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This is the show that pitches TV's best loved antiques experts | 0:00:02 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:10 | |
Let's make hay while that sun shines. | 0:00:10 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
BANGS GAVEL Who's there? | 0:00:16 | 0:00:17 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge. | 0:00:21 | 0:00:24 | |
The original cheeky chappie. Lovely! | 0:00:24 | 0:00:27 | |
Putting their reputations on the line. | 0:00:27 | 0:00:29 | |
And I'm truly rockin'! | 0:00:29 | 0:00:31 | |
WOLF WHISTLE | 0:00:31 | 0:00:32 | |
And giving you their top tips | 0:00:32 | 0:00:34 | |
and savvy secrets on how to make the most money from buying and selling. | 0:00:34 | 0:00:40 | |
Get in there! | 0:00:40 | 0:00:41 | |
EVIL LAUGHTER | 0:00:41 | 0:00:43 | |
Today we're at a car boot sale where purveyor of porcelain, | 0:00:43 | 0:00:46 | |
Eric Knowles, goes head-to-head with auctioneer extraordinaire | 0:00:46 | 0:00:51 | |
Catherine Southon. | 0:00:51 | 0:00:52 | |
Coming up... Canny Catherine meets her match. | 0:00:52 | 0:00:56 | |
-I tell you what, I'll give you £10 for it. -12. | 0:00:56 | 0:00:59 | |
Things hot up and Eric slaps on the factor 30. | 0:01:02 | 0:01:05 | |
I like to believe that pasty is still tasty. | 0:01:06 | 0:01:09 | |
And the quest for profit proves harder than ever. | 0:01:10 | 0:01:13 | |
-I would give you £30 for it. -Would you, is that all? | 0:01:13 | 0:01:16 | |
I'm afraid so. | 0:01:16 | 0:01:18 | |
Oh. | 0:01:18 | 0:01:20 | |
-You wouldn't stretch it? -Well, that is stretching it. | 0:01:20 | 0:01:23 | |
This is Put Your Money Where Your Mouth Is. | 0:01:23 | 0:01:26 | |
Welcome to another battle of the bygones boffins, | 0:01:40 | 0:01:43 | |
as two of the United Kingdom's most revered antiques experts | 0:01:43 | 0:01:47 | |
come together in an almighty clash of dynamic dealing. | 0:01:47 | 0:01:51 | |
Between them they have acquired decades of knowledge | 0:01:51 | 0:01:54 | |
and a hunger for haggling. | 0:01:54 | 0:01:56 | |
They can put a value on just about anything. | 0:01:56 | 0:01:59 | |
And will seek a profit in the most unlikely of places. | 0:01:59 | 0:02:02 | |
First up, the Prince of Porcelain, the daddy of dealing. | 0:02:02 | 0:02:06 | |
He knows his classic cloisonne from his clapped-out clutter. | 0:02:06 | 0:02:11 | |
He is a priceless national treasure. | 0:02:11 | 0:02:13 | |
Please be upstanding for Eric "Knocker" Knowles. | 0:02:13 | 0:02:18 | |
Nice one, Knocker. | 0:02:19 | 0:02:21 | |
His competitor is one of the toughest women in the business. | 0:02:21 | 0:02:24 | |
She's the lean, mean queen of quality | 0:02:24 | 0:02:26 | |
who could flog fiddles to a Philharmonic. | 0:02:26 | 0:02:29 | |
Weighing into this fearsome fight, | 0:02:29 | 0:02:31 | |
put your hands together for "Cunning" Catherine Southon. | 0:02:31 | 0:02:34 | |
So, Mr Knocker Knowles, you may be going down the plug hole. | 0:02:36 | 0:02:40 | |
Today our experts are in Battersea in good old London town, | 0:02:40 | 0:02:45 | |
a place famous for its four-chimneyed Art Deco | 0:02:45 | 0:02:47 | |
power station that sits alongside the River Thames. | 0:02:47 | 0:02:51 | |
It also has a boot sale packed with items from the sublime to the ridiculous. | 0:02:51 | 0:02:56 | |
And, of course, there's plenty of dogs. | 0:02:56 | 0:02:59 | |
Our experts have each brought £250 of their own money to spend. | 0:02:59 | 0:03:03 | |
So will they make their fortunes in London? | 0:03:03 | 0:03:05 | |
Eric Knowles and Catherine Southon, | 0:03:05 | 0:03:08 | |
it's time to Put Your Money Where Your Mouth Is. | 0:03:08 | 0:03:11 | |
-So, here we are. -Hi, Eric. | 0:03:11 | 0:03:14 | |
-Are you all right? -I'm fine. We're in London, | 0:03:14 | 0:03:17 | |
we're in the shadow of the iconic Battersea Power Station, no less. | 0:03:17 | 0:03:21 | |
Because we're here for the car boot. | 0:03:21 | 0:03:24 | |
£250 to spend, how are you going to do it? | 0:03:24 | 0:03:28 | |
I'm going to try and spend it wisely, | 0:03:28 | 0:03:30 | |
but I can tell you now that with car boots, | 0:03:30 | 0:03:32 | |
he or she who hesitates stands to lose the object. | 0:03:32 | 0:03:36 | |
You are quite right. | 0:03:36 | 0:03:37 | |
I think we've got to adopt a very businesslike attitude. | 0:03:37 | 0:03:41 | |
-On that note, I will wish you all the very best. -And you. See you later. | 0:03:41 | 0:03:45 | |
Cheers. | 0:03:45 | 0:03:47 | |
So on one side, | 0:03:47 | 0:03:48 | |
Cunning Catherine is keeping tight-lipped about her strategy. | 0:03:48 | 0:03:52 | |
On the other, Knocker Knowles, with businesslike bravado, | 0:03:52 | 0:03:55 | |
is lining up his ducks... Well, pigeons! | 0:03:55 | 0:03:58 | |
He needs to be quick, as his rival has beaten him to the site. | 0:03:58 | 0:04:01 | |
In fact, super keen Catherine has beaten everyone to it! | 0:04:01 | 0:04:05 | |
Well, I think I've arrived a little bit too early, | 0:04:09 | 0:04:13 | |
but that gives me plenty of time to think about my plan of action. | 0:04:13 | 0:04:17 | |
Now in my mind, Mr Eric Knowles is the godfather of antiques. | 0:04:17 | 0:04:23 | |
So I'm going to be walking behind him in his shadow. | 0:04:23 | 0:04:26 | |
And I think that'll let me achieve the ultimate goal. | 0:04:26 | 0:04:31 | |
So, what of the Godfather, | 0:04:31 | 0:04:32 | |
what magical masterplan has Knocker Knowles got up his sleeve? | 0:04:32 | 0:04:37 | |
Well, my strategy today is going to be to find it, check it, | 0:04:37 | 0:04:42 | |
price it and if the price is right, buy it. | 0:04:42 | 0:04:46 | |
Electrifying, Eric! | 0:04:46 | 0:04:48 | |
Faster than lightning, Knocker moves through the stalls. | 0:04:48 | 0:04:51 | |
The boot sale is bustling | 0:04:51 | 0:04:53 | |
and the Prince of Porcelain is straight in there. | 0:04:53 | 0:04:56 | |
Let's have a look. | 0:04:56 | 0:04:58 | |
From 100 yards that shouts... Portmeirion. | 0:04:58 | 0:05:03 | |
It's a well-known design. | 0:05:03 | 0:05:05 | |
-If I might ask you what the price is on this, please? -45. | 0:05:05 | 0:05:11 | |
-So £45 and it's all there, no chips, no cracks. -OK. | 0:05:11 | 0:05:15 | |
-£45 it is. -Deal. | 0:05:15 | 0:05:18 | |
So this is part of my coffee set designed by Susan Williams Ellis. | 0:05:18 | 0:05:22 | |
It tells me that on the base, but I knew that. | 0:05:22 | 0:05:24 | |
And it is a design that they called Totem. | 0:05:24 | 0:05:27 | |
It was very popular in the 1960s. | 0:05:27 | 0:05:30 | |
It's not porcelain but it is an earthenware type body. | 0:05:30 | 0:05:34 | |
It benefits from that magic word of the moment, retro. | 0:05:34 | 0:05:39 | |
Yes, without a hint of a haggle, our Eric is putting his strategy | 0:05:39 | 0:05:42 | |
straight into play, no hanging about. | 0:05:42 | 0:05:45 | |
Now, she wanted to follow his lead but Catherine is on the other side | 0:05:45 | 0:05:49 | |
of the fair, trying to bag her first item. | 0:05:49 | 0:05:51 | |
I'm kind of drawn towards your leather handbag, your Italian, | 0:05:53 | 0:05:58 | |
-red leather Dolce & Gabbana. -It is real. | 0:05:58 | 0:06:02 | |
We lived in Italy for seven years. | 0:06:02 | 0:06:04 | |
I actually used to go out to where the things were manufactured and designed. | 0:06:04 | 0:06:08 | |
And you probably paid a fortune for that at the time, didn't you? | 0:06:08 | 0:06:11 | |
That was about 160 quid, yeah. | 0:06:11 | 0:06:15 | |
It's nice, very nice. | 0:06:15 | 0:06:17 | |
Unfortunately, that... There was another one here. | 0:06:17 | 0:06:20 | |
-The original tag, yeah. -Which is a shame. | 0:06:20 | 0:06:22 | |
-Which does make a difference for the price. -That's why it's 15. | 0:06:22 | 0:06:26 | |
-I like the punky look to it. -Little bit different, isn't it? | 0:06:26 | 0:06:29 | |
I think that's quite nice, and I love the colour. | 0:06:29 | 0:06:31 | |
Can you do a bit less on that? | 0:06:31 | 0:06:34 | |
On 15, because that's really a bit too steep | 0:06:34 | 0:06:36 | |
because of these faults, really. | 0:06:36 | 0:06:40 | |
Erm... 13? | 0:06:40 | 0:06:42 | |
-I tell you what, I'll give you £10 for it. -12. | 0:06:42 | 0:06:45 | |
I'm not going to argue with you. Thanks very much indeed. Lovely. | 0:06:47 | 0:06:52 | |
Enjoy. | 0:06:52 | 0:06:53 | |
I might actually just use it myself. Thanks a lot. See ya! | 0:06:53 | 0:06:56 | |
Cor, that was a steely eyed stand-off! | 0:06:56 | 0:06:59 | |
And Catherine has paid more than she wanted. | 0:06:59 | 0:07:02 | |
She'll have to harden up her haggling to stand any chance of victory. | 0:07:02 | 0:07:05 | |
Oh, yes! | 0:07:05 | 0:07:06 | |
Now, all girls love a designer handbag. | 0:07:06 | 0:07:11 | |
And, OK, this one is a little bit rough around the edges | 0:07:11 | 0:07:14 | |
but I think actually that's its charm. | 0:07:14 | 0:07:17 | |
Personally, I don't like them when they're brand-new and all shiny. | 0:07:17 | 0:07:21 | |
This one is really nicely worn in. Lovely half moon shaped. | 0:07:21 | 0:07:26 | |
It's going to be a bit hard to let this one go. | 0:07:28 | 0:07:30 | |
Well, sell it you must, Catherine, | 0:07:30 | 0:07:32 | |
the rules of the game are rock solid on that. | 0:07:32 | 0:07:35 | |
Now, Eric's razor-sharp vision | 0:07:35 | 0:07:37 | |
has already clocked his next potential purchase. | 0:07:37 | 0:07:41 | |
That's all right though, isn't it? | 0:07:41 | 0:07:43 | |
Well, it's got all... | 0:07:43 | 0:07:44 | |
That makes a big difference, doesn't it? | 0:07:44 | 0:07:47 | |
Yes, you could take it home and polish it. | 0:07:48 | 0:07:50 | |
They look good when they're polished. | 0:07:50 | 0:07:51 | |
-What sort of money are we talking about? -28. | 0:07:51 | 0:07:54 | |
28. Will £25 buy that by any chance? | 0:07:54 | 0:07:58 | |
Yes, all right. | 0:07:58 | 0:08:01 | |
Right, let's shake on that. | 0:08:01 | 0:08:03 | |
Cor, Eric meant what he said about not wasting time! | 0:08:03 | 0:08:06 | |
Straight in there with his second purchase. | 0:08:06 | 0:08:09 | |
Date wise, this is early 20th century. | 0:08:09 | 0:08:12 | |
The materials, well, we appear to have a mahogany base, | 0:08:12 | 0:08:15 | |
which is looking very tired. | 0:08:15 | 0:08:17 | |
As for the metalwork, it's all brass and, hopefully, | 0:08:17 | 0:08:20 | |
once it's sparkling it will catch somebody's eye. | 0:08:20 | 0:08:24 | |
As the day presses on, the sun is getting stronger by the minute, | 0:08:24 | 0:08:28 | |
increasing the heat on our intrepid experts. | 0:08:28 | 0:08:30 | |
They are just going to have to sweat it out, though, | 0:08:30 | 0:08:33 | |
as they are far from done. | 0:08:33 | 0:08:34 | |
But Miss Southon is on the case. | 0:08:34 | 0:08:37 | |
I love vintage luggage. | 0:08:38 | 0:08:40 | |
And that suitcase has got a very, very nice colour. | 0:08:40 | 0:08:46 | |
Let's just open it up and have a look. | 0:08:46 | 0:08:48 | |
It's quite nicely lined, although it is rather stained. | 0:08:48 | 0:08:52 | |
It's got a little label inside. Harrods Ltd. | 0:08:52 | 0:08:56 | |
Always important to check that these locks work. | 0:08:56 | 0:09:00 | |
LOCK CLICKS | 0:09:00 | 0:09:01 | |
Now that one is fine. | 0:09:01 | 0:09:03 | |
That one, slightly temperamental but it does work. | 0:09:06 | 0:09:09 | |
A lot of people are buying these at the moment, | 0:09:09 | 0:09:11 | |
not so much to use but they are buying to put them | 0:09:11 | 0:09:14 | |
on the top of wardrobes, sort of as decorative things. | 0:09:14 | 0:09:17 | |
It could well be from the '50s, maybe even the '40s. | 0:09:17 | 0:09:20 | |
Let me go and investigate. | 0:09:20 | 0:09:23 | |
Can I ask you how much your suitcase is? | 0:09:23 | 0:09:26 | |
I would like about £20-£25. | 0:09:26 | 0:09:28 | |
The problem is one of these locks isn't brilliant. | 0:09:29 | 0:09:35 | |
It's slightly temperamental. | 0:09:35 | 0:09:37 | |
So I wouldn't like to pay that much for it. | 0:09:37 | 0:09:41 | |
-Can we say 10? -Yes. -Can we shake on 10? | 0:09:41 | 0:09:43 | |
Oh, don't break your vase! OK. | 0:09:43 | 0:09:46 | |
A sizzling half price. What a nice lady. | 0:09:46 | 0:09:49 | |
The heat from the blazing sun is unrelenting and, | 0:09:49 | 0:09:52 | |
with the suitcase in her hand, | 0:09:52 | 0:09:54 | |
could Catherine be thinking of taking a break from it all? | 0:09:54 | 0:09:56 | |
Well, I feel like I'm going off on my holidays | 0:09:56 | 0:09:59 | |
and the sun is certainly shining. | 0:09:59 | 0:10:02 | |
So time to lose a few of these layers. | 0:10:02 | 0:10:05 | |
I say, things are really hotting up! | 0:10:07 | 0:10:09 | |
And across the sale, Eric is feeling the burn as well. | 0:10:09 | 0:10:12 | |
What I'm going to need is plenty of this. Factor 30. | 0:10:12 | 0:10:17 | |
Like Joan Collins, | 0:10:21 | 0:10:23 | |
I like to believe that pasty is still tasty. | 0:10:23 | 0:10:28 | |
Yes, well, Joan Collins has never looked like that! | 0:10:28 | 0:10:31 | |
Anyway, he's supposed to be creaming a profit, | 0:10:31 | 0:10:34 | |
not scaring the stallholders. | 0:10:34 | 0:10:36 | |
Catherine, however, has quietly implemented her strategy | 0:10:36 | 0:10:39 | |
of walking in Eric's shadow. | 0:10:39 | 0:10:41 | |
She's at the stall where he bought his scales | 0:10:41 | 0:10:44 | |
and is hoping for a sweet deal herself. | 0:10:44 | 0:10:46 | |
I absolutely adore advertising tins. | 0:10:46 | 0:10:51 | |
A lot of these tins, which would have once had crackers, | 0:10:51 | 0:10:55 | |
biscuits, in this case probably sweets, | 0:10:55 | 0:11:00 | |
are now very desirable, especially the really early ones. | 0:11:00 | 0:11:04 | |
What has drawn me to this one is this lovely | 0:11:04 | 0:11:07 | |
scene of the children on the front holding the balloons. | 0:11:07 | 0:11:10 | |
This probably dates from '40s or '50s. How much is this? | 0:11:10 | 0:11:14 | |
-Tenner. -£10. | 0:11:14 | 0:11:16 | |
-I was looking for about six. -I can't do six. | 0:11:16 | 0:11:21 | |
I'll split it with you, I'll do eight. | 0:11:21 | 0:11:24 | |
OK. I'll give you £8 for that. | 0:11:24 | 0:11:27 | |
So the tin makes a super tasty deal and just a few stalls away, | 0:11:27 | 0:11:32 | |
Catherine spots her next potential purchase. | 0:11:32 | 0:11:35 | |
Will she blow any money on it, though? | 0:11:35 | 0:11:37 | |
I'm being drawn towards your flute. | 0:11:37 | 0:11:38 | |
I know absolutely nothing about this. | 0:11:39 | 0:11:42 | |
-That's £30. -Can you do 20 for it? | 0:11:42 | 0:11:47 | |
-25. -No, it's just a bit of a gamble for me. | 0:11:47 | 0:11:51 | |
22, because I'm not certain on all the pieces, | 0:11:51 | 0:11:54 | |
whether everything is all right. | 0:11:54 | 0:11:55 | |
Well, I can assure you, | 0:11:55 | 0:11:56 | |
I mean, there's definitely all the pieces there. | 0:11:56 | 0:11:59 | |
It's a fantastic instrument. It's never been played. It's brand-new. | 0:11:59 | 0:12:04 | |
Everything in the box is in there. It comes with a bag. | 0:12:04 | 0:12:06 | |
-OK, we'll go with that because it's far too hot... -OK. | 0:12:06 | 0:12:09 | |
-..to stand here and negotiate -any more. Perfect. | 0:12:09 | 0:12:12 | |
Yes, a powerful pitch from the car booter and Catherine knew | 0:12:12 | 0:12:16 | |
she wasn't going to get her own way, or was she just pushing her luck? | 0:12:16 | 0:12:20 | |
Whilst some people might take a break to enjoy the weather | 0:12:20 | 0:12:23 | |
and an ice cream, our worthy warriors power on. | 0:12:23 | 0:12:26 | |
And, as they do, let's take stock before the rest of us | 0:12:26 | 0:12:29 | |
go into full-blown meltdown. | 0:12:29 | 0:12:31 | |
Both our experts started the day with a cool £250. | 0:12:32 | 0:12:36 | |
Eric has trodden a cautious path and, | 0:12:36 | 0:12:38 | |
although he's only bought two items | 0:12:38 | 0:12:40 | |
he's spent a chunky £70, leaving him £180 in his hot little hand. | 0:12:40 | 0:12:46 | |
Catherine has struck while the iron and everything else is hot | 0:12:46 | 0:12:50 | |
and has bought four items but has only spent £55, | 0:12:50 | 0:12:53 | |
leaving £195 burning a hole in her pocket. | 0:12:53 | 0:12:58 | |
Our experts are putting up a flaming fight, | 0:12:58 | 0:13:01 | |
but will they keep it cool with each other? | 0:13:01 | 0:13:04 | |
-Fancy seeing you here. -Do you know, you've changed colour in this heat. | 0:13:04 | 0:13:08 | |
-Anyway, how's it going? -I'm not spending a lot of money. | 0:13:08 | 0:13:11 | |
I haven't really flashed the cash. | 0:13:11 | 0:13:14 | |
But I did buy a really nice vintage chocolate tin from probably | 0:13:14 | 0:13:18 | |
the '40s or '50s. What about you? | 0:13:18 | 0:13:20 | |
I've gone for retro things. | 0:13:20 | 0:13:23 | |
A bit of a buzzword at the moment. | 0:13:23 | 0:13:25 | |
It's easier to sell retro than antique, I find. | 0:13:25 | 0:13:29 | |
I managed to buy myself a coffee set by Portmeirion in their Totem design. | 0:13:29 | 0:13:35 | |
It is a case of search and ye might find. | 0:13:35 | 0:13:38 | |
Yes, there's an awful lot to search through though, isn't there? | 0:13:38 | 0:13:42 | |
-Good luck. -You too. | 0:13:42 | 0:13:44 | |
See you later. | 0:13:44 | 0:13:46 | |
What does that face mean? | 0:13:46 | 0:13:47 | |
Has old Knocker got our Cunning Cat running scared? | 0:13:47 | 0:13:51 | |
I thought Eric was going to come to the boot fair | 0:13:51 | 0:13:54 | |
and look for nothing but antiques. | 0:13:54 | 0:13:57 | |
Retro? Now that's really thrown me. | 0:13:57 | 0:14:00 | |
She actually is worried. | 0:14:00 | 0:14:03 | |
Catherine thinks she's underestimated the Prince of Porcelain. | 0:14:03 | 0:14:06 | |
But does she really need a full change of gameplan, | 0:14:06 | 0:14:09 | |
or is Eric the master of the double bluff? | 0:14:09 | 0:14:12 | |
Because that elegant figurine doesn't scream retro. | 0:14:12 | 0:14:16 | |
The first thing I'm looking at are the hands | 0:14:16 | 0:14:19 | |
because if any fingers are missing | 0:14:19 | 0:14:23 | |
then it's mission impossible to move something like this on. | 0:14:23 | 0:14:26 | |
It says in here in ein triangle, Wien, | 0:14:26 | 0:14:29 | |
which, in good old English, is Vienna. | 0:14:29 | 0:14:34 | |
-What is the asking price on this? -45. -45. | 0:14:35 | 0:14:40 | |
I just feel I've got to ask if it can be done for 40. | 0:14:40 | 0:14:44 | |
-OK. -£40 it is. | 0:14:46 | 0:14:49 | |
This is my Art Deco figurine. | 0:14:49 | 0:14:52 | |
The strange thing is that although she's marked Vienna, | 0:14:52 | 0:14:56 | |
she looks like the sort of girl that would have | 0:14:56 | 0:14:59 | |
performed at the Folies Bergere in maybe 1925. | 0:14:59 | 0:15:05 | |
But she's got an awful lot going for her, this girl. | 0:15:05 | 0:15:09 | |
Hopefully she's going to earn me a reasonable profit. | 0:15:09 | 0:15:12 | |
Yes, she may be risque but for Eric, | 0:15:14 | 0:15:16 | |
a piece of porcelain has to be a dead cert for a profit. | 0:15:16 | 0:15:19 | |
The figurine isn't what you'd call retro. | 0:15:19 | 0:15:22 | |
And after his great, big retro spiel a moment ago, | 0:15:22 | 0:15:25 | |
that purchase will confuse Catherine even more. | 0:15:25 | 0:15:27 | |
However, Eric soon returns to his masterplan. | 0:15:27 | 0:15:31 | |
These candelabra are much more on message. | 0:15:31 | 0:15:34 | |
I'm not absolutely certain how old those are, | 0:15:34 | 0:15:36 | |
but they look sort of '50s or '60s. What are your thoughts? | 0:15:36 | 0:15:40 | |
My feeling is they are a bit later than that, probably about 1980s. | 0:15:40 | 0:15:43 | |
They look very now though, don't they? | 0:15:43 | 0:15:45 | |
They do, they're really contemporary. | 0:15:45 | 0:15:47 | |
-What sort of money are we talking about? -£35. | 0:15:47 | 0:15:50 | |
-35, and that's the best, is it? -The very best. | 0:15:50 | 0:15:53 | |
-OK, £35, let's give it a go. -Thanks very much indeed. | 0:15:53 | 0:15:57 | |
I've just bought myself a pair of what | 0:15:57 | 0:15:59 | |
I can only describe as rather stylish table candelabra. | 0:15:59 | 0:16:04 | |
The only marks I can find on there are EPNS, | 0:16:04 | 0:16:07 | |
for electroplated nickel silver. | 0:16:07 | 0:16:10 | |
And at £35, you know, I wasn't going to leave them there. | 0:16:10 | 0:16:13 | |
They are of a design which at this moment in time | 0:16:13 | 0:16:18 | |
I think is very saleable. | 0:16:18 | 0:16:20 | |
Yes, Eric is firing on all cylinders. | 0:16:20 | 0:16:23 | |
He's putting Catherine in the shade and she's struggling. | 0:16:23 | 0:16:26 | |
Although this may be the coolest part of the boot fair, | 0:16:26 | 0:16:32 | |
it's also the one that's giving me the most amount of stress. | 0:16:32 | 0:16:36 | |
I can't find any of those bargains. | 0:16:36 | 0:16:39 | |
I'm going to have to go and brave the sunshine. | 0:16:39 | 0:16:43 | |
That's quite out of character. | 0:16:43 | 0:16:45 | |
Cool Catherine is starting to panic but Eric is on fire | 0:16:45 | 0:16:48 | |
and continuing to flip-flop between retro and deco. | 0:16:48 | 0:16:52 | |
I've got a couple of jugs | 0:16:52 | 0:16:55 | |
which are very sort of Art Deco in shape and form. | 0:16:55 | 0:16:59 | |
It says on the base, Flaxman Ware, handmade pottery by Wade Heath. | 0:16:59 | 0:17:04 | |
So they are made in Stoke-on-Trent. | 0:17:04 | 0:17:07 | |
They were probably made in about 1930. Excuse me, sir. | 0:17:07 | 0:17:11 | |
What sort of money are we talking on the pair of jugs? | 0:17:11 | 0:17:14 | |
I have £30 on them. I can do 28. | 0:17:14 | 0:17:17 | |
All right, I'll do 28 for you on that one. Thank you. | 0:17:17 | 0:17:21 | |
Yes, this is a stupendous performance from the legendary Eric. | 0:17:21 | 0:17:24 | |
Knocker Knowles is knocking out those deals. | 0:17:24 | 0:17:28 | |
And with a severe case of antiques whiplash, | 0:17:28 | 0:17:30 | |
we've whipped back once again into retro-ville. | 0:17:30 | 0:17:33 | |
Is this vase purchase number six? | 0:17:33 | 0:17:35 | |
Any clues? I'm looking for a mark. | 0:17:35 | 0:17:38 | |
-I think Holmegaard. -Holmegaard. | 0:17:38 | 0:17:41 | |
It's very stylish, isn't it? How much is it? | 0:17:41 | 0:17:43 | |
-Five. -Five? | 0:17:43 | 0:17:46 | |
£5. | 0:17:46 | 0:17:47 | |
I'm not going to say no for a fiver. Thank you. | 0:17:47 | 0:17:49 | |
Stylistically this should date to perhaps the '50s, '60s. | 0:17:49 | 0:17:54 | |
It's been suggested it's by Holmegaard, | 0:17:54 | 0:17:57 | |
which is a Danish glassmakers. | 0:17:57 | 0:17:59 | |
But when I asked the price and when he said five, I thought he meant 50. | 0:17:59 | 0:18:04 | |
If it had been 50 I would have thought, maybe, | 0:18:04 | 0:18:07 | |
but at £5 it was a bit of a no-brainer. | 0:18:07 | 0:18:11 | |
I'm not one to get glib but nice one, Knocker! | 0:18:11 | 0:18:15 | |
This man is a pro. | 0:18:16 | 0:18:17 | |
It sounds like he's found a sensational final bargain. | 0:18:17 | 0:18:20 | |
But what of Catherine? | 0:18:20 | 0:18:21 | |
She doesn't belong in Eric's shadow | 0:18:21 | 0:18:23 | |
but he does have her on the back foot. | 0:18:23 | 0:18:26 | |
Can she pull it back or is she done for? | 0:18:26 | 0:18:28 | |
Remember Plan A, follow Eric's lead? | 0:18:28 | 0:18:31 | |
Well, that worked for her earlier, | 0:18:31 | 0:18:33 | |
could she do it again by buying some scales of her own? | 0:18:33 | 0:18:36 | |
Look at the shape of that pan, that is absolutely lovely. | 0:18:36 | 0:18:40 | |
It's a bit like a pear. But would people actually use the scales? | 0:18:40 | 0:18:45 | |
I don't think so. I think they are there purely as a decorative piece. | 0:18:45 | 0:18:50 | |
They are probably about 1930s, 1940s. | 0:18:50 | 0:18:53 | |
So with a swift bit of haggling, | 0:18:53 | 0:18:56 | |
Catherine snaps up the scales for £12. | 0:18:56 | 0:18:58 | |
She now needs to throw everything she's got | 0:18:58 | 0:19:01 | |
into a comprehensive comeback. | 0:19:01 | 0:19:03 | |
Good job she can't see ice-cool Eric now, | 0:19:03 | 0:19:05 | |
relaxing with a soft, whipped cone, and the pressure is really on. | 0:19:05 | 0:19:10 | |
The booters won't be here for much longer. | 0:19:10 | 0:19:12 | |
Will a second musical instrument do the trick? | 0:19:12 | 0:19:14 | |
She is drawn to an electric guitar. | 0:19:14 | 0:19:17 | |
-How much did you want for it? -45. | 0:19:17 | 0:19:19 | |
Oh, no, I can't spend that. | 0:19:19 | 0:19:21 | |
It's too much of a gamble for me. | 0:19:21 | 0:19:23 | |
-Make an offer. -20 quid. | 0:19:23 | 0:19:26 | |
My son gave me a minimum price, I think we've gone below that. | 0:19:26 | 0:19:28 | |
HE LAUGHS | 0:19:28 | 0:19:30 | |
-What's the minimum? -Say 35. | 0:19:30 | 0:19:33 | |
No, no. Because I would be taking a risk. | 0:19:33 | 0:19:37 | |
-I'd give you £20 for it. -30 is a real low price. | 0:19:37 | 0:19:40 | |
I've come down from 45 to 30, that's a big reduction. | 0:19:40 | 0:19:43 | |
-Go on, £20. -25. | 0:19:43 | 0:19:46 | |
Shake your hand at 25. | 0:19:48 | 0:19:51 | |
Why, oh, why did I buy an electric guitar, | 0:19:51 | 0:19:56 | |
when I know absolutely nothing about them? | 0:19:56 | 0:19:59 | |
Having said that, I do recognise this name, Squire. | 0:19:59 | 0:20:04 | |
Perhaps it's got a few strings missing, | 0:20:04 | 0:20:06 | |
but this is a guitar that has been truly loved. | 0:20:06 | 0:20:10 | |
I think I'm going to make money on it, and I'm truly rocking! | 0:20:10 | 0:20:14 | |
# Rocking all over the world...# | 0:20:14 | 0:20:16 | |
Yes, it looks like Catherine's got her confidence back. | 0:20:16 | 0:20:19 | |
She's being careful with her money, | 0:20:19 | 0:20:20 | |
which in this game is half the battle. | 0:20:20 | 0:20:23 | |
And before our lady calls it a day, she makes one quick final purchase. | 0:20:23 | 0:20:27 | |
I could not resist this last-minute purchase. | 0:20:28 | 0:20:33 | |
I've bought a lovely pair of taps to go on a fantastic butler sink. | 0:20:33 | 0:20:40 | |
They are French, | 0:20:40 | 0:20:41 | |
and they've got the name on the top of the Orient Express. | 0:20:41 | 0:20:44 | |
I would say they are probably about 20 or 30-years-old. | 0:20:44 | 0:20:47 | |
I only paid £15. | 0:20:47 | 0:20:49 | |
So Mr Knocker Knowles, you may be going down the plughole. | 0:20:49 | 0:20:54 | |
Oh, that's fighting talk from the lady! | 0:20:54 | 0:20:57 | |
It's been a piping hot day | 0:20:57 | 0:20:59 | |
and our experts have made it through just about unscathed. | 0:20:59 | 0:21:02 | |
Let's find out how much they spent in total. | 0:21:02 | 0:21:04 | |
Both our dealers arrived in Battersea with £250 to spend. | 0:21:06 | 0:21:10 | |
Eric started slowly but warmed up with the weather. | 0:21:10 | 0:21:13 | |
He made six purchases for £178. | 0:21:13 | 0:21:18 | |
Catherine started well but slowed right down in the heat. | 0:21:18 | 0:21:21 | |
She bought seven items but spent a lot less - £107 all up. | 0:21:21 | 0:21:27 | |
So, let's move into the shade and see what they make of each other's booty. | 0:21:27 | 0:21:31 | |
Eric! How was it? | 0:21:31 | 0:21:34 | |
How was it? Well, it happened, didn't it? You know. | 0:21:34 | 0:21:37 | |
I mean, you arrive at a car boot and you think, | 0:21:37 | 0:21:39 | |
"What on earth am I going to buy here?" | 0:21:39 | 0:21:42 | |
And then, as if by magic, we do find things. | 0:21:42 | 0:21:45 | |
I'll tell you what, it couldn't be more different, could it? | 0:21:45 | 0:21:48 | |
Mine's a bit of a mishmash. Yours seems a bit more defined. | 0:21:48 | 0:21:51 | |
We do share an interest in scales in common! | 0:21:51 | 0:21:55 | |
-We've both got the scales. -OK. -How much were yours? | 0:21:55 | 0:21:58 | |
-Mine? 25. What about yours? -12. -Oh, 12. -Mm. | 0:21:58 | 0:22:02 | |
So Eric, what's your favourite piece? | 0:22:02 | 0:22:05 | |
I think the girl tips the balance. | 0:22:05 | 0:22:07 | |
Which was the one that floated your boat? | 0:22:07 | 0:22:10 | |
-Well, strangely, it's actually the taps! -Really? | 0:22:10 | 0:22:15 | |
-And are you going to polish those to oblivion? -Not at all. | 0:22:15 | 0:22:17 | |
-No. You're going to keep the patina? -I love them like that. | 0:22:17 | 0:22:20 | |
I'm just really shocked at our differences. | 0:22:20 | 0:22:24 | |
Well, as they say in certain parts of Wales, vive le difference! | 0:22:24 | 0:22:27 | |
-Vive la difference! Bon chance! -OK. Au revoir. -Au revoir. | 0:22:27 | 0:22:31 | |
Mon cher! | 0:22:31 | 0:22:33 | |
Now, this is where the whole game shifts up a gear | 0:22:36 | 0:22:39 | |
as our Baron and Baroness of Buying become Squires of Selling. | 0:22:39 | 0:22:44 | |
The next part of their mission is to make maximum money from their car boot bits. | 0:22:44 | 0:22:48 | |
It's noses to the grindstone, because whoever winds up | 0:22:48 | 0:22:51 | |
with the biggest profit, will be crowned champion. | 0:22:51 | 0:22:54 | |
They need to be able to pitch their purchases perfectly. | 0:22:54 | 0:22:57 | |
So they must now analyse their acquisitions. | 0:22:57 | 0:23:00 | |
And at Knocker Towers, Eric is buoyed by his bargains. | 0:23:00 | 0:23:04 | |
My big spend at £45 was my Portmeirion Totem design coffee set. | 0:23:05 | 0:23:11 | |
And the main thing is it's all there. No chips, no cracks or anything. | 0:23:11 | 0:23:14 | |
My second biggest price was £40 for my Art Deco style figure. | 0:23:14 | 0:23:20 | |
I don't think she's period. But there's no doubting that my ewers are 1930. | 0:23:20 | 0:23:24 | |
They're made by Wade Heath. But for £5, | 0:23:24 | 0:23:27 | |
I find myself with a Holmegaard. | 0:23:27 | 0:23:30 | |
Well, I've yet to do my research, but I was sold it as a Holmegaard vase. | 0:23:30 | 0:23:34 | |
My candlesticks, which I was thinking actually of polishing. | 0:23:34 | 0:23:37 | |
But I've decided just to leave them as they are. | 0:23:37 | 0:23:40 | |
The only thing that you can hardly describe as being stylish | 0:23:40 | 0:23:43 | |
are my postal scales. | 0:23:43 | 0:23:45 | |
The one thing going in their favour is that they've got their original weights. | 0:23:45 | 0:23:49 | |
So all in all, I'm quite happy with what I bought on the day. | 0:23:49 | 0:23:54 | |
Catherine has returned home to Kent. | 0:23:54 | 0:23:56 | |
She's got one more item to sell than her rival. | 0:23:56 | 0:23:59 | |
So how confident is the cunning one? | 0:23:59 | 0:24:01 | |
I'm rather pleased with my selection because it is a real cross section of items. | 0:24:01 | 0:24:06 | |
First of all, my guitar, that was a last-minute purchase. | 0:24:06 | 0:24:10 | |
And at £25 I was actually rather pleased with that. | 0:24:10 | 0:24:14 | |
My taps - I love these taps. | 0:24:14 | 0:24:16 | |
I think they would look wonderful in a big white butler sink. | 0:24:16 | 0:24:21 | |
And my punky designer bag, which I'm rather happy with - | 0:24:21 | 0:24:24 | |
I think that was actually a bit of a bargain. | 0:24:24 | 0:24:27 | |
People love these vintage suitcases now, these brown suitcases. | 0:24:27 | 0:24:30 | |
It's a little bit tatty, but it's got the name Harrods inside. | 0:24:30 | 0:24:34 | |
My advertising tin has got a fabulous image of these lovely children on the front. | 0:24:34 | 0:24:39 | |
I know a vintage sweet shop who are interested in this already, | 0:24:39 | 0:24:43 | |
and I'm also going to try and see if I can flog them | 0:24:43 | 0:24:47 | |
the scales at the same time. Now this is my number one item, | 0:24:47 | 0:24:52 | |
because this is in fabulous condition. | 0:24:52 | 0:24:54 | |
£25 I paid for this flute. | 0:24:54 | 0:24:57 | |
This is the piece that's going to make me my money. | 0:24:57 | 0:25:01 | |
So, watch out Mr Knowles. You've got your work cut out. | 0:25:01 | 0:25:06 | |
Yes, the golden girl means business. | 0:25:06 | 0:25:09 | |
Our battle hardened veterans have taken stock | 0:25:09 | 0:25:12 | |
and set their sights on target profit. | 0:25:12 | 0:25:14 | |
First they must plunder their contacts book | 0:25:14 | 0:25:17 | |
and set up sales across the country. | 0:25:17 | 0:25:19 | |
And hopefully they'll be trading up for truck loads of cash. | 0:25:19 | 0:25:22 | |
But remember, until they've shaken on it | 0:25:22 | 0:25:25 | |
and the money has changed hands, no deal is truly sealed. | 0:25:25 | 0:25:28 | |
Catherine is going straight in with her prize purchase, the flute. | 0:25:30 | 0:25:34 | |
And she's brought it to a music shop in Croydon. | 0:25:34 | 0:25:37 | |
-Hello, Jonathan. -Hello, there. -Catherine Southon, hi. Nice to meet you. Hi, there. | 0:25:37 | 0:25:41 | |
Wonderful shop, first of all. | 0:25:41 | 0:25:44 | |
Well, it's the oldest shop in Croydon. 16th century, | 0:25:44 | 0:25:47 | |
and we've been here around about 13 years. | 0:25:47 | 0:25:50 | |
-I've come to show you this flute. -Right, let's see what we have here. | 0:25:50 | 0:25:54 | |
-So this is a Buffet Crampon. -Is it French? | 0:25:54 | 0:25:57 | |
It's a French company but actually this was either made | 0:25:57 | 0:26:01 | |
in the UK or possibly Germany. | 0:26:01 | 0:26:03 | |
A student instrument, silver-plated. It's a beginner flute, basically. | 0:26:03 | 0:26:07 | |
-Right. -This would have been made probably in the sort of '80s, '90s, something like that. | 0:26:07 | 0:26:13 | |
Not that old. Let me just see whether it's in working condition. | 0:26:13 | 0:26:19 | |
HE PLAYS | 0:26:19 | 0:26:22 | |
-That sounds perfect to me! -It's all there, yeah. It's all there. | 0:26:29 | 0:26:33 | |
The pads are in very good condition. The pads are what actually | 0:26:33 | 0:26:36 | |
sort of seal the tone holes and make the flute work. | 0:26:36 | 0:26:39 | |
We'd be looking probably around sort of £70 or £80, something like that. | 0:26:39 | 0:26:42 | |
-80 would be wonderful. -75. We'll meet halfway. | 0:26:42 | 0:26:46 | |
-75? -75. -Are you happy with that? -You've got a deal. | 0:26:46 | 0:26:48 | |
I'm going to shake your hand on that. Thank you ever so much. | 0:26:48 | 0:26:52 | |
-That's wonderful. -Not a problem at all. Thank you. | 0:26:52 | 0:26:54 | |
Yes, Catherine knew it was the item to make the money. | 0:26:54 | 0:26:56 | |
The flute hits all the right notes and brings a profit of £50. | 0:26:56 | 0:27:01 | |
Eric's got some bold gameplay in mind as well. | 0:27:01 | 0:27:04 | |
He also wants to shift his biggest investment first. | 0:27:04 | 0:27:07 | |
The Portmeirion tea set he bought for £45. | 0:27:07 | 0:27:10 | |
He's driven to Stoke-on-Trent to the Portmeirion pottery, | 0:27:10 | 0:27:14 | |
hoping they'll want it for their own collection. | 0:27:14 | 0:27:17 | |
-Julian, good to meet you. -Nice to meet you, too, Eric. | 0:27:18 | 0:27:20 | |
You had the distinction of actually working with Susan Williams-Ellis | 0:27:20 | 0:27:24 | |
-who designed my coffee set? -I did. Back in 1984 I joined Portmeirion | 0:27:24 | 0:27:30 | |
and I had the pleasure of working with Susan for a good 15 years. | 0:27:30 | 0:27:34 | |
So tell me a little bit about the Totem design? | 0:27:34 | 0:27:36 | |
It is an iconic shape from the '60s. A lot of people were inspired by that within the ceramics industries. | 0:27:36 | 0:27:42 | |
For me, it's a piece of art. Even though I can use it, | 0:27:42 | 0:27:45 | |
I probably would rather look at it. | 0:27:45 | 0:27:47 | |
-What year did she design this? -She designed it in 1962 | 0:27:47 | 0:27:52 | |
and it went first to market in 1963. | 0:27:52 | 0:27:55 | |
I was staggered when I got in touch with you all to find | 0:27:55 | 0:27:58 | |
that you didn't have a Totem coffee set in dark olive green. | 0:27:58 | 0:28:04 | |
We don't. I wish we did. And possibly we may well soon. | 0:28:04 | 0:28:08 | |
I was looking for somewhere around about £120. | 0:28:08 | 0:28:14 | |
So how does 100 sound? | 0:28:14 | 0:28:17 | |
-I'll take £100. OK. -Brilliant. Thank you very much. -Excellent. | 0:28:17 | 0:28:20 | |
And welcome home! | 0:28:20 | 0:28:23 | |
Eric is the master. The tea set has returned to its rightful home | 0:28:23 | 0:28:26 | |
and Knocker claims a profit of £55. | 0:28:26 | 0:28:29 | |
Well, I think I can describe that as a satisfying conclusion, | 0:28:29 | 0:28:34 | |
and something of a bonus to actually meet somebody | 0:28:34 | 0:28:38 | |
who worked with Susan Williams-Ellis. So, onwards and upwards. | 0:28:38 | 0:28:44 | |
Aw, bless him. Eric always has a little frisson of excitement when he visits a pottery. | 0:28:44 | 0:28:49 | |
Our two thrill seekers are pretty much level pegging at this stage. | 0:28:49 | 0:28:54 | |
But Catherine is off again. | 0:28:54 | 0:28:56 | |
She's looking to bag a profit from her red designer handbag. | 0:28:56 | 0:28:59 | |
She's meeting Judy. And it looks like she might be a fan of red. | 0:28:59 | 0:29:03 | |
-Hi, Catherine! -Lovely to see you. You look fabulous, as always. | 0:29:03 | 0:29:09 | |
You haven't disappointed, in lovely red! | 0:29:09 | 0:29:11 | |
Anyway, I've brought you something. What do you think? | 0:29:11 | 0:29:15 | |
-Is it new? -It's not brand-new, no. | 0:29:15 | 0:29:18 | |
But I bought it because I just love the colour, | 0:29:18 | 0:29:20 | |
-I loved the sort of punky look to it. -It's slightly distressed. | 0:29:20 | 0:29:24 | |
-It is distressed. -Can I try it? -Oh, please. | 0:29:24 | 0:29:28 | |
I just thought it was a really nice shape | 0:29:29 | 0:29:32 | |
-and I loved all the little belts, the straps. -I'm not sure. -Oh! | 0:29:32 | 0:29:35 | |
-Are you really not sure? -I'm really not sure. | 0:29:37 | 0:29:39 | |
-I've actually bought quite a lot of red bags in my time. -I can imagine! | 0:29:39 | 0:29:44 | |
If I was going to buy that, I don't think I'd pay more than £15 for it. | 0:29:44 | 0:29:48 | |
I paid £12 for it. | 0:29:48 | 0:29:50 | |
-I'd go for 15 then, Catherine, no more. -Are you happy with that at 15? | 0:29:50 | 0:29:55 | |
-Yes. -Shall we shake on £15? -Yes, let's. -Thank you so much, Judy. | 0:29:55 | 0:29:59 | |
Well, I'm so pleased that Judy liked it. | 0:29:59 | 0:30:03 | |
But that's still only a couple of pounds in the bag. | 0:30:03 | 0:30:06 | |
I really need to get cracking. | 0:30:06 | 0:30:09 | |
She's not wrong. A £3 profit really doesn't cut the mustard | 0:30:09 | 0:30:13 | |
when she is up against the legend that is Eric Knowles. | 0:30:13 | 0:30:16 | |
He's hoping his scales will tip things even further in his favour. | 0:30:16 | 0:30:20 | |
He has taken them to the British Postal Museum in Loughton in Essex. | 0:30:20 | 0:30:24 | |
# Postman Pat, Postman Pat...# | 0:30:24 | 0:30:26 | |
And Put Your Money's answer to Postman Pat is meeting | 0:30:26 | 0:30:29 | |
one of the museum's curators, Vicky. | 0:30:29 | 0:30:32 | |
-Hello, Vicky. Lovely to meet you. -Lovely to meet you, too. | 0:30:32 | 0:30:35 | |
-What a place to work! -Yes, it's fantastic. -Isn't it just? | 0:30:35 | 0:30:39 | |
Well, we have over 50,000 objects in our museum collection, | 0:30:39 | 0:30:42 | |
and two and a half miles of archive. And they range from everything... | 0:30:42 | 0:30:45 | |
You can see the vehicles - we have underground trains, paintings, | 0:30:45 | 0:30:48 | |
we have lots of social history stories as well as stamps | 0:30:48 | 0:30:51 | |
-and stamp artwork as well. -But what about scales? | 0:30:51 | 0:30:55 | |
-We do have some of those, yes. -Right. | 0:30:55 | 0:30:58 | |
-Well, I brought along my humble little postal scales. -Yes. | 0:30:58 | 0:31:01 | |
And I would value your expertise, | 0:31:01 | 0:31:04 | |
cos I'm not absolutely certain exactly how old they are. | 0:31:04 | 0:31:07 | |
-Would you like to have a peruse? -Yeah, sure. Thank you. | 0:31:07 | 0:31:10 | |
Well, they're a lovely set of items. | 0:31:10 | 0:31:12 | |
I really like this detail here, which has the inland letter post and pricing. | 0:31:12 | 0:31:17 | |
It says that 4oz is a penny. | 0:31:17 | 0:31:20 | |
The penny post really died out with the First World War. | 0:31:20 | 0:31:23 | |
I would say these were pre-First World War, so we would be interested. | 0:31:23 | 0:31:27 | |
But I would need to compare them to what we already have, | 0:31:27 | 0:31:30 | |
to make sure we're not duplicating our collection. | 0:31:30 | 0:31:33 | |
And also, discuss it with another member of the curatorial team | 0:31:33 | 0:31:35 | |
-so that we can give you a final decision. -OK. | 0:31:35 | 0:31:38 | |
-That's our acquisition policy. -I'm prepared to sell those for £50. | 0:31:38 | 0:31:43 | |
OK, £50. That does sound like a fair price. | 0:31:43 | 0:31:46 | |
-Like I said, we just need to go away and look at things at our side and get back to you. -OK. | 0:31:46 | 0:31:51 | |
Oh, that's a fly in the ointment. No special delivery of cash yet. | 0:31:51 | 0:31:56 | |
But Eric has a first-class attitude to the delay. | 0:31:56 | 0:31:59 | |
I've got to admit, this was very much a spur-of-the-moment visit, | 0:31:59 | 0:32:03 | |
and it's quite normal with a museum | 0:32:03 | 0:32:05 | |
that they've got to go through all the proper channels. | 0:32:05 | 0:32:08 | |
So, in the meantime, while I wait for their stamp of approval, | 0:32:08 | 0:32:12 | |
I'll also be waiting for a phone call. | 0:32:12 | 0:32:15 | |
So will Eric post a profit? | 0:32:15 | 0:32:18 | |
He, and we, will have to wait until later to find out. | 0:32:18 | 0:32:22 | |
Until a decision is reached, | 0:32:22 | 0:32:23 | |
there's only £2 between our charming challengers, | 0:32:23 | 0:32:26 | |
so can Cunning Catherine upset the status quo | 0:32:26 | 0:32:29 | |
and strum up a profit with her next item? | 0:32:29 | 0:32:32 | |
I'm in Chislehurst, | 0:32:32 | 0:32:34 | |
and I've come to see Pete, who's a guitar instructor. | 0:32:34 | 0:32:38 | |
Now, at the moment, he should be giving a lesson to Ian, | 0:32:38 | 0:32:41 | |
and Ian's expressed some interest in my electric guitar. | 0:32:41 | 0:32:46 | |
Catherine's instrument has a few strings missing, | 0:32:46 | 0:32:49 | |
so will Pete and Ian see past that? | 0:32:49 | 0:32:51 | |
So remember your anchor finger, yeah. | 0:32:51 | 0:32:53 | |
Hello, chaps! Sorry to interrupt the lesson. | 0:32:53 | 0:32:56 | |
So who's the tutor? Who's the student? | 0:32:56 | 0:32:59 | |
-Yeah, hi, Catherine, I'm Pete. -Hello, Pete. | 0:32:59 | 0:33:01 | |
-I'm the teacher for today, yeah. -Good to meet you. | 0:33:01 | 0:33:03 | |
-I'm Ian, the student. -Hello, Ian. Oh, this is lovely, isn't it? | 0:33:03 | 0:33:06 | |
-Right, I'm going to give you this. -Wow, let me have a look, OK. | 0:33:06 | 0:33:09 | |
-What do you think? -Well, the first thing I notice | 0:33:09 | 0:33:12 | |
is that it's quite funky, cos it's only got three strings. | 0:33:12 | 0:33:16 | |
-This is a sort of standard copy Stratocaster. -So not too bad. | 0:33:16 | 0:33:20 | |
-It's a very, sort of, good entry guitar. -OK. | 0:33:20 | 0:33:22 | |
So the idea was, I could donate it to Peter, | 0:33:22 | 0:33:25 | |
who has students who can't afford their own guitar. | 0:33:25 | 0:33:28 | |
-That's a really, really nice idea. -Obviously that depends on the price. | 0:33:28 | 0:33:31 | |
Obviously it depends on the price, I can see that. | 0:33:31 | 0:33:33 | |
I mean, does sort of £50-60 sound reasonable? | 0:33:33 | 0:33:38 | |
-I was sort of thinking of more about £40. -What about 45? | 0:33:38 | 0:33:42 | |
-Yeah, I think 45. -45? Does that sound all right to you? | 0:33:43 | 0:33:47 | |
I think £45 is a fair price for that guitar. | 0:33:47 | 0:33:49 | |
Well, I think that's so nice, that you're buying this for £45 | 0:33:49 | 0:33:53 | |
and then donating it to a collection, it's a fantastic idea. | 0:33:53 | 0:33:56 | |
Now you can get on with your lesson. | 0:33:56 | 0:33:57 | |
-Yes, we will do. -Great stuff, thank you. | 0:33:57 | 0:34:00 | |
What a nice fella, giving something back to the students of rock! | 0:34:00 | 0:34:04 | |
And a profit to Catherine of £20. | 0:34:04 | 0:34:07 | |
Eric instantly adds a counter blow. | 0:34:07 | 0:34:09 | |
He sells his brown glass vase to a lady in Northwood in Middlesex. | 0:34:09 | 0:34:13 | |
She pays £20, giving him a profit of £15. | 0:34:13 | 0:34:17 | |
Our titanic traders have been haggling hammer and tongs, | 0:34:17 | 0:34:20 | |
so let's give them a moment to catch their breath | 0:34:20 | 0:34:23 | |
as we tot up the tallies. | 0:34:23 | 0:34:24 | |
Both our experts have made a blistering start. | 0:34:24 | 0:34:28 | |
Eric "Knocker" Knowles has shifted two items and made a profit of £70. | 0:34:28 | 0:34:33 | |
But he's still waiting for the telegram from the postal museum. | 0:34:33 | 0:34:37 | |
"Cunning" Catherine Southern has notched up three certain sales, | 0:34:37 | 0:34:40 | |
and with them she's pocketed a profit of £73. | 0:34:40 | 0:34:45 | |
So it's on a razor's edge, | 0:34:45 | 0:34:47 | |
although neither Eric nor Catherine want a close shave. | 0:34:47 | 0:34:50 | |
Eric must make his next sale count. | 0:34:50 | 0:34:53 | |
He's motored all the way to the Essex coast | 0:34:53 | 0:34:55 | |
to meet an antiques dealer in Leigh-on-Sea, | 0:34:55 | 0:34:57 | |
and he's brought the Art Deco jugs that cost him £28. | 0:34:57 | 0:35:02 | |
-Jeff, good to meet you. -And you. | 0:35:02 | 0:35:03 | |
I've got to say, I've never been in a shop quite like this. | 0:35:03 | 0:35:06 | |
So what's with the vegetation? | 0:35:06 | 0:35:08 | |
Well, my main job, actually, Eric, is I'm a gardener. | 0:35:08 | 0:35:11 | |
It's almost like a garden in a shop. | 0:35:11 | 0:35:13 | |
Yeah, but not one little bit of Art Deco, | 0:35:13 | 0:35:16 | |
and here is me bringing along a pair of Art Deco ewers. | 0:35:16 | 0:35:20 | |
I tell you what attracted me to these, it was the colour. | 0:35:20 | 0:35:24 | |
-I agree. -It was the glaze, it was just the way they're mottled. | 0:35:24 | 0:35:29 | |
-That's right. -And because they look like they should be at the seaside. | 0:35:29 | 0:35:33 | |
-Yeah. -They've got a little bit of sunshine about them. | 0:35:33 | 0:35:36 | |
The mark on the base, it says, | 0:35:36 | 0:35:37 | |
"Flaxman Ware, handmade pottery, Wade Heath of England." | 0:35:37 | 0:35:42 | |
It's 1930s, then, so it's got to be worth a fortune! | 0:35:42 | 0:35:46 | |
I was looking for somewhere around about | 0:35:46 | 0:35:49 | |
sort of £70, something like that. | 0:35:49 | 0:35:51 | |
-I will offer you £60. -I think 60, Jeff, will do the business. | 0:35:51 | 0:35:55 | |
-We've got a deal. -Lovely. Thanks, Eric. | 0:35:55 | 0:35:57 | |
I'll tell you what, I'd love to have a look around your emporium. | 0:35:57 | 0:36:00 | |
Come with me. | 0:36:00 | 0:36:02 | |
Eric more than doubles his money and brings in a profit of £32, | 0:36:02 | 0:36:06 | |
but he needs to keep up his seismic selling, | 0:36:06 | 0:36:09 | |
because Catherine's had a flurry of activity. | 0:36:09 | 0:36:11 | |
She sells her scales and the sweet tin | 0:36:11 | 0:36:13 | |
to an old-fashioned sweet shop in West Wycombe. | 0:36:13 | 0:36:17 | |
It's very nice, I think it would go lovely in our window display. | 0:36:17 | 0:36:20 | |
-20 for the scales, 30 for the tin, £50. -Fabulous. | 0:36:20 | 0:36:24 | |
The double deal brings in a sweet profit of £30, | 0:36:24 | 0:36:28 | |
and she's on a roll. | 0:36:28 | 0:36:30 | |
She packs a punch | 0:36:30 | 0:36:32 | |
by selling her suitcase to a dealer in Otford for £40, | 0:36:32 | 0:36:35 | |
and £30 of that is pure profit. | 0:36:35 | 0:36:38 | |
Yes, life is looking cushy in the Catherine camp. | 0:36:38 | 0:36:41 | |
Will Knocker notch up enough | 0:36:41 | 0:36:43 | |
to knock her with a double deal of his own? | 0:36:43 | 0:36:45 | |
Still in Leigh-on-Sea, he's at another antiques shop, | 0:36:45 | 0:36:48 | |
and he's hoping to rake in the readies | 0:36:48 | 0:36:50 | |
with his candelabra and Austrian figurine. | 0:36:50 | 0:36:53 | |
By way of a double introduction, Roger, lovely to meet you. | 0:36:53 | 0:36:57 | |
Good to see you. | 0:36:57 | 0:36:58 | |
-And my other introduction is my lovely lady... -Yes. | 0:36:58 | 0:37:02 | |
..which I would describe as sort of certainly Art Deco in style, | 0:37:02 | 0:37:07 | |
the likes of which I've not come across before, I've got to admit. | 0:37:07 | 0:37:11 | |
I noticed that the facial detail is pretty good as well. | 0:37:11 | 0:37:15 | |
I like this soft gilt. So often that gold is... | 0:37:15 | 0:37:18 | |
-It's not too wild, is it? -Sometimes it's really garish, | 0:37:18 | 0:37:21 | |
and so it's... so it's tasteful in every department. | 0:37:21 | 0:37:24 | |
It's really quite a confident piece of work, | 0:37:24 | 0:37:27 | |
and, as such, I'd be happy to discuss a price with you, Eric. | 0:37:27 | 0:37:32 | |
I was looking for somewhere in the sort of...£90 region. | 0:37:32 | 0:37:37 | |
I'm looking more at...55. | 0:37:37 | 0:37:41 | |
55... | 0:37:41 | 0:37:42 | |
Do you think we might push it to 60? | 0:37:42 | 0:37:44 | |
Uh, yeah, I think I'd go for 60. | 0:37:44 | 0:37:46 | |
-I'm happy with that. -And me too, Eric. -OK. | 0:37:46 | 0:37:49 | |
Right, would you like to just put it to one side, | 0:37:49 | 0:37:51 | |
because there are a couple of other things I want to show you. | 0:37:51 | 0:37:54 | |
Well, I say a couple, they form a pair, | 0:37:54 | 0:37:56 | |
a pair of plated table candelabra. | 0:37:56 | 0:37:59 | |
I like them in style, | 0:37:59 | 0:38:01 | |
and I quite like the fact that they're distressed somewhat. | 0:38:01 | 0:38:04 | |
What sort of date would you put on those, Roger? | 0:38:04 | 0:38:06 | |
-I would have thought these are sort of '50s. -Yeah. | 0:38:06 | 0:38:10 | |
I was looking for somewhere in the region of maybe £80 for the pair. | 0:38:10 | 0:38:15 | |
I'd like to pay 40 quid for them, | 0:38:15 | 0:38:17 | |
and I really don't want to pay any more than that for them. | 0:38:17 | 0:38:20 | |
You were quick on the yes for the first one. | 0:38:20 | 0:38:23 | |
I'll be quick on the yes for the second one. | 0:38:23 | 0:38:25 | |
-Brilliant. That's great, Eric, thanks very much. -It was a pleasure. | 0:38:25 | 0:38:27 | |
Well, that was quite a drop on the candelabra, | 0:38:27 | 0:38:30 | |
half of what Eric wanted, | 0:38:30 | 0:38:32 | |
but Roger makes two purchases nonetheless, | 0:38:32 | 0:38:34 | |
and Eric makes off with a combined profit of £25. | 0:38:34 | 0:38:38 | |
Well, at least I managed a double sale, | 0:38:38 | 0:38:42 | |
even though I wasn't able to double my money. | 0:38:42 | 0:38:44 | |
But the main thing is, I made a profit. | 0:38:44 | 0:38:48 | |
So Knocker's knocked out all his goods, | 0:38:48 | 0:38:50 | |
but he's still waiting for the word on the all-important scales. | 0:38:50 | 0:38:54 | |
Catherine has one last chance to tap a profit. | 0:38:54 | 0:38:57 | |
She's on her way to a bath specialist in Horley in Surrey, | 0:38:57 | 0:39:00 | |
and she needs to play this one carefully. | 0:39:00 | 0:39:03 | |
The last thing she wants to do is force it. | 0:39:03 | 0:39:06 | |
-Theresa, how nice to meet you. -Nice to meet you, Catherine! | 0:39:06 | 0:39:09 | |
Fantastic. I love these baths! They look spectacular. | 0:39:09 | 0:39:13 | |
I haven't brought you a bath, but I've brought you some taps. | 0:39:13 | 0:39:16 | |
Right, great. | 0:39:16 | 0:39:18 | |
Well, what's nice about them | 0:39:18 | 0:39:19 | |
is this little indice that says "Orient Express". | 0:39:19 | 0:39:22 | |
But these are antique taps, | 0:39:22 | 0:39:25 | |
and these are reproduction. | 0:39:25 | 0:39:27 | |
That's right, how old do you think they are? | 0:39:27 | 0:39:29 | |
-Probably about ten-years-old. -Oh, really? -Yeah. -Right. | 0:39:29 | 0:39:32 | |
They're an old-fashioned design but for the modern market. | 0:39:32 | 0:39:35 | |
And they are nice, a really nice shape and everything, | 0:39:35 | 0:39:37 | |
but unfortunately, because they're reproduction, | 0:39:37 | 0:39:39 | |
they're not really worth anything, | 0:39:39 | 0:39:41 | |
other than for the love of restoring them. | 0:39:41 | 0:39:43 | |
Right... Are you still interested? | 0:39:43 | 0:39:46 | |
Yes, cos I really like this indice, so I think they're really nice. | 0:39:46 | 0:39:49 | |
Wonderful, I like that, wonderful. | 0:39:49 | 0:39:51 | |
So how much are you willing to pay for them? | 0:39:51 | 0:39:53 | |
Well, if you scrapped them, you would get about £15, | 0:39:53 | 0:39:57 | |
so I would give you £30. | 0:39:57 | 0:39:58 | |
-Is that all? -I'm afraid so. | 0:39:58 | 0:40:00 | |
Oh... | 0:40:00 | 0:40:01 | |
-You wouldn't stretch it any more? -Well, that is stretching it! -Is it? | 0:40:02 | 0:40:07 | |
Because it would probably cost me a few hundred to restore them, you see. | 0:40:07 | 0:40:10 | |
Oh, gosh, well, I couldn't possibly charge you any more. | 0:40:10 | 0:40:13 | |
-£30, we will shake on that, shall we? -That's a good deal. | 0:40:13 | 0:40:16 | |
Well, it might not be quite what she was hoping for, | 0:40:16 | 0:40:19 | |
but that cunning streak comes through once more. | 0:40:19 | 0:40:21 | |
She doubles her money yet again - the taps run a profit of £15. | 0:40:21 | 0:40:26 | |
I thought those taps had great potential, | 0:40:26 | 0:40:29 | |
but obviously not. | 0:40:29 | 0:40:31 | |
Well, you win some | 0:40:31 | 0:40:33 | |
and you lose some. | 0:40:33 | 0:40:34 | |
Catherine's all sold up and heads off for an early bath. | 0:40:34 | 0:40:38 | |
But we finally get to the moment Eric has been waiting for. | 0:40:38 | 0:40:42 | |
Deep breaths, everyone, word is in on his scales. | 0:40:42 | 0:40:46 | |
Well, the postal museum have come back to me | 0:40:46 | 0:40:48 | |
and bad news, they don't want my scales. | 0:40:48 | 0:40:52 | |
But the good news is that I found a dealer | 0:40:52 | 0:40:55 | |
who's quite happy to pay me £50, | 0:40:55 | 0:40:58 | |
so all's well that ends well. | 0:40:58 | 0:41:01 | |
Well, we'll have to find out if that is true in just a moment. | 0:41:01 | 0:41:04 | |
First, let's remind ourselves of how much our dealers have spent. | 0:41:04 | 0:41:08 | |
They arrived at the car-boot sale with £250 in their pockets. | 0:41:08 | 0:41:12 | |
Eric "Knocker" Knowles bought six items and spent a total of £178. | 0:41:12 | 0:41:18 | |
"Cunning" Catherine Southon bought more but spent considerably less, | 0:41:18 | 0:41:22 | |
seven items for £107. | 0:41:22 | 0:41:25 | |
But now it all comes down to how well they sold. | 0:41:25 | 0:41:29 | |
All of the money Eric and Catherine have made from today's challenge | 0:41:29 | 0:41:32 | |
will go directly to charities of their choice, | 0:41:32 | 0:41:34 | |
so let's find out who is today's | 0:41:34 | 0:41:37 | |
Put Your Money Where Your Mouth Is champion. | 0:41:37 | 0:41:40 | |
-Eric... -It's that moment. | 0:41:40 | 0:41:43 | |
-Mwah! -It is. | 0:41:43 | 0:41:44 | |
Mwah-ha-ha! | 0:41:44 | 0:41:45 | |
-So how was the selling for you? -Well, it was interesting. | 0:41:45 | 0:41:48 | |
I actually went to meet the people at Portmeirion. | 0:41:48 | 0:41:51 | |
-Do you remember I bought the... -I remember the Portmeirion... | 0:41:51 | 0:41:54 | |
-..coffee set? -And you sold it to them? | 0:41:54 | 0:41:55 | |
They didn't have one, and they're adding to their museum. | 0:41:55 | 0:41:58 | |
I mean, you must have gone down the musical route, | 0:41:58 | 0:42:00 | |
-what with your guitar and your flute. -I did... | 0:42:00 | 0:42:03 | |
Oh, yes, perfect, perfectly tuned. | 0:42:03 | 0:42:05 | |
OK, well, let's see if we're in tune with our prices, shall we, | 0:42:05 | 0:42:08 | |
and our final totals? | 0:42:08 | 0:42:10 | |
-Three, two, one. -One. | 0:42:10 | 0:42:12 | |
And we go like that. | 0:42:12 | 0:42:14 | |
-Oh! -Oh! | 0:42:15 | 0:42:17 | |
Not much in it! | 0:42:17 | 0:42:18 | |
That is so close! | 0:42:18 | 0:42:21 | |
-Unbelievable. -Well, it's remarkable that both of us made a profit. | 0:42:21 | 0:42:24 | |
Having said that, the coffee's on me, yes, out of my own account! | 0:42:24 | 0:42:28 | |
So the narrowest of victories for Eric. | 0:42:28 | 0:42:31 | |
If only Catherine had eked out a few more pounds for that handbag, | 0:42:31 | 0:42:35 | |
it would have been a completely different result. | 0:42:35 | 0:42:38 | |
I can't believe how close I was to Eric. | 0:42:38 | 0:42:42 | |
There was literally an inch between us, very frustrating. | 0:42:42 | 0:42:47 | |
But well done, Eric. | 0:42:47 | 0:42:49 | |
The secret to this challenge | 0:42:49 | 0:42:51 | |
is to just make sure that you sell for more than you spend, | 0:42:51 | 0:42:55 | |
and then you keep your fingers crossed you've got it right. | 0:42:55 | 0:42:57 | |
Yes, when our rivals are so closely matched, | 0:42:58 | 0:43:00 | |
it means absolutely anything could happen | 0:43:00 | 0:43:03 | |
when they face their next challenge tomorrow. | 0:43:03 | 0:43:05 | |
They'll be fighting it out at an auction in Nottingham. | 0:43:05 | 0:43:08 | |
£100... | 0:43:08 | 0:43:10 |