Browse content similar to Eric Knowles v Catherine Southon - UK Antiques Fair. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other in an all-out battle for profit... | 0:00:07 | 0:00:11 | |
Let's make hay while that sun shines. | 0:00:11 | 0:00:13 | |
..and gives you the insiders' view of the trade. | 0:00:13 | 0:00:17 | |
Who's there? | 0:00:17 | 0:00:18 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:22 | |
a different daily challenge... | 0:00:22 | 0:00:24 | |
-The original cheeky chappy! -Lovely! | 0:00:24 | 0:00:27 | |
..putting their reputations on the line... | 0:00:27 | 0:00:30 | |
And I'm truly rockin'! | 0:00:30 | 0:00:31 | |
WOLF WHISTLE | 0:00:31 | 0:00:33 | |
..and giving you their top tips | 0:00:33 | 0:00:34 | |
and savvy secrets on how to make the most money | 0:00:34 | 0:00:37 | |
from buying and selling. | 0:00:37 | 0:00:39 | |
Get in there! | 0:00:40 | 0:00:42 | |
EVIL LAUGHTER | 0:00:42 | 0:00:43 | |
Today, two prime profiteers go head-to-head as | 0:00:43 | 0:00:46 | |
seasoned ceramics master of the universe Eric Knowles goes up | 0:00:46 | 0:00:50 | |
against awesome auctioneering goddess Catherine Southon | 0:00:50 | 0:00:54 | |
at one of the UK's largest antique's fairs. | 0:00:54 | 0:00:57 | |
Coming up, Catherine crumbles over a canine collectable. | 0:00:58 | 0:01:02 | |
Now I'm dithering... | 0:01:02 | 0:01:04 | |
I don't know what to do about that dog. | 0:01:04 | 0:01:06 | |
This is the true me. | 0:01:06 | 0:01:09 | |
..while Eric comes out fighting... | 0:01:09 | 0:01:11 | |
She is up against... | 0:01:11 | 0:01:13 | |
the pride of Lancashire. She is up against "Knocker" Knowles. | 0:01:13 | 0:01:17 | |
..and we see the lengths Catherine will go to to secure a sale. | 0:01:17 | 0:01:21 | |
It's been a long time since I've... | 0:01:22 | 0:01:24 | |
-bowled an over. -We'll see what you're like. | 0:01:24 | 0:01:27 | |
Come on, then. Come on, then. | 0:01:27 | 0:01:28 | |
This is Put Your Money Where Your Mouth Is. | 0:01:28 | 0:01:31 | |
Welcome, thrill-seekers everywhere, | 0:01:44 | 0:01:46 | |
to another tiptop, bric-a-brac battle as two tussling traders | 0:01:46 | 0:01:50 | |
step up to the challenge and go toe-to-toe, face-to-face | 0:01:50 | 0:01:54 | |
and eye-to-eye in this race of hard-nosed, hand-to-hand combat. | 0:01:54 | 0:01:59 | |
Their aim is to lasso some lovely items | 0:01:59 | 0:02:01 | |
and then shoot from the hip as they sell them on for maximum profit. | 0:02:01 | 0:02:05 | |
Our first gunslinger is a lone operator with | 0:02:07 | 0:02:09 | |
the fastest counteroffer in town. | 0:02:09 | 0:02:11 | |
He can pick out pukka porcelain at 50 paces | 0:02:11 | 0:02:14 | |
and he means business around here all right! | 0:02:14 | 0:02:17 | |
Riding in from Lancashire, | 0:02:17 | 0:02:18 | |
it's Eric "Knocker" Knowles. | 0:02:18 | 0:02:20 | |
My number one problem in life is being born with so much taste, | 0:02:22 | 0:02:25 | |
but just not enough money. | 0:02:25 | 0:02:27 | |
And he has a fearsome contender, a woman with | 0:02:27 | 0:02:30 | |
a reputation for rustling up golden deals at rock-bottom prices. | 0:02:30 | 0:02:34 | |
When she rides into Haggle County, | 0:02:34 | 0:02:36 | |
bargaining bandits had better beware. | 0:02:36 | 0:02:38 | |
She sleeps with one eye open...from Kent, | 0:02:38 | 0:02:41 | |
it's "Cunning" Catherine Southon. | 0:02:41 | 0:02:43 | |
I could be the one winning a gold medal. | 0:02:44 | 0:02:47 | |
Today, we're way out in West Sussex as our duel takes place | 0:02:48 | 0:02:51 | |
at an antiques fair in Ardingly. | 0:02:51 | 0:02:53 | |
They've brought £750 of their own money to spend | 0:02:53 | 0:02:57 | |
and they'll need to quick draw their wallets as this place is | 0:02:57 | 0:03:00 | |
larger than a buffalo's backyard, | 0:03:00 | 0:03:02 | |
a mind-blowing 1,700 stalls to survey. | 0:03:02 | 0:03:06 | |
So, Eric Knowles and Catherine Southon, hang onto your holsters, | 0:03:06 | 0:03:10 | |
it's time to put your money where your mouth is. | 0:03:10 | 0:03:14 | |
-Eric, lovely to see you. -And you too. | 0:03:14 | 0:03:15 | |
Oh, forget the handshake, straight in for the kiss. | 0:03:15 | 0:03:18 | |
-Ha, ha! I'm learning! -Welcome to Ardingly. | 0:03:18 | 0:03:20 | |
-Yes, and we've got £750 to spend. -Hmm. | 0:03:20 | 0:03:24 | |
What are you going to do with it? | 0:03:24 | 0:03:26 | |
Well, I'm going to spend as much as I can, | 0:03:26 | 0:03:29 | |
-but I've got a really good strategy today. -Go on, then. | 0:03:29 | 0:03:32 | |
And that is to try and remember where I am in this colossal fair. | 0:03:32 | 0:03:37 | |
I know, it's enormous, isn't it? This is the problem. | 0:03:37 | 0:03:39 | |
You see something, you think, "I'm going to come back for that," | 0:03:39 | 0:03:42 | |
-and then you can't remember where on earth it was. -Exactly! | 0:03:42 | 0:03:45 | |
So, I'm just going to buy when I see it. | 0:03:45 | 0:03:47 | |
-It's going to be fast, furious buying today from me. -OK. | 0:03:47 | 0:03:50 | |
-Well, I wish you good luck, Eric. -Thank you, my dear. | 0:03:50 | 0:03:53 | |
And, should you need one, I've got a spare compass. | 0:03:53 | 0:03:55 | |
Oh, thank you, I might need that. | 0:03:55 | 0:03:58 | |
Yes, you heard the lady, we're braced for fast, furious and | 0:03:58 | 0:04:01 | |
quite frankly, frantic foraging as our two compass-wielding competitors | 0:04:01 | 0:04:05 | |
desperately try to ensure that the needle always points to profit. | 0:04:05 | 0:04:09 | |
It really is a case of the early bird often gets the worm. | 0:04:10 | 0:04:15 | |
And, um, if I could paraphrase that, I'm up against a bird, um, | 0:04:15 | 0:04:19 | |
who knows how to catch worms so I've got to be on me mettle. | 0:04:19 | 0:04:23 | |
Well, Eric, Catherine is certainly no pigeon or sparrow. Oh, no! | 0:04:23 | 0:04:27 | |
She's a soaring eagle, a high-flying kite, a mighty condor and, | 0:04:27 | 0:04:32 | |
just as she intended, this bird of prey is quick to swoop | 0:04:32 | 0:04:36 | |
on a potential purchase. | 0:04:36 | 0:04:38 | |
What does this say to you? | 0:04:38 | 0:04:39 | |
Do you know what it says to me? | 0:04:39 | 0:04:41 | |
Plants. | 0:04:41 | 0:04:43 | |
OK, yes, it's a birdcage, but imagine this in your garden | 0:04:43 | 0:04:47 | |
with all your lovely green plants going in it. | 0:04:47 | 0:04:49 | |
I think that could look quite attractive. | 0:04:49 | 0:04:51 | |
How much is your bird cage, sir? | 0:04:51 | 0:04:54 | |
Uh, 35. | 0:04:54 | 0:04:55 | |
Oh! But it has no birds in it! | 0:04:55 | 0:04:58 | |
-It's decoration stuff, darling. -What about 20? | 0:04:58 | 0:05:02 | |
-I cannot do it. -What can you do? | 0:05:02 | 0:05:04 | |
-35. -No, that's not coming down! I'll give you 25 for it. | 0:05:04 | 0:05:08 | |
-We make 30 round. A nice figure. -Please can I give you 25 for it? | 0:05:08 | 0:05:12 | |
-Give me 25, it's yours. -25, it's mine? -Yes. | 0:05:12 | 0:05:15 | |
-You're a lovely man. -I know. -Thank you. | 0:05:15 | 0:05:18 | |
And our bird of prey proves she's no caged canary. | 0:05:18 | 0:05:21 | |
She spreads her wings and flies off with an early lead. | 0:05:21 | 0:05:25 | |
And I think this would look particularly nice | 0:05:25 | 0:05:27 | |
outside a shop, big florist. | 0:05:27 | 0:05:30 | |
I do like the ones that are slightly more architectural | 0:05:30 | 0:05:33 | |
and this is quite simple. | 0:05:33 | 0:05:34 | |
I might have to get myself a few cheeky plants to go inside | 0:05:34 | 0:05:38 | |
just to demonstrate the idea. | 0:05:38 | 0:05:40 | |
Cunning Catherine always thinking, and by sticking to | 0:05:40 | 0:05:44 | |
her super fast strategy, she's reaping the benefits already. | 0:05:44 | 0:05:48 | |
There's no time for dithering. | 0:05:48 | 0:05:50 | |
I'm going to make those decisions quickly. | 0:05:50 | 0:05:53 | |
I'm going to be fast and furious. | 0:05:53 | 0:05:56 | |
Super Southon forges forward. | 0:05:56 | 0:05:59 | |
Will she maintain her impressive momentum or | 0:05:59 | 0:06:01 | |
will "Knocker" Knowles knock her into touch? | 0:06:01 | 0:06:04 | |
Well, not yet he won't. | 0:06:04 | 0:06:06 | |
Eric, always the cautious man, is still casually perusing, | 0:06:06 | 0:06:09 | |
when Catherine spots a name she hopes might lead her | 0:06:09 | 0:06:12 | |
further down the road to profit. | 0:06:12 | 0:06:15 | |
It's a sign called Townley Street | 0:06:15 | 0:06:17 | |
and I know someone called Mr Townley. | 0:06:17 | 0:06:19 | |
It's hedging my bets a bit, | 0:06:19 | 0:06:20 | |
so I'm only going to be interested in it if it's mega, mega cheap. | 0:06:20 | 0:06:24 | |
Catherine is hot to trot. | 0:06:24 | 0:06:26 | |
Having a buyer already in mind is a huge advantage. | 0:06:26 | 0:06:30 | |
Excuse me, how much is your sign? | 0:06:30 | 0:06:32 | |
-£60. -SHE GASPS | 0:06:32 | 0:06:34 | |
Oh, gosh, no. Ideally, I'd like to pay 30 for it. | 0:06:34 | 0:06:38 | |
I couldn't do it for 30. | 0:06:38 | 0:06:39 | |
-I'll tell you what, if we can do 40, I'll take it from you. -OK, 40. | 0:06:39 | 0:06:44 | |
40, OK, that would be lovely. Thank you very much indeed. | 0:06:44 | 0:06:47 | |
Catherine gets a price she's happy with, | 0:06:47 | 0:06:49 | |
but will the sign show her the way to the high-earning highway? | 0:06:49 | 0:06:53 | |
That sign is superb. | 0:06:53 | 0:06:55 | |
The combination of the blue and white enamel is priceless | 0:06:55 | 0:06:59 | |
and the fact that that probably dates from about 1900, 1910, | 0:06:59 | 0:07:04 | |
I think I've definitely got myself a winner. | 0:07:04 | 0:07:07 | |
Oh, two thumbs up! Must be good. | 0:07:07 | 0:07:09 | |
But what if this Mr Townley doesn't want his name all over | 0:07:09 | 0:07:12 | |
a street sign? Then Catherine will head down Loss Avenue, | 0:07:12 | 0:07:15 | |
turn left at Humble Pie Road, and straight into the dead end | 0:07:15 | 0:07:18 | |
of Catastrophe Close, and that's no place for a lady. | 0:07:18 | 0:07:22 | |
Eric is still on the prowl, desperate to take off. That's right, | 0:07:22 | 0:07:27 | |
Captain Eric K Knowles of the Starship Wants-the-Prize has begun | 0:07:27 | 0:07:31 | |
his mission to seek out new finds, | 0:07:31 | 0:07:34 | |
explore uncharted trading territory, | 0:07:34 | 0:07:37 | |
and he's going all out to avoid the ceramic system. | 0:07:37 | 0:07:40 | |
I've boldly gone where, um, I've not been before. | 0:07:40 | 0:07:43 | |
I've actually bought myself a print, but I was just taken by the view. | 0:07:43 | 0:07:48 | |
It's a London view, which is always going to be something of a bonus. | 0:07:48 | 0:07:53 | |
Um, date wise, well, maybe it is the early part of the 19th century. | 0:07:53 | 0:07:58 | |
I've paid £30 for this print | 0:07:58 | 0:08:00 | |
and I think I might struggle to get more than £50. | 0:08:00 | 0:08:04 | |
I bought it purely for its decorative merit | 0:08:04 | 0:08:06 | |
and I thought that the price was a reasonable one to ask. | 0:08:06 | 0:08:11 | |
Let's go now in search of a few more buys. | 0:08:11 | 0:08:14 | |
Well, Eric thinks he's got a bargain, but, will a picture of | 0:08:15 | 0:08:18 | |
Buckingham Palace bring in the royal readies? | 0:08:18 | 0:08:21 | |
The important thing is that he's finally into the game, | 0:08:21 | 0:08:24 | |
albeit still behind Catherine and she's keen to keep it that way | 0:08:24 | 0:08:27 | |
when suddenly the glint of a silvery motoring mascot catches her eye. | 0:08:27 | 0:08:32 | |
It's off a Yankee lorry, American lorry. | 0:08:33 | 0:08:36 | |
It looks quite funky, doesn't it? | 0:08:37 | 0:08:39 | |
What's the very best on that? | 0:08:39 | 0:08:41 | |
-65. -All right. Let me go in the Sheep and Pig. | 0:08:41 | 0:08:44 | |
Yeah, have a wander round. | 0:08:44 | 0:08:46 | |
And I'll have a wander and I'll think about that. | 0:08:46 | 0:08:48 | |
Hold on, she's meant to be buying things the moment | 0:08:48 | 0:08:51 | |
she claps eyes on them. | 0:08:51 | 0:08:52 | |
Well, I said I was going to be definite and decisive, | 0:08:53 | 0:08:57 | |
and now I'm dithering. | 0:08:57 | 0:08:59 | |
I don't know what to do about that dog. | 0:08:59 | 0:09:01 | |
This is the true me. | 0:09:01 | 0:09:03 | |
Uh-oh. Catherine's designs on decisiveness are disintegrating, | 0:09:04 | 0:09:08 | |
but Eric is standing strong with his strategy | 0:09:08 | 0:09:11 | |
of steering clear of ceramics. | 0:09:11 | 0:09:13 | |
Our all-action antiques hero has now found a wooden box | 0:09:13 | 0:09:16 | |
he thinks might help him put away a profit. | 0:09:16 | 0:09:19 | |
Just a nice little box with this parquetry work round the edge | 0:09:19 | 0:09:23 | |
where you get that sort of geometric design. | 0:09:23 | 0:09:25 | |
Um, what makes it unusual is that I've never seen one which is | 0:09:25 | 0:09:30 | |
inlaid in mother-of-pearl and engraved "Handkerchiefs." | 0:09:30 | 0:09:33 | |
I like that, but I'd like to know what the asking price is. | 0:09:33 | 0:09:36 | |
-It's 120, we're asking for it. -Is there an Eric price? | 0:09:36 | 0:09:39 | |
-Well, how's 110? -£110. | 0:09:39 | 0:09:43 | |
-£110 it is. -OK. | 0:09:44 | 0:09:47 | |
Well, Eric said he'd spend as much as he could | 0:09:47 | 0:09:49 | |
and that certainly helps him along the way. | 0:09:49 | 0:09:51 | |
It looks like you've got the original hinges, | 0:09:51 | 0:09:54 | |
so that's what you're looking for. | 0:09:54 | 0:09:55 | |
You're looking for the original mechanism. | 0:09:55 | 0:09:57 | |
Date wise, probably we're around 1850, 1860? | 0:09:57 | 0:10:01 | |
-I'm not an expert, you are. -Ah! Ha, ha! | 0:10:01 | 0:10:03 | |
It's a dangerous thing to admit to that. | 0:10:03 | 0:10:05 | |
Oh, don't be coy, Knocker. | 0:10:05 | 0:10:07 | |
Eric's expertise has secured a second piece | 0:10:07 | 0:10:09 | |
of treasure for his trove. | 0:10:09 | 0:10:11 | |
Our daring dealers are now even stevens, | 0:10:11 | 0:10:14 | |
so, who will blink at a bargain first? | 0:10:14 | 0:10:17 | |
After a bit of a meltdown over the metal mascot, | 0:10:17 | 0:10:19 | |
Catherine's calmness has been restored. | 0:10:19 | 0:10:22 | |
She found a pair of fish-shaped tongs priced up at a fiver. | 0:10:22 | 0:10:26 | |
A bit like ice tongs, but they're not. | 0:10:26 | 0:10:28 | |
They're for getting sardines out of a tin. | 0:10:28 | 0:10:30 | |
The thing is, with these silver plated items like this, | 0:10:30 | 0:10:32 | |
sometimes they were made by silversmiths | 0:10:32 | 0:10:34 | |
so the quality is really there and although this is silver plate, | 0:10:34 | 0:10:38 | |
they're still really finely made. Very nice. | 0:10:38 | 0:10:42 | |
I'm going to give them a fiver for these. | 0:10:42 | 0:10:44 | |
Is that quick and decisive enough for you? | 0:10:44 | 0:10:46 | |
-Hello, sir, good to see you! How you doing? -Fine, thank you. | 0:10:46 | 0:10:50 | |
Good, good. I'm going to have these for a fiver. | 0:10:50 | 0:10:52 | |
I'm not sure what I'm going to do with them. | 0:10:52 | 0:10:54 | |
-Actually, I'm going to pinch one of your cherries. -What a cheek! | 0:10:54 | 0:10:57 | |
Perfect cherry pincher. Wonderful. | 0:10:57 | 0:11:01 | |
-There you go. -Thank you very much. -Have a fiver. | 0:11:02 | 0:11:05 | |
'A delicious deal for Catherine in more ways than one.' | 0:11:05 | 0:11:08 | |
It's clear her incredible promise of directness | 0:11:08 | 0:11:11 | |
was no red herring after all. | 0:11:11 | 0:11:13 | |
Now, Eric insisted he'd be sidestepping the ceramics, | 0:11:13 | 0:11:16 | |
but did anyone actually believe he'd manage it? | 0:11:16 | 0:11:19 | |
No, of course not. | 0:11:19 | 0:11:20 | |
And, as sure as eggs is eggs, the temptation has proved too much. | 0:11:20 | 0:11:24 | |
I know I've been saying that I'm sort of avoiding ceramics to | 0:11:24 | 0:11:27 | |
a certain degree, but, you know, | 0:11:27 | 0:11:29 | |
this is a classic case of something I've not seen before. | 0:11:29 | 0:11:32 | |
What I like is that the actual mounts are marked H&H, | 0:11:32 | 0:11:36 | |
Hukin & Heath, | 0:11:36 | 0:11:38 | |
a good maker of plate and silver | 0:11:38 | 0:11:42 | |
working in Birmingham. | 0:11:42 | 0:11:44 | |
And it's got a registration number on there, which is quite nice. | 0:11:44 | 0:11:48 | |
So, the asking price is, what? And then... | 0:11:48 | 0:11:53 | |
85. | 0:11:53 | 0:11:54 | |
-70 no good to you? -75... -75, OK, 75. | 0:11:54 | 0:11:58 | |
I could see the pain in your face and that's where we're at. OK. | 0:11:58 | 0:12:03 | |
Yes, our prince of porcelain is a fair man | 0:12:03 | 0:12:05 | |
and he's particularly pleased with his pot. | 0:12:05 | 0:12:07 | |
They often call them tigs, but the very fact that it's got | 0:12:07 | 0:12:11 | |
a metal cover and, you can see...look at the gilding on that! | 0:12:11 | 0:12:14 | |
I mean, that is just as good as the day it was made | 0:12:14 | 0:12:17 | |
and the day it was made...I don't know, | 0:12:17 | 0:12:19 | |
I think would probably be around about 1885. | 0:12:19 | 0:12:22 | |
It just might have been used as a large tobacco jar. | 0:12:22 | 0:12:27 | |
Having said that... | 0:12:27 | 0:12:29 | |
it just might be for biscuits! | 0:12:29 | 0:12:32 | |
And Eric definitely takes the biscuit, | 0:12:32 | 0:12:34 | |
but Catherine is still in a quandary over the motor mascot. | 0:12:34 | 0:12:38 | |
That dog, I might go back and buy him. | 0:12:38 | 0:12:40 | |
£65 does seem a lot of money for a chrome mascot. | 0:12:42 | 0:12:46 | |
But I think I could do quite well with him. Shall I go and buy him? | 0:12:46 | 0:12:49 | |
Shall I? | 0:12:49 | 0:12:50 | |
Well, Catherine clearly values your input, good viewers, | 0:12:50 | 0:12:53 | |
but there's no doubt the Put Your Money pressure gauge is steaming. | 0:12:53 | 0:12:57 | |
Can our dithering damsel steel herself and rally, | 0:12:57 | 0:13:00 | |
then add the dog to her tally? | 0:13:00 | 0:13:03 | |
Hello, sir. Doggy, doggy. | 0:13:03 | 0:13:05 | |
Good afternoon, again. | 0:13:05 | 0:13:07 | |
OK, I'll give you 60. | 0:13:11 | 0:13:14 | |
Hmm? Is it a handshake, is it a high-five? Who knows? | 0:13:15 | 0:13:18 | |
The important thing is she's made a decision | 0:13:18 | 0:13:20 | |
and got a fiver off as part of the deal. | 0:13:20 | 0:13:23 | |
Once upon a time, this was on an American truck. | 0:13:24 | 0:13:28 | |
It's got a great face, it's got a great character, | 0:13:28 | 0:13:30 | |
and I'm probably going to sell it as a paperweight, | 0:13:30 | 0:13:33 | |
perhaps to somebody who's crazy about bulldogs. | 0:13:33 | 0:13:36 | |
I've just got to use my imagination with this piece. | 0:13:36 | 0:13:39 | |
Hmm. Not sure he looks too thrilled with that idea. | 0:13:39 | 0:13:42 | |
Our two trading tornadoes are now flying round the fair, | 0:13:42 | 0:13:45 | |
so, let's focus on the figures so far. | 0:13:45 | 0:13:48 | |
Our dynamic duo both came to Ardingly | 0:13:48 | 0:13:51 | |
with £750 of their own money to spend. | 0:13:51 | 0:13:54 | |
Eric had a very slow start, | 0:13:54 | 0:13:55 | |
but he's picked up the pace and picked up three items for £215, | 0:13:55 | 0:14:00 | |
which means he has a chunky £535 left in his back pocket. | 0:14:00 | 0:14:05 | |
Despite a dash of dithering, Catherine has kept up momentum. | 0:14:05 | 0:14:09 | |
Four purchases made for £130, | 0:14:09 | 0:14:12 | |
leaving her kitty bulging with £620. | 0:14:12 | 0:14:15 | |
Well, this magnificent menagerie of antiques mayhem is well under way. | 0:14:17 | 0:14:21 | |
Our collecting couple call a momentary truce to meet up | 0:14:21 | 0:14:25 | |
in no-man's-land. | 0:14:25 | 0:14:27 | |
-So, is this your idea... -Oh, hello. -..of being fast and furious? | 0:14:27 | 0:14:31 | |
"Oh, I've got better things to do than to talk to you, Eric!" | 0:14:31 | 0:14:34 | |
I can see you've invested in a bun anyway. | 0:14:34 | 0:14:37 | |
-Hmm, well, actually, would you like half? -No! No, no. | 0:14:37 | 0:14:39 | |
-In fact, you can have it. -I'm watching my figure. | 0:14:39 | 0:14:41 | |
-Well, how's it going for you? -Very well. | 0:14:41 | 0:14:43 | |
-I am being fast and furious, actually. -Yes. | 0:14:43 | 0:14:46 | |
The problem is, Eric, I just want to find one thing that's | 0:14:46 | 0:14:49 | |
actually quite expensive and really special, that really sings to me. | 0:14:49 | 0:14:54 | |
It's all well and good being fast and furious, | 0:14:54 | 0:14:56 | |
as long as you're never fast and loose! | 0:14:56 | 0:14:59 | |
Anyway, listen - you enjoy yourself. | 0:14:59 | 0:15:02 | |
Take your time. I'm off to find what you're looking for. Bye! | 0:15:02 | 0:15:06 | |
Catherine Southon, fast and loose! Never, Knocker! | 0:15:06 | 0:15:10 | |
But, it seems Eric has got under his rival's skin. | 0:15:10 | 0:15:13 | |
In fact, he's given her the haggling heebie-jeebies. | 0:15:13 | 0:15:17 | |
I'm a little bit concerned that I'm buying novelty collectables. | 0:15:17 | 0:15:21 | |
So, I think now... | 0:15:21 | 0:15:23 | |
I have to get the cash out... | 0:15:23 | 0:15:25 | |
and buy serious antiques. | 0:15:25 | 0:15:29 | |
It sounds like she means business, | 0:15:29 | 0:15:31 | |
but it seems Eric doesn't buy Catherine's bluster. | 0:15:31 | 0:15:34 | |
Well, I realise why they call my opponent "Cunning" Catherine, | 0:15:34 | 0:15:38 | |
because, you know, she puts on this, "Oh, I'm so weary. | 0:15:38 | 0:15:42 | |
"I'm not sure I can do this..." And I know full well it's just an act. | 0:15:42 | 0:15:48 | |
She's out to win it. | 0:15:48 | 0:15:50 | |
What she hasn't taken into account is that she is | 0:15:50 | 0:15:52 | |
up against the pride of Lancashire. | 0:15:52 | 0:15:55 | |
She's up against "Knocker" Knowles. | 0:15:55 | 0:15:58 | |
Yes, fighting talk from Eric there. | 0:15:58 | 0:16:00 | |
And that's the attitude both our bargain hunters need. | 0:16:00 | 0:16:03 | |
This is a bloody battle and they both want the glory. | 0:16:03 | 0:16:07 | |
Eric soon jumps to it and makes his next non-ceramic purchase. | 0:16:07 | 0:16:11 | |
He's paid £15 for a silver plated dish. | 0:16:11 | 0:16:14 | |
I just love the design on this. | 0:16:14 | 0:16:17 | |
Uh, you've got this incredible spider's web, um, | 0:16:17 | 0:16:20 | |
and then you've got flowers and it's in, you know, | 0:16:20 | 0:16:23 | |
reasonable condition for a bit of plate. | 0:16:23 | 0:16:25 | |
Date wise, I would have thought that is probably around about 1880. | 0:16:25 | 0:16:30 | |
Uh, and for £15, well, it just said, "Take me home," | 0:16:30 | 0:16:36 | |
and that's what I'm going to do. | 0:16:36 | 0:16:38 | |
Ooh, the silverware is talking to Eric | 0:16:38 | 0:16:40 | |
and Catherine has found herself an intriguing little collection. | 0:16:40 | 0:16:43 | |
A set of ice skating awards from the inter-war period. | 0:16:43 | 0:16:47 | |
So, we have got two silver... Have we got two silver? | 0:16:47 | 0:16:50 | |
Yes, two silver, two bronze. | 0:16:50 | 0:16:52 | |
It'd be wonderful to find out who won these. | 0:16:52 | 0:16:56 | |
How much are all of them? Your best possible price. | 0:16:56 | 0:17:00 | |
30. | 0:17:00 | 0:17:01 | |
You wouldn't come down to 25? | 0:17:01 | 0:17:03 | |
Yes, I can take 25. | 0:17:03 | 0:17:05 | |
-OK, I'm going to give you the £25 for them. -Thank you very much. | 0:17:05 | 0:17:08 | |
So, will the awards reap rewards? Catherine certainly thinks so. | 0:17:08 | 0:17:13 | |
These date right back to the '20s and the '30s. | 0:17:13 | 0:17:16 | |
What's nice about them is you've got the old ice skates on them, | 0:17:16 | 0:17:20 | |
you've got the blades there that were fixed onto the shoes. | 0:17:20 | 0:17:23 | |
There's definitely a story to be told here. | 0:17:23 | 0:17:25 | |
Really? And what does every story need? | 0:17:25 | 0:17:28 | |
A dashing, smooth-talking hero, just like "Knocker" Knowles, | 0:17:28 | 0:17:32 | |
and you'll never guess what he's looking at. | 0:17:32 | 0:17:34 | |
Oh, yes, you're right. | 0:17:34 | 0:17:36 | |
Ceramics. | 0:17:36 | 0:17:38 | |
Nice design, isn't it? Lovely. | 0:17:38 | 0:17:41 | |
It's an early one, about 1928. | 0:17:41 | 0:17:43 | |
A Carter, Stabler and Adams, so we're talking Poole Pottery. | 0:17:43 | 0:17:47 | |
Dare I ask the price? Well, I would dare cos, how much is it?! | 0:17:47 | 0:17:51 | |
£230. | 0:17:51 | 0:17:53 | |
Is there any flexibility in that? Is that cast in stone? | 0:17:53 | 0:17:56 | |
My very, very best price that I can do for you | 0:17:56 | 0:17:59 | |
is 200. | 0:17:59 | 0:18:00 | |
200? | 0:18:00 | 0:18:02 | |
It's a classic vase, isn't it? | 0:18:02 | 0:18:04 | |
You know, it's talking to me at the moment. | 0:18:04 | 0:18:06 | |
"Ooh! Take me home, Eric!" | 0:18:06 | 0:18:08 | |
Dare you tell me to take you home? | 0:18:08 | 0:18:10 | |
"Oh, go on, you lithe, Lancastrian lovely. Take me home!" | 0:18:10 | 0:18:15 | |
-OK, £200. -£200. | 0:18:15 | 0:18:18 | |
Old Knocker can't resist the ceramics, | 0:18:18 | 0:18:20 | |
so what's made him go potty over this one? | 0:18:20 | 0:18:23 | |
Apart from the fact that it talks to him, obviously. | 0:18:23 | 0:18:26 | |
Well, I've just bought myself a classic Poole pottery vase | 0:18:26 | 0:18:29 | |
and when it comes to the British interpretation of Art Deco, | 0:18:29 | 0:18:34 | |
I'll tell you what, Carter, Stabler and Adams take some beating. | 0:18:34 | 0:18:40 | |
They're such strong sort of geometric motifs. | 0:18:40 | 0:18:43 | |
If you ever come across a piece which is marked | 0:18:43 | 0:18:46 | |
Carter, Stabler and Adams and it's got a terracotta body, | 0:18:46 | 0:18:49 | |
then you are going to be dealing with a piece made in the inter-war years. | 0:18:49 | 0:18:54 | |
You have to admire Eric's enthusiasm. | 0:18:54 | 0:18:57 | |
He really does love his pots. | 0:18:57 | 0:18:59 | |
Across the fair, things aren't going so well for Catherine. | 0:18:59 | 0:19:02 | |
She's struggling to spend money. | 0:19:02 | 0:19:04 | |
I had my mind set that I wanted to buy something expensive, something | 0:19:05 | 0:19:09 | |
that I was really happy with and something I was really excited by. | 0:19:09 | 0:19:13 | |
I haven't quite found that piece yet. | 0:19:13 | 0:19:17 | |
But it's only a short time later that Catherine makes a purchase, | 0:19:17 | 0:19:20 | |
although it's not that prized big money spend. | 0:19:20 | 0:19:23 | |
She's stepped up to the crease and bought a selection of | 0:19:23 | 0:19:25 | |
cricket prints and she's hoping to hit them for six. | 0:19:25 | 0:19:28 | |
I just bought these for £50. | 0:19:30 | 0:19:32 | |
I know nothing about cricket, but I couldn't resist these, | 0:19:32 | 0:19:34 | |
I thought these images were really striking. | 0:19:34 | 0:19:37 | |
This is dated at the top, 1881. Now, this is a print, | 0:19:37 | 0:19:41 | |
which would have been part of a supplement for a magazine, | 0:19:41 | 0:19:45 | |
Vanity Fair, and I would say that the actual supplement was | 0:19:45 | 0:19:48 | |
probably produced early 20th-century. | 0:19:48 | 0:19:51 | |
I love the way that we can see how the cricket outfit has | 0:19:51 | 0:19:53 | |
completely changed. | 0:19:53 | 0:19:55 | |
Whatever I'm going to do, | 0:19:55 | 0:19:56 | |
I'm completely bowled over with these images. | 0:19:56 | 0:20:00 | |
What do you think? | 0:20:00 | 0:20:01 | |
Howzat? | 0:20:01 | 0:20:03 | |
And, on that small victory, | 0:20:03 | 0:20:05 | |
Catherine makes the tactical decision to call it a day, | 0:20:05 | 0:20:08 | |
despite not having spent as much as she set out to. | 0:20:08 | 0:20:11 | |
A risky strategy by anyone's reckoning. | 0:20:11 | 0:20:13 | |
Eric, however, powers on | 0:20:13 | 0:20:15 | |
and there's light at the end of the treasure tunnel, | 0:20:15 | 0:20:17 | |
when he spots two glass lampshades, and as any dealer | 0:20:17 | 0:20:20 | |
worth their salt will tell you, it's always nice to have a pair. | 0:20:20 | 0:20:24 | |
Well, it's nice to have a pair, yes. | 0:20:24 | 0:20:26 | |
There you go. | 0:20:26 | 0:20:27 | |
-They're cut, aren't they? I can see they're cut. -Yes. | 0:20:27 | 0:20:30 | |
So, maybe the top's moulded, this bit's moulded, | 0:20:30 | 0:20:32 | |
but this is certainly cut. | 0:20:32 | 0:20:33 | |
What price do they come at, then? | 0:20:33 | 0:20:35 | |
I was asking 130 on them. | 0:20:35 | 0:20:39 | |
Would £90 buy them? | 0:20:39 | 0:20:41 | |
-No. -No? All right, that's OK. | 0:20:41 | 0:20:44 | |
-The very best on them would be a straight 100. -A straight £100? -Yes. | 0:20:44 | 0:20:50 | |
-OK, I'll take them for £100. -Thank you. | 0:20:50 | 0:20:52 | |
Well, I bought myself a pair of what are probably Edwardian | 0:20:52 | 0:20:57 | |
lampshades and they could possibly date from around about 1915, | 0:20:57 | 0:21:03 | |
but it is rare to get a pair. | 0:21:03 | 0:21:06 | |
And the rare pair brings this buying battle to a close. | 0:21:06 | 0:21:10 | |
Our dealers have dug deep | 0:21:10 | 0:21:11 | |
and they've given it all they've got, but have they bought well? | 0:21:11 | 0:21:15 | |
Well, as the dust settles, let's have a look at the money. | 0:21:15 | 0:21:18 | |
Both our daring dealers came to West Sussex with £750 each. | 0:21:18 | 0:21:23 | |
After a flurry of big money buys, | 0:21:23 | 0:21:25 | |
Eric spent £530 and leaves with six items. | 0:21:25 | 0:21:29 | |
Catherine also bought six times, but she spent considerably less, | 0:21:29 | 0:21:34 | |
just £205. | 0:21:34 | 0:21:36 | |
That's less than half of Eric's total outlay. | 0:21:36 | 0:21:39 | |
So, before they turn their hands to selling, | 0:21:39 | 0:21:41 | |
our two connoisseurs of collectables | 0:21:41 | 0:21:43 | |
get together to discuss how they did. | 0:21:43 | 0:21:45 | |
So, after the heat of battle, what was your favourite buy of the day? | 0:21:47 | 0:21:52 | |
Come on, Catherine, spill all. | 0:21:52 | 0:21:53 | |
Well, I started up really well and I'm quite happy with my sign, | 0:21:53 | 0:21:58 | |
-actually. -Do you know anybody by that name? -I do. -Oh, well. | 0:21:58 | 0:22:01 | |
So, I've got it in my mind that I'm going to sell this to | 0:22:01 | 0:22:03 | |
-a lovely gentleman that I know. -And you like cricket, I see. | 0:22:03 | 0:22:06 | |
I know nothing about cricket, but I just thought they're wonderful. | 0:22:06 | 0:22:09 | |
But you've bought some delicious things too. | 0:22:09 | 0:22:11 | |
If I could keep any of these pieces, | 0:22:11 | 0:22:14 | |
-it's the Poole Pottery vase down here. -It's been really hard today. | 0:22:14 | 0:22:19 | |
I found it almost impossible to spend serious cash today. | 0:22:19 | 0:22:23 | |
Just a bit of advice here - | 0:22:23 | 0:22:25 | |
-the world hates a whinger. -Oh! | 0:22:25 | 0:22:29 | |
-I'll stop. -HE LAUGHS | 0:22:29 | 0:22:30 | |
So, with Catherine left in no doubt about Eric's competitive nature, | 0:22:33 | 0:22:37 | |
our battle of the sexes spins on its axis | 0:22:37 | 0:22:40 | |
and our hardened hagglers become serious sale-makers. | 0:22:40 | 0:22:43 | |
They must assess, advertise and offload their haul for hefty | 0:22:43 | 0:22:47 | |
profits, and this is where their expertise really comes to the fore. | 0:22:47 | 0:22:51 | |
To find the best buyers requires lateral thinking, | 0:22:51 | 0:22:54 | |
extensive contacts, and some serious old-fashioned luck, | 0:22:54 | 0:22:58 | |
but, until they've shaken on it, and the money has changed hands, | 0:22:58 | 0:23:02 | |
no deal is truly sealed. | 0:23:02 | 0:23:04 | |
Our Duke and Duchess of dealing return to their respective homes | 0:23:04 | 0:23:08 | |
to see how their shopping shapes up. | 0:23:08 | 0:23:10 | |
Eric is realising that his range of wares isn't | 0:23:10 | 0:23:13 | |
quite as diverse as he'd planned. | 0:23:13 | 0:23:16 | |
There seems to be something of a Victorian theme, | 0:23:16 | 0:23:19 | |
which was not my real intention. | 0:23:19 | 0:23:21 | |
My colour print is actually a copy of a Victorian aquatint, which should | 0:23:21 | 0:23:27 | |
date to around 1830, whereas this one probably dates to around about 1920. | 0:23:27 | 0:23:33 | |
My silver plated cake basket is | 0:23:33 | 0:23:36 | |
certainly of around about 1880, | 0:23:36 | 0:23:40 | |
and I just love that | 0:23:40 | 0:23:41 | |
spider's web design. | 0:23:41 | 0:23:43 | |
What about a pair Edwardian cut and pressed glass lampshades? | 0:23:43 | 0:23:50 | |
I mean, very rare these days to find such things. | 0:23:50 | 0:23:52 | |
My Coalport three-handled tig with a gilt metal cover. | 0:23:52 | 0:23:59 | |
Now, that is unusual. | 0:23:59 | 0:24:00 | |
The handkerchief box, again, around about 1860. | 0:24:00 | 0:24:04 | |
What makes it is this mother-of-pearl inset panel, which is | 0:24:04 | 0:24:08 | |
actually beautiful inscribed "Handkerchiefs." | 0:24:08 | 0:24:11 | |
But my biggest spend on the day was my Poole Pottery vase. | 0:24:11 | 0:24:16 | |
As far as I'm concerned, that ticks all the boxes. | 0:24:16 | 0:24:20 | |
I'm quite confident with my purchases on the day. Confident... | 0:24:20 | 0:24:26 | |
but never smug. | 0:24:26 | 0:24:28 | |
Yes, and that's the reason why you're a master of the game, Eric. | 0:24:28 | 0:24:31 | |
"Cunning" Catherine is back home in Kent. | 0:24:31 | 0:24:33 | |
She may have spent several hundred pounds less than Eric, | 0:24:33 | 0:24:36 | |
but she's quietly confident. | 0:24:36 | 0:24:38 | |
The cricket prints, I'm going to sell them to a cricket club. | 0:24:38 | 0:24:42 | |
They're already interested and I am going to make BIG bucks on these. | 0:24:42 | 0:24:48 | |
Remember these little ice skating medals? | 0:24:48 | 0:24:51 | |
They're actually very early. | 0:24:51 | 0:24:54 | |
They're 1930s and they're some of the first medals that were produced. | 0:24:54 | 0:24:58 | |
My tatty birdcage - OK, it does need a bit of TLC. | 0:24:58 | 0:25:03 | |
Street sign - I've got a man in mind for this. | 0:25:03 | 0:25:07 | |
If he doesn't buy this, I'll be in trouble. | 0:25:07 | 0:25:09 | |
When I first saw this bulldog, I was very impressed, | 0:25:09 | 0:25:13 | |
and splashing out £60 was perhaps a little bit too much. | 0:25:13 | 0:25:18 | |
For £5, wouldn't you just love these little fish tongs? | 0:25:18 | 0:25:22 | |
I can see them selling for £30, £40. | 0:25:22 | 0:25:25 | |
Well, I'm pretty confident about all my items. | 0:25:25 | 0:25:29 | |
I've just now got to put all that confidence into practice. | 0:25:29 | 0:25:34 | |
Indeed you do, Catherine. | 0:25:34 | 0:25:36 | |
'Our titanic twosome get back to the phone bashing' | 0:25:36 | 0:25:38 | |
and the online operations. | 0:25:38 | 0:25:40 | |
They need to pick up potential purchases and go in with a hard sell. | 0:25:40 | 0:25:45 | |
Eric, like a finely honed athlete, is straight out of the blocks. | 0:25:45 | 0:25:49 | |
He wants to brighten his balance sheet at the outset | 0:25:49 | 0:25:51 | |
with his pair of lampshades. | 0:25:51 | 0:25:53 | |
He's brought them to Jeff at his light emporium near Hartford. | 0:25:53 | 0:25:57 | |
Eric paid £100 for them, but will they illuminate the way to a profit? | 0:25:57 | 0:26:02 | |
I'm assuming these are around about, what, 1910, 1920? | 0:26:02 | 0:26:07 | |
-Yeah, if not a little bit earlier. -Oh, right. -Maybe... -I notice... | 0:26:07 | 0:26:11 | |
..with that copper gallery on the top there, there is | 0:26:11 | 0:26:14 | |
not one mark on these shades, not one flea bite. | 0:26:14 | 0:26:17 | |
They're in absolutely perfect condition. | 0:26:17 | 0:26:19 | |
How many of these do you see in a year? | 0:26:19 | 0:26:23 | |
-Not many, to be fair. -Not many. -Very few. | 0:26:23 | 0:26:25 | |
-I was looking around the £150 mark. -I would go for £90 for the pair. | 0:26:25 | 0:26:30 | |
I mean, if I could go for 120? | 0:26:30 | 0:26:32 | |
-Um, I'm ahead of the game. -If you meet me at 115... | 0:26:32 | 0:26:37 | |
OK, go on, put your hand there. So, what are you going to do with those? | 0:26:37 | 0:26:40 | |
I've got a customer for these already. Thank you! | 0:26:40 | 0:26:42 | |
Hah! It's not what you know, it's who you know. | 0:26:43 | 0:26:47 | |
Hmm, Jeff may well have come out of that rather well. | 0:26:47 | 0:26:49 | |
Not the greatest profit for our Eric - a low wattage £15. | 0:26:49 | 0:26:54 | |
It was hardly a dream start, but, I have to say, and if you're | 0:26:54 | 0:26:58 | |
watching, Catherine, it's not where you start, it's where you finish. | 0:26:58 | 0:27:04 | |
Well, Catherine knows that only too well. | 0:27:04 | 0:27:06 | |
Our cunning Cat has motored all the way to Berkshire for her | 0:27:06 | 0:27:10 | |
first attempt at a sale. | 0:27:10 | 0:27:11 | |
She's at an ice skating rink in Bracknell, | 0:27:11 | 0:27:13 | |
so, is she chilled or could she be skating on thin ice? | 0:27:13 | 0:27:17 | |
I've come here to meet Elaine Hooper and she's an ice skating historian. | 0:27:17 | 0:27:22 | |
She's expressed some interest in my medals | 0:27:22 | 0:27:24 | |
and this is the perfect surrounding to make a sale. | 0:27:24 | 0:27:28 | |
I'd better get my skates on. | 0:27:28 | 0:27:29 | |
Oh, how exciting! | 0:27:29 | 0:27:31 | |
Could we be about to see Catherine take to the ice and dazzle us | 0:27:31 | 0:27:34 | |
with her skills? | 0:27:34 | 0:27:35 | |
No, she and Elaine have decided to meet in the stands. | 0:27:35 | 0:27:39 | |
There we are. We have two silver... | 0:27:39 | 0:27:41 | |
-..and two bronze. -Yes. These are test medals. | 0:27:42 | 0:27:46 | |
You've got a preliminary test medal, a third class, | 0:27:46 | 0:27:52 | |
an intermediate second class, and a second class. | 0:27:52 | 0:27:56 | |
And, at the time these were won, | 0:27:56 | 0:27:58 | |
I don't think the intermediate first class test was skated for, then, and | 0:27:58 | 0:28:03 | |
this inter-silver medal is hallmarked at 1938 | 0:28:03 | 0:28:07 | |
and that particular test | 0:28:07 | 0:28:10 | |
wasn't instituted until October 1938, so, I would suggest... | 0:28:10 | 0:28:14 | |
So, this was one of the first medals? | 0:28:14 | 0:28:15 | |
This was one of the very first inter-silver medals. | 0:28:15 | 0:28:18 | |
I'm guessing that makes it quite rare? | 0:28:18 | 0:28:21 | |
Yes, it would be slightly more valuable | 0:28:21 | 0:28:24 | |
than an ordinary inter-silver test medal. | 0:28:24 | 0:28:27 | |
Oh, that's music to my ears. That's lovely. So, what do you think for | 0:28:27 | 0:28:30 | |
this little collection? | 0:28:30 | 0:28:32 | |
-Would you be interested in this? -I certainly would, Catherine. | 0:28:32 | 0:28:35 | |
Oh, lovely. How does £100 sound? | 0:28:35 | 0:28:37 | |
Um, what about 80? | 0:28:37 | 0:28:39 | |
Can we say 90? | 0:28:39 | 0:28:41 | |
-Yes, that's a deal. -Wonderful! | 0:28:41 | 0:28:43 | |
Thank you very much indeed. | 0:28:43 | 0:28:45 | |
And that's a very good start. | 0:28:45 | 0:28:47 | |
Catherine glides away with a £65 profit, | 0:28:47 | 0:28:49 | |
which instantly puts her way out in front. | 0:28:49 | 0:28:52 | |
And look at this! | 0:28:52 | 0:28:54 | |
Our Catherine does take to the ice, | 0:28:54 | 0:28:56 | |
but this part of the performance isn't quite so impressive. | 0:28:56 | 0:28:59 | |
This is harder than it looks. | 0:28:59 | 0:29:01 | |
SHE PUFFS AND SIGHS | 0:29:01 | 0:29:03 | |
MUSIC: "The Blue Danube" by Johann Strauss II | 0:29:03 | 0:29:05 | |
Oh, look at her go. Safe to say, Jayne Torvill can rest easy. | 0:29:07 | 0:29:11 | |
Eric is hoping he'll be flying with his next item. | 0:29:13 | 0:29:16 | |
He's decided to wave goodbye to his handkerchief box that cost £110. | 0:29:16 | 0:29:21 | |
He's brought it to West London, but will this be a tearful farewell? | 0:29:21 | 0:29:25 | |
Not if there's a decent profit in it. | 0:29:25 | 0:29:27 | |
Well, I'm in the hustle and bustle of Chiswick High Road | 0:29:27 | 0:29:30 | |
and I'm here to meet Gerald who deals in wooden boxes. | 0:29:30 | 0:29:34 | |
Now, I've seen his stock. | 0:29:34 | 0:29:35 | |
It's very good quality but, there again, | 0:29:35 | 0:29:38 | |
so is my handkerchief box, so let's see if we can do the business. | 0:29:38 | 0:29:43 | |
But there is my handkerchief box. | 0:29:43 | 0:29:46 | |
-It's a very pretty little box, isn't it? -What...? Look, have a go. | 0:29:46 | 0:29:49 | |
We both know this is a touchy-feely business, so have a look at it. | 0:29:49 | 0:29:53 | |
It dates to about 1860, 1870, walnut, as you can see, | 0:29:53 | 0:29:58 | |
mainly walnut. Little...I can see some tulipwood banding. | 0:29:58 | 0:30:02 | |
It's very, very attractive. | 0:30:02 | 0:30:04 | |
If I was to tell you I wanted to come in with an asking price of £150...? | 0:30:04 | 0:30:10 | |
I mean, I'd be happy to pay £120 for it. | 0:30:10 | 0:30:13 | |
I really would like to get around about 135. | 0:30:13 | 0:30:16 | |
-130. -130? -Yes. -130. | 0:30:16 | 0:30:19 | |
Put it there, 130, we've got ourselves a deal. | 0:30:19 | 0:30:22 | |
Well, while a profit of £20 shouldn't be sneezed at, | 0:30:22 | 0:30:25 | |
Eric needs bigger figures if he's to nose in front of Catherine. | 0:30:25 | 0:30:29 | |
Well, it was a reasonable increase on my expenditure and one that, | 0:30:29 | 0:30:34 | |
quite frankly, I wouldn't want to sniff at. | 0:30:34 | 0:30:37 | |
Having said that, it's all about making money, honey, | 0:30:37 | 0:30:41 | |
and yes...it's you I'm talking to, Catherine. | 0:30:41 | 0:30:44 | |
Well, the lady needs no advice from you, Mr Knowles. | 0:30:44 | 0:30:47 | |
Catherine is doing just fine all by herself. | 0:30:47 | 0:30:49 | |
She'll no doubt be dogged in her negotiation for | 0:30:49 | 0:30:52 | |
the chrome car mascot. | 0:30:52 | 0:30:54 | |
It cost her £60 and she's brought it to | 0:30:54 | 0:30:56 | |
Alison from the London Bulldog Association and, as you can see, | 0:30:56 | 0:31:00 | |
this lady loves bulldogs, particularly Basil and Pussy. | 0:31:00 | 0:31:04 | |
Yes, you heard it right - a dog called Pussy. | 0:31:04 | 0:31:07 | |
-I can see bulldogs everywhere. -Yes! Yes, yes, yes! | 0:31:07 | 0:31:12 | |
We've had bulldogs for about 35 years. | 0:31:12 | 0:31:14 | |
-Our first one was a bridesmaid at our wedding. -Oh, really? How funny! | 0:31:14 | 0:31:18 | |
-What do you think about that? -These were designed in 1932... -Right. | 0:31:18 | 0:31:23 | |
-..for Mack Trucks. -It's a sort of mascot, isn't it? | 0:31:23 | 0:31:26 | |
Yes, it's a hood ornament. | 0:31:26 | 0:31:28 | |
I've thought about getting one in the past, but never got round to it. | 0:31:28 | 0:31:31 | |
-The chrome is in very good condition. -It is in good condition, isn't it? | 0:31:31 | 0:31:34 | |
-Yes, yes. -Is it something you would be interested in purchasing? | 0:31:34 | 0:31:37 | |
Yes, it is, yes. | 0:31:37 | 0:31:38 | |
How does £100 sound to you? | 0:31:38 | 0:31:40 | |
Not that unreasonable, because you've still got the base. | 0:31:40 | 0:31:44 | |
If I offered you 85? | 0:31:44 | 0:31:46 | |
I wouldn't mind sort of meeting you at 90, would that be all right? | 0:31:46 | 0:31:51 | |
That would be fine. | 0:31:51 | 0:31:53 | |
Well, I think it's going to an extremely good home and, uh, | 0:31:53 | 0:31:56 | |
-that's very important to me. -Yes. | 0:31:56 | 0:31:58 | |
But, of course, it's not just what you like, | 0:31:58 | 0:32:00 | |
it's what our little friends like as well. | 0:32:00 | 0:32:03 | |
What do you think, Pussy? What do you think, Basil? | 0:32:03 | 0:32:05 | |
And Pussy snuggles up to her new playmate | 0:32:05 | 0:32:08 | |
and Catherine earns herself a treat. | 0:32:08 | 0:32:10 | |
£30 profit on the motoring mascot and she's a happy Cat. | 0:32:10 | 0:32:14 | |
And, like her feline namesakes, she was transfixed by a birdcage | 0:32:14 | 0:32:18 | |
and pounced on it for £25. | 0:32:18 | 0:32:20 | |
She's brought it to David, who's a florist in Croydon, | 0:32:20 | 0:32:23 | |
but what will he make of it? | 0:32:23 | 0:32:26 | |
I've come to talk about my birdcage. | 0:32:26 | 0:32:29 | |
What do you think? | 0:32:29 | 0:32:31 | |
Well, em... | 0:32:31 | 0:32:32 | |
..it's big, yeah, pleased it's big. | 0:32:33 | 0:32:35 | |
Um, we'd probably use it to put flowers in. | 0:32:35 | 0:32:39 | |
I think it could be useful, yes. | 0:32:39 | 0:32:41 | |
Because I've seen that you've got some others dotted around, | 0:32:41 | 0:32:44 | |
-but they're obviously reproduction ones. -Of course. | 0:32:44 | 0:32:46 | |
-This has got a bit of age to it. -Oh, dear! | 0:32:46 | 0:32:50 | |
I think we can see that from the rust. What would you do? | 0:32:50 | 0:32:53 | |
-Sort of paint it up, do you think? -I think we'd have to respray it. | 0:32:53 | 0:32:56 | |
-It all comes down to money and I am asking about £60 for it. -£40? | 0:32:56 | 0:33:00 | |
50? | 0:33:02 | 0:33:03 | |
Done. | 0:33:04 | 0:33:06 | |
-Thank you very much. -Thank you very much. | 0:33:06 | 0:33:08 | |
Well, that was blooming marvellous and I have doubled my money. | 0:33:08 | 0:33:14 | |
I hope that rattles Eric's cage. | 0:33:14 | 0:33:17 | |
So, the cage brings in another £25 to Catherine's profit pot | 0:33:17 | 0:33:21 | |
and piles more pressure on Eric. | 0:33:21 | 0:33:23 | |
'But he's calm in the face of competition. | 0:33:23 | 0:33:25 | |
'He sells his three-handled pot that cost him £75.' | 0:33:25 | 0:33:29 | |
Even though it had the Hukin & Heath name on it, | 0:33:29 | 0:33:31 | |
he only managed to get £80 for it, | 0:33:31 | 0:33:34 | |
which means Knocker gets a knockdown profit of just of just £5. | 0:33:34 | 0:33:38 | |
Our two dynamic dealers are whistling through their sales, | 0:33:39 | 0:33:42 | |
so let's have a look where the pounds are piling up | 0:33:42 | 0:33:44 | |
and where there's still work to be done. | 0:33:44 | 0:33:47 | |
Eric Knowles has sold three of his items so far and has marked up | 0:33:47 | 0:33:50 | |
a modest profit of £40, but he still has that big money vase to sell. | 0:33:50 | 0:33:55 | |
Catherine Southon has been living up to her "Cunning" nickname. | 0:33:55 | 0:33:58 | |
She's also sold three items, | 0:33:58 | 0:34:00 | |
but her significantly smaller spend is proving a clever strategy. | 0:34:00 | 0:34:05 | |
She's up by £120. | 0:34:05 | 0:34:07 | |
So, Catherine is queen for now, | 0:34:07 | 0:34:09 | |
but can our Knocker knock off her crown? | 0:34:09 | 0:34:12 | |
He's counting on an imminent silver lining from his electroplated dish. | 0:34:12 | 0:34:16 | |
He paid £15 for it in Sussex | 0:34:16 | 0:34:19 | |
and has brought it all the way to Leigh-on-Sea in Essex. | 0:34:19 | 0:34:21 | |
He's hoping design shop owner Phil will serve him up a tasty profit. | 0:34:21 | 0:34:26 | |
Do you know, I'm a little bit worried because I'm looking around | 0:34:26 | 0:34:29 | |
and all I can see is sort of, you know, top design. | 0:34:29 | 0:34:34 | |
What is it about this piece that's attracted you? | 0:34:34 | 0:34:37 | |
Well, the advantage for having this piece in the shop is | 0:34:37 | 0:34:41 | |
the contrast in design between, sort of, the classical design... | 0:34:41 | 0:34:46 | |
versus the very contemporary design that we sell generally. | 0:34:46 | 0:34:49 | |
OK, well, show me a modern cake stand. | 0:34:49 | 0:34:51 | |
Right. I'm glad you asked, because here we have one. | 0:34:51 | 0:34:55 | |
All right. And you see how the two different sells... | 0:34:55 | 0:34:59 | |
-..contrast. Is that the word? -Yes, contrast and support each other. | 0:35:00 | 0:35:04 | |
I was looking for £60 or thereabouts. | 0:35:04 | 0:35:08 | |
HE INTAKES SHARPLY | 0:35:08 | 0:35:09 | |
44? | 0:35:09 | 0:35:10 | |
Can we make that 45, by any chance? | 0:35:10 | 0:35:13 | |
-OK. -OK, put it there! | 0:35:13 | 0:35:16 | |
A much needed injection of £30 boosts Eric's morale. | 0:35:16 | 0:35:20 | |
So much so, that he brings out his trump card - | 0:35:20 | 0:35:23 | |
the 1920s Poole Pottery vase that cost him £200 and it's vital | 0:35:23 | 0:35:27 | |
he nails this one. | 0:35:27 | 0:35:29 | |
Well, I'm in South London, and I'm here to meet a dealer who specialises | 0:35:30 | 0:35:35 | |
in really good Art Deco, so I've got one cracker of a Poole Pottery vase. | 0:35:35 | 0:35:42 | |
The question is - is he a buyer? | 0:35:42 | 0:35:44 | |
The Art Deco dealer in question is James. | 0:35:44 | 0:35:47 | |
Here is one Poole Pottery vase. | 0:35:47 | 0:35:49 | |
What attracted me was that great sort of Deco design, I mean, | 0:35:49 | 0:35:54 | |
it's wonderful. | 0:35:54 | 0:35:55 | |
This is the 966 shape | 0:35:55 | 0:35:57 | |
and it's a really popular shape amongst collectors | 0:35:57 | 0:36:00 | |
and they look for the really sort of punchy, powerful Art Deco designs. | 0:36:00 | 0:36:06 | |
So, how would you know it was a 966 pattern? | 0:36:06 | 0:36:09 | |
-It's incised in the base of it. -Oh, is it? | 0:36:09 | 0:36:11 | |
And that's the pattern code and that's the paintress. | 0:36:11 | 0:36:14 | |
So, when it comes to the money, | 0:36:14 | 0:36:16 | |
I was looking for starting around about the £300 mark. | 0:36:16 | 0:36:22 | |
I would pay 300 if I had to, but 280 would be a little bit better. | 0:36:22 | 0:36:26 | |
£280, it's yours, OK? | 0:36:26 | 0:36:29 | |
Well, that's a crucial deal for Eric. | 0:36:29 | 0:36:31 | |
The vase brings him in a very healthy profit of £80 | 0:36:31 | 0:36:34 | |
and Catherine is no longer sitting pretty. | 0:36:34 | 0:36:36 | |
She's now suddenly playing catch up, but she's got more deals to do. | 0:36:36 | 0:36:40 | |
At just £5, her tongs were always likely to make her money, | 0:36:40 | 0:36:45 | |
but, the question is, how much? | 0:36:45 | 0:36:48 | |
I'm here in Shirley Hills, at a venue that I know rather well. | 0:36:48 | 0:36:52 | |
Now, this is somewhere where I hold my auctions, | 0:36:52 | 0:36:55 | |
but today I've come to the restaurant and I've come to see | 0:36:55 | 0:36:59 | |
manager Jeremy who's interested in buying my fish tongs. | 0:36:59 | 0:37:03 | |
He's not going to be a pushover, so wish me luck. | 0:37:03 | 0:37:06 | |
I'm a bit concerned about how big you think these fish tongs are, | 0:37:06 | 0:37:10 | |
because... | 0:37:10 | 0:37:11 | |
-they're actually quite small. -They are, yes! | 0:37:11 | 0:37:13 | |
-THEY LAUGH -Have a look. What do you think? | 0:37:13 | 0:37:16 | |
-Well, they're fine for whitebait, aren't they? -They are, yes! | 0:37:16 | 0:37:19 | |
Would you use them here? | 0:37:19 | 0:37:20 | |
Yes, I could probably serve salmon with them, I expect. | 0:37:20 | 0:37:23 | |
Yes, for serving salmon, for serving whitebait from a flat, | 0:37:23 | 0:37:26 | |
they would come in handy for that. | 0:37:26 | 0:37:28 | |
On a buffet table, to individuals, | 0:37:28 | 0:37:30 | |
people coming up to a buffet table, of course. | 0:37:30 | 0:37:32 | |
-I would put these maybe 1960, 1970. -Yeah. | 0:37:32 | 0:37:34 | |
I remember when I was in catering college back in the '70s, | 0:37:34 | 0:37:36 | |
we used to have a pair very similar to this. | 0:37:36 | 0:37:39 | |
I would like around £30, £40. | 0:37:39 | 0:37:43 | |
-Could we sort of scale it back, as we might say? -Scale it back! | 0:37:43 | 0:37:47 | |
I like it! Very good. Scale it back how far? | 0:37:47 | 0:37:50 | |
To 25, shall we say? | 0:37:50 | 0:37:52 | |
-Shall we say 30? -I think 30 will be fine, actually, yes. | 0:37:53 | 0:37:56 | |
-Are you happy with 30? -I'm happy with 30. -And they're going to be put | 0:37:56 | 0:37:58 | |
-to good use? -They'll be put to very good use. -Put it there, Jeremy. | 0:37:58 | 0:38:01 | |
-Absolutely. -Thank you very much indeed. | 0:38:01 | 0:38:03 | |
Well, Catherine got a run for her money, | 0:38:03 | 0:38:05 | |
but she leaves the restaurant £25 better off. | 0:38:05 | 0:38:08 | |
We're reaching the climax | 0:38:08 | 0:38:10 | |
of this carnival of commerce and the scores couldn't be tighter. | 0:38:10 | 0:38:14 | |
Catherine's Townley Street sign pays off. | 0:38:14 | 0:38:16 | |
The man she was thinking of, Robin Townley, | 0:38:16 | 0:38:18 | |
does indeed take it off her hands. | 0:38:18 | 0:38:21 | |
It looks great with you, Robin. | 0:38:21 | 0:38:23 | |
-HE LAUGHS -I'm very proud. | 0:38:23 | 0:38:25 | |
Robin buys it for £60 and Catherine pockets a profit of £20. | 0:38:25 | 0:38:30 | |
Eric's 1930s print | 0:38:30 | 0:38:31 | |
of Buckingham Palace is next. | 0:38:31 | 0:38:33 | |
He takes it to a pub just a short walk from the royal residence | 0:38:33 | 0:38:36 | |
and meets the landlord Martin. | 0:38:36 | 0:38:38 | |
Actually, just round the corner here, | 0:38:38 | 0:38:40 | |
we have another print from the other end of the lake | 0:38:40 | 0:38:43 | |
looking at Horse Guards Parade so that would fit in nicely. | 0:38:43 | 0:38:46 | |
I was hoping for somewhere around about the sort of £50 mark. | 0:38:46 | 0:38:50 | |
Could you make it £40? | 0:38:50 | 0:38:52 | |
I think we will make it £40 because I want it to stay here. | 0:38:52 | 0:38:55 | |
-Thank you very much. -Cos it's sort of... -It'll find a good home. | 0:38:55 | 0:38:59 | |
Well, it's homed in on you, hasn't it? | 0:38:59 | 0:39:01 | |
The royal landscape doesn't bring in royal riches, | 0:39:01 | 0:39:03 | |
but it does bring a profit of £10. | 0:39:03 | 0:39:06 | |
Catherine is | 0:39:06 | 0:39:07 | |
stepping up to the crease to try and offload her last purchase - | 0:39:07 | 0:39:10 | |
the cricket themed artwork. | 0:39:10 | 0:39:13 | |
I'm here at Blackheath Cricket Club | 0:39:13 | 0:39:15 | |
and I've come with my lovely cricket prints to see Nick and Peter. | 0:39:15 | 0:39:21 | |
Let's just hope they play ball. | 0:39:21 | 0:39:23 | |
Catherine paid £50 for the prints, but will the cricketers Nick | 0:39:23 | 0:39:26 | |
and Peter be bowled over, or will Catherine be caught out? | 0:39:26 | 0:39:30 | |
So, I've got the president and the chairman, | 0:39:30 | 0:39:32 | |
the men who can make the decisions, that's what I like. | 0:39:32 | 0:39:35 | |
Right, I have brought along my cricket prints. | 0:39:35 | 0:39:38 | |
I think the interesting one's the Spy Carter | 0:39:38 | 0:39:42 | |
and he is better known, I think, than the others. | 0:39:42 | 0:39:46 | |
Yes, he is a more known caricaturist or cartoonist. | 0:39:46 | 0:39:52 | |
-So, the cricket club was founded in the 1870s. -1878. -Right. | 0:39:52 | 0:39:56 | |
-OK. And you have a new building. -Yeah. | 0:39:56 | 0:39:58 | |
Perhaps you might need to furnish your building with some new prints? | 0:39:58 | 0:40:01 | |
-Well... -SHE LAUGHS | 0:40:01 | 0:40:03 | |
There are one or two gaps on the walls. | 0:40:03 | 0:40:05 | |
Oh, good, that's what I like to hear. | 0:40:05 | 0:40:07 | |
Who's the one that makes the decisions when it comes to finances? | 0:40:07 | 0:40:10 | |
-The chairman. -Well, I really have to have a committee behind me, | 0:40:10 | 0:40:13 | |
but I'm sure I'll be allowed a little bit of discretion. | 0:40:13 | 0:40:16 | |
Well, what sort of price are you looking at for the whole set, then? | 0:40:16 | 0:40:19 | |
I would like... | 0:40:19 | 0:40:21 | |
somewhere around 100 to 150. | 0:40:21 | 0:40:24 | |
I think 150's probably a little bit more than we can go, | 0:40:24 | 0:40:26 | |
but do you think we could go to 100? | 0:40:26 | 0:40:28 | |
I think if we really push we could go to 120. | 0:40:28 | 0:40:32 | |
-Oh! -120 - £20 a picture. | 0:40:32 | 0:40:36 | |
-£20 a picture. -Oh, really? | 0:40:36 | 0:40:38 | |
-Oh, Peter, I'm liking you more! -THEY LAUGH | 0:40:38 | 0:40:40 | |
-We'll go to 120. -Really? Oh, I'm really pleased. | 0:40:40 | 0:40:44 | |
-Thank you very much indeed. -Thank you. -Thank you. | 0:40:44 | 0:40:47 | |
Thank you so much, Peter. | 0:40:47 | 0:40:48 | |
Is it possible you could give me a quick lesson? | 0:40:48 | 0:40:51 | |
-It's been a long time since I've... -SHE CLICKS HER TONGUE | 0:40:51 | 0:40:54 | |
-..bowled an over. -We'll see what you're like. -Come on, then. | 0:40:54 | 0:40:58 | |
Nick, you ready? | 0:40:58 | 0:41:01 | |
-I'm ready. -Umpire? | 0:41:01 | 0:41:03 | |
Ready. | 0:41:03 | 0:41:04 | |
MUSIC: "Dreadlock Holiday" by 10cc | 0:41:04 | 0:41:08 | |
Yes, not bad, Catherine. | 0:41:08 | 0:41:09 | |
Our lady knocks them for six and makes £70 profit. | 0:41:09 | 0:41:13 | |
And that is our maiden over. | 0:41:13 | 0:41:15 | |
This monumental match is now concluded. | 0:41:15 | 0:41:17 | |
While Catherine heads to the pavilion to take tea, | 0:41:17 | 0:41:20 | |
let's remind ourselves of what our terrific traders spent. | 0:41:20 | 0:41:23 | |
After a whole day scouring the stalls, | 0:41:24 | 0:41:26 | |
Eric bought six items and spent £530. | 0:41:26 | 0:41:30 | |
Catherine shopped with surety, most of the time. | 0:41:30 | 0:41:33 | |
She also bought six items, but spent a lot less - £205. So, did her | 0:41:33 | 0:41:39 | |
lack of spend damage her chances? | 0:41:39 | 0:41:41 | |
All of the money Catherine | 0:41:41 | 0:41:43 | |
and Eric have made from today's challenge will go to | 0:41:43 | 0:41:45 | |
charities of their choice, so, without further ado, let's | 0:41:45 | 0:41:48 | |
find out who is today's Put Your Money Where Your Mouth Is champion. | 0:41:48 | 0:41:52 | |
-Well, there you are. -Hello. -Well met. Mmm. Ha, ha! | 0:41:52 | 0:41:56 | |
-Come on, tell me about the selling? -The selling was brilliant. | 0:41:56 | 0:41:59 | |
I was so sporty, Eric, you'd be so proud. | 0:41:59 | 0:42:02 | |
I played cricket, I went ice skating, the list is endless. | 0:42:02 | 0:42:07 | |
-Cor, that's amazing. -Great fun. | 0:42:07 | 0:42:09 | |
-If you remember, I bought a coloured print... -Mm-hm. | 0:42:09 | 0:42:11 | |
-..looking across St James' Park to Buckingham Palace. -Oh, yeah. | 0:42:11 | 0:42:15 | |
I found a hostelry just around the corner, | 0:42:15 | 0:42:18 | |
with a mine host who was very pleased to make a purchase. | 0:42:18 | 0:42:22 | |
-We do get to travel... -We do. -..in this programme. | 0:42:22 | 0:42:25 | |
-So, do you want to do the honours? -Go on, then. | 0:42:25 | 0:42:27 | |
One, two, three. | 0:42:27 | 0:42:30 | |
BOTH: Oh! | 0:42:32 | 0:42:34 | |
-Well, this is getting interesting. -Oh, right, come on then, Eric. -OK. | 0:42:34 | 0:42:38 | |
I'll teach you a few moves. | 0:42:38 | 0:42:40 | |
I'll tell you what - I'll get me skates on. | 0:42:40 | 0:42:42 | |
She came, she saw, she conquered. | 0:42:42 | 0:42:45 | |
A sporting victory for Catherine and it was her ice skating | 0:42:45 | 0:42:48 | |
and cricket profits that landed the knockout blows. | 0:42:48 | 0:42:52 | |
Full credit to my opponent. | 0:42:52 | 0:42:55 | |
It's a tough ask to buy at that fair and resell, | 0:42:55 | 0:42:58 | |
and she certainly stole the show this day. | 0:42:58 | 0:43:04 | |
Well, I've done it, just about, | 0:43:04 | 0:43:06 | |
but I think it was the ice skating that helped most of all. | 0:43:06 | 0:43:10 | |
So, after today's humongous haggling hunt, | 0:43:10 | 0:43:13 | |
is it possible for our heroes to do it all again tomorrow? | 0:43:13 | 0:43:16 | |
You bet it is! Our dealing dynamos will be slugging it out at | 0:43:16 | 0:43:20 | |
a car boot sale in South London. | 0:43:20 | 0:43:22 |