0:29:54 | |
-Oh, right. -So that's a little bit reduced the value. | 0:29:54 | 0:29:59 | |
You've got to re-educate them. | 0:29:59 | 0:30:01 | |
The people I deal with crave good quality onyx. | 0:30:01 | 0:30:05 | |
I valued it about the £40 mark. | 0:30:05 | 0:30:08 | |
And I value it about 20-25. | 0:30:08 | 0:30:11 | |
-So if we can do a deal at 30... -Shall we go in the middle? | 0:30:12 | 0:30:17 | |
Shall we say 28? | 0:30:17 | 0:30:19 | |
-28 will be OK. -Thank you very much indeed. | 0:30:19 | 0:30:24 | |
Another hard deal - what is going on? | 0:30:24 | 0:30:26 | |
Eric's inkwell writes a profit of just £5.27. | 0:30:26 | 0:30:30 | |
So while Eric goes off to try harder with his potential buyers, | 0:30:30 | 0:30:34 | |
Catherine gets back on the road. | 0:30:34 | 0:30:36 | |
She did quite a lot of research before setting up her next meeting. | 0:30:36 | 0:30:40 | |
She's in Suffolk and she's feeling hopeful. | 0:30:40 | 0:30:43 | |
I'm here in Newmarket and I've come to see Richard, | 0:30:43 | 0:30:46 | |
who's a member of the Magic Lantern Society | 0:30:46 | 0:30:49 | |
and I'm hoping that he's going to buy my magic lantern. | 0:30:49 | 0:30:53 | |
Yes, Richard is a big collector of magic lanterns. | 0:30:53 | 0:30:56 | |
Will he pay more than Catherine's outlay of nearly £64? | 0:30:56 | 0:31:00 | |
So were you just collecting the actual lanterns, | 0:31:00 | 0:31:02 | |
-or is it the slides as well. -Oh, the slides. | 0:31:02 | 0:31:05 | |
-Good. -I only collect what I can make use of. | 0:31:05 | 0:31:08 | |
I hope it lives up to its expectations. I saw it... | 0:31:08 | 0:31:11 | |
I bought it in Paris | 0:31:11 | 0:31:12 | |
and I just fell in love with it. | 0:31:12 | 0:31:14 | |
-It is obviously a French one. -Yes. | 0:31:14 | 0:31:17 | |
What date do you think? | 0:31:17 | 0:31:18 | |
It's got to be between, yes, 1850-1860, something like that. | 0:31:18 | 0:31:23 | |
You've done very well to find it. | 0:31:23 | 0:31:24 | |
I always remember the ones with some sort of mechanical... | 0:31:24 | 0:31:27 | |
The chromatropes. | 0:31:27 | 0:31:28 | |
The chromatropes, or these with the levers tend to be the ones | 0:31:28 | 0:31:31 | |
that are more desirable and more collectable. | 0:31:31 | 0:31:34 | |
-Yes. -I was looking for somewhere around the 150 mark. | 0:31:34 | 0:31:40 | |
I do love it, so, look, I'll give you 125. | 0:31:40 | 0:31:43 | |
Can we make it up to a nice, round 130 and then we're done? | 0:31:44 | 0:31:47 | |
-Yes, OK. -Shall we? -Why not? -Thank you very much. -No, thank you. | 0:31:47 | 0:31:51 | |
-I'm so pleased... -Have you got any more? | 0:31:51 | 0:31:53 | |
If only, Richard. So the lantern slide lights up Catherine's game. | 0:31:56 | 0:32:00 | |
It projects £66.36 into her profit purse | 0:32:00 | 0:32:04 | |
and before she goes, Richard gives her a demonstration using her slide. | 0:32:04 | 0:32:09 | |
So it's completely reversed now from what we saw. | 0:32:09 | 0:32:12 | |
If we take this longer lever, | 0:32:12 | 0:32:15 | |
we can make the dog bark. | 0:32:15 | 0:32:17 | |
HE IMITATES BARKING | 0:32:17 | 0:32:19 | |
I think this is absolutely charming. It looks gorgeous. | 0:32:19 | 0:32:22 | |
The colours are wonderful and I really hope that you use this | 0:32:22 | 0:32:26 | |
in one of your shows, because I think it's pure entertainment. | 0:32:26 | 0:32:29 | |
Oh, we will. | 0:32:29 | 0:32:30 | |
Rest assured, we will use it. | 0:32:30 | 0:32:33 | |
HE IMITATES BARKING | 0:32:33 | 0:32:34 | |
Well, Richard's clearly a very happy customer. | 0:32:34 | 0:32:37 | |
As we reach the halfway stage of this selling saga, | 0:32:37 | 0:32:40 | |
let's see how the money is totting up. | 0:32:40 | 0:32:42 | |
Eric "Knocker" Knowles has so far sold two items, | 0:32:43 | 0:32:46 | |
but he's not so flash on the cash - | 0:32:46 | 0:32:48 | |
a profit of just £14.54. | 0:32:48 | 0:32:52 | |
Catherine, however, has made three sales, | 0:32:52 | 0:32:54 | |
and her profit's looking much healthier, £73.64. | 0:32:54 | 0:32:58 | |
Well, Catherine's clearly queen of the castle now, | 0:32:59 | 0:33:02 | |
but Eric's determined to battle back into prime position. | 0:33:02 | 0:33:06 | |
He pulls out his big gun, the Art Deco ceramic pot. | 0:33:06 | 0:33:10 | |
He clubs it together with the rosewood tea caddy | 0:33:10 | 0:33:13 | |
in the hope of a double deal. | 0:33:13 | 0:33:14 | |
He takes them both to Haslingden in Lancashire | 0:33:14 | 0:33:17 | |
and he's pinning his hopes on antiques dealer John. | 0:33:17 | 0:33:20 | |
I've brought a couple of things along that might be of interest to you. | 0:33:20 | 0:33:23 | |
Let me show you this for starters. It's a tea caddy. | 0:33:23 | 0:33:26 | |
The thing I like about it is just this beautiful, | 0:33:26 | 0:33:29 | |
delicate stringing that's on there. | 0:33:29 | 0:33:32 | |
Date-wise, I had it about 1860. | 0:33:32 | 0:33:35 | |
It's mid-Victorian to late-Victorian, | 0:33:35 | 0:33:37 | |
it's a lovely little rosewood caddy. Unfortunately... | 0:33:37 | 0:33:41 | |
-That is the minus. -..it is missing its innards. | 0:33:41 | 0:33:44 | |
I was looking for somewhere in the region of £80. | 0:33:44 | 0:33:49 | |
I'd be... | 0:33:49 | 0:33:50 | |
..comfortable at £50-60. | 0:33:52 | 0:33:55 | |
If it's the 60, | 0:33:55 | 0:33:57 | |
we've got a deal. | 0:33:57 | 0:33:59 | |
You should never say a range, should you? You should always say a price. | 0:33:59 | 0:34:02 | |
I've gone within the range, so if you're happy with 60, | 0:34:02 | 0:34:05 | |
I'm happy with 60. | 0:34:05 | 0:34:06 | |
Thanks very much. | 0:34:06 | 0:34:07 | |
Oh, Eric, another small profit - £5.45. | 0:34:07 | 0:34:12 | |
So, will he wow John with the big one. | 0:34:12 | 0:34:15 | |
So we're moving to something completely different, | 0:34:15 | 0:34:18 | |
a ceramic box and cover | 0:34:18 | 0:34:20 | |
by Louis Dage. He was working in northern Paris in about 1925. | 0:34:20 | 0:34:26 | |
Have a look at it, see what you think. | 0:34:26 | 0:34:28 | |
I'm fully aware that we're dealing with something | 0:34:28 | 0:34:31 | |
that you don't see every day. | 0:34:31 | 0:34:33 | |
I might even use the word esoteric. | 0:34:34 | 0:34:37 | |
In itself, it's not to me wildly exciting. | 0:34:37 | 0:34:40 | |
It's got the name, it's got the signature, it's a nice thing. | 0:34:40 | 0:34:43 | |
-I suppose it comes down to... -The right price. | 0:34:43 | 0:34:46 | |
So I was looking to get somewhere in the region of around about £120. | 0:34:46 | 0:34:54 | |
-I was thinking in the... £70, £80-range. -Right. | 0:34:54 | 0:35:00 | |
I would like to think I might get £90. | 0:35:00 | 0:35:03 | |
-Somewhere in the middle. -Can we do an 85 on that? | 0:35:03 | 0:35:05 | |
-Yes. -Shall we do an 85? OK. -Thank you. | 0:35:05 | 0:35:09 | |
Oh, Eric, that is an enormous loss. | 0:35:09 | 0:35:11 | |
£51.36! | 0:35:11 | 0:35:14 | |
This really isn't his game, is it? | 0:35:14 | 0:35:17 | |
OK, I know, not my finest hour - a minimal profit on my tea caddy | 0:35:17 | 0:35:22 | |
and as for my Louis Dage, | 0:35:22 | 0:35:26 | |
well, something of a loss, but to put a more positive spin on this, | 0:35:26 | 0:35:31 | |
somebody at some stage is going to own one superb French Art Deco | 0:35:31 | 0:35:37 | |
pottery box. | 0:35:37 | 0:35:39 | |
Well, you look for an upside all you like, Knocker, | 0:35:39 | 0:35:41 | |
but there's no way round it - that's a huge disappointment, | 0:35:41 | 0:35:44 | |
but, true to form, | 0:35:44 | 0:35:46 | |
Eric throws himself wholeheartedly into selling his last items. | 0:35:46 | 0:35:50 | |
And he's going to have to. | 0:35:50 | 0:35:51 | |
Catherine's on the scent of her next deal | 0:35:51 | 0:35:53 | |
and she's off to Henley-on-Thames to visit a florist, | 0:35:53 | 0:35:57 | |
so will she get a cash bouquet for her wrought iron plant stand? | 0:35:57 | 0:36:00 | |
She's meeting Annette. | 0:36:00 | 0:36:02 | |
I've just been looking around and I notice that you have | 0:36:02 | 0:36:06 | |
quite a few of these old-style pots, | 0:36:06 | 0:36:08 | |
so I'm hoping that my plant stand would fit quite well. | 0:36:08 | 0:36:13 | |
It's very unique. | 0:36:13 | 0:36:14 | |
It's just where my market is, really - something unusual. | 0:36:14 | 0:36:18 | |
I'd probably just put overflowing plants or something like that | 0:36:18 | 0:36:22 | |
so it had a bit more character to it. | 0:36:22 | 0:36:24 | |
I am going to start at about £70-80 for this. | 0:36:24 | 0:36:29 | |
I was thinking probably 50-ish. | 0:36:29 | 0:36:33 | |
65? | 0:36:33 | 0:36:34 | |
65 would be the maximum I'd go. | 0:36:38 | 0:36:40 | |
-Maximum? -Maximum. -Could we shake on 65? | 0:36:40 | 0:36:43 | |
We could shake on 65. | 0:36:43 | 0:36:44 | |
Thank you so much, Annette, that's wonderful, | 0:36:44 | 0:36:47 | |
and I know you're going to do something fabulous with this. | 0:36:47 | 0:36:50 | |
Yes, Catherine comes up smelling of roses - | 0:36:50 | 0:36:53 | |
a blooming great profit of £46.82. | 0:36:53 | 0:36:56 | |
Back to Eric, who's gone to his old stomping ground in Lancashire | 0:36:56 | 0:37:00 | |
looking for some home luck. | 0:37:00 | 0:37:02 | |
And he's certainly needs it. | 0:37:02 | 0:37:03 | |
He's in Eccleston to meet Harry, | 0:37:03 | 0:37:05 | |
who he's desperately hoping will like the wall lights enough | 0:37:05 | 0:37:08 | |
to give him a profit on the near £82 he paid out. | 0:37:08 | 0:37:12 | |
-Harry, found you. -Hello, Eric. -How are you? | 0:37:12 | 0:37:16 | |
-What an emporium! It goes on for ever, doesn't it? -It does, yes. | 0:37:16 | 0:37:19 | |
Feast your eyes on... That's one of a pair. | 0:37:19 | 0:37:23 | |
Very nice. | 0:37:23 | 0:37:24 | |
Obviously, they're going to need complete rewiring | 0:37:24 | 0:37:27 | |
and the word is PAT testing. | 0:37:27 | 0:37:30 | |
I think these are round about 1925-1930. | 0:37:30 | 0:37:34 | |
They're brass and then they've been enamelled | 0:37:34 | 0:37:37 | |
with this deer and fawn design. Would they be of interest? | 0:37:37 | 0:37:42 | |
Yeah, they would. | 0:37:42 | 0:37:43 | |
I am interested. | 0:37:43 | 0:37:44 | |
Let's say round about £110. | 0:37:44 | 0:37:47 | |
I was thinking more about 70-75. | 0:37:47 | 0:37:51 | |
If I could do these for about £90... | 0:37:51 | 0:37:54 | |
-OK, I'm all right at that. -You're all right at 90? OK, all right. | 0:37:54 | 0:37:58 | |
Hmm, not ideal at all. | 0:37:58 | 0:38:00 | |
The wall lights offer just a glimmer of a profit - £8.18. | 0:38:00 | 0:38:03 | |
Back down south, Catherine's travelled to Berkshire, | 0:38:05 | 0:38:07 | |
and she thought she'd found the perfect place | 0:38:07 | 0:38:10 | |
to sell her large swan planter. | 0:38:10 | 0:38:12 | |
The Old Swan Uppers Pub in Cookham seems to be the perfect place | 0:38:12 | 0:38:17 | |
to sell my swan planter. | 0:38:17 | 0:38:19 | |
But have a look at this - I've got competition. | 0:38:19 | 0:38:23 | |
And I think they're slightly better. Sh! | 0:38:23 | 0:38:27 | |
Ooh, that's put a fly in the ointment. | 0:38:27 | 0:38:29 | |
Let's hope Simon, the publican, wants another one. | 0:38:29 | 0:38:32 | |
Catherine paid nearly £110 for hers. | 0:38:32 | 0:38:35 | |
-Is it Swan upping in Cookham? -Swan upping, certainly. | 0:38:35 | 0:38:38 | |
And that's where the tag the swans? They do indeed, once a year. | 0:38:38 | 0:38:41 | |
Lovely. That's why I brought my swan to you, | 0:38:41 | 0:38:43 | |
but I've got competition outside, haven't I? | 0:38:43 | 0:38:45 | |
Yeah, I have a pair of swans out the front looking splendid | 0:38:45 | 0:38:49 | |
and fantastic. | 0:38:49 | 0:38:50 | |
So does mine! | 0:38:50 | 0:38:51 | |
Whether I can add this to my collection remains to be seen. | 0:38:51 | 0:38:54 | |
This has age to it. | 0:38:54 | 0:38:56 | |
-I think it's probably '50s. -Right, I can picture it, maybe, on the bar. | 0:38:56 | 0:39:00 | |
-Mmm. -With some flowers coming out of it, or menus, | 0:39:00 | 0:39:05 | |
-as a menu receptacle. -I like that idea. That would be quite nice. | 0:39:05 | 0:39:08 | |
I can picture it. | 0:39:08 | 0:39:10 | |
-Depends on the price, I guess. -Right. I am looking, Simon, | 0:39:10 | 0:39:14 | |
for around £160. | 0:39:14 | 0:39:17 | |
Er... | 0:39:17 | 0:39:19 | |
I was thinking possibly 120? | 0:39:19 | 0:39:22 | |
-What about 140? -That's good, that's fine. -Is that good? -I can see 140. | 0:39:22 | 0:39:26 | |
Simon! | 0:39:26 | 0:39:27 | |
-You're a star and I think... -Pleasure. | 0:39:27 | 0:39:30 | |
-..menus. -Yeah, I think so. | 0:39:30 | 0:39:32 | |
Yes, Catherine glides elegantly away with a profit of £30.91 | 0:39:32 | 0:39:37 | |
and she keeps her head above water with her final deal of the day, | 0:39:37 | 0:39:41 | |
the copper pots. | 0:39:41 | 0:39:42 | |
They sell for £45, cooking up a profit of £26.82, | 0:39:42 | 0:39:47 | |
which means it all comes down to Eric's red vase. | 0:39:47 | 0:39:50 | |
You'll remember he was having it repaired after it got damaged | 0:39:50 | 0:39:54 | |
on the journey back from France. | 0:39:54 | 0:39:56 | |
Well, there's been a bit of a situation. | 0:39:56 | 0:39:59 | |
Well, this is a sorry sight | 0:39:59 | 0:40:01 | |
because this is the extent of the damage to my red vase. | 0:40:01 | 0:40:04 | |
Now, I've shown this to several restorers | 0:40:04 | 0:40:07 | |
and they've all said the same thing - that it's impossible to restore | 0:40:07 | 0:40:11 | |
because they're never going to be able to emulate | 0:40:11 | 0:40:14 | |
the platinum lustre type of decoration, | 0:40:14 | 0:40:16 | |
so it is simply not cost-effective. | 0:40:16 | 0:40:19 | |
I'm afraid the only place for what you see before you | 0:40:19 | 0:40:23 | |
is the bin. | 0:40:23 | 0:40:25 | |
And for a ceramic fanatic like Knocker, | 0:40:25 | 0:40:28 | |
that's the worst thing of all. | 0:40:28 | 0:40:30 | |
Since the breakage wasn't Eric's fault, | 0:40:30 | 0:40:32 | |
it wouldn't be fair for him to lose out financially, | 0:40:32 | 0:40:34 | |
so the Put Your Money games masters | 0:40:34 | 0:40:36 | |
refund him what he paid out in the first place. | 0:40:36 | 0:40:38 | |
He doesn't make a loss but he can't make a profit either | 0:40:38 | 0:40:42 | |
and that could have made all the difference in today's game. | 0:40:42 | 0:40:45 | |
So before we find out the final results, | 0:40:45 | 0:40:48 | |
why don't we remind ourselves of what they spent? | 0:40:48 | 0:40:51 | |
Both our bargain hunters started out | 0:40:52 | 0:40:54 | |
with £750-worth of their own euros to spend. | 0:40:54 | 0:40:58 | |
Taking Eric's broken vase out of the equation completely, | 0:40:58 | 0:41:01 | |
he made five other purchases and spent £318.19. | 0:41:01 | 0:41:05 | |
Catherine struck six deals and spent £331.82. | 0:41:06 | 0:41:11 | |
But it's all about profit now and this one could be interesting. | 0:41:13 | 0:41:17 | |
Any money that Catherine and Eric have made from today's challenge | 0:41:17 | 0:41:20 | |
will go to charities of their choice, | 0:41:20 | 0:41:21 | |
so let's find out who is today's | 0:41:21 | 0:41:23 | |
Put Your Money Where Your Mouth Is champion. | 0:41:23 | 0:41:25 | |
-Ha-ha! -Bonjour. -Bonjour! | 0:41:26 | 0:41:28 | |
"Comment allez-vous?", as they say in certain parts of the world. | 0:41:28 | 0:41:32 | |
Not bad, not bad. How was the selling for you? | 0:41:32 | 0:41:35 | |
Well, I've got to come clean and say it was a tough call. | 0:41:35 | 0:41:38 | |
Oh, good. | 0:41:38 | 0:41:39 | |
What was your big one? Come on. | 0:41:40 | 0:41:42 | |
Well, one of my highlights | 0:41:42 | 0:41:43 | |
was that magic lantern. | 0:41:43 | 0:41:44 | |
-We saw it on the big screen and it looked amazing. -Ha-ha! | 0:41:44 | 0:41:48 | |
Very nice, and you? | 0:41:48 | 0:41:49 | |
The tea caddy, or should I say, the "the" caddy. | 0:41:49 | 0:41:53 | |
Yes, that was nice. | 0:41:53 | 0:41:54 | |
It was such a beautiful piece of rosewood and I wanted to keep it. | 0:41:54 | 0:41:59 | |
-Shall we have a look? -You want to do this in French. | 0:41:59 | 0:42:03 | |
Un, deux, trois... | 0:42:03 | 0:42:05 | |
-Ah... -Oh! | 0:42:05 | 0:42:07 | |
-Eric! -I know. | 0:42:07 | 0:42:09 | |
-It was not my finest hour. -It wasn't, was it? | 0:42:09 | 0:42:13 | |
I found myself having to bite the bullet | 0:42:13 | 0:42:17 | |
and sell my fabulous Louis Dage ceramic box and cover at a loss. | 0:42:17 | 0:42:23 | |
-I'm going to buy you a drink. Commiserate. -I think I need one! | 0:42:23 | 0:42:27 | |
Well, who would have predicted that when they arrived in Paris? | 0:42:27 | 0:42:31 | |
Full credit to Catherine, though. | 0:42:31 | 0:42:32 | |
She conquered in what turned out to be a very tough competition. | 0:42:32 | 0:42:37 | |
Well, I normally do OK when I'm in la belle France, but on this occasion | 0:42:37 | 0:42:43 | |
I don't quite know what the French word for tragedy is, | 0:42:43 | 0:42:46 | |
but that's what it was. | 0:42:46 | 0:42:47 | |
I got a red card, I made a minus! | 0:42:48 | 0:42:51 | |
I am shocked and horrified that I have won. | 0:42:51 | 0:42:57 | |
Eric knows this fair so well | 0:42:57 | 0:43:00 | |
and I thought he'd be making thousands! | 0:43:00 | 0:43:03 | |
Ha-ha-ha... | 0:43:03 | 0:43:05 | |
The cunning streak's still on show, so can Eric redeem himself tomorrow? | 0:43:05 | 0:43:10 | |
It certainly won't be straightforward. | 0:43:10 | 0:43:12 | |
It's the ultimate antiques challenge - | 0:43:12 | 0:43:14 | |
the mighty Put Your Money Where Your Mouth is showdown. | 0:43:14 | 0:43:17 | |
Where there's a will, there's a way. | 0:43:17 | 0:43:19 |