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STEPHEN TAYLOR WOODROW: This is Put Your Money Where Your Mouth Is, | 0:00:01 | 0:00:04 | |
the show that pitches TV's best loved antiques experts against each | 0:00:04 | 0:00:08 | |
other in an all-out battle for profit. | 0:00:08 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers will face a different daily | 0:00:19 | 0:00:23 | |
-challenge. -The original cheeky chappies. -Lovely! | 0:00:23 | 0:00:27 | |
-Putting their reputations on the line. -And I'm truly rocking. | 0:00:27 | 0:00:31 | |
(WOLF-WHISTLE) | 0:00:31 | 0:00:33 | |
And giving you their top tips | 0:00:33 | 0:00:35 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:35 | 0:00:39 | |
-Get in there! -HE LAUGHS | 0:00:40 | 0:00:42 | |
Today, furniture fanatic Jonty Hearnden goes head-to-head with ace | 0:00:42 | 0:00:47 | |
auctioneer Christina Trevanion as they break down borders | 0:00:47 | 0:00:50 | |
for a continental clash. | 0:00:50 | 0:00:52 | |
Coming up, Christina has a French fancy. | 0:00:53 | 0:00:56 | |
-Oh, my God! -SHE LAUGHS | 0:00:56 | 0:00:58 | |
That's the French way of doing things, apparently. | 0:00:58 | 0:01:01 | |
While Jonty judders to a halt. | 0:01:01 | 0:01:03 | |
-I, really... No, that really doesn't fit. -That's not for you. OK. | 0:01:03 | 0:01:07 | |
No, that's not for... | 0:01:07 | 0:01:08 | |
And Christina shares her secrets for successful buying. | 0:01:08 | 0:01:11 | |
Make sure that you have a really, really good look around. | 0:01:11 | 0:01:14 | |
Suss out what's here before you commit to anything. | 0:01:14 | 0:01:16 | |
This is Put Your Money Where Your Mouth Is. | 0:01:16 | 0:01:19 | |
Ah, bonjour and bienvenue. | 0:01:32 | 0:01:35 | |
A great big greeting as the Put Your Money Express steams into Paris. | 0:01:35 | 0:01:40 | |
This feast of French finery sees two terrific traders put their haggling | 0:01:40 | 0:01:44 | |
handiwork to the test in the land of culture, | 0:01:44 | 0:01:47 | |
croissants and creme de menthe. | 0:01:47 | 0:01:49 | |
And this is no straightforward task. | 0:01:49 | 0:01:51 | |
As well as finding prime pieces in Paris, our dynamic duo must also deal | 0:01:51 | 0:01:56 | |
with a foreign currency and the French lingo. | 0:01:56 | 0:01:59 | |
Tricky. | 0:01:59 | 0:02:01 | |
Today, we have two colossal competitors. | 0:02:01 | 0:02:04 | |
First up, a man who can translate a profit into any language. | 0:02:04 | 0:02:07 | |
We can wheel and deal worldwide | 0:02:07 | 0:02:09 | |
and lets no border be a block to his brilliant bargaining. | 0:02:09 | 0:02:12 | |
He packs a premium punch and the ladies love him. | 0:02:12 | 0:02:16 | |
I'm not here to clown around. Am I? | 0:02:20 | 0:02:22 | |
His impressive opponent is a woman | 0:02:24 | 0:02:26 | |
who'll strike a dynamite deal in any dialect. | 0:02:26 | 0:02:29 | |
She can pick out her prey at 1,000 paces | 0:02:29 | 0:02:31 | |
and tiptop transactions are her tour de force. | 0:02:31 | 0:02:35 | |
She makes the steeliest stallholders weep. Grown men fall at her feet. | 0:02:35 | 0:02:39 | |
I'm completely in my element. | 0:02:43 | 0:02:46 | |
Our Gallic gladiators are slugging it out at the Porte de Vanves flea | 0:02:46 | 0:02:50 | |
market in central Paris. | 0:02:50 | 0:02:52 | |
They've each brought the euro equivalent of £750 of their own money | 0:02:52 | 0:02:57 | |
to spend and all the profits they make | 0:02:57 | 0:02:59 | |
will go straight to their chosen charities. | 0:02:59 | 0:03:01 | |
Zut alors! On your marks, Jonty Hearnden. | 0:03:01 | 0:03:05 | |
Get set, Christina Trevanion. | 0:03:05 | 0:03:07 | |
It's now time to put your money where "euro" mouth is. | 0:03:07 | 0:03:10 | |
-Ah, bonjour. -Bonjour. How you doing? -Very well. How are you? | 0:03:11 | 0:03:15 | |
I understand you've been here before. Porte de Vanves. | 0:03:15 | 0:03:18 | |
Porte de Vanves. Yeah, it's just heaven, isn't it? Yes, I have. | 0:03:18 | 0:03:20 | |
-I have to confess. Have you? -Yeah, no. | 0:03:20 | 0:03:22 | |
Never been here before, so you've got one over me. | 0:03:22 | 0:03:25 | |
-Now, we've got £750 to spend. -Yeah. Lots of pennies. | 0:03:25 | 0:03:28 | |
Which is lots of money, which is great. Gives us lots of flexibility. | 0:03:28 | 0:03:31 | |
-Yeah. -What are you going to be buying? | 0:03:31 | 0:03:33 | |
That would be telling, wouldn't it? | 0:03:33 | 0:03:35 | |
I like the look of what's coming out at the moment. | 0:03:35 | 0:03:37 | |
-Looks good. -Good. We've got a lot to get through, so best of luck. | 0:03:37 | 0:03:40 | |
-And to you. -Or not. -SHE LAUGHS | 0:03:40 | 0:03:42 | |
Cor, these two are cool and calm today, | 0:03:42 | 0:03:44 | |
and they're keeping their cards close to their chests. | 0:03:44 | 0:03:47 | |
No snippets of strategy at all. | 0:03:47 | 0:03:49 | |
For Christina, it's a case of deja vu. | 0:03:49 | 0:03:52 | |
So will her tactical advantage of knowing the market aid her campaign? | 0:03:52 | 0:03:57 | |
My strategy today is to get these purchases in really quickly. | 0:03:58 | 0:04:01 | |
It's really early in the morning. | 0:04:01 | 0:04:03 | |
As soon as the tourists start waking up and have their breakfast, | 0:04:03 | 0:04:06 | |
they'll come here and everything good is gonna go. So let's get going. | 0:04:06 | 0:04:09 | |
The last thing you want is a tussle with a tourist. | 0:04:09 | 0:04:12 | |
Jonty may be on unknown territory, but he's totally at ease | 0:04:12 | 0:04:15 | |
and actually thrilled to be here. | 0:04:15 | 0:04:18 | |
All the dealers are open with their goodies. | 0:04:18 | 0:04:20 | |
It's such a wonderful time to be here in a market. I'm so excited. | 0:04:20 | 0:04:24 | |
MUSIC: "I'm So Excited" by the Pointer Sisters. | 0:04:24 | 0:04:27 | |
VOICEOVER: Clear the way, people. Our eager experts are off. | 0:04:27 | 0:04:31 | |
This market is a mine of magnificent merchandise for our heroic hunters, | 0:04:31 | 0:04:35 | |
and just moments into our challenge, the Magpie swoops. | 0:04:35 | 0:04:39 | |
My eye was drawn to this. It's very Parisian, | 0:04:40 | 0:04:42 | |
very, very Art Deco, this lady with her dog here. | 0:04:42 | 0:04:44 | |
The only thing that's putting me off slightly is there appears to be | 0:04:44 | 0:04:47 | |
the remnant of some sort of French critter stuck in there, | 0:04:47 | 0:04:54 | |
which has actually marked the paper. | 0:04:54 | 0:04:57 | |
Unfazed by her flattened friend, Christina does a deal at 70 euros. | 0:04:57 | 0:05:02 | |
Converting it back into sterling, it costs her £63.64. | 0:05:02 | 0:05:06 | |
The Magpie said she wanted to be quick and the early bird catches the, | 0:05:06 | 0:05:10 | |
well, dead insect trapped in a frame, actually. | 0:05:10 | 0:05:14 | |
Just screams Art Deco. | 0:05:14 | 0:05:15 | |
You've got this wonderful lady walking her dog through a park | 0:05:15 | 0:05:18 | |
and just so happens to come across her beautiful Rolls-Royce car. | 0:05:18 | 0:05:22 | |
The fact that it's got a limited edition number, so... | 0:05:22 | 0:05:24 | |
And we've also got a nice signature down there. | 0:05:24 | 0:05:26 | |
And we've even got a free French critter in there. | 0:05:26 | 0:05:28 | |
I think before I try and sell this on, | 0:05:28 | 0:05:31 | |
I might have to remove him, sadly, but there we go. | 0:05:31 | 0:05:34 | |
While Christina's picture features a very British car, | 0:05:34 | 0:05:37 | |
Jonty's spotted an item that's unmistakeably French. | 0:05:37 | 0:05:40 | |
Polar opposite game play from our bargain battlers. | 0:05:40 | 0:05:43 | |
The Hitman's looking at a set of calendar plates. | 0:05:43 | 0:05:46 | |
There's some children's plates. | 0:05:47 | 0:05:49 | |
Very popular in the UK, but they have every month of the year. | 0:05:49 | 0:05:53 | |
The stallholder is asking 50 euros for it, | 0:05:53 | 0:05:57 | |
and the problem I'm having is that there's one chip on the plate here - | 0:05:57 | 0:06:01 | |
the April has a chip - and the fact that actually | 0:06:01 | 0:06:04 | |
the months are, of course, in French, not English, | 0:06:04 | 0:06:08 | |
and it's really difficult to translate from France | 0:06:08 | 0:06:11 | |
back into English when you're trying to make sales. | 0:06:11 | 0:06:14 | |
What is your best price? | 0:06:14 | 0:06:16 | |
-I can make you 45 euros. -SHE LAUGHS | 0:06:16 | 0:06:20 | |
-That's not my best price. Would you do 30 euros? -Uh, 30 euros... Yes. | 0:06:20 | 0:06:25 | |
-If you want. -OK? -OK. -Brilliant. | 0:06:25 | 0:06:28 | |
So Jonty's plates - no, not plaits, plates - cost him £27.27. | 0:06:28 | 0:06:34 | |
Can he cook up a cordon bleu campaign to sell these dishes back at home? | 0:06:34 | 0:06:38 | |
Now, this is in the style of Lucie Mabel Attwell, | 0:06:39 | 0:06:42 | |
which is very popular back home in the UK. | 0:06:42 | 0:06:44 | |
And so these styles were very popular in the 1930s through | 0:06:44 | 0:06:48 | |
until the 1950s, and I think that if I can find the right buyer, | 0:06:48 | 0:06:52 | |
I'm spot on already. | 0:06:52 | 0:06:55 | |
Both our buying buccaneers are off the mark and running, | 0:06:55 | 0:06:58 | |
but the momentum needs to be maintained maintenant. | 0:06:58 | 0:07:02 | |
And a display board promoting a 1950s Hollywood musical | 0:07:02 | 0:07:05 | |
has caught Christina's eye. | 0:07:05 | 0:07:06 | |
That's fantastic. | 0:07:07 | 0:07:09 | |
-Monsieur, how much is this? -80. -80 euro? -80. Oui. -OK. | 0:07:09 | 0:07:14 | |
-50 euros would be my tops. -OK. -50 euros? -OK. -Ah, you're a gentleman! | 0:07:14 | 0:07:20 | |
Thank you. Thank you very much. | 0:07:20 | 0:07:21 | |
Well, no arguments from the stallholder. | 0:07:21 | 0:07:24 | |
The cinematic cut-out cost Christina £45.45 and it's got her toes tapping. | 0:07:24 | 0:07:29 | |
I've just bought this wonderful wooden cut-out painted | 0:07:30 | 0:07:34 | |
figure from the film An American in Paris. This is Gene Kelly. | 0:07:34 | 0:07:39 | |
I think ballroom dancing and dancing in general has had such | 0:07:39 | 0:07:42 | |
a resurgence in recent years due to various television programmes. | 0:07:42 | 0:07:45 | |
I just think it's fabulous. The movement in it is phenomenal. | 0:07:45 | 0:07:47 | |
Love it. Absolutely love it. | 0:07:47 | 0:07:49 | |
I think she loves it. Yes, our Magpie is flying high in the Parisian sky. | 0:07:50 | 0:07:55 | |
Now, the French capital is often called the City of Light, | 0:07:55 | 0:07:59 | |
and Jonty is finding it quite illuminating. | 0:07:59 | 0:08:03 | |
Back home in the UK, lights like this, French lights, are very, | 0:08:03 | 0:08:07 | |
very desirable, and the style that people really want now is not | 0:08:07 | 0:08:12 | |
the 19th century look. They want the retro look. | 0:08:12 | 0:08:15 | |
So when you look at lights like this, this is absolutely superb | 0:08:15 | 0:08:19 | |
because you've got the chrome frame and then you've got frosted glass, | 0:08:19 | 0:08:22 | |
clear glass as well, and if you see on the inside here, | 0:08:22 | 0:08:26 | |
it's got definite age to it as well. | 0:08:26 | 0:08:28 | |
Now, the dealer's asking 150 euros for it, | 0:08:28 | 0:08:32 | |
so if I can get a better price, that's fine, | 0:08:32 | 0:08:34 | |
but I think that's a really, really decorative lamp. | 0:08:34 | 0:08:37 | |
THEY SPEAK FRENCH | 0:08:37 | 0:08:42 | |
The price instantly drops to 120 euros? | 0:08:42 | 0:08:45 | |
-Uh, cent? -And Jonty offers 100 euros. -Oui? -Oui. -OK. -OK. | 0:08:46 | 0:08:51 | |
-Merci, monsieur. -Merci. | 0:08:51 | 0:08:53 | |
Yes, he's done it. A third off the original price. | 0:08:53 | 0:08:56 | |
Jonty pays the equivalent of £90.91 and he's lit up. | 0:08:56 | 0:09:01 | |
A short walk down the straight and it's clear that our two titanic | 0:09:01 | 0:09:04 | |
traders have the same laser beam focus. | 0:09:04 | 0:09:08 | |
Look at this. It's Christina! | 0:09:08 | 0:09:12 | |
Look, it's Jonty in about ten years' time. I can see him with his pipe. | 0:09:12 | 0:09:16 | |
SHE LAUGHS | 0:09:16 | 0:09:17 | |
Yeah, funny how they didn't spot the ones of themselves, isn't it? | 0:09:17 | 0:09:21 | |
Anyway, enough of the mickey-taking. The stall scouring must continue. | 0:09:21 | 0:09:25 | |
If they don't pile up enough Parisian purchases, | 0:09:25 | 0:09:28 | |
they'll stand no chance of a punchy profit. | 0:09:28 | 0:09:30 | |
The Hitman is on the case and he picks up a picture from the 1960s. | 0:09:30 | 0:09:35 | |
-It's a signed print here, and it's got a... -It's an engraving. | 0:09:36 | 0:09:40 | |
It's an engr... an engraving. | 0:09:40 | 0:09:42 | |
So it's actually pressed onto the paper. | 0:09:42 | 0:09:45 | |
And we have a printer's mark just here. | 0:09:45 | 0:09:49 | |
It says "Paris" which is really nice, | 0:09:49 | 0:09:52 | |
but the owner doesn't know who this signature is. | 0:09:52 | 0:09:55 | |
So it's only going to be sold as a decorative piece. | 0:09:55 | 0:09:59 | |
-Give me a good price. -45. | 0:09:59 | 0:10:02 | |
I'll give you... OK. I'll give you 40. | 0:10:02 | 0:10:04 | |
-No, it's 45. -Yeah, I give you 40. -No. | 0:10:04 | 0:10:07 | |
Here's 40 for you. He's a strong man. | 0:10:09 | 0:10:13 | |
Jonty's bartering comes to absolutely nothing and he pays the full whack. | 0:10:13 | 0:10:18 | |
It costs him £40.91. | 0:10:18 | 0:10:21 | |
While Jonty's a man on a mission, | 0:10:23 | 0:10:25 | |
Christina thinks she deserves a short spell on her derierre. | 0:10:25 | 0:10:28 | |
But don't question her commitment. | 0:10:28 | 0:10:30 | |
It's all in the name of a deal. | 0:10:30 | 0:10:32 | |
Leather is very, very, very in vogue at the moment. | 0:10:32 | 0:10:36 | |
Leather sort of arm club tub chairs. It is quite worn, though. | 0:10:36 | 0:10:42 | |
We've got a bit of an issue there. See what price tag we've got on it. | 0:10:42 | 0:10:48 | |
-Monsieur? -Hmm. This could be a tricky conversation. | 0:10:50 | 0:10:52 | |
What Christina needs is her impeccable French. | 0:10:52 | 0:10:56 | |
-Monsieur, erm, the armchair... The chair. -Yeah. -C'est combien? | 0:10:56 | 0:11:01 | |
150 one, 200 two. | 0:11:01 | 0:11:05 | |
150 for one or 200 for the two. Ah, translator. Brilliant. | 0:11:05 | 0:11:11 | |
What do they need a translator for? | 0:11:11 | 0:11:13 | |
-They've given up on the French and are 'aggling in English. -Ah! | 0:11:13 | 0:11:18 | |
-One piece, 150. -Yes. -Two piece, 200. | 0:11:18 | 0:11:22 | |
-OK. What about 80 for one? -Oh, no. | 0:11:22 | 0:11:26 | |
-See, he understands! He doesn't need you. -When he needs to... | 0:11:26 | 0:11:29 | |
-SHE LAUGHS -Yeah, when he needs to. | 0:11:29 | 0:11:32 | |
Translator or not, that offer didn't go down well. | 0:11:32 | 0:11:34 | |
Christina sits down to reconsider her position. | 0:11:34 | 0:11:38 | |
The charm about this is that it's worn, it's shabby, | 0:11:38 | 0:11:40 | |
it feels like it's been sat in. | 0:11:40 | 0:11:43 | |
That's quite in vogue. | 0:11:43 | 0:11:46 | |
-I'm not entirely sure how popular the mould will be. -Very well... | 0:11:46 | 0:11:50 | |
If flirting in France can't pin down a purchase, | 0:11:50 | 0:11:52 | |
-then what's the world coming to? -85. -No, 90. -No, Stefan. No. No. | 0:11:52 | 0:12:00 | |
-85. -No, 90. -85 or I'll walk away. -Oh, no. No. -Go on. 85. | 0:12:00 | 0:12:07 | |
-Come on. Come on. Come on, Stefan. You can do it. -85. Yes. -Yes. Yes? | 0:12:07 | 0:12:12 | |
-Yes. -Yeah! Thank you. Shake my hand. | 0:12:12 | 0:12:16 | |
Surely there's a rule about French kissing on the furniture. | 0:12:16 | 0:12:19 | |
That's the French way of doing things, apparently. | 0:12:19 | 0:12:22 | |
Having bought the first chair for a bargain price, | 0:12:22 | 0:12:24 | |
Christina then gets the second for much, much less - 39 euros. | 0:12:24 | 0:12:29 | |
-Now, that's the way to do a deal. -Yay! Thank you. | 0:12:29 | 0:12:34 | |
She lands both leather lounges for a combined price of £112.73. | 0:12:34 | 0:12:39 | |
Christina is in her element having a fantastic time finding her | 0:12:39 | 0:12:43 | |
fodder for flogging. | 0:12:43 | 0:12:45 | |
The Hitman, on the other hand, is not happy. | 0:12:45 | 0:12:48 | |
I haven't found too much here that's really tickled my fancy, | 0:12:48 | 0:12:52 | |
and it's quite extraordinary because there are tons and tons of stuff. | 0:12:52 | 0:12:56 | |
So I've gone all the way to the end. I'm now going back. | 0:12:56 | 0:13:00 | |
I'm getting a little nervous there's not enough stuff here for me, | 0:13:00 | 0:13:03 | |
so I've got to really, really concentrate. | 0:13:03 | 0:13:06 | |
Well, Jonty must jettison his jitters | 0:13:06 | 0:13:08 | |
if he's going to pinpoint some prime Parisian prizes. | 0:13:08 | 0:13:11 | |
As he heads off to put aside his panic, | 0:13:11 | 0:13:13 | |
let's tot up the tallies for our bargain-busting duo. | 0:13:13 | 0:13:17 | |
They both arrived in Paris with £750 worth of euros to spend. | 0:13:18 | 0:13:23 | |
Jonty has jumped at three items so far. | 0:13:23 | 0:13:26 | |
Just over £159 spent, leaving him with almost £591 to play with. | 0:13:26 | 0:13:32 | |
Christina is also ploughing through the purchases. | 0:13:32 | 0:13:35 | |
She's done three deals as well but spent more, almost £222, | 0:13:35 | 0:13:40 | |
meaning there's just over £528 left in her kitty. | 0:13:40 | 0:13:44 | |
Before the match resumes, | 0:13:45 | 0:13:47 | |
-our French fighters take time out to size each other up. -There she is. | 0:13:47 | 0:13:52 | |
-Hello. -How you doing? -I'm alright. | 0:13:52 | 0:13:54 | |
There's some quite nice things there. | 0:13:54 | 0:13:56 | |
-HE LAUGHS -How you doing? | 0:13:56 | 0:13:57 | |
-I'm good. Yeah. -Yeah? -Bought a few things. -Have you? Well done. -Yes. | 0:13:57 | 0:14:01 | |
-Yeah, I'm loving it. -I know. It's a great market. Lovely market. | 0:14:01 | 0:14:03 | |
The French are just so expressive, aren't they? It's just, ooh. | 0:14:03 | 0:14:06 | |
There's a lot of this and a lot of that and a lot of, "Oh, no, madame!" | 0:14:06 | 0:14:09 | |
What have you bought? What's your favourite? | 0:14:09 | 0:14:11 | |
Probably my favourite thing is this wonderful sort of cut-out of some dancers. | 0:14:11 | 0:14:14 | |
-What about you? -Um, I think... | 0:14:14 | 0:14:16 | |
Probably my first purchase of the day, actually. | 0:14:16 | 0:14:18 | |
It was a set of plates, starts January through to December. | 0:14:18 | 0:14:21 | |
-Oh, lovely. -A whole set of 12. -And there's all of them? | 0:14:21 | 0:14:24 | |
-They're all there. Lots more to buy, though, for me. -Oh, really? | 0:14:24 | 0:14:27 | |
-Oh, yes. -So what's your plan now? | 0:14:27 | 0:14:29 | |
I'm going to see this side of the market cos | 0:14:29 | 0:14:31 | |
-when I arrived first of all, when we first arrived... -Yeah. | 0:14:31 | 0:14:34 | |
They hadn't really stalled out at all. | 0:14:34 | 0:14:36 | |
There's so much come out just in the last half hour. | 0:14:36 | 0:14:38 | |
-It's got really busy all of a sudden. -Yeah, absolutely. | 0:14:38 | 0:14:40 | |
Well, I was heading off that way too. | 0:14:40 | 0:14:42 | |
-So am I. -I'll race you. -THEY LAUGH | 0:14:42 | 0:14:44 | |
Our battle-hardened bargainers may both be neck and neck on the numbers | 0:14:44 | 0:14:48 | |
of acquisitions, but as Jonty hits the stalls, Christina refuels. | 0:14:48 | 0:14:52 | |
So it sounds like Jonty's still got quite a lot of work left to do | 0:14:54 | 0:14:57 | |
and I feel pretty relaxed. | 0:14:57 | 0:14:58 | |
I've been buying and buying and buying, probably not great stuff | 0:14:58 | 0:15:01 | |
but I'm still buying and buying. | 0:15:01 | 0:15:03 | |
So there's always time for a chocolate crepe. | 0:15:03 | 0:15:06 | |
Mmm! The Magpie thinks she's playing a better game than the Hitman. | 0:15:06 | 0:15:10 | |
But he could have thrown her a red herring. | 0:15:10 | 0:15:12 | |
In reality, he's full of enthusiasm and raring for a rarity. | 0:15:12 | 0:15:17 | |
People have arrived and stalled out which is great, | 0:15:17 | 0:15:20 | |
so there's still so much more to see, | 0:15:20 | 0:15:22 | |
so have a look down here cos this is where I'm heading. | 0:15:22 | 0:15:25 | |
Jonty's joie de vivre leads him away as like a gift from the gods a whole | 0:15:25 | 0:15:30 | |
new load of items is being brought out on to the stalls. | 0:15:30 | 0:15:33 | |
But it's his nemesis who pounces first. Christina's clocked a mirror. | 0:15:33 | 0:15:38 | |
I like this. It's obviously a mirror. A gilt-framed mirror. | 0:15:39 | 0:15:43 | |
But it's got a really, really good solid back. | 0:15:43 | 0:15:46 | |
It's not going anywhere and it's jolly heavy. | 0:15:46 | 0:15:48 | |
It looks like it's the original mirror plate as well. | 0:15:48 | 0:15:51 | |
So how will Christina's famous Franglais cope with a vendor who | 0:15:51 | 0:15:55 | |
doesn't speak a word of English? | 0:15:55 | 0:15:57 | |
Le mirror... C'est combien? 120? | 0:15:57 | 0:16:02 | |
Yes, she decides to ditch the French | 0:16:02 | 0:16:05 | |
and pulls out her calculator to communicate. | 0:16:05 | 0:16:07 | |
-Oh! -SHE LAUGHS | 0:16:07 | 0:16:09 | |
What? No, that's just gone up by 30 euros. No. Let's try 70. | 0:16:12 | 0:16:18 | |
The numero negotiation goes on for some time. | 0:16:18 | 0:16:21 | |
Eventually they agree a price of euro 82.50, | 0:16:21 | 0:16:24 | |
so let's see if Christina can at least count out the cash in French. | 0:16:24 | 0:16:29 | |
-Ten... -SHE ATTEMPTS FRENCH NUMBERS | 0:16:29 | 0:16:33 | |
Oh, that was just painful. | 0:16:55 | 0:16:57 | |
So let's not bother with her counting the change. | 0:16:57 | 0:16:59 | |
The currency conversion means she's just spent £75. | 0:16:59 | 0:17:02 | |
Despite the nil point for her Francaise, | 0:17:02 | 0:17:04 | |
the Magpie has got the measure of the market. | 0:17:04 | 0:17:07 | |
I've noticed that although there is the most fantastic selection | 0:17:07 | 0:17:10 | |
here in Paris, that there are quite a few of the stalls that are selling | 0:17:10 | 0:17:14 | |
very, very similar things. | 0:17:14 | 0:17:16 | |
So I would suggest that if you are coming shopping into Paris, | 0:17:16 | 0:17:18 | |
make sure that you have a really good look around, | 0:17:18 | 0:17:21 | |
suss out what's here before you commit to anything. | 0:17:21 | 0:17:23 | |
Ah, mais oui. A handy tip there, viewers. | 0:17:23 | 0:17:26 | |
Christina's not notched up four purchases | 0:17:26 | 0:17:28 | |
and Jonty soon matches that milestone. | 0:17:28 | 0:17:31 | |
Away from the cameras he pays 20 euros or £18.18 for a pair of tongs. | 0:17:31 | 0:17:37 | |
I've just bought from the gentleman off this stall here at the back | 0:17:37 | 0:17:41 | |
a lovely silver 19th century sugar tongs, | 0:17:41 | 0:17:46 | |
and I think the detail is really quite superb, | 0:17:46 | 0:17:49 | |
so we've got sort of claws as sugar tongs, | 0:17:49 | 0:17:51 | |
and you've got lots of sea scrolls that go round the outside, | 0:17:51 | 0:17:54 | |
and that's how one can easily tell | 0:17:54 | 0:17:56 | |
whether something is 19th century as opposed to the 20th century. | 0:17:56 | 0:17:59 | |
Somebody's going to snap those up. | 0:17:59 | 0:18:01 | |
Yes, Jonty clearly thinks he's got a nice little earner there, | 0:18:01 | 0:18:04 | |
and he's showing no signs of stopping. | 0:18:04 | 0:18:07 | |
He soon works his magic on an Art Deco bronze pheasant. | 0:18:07 | 0:18:10 | |
He plucks it off the stall for 100 euros or £90.91. | 0:18:10 | 0:18:15 | |
So here is my pheasant in all of his finery and glory. | 0:18:16 | 0:18:20 | |
He's on a lovely black marble plinth and the casting is just superb. | 0:18:20 | 0:18:25 | |
That's the reason why I was taken by him. | 0:18:25 | 0:18:27 | |
And if you look at his crest and the tips of his wings, they're gilded, | 0:18:27 | 0:18:33 | |
and those would have been a lot finer in colour. | 0:18:33 | 0:18:36 | |
There would have been a lot more depth in colour. | 0:18:36 | 0:18:38 | |
Date-wise is 1930s. I think he is a cracking investment. | 0:18:38 | 0:18:44 | |
Our dealers are working at breakneck speed now, and it's just as well. | 0:18:44 | 0:18:48 | |
Those tourists have turned up by the truckload. | 0:18:48 | 0:18:52 | |
Christina soon does her next deal. £13.64 buys a vintage matinee jacket. | 0:18:52 | 0:18:58 | |
I'm absolutely thrilled to have bought some genuine French clothing. | 0:18:58 | 0:19:02 | |
I mean, it's the most beautiful, delicate little matinee jacket. | 0:19:02 | 0:19:05 | |
Just gorgeous. | 0:19:05 | 0:19:06 | |
And also, vintage textiles and clothing are very, very in vogue at | 0:19:06 | 0:19:10 | |
the moment, so I'm really thrilled and I just think it's beautiful. | 0:19:10 | 0:19:13 | |
Man, that's made her smile even wider. | 0:19:13 | 0:19:17 | |
Both out excellent experts are bounding along loving the French | 0:19:17 | 0:19:20 | |
market, and they've managed it all without resorting to | 0:19:20 | 0:19:23 | |
jokes about tired old French stereotypes. | 0:19:23 | 0:19:26 | |
Well done, everyone. | 0:19:26 | 0:19:28 | |
I have a feeling it's going beret, beret well. | 0:19:28 | 0:19:31 | |
Yes, there's always one, isn't there? | 0:19:31 | 0:19:34 | |
Christina's clearly relaxed about operation objet d'art, | 0:19:34 | 0:19:37 | |
as is the Hitman. | 0:19:37 | 0:19:39 | |
What on earth is he doing, | 0:19:39 | 0:19:40 | |
trying to woo the French public with his famously British Dad dancing? | 0:19:40 | 0:19:44 | |
What does he look like? | 0:19:44 | 0:19:45 | |
Yes, that's quite enough of that, thank you. | 0:19:47 | 0:19:49 | |
Across the market, Christina's found something quintessentially British. | 0:19:49 | 0:19:53 | |
She's attempting a deal on a toy double decker bus. | 0:19:53 | 0:19:56 | |
-I... The best, ten. -SHE BREATHES IN | 0:19:56 | 0:20:01 | |
Sure? Is that your best... | 0:20:01 | 0:20:02 | |
-You have very nice eyes, but... -SHE LAUGHS | 0:20:02 | 0:20:05 | |
I will buy it from you, sir, for £10... Or ten euros. | 0:20:05 | 0:20:08 | |
-No, pound. -No, euros. | 0:20:08 | 0:20:11 | |
Hmm. Currency confusion aside, | 0:20:11 | 0:20:13 | |
Christina just about pulls it back from the brink. | 0:20:13 | 0:20:16 | |
The bus fare at this fare costs £9.09. | 0:20:16 | 0:20:19 | |
Great make. Dinky Toys, which is obviously a great collector's name | 0:20:21 | 0:20:25 | |
to have if you're going to collect diecast vehicles. | 0:20:25 | 0:20:27 | |
And also, the quite important point is that he's still | 0:20:27 | 0:20:30 | |
got his driver in the front cab here. | 0:20:30 | 0:20:32 | |
Often they got lost or missing. I don't think it's particularly old. | 0:20:32 | 0:20:36 | |
I think we may be looking at maybe 1970s, 1980s. | 0:20:36 | 0:20:39 | |
Not a huge amount of age in it, but it's still a nice thing. | 0:20:39 | 0:20:43 | |
So after a busload of bargaining, | 0:20:43 | 0:20:45 | |
Christina decides that her work here is done. | 0:20:45 | 0:20:47 | |
But as she bids adieu to her mission, the Hitman is still completing his. | 0:20:47 | 0:20:52 | |
Just feels like we've just arrived, and look. | 0:20:52 | 0:20:55 | |
They're all going home and I've got items to buy. Help! | 0:20:55 | 0:20:58 | |
Yes, time is running out, Hitman. These French people need their lunch. | 0:20:58 | 0:21:02 | |
But Jonty has a hunger of his own, | 0:21:02 | 0:21:04 | |
one last killer blow to take on the might of the Magpie. | 0:21:04 | 0:21:08 | |
I've actually spotted in the corner there an hors d'oeuvre dish, | 0:21:08 | 0:21:11 | |
which is fantastically French | 0:21:11 | 0:21:13 | |
and of course an hors d'oeuvre dish works really well at home as well. | 0:21:13 | 0:21:16 | |
There we go. So you just need to check that it's all in good order. | 0:21:18 | 0:21:22 | |
Make sure the glass is in good order, | 0:21:22 | 0:21:24 | |
and that's absolutely perfect. | 0:21:24 | 0:21:25 | |
So at the right price, that's fine. | 0:21:25 | 0:21:29 | |
Monsieur, c'est combien? | 0:21:29 | 0:21:30 | |
The stallholder wants 40 euros and after a little back and forth, | 0:21:31 | 0:21:35 | |
they settle on 35 euros. | 0:21:35 | 0:21:37 | |
-OK, monsieur. Mon dieu. -Mon dieu. -Merci. | 0:21:38 | 0:21:43 | |
And that works out at £31.82. | 0:21:43 | 0:21:46 | |
So that's my last purchase of the day. | 0:21:49 | 0:21:51 | |
Now I've got somewhere to put my lunch and my peanuts. | 0:21:51 | 0:21:55 | |
Well, a man always needs somewhere to pop his peanuts, so that's it. | 0:21:55 | 0:21:59 | |
We're all done. | 0:21:59 | 0:22:01 | |
But before we take a look at what Jonty | 0:22:01 | 0:22:03 | |
and Christina's Parisian promenade has produced, let's do the numbers. | 0:22:03 | 0:22:07 | |
They both began the day with £750 worth of their own euros to spend. | 0:22:08 | 0:22:12 | |
After a lot of hard haggling, Jonty leaves with six purchases, | 0:22:14 | 0:22:17 | |
having spent bang on £300. | 0:22:17 | 0:22:20 | |
Christina also did six deals but spent a little bit more - £319.55. | 0:22:22 | 0:22:28 | |
So neither came close to spending even half their budgets. | 0:22:28 | 0:22:33 | |
Before they go their separate ways, though, they size up their stock. | 0:22:33 | 0:22:37 | |
-Well, look at this. -I know. Our spoils of the day. -I know. | 0:22:37 | 0:22:42 | |
-These chairs are comfy. -Yeah. | 0:22:42 | 0:22:43 | |
They've got a bit of a funny smell now that we've got them over here. | 0:22:43 | 0:22:46 | |
SHE LAUGHS | 0:22:46 | 0:22:47 | |
I'm gonna have to seriously stick some air freshener over them. | 0:22:47 | 0:22:50 | |
-You've found a bit of London in Paris. -Exactly. | 0:22:50 | 0:22:53 | |
I felt I had to take it home with us. It's rude to leave it here. | 0:22:53 | 0:22:56 | |
It's lost here, isn't it? | 0:22:56 | 0:22:57 | |
-This is cool. -I love the lamp. Really very nice. -Yeah. Love this. | 0:22:57 | 0:23:01 | |
I really like my print. I don't know the artist's signature | 0:23:01 | 0:23:04 | |
but we have a really lovely seal mark from the printers. | 0:23:04 | 0:23:07 | |
Well, I think we've got a wonderful, eclectic group of rather fun things. | 0:23:07 | 0:23:12 | |
-I think we certainly deserve a bit of cafe au lait. -Do you think so? | 0:23:12 | 0:23:14 | |
GAVEL BANGS | 0:23:15 | 0:23:17 | |
VOICEOVER: With the French shopping spree over, | 0:23:17 | 0:23:19 | |
our dealers exchange their leftover euros | 0:23:19 | 0:23:22 | |
and head home to plot their selling strategies. | 0:23:22 | 0:23:24 | |
And this is where the challenge shifts up a gear. | 0:23:24 | 0:23:28 | |
The pressure is on to purge their contents | 0:23:28 | 0:23:30 | |
and find the very best buyers. | 0:23:30 | 0:23:32 | |
The ultimate aim is to sell everything for maximum profit, | 0:23:32 | 0:23:35 | |
and whoever makes the most money will be today's champion. | 0:23:35 | 0:23:38 | |
Remember, until they've shaken on it and the money's changed hands, | 0:23:38 | 0:23:42 | |
no deal is ever sealed. | 0:23:42 | 0:23:44 | |
Back in Oxfordshire, Hitman Hearnden is eyeing up his wares | 0:23:44 | 0:23:48 | |
and he likes what he sees. | 0:23:48 | 0:23:50 | |
My first purchase was my set of plates. | 0:23:50 | 0:23:53 | |
Now, I think they're great fun. They're the set of 12. | 0:23:53 | 0:23:56 | |
We've got one per month. So will I sell them, will I make a profit? | 0:23:56 | 0:24:00 | |
Not quite sure about that. | 0:24:00 | 0:24:02 | |
But one thing I am definitely, positively sure | 0:24:02 | 0:24:05 | |
I'm going to make a massive great big profit on | 0:24:05 | 0:24:08 | |
is my wonderful French pheasant. He is so handsome. | 0:24:08 | 0:24:14 | |
I have my chandelier, my French light fitting, which is great cos | 0:24:14 | 0:24:17 | |
I know there's always buyers for those sorts of things. | 0:24:17 | 0:24:20 | |
Now, something that I might need to do a bit more | 0:24:20 | 0:24:22 | |
research on is my limited edition print. | 0:24:22 | 0:24:24 | |
See where I go with that. | 0:24:24 | 0:24:26 | |
The hors d'oeuvre dish was possibly my only purchase that | 0:24:26 | 0:24:30 | |
I made in haste. | 0:24:30 | 0:24:32 | |
My sugar tongs were an absolute bargain at 20 euros. | 0:24:32 | 0:24:36 | |
Now all I've got to do is get on and sell it. | 0:24:36 | 0:24:40 | |
Indeed you do, sir. So, what of Christina? | 0:24:40 | 0:24:43 | |
She's back in Shropshire at Trevanion HQ and she's equally pleased. | 0:24:43 | 0:24:47 | |
I absolutely loved shopping in Paris. I can't tell you how much. | 0:24:47 | 0:24:51 | |
And I went out there thinking, | 0:24:51 | 0:24:52 | |
"Right, I'll go and buy really typically Parisian things | 0:24:52 | 0:24:55 | |
"that will translate back in the UK really well," | 0:24:55 | 0:24:58 | |
and I ended up buying a London bus, which you might argue is not | 0:24:58 | 0:25:02 | |
particularly Parisian, and you'd be right. | 0:25:02 | 0:25:04 | |
I also bought this rather beautiful great coloured Art Deco print. | 0:25:04 | 0:25:08 | |
Also, a gorgeous pair of leather tub chairs. Well, I say a pair. | 0:25:08 | 0:25:11 | |
Not really a pair, but they are both leather and as far as I'm concerned, | 0:25:11 | 0:25:15 | |
the more worn leather, the better. | 0:25:15 | 0:25:17 | |
The matinee jacket is typically French. | 0:25:17 | 0:25:18 | |
Absolutely beautiful and very delicate, so very pleased with that. | 0:25:18 | 0:25:21 | |
And of course the American In Paris film advertising board there. | 0:25:21 | 0:25:25 | |
It's a 1950s film and I love that. | 0:25:25 | 0:25:28 | |
And also, of course, | 0:25:28 | 0:25:29 | |
the gesso framed mirror there which is jolly heavy. | 0:25:29 | 0:25:32 | |
It's incredibly well made. | 0:25:32 | 0:25:34 | |
I'm hoping that I can find somebody | 0:25:34 | 0:25:35 | |
with a wall that's strong enough to take it. So this is my hoard. | 0:25:35 | 0:25:39 | |
Let's hope it was euros well spent and that we can turn it into some | 0:25:39 | 0:25:42 | |
cold, hard Great British pounds and beat Jonty Hearnden. | 0:25:42 | 0:25:47 | |
Yes, that's fighting talk. | 0:25:47 | 0:25:48 | |
She may be a lady but she'll scrap like the best of them. | 0:25:48 | 0:25:52 | |
And it's the Magpie who flies the nest first. | 0:25:52 | 0:25:55 | |
She's off to the theatre with her matinee jacket. | 0:25:55 | 0:25:58 | |
I brought this jacket all the way from Paris to | 0:25:58 | 0:26:01 | |
Kemberton in Shropshire to a theatre group where I'm hoping it will find | 0:26:01 | 0:26:05 | |
a starring new role in their next production. | 0:26:05 | 0:26:07 | |
The jacket owes Christina a little more than £13. | 0:26:07 | 0:26:11 | |
This theatre group has been going for over 30 years | 0:26:11 | 0:26:14 | |
and Christina is here to meet its founder and director, Caroline. | 0:26:14 | 0:26:18 | |
I've just brought this jacket with me, and I rather sort of thought of | 0:26:18 | 0:26:22 | |
you guys because I've been to one of your performances before and you use | 0:26:22 | 0:26:25 | |
a lot of vintage textiles and antique costume, don't you? | 0:26:25 | 0:26:28 | |
-Yes, we do. Yes. -I mean, I just think it's really rather beautiful. | 0:26:28 | 0:26:31 | |
It's very reminiscent of an era when ladies would sort of laze in bed in | 0:26:31 | 0:26:35 | |
the morning having their breakfast with their matinee jacket on. | 0:26:35 | 0:26:38 | |
But I love the embroidery. It's just so detailed. So you like it? | 0:26:38 | 0:26:41 | |
You think you might be able to find a home for it? | 0:26:41 | 0:26:43 | |
We could certainly. And it would get used as well. | 0:26:43 | 0:26:46 | |
Down to the nitty gritty, | 0:26:46 | 0:26:47 | |
I was hoping for something in the region of maybe £25-30 for it. | 0:26:47 | 0:26:52 | |
-I think £25 would be very fair. -That sounds like a very good deal to me. | 0:26:52 | 0:26:58 | |
Thank you. | 0:26:58 | 0:27:00 | |
Yes, give that girl a standing ovation. | 0:27:00 | 0:27:03 | |
Christina leaves with a show-stopping first profit of £11.36, | 0:27:03 | 0:27:08 | |
and that's a good new costume for the group. | 0:27:08 | 0:27:11 | |
I could not be happier | 0:27:11 | 0:27:13 | |
and I'm hoping that they'll get loads of use out of it. | 0:27:13 | 0:27:15 | |
I'm sure they will. | 0:27:15 | 0:27:16 | |
Our Magpie is off to a flying start, | 0:27:16 | 0:27:18 | |
determined to conquer this colossal competition. | 0:27:18 | 0:27:21 | |
And from one bird to another - Jonty's pheasant. | 0:27:21 | 0:27:25 | |
The Hitman is in Henley on Thames for his first potential sale, | 0:27:25 | 0:27:28 | |
meeting one of his contacts, Philip. | 0:27:28 | 0:27:31 | |
The bronze bird stands him at nearly £91. | 0:27:31 | 0:27:34 | |
Here's my pheasant, but I also understand that you're building | 0:27:34 | 0:27:37 | |
a home and so you need objects to sit in the house, is that correct? | 0:27:37 | 0:27:41 | |
We are. Things like this would go very well in the library. | 0:27:41 | 0:27:47 | |
Date-wise, it's Art Deco, it's French, | 0:27:47 | 0:27:50 | |
so we're looking at late '20s at best, but quite possibly 1930s. | 0:27:50 | 0:27:56 | |
But the casting is really superb. | 0:27:56 | 0:27:59 | |
It's a stylised look | 0:27:59 | 0:28:01 | |
and that's the reason why you can certainly call it Art Deco | 0:28:01 | 0:28:04 | |
because anything before this period, | 0:28:04 | 0:28:06 | |
it would be an absolute likeness of a pheasant. | 0:28:06 | 0:28:09 | |
Now, the whole point of Art Deco is heavily influenced by the Egyptian | 0:28:09 | 0:28:13 | |
look. It's a bargain. It's £400. | 0:28:13 | 0:28:16 | |
-£300 worth and I don't really want to go any higher than that. -OK. | 0:28:16 | 0:28:22 | |
Do you know what? I'm not going to go any further than that. | 0:28:22 | 0:28:25 | |
I know that you like it and £300 is fine for me, so let's shake on it. | 0:28:25 | 0:28:30 | |
-Got it. Good one, Jonty. -Thank you very much. | 0:28:30 | 0:28:33 | |
Jonty spreads his wings. | 0:28:33 | 0:28:35 | |
That's a magnificent start, | 0:28:35 | 0:28:37 | |
and he soars off with a superb profit of £209.09. | 0:28:37 | 0:28:41 | |
Wow. What a great result. I'm so glad he loved that pheasant. | 0:28:43 | 0:28:47 | |
Now, talking of birds, I wonder how that magpie is getting on? | 0:28:47 | 0:28:52 | |
Well, to be honest, she's got a great | 0:28:52 | 0:28:54 | |
big game of catch-up ahead of her. But she's not worried. | 0:28:54 | 0:28:57 | |
She thinks she's got her next sale all lined up. | 0:28:57 | 0:29:01 | |
I'm here in Whitchurch to meet restaurateur and chef Andrew | 0:29:01 | 0:29:04 | |
who runs this restaurant here. | 0:29:04 | 0:29:05 | |
Do you remember when I was in Paris, | 0:29:05 | 0:29:07 | |
I bought that big gilt-framed wall mirror? | 0:29:07 | 0:29:09 | |
Well, I had these guys in mind when I bought it, | 0:29:09 | 0:29:11 | |
so let's just hope that we're all singing from the same hymn sheet. | 0:29:11 | 0:29:14 | |
Well, let's hope so. Now, it's a very heavy item, | 0:29:14 | 0:29:17 | |
so Christina's already had the mirror delivered to chef Andrew. | 0:29:17 | 0:29:20 | |
-It cost her £75. -What do you think? What's the first impressions? | 0:29:20 | 0:29:25 | |
-It's definitely an antique, anyway. -SHE LAUGHS | 0:29:25 | 0:29:28 | |
No, it's beautiful. | 0:29:28 | 0:29:30 | |
-You like it? -It's a very, very nice mirror, yeah. | 0:29:30 | 0:29:32 | |
I bought it in Paris | 0:29:32 | 0:29:33 | |
and I think it probably dates to the early part of the 20th century. | 0:29:33 | 0:29:38 | |
These gesso plasterwork here is very much an early 20th century design, | 0:29:38 | 0:29:43 | |
but it's got this nice what we call silvering effect down here, | 0:29:43 | 0:29:45 | |
-which shows it's an antique piece. -Yeah. | 0:29:45 | 0:29:47 | |
It's not a brand-new mirror plate | 0:29:47 | 0:29:49 | |
that's been put into an old frame. | 0:29:49 | 0:29:50 | |
-So what's your thoughts? -I think it's lovely. | 0:29:50 | 0:29:53 | |
We just have to discuss a price for it. | 0:29:53 | 0:29:55 | |
I'd like to see it fetch somewhere in the region of about £150. | 0:29:55 | 0:29:59 | |
I was thinking more around the £100 mark. | 0:29:59 | 0:30:02 | |
-If I come down slightly, like £145 maybe? -£115. | 0:30:02 | 0:30:07 | |
-Can we say £125, maybe? -£125 if you make my lunch for me. -Lunch? | 0:30:07 | 0:30:12 | |
-Yep. If you make my lunch for me, I'll give you £125 for it. -OK. | 0:30:12 | 0:30:16 | |
What do you want for lunch? | 0:30:16 | 0:30:17 | |
-Pizza. -A pizza? OK. All right. Well, will you show me how to make... | 0:30:17 | 0:30:21 | |
I've never made a pizza in my life. | 0:30:21 | 0:30:22 | |
-I'll show you how to make it but you have to cook it. -OK, all right. | 0:30:22 | 0:30:25 | |
-It's a deal. £125 and lunch. -Fantastic. Kitchen's this way. | 0:30:25 | 0:30:28 | |
-Let's go. -Have you got a pinny? | 0:30:28 | 0:30:30 | |
-I do, of course. Come on. -SHE LAUGHS | 0:30:30 | 0:30:33 | |
That's a man who's got his head screwed on the right way. | 0:30:33 | 0:30:36 | |
Christina pockets a very helpful profit of £50, | 0:30:36 | 0:30:39 | |
but she does have to make lunch for a hungry chef. | 0:30:39 | 0:30:42 | |
True to character, she rolls up her sleeves and gets stuck in. | 0:30:42 | 0:30:46 | |
-OK. -Flip it like that. -Flip it. | 0:30:46 | 0:30:48 | |
THEY LAUGH | 0:30:49 | 0:30:52 | |
Sprinkling. Right. So what happens now? | 0:30:52 | 0:30:54 | |
-Get it in the oven. -OK, cool. Let's do it. | 0:30:54 | 0:30:57 | |
-Oh, that looks good. That looks really good. -Lovely. -Yeah. | 0:30:59 | 0:31:02 | |
Thank you very much. I'm in a hurry. | 0:31:02 | 0:31:04 | |
-I've got to have my lunch, sorry. -Oh. Oh... | 0:31:04 | 0:31:08 | |
-Oh, charming. -What are you moping for? | 0:31:08 | 0:31:12 | |
You had a chocolate crepe earlier. There's no time for pizza anyway. | 0:31:12 | 0:31:16 | |
If she wants a big slice of the profits, she needs to get back | 0:31:16 | 0:31:19 | |
on the road to hunt down the buyers because Jonty is doing just that. | 0:31:19 | 0:31:24 | |
He's hot-footed it to Gerrards Cross to a shop | 0:31:24 | 0:31:27 | |
that deals mainly in deco ceramics. | 0:31:27 | 0:31:29 | |
But the Hitman wants to try his luck with his deco light fitting that cost | 0:31:29 | 0:31:33 | |
nearly £91. He's meeting the shop's owner, Becky. | 0:31:33 | 0:31:37 | |
-Oh, Becky! -Hi. -How you doing? -Good to see you. I'm fine, thank you. | 0:31:37 | 0:31:40 | |
-Look what I've brought you. -Oh, wow, yes. -Now, I sent you the picture. | 0:31:40 | 0:31:43 | |
-Yeah, you did. -I really love the style of this, | 0:31:43 | 0:31:46 | |
and I originally thought that this was pre the war. What's your hunch? | 0:31:46 | 0:31:50 | |
When I saw the photo, I actually did think it was more likely to | 0:31:50 | 0:31:53 | |
be 1950s, but actually I'm wondering if you might be right, actually. | 0:31:53 | 0:31:57 | |
I think it might be more likely to be 1930s. | 0:31:57 | 0:32:00 | |
Of course it needs rewiring, but I really like it. | 0:32:00 | 0:32:03 | |
-So it sounds like you do too. -Yeah. | 0:32:03 | 0:32:05 | |
-There might even be a customer I have in mind, actually. -Really? | 0:32:05 | 0:32:08 | |
-Yeah. -How about 180 quid? -Ooh, OK. I was thinking a bit lower. | 0:32:08 | 0:32:13 | |
-Sort of around the £120 mark? -Oh, no, that's... -Is that too low? | 0:32:13 | 0:32:16 | |
-I'll come down a bit. £160 is fine for me. -OK. Maybe £150. | 0:32:16 | 0:32:20 | |
-HE LAUGHS -Lovely. -Sounds fine. -Brilliant. | 0:32:20 | 0:32:23 | |
Jonty lights up a profit of £59.09. | 0:32:23 | 0:32:27 | |
So as the Hitman heads off to plan his next attack, let's see | 0:32:27 | 0:32:30 | |
who's in the selling spotlight and who's left themselves in the dark. | 0:32:30 | 0:32:34 | |
Jonty has struck two deals so far, | 0:32:36 | 0:32:38 | |
and along the way he's pocketed an impressive profit of £268.18, | 0:32:38 | 0:32:43 | |
but it is worth pointing out he's now sold his two most expensive items. | 0:32:43 | 0:32:49 | |
Christina has also tucked away two sales. | 0:32:49 | 0:32:52 | |
Her profit, though, is less than a quarter of Jonty's total, | 0:32:52 | 0:32:55 | |
just £61.36. | 0:32:55 | 0:32:57 | |
But there's a long way to go and anything could happen. | 0:32:57 | 0:33:01 | |
And young Miss Trevanion soon knocks off her next sale. | 0:33:02 | 0:33:06 | |
Staying near Whitchurch, she sells her two battered leather chairs to | 0:33:06 | 0:33:10 | |
the owner of Iscoyd Park, the place where Christina got married. | 0:33:10 | 0:33:14 | |
-What do you think? -Well, they're quite comfortable. | 0:33:14 | 0:33:17 | |
They're jolly comfy, aren't they? Very, very comfy. | 0:33:17 | 0:33:20 | |
-And I quite like the shape. -Mm-hm. | 0:33:20 | 0:33:23 | |
-Quite a lot of work that needs to be doing, though. -What? | 0:33:23 | 0:33:26 | |
-Shabby chic's cool. -What sort of figure were you thinking? | 0:33:26 | 0:33:30 | |
-A couple hundred quid. -What about £150? | 0:33:30 | 0:33:33 | |
You do need to do a lot of work to them. | 0:33:33 | 0:33:35 | |
-I do need to do a lot of work to them. -OK. £150 is agreed. -Great. | 0:33:35 | 0:33:39 | |
-Deal. -Well done. It's a deal. Thank you very much. -Thanks. | 0:33:39 | 0:33:42 | |
No French kiss like she got when she bought the chairs, | 0:33:42 | 0:33:45 | |
but Christina does leave £37.20 better off. | 0:33:45 | 0:33:49 | |
Over in Oxfordshire, Jonty's on the hunt for more money. | 0:33:50 | 0:33:54 | |
He's in Watlington to meet interior designer Harriet. | 0:33:54 | 0:33:57 | |
He's bought her his collection of monthly plates, | 0:33:57 | 0:33:59 | |
so will they serve up a tasty profit? | 0:33:59 | 0:34:02 | |
We've got 12 plates here | 0:34:03 | 0:34:04 | |
and of course we've got different months of the year, | 0:34:04 | 0:34:07 | |
and the reason why I was so taken by these is | 0:34:07 | 0:34:09 | |
because if you look at all the characters, they have that have that | 0:34:09 | 0:34:12 | |
sort of Mabel Lucie Attwell sort of feel about them. | 0:34:12 | 0:34:14 | |
-So they have that sort of 1920s, 1930s feel. -Playful. -Yeah. | 0:34:14 | 0:34:18 | |
I thought they were maybe sort of '50s, actually, | 0:34:18 | 0:34:20 | |
when I first saw them. | 0:34:20 | 0:34:22 | |
-I sort of think that they probably are. -Yes. | 0:34:22 | 0:34:24 | |
-Not too expensive. -I want £80 for the whole set. -£80? -Yes. | 0:34:24 | 0:34:29 | |
-How about £50? -50 quid? -Yeah. -No, that's too low. | 0:34:29 | 0:34:34 | |
-I'll come down to £70. -Come on. Meet me halfway. | 0:34:34 | 0:34:37 | |
-I said £50, you said £70. I say tomato, you say... £60. -I say £60. | 0:34:37 | 0:34:44 | |
All right? Deal. | 0:34:44 | 0:34:46 | |
Jonty holds his ground and fills up on a decent profit, £32.73. | 0:34:46 | 0:34:51 | |
Christina is still playing catch-up, | 0:34:51 | 0:34:54 | |
but she's hoping to pull out all the stops with her next item. | 0:34:54 | 0:34:57 | |
Remember her print with a vintage car on it? | 0:34:57 | 0:35:00 | |
Well, following some top flight research, | 0:35:00 | 0:35:02 | |
our Magpie thinks she might be about to accelerate up the scoreboard. | 0:35:02 | 0:35:07 | |
I'm here in the grounds of Cholmondeley Castle in Cheshire | 0:35:07 | 0:35:09 | |
where every year they have a huge motor sport event | 0:35:09 | 0:35:13 | |
involving classic cars. | 0:35:13 | 0:35:14 | |
So I'm hoping that the subject of this picture might be of interest. | 0:35:14 | 0:35:18 | |
And look. | 0:35:18 | 0:35:20 | |
Lucy the events manager has a lovely car all ready and waiting, | 0:35:20 | 0:35:24 | |
but will the picture be any good for a motor racing event? | 0:35:24 | 0:35:27 | |
Christina certainly hopes so. It cost her almost £64. | 0:35:27 | 0:35:32 | |
It's very Art Deco. Very 1920s, 1930s, | 0:35:32 | 0:35:36 | |
and it's not a painting as such, | 0:35:36 | 0:35:38 | |
although it looks like a pencil sketch. | 0:35:38 | 0:35:40 | |
It's actually a limited edition print. | 0:35:40 | 0:35:42 | |
Is that something that you might be able to use? | 0:35:42 | 0:35:45 | |
I think we'd definitely be able to use it. | 0:35:45 | 0:35:47 | |
I think we could either use it as a class prize, | 0:35:47 | 0:35:49 | |
maybe for the winner of the fastest lap in a classic car. | 0:35:49 | 0:35:52 | |
Oh, brilliant. OK. | 0:35:52 | 0:35:53 | |
So I was hoping to get somewhere in the region of £250-300 for it, OK? | 0:35:53 | 0:36:00 | |
I was thinking perhaps more £150. | 0:36:00 | 0:36:03 | |
Yeah, I think £200 would be my absolute bottom line on it. | 0:36:03 | 0:36:06 | |
-I think we could probably go for £200. -Brilliant. | 0:36:06 | 0:36:09 | |
Well, £200 and a spin in the rather beautiful car outside the castle? | 0:36:09 | 0:36:14 | |
-Go on, then. -Brilliant. | 0:36:14 | 0:36:16 | |
Yes, the girl done good. | 0:36:16 | 0:36:18 | |
She more than triples her money and nets a profit of £136.36 | 0:36:18 | 0:36:23 | |
and she's right back in the game. | 0:36:23 | 0:36:26 | |
She celebrates with a lap of honour | 0:36:26 | 0:36:27 | |
around the course of the castle's racetrack. | 0:36:27 | 0:36:31 | |
And Christina sticks with her transport theme. | 0:36:38 | 0:36:40 | |
She sells her Dinky double decker to an antiques shop in Shrewsbury | 0:36:40 | 0:36:44 | |
for £10. But that brings in a rather dinky profit - 91 pence. | 0:36:44 | 0:36:50 | |
But a profit's a profit and every last penny counts in this game. | 0:36:50 | 0:36:54 | |
Jonty is also on the road, | 0:36:54 | 0:36:56 | |
motoring all the way to Golders Green in North London. | 0:36:56 | 0:36:59 | |
I have my French abstract print that I bought in Paris with me, | 0:36:59 | 0:37:03 | |
and I've come to see Neil. | 0:37:03 | 0:37:05 | |
Now, Neil is a print specialist | 0:37:05 | 0:37:07 | |
and I buy a lot of works of art from him. | 0:37:07 | 0:37:10 | |
But the question is, will I be able to make a sale to him? | 0:37:10 | 0:37:13 | |
Because this could be a first. | 0:37:13 | 0:37:16 | |
So the print's outcome all hangs on Neil's expert opinion. | 0:37:16 | 0:37:20 | |
Jonty bought the artwork for a shade under £41. | 0:37:20 | 0:37:24 | |
-Wow! -Here's the print. | 0:37:24 | 0:37:26 | |
For me, though, I've been able to find no | 0:37:26 | 0:37:28 | |
-information about this at all, and I sent you a picture. -Sure. | 0:37:28 | 0:37:31 | |
And I sent you a picture of the signature here. | 0:37:31 | 0:37:34 | |
Have you been able to find anything about this at all? | 0:37:34 | 0:37:37 | |
-To be honest, no. -HE LAUGHS | 0:37:37 | 0:37:40 | |
I mean, the problem with this sort of print is essentially it's | 0:37:40 | 0:37:45 | |
a decorative print. It's very pretty. It's very nice. | 0:37:45 | 0:37:50 | |
It probably dates from the '70s or '80s. There is a blind stamp. | 0:37:50 | 0:37:54 | |
I quite like that, though. Do you know anything about the print, | 0:37:54 | 0:37:57 | |
-because this would be the printer's, wouldn't it? -Yes, indeed. | 0:37:57 | 0:38:01 | |
Alloys is, I guess, it's a small printer. | 0:38:01 | 0:38:06 | |
To be honest, I've never actually heard of them before. | 0:38:06 | 0:38:09 | |
So, yes, a decorative print only, but it's a bargain, I think, | 0:38:09 | 0:38:12 | |
an absolute steal, at 120 quid. | 0:38:12 | 0:38:14 | |
It's not really worth 120 quid. I can't say it is. | 0:38:15 | 0:38:20 | |
But seeing as you bought so much from me | 0:38:20 | 0:38:23 | |
and you always make me laugh, I'll offer you £100 for it. | 0:38:23 | 0:38:26 | |
-How does that sound? -100 quid? | 0:38:26 | 0:38:27 | |
Yeah, how does that sound? | 0:38:27 | 0:38:29 | |
Well, you made me laugh now, so that's great. Thank you. | 0:38:29 | 0:38:32 | |
And Jonty laughs all the way to the bank to | 0:38:33 | 0:38:35 | |
deposit his profit of £59.09. | 0:38:35 | 0:38:39 | |
But he doesn't have the same luck | 0:38:39 | 0:38:41 | |
when he attempts a double deal with his hors d'oeuvre dish and tongs. | 0:38:41 | 0:38:44 | |
He tries his luck with Sue, | 0:38:44 | 0:38:46 | |
the landlady of a pub in the Oxfordshire village of Harwell. | 0:38:46 | 0:38:50 | |
I really... No. That really doesn't fit what we do. No. | 0:38:50 | 0:38:52 | |
-That's not for you. OK. -No, that's not for us. Those I really like. | 0:38:52 | 0:38:56 | |
-I could do £35, I'd have those. -Can't do. | 0:38:56 | 0:38:59 | |
-I think in that case I'm going to have to say no. -You're saying no. | 0:38:59 | 0:39:03 | |
-Yes, I'm sorry. -Okey-dokey. | 0:39:03 | 0:39:05 | |
Well, that was a hurdle, | 0:39:05 | 0:39:06 | |
but our speedy athlete did eventually manage to get a sale. | 0:39:06 | 0:39:10 | |
A jewellers in Wallingford bought both items for £80, | 0:39:10 | 0:39:14 | |
giving Jonty a profit of £30 exactly. | 0:39:14 | 0:39:16 | |
Well, that's Jonty all sold up, so Christina's last sale is crucial - | 0:39:18 | 0:39:22 | |
her musical film advertising board. | 0:39:22 | 0:39:25 | |
Our Magpie ventures out of her rural habitat | 0:39:25 | 0:39:27 | |
and all the way to the big smoke. | 0:39:27 | 0:39:29 | |
So will she make it a grand finale? | 0:39:29 | 0:39:32 | |
I'm here in North London to visit a lady called Deborah Wolf who runs | 0:39:32 | 0:39:35 | |
a vintage clothing and accessories shop. | 0:39:35 | 0:39:38 | |
I've sent a photograph of this and she seemed quite keen, | 0:39:38 | 0:39:40 | |
so let's go and see if she's still as keen. | 0:39:40 | 0:39:43 | |
Yes, will Deborah make a song and dance for the board? | 0:39:43 | 0:39:46 | |
The tension is palpable. | 0:39:46 | 0:39:48 | |
Deborah, thank you so much for having us in your shop. | 0:39:48 | 0:39:51 | |
I've literally just arrived with this wonderful film - | 0:39:51 | 0:39:54 | |
-I don't know what to call it, really - poster. -Yes, display board. | 0:39:54 | 0:39:57 | |
-Display board. Yes, exactly. So what's your initial thoughts? -Um. | 0:39:57 | 0:40:01 | |
-I love it. I love the colours. -Mm-hm. | 0:40:01 | 0:40:03 | |
And it's really evocative cos this was the image used on the posters. | 0:40:03 | 0:40:08 | |
-Right. Cos it's from the film An American In Paris, isn't it? -Yes. | 0:40:08 | 0:40:11 | |
-Which was released in...? -1951. -This I bought in Paris and I loved it. | 0:40:11 | 0:40:16 | |
I just thought it was so sort of wonderfully overt and fabulous | 0:40:16 | 0:40:19 | |
and the colours, like you say... | 0:40:19 | 0:40:20 | |
But I don't really understand, | 0:40:20 | 0:40:22 | |
because I would imagine at that time they were printing advertising | 0:40:22 | 0:40:25 | |
wares for films, but this is very much hand-painted. | 0:40:25 | 0:40:28 | |
I mean, it's a strong, bold piece. It says it straight away. | 0:40:28 | 0:40:31 | |
-And do you like it? -I do. I do. I really like it. | 0:40:31 | 0:40:34 | |
-So it is something that you could potentially use. -Yes. | 0:40:34 | 0:40:36 | |
-But it all comes down to price, doesn't it? -Yes, it does. -OK. | 0:40:36 | 0:40:39 | |
-So I was hoping for maybe £60-70. -OK. -What's your thoughts on that? | 0:40:39 | 0:40:44 | |
-£55? -£55. OK. Is that your absolute top line? | 0:40:45 | 0:40:51 | |
-Um, well, I love it. I could go to £60. -Could you? -Yep. -Brilliant. | 0:40:51 | 0:40:55 | |
-I'm very happy at that. -You're welcome. -Thank you so much. | 0:40:55 | 0:40:58 | |
Christina scrapes out an extra fiver - vital game play from our Magpie. | 0:40:58 | 0:41:02 | |
And she dances away £14.55 better off. So has she done enough? | 0:41:02 | 0:41:08 | |
Will she be called back for an encore? | 0:41:08 | 0:41:10 | |
We'll find out in just a moment. | 0:41:10 | 0:41:12 | |
Both our experts started the day with the equivalent of £750 of their own | 0:41:14 | 0:41:18 | |
money. Jonty made six purchases in total and spent exactly £300. | 0:41:18 | 0:41:24 | |
Christina also did six deals in Paris and spent a tiny bit more, | 0:41:24 | 0:41:28 | |
just shy of £320. | 0:41:28 | 0:41:30 | |
So neither of them made massive investments, | 0:41:32 | 0:41:35 | |
but who's made the most profit? | 0:41:35 | 0:41:37 | |
All of the money that Jonty and Christina have made from today's challenge | 0:41:37 | 0:41:41 | |
will go to charities of their choice, so let's find out who is today's | 0:41:41 | 0:41:44 | |
Put Your Money Where Your Mouth Is champion. | 0:41:44 | 0:41:47 | |
-Hello. -Hi. | 0:41:47 | 0:41:49 | |
Gosh, it feels a long time | 0:41:49 | 0:41:51 | |
-since we were strolling down the boulevards of Paris. -I know. | 0:41:51 | 0:41:54 | |
-Slightly different than today, eh? -Very different than today. -Yeah. | 0:41:54 | 0:41:57 | |
-Good sales? -Yeah, I think so. Yeah. | 0:41:57 | 0:42:00 | |
Do you remember that lovely sort of print of that Art Deco lady? | 0:42:00 | 0:42:03 | |
Sold that quite well. So I was really pleased with that. | 0:42:03 | 0:42:05 | |
-How about you? -Yeah, yeah. I think my biggest, best sale was... | 0:42:05 | 0:42:08 | |
Do you remember my lovely pheasant? | 0:42:08 | 0:42:10 | |
-Yes. -Did quite well with him. -Yeah, your strutting pheasant. | 0:42:10 | 0:42:13 | |
-Yeah, yeah, and that was good. -Right. -Really? -Moment of truth. | 0:42:13 | 0:42:16 | |
-Go on, then. -You ready? Go on. Ready. Together. | 0:42:16 | 0:42:19 | |
-Oh, Jonty. -THEY LAUGH | 0:42:21 | 0:42:24 | |
£250. Well done. My goodness. | 0:42:25 | 0:42:28 | |
-That's a large sum. -That is a large sum. It's not as large as that. | 0:42:28 | 0:42:32 | |
Oh, deary me. | 0:42:32 | 0:42:34 | |
Yes, Jonty walks away the winner and it all came down to one item, really. | 0:42:34 | 0:42:38 | |
His bronze pheasant did the business. | 0:42:38 | 0:42:42 | |
What a fabulous, fabulous market that was. | 0:42:42 | 0:42:45 | |
I really enjoyed the selling. | 0:42:45 | 0:42:46 | |
Every single thing that I sold I managed to sell really well. | 0:42:46 | 0:42:51 | |
I really enjoyed buying in Paris. What could be better? | 0:42:51 | 0:42:53 | |
It was just beautiful. | 0:42:53 | 0:42:55 | |
And I made some good, healthy profits as well, | 0:42:55 | 0:42:57 | |
but still not enough to beat that pesky Hearnden. | 0:42:57 | 0:43:01 | |
But Christina mustn't fret. | 0:43:01 | 0:43:02 | |
She gets another chance to take down the Hitman tomorrow, | 0:43:02 | 0:43:05 | |
and it's all to play for at a car boot sale in Essex. | 0:43:05 | 0:43:09 |