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This is Put Your Money Where Your Mouth Is - | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:12 | |
And gives you the insiders view of the trade. | 0:00:12 | 0:00:16 | |
KNOCK, KNOCK! Who's there? | 0:00:16 | 0:00:17 | |
Each week one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge. | 0:00:21 | 0:00:24 | |
The original cheeky chappie. | 0:00:24 | 0:00:26 | |
-MAN: -Lovely! | 0:00:26 | 0:00:27 | |
-Putting their reputations on the line... -And I'm truly rocking. | 0:00:27 | 0:00:31 | |
WOLF WHISTLING | 0:00:31 | 0:00:32 | |
And giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:40 | |
Get in there. SINISTER LAUGHTER | 0:00:40 | 0:00:42 | |
Today, the fearsome furniture fanatic Jonty Hearnden | 0:00:42 | 0:00:46 | |
takes on the incredible auctioneering ace | 0:00:46 | 0:00:48 | |
Christina Trevanion at a car boot sale in Essex. | 0:00:48 | 0:00:52 | |
Coming up, Christina's haggling from a height | 0:00:52 | 0:00:56 | |
and Jonty's none the wiser. | 0:00:56 | 0:00:58 | |
What's she doing up a ladder? | 0:00:58 | 0:01:01 | |
Very strange. | 0:01:01 | 0:01:02 | |
Christina has a top tip for car booting in Britain. | 0:01:02 | 0:01:06 | |
Always be prepared for whatever the weather will throw at you. | 0:01:06 | 0:01:10 | |
And Jonty strains every sinew for a deal. | 0:01:10 | 0:01:14 | |
The lengths I go to make a sale. | 0:01:14 | 0:01:18 | |
This is Put Your Money Where Your Mouth Is. | 0:01:18 | 0:01:23 | |
Prepare yourselves for some winning wheeling | 0:01:33 | 0:01:35 | |
and dealing, as our experts take on one of the United Kingdom's finest | 0:01:35 | 0:01:39 | |
institutions - the car boot sale. | 0:01:39 | 0:01:43 | |
It's a place for the haggle hungry and the bargain baggers, | 0:01:43 | 0:01:46 | |
but it's a high-risk mission. | 0:01:46 | 0:01:48 | |
Finding real gems is tough going and to get them | 0:01:48 | 0:01:51 | |
for the right price means dicing with dealers who put up a good fight | 0:01:51 | 0:01:55 | |
and don't mince their words. | 0:01:55 | 0:01:57 | |
So are our experts good enough to stop this field of dreams | 0:01:57 | 0:02:00 | |
turning into a meadow of 'mares? | 0:02:00 | 0:02:02 | |
You bet they are. | 0:02:02 | 0:02:04 | |
First up, it's the man who gets fired up over the furniture. | 0:02:04 | 0:02:07 | |
Never scared of a scrape, | 0:02:07 | 0:02:08 | |
he rolls with the punches until the deal is dead on. | 0:02:08 | 0:02:11 | |
It's the master of the market, the prince of the profit margin. | 0:02:11 | 0:02:14 | |
It's Jonty "The Hitman" Hearnden. | 0:02:14 | 0:02:17 | |
The competition is hotting up. | 0:02:18 | 0:02:20 | |
His imposing opponent is impressive, to say the least. | 0:02:20 | 0:02:24 | |
She can clock a masterpiece in a millisecond, | 0:02:24 | 0:02:27 | |
find a first edition at first glance. | 0:02:27 | 0:02:29 | |
It's the duchess of dealing, the heroine of haggling. | 0:02:29 | 0:02:32 | |
It's Christina "The Magpie" Trevanion. | 0:02:32 | 0:02:36 | |
Let's get going. | 0:02:36 | 0:02:37 | |
Today's battlefield is the massive Marks Tey Car Boot Sale near Colchester. | 0:02:38 | 0:02:43 | |
But the bleary-eyed beware. | 0:02:43 | 0:02:45 | |
It's early in the morning. | 0:02:45 | 0:02:46 | |
Trading starts at 7am and everyone's on-site well before then, | 0:02:46 | 0:02:51 | |
including our experts. | 0:02:51 | 0:02:52 | |
Each of them has brought £250 of their own money to spend. | 0:02:52 | 0:02:56 | |
Once they've bought up, they must sell on for as much as they can | 0:02:56 | 0:02:59 | |
and any profits they make will go directly to | 0:02:59 | 0:03:02 | |
the charities of their choice. | 0:03:02 | 0:03:04 | |
So let's do this. | 0:03:04 | 0:03:06 | |
Jonty Hearnden and Christina Trevanion, | 0:03:06 | 0:03:08 | |
we want a good, clean fight - for the most part. | 0:03:08 | 0:03:11 | |
It's now time to put your money where your mouth is. | 0:03:11 | 0:03:14 | |
-Good morning. -How are you? -Very well. How are you? -Bit early, isn't it? | 0:03:14 | 0:03:18 | |
Oh, I've got two young children. This is kind of a lie-in. | 0:03:18 | 0:03:22 | |
SHE LAUGHS | 0:03:22 | 0:03:23 | |
-So we have £250 to spend. -Yeah. Marks Tey Car Boot Sale. -Yeah. | 0:03:23 | 0:03:27 | |
-Do you enjoy car boot sales? -I love car boot sales. -Are you a regular? | 0:03:27 | 0:03:29 | |
I'm not a regular, but I love the banter | 0:03:29 | 0:03:32 | |
and it's a very different atmosphere to antique markets. | 0:03:32 | 0:03:35 | |
And do you think you'll blow your entire budget today? | 0:03:35 | 0:03:37 | |
I never spend £250 at a car boot sale. | 0:03:37 | 0:03:39 | |
-SHE LAUGHS -I try. I try. | 0:03:39 | 0:03:42 | |
-I'm sure. -What about you? -I love them. Yeah. | 0:03:42 | 0:03:44 | |
Have a good rummage and I'd like to say, just some really wacky, | 0:03:44 | 0:03:47 | |
great people here, so yeah, I'm looking forward to it. | 0:03:47 | 0:03:50 | |
-Well, best of luck. -Let's do battle. -Let's do battle. See you later. | 0:03:50 | 0:03:53 | |
The battle lines are drawn and these two will be taking no prisoners. | 0:03:53 | 0:03:58 | |
Right. Let's get serious. | 0:03:58 | 0:04:02 | |
It's dog eat dog out there, so what's Jonty's plan to survive? | 0:04:02 | 0:04:06 | |
£250 is still an awful lot of money in my pocket, | 0:04:06 | 0:04:10 | |
but I'm determined to invest as much as I possibly can. | 0:04:10 | 0:04:14 | |
That's my challenge. Whether it will be so, I have no idea. | 0:04:14 | 0:04:19 | |
Well, that's pretty straightforward, | 0:04:19 | 0:04:21 | |
but Christina's going back to basics. | 0:04:21 | 0:04:24 | |
My strategy is buy whatever I can that's going to make me | 0:04:24 | 0:04:28 | |
any kind of profit. | 0:04:28 | 0:04:29 | |
So basically just following the rules of the game, then, Christina. | 0:04:29 | 0:04:33 | |
Ingenious, but it does pay off almost immediately. | 0:04:33 | 0:04:36 | |
Our lady buys an artist's easel from someone who's a little camera shy. | 0:04:36 | 0:04:40 | |
She pays £4, but will it turn out to be a masterstroke? | 0:04:40 | 0:04:45 | |
Just bought myself this artist's easel. | 0:04:45 | 0:04:47 | |
I think it's relatively modern. | 0:04:47 | 0:04:49 | |
I only paid £4 for it. I know quite a lot of artists that | 0:04:49 | 0:04:51 | |
I could potentially sell this to, so hopefully I'll make a profit on it. | 0:04:51 | 0:04:54 | |
Well, Christina's hit the ground running | 0:04:54 | 0:04:57 | |
and she disappears at a pace across the pasture. | 0:04:57 | 0:05:00 | |
The Hitman, however, | 0:05:00 | 0:05:01 | |
has chosen a far more relaxed policy of observation and assessment. | 0:05:01 | 0:05:06 | |
This is what I like. Coming to a market like this. | 0:05:06 | 0:05:09 | |
You kind of have a sense that this stallholder here is new to the game | 0:05:09 | 0:05:13 | |
because it's like bees around a honeypot. | 0:05:13 | 0:05:15 | |
Just going to have a look to see what's happening. | 0:05:15 | 0:05:18 | |
-And as I thought, there was nothing to buy. -So no joy there, then. | 0:05:18 | 0:05:23 | |
But the buying psychology is a useful tool in the cut | 0:05:23 | 0:05:26 | |
and thrust of car booting | 0:05:26 | 0:05:28 | |
and it's not long before Jonty does see something that he likes. | 0:05:28 | 0:05:31 | |
-A brass-top table. -Let's have a look at the stand. | 0:05:31 | 0:05:33 | |
-That looks in pretty working order. -Yeah. | 0:05:37 | 0:05:39 | |
It's a bargain at £5. | 0:05:39 | 0:05:40 | |
-But me being me, I never pay the full asking price. -So you want to pay me £4.90? | 0:05:40 | 0:05:44 | |
-Shall I pay you £4? -£4.50. -£4.50. I'm buying it. | 0:05:44 | 0:05:49 | |
-OK. -Thank you very much indeed. | 0:05:49 | 0:05:52 | |
Almost exactly the same price as Christina's first purchase. | 0:05:52 | 0:05:55 | |
This is clearly going to be a tightly fought contest. | 0:05:55 | 0:05:58 | |
And even the thrill of the chase can't take away | 0:05:58 | 0:06:00 | |
the chill of early-morning Essex. | 0:06:00 | 0:06:03 | |
Just look at that lovely jumper. | 0:06:03 | 0:06:05 | |
Ooh. Come on, big man. Tell us what you've got. | 0:06:05 | 0:06:08 | |
Beautiful hand-beaten table. | 0:06:08 | 0:06:10 | |
And it's really in pretty good condition apart from the ring | 0:06:10 | 0:06:13 | |
mark that's in the middle. | 0:06:13 | 0:06:14 | |
So if you look at the front, which is all hand-beaten, all hand-decorated. | 0:06:14 | 0:06:19 | |
Quite extraordinary for £4.50. But have a look at the reverse. | 0:06:19 | 0:06:23 | |
And quite interestingly here - I hadn't noticed this yet. | 0:06:23 | 0:06:27 | |
But it says "Made in India". Exactly where this is from. | 0:06:27 | 0:06:30 | |
You look at the front there, you can see the Indian decoration. | 0:06:30 | 0:06:34 | |
The busy Indian decoration on the table. | 0:06:34 | 0:06:36 | |
Date-wise, it's probably between the wars - | 0:06:36 | 0:06:38 | |
1920s and 1930s, so it's a table that came home from the Raj. | 0:06:38 | 0:06:43 | |
If I get that cleaned, this is worth an awful lot more than £4.50. | 0:06:43 | 0:06:48 | |
Oh, let's hope so. | 0:06:48 | 0:06:50 | |
Both our dealers are fired up. | 0:06:50 | 0:06:51 | |
As Christina speedily trawls the stalls, | 0:06:51 | 0:06:54 | |
Jonty shimmies onwards. | 0:06:54 | 0:06:56 | |
-The Hitman does a deal with a disco dimension. -Hey. | 0:06:56 | 0:07:00 | |
Now, don't you think he looks like me? He's as cool as I am. | 0:07:00 | 0:07:04 | |
WOLF WHISTLING | 0:07:04 | 0:07:07 | |
Fantastic. "50 Great Party Hits". This looks so up my street. | 0:07:07 | 0:07:14 | |
-How much is this great, fantastic album? -£2. | 0:07:14 | 0:07:17 | |
-£2?! -£2. -I thought you were going to say 20p. | 0:07:17 | 0:07:20 | |
SHE LAUGHS | 0:07:20 | 0:07:21 | |
-I'll give you £1. -OK. It's a deal. | 0:07:21 | 0:07:24 | |
So, pop pickers, amongst the dazzling dynamite on this double | 0:07:24 | 0:07:27 | |
disco delight is the one and only Chirpy Chirpy Cheep Cheep(!) | 0:07:27 | 0:07:32 | |
SONG: "Chirpy Chirpy Cheep Cheep" | 0:07:32 | 0:07:34 | |
Yes. Relive long Spanish summer evenings with Y Viva Espana. | 0:07:34 | 0:07:38 | |
SONG: "Y Viva Espana" | 0:07:38 | 0:07:39 | |
And everyone's party essential, My Bonnie Lies Over The Ocean(!) | 0:07:39 | 0:07:43 | |
-RECORD SCRATCHES -Don't worry, music lovers. | 0:07:43 | 0:07:46 | |
You have to draw the line somewhere. | 0:07:46 | 0:07:48 | |
So will Jonty's '70s LP give him | 0:07:48 | 0:07:50 | |
a high-octane hit or a low-mileage miss? | 0:07:50 | 0:07:53 | |
On the far side of the field and right alongside the busy A12, | 0:07:53 | 0:07:56 | |
Christina clocks a cocktail cabinet. | 0:07:56 | 0:07:59 | |
-I could come down to 100 quid comfortably. -£90. -90 quid. -90 quid. | 0:08:00 | 0:08:06 | |
Thank you very much. | 0:08:06 | 0:08:07 | |
Yes, OK, this piece of furniture cost me £90. | 0:08:07 | 0:08:10 | |
You might think I'm slightly mad, but for me, | 0:08:10 | 0:08:12 | |
this is an iconic piece of furniture. | 0:08:12 | 0:08:14 | |
I just couldn't leave it here. | 0:08:14 | 0:08:15 | |
And to find it here of all places was a real treat for me. | 0:08:15 | 0:08:18 | |
It just says "I'm 1950s". | 0:08:18 | 0:08:22 | |
It's made of relatively cheap materials, however it was a time | 0:08:22 | 0:08:27 | |
when they were experimenting. | 0:08:27 | 0:08:29 | |
At the turn of the century, it was all very heavy wooden furniture | 0:08:29 | 0:08:32 | |
and then in the mid-20th century you've got this really light, | 0:08:32 | 0:08:34 | |
almost space-age-looking furniture. | 0:08:34 | 0:08:36 | |
It looks a bit Sputniky. | 0:08:36 | 0:08:38 | |
It's covered in material. | 0:08:38 | 0:08:40 | |
Whoever would have thought of putting material over a cocktail cabinet? | 0:08:40 | 0:08:43 | |
I love it. | 0:08:43 | 0:08:44 | |
I'm really excited about it and I can't wait to get home | 0:08:44 | 0:08:47 | |
and find out who that maker's label is. | 0:08:47 | 0:08:49 | |
That's a lot of money for a car boot purchase and in doing that deal, | 0:08:49 | 0:08:53 | |
The Magpie treads on The Hitman's toes. | 0:08:53 | 0:08:55 | |
Furniture is firmly his territory. | 0:08:55 | 0:08:58 | |
But now he's got his small table, | 0:08:58 | 0:09:00 | |
he's not giving the brown goods a second glance. | 0:09:00 | 0:09:03 | |
His next deal is pure glass. | 0:09:03 | 0:09:06 | |
A multiple mega-purchase from one lady. | 0:09:06 | 0:09:08 | |
He picks up an enormous collection of paperweights, a decanter | 0:09:08 | 0:09:12 | |
and a set of shot glasses, all for £13. | 0:09:12 | 0:09:15 | |
So voila. | 0:09:15 | 0:09:17 | |
Here is my £13 worth of investment of glass. It's extraordinary, isn't it? | 0:09:17 | 0:09:22 | |
These lovely paperweights. All for a tenner. | 0:09:22 | 0:09:25 | |
Now, the history of paperweights really goes back almost 200 years. | 0:09:25 | 0:09:29 | |
Very, very popular in the mid-19th century. | 0:09:29 | 0:09:31 | |
These, however, are very contemporary. | 0:09:31 | 0:09:34 | |
Some are nicer than others. | 0:09:34 | 0:09:36 | |
And my kitsch cocktail set. I have my four shot glasses. | 0:09:36 | 0:09:42 | |
I have my decanter. Have I shot myself in the foot with that? | 0:09:42 | 0:09:46 | |
Well, I don't really think so because that cost me three quid as well. | 0:09:46 | 0:09:49 | |
So if I can sell the whole thing, I could be in for a substantial profit. | 0:09:49 | 0:09:54 | |
And that's what you call a GLASSter plan, Hitman. | 0:09:54 | 0:09:57 | |
But Christina is a force to be reckoned with. | 0:09:57 | 0:10:00 | |
Her business brain is bleeping with bargain potential. | 0:10:00 | 0:10:03 | |
She's spotted a laundry basket. | 0:10:03 | 0:10:06 | |
Want me to sell it to you? It's the best one you'll ever see. | 0:10:06 | 0:10:09 | |
-It depends how much it is, doesn't it? -£45. 1900, 1930s. -No. | 0:10:09 | 0:10:14 | |
-Well, I was going to say 1920, 1930. -Within that sort of period. | 0:10:14 | 0:10:18 | |
Will you take 20 for it? | 0:10:18 | 0:10:19 | |
-Deposit? -Go on. Take 20 for it. | 0:10:19 | 0:10:23 | |
-The death on it, and I mean the death... -Yeah. | 0:10:23 | 0:10:25 | |
-What's your death on it? -35 quid. | 0:10:25 | 0:10:28 | |
-And that's the death. -30. -35's the death. -£32.50. | 0:10:28 | 0:10:33 | |
HE LAUGHS Oh, no. | 0:10:33 | 0:10:34 | |
Don't deal in 50s. It's got to be 35. | 0:10:34 | 0:10:36 | |
Go on. You've got a deal. £35. You're a hard man. Thank you. | 0:10:36 | 0:10:40 | |
Yes. He's a man who knows what he wants and Christina paid the price. | 0:10:40 | 0:10:44 | |
But despite that, she hangs about at the stall. | 0:10:44 | 0:10:47 | |
-Are those your stepladders? -Um, yes. English set. | 0:10:47 | 0:10:51 | |
This is a woman who thrives on the rough | 0:10:51 | 0:10:53 | |
and tumble of a trading tussle. | 0:10:53 | 0:10:56 | |
Either that or she's a glutton for punishment. | 0:10:56 | 0:10:58 | |
-50, 60 years old. Something like that. -Do they work? Can I...? | 0:10:58 | 0:11:05 | |
-Are they going to fall apart when I...? What's your price on them? -£35. | 0:11:05 | 0:11:10 | |
-£35?! -£35. -It would cost me less to buy a new pair. | 0:11:10 | 0:11:14 | |
Christina doesn't know it, but The Hitman has her in his sights. | 0:11:14 | 0:11:18 | |
What's she doing up a ladder? | 0:11:18 | 0:11:21 | |
Very strange. | 0:11:21 | 0:11:23 | |
Hmm. Jonty's nonplussed, but Christine continues her haggle | 0:11:23 | 0:11:26 | |
and lands the ladders for £25. | 0:11:26 | 0:11:29 | |
I am feeling on top of the world. | 0:11:29 | 0:11:32 | |
I just bought this gorgeous set of ladders. | 0:11:32 | 0:11:35 | |
This is a great example of a piece that was made as a functional item | 0:11:35 | 0:11:39 | |
and has now become quite a decorative thing. | 0:11:39 | 0:11:42 | |
And I think it could be a great display piece for a shop. | 0:11:42 | 0:11:44 | |
I love the fact that this has still got its original paint on it. | 0:11:44 | 0:11:47 | |
It looks like it's been worn. It looks like it's being used. | 0:11:47 | 0:11:50 | |
And I think they're great. | 0:11:50 | 0:11:52 | |
On top of the world, she said. What will Jonty make of it? | 0:11:52 | 0:11:56 | |
-Time for our little spy to come out of the shadows. -Hello. | 0:11:56 | 0:11:59 | |
-Suits you, sir. -Yeah, I know. I could spot those wellies a mile off. | 0:11:59 | 0:12:03 | |
They're my lucky wellies. SHE LAUGHS | 0:12:03 | 0:12:05 | |
-How's it going? -Yeah, good. Quite busy, I think. | 0:12:05 | 0:12:07 | |
I've just seen you up a ladder. Please explain. | 0:12:07 | 0:12:09 | |
-Well, I'm trying to get one step ahead. -Ahh. | 0:12:09 | 0:12:13 | |
-Wants a better view. -Oh, really? Do tell me. | 0:12:13 | 0:12:16 | |
Without buying ladders. | 0:12:16 | 0:12:17 | |
One step above. HE LAUGHS | 0:12:17 | 0:12:19 | |
Have you bought anything that you're really, really pleased with? | 0:12:19 | 0:12:22 | |
-Everything was an absolute bargain. -Don't tell me things like that. | 0:12:22 | 0:12:25 | |
-Well, I think it's time for a bacon butty. -Do you reckon? | 0:12:25 | 0:12:27 | |
What do you reckon? I can smell them. | 0:12:27 | 0:12:29 | |
-I can sort of smell a bacon butty. -Let's go and hunt them out. | 0:12:29 | 0:12:32 | |
Oh, the humble bacon butty. As British as the boot sale itself. | 0:12:32 | 0:12:37 | |
And while they fill up, let's find out the figures. | 0:12:37 | 0:12:39 | |
Each of our experts arrived in Essex with £250 of their own money. | 0:12:41 | 0:12:45 | |
Jonty has hardly made a dealing dash. | 0:12:45 | 0:12:48 | |
Three purchases for £18.50, leaving him with £231.50 to play with. | 0:12:48 | 0:12:54 | |
Christina, however, couldn't be more different. | 0:12:56 | 0:12:58 | |
She has spent £154 on four items, | 0:12:58 | 0:13:02 | |
meaning there's just £96 left in her kitty. | 0:13:02 | 0:13:05 | |
So, two distinct approaches to the sale, | 0:13:06 | 0:13:09 | |
but who will bring home the bacon and who has made rasher decisions? | 0:13:09 | 0:13:13 | |
Jonty tells me that he's got loads of bargains, that he's going to make | 0:13:13 | 0:13:16 | |
lots of money. | 0:13:16 | 0:13:18 | |
I'm starting to see through this man, I think, a little bit. | 0:13:18 | 0:13:20 | |
Besides, sustenance time. | 0:13:20 | 0:13:22 | |
Bacon butty will give me loads of energy | 0:13:22 | 0:13:24 | |
and there'll be lots more bargains now. | 0:13:24 | 0:13:25 | |
That's our girl. A fire in her belly. | 0:13:25 | 0:13:28 | |
But there's a change in the weather. | 0:13:28 | 0:13:30 | |
That chill is back and Christina doesn't want to freeze her assets. | 0:13:30 | 0:13:34 | |
My top tip for car booting in the great British summer - | 0:13:34 | 0:13:38 | |
always be prepared for whatever the weather will throw at you. | 0:13:38 | 0:13:42 | |
And Jonty's jaunty jumper goes back on as well. | 0:13:42 | 0:13:45 | |
And he's intent on keeping up the heat on his challenger. | 0:13:45 | 0:13:49 | |
So, Christina buys a ladder. I think she's doing very well. | 0:13:49 | 0:13:53 | |
Well, I have to say that I think I'm steps ahead because I've bought | 0:13:53 | 0:13:57 | |
a load of bargains. | 0:13:57 | 0:13:58 | |
The competition's hotting up. | 0:13:58 | 0:14:00 | |
While the pressure ramps up, the weather cools right down. | 0:14:00 | 0:14:04 | |
In fact, you could say it's got chills and they're multiplying. | 0:14:04 | 0:14:08 | |
I swear, I watched this film pretty much every day on repeat | 0:14:08 | 0:14:12 | |
when I was about 10 or 11, I suppose. I loved it. | 0:14:12 | 0:14:17 | |
-Excuse me, are these yours? -Yeah. | 0:14:17 | 0:14:19 | |
-£2. -Can you do any better? | 0:14:21 | 0:14:23 | |
-£1. -Perfect. -You've got a deal. -You're a deal. | 0:14:25 | 0:14:28 | |
That's fantastic. Thank you ever so much. | 0:14:28 | 0:14:30 | |
I've just spent £1 on this record. | 0:14:31 | 0:14:33 | |
To be perfectly honest, records are a very, very specialist field | 0:14:33 | 0:14:36 | |
and not something that I know a lot about. | 0:14:36 | 0:14:38 | |
But I do know that it's got the record in it, which is always a bonus. | 0:14:38 | 0:14:41 | |
Obviously it's got its literature there as well. | 0:14:41 | 0:14:44 | |
It has got a date on the back. | 0:14:44 | 0:14:45 | |
I don't know if it was a limited edition, | 0:14:45 | 0:14:47 | |
but I will take it home and find out. | 0:14:47 | 0:14:48 | |
To be perfectly honest, for £1 and for one of my favourite films, | 0:14:48 | 0:14:51 | |
I don't think I've gone too far wrong. | 0:14:51 | 0:14:54 | |
Interesting. Both our dealers have seen value in vinyl. | 0:14:54 | 0:14:57 | |
It's Grease versus the greatest party hits. | 0:14:57 | 0:15:00 | |
So which will top the selling charts? Only time will tell. | 0:15:00 | 0:15:04 | |
Christina may be way out in front, | 0:15:04 | 0:15:06 | |
but Jonty's supreme confidence is undeniable. | 0:15:06 | 0:15:09 | |
Out there in the thick of things, | 0:15:09 | 0:15:10 | |
he's thrown his weight behind another item. | 0:15:10 | 0:15:12 | |
£12 buys a set of scales. | 0:15:12 | 0:15:15 | |
They are really good quality. | 0:15:16 | 0:15:19 | |
So the weights aren't complete, but I'm not too worried about that | 0:15:19 | 0:15:22 | |
because this dish here is in really good order. | 0:15:22 | 0:15:26 | |
In fact, the whole thing is perfect. | 0:15:26 | 0:15:28 | |
Now, date-wise, I don't think this is particularly old. | 0:15:28 | 0:15:31 | |
And the giveaway really is looking at the Salter label. | 0:15:31 | 0:15:35 | |
That doesn't look period to me. I think it's more of a reproduction. | 0:15:35 | 0:15:38 | |
So my set of kitchen scales for £12. | 0:15:38 | 0:15:41 | |
There has to be a profit in there somewhere. | 0:15:41 | 0:15:44 | |
But a £12 purchase hardly dents Jonty's wallet. | 0:15:44 | 0:15:48 | |
And there's Christina, faster than a firework, | 0:15:48 | 0:15:50 | |
flashing the cash all over the place. | 0:15:50 | 0:15:53 | |
In percentage terms, Jonty will have to work a lot harder to make | 0:15:53 | 0:15:56 | |
more money when he sells on his stash. | 0:15:56 | 0:15:58 | |
But just as things are starting to look a little worrying for The Hitman, | 0:15:58 | 0:16:02 | |
there's a hint of vintage Hearnden. | 0:16:02 | 0:16:04 | |
Yes, the nation breathes a collective sigh of relief as Jonty | 0:16:04 | 0:16:08 | |
eyes up some furniture. | 0:16:08 | 0:16:10 | |
This has probably been stripped once upon a time. | 0:16:10 | 0:16:13 | |
And now somebody has painted it. These handles aren't original. | 0:16:13 | 0:16:18 | |
You would have had bun handles. So rounded handles. | 0:16:18 | 0:16:22 | |
But if you look on the inside of here, very, | 0:16:22 | 0:16:24 | |
very typical construction. Dovetailing here. | 0:16:24 | 0:16:28 | |
So this chest of drawers is probably a good 150 years old. | 0:16:28 | 0:16:32 | |
Very commercial at the right price. Just a question of how much it is. | 0:16:32 | 0:16:35 | |
-What's the death on your chest of drawers? -The death? -Yeah. -£180. | 0:16:35 | 0:16:40 | |
Will you take something like £120 for it? | 0:16:40 | 0:16:42 | |
£150 or that goes back on the van at that price, I'm afraid. | 0:16:42 | 0:16:45 | |
I'll take it off your hands for £140. | 0:16:45 | 0:16:48 | |
-It's a done deal. -140 quid. -All right. | 0:16:48 | 0:16:50 | |
-That's a done deal. -Perfect. | 0:16:50 | 0:16:51 | |
Christina struggled at the same stall, | 0:16:51 | 0:16:54 | |
but Jonty gets a drop on his drawers. | 0:16:54 | 0:16:56 | |
That's a much needed yet low-risk purchase from The Hitman. | 0:16:56 | 0:17:00 | |
That's not the name of Christina's game, though. No. | 0:17:00 | 0:17:03 | |
This girl will push the boundaries, guided only by her guile | 0:17:03 | 0:17:06 | |
and gut instinct. | 0:17:06 | 0:17:07 | |
-How much is this sledge? -£10. -HOW much?! | 0:17:08 | 0:17:13 | |
-Where's the snow? Go on. £6. -Nah, love. It's got to be eight quid. | 0:17:13 | 0:17:18 | |
-Eight quid is the best I can do. -Can I meet you in the middle at £7? | 0:17:18 | 0:17:22 | |
-Go on. -Go on, then. -Yay! Thank you. | 0:17:24 | 0:17:28 | |
It's probably mid-20th century. It's a...obviously a snow sledge. | 0:17:28 | 0:17:32 | |
Can you think of the hours of fun that somebody's had on this? | 0:17:32 | 0:17:35 | |
I think it's seen a bit of action. | 0:17:35 | 0:17:36 | |
And you can tell by a little bit of damage at the back as well, sadly. | 0:17:36 | 0:17:39 | |
But I think that's quite nice. | 0:17:39 | 0:17:40 | |
It shows that it's been used and it's had a lot of fun in its life. | 0:17:40 | 0:17:43 | |
Yes, it's downhill all the way for Christina. | 0:17:43 | 0:17:46 | |
But selling it on in such mild conditions is snow easy task. | 0:17:46 | 0:17:50 | |
She's so pleased with herself, she decides to call it a day | 0:17:50 | 0:17:54 | |
and what better way to relax than to gloat as The Hitman hunts on? | 0:17:54 | 0:17:58 | |
Look at that determined walk. That's a man on a mission. | 0:17:58 | 0:18:01 | |
Or is it a man defeated? | 0:18:01 | 0:18:03 | |
A morning on his feet and Jonty's exhausted | 0:18:03 | 0:18:06 | |
and starting to get a bit anxious. | 0:18:06 | 0:18:08 | |
Time is running out. | 0:18:08 | 0:18:10 | |
It's quite extraordinary. People are packing up. | 0:18:10 | 0:18:14 | |
I feel like I've been round here several times already. | 0:18:14 | 0:18:18 | |
And it's getting a little bit frustrating | 0:18:18 | 0:18:20 | |
cos I've still got one more purchase to do. | 0:18:20 | 0:18:23 | |
And I know that it's here somewhere. | 0:18:23 | 0:18:26 | |
The boot sale's closure is imminent. | 0:18:26 | 0:18:28 | |
No extended opening hours on this field. | 0:18:28 | 0:18:31 | |
At the 11th hour, though, Jonty finally spots something. | 0:18:31 | 0:18:34 | |
But will it turn out to be his saviour? | 0:18:34 | 0:18:36 | |
£1? | 0:18:38 | 0:18:40 | |
-That's got to be worth £1. There's no chips. -No. No salt. | 0:18:40 | 0:18:43 | |
-No salt? No fish? -No. No fish. -And this is £1? | 0:18:43 | 0:18:47 | |
Little hors d'oeuvre dish. 1930s hors d'oeuvre dish. Falcon Ware. | 0:18:47 | 0:18:52 | |
Made in England. It's in mint condition. | 0:18:52 | 0:18:56 | |
Do you know what? | 0:18:56 | 0:18:57 | |
Somebody will buy that. And somebody will buy it for more than £1. | 0:18:57 | 0:19:01 | |
-Here we go, sir. -Thank you very much, young man. -There we go. | 0:19:01 | 0:19:04 | |
-You've waited all day for that, haven't you? -Yes, I have. Thank you. | 0:19:04 | 0:19:06 | |
Great. What a great buy. | 0:19:06 | 0:19:10 | |
Yes. That seems incredibly cheap. | 0:19:10 | 0:19:12 | |
But that last-minute dish of a deal | 0:19:12 | 0:19:13 | |
brings our car boot chaos to a close. | 0:19:13 | 0:19:15 | |
Let's see how our pair of premium profit hunters have got on. | 0:19:15 | 0:19:19 | |
Both our experts arrived with £250 to spend. | 0:19:21 | 0:19:25 | |
Jonty had a very cheap start, but the drawers cost money. | 0:19:25 | 0:19:29 | |
He made six deals and ended up paying £171.50. | 0:19:29 | 0:19:33 | |
Christina had a much more steady spending spree. | 0:19:35 | 0:19:38 | |
She also bought half a dozen items. All up, they cost her £162. | 0:19:38 | 0:19:43 | |
There's less than £10 between our dealers, | 0:19:43 | 0:19:46 | |
so what do they make of each other's booty? | 0:19:46 | 0:19:48 | |
-You've grown. -This is the only way I could almost be as tall as you. | 0:19:48 | 0:19:53 | |
SHE LAUGHS | 0:19:53 | 0:19:55 | |
Now, I'm looking at everything in front of us here. | 0:19:55 | 0:19:57 | |
I kind of feel that this is... It feels like a very domestic scene. | 0:19:57 | 0:20:01 | |
-Loving all your glass. You got a bit glass happy. -Lots of glass. | 0:20:01 | 0:20:04 | |
Well, I did really well purchasing all of my paperweights | 0:20:04 | 0:20:07 | |
-and my decanter and shot glasses all for 13 quid. -Oh, that's not bad! | 0:20:07 | 0:20:11 | |
Not bad. Not bad. | 0:20:11 | 0:20:12 | |
So tell me, what bargains have you got here? | 0:20:12 | 0:20:15 | |
-For me, personally, it's got to be... -Hey. Grease. -Grease. | 0:20:15 | 0:20:19 | |
My vinyl. I literally lived on this film when I was about ten. | 0:20:19 | 0:20:24 | |
-I can match you on this. -Yeah? | 0:20:24 | 0:20:25 | |
-Because I can feel a bit of dad dancing coming on. -Oh, no. Not that. | 0:20:25 | 0:20:30 | |
No. Please, please. Save us from the dancing. Oh, it's you! | 0:20:30 | 0:20:34 | |
THEY LAUGH | 0:20:34 | 0:20:35 | |
-I've got to put it back. -Jonty, when did you pose for a record cover? | 0:20:35 | 0:20:38 | |
Guess how much I paid for my table. | 0:20:38 | 0:20:39 | |
I love the marquetry or parquetry inlay on that. | 0:20:39 | 0:20:42 | |
-That's beautiful, isn't it? -It's nice, isn't it? -Yeah. 20 quid? -What? | 0:20:42 | 0:20:45 | |
30 quid? | 0:20:45 | 0:20:46 | |
-What? -40 quid? -£4.50. -No. Really? -Yes. Get in there. | 0:20:46 | 0:20:51 | |
-At least we are both standing six feet tall. -Oh, the dizzy heights. | 0:20:51 | 0:20:56 | |
SHE LAUGHS | 0:20:56 | 0:20:57 | |
Both our daring dealers head home with their hauls. | 0:21:00 | 0:21:03 | |
They may have breezed through the buying, but here comes the hard bit. | 0:21:03 | 0:21:07 | |
Success in selling. And that's no walk in the park. Far from it. | 0:21:07 | 0:21:10 | |
In fact, this will stretch their supreme skills to the limit. | 0:21:10 | 0:21:14 | |
It requires research, serious phone bashing, some heroic haggling | 0:21:14 | 0:21:19 | |
and all the luck in the world. | 0:21:19 | 0:21:21 | |
And whoever pops the biggest profit will be the winner. | 0:21:21 | 0:21:24 | |
In Oxfordshire, Jonty is in his back garden, | 0:21:24 | 0:21:26 | |
taking stock of his purchases. | 0:21:26 | 0:21:28 | |
Car boot sales. The amount of stuff you see is just amazing. | 0:21:28 | 0:21:33 | |
So no wonder I brought back an eclectic mix. Look at it. | 0:21:33 | 0:21:36 | |
My first purchase was my Indian table. | 0:21:36 | 0:21:38 | |
Now, it's got a ring mark on the top. It was a bargain. | 0:21:38 | 0:21:41 | |
If I can get that off, fine. | 0:21:41 | 0:21:43 | |
But if I can't, then it won't have turned into the bargain that | 0:21:43 | 0:21:46 | |
I initially thought it might have been. | 0:21:46 | 0:21:48 | |
But the big bargain of the day might well be my glass collection. | 0:21:48 | 0:21:54 | |
The paperweights. There's so many of them and they were so cheap. | 0:21:54 | 0:21:57 | |
I could be into a massive profit. | 0:21:57 | 0:21:59 | |
My little hors d'oeuvre dish. £1. It's Falcon Ware. | 0:21:59 | 0:22:02 | |
Not the most collectable name on the planet, but hey-ho. | 0:22:02 | 0:22:05 | |
For £1, goodness me, that's a bargain. | 0:22:05 | 0:22:08 | |
Now, sometimes you buy in haste and repent at leisure. | 0:22:08 | 0:22:13 | |
Say no more. Weighing scales. Great. Really decorative. | 0:22:13 | 0:22:18 | |
So who's going to buy them? Somebody for a kitchen. | 0:22:18 | 0:22:21 | |
Somebody for a display. I'm not quite sure. | 0:22:21 | 0:22:23 | |
But I've thrown a lot of money at my chest of drawers | 0:22:23 | 0:22:27 | |
and I brought it back and it's not the best specimen I've ever | 0:22:27 | 0:22:31 | |
seen as far as Victorian chest of drawers are concerned. | 0:22:31 | 0:22:34 | |
What I now need to do is get on the road. | 0:22:34 | 0:22:37 | |
Get into my car and start making those sales. | 0:22:37 | 0:22:40 | |
Indeed you do. | 0:22:40 | 0:22:42 | |
Christina is back in Shropshire at Trevanion HQ | 0:22:42 | 0:22:45 | |
and she's feeling confident. | 0:22:45 | 0:22:47 | |
The thing I love about car boot sales is the really, | 0:22:47 | 0:22:49 | |
really quirky things you can find. | 0:22:49 | 0:22:51 | |
And I certainly lucked out with quirky on this one. | 0:22:51 | 0:22:53 | |
My 1950s cabinet, I absolutely adore, | 0:22:53 | 0:22:56 | |
but it's very in vogue at the moment | 0:22:56 | 0:22:58 | |
so I'm hoping to make a good profit on that. | 0:22:58 | 0:23:00 | |
My ladders. I think they'd be a really good shop dressing prop. | 0:23:00 | 0:23:04 | |
My sledge. | 0:23:04 | 0:23:06 | |
You can see, by some slight damage, | 0:23:06 | 0:23:07 | |
obviously it's been through a few hedges. | 0:23:07 | 0:23:09 | |
But again, really good, quirky item. | 0:23:09 | 0:23:11 | |
The hamper. I've done a little bit of research. | 0:23:11 | 0:23:14 | |
And I think there is a hotel and restaurant in London that I'm | 0:23:14 | 0:23:18 | |
hopefully going to maybe sell that one to. | 0:23:18 | 0:23:20 | |
So very excited about that. | 0:23:20 | 0:23:22 | |
The artist's easel, I'm hoping that we can find a good home for that. | 0:23:22 | 0:23:26 | |
Every artist needs an easel. | 0:23:26 | 0:23:28 | |
And my Grease record, which only cost me £1, | 0:23:28 | 0:23:31 | |
I could not leave behind. | 0:23:31 | 0:23:33 | |
It was one of my favourite films as a child and it brings back some great | 0:23:33 | 0:23:36 | |
memories of dancing around my bedroom with a hairbrush. | 0:23:36 | 0:23:38 | |
So all in all, yes, OK, not many antiques | 0:23:38 | 0:23:41 | |
but shabby chic | 0:23:41 | 0:23:42 | |
and good decorative vintage things are very in vogue at the moment. | 0:23:42 | 0:23:46 | |
Sadly, no time for any hairbrush action just now. Oh, no. | 0:23:46 | 0:23:50 | |
It's full concentration on the balance sheets. | 0:23:50 | 0:23:53 | |
Our rivals dig deep in their contacts books | 0:23:53 | 0:23:56 | |
and start setting up sales all over the country. | 0:23:56 | 0:23:58 | |
And that's all very well, but remember, until they've shaken | 0:23:58 | 0:24:01 | |
on it and the money has changed hands, no deal is ever sealed. | 0:24:01 | 0:24:06 | |
They both get their noses to the ground, but it's Jonty who sniffs | 0:24:06 | 0:24:10 | |
the whiff of a potential sale first and he's keeping things local. | 0:24:10 | 0:24:14 | |
Now, I'm here in beautiful Henley-on-Thames to hopefully | 0:24:14 | 0:24:17 | |
sell my weighing scales to Shaun Dickens, | 0:24:17 | 0:24:20 | |
who runs a restaurant here on the banks of the River Thames. | 0:24:20 | 0:24:23 | |
Now, every good chef needs a set of weighing scales, | 0:24:23 | 0:24:27 | |
but he's not making life easy for me. | 0:24:27 | 0:24:30 | |
The lengths I go to make a sale. | 0:24:31 | 0:24:34 | |
SONG: "Rock The Boat" by Hues Corporation | 0:24:34 | 0:24:37 | |
Well, that's what happens | 0:24:37 | 0:24:39 | |
when you decide to sell to someone based in a boathouse. | 0:24:39 | 0:24:42 | |
Come on. Put your back into it, Hitman. | 0:24:44 | 0:24:46 | |
Our finely honed oarsman is on the quest of a regatta-sized deal, so | 0:24:48 | 0:24:53 | |
will he propel himself to a profit on the £12 he paid for the scales? | 0:24:53 | 0:24:59 | |
-Shaun, how are you? -Very well. Very well, thank you. -Good to see you. | 0:24:59 | 0:25:02 | |
-You too, sir. How are we? -You've chosen a lovely day. | 0:25:02 | 0:25:04 | |
-Couldn't get much better. -Now, here I am with my set of weighing scales. | 0:25:04 | 0:25:09 | |
So you're interested in this possibly for decorative purposes only? | 0:25:09 | 0:25:13 | |
Yeah. I think so. | 0:25:13 | 0:25:14 | |
I think with the restaurant it's always nice to have a talking point, | 0:25:14 | 0:25:17 | |
-almost a focal point. -So, this is a set of weighing scales made by Salter's. | 0:25:17 | 0:25:21 | |
The company goes back to the 18th century. | 0:25:21 | 0:25:24 | |
-So you have the Rolls-Royce of weighing scales. -Very nice. | 0:25:24 | 0:25:28 | |
Well, it's a bargain. 60 quid to you, sir. | 0:25:28 | 0:25:30 | |
I was thinking more around the 25-30 mark, if I'm honest. | 0:25:30 | 0:25:34 | |
What about 50 quid? | 0:25:34 | 0:25:37 | |
-If I was to say £40? -You have a deal. -Thank you ever so much. | 0:25:37 | 0:25:40 | |
Shaun put up a fight, but the deal is done. | 0:25:40 | 0:25:43 | |
The scales tip in a profit of £28. | 0:25:43 | 0:25:47 | |
In percentage terms, that's what I call a weighty profit. | 0:25:47 | 0:25:52 | |
But on balance, that's only 28 quid in my pocket, | 0:25:52 | 0:25:56 | |
so I've got some more work to do. | 0:25:56 | 0:25:58 | |
Well, no more messing about on the river, for a start. | 0:25:58 | 0:26:01 | |
The Magpie may be hot on Jonty's trail, | 0:26:01 | 0:26:04 | |
but she's not quite swift enough. | 0:26:04 | 0:26:06 | |
Our man stops in Wantage with his glass decanter and shot glasses | 0:26:06 | 0:26:10 | |
and the 1940s hors d'oeuvre dish. | 0:26:10 | 0:26:12 | |
All up, this little lot cost him just £4 | 0:26:12 | 0:26:15 | |
and he's hoping for a mega multideal from pub landlord Peter. | 0:26:15 | 0:26:19 | |
-I want £40 for my decanter set. -Yes. -And £40 for my hors d'oeuvre dish. | 0:26:19 | 0:26:25 | |
-How does that sound? -A little bit high. -Well, I'm here to do deals. | 0:26:25 | 0:26:29 | |
-Well, I would have said £40 for the two of them. -You would? -Yeah. | 0:26:29 | 0:26:33 | |
-£60 and they're yours. -Thank you. -Brilliant. | 0:26:33 | 0:26:35 | |
Thank you very much indeed. | 0:26:35 | 0:26:38 | |
That is a truly tremendous mark-up. | 0:26:38 | 0:26:40 | |
Jonty pockets a combined profit of £56. That's 14 times what he paid. | 0:26:40 | 0:26:46 | |
So The Hitman's off to a flying start, but Christina's got | 0:26:46 | 0:26:51 | |
the bit between her teeth and is determined to catch up. | 0:26:51 | 0:26:54 | |
She's not travelled far from home, | 0:26:54 | 0:26:56 | |
but is firmly focused on her first deal. | 0:26:56 | 0:26:59 | |
I've come to Whitewell Parish Rooms this morning | 0:26:59 | 0:27:02 | |
because I believe that there's an art group on this morning | 0:27:02 | 0:27:04 | |
and I'm hoping that I can find an artist that will purchase my easel. | 0:27:04 | 0:27:08 | |
Because every artist needs one, don't they? | 0:27:08 | 0:27:10 | |
Well, there's plenty of painters here. | 0:27:10 | 0:27:13 | |
Christina paid just £4 for her easel. | 0:27:13 | 0:27:16 | |
Will her selling skills turn out to be a work of art themselves? | 0:27:16 | 0:27:20 | |
-Good morning, Diana. -Good morning, Christina. | 0:27:20 | 0:27:22 | |
-This looks very, very industrious, doesn't it? -Welcome to our art group. | 0:27:22 | 0:27:26 | |
-And I see you've already met my easel. -Yes. It looks very smart. | 0:27:26 | 0:27:29 | |
-And we have loads of exhibitions. -So you always need something to put... | 0:27:29 | 0:27:32 | |
-We need an easel. Yes. -To put your works of art on. -That's right. | 0:27:32 | 0:27:35 | |
I'll tell you, I was hoping maybe in the region of maybe £30. | 0:27:35 | 0:27:38 | |
Something like that. | 0:27:38 | 0:27:39 | |
-Is this where I go...? -SHE INHALES | 0:27:39 | 0:27:41 | |
Yes. THEY LAUGH | 0:27:41 | 0:27:42 | |
-I was thinking, um, £15. -Shall we say £25? -£20. -£20. Brilliant. | 0:27:42 | 0:27:49 | |
It's a deal. Thank you very much. You're a star. | 0:27:49 | 0:27:52 | |
No room for critics round here. | 0:27:52 | 0:27:54 | |
Just all-round admiration for a stunning sale. | 0:27:54 | 0:27:58 | |
Christina brushes in a picture perfect profit of £16. | 0:27:58 | 0:28:02 | |
But she can't rest on her laurels just yet, | 0:28:02 | 0:28:05 | |
as Jonty is off again. | 0:28:05 | 0:28:07 | |
He's gone back to Essex with the rest of his glassware to | 0:28:07 | 0:28:10 | |
try his luck with a dealer in Battlesbridge. | 0:28:10 | 0:28:13 | |
There we go. They're all out on display. | 0:28:13 | 0:28:15 | |
All I need to find if the owner to see if he's interested. | 0:28:15 | 0:28:17 | |
There's 22 paperweights in total. | 0:28:17 | 0:28:20 | |
They cost him £10, so what will shop owner John think of them? | 0:28:20 | 0:28:24 | |
-So I've got 22 in all. -Right. OK. I tell you what I'll do, Jonty. | 0:28:24 | 0:28:29 | |
I'll make you an offer of £40. | 0:28:29 | 0:28:30 | |
-That really is the very most I can pay for them at the moment. -40 quid. | 0:28:30 | 0:28:34 | |
-Any good to you? -40 quid. I'm happy with that. | 0:28:34 | 0:28:37 | |
But before I walk out the door, | 0:28:37 | 0:28:39 | |
there's something else I want to show you, which is priceless. | 0:28:39 | 0:28:43 | |
-Yours for only £2. -You're right. It probably is priceless. | 0:28:43 | 0:28:47 | |
Right. Not for me, but we do have a record specialist here on site. | 0:28:47 | 0:28:52 | |
I'll point you in his direction | 0:28:52 | 0:28:53 | |
-and he might be very pleased to give you some pounds for it. -Brilliant. | 0:28:53 | 0:28:56 | |
Yes. And that's how this business works - a man who knows a man. | 0:28:56 | 0:29:00 | |
We'll find out if the tip-off comes to anything later, | 0:29:00 | 0:29:02 | |
but for now, Jonty makes a profit of £30 on the paperweights. | 0:29:02 | 0:29:07 | |
Back in Shropshire, Christina's looking to sell her sledge, | 0:29:07 | 0:29:10 | |
and since it's not exactly wintry weather, | 0:29:10 | 0:29:13 | |
she could have an uphill struggle. | 0:29:13 | 0:29:15 | |
I'm here in Whitchurch to see Julie, | 0:29:16 | 0:29:17 | |
who runs this clothing and interior shop. | 0:29:17 | 0:29:20 | |
It may seem a little bit strange to bring a sledge to a clothing shop, | 0:29:20 | 0:29:23 | |
but don't worry - I've got a plan. | 0:29:23 | 0:29:26 | |
Well, thank goodness for that. | 0:29:26 | 0:29:28 | |
-Our Magpie Christina swooped on the sledge for £7. -Ta-da! | 0:29:28 | 0:29:32 | |
-Oh, it's fabulous. -Do you like it? -That is great! Yes! | 0:29:32 | 0:29:37 | |
It would look absolutely fantastic for our Christmas window display. | 0:29:37 | 0:29:42 | |
-I have to confess... -Oh. Right. There is a little bit of damage. -Yes. | 0:29:42 | 0:29:47 | |
-Not me playing on it, I promise. -Right. OK. | 0:29:47 | 0:29:50 | |
I think it's probably sort of 1950s, 1960s maybe. | 0:29:50 | 0:29:53 | |
I was hoping to get maybe 50, 60 quid for it, to be perfectly honest. | 0:29:53 | 0:29:57 | |
-Well, I'm quite happy to offer £30. -Can we go £40? -We certainly can. Yes. | 0:29:57 | 0:30:04 | |
-Brilliant. That's fantastic. -Thank you. -Thank you. | 0:30:04 | 0:30:07 | |
That is quite a mark-up. | 0:30:07 | 0:30:08 | |
The sledge helps Christina slide away with a profit of £33. | 0:30:08 | 0:30:13 | |
Oh, brilliant. I'm really pleased with that. | 0:30:14 | 0:30:16 | |
And a good healthy profit as well. | 0:30:16 | 0:30:17 | |
I tell you, this selling lark - snow problem. | 0:30:17 | 0:30:20 | |
And snow more snow jokes. | 0:30:20 | 0:30:22 | |
But Christina is taking this game very seriously. | 0:30:22 | 0:30:25 | |
Almost instantly she heads to Shrewsbury to sell her stepladders | 0:30:25 | 0:30:29 | |
to a farmer who makes cheese. | 0:30:29 | 0:30:31 | |
She pays £35 and Christina leaves £10 better off. | 0:30:31 | 0:30:35 | |
So has Christina climbed the rungs of trading success or is | 0:30:35 | 0:30:39 | |
Jonty on a whole different level? | 0:30:39 | 0:30:41 | |
Let's find out. | 0:30:41 | 0:30:43 | |
Jonty "The Hitman" Hearnden has stormed ahead with three quick deals | 0:30:45 | 0:30:48 | |
and so far he's nailed a profit of £114. | 0:30:48 | 0:30:52 | |
Christina "The Magpie" Trevanion is playing a good game of catch up. | 0:30:54 | 0:30:57 | |
She's also sold three items and has pocketed a profit of £59. | 0:30:57 | 0:31:02 | |
So Christina has only made half as much as her nemesis. | 0:31:04 | 0:31:08 | |
She must really dig deep if she is to stand any chance of ultimate | 0:31:08 | 0:31:11 | |
antiques glory. | 0:31:11 | 0:31:13 | |
But there's no-one more determined than our Magpie. | 0:31:13 | 0:31:16 | |
Jonty could be about to press further ahead with his 1970s LP. | 0:31:16 | 0:31:21 | |
He's following up that tip he was given earlier | 0:31:21 | 0:31:23 | |
and he's on his way to the man who specialises in records. | 0:31:23 | 0:31:26 | |
So this is it. My double album. My 50 party greatest hits. | 0:31:28 | 0:31:32 | |
Somebody's going to buy it. | 0:31:32 | 0:31:34 | |
I'm hoping this record shop is going to be the... | 0:31:34 | 0:31:38 | |
It's closed. | 0:31:38 | 0:31:40 | |
Oh, no. | 0:31:41 | 0:31:43 | |
And it's...look. It's closing time too. Everything's closed. | 0:31:44 | 0:31:48 | |
HE SIGHS | 0:31:48 | 0:31:50 | |
I'm just going to leave it here. | 0:31:50 | 0:31:52 | |
RIP Greatest Hits. | 0:31:54 | 0:31:57 | |
With no time to make a return journey, Jonty donates the record to | 0:31:57 | 0:32:00 | |
the shop, leaving him without any kind of deal at all. | 0:32:00 | 0:32:04 | |
And so he loses the whole £1 that he paid for it. | 0:32:04 | 0:32:07 | |
Which leads very nicely into Christina's next potential sale. | 0:32:07 | 0:32:11 | |
Her Grease record. | 0:32:11 | 0:32:13 | |
It also cost £1, | 0:32:13 | 0:32:14 | |
but she think she's got the perfect buyer cued up and standing by. | 0:32:14 | 0:32:18 | |
So I'm just waiting for my friend Rhiannon to arrive. | 0:32:18 | 0:32:21 | |
Now, Rhiannon and I used to work together over a decade ago, | 0:32:21 | 0:32:24 | |
but in a previous life, she was a stage manager for the national | 0:32:24 | 0:32:27 | |
touring production of this musical. | 0:32:27 | 0:32:29 | |
So I'm hoping that she might want to take a trip down memory lane. | 0:32:29 | 0:32:33 | |
So is this album the one that Rhiannon wants? | 0:32:33 | 0:32:37 | |
Wowee. So what's all this? | 0:32:37 | 0:32:39 | |
Well, these are just the bits that I've kept from, um, the tour. | 0:32:39 | 0:32:43 | |
-Um, a little... -Oh, look at! | 0:32:43 | 0:32:46 | |
An award that was given to me at the end. | 0:32:46 | 0:32:49 | |
This is what we had to do, you know, for each venue that we went to. | 0:32:49 | 0:32:54 | |
-Sometimes we were at venues for... -Is this Milton Keynes? -Milton Keynes. | 0:32:54 | 0:32:57 | |
Yeah. That was quite a big stage. | 0:32:57 | 0:32:59 | |
There was quite a lot of scenery. | 0:32:59 | 0:33:00 | |
So everything had to be worked out where it was | 0:33:00 | 0:33:02 | |
going before we actually got there. | 0:33:02 | 0:33:05 | |
So I'm hoping to add to your memories. I bought this LP record. | 0:33:05 | 0:33:10 | |
Wow. | 0:33:10 | 0:33:11 | |
And I thought you might want to have it as a bit of a memory of your time. | 0:33:11 | 0:33:15 | |
I reckon that would be lovely. I really do. And do you know what? | 0:33:15 | 0:33:18 | |
I really look forward to playing that to my daughter as well. | 0:33:18 | 0:33:21 | |
-But I was hoping for a tenner for it. -That sounds a good deal to me. | 0:33:21 | 0:33:26 | |
Yeah? Happy? Brilliant. Excellent. Thank you very much. | 0:33:26 | 0:33:29 | |
-Can I come and join you with my hairbrush? -Of course you can. | 0:33:29 | 0:33:32 | |
THEY LAUGH | 0:33:32 | 0:33:33 | |
Well, that couldn't have gone better. | 0:33:33 | 0:33:35 | |
Rhiannon jumped at the deal and Christina makes a profit of £9. | 0:33:35 | 0:33:39 | |
And if she keeps making mark-ups like that, she'll win this | 0:33:39 | 0:33:42 | |
competition hands down. | 0:33:42 | 0:33:44 | |
But there's still a long way to go. | 0:33:44 | 0:33:47 | |
Both our excellent experts have two items each to sell, | 0:33:47 | 0:33:50 | |
including their most expensive pieces. | 0:33:50 | 0:33:52 | |
Nerves of steel needed for this final push. | 0:33:52 | 0:33:55 | |
Jonty is going in first. | 0:33:55 | 0:33:57 | |
Time to part company with his beloved furniture. | 0:33:57 | 0:34:01 | |
So this is the big one for me. | 0:34:01 | 0:34:02 | |
I've already had my chest of drawers delivered to this shop | 0:34:02 | 0:34:05 | |
here in Marlow Buckinghamshire, which is not too far from my house. | 0:34:05 | 0:34:09 | |
And this shop here belongs to Sara. Now, she is a paint expert. | 0:34:09 | 0:34:14 | |
A paint specialist. And she has a shop full of painted furniture. | 0:34:14 | 0:34:20 | |
She could be just the right person to make that sale. | 0:34:20 | 0:34:23 | |
The chest was Jonty's star buy, but he's already admitted that at £140, | 0:34:23 | 0:34:29 | |
he may have paid over the odds. | 0:34:29 | 0:34:30 | |
Will the paint effect leave Sara impressed or distressed? | 0:34:30 | 0:34:35 | |
-There she is, hard at work. -Hi. Hello, Jonty. -How are you doing? | 0:34:35 | 0:34:38 | |
-I'm all right. How are you? -Good. | 0:34:38 | 0:34:39 | |
This is a nice chair you've got here. What are you up to here? | 0:34:39 | 0:34:42 | |
-Are you sort of distressing it? -I am distressing it. | 0:34:42 | 0:34:45 | |
I painted it white first, | 0:34:45 | 0:34:46 | |
and this colour, Rain Day, is very popular at the moment so I've given | 0:34:46 | 0:34:49 | |
it a coat of Rain Day and I'm just sanding it off a bit. | 0:34:49 | 0:34:52 | |
There's a reason that I've come in here, as well you know. | 0:34:52 | 0:34:54 | |
-Your chest of drawers. It is here. -Here it is. Look at this. What do you think? | 0:34:54 | 0:34:58 | |
Well, I've had a bit of a poke over. | 0:34:58 | 0:35:00 | |
-As you know. -Yes. It's the drawer stoppers. | 0:35:00 | 0:35:03 | |
These are tiny little bits of timber that often sit here that have gone | 0:35:03 | 0:35:09 | |
missing. I'm not going to be greedy. | 0:35:09 | 0:35:11 | |
I'm going to go for £225, | 0:35:11 | 0:35:14 | |
which I know is way under the retail price for this lovely object here. | 0:35:14 | 0:35:17 | |
-I would have been looking at £150 for it, Jonty. -I tell you what. | 0:35:17 | 0:35:21 | |
-I'll do £200. -You want to do £175? -£185. You can have it. | 0:35:21 | 0:35:26 | |
-As it's you. OK. -HE LAUGHS | 0:35:28 | 0:35:31 | |
That's a top drawer profit of £45, | 0:35:31 | 0:35:34 | |
but Sara does get a little more for her money from Jonty. | 0:35:34 | 0:35:38 | |
The Hitman's raised the profit bar to a new height, | 0:35:38 | 0:35:41 | |
so our battle for selling supremacy goes into overdrive. | 0:35:41 | 0:35:44 | |
Christina's decided to pull out her big weapon - | 0:35:44 | 0:35:47 | |
the cocktail cabinet that cost her £90, and she must be onto something. | 0:35:47 | 0:35:52 | |
She's travelled all the way to London to try to do a deal. | 0:35:52 | 0:35:55 | |
I've come here to meet a lady called Keeley who runs a vintage home show | 0:35:55 | 0:35:58 | |
here at Chiswick Town Hall. | 0:35:58 | 0:36:00 | |
I've had my cabinet delivered | 0:36:00 | 0:36:01 | |
and I'm hoping that it's going to be just up her street. | 0:36:01 | 0:36:04 | |
Well, it looks like the funky furniture would fit in well here. | 0:36:04 | 0:36:07 | |
Crucially, does Keeley agree? | 0:36:07 | 0:36:10 | |
-So it's arrived. -Yes. | 0:36:10 | 0:36:11 | |
-Have you had a chance to have a look at it? -Yeah. | 0:36:11 | 0:36:14 | |
-I think it's nice, actually. I really like it. -OK. That's great. | 0:36:14 | 0:36:16 | |
-It was sold to me as a cocktail cabinet. -OK. | 0:36:16 | 0:36:19 | |
But I don't quite know how you'd use it as a cocktail... | 0:36:19 | 0:36:21 | |
Have you seen one similar before? | 0:36:21 | 0:36:23 | |
I've seen some of this kind of stuff before and actually | 0:36:23 | 0:36:27 | |
I think it's for a kitchen. | 0:36:27 | 0:36:28 | |
-Kitchenware. -Yes. I think so. I don't think cocktail at all. | 0:36:28 | 0:36:31 | |
I would say it's late '50s, probably, going into '60s. | 0:36:31 | 0:36:34 | |
But it's a nice background to put lots of bright pottery | 0:36:34 | 0:36:37 | |
and all the kind of cool funky stuff that was around in the '50s. | 0:36:37 | 0:36:40 | |
I was looking somewhere in the region of maybe a couple of hundred | 0:36:40 | 0:36:44 | |
-pounds for it. -Right. OK. | 0:36:44 | 0:36:45 | |
I would probably be looking to probably pay about £100 for it. | 0:36:45 | 0:36:49 | |
If I went down maybe £180? | 0:36:49 | 0:36:51 | |
-£150 and that's probably the maximum. -Is that your top end? | 0:36:51 | 0:36:55 | |
-I think so. Yeah. -OK. -How would you feel about that? | 0:36:55 | 0:36:57 | |
I think I would be very, very happy to sell it to you for £150. | 0:36:57 | 0:37:01 | |
I'm delighted. Thank you ever so much. | 0:37:01 | 0:37:03 | |
Well, there's no doubt that Keeley loves the 1950s cabinet. | 0:37:03 | 0:37:07 | |
And Christina brings in a £60 profit, | 0:37:07 | 0:37:09 | |
which, at this point, keeps her firmly in the running. | 0:37:09 | 0:37:12 | |
Well, I have to say I'm jolly pleased with that. | 0:37:13 | 0:37:15 | |
It looks so at home in there, doesn't it? It's brilliant. | 0:37:15 | 0:37:18 | |
I was quite worried about it. | 0:37:18 | 0:37:19 | |
It was the most money I spent at the car boot sale. | 0:37:19 | 0:37:21 | |
But I'm really pleased with that profit. So it's all good. | 0:37:21 | 0:37:25 | |
Indeed it is. | 0:37:25 | 0:37:26 | |
Jonty has got one last chance to plump up his profit pocket. | 0:37:26 | 0:37:30 | |
He's back in Henley and he's calling in on Molly | 0:37:30 | 0:37:33 | |
and Amy, who run a florists. | 0:37:33 | 0:37:35 | |
The Hitman is hoping to knock their socks off with his brass-top table. | 0:37:35 | 0:37:39 | |
What's your first impressions? | 0:37:39 | 0:37:41 | |
-I like the pattern on the top. -It's amazing. | 0:37:41 | 0:37:43 | |
To think that all of this work here is all hand-beaten. | 0:37:43 | 0:37:46 | |
-And how old did you say it was? -It's probably about 100 years old. -Wow. | 0:37:46 | 0:37:51 | |
Maybe 1920s. | 0:37:51 | 0:37:52 | |
But you can see here I've got a little ring mark here on this table. | 0:37:52 | 0:37:56 | |
And the reason why this has happened is | 0:37:56 | 0:37:59 | |
because this whole tabletop here has been lacquered. | 0:37:59 | 0:38:02 | |
The only thing is I noticed is that all of your pieces of furniture | 0:38:02 | 0:38:04 | |
are painted blue, for obvious reasons. | 0:38:04 | 0:38:06 | |
But, um, is this going to be an issue? | 0:38:06 | 0:38:08 | |
What would you do with something like this? Would you paint the stand? | 0:38:08 | 0:38:11 | |
Jonty, what are you doing? | 0:38:11 | 0:38:13 | |
They can see it doesn't match their colour scheme. | 0:38:13 | 0:38:15 | |
You don't need to point it out. | 0:38:15 | 0:38:17 | |
We wouldn't like to spoil it, but we might paint it blue. | 0:38:17 | 0:38:22 | |
As a piece of furniture, do you think you might be interested in it? | 0:38:22 | 0:38:25 | |
-For display? -I think we might. | 0:38:25 | 0:38:26 | |
I suppose it depends, really, what you're asking for it. | 0:38:26 | 0:38:29 | |
It certainly does. It certainly does. | 0:38:29 | 0:38:31 | |
This table here is only £50. | 0:38:31 | 0:38:34 | |
Perhaps there might be a little bit of room for manoeuvre on your price. | 0:38:34 | 0:38:38 | |
Of course I can. I'll come down instantly. How about 40 quid? | 0:38:38 | 0:38:43 | |
-£40 seems... -That seems quite reasonable. -Are you happy, girls? | 0:38:45 | 0:38:49 | |
-Do we have a deal? -We have a deal. -Brilliant. | 0:38:49 | 0:38:51 | |
-Thank you, Molly. Thank you, Amy. -Thank you. | 0:38:51 | 0:38:54 | |
So even with the ring mark, the table makes a very good return. | 0:38:54 | 0:38:58 | |
The profit is £35.50. | 0:38:58 | 0:39:01 | |
Well, that's great. Another satisfied customer. | 0:39:01 | 0:39:03 | |
Well, two, to be precise. And that's me done. All sold up. What a relief. | 0:39:03 | 0:39:10 | |
Well, Christina is only one sale behind him | 0:39:10 | 0:39:13 | |
and if this goes well, it will lead to a very close final result. | 0:39:13 | 0:39:16 | |
She's still in the big smoke | 0:39:16 | 0:39:18 | |
and she's rather excited about this big moment. | 0:39:18 | 0:39:22 | |
I'm here in the heart of London in Piccadilly Circus, | 0:39:22 | 0:39:25 | |
which may seem a slightly odd place to bring a hamper, but don't worry. | 0:39:25 | 0:39:28 | |
I have a plan. I want to return this where it came from. | 0:39:28 | 0:39:33 | |
Another big plan, hey? Well, it worked out well last time. | 0:39:33 | 0:39:36 | |
Christina's detective skills suggest her laundry hamper was | 0:39:36 | 0:39:39 | |
used by the restaurant nearly a century ago. | 0:39:39 | 0:39:42 | |
The likes of Sir Winston Churchill and Sir Arthur Conan Doyle have | 0:39:42 | 0:39:45 | |
dined here, so were their tablecloths | 0:39:45 | 0:39:48 | |
whisked away in Christina's basket? | 0:39:48 | 0:39:50 | |
And more importantly, will the current owner, Irakli, want it back? | 0:39:50 | 0:39:54 | |
-Here is the legendary hamper. -Yeah. It looks quite interesting. | 0:39:54 | 0:39:58 | |
It looks quite old, just like the building. | 0:39:58 | 0:40:01 | |
And I brought it to you | 0:40:01 | 0:40:02 | |
because we've got this wonderful Criterion name on the front. | 0:40:02 | 0:40:06 | |
It says laundry on the back and then we've got this number on here, 18. | 0:40:06 | 0:40:10 | |
So it was obviously one of a series that was produced. | 0:40:10 | 0:40:13 | |
And I think it would have been very utilitarian piece when it was made. | 0:40:13 | 0:40:17 | |
But obviously you have a lot of laundry that needs doing, | 0:40:17 | 0:40:19 | |
so I think it would have been part of the history of the building. | 0:40:19 | 0:40:22 | |
And obviously the stencil on the front would show the laundry company, | 0:40:22 | 0:40:25 | |
whoever was during the laundry, who it belonged to. | 0:40:25 | 0:40:28 | |
-So do you like it? -I like it. I think it looks interesting. What's the damage? | 0:40:28 | 0:40:34 | |
I was hoping to get in the region of about 100 quid for it. | 0:40:34 | 0:40:38 | |
-My thoughts were half that. -It's beautiful. | 0:40:38 | 0:40:41 | |
-Half that. -Half that?! No! Irakli. | 0:40:41 | 0:40:43 | |
Come on. | 0:40:43 | 0:40:44 | |
Oh, Christina has a tough customer on her hands. | 0:40:44 | 0:40:47 | |
But this is crucial. It's her one and only opportunity to beat Jonty. | 0:40:47 | 0:40:52 | |
Let's not do 100, but let's do something like...£85. | 0:40:52 | 0:40:56 | |
My thoughts - if I could push you slightly to £90, | 0:40:56 | 0:40:59 | |
that would be wonderful. | 0:40:59 | 0:41:00 | |
-Go on. £90. -OK. Fine. £90. -Brilliant. £90. It's a deal. | 0:41:00 | 0:41:04 | |
Yes. The girl done good. A bumper profit of £55. | 0:41:04 | 0:41:07 | |
So has the laundry basket helped her clean up? | 0:41:07 | 0:41:10 | |
We'll find out in just a moment. | 0:41:10 | 0:41:13 | |
Both our experts started out at the car boot sale | 0:41:14 | 0:41:17 | |
with £250 of their own money. | 0:41:17 | 0:41:19 | |
Jonty bought six times and spent £171.50. | 0:41:19 | 0:41:23 | |
Christina also left with six items, but spent marginally less - £162. | 0:41:23 | 0:41:30 | |
But now it all comes down to profit. | 0:41:30 | 0:41:34 | |
All of the money that Jonty and Christina have | 0:41:34 | 0:41:36 | |
made from their challenge will go directly to their chosen charities. | 0:41:36 | 0:41:39 | |
So let's find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:39 | 0:41:43 | |
-Hello. -Hi. How you doing? -Very well. How are you? -I'm very good. | 0:41:45 | 0:41:49 | |
-Very good. -Good, good, good. So... | 0:41:49 | 0:41:51 | |
..what was your most favourite item that you bought at the car boot sale? | 0:41:51 | 0:41:54 | |
I was really thrilled | 0:41:54 | 0:41:55 | |
and I negotiated hard on the chest of drawers, | 0:41:55 | 0:41:58 | |
but it didn't return me such a huge amount of money that | 0:41:58 | 0:42:00 | |
I thought it was going to be because actually, really looking at it, | 0:42:00 | 0:42:04 | |
it needed quite a lot of work doing to it. | 0:42:04 | 0:42:06 | |
So that was a disappointment for me. | 0:42:06 | 0:42:08 | |
I'm still glad I sold it and I sold everything at a profit, | 0:42:08 | 0:42:10 | |
which was a relief. | 0:42:10 | 0:42:12 | |
-Brilliant. -Apart from my album. | 0:42:12 | 0:42:14 | |
Oh! Your party hits. Jonty's special party hits. | 0:42:14 | 0:42:18 | |
Didn't happen. Nobody wanted to party with me. How about you? | 0:42:18 | 0:42:21 | |
The hamper that I bought went to the most beautiful restaurant. | 0:42:21 | 0:42:24 | |
-It was just heaven. So, no. Really enjoyed it and, yeah. -Ooh! | 0:42:24 | 0:42:29 | |
Well, we'll see. I don't know. SHE LAUGHS | 0:42:29 | 0:42:31 | |
-Shall we see? -Let's see. -OK. -Ready? -One, two, three. | 0:42:31 | 0:42:35 | |
-Ooh! -SHE LAUGHS | 0:42:36 | 0:42:40 | |
-So close! -How close was that? | 0:42:40 | 0:42:42 | |
Oh, wowee. | 0:42:42 | 0:42:43 | |
You are a force to be reckoned with. | 0:42:43 | 0:42:46 | |
Just £10 in it. So near, but yet so far. | 0:42:46 | 0:42:50 | |
And Jonty walks away today's winner. | 0:42:50 | 0:42:53 | |
Well, I suppose my best sale was my chest of drawers, | 0:42:53 | 0:42:55 | |
but I didn't make as much as I'd really hoped. And the party hits. | 0:42:55 | 0:42:59 | |
Couldn't sell that for love nor money. I wonder why. | 0:42:59 | 0:43:03 | |
I lost by such a tiny amount to Jonty. It was gutting. | 0:43:03 | 0:43:08 | |
A very bitter pill to swallow but, hey, there we go. | 0:43:08 | 0:43:11 | |
Next time, Jonty Hearnden. | 0:43:11 | 0:43:12 | |
Yes, that's fighting talk. And tomorrow, it's the big one. | 0:43:12 | 0:43:16 | |
Batten down your hatches | 0:43:16 | 0:43:18 | |
for the mighty Put Your Money Where Your Mouth Is showdown. | 0:43:18 | 0:43:21 |