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These days, we often live very close to each other, | 0:00:03 | 0:00:06 | |
yet we can feel miles apart from one another. But not today. | 0:00:06 | 0:00:10 | |
Because today, this street is going to be jam-packed full of family, | 0:00:10 | 0:00:14 | |
friends and neighbours, | 0:00:14 | 0:00:15 | |
all here to raise money for one incredibly special person. | 0:00:15 | 0:00:20 | |
And the best part of it is, | 0:00:20 | 0:00:21 | |
she hasn't got a clue all of this is for her. | 0:00:21 | 0:00:24 | |
91-year-old poppy seller Joyce Lovelock continues to inspire | 0:00:24 | 0:00:29 | |
and help the townsfolk she loves with all her heart. | 0:00:29 | 0:00:32 | |
-She's like the queen of Thatcham. -Right, OK. -Hail, Joyce, we love you. | 0:00:32 | 0:00:36 | |
I just idolise her. | 0:00:36 | 0:00:38 | |
We think it's about time she was rewarded | 0:00:38 | 0:00:40 | |
for all her wonderful deeds, | 0:00:40 | 0:00:41 | |
so we're going to have a street auction on her behalf. | 0:00:41 | 0:00:44 | |
-ALL: -Three, two, one. -Yay! Whoo! | 0:00:44 | 0:00:48 | |
But will Joyce's neighbours return the favour and donate enough? | 0:00:48 | 0:00:52 | |
That's absolutely beautiful. Onyx. I love the dials on it. | 0:00:52 | 0:00:55 | |
-And this one's Thatcham, isn't it? -Yes. | 0:00:55 | 0:00:57 | |
-Thank you very much. -You're very welcome. | 0:00:57 | 0:00:59 | |
-That's so collectible. -Is it? | 0:00:59 | 0:01:01 | |
-They're never out of fashion. -Oh, OK. | 0:01:01 | 0:01:04 | |
You've been really generous, all of you. Ah. | 0:01:04 | 0:01:06 | |
But it's not going to be easy. | 0:01:06 | 0:01:08 | |
No-one in. Let's try next door. | 0:01:08 | 0:01:11 | |
-DOG BARKS -Hopefully, he won't munch on ME! | 0:01:11 | 0:01:13 | |
No-one in there. Big dog though. DOG BARKS | 0:01:13 | 0:01:16 | |
Let me just shut the gate. Hang on. | 0:01:16 | 0:01:17 | |
And how will our local hero react | 0:01:17 | 0:01:20 | |
when she discovers this is all for her? | 0:01:20 | 0:01:23 | |
This is all for you, my darling. | 0:01:23 | 0:01:26 | |
Today, we're in the Berkshire town of Thatcham. | 0:01:30 | 0:01:33 | |
It became a Norman village in the 11th century | 0:01:33 | 0:01:36 | |
and now has a population of 25,000. | 0:01:36 | 0:01:39 | |
But one women is a one-in-a-million resident who works tirelessly | 0:01:40 | 0:01:44 | |
for local charities and her neighbours in need, | 0:01:44 | 0:01:46 | |
and that's 91-year-old Joyce Lovelock. | 0:01:46 | 0:01:50 | |
As her saying is, "Never fear, Joyce is here." | 0:01:50 | 0:01:53 | |
I just think she's a credit to us all. | 0:01:53 | 0:01:56 | |
Whether it's selling poppies for her beloved British Legion | 0:01:56 | 0:01:59 | |
or caring for pensioners who are younger than she is, | 0:01:59 | 0:02:02 | |
Joyce is a woman who never tires of giving. | 0:02:02 | 0:02:05 | |
I feel I'm helping somebody. | 0:02:05 | 0:02:08 | |
That's me. | 0:02:09 | 0:02:11 | |
'I met up with her daughters, Sue and Elaine, | 0:02:11 | 0:02:13 | |
'near Joyce's retirement flat to find out more about her.' | 0:02:13 | 0:02:17 | |
So, when did Mum first move here? | 0:02:17 | 0:02:19 | |
Mum moved here nearly 30 years ago | 0:02:19 | 0:02:22 | |
and she said, "If I ever moved, I want to stay in Thatcham, | 0:02:22 | 0:02:26 | |
"because Thatcham's my life, Thatcham's my heart," | 0:02:26 | 0:02:29 | |
and that's where she wanted to stay. | 0:02:29 | 0:02:31 | |
Joyce was born in Thatcham in 1925, one of nine children, | 0:02:31 | 0:02:36 | |
including sisters Audrey and Shirley. | 0:02:36 | 0:02:39 | |
We were poor but happy. We had really good parents and... | 0:02:39 | 0:02:45 | |
-There was no money. -There was no money, | 0:02:45 | 0:02:47 | |
there was no material things, but Mum made do and mend. | 0:02:47 | 0:02:52 | |
When it came to helping others, Joyce's mum, Elsie, led by example. | 0:02:52 | 0:02:57 | |
She always helped people. She did. | 0:02:57 | 0:03:00 | |
She was always washing and ironing for somebody. | 0:03:00 | 0:03:05 | |
Joyce married husband Harold and had three children, | 0:03:06 | 0:03:09 | |
but their 30 happy years together ended when he passed away. | 0:03:09 | 0:03:14 | |
He had rheumatoid arthritis, he was unrecognisable. | 0:03:16 | 0:03:20 | |
He wasn't the dad we knew growing up | 0:03:20 | 0:03:22 | |
that was always full of laughter and fun. | 0:03:22 | 0:03:25 | |
Even though it's over 40-odd years... | 0:03:26 | 0:03:29 | |
..not a day goes by when we don't think of him. | 0:03:31 | 0:03:34 | |
Couldn't wish for a better husband. | 0:03:36 | 0:03:39 | |
With Harold now gone, | 0:03:41 | 0:03:43 | |
Joyce threw herself into charity work and helping others. | 0:03:43 | 0:03:46 | |
They always used to say, "Look after those that can't help themselves." | 0:03:46 | 0:03:54 | |
I always think of these words, yes, I do. | 0:03:55 | 0:03:59 | |
I'm just so proud of her. | 0:03:59 | 0:04:01 | |
You just mention her name in the village | 0:04:02 | 0:04:05 | |
and everybody knows of her | 0:04:05 | 0:04:08 | |
or knows what she's done to help and she's just an amazing lady. | 0:04:08 | 0:04:13 | |
-So, she's up really early? -She's up at five in the morning. -Yeah. | 0:04:17 | 0:04:21 | |
-Gets herself ready and... -Off she goes. -She gets the papers. | 0:04:21 | 0:04:26 | |
She gets the papers for the neighbours, | 0:04:26 | 0:04:28 | |
-does their shopping as well. -Yes. -That's right. | 0:04:28 | 0:04:30 | |
Then she picks up the shopping lists, does all their shopping. | 0:04:30 | 0:04:34 | |
How long has she been doing the poppy appeal for, selling poppies? | 0:04:34 | 0:04:38 | |
-55 years. -55 years? -This is her life. | 0:04:38 | 0:04:41 | |
She just loves collecting for the poppies | 0:04:41 | 0:04:44 | |
and now seeing all the soldiers that are coming back | 0:04:44 | 0:04:47 | |
that are wounded and families and everything, she... | 0:04:47 | 0:04:49 | |
-She's got a great heart and soul. -She has. -She has. -She has. | 0:04:49 | 0:04:53 | |
To thank Joyce for all her years of selling poppies | 0:04:53 | 0:04:56 | |
and the good deeds she does for her neighbours, | 0:04:56 | 0:04:58 | |
we want to send her and her family here, | 0:04:58 | 0:05:01 | |
the National Memorial Arboretum. | 0:05:01 | 0:05:03 | |
The cost will be £1,000, and this is how we're going to do it. | 0:05:03 | 0:05:08 | |
The plan is we tread the pavements around Thatcham, | 0:05:08 | 0:05:12 | |
knocking on as many doors as we can today, | 0:05:12 | 0:05:15 | |
asking all of Joyce's friends and neighbours | 0:05:15 | 0:05:18 | |
to donate any unwanted or unloved items they have, | 0:05:18 | 0:05:21 | |
so we can sell in a pop-up street auction | 0:05:21 | 0:05:23 | |
which is happening in about a month's time. | 0:05:23 | 0:05:26 | |
Now, that is a big ask. | 0:05:26 | 0:05:27 | |
But we also need to keep this a secret from Joyce | 0:05:27 | 0:05:30 | |
until after the auction. | 0:05:30 | 0:05:32 | |
And looking around here at this tightknit community, | 0:05:32 | 0:05:34 | |
that is going to be a challenge and a half. | 0:05:34 | 0:05:36 | |
Now, I can't do this by myself, | 0:05:36 | 0:05:38 | |
so I've called in car boot sale bargain hunter | 0:05:38 | 0:05:42 | |
and upcycling queen Irina Aggrey to help me. | 0:05:42 | 0:05:45 | |
-Give us a hug. -Morning! -Good morning! | 0:05:45 | 0:05:48 | |
-You don't now what you let yourself in for. -I know! | 0:05:48 | 0:05:51 | |
-Come on, let's walk and talk, OK. -Yes, let's do it. | 0:05:51 | 0:05:54 | |
I want to help her and I need your help. | 0:05:56 | 0:05:59 | |
She sounds as if she's got a heart of gold, | 0:05:59 | 0:06:00 | |
-so we need to put her first. -Yeah. -Definitely. | 0:06:00 | 0:06:02 | |
We've got a bric-a-brac stall, we've got second-hand books, | 0:06:02 | 0:06:05 | |
-second-hand kids' clothes, bikes, toys, you name it. -Everything! | 0:06:05 | 0:06:08 | |
We've got crafts as well, and that's where you come in, | 0:06:08 | 0:06:11 | |
cos hopefully, you can upcycle a few things. | 0:06:11 | 0:06:13 | |
Yeah, I'll put some TLC in there and see what happens | 0:06:13 | 0:06:15 | |
and, hopefully, we can make a few quid. | 0:06:15 | 0:06:17 | |
-Make some bucks - that's what it's all about. -Yes. | 0:06:17 | 0:06:19 | |
I'm going over there, so let's start around there. | 0:06:19 | 0:06:21 | |
-I'll keep an eye on you. -OK, good luck. | 0:06:21 | 0:06:23 | |
'So, good people of Thatcham, what have you got for us?' | 0:06:25 | 0:06:29 | |
No-one in. Right, let's try next door.. | 0:06:29 | 0:06:32 | |
No luck. At least the houses are close together. | 0:06:33 | 0:06:35 | |
Let's go over there. | 0:06:35 | 0:06:37 | |
'Every cloud has a silver lining.' | 0:06:37 | 0:06:40 | |
No, no joy. OK, let's try another one. | 0:06:40 | 0:06:43 | |
DOG BARKS Yeah, I see you! | 0:06:43 | 0:06:45 | |
DOG CONTINUES TO BARK | 0:06:45 | 0:06:48 | |
-DOG BARKS -Hopefully, he won't munch on ME! | 0:06:48 | 0:06:52 | |
No-one in there. Big dog though. DOG BARKS | 0:06:52 | 0:06:55 | |
Sounds like a little dog in this house. Listen to this. | 0:06:55 | 0:06:59 | |
DOG YAPS | 0:06:59 | 0:07:01 | |
Dogs all over the place. | 0:07:01 | 0:07:04 | |
They're having a conversation with each other. "Don't let them in." | 0:07:04 | 0:07:07 | |
Oh, hello. Oh, let me just shut the gate. Hang on. Is he friendly? | 0:07:07 | 0:07:11 | |
-Is it a boy or girl? -Yes, he's friendly. | 0:07:11 | 0:07:13 | |
It's a boy and goes by the name of Raffa. | 0:07:13 | 0:07:16 | |
The owner, Norman, might have something for us in his garage. | 0:07:16 | 0:07:19 | |
Oh, I'm loving this! This is a proper adventure. | 0:07:19 | 0:07:22 | |
-I quite like those. -They're made for... | 0:07:22 | 0:07:27 | |
-Carpentry and joining is what I used to do years ago. -Yes. | 0:07:27 | 0:07:30 | |
These are really handy. | 0:07:30 | 0:07:32 | |
These aren't proper joinery or carpentry benches, | 0:07:32 | 0:07:35 | |
just horses to saw wood on top, | 0:07:35 | 0:07:37 | |
but they could be handy for someone and might fetch a couple of pounds. | 0:07:37 | 0:07:41 | |
-Would you be willing to donate these? -Yes. -Brilliant, thank you. | 0:07:41 | 0:07:44 | |
-There's a couple of old bikes here as well, if you... -Old bikes? | 0:07:44 | 0:07:47 | |
-Let's have a look. -That's more like it. | 0:07:47 | 0:07:50 | |
The mountain bikes are made by a respected Australian company | 0:07:50 | 0:07:53 | |
and, in good second-hand condition, could make £20 each. | 0:07:53 | 0:07:57 | |
-Who did these belong to before? -My daughter and her husband. | 0:07:57 | 0:08:00 | |
-They live in the Caribbean. -Oh, really? | 0:08:00 | 0:08:03 | |
It's obviously too hot to cycle in the Caribbean. | 0:08:03 | 0:08:06 | |
-'But it's about time -I -found something.' | 0:08:07 | 0:08:10 | |
-What's your name, by the way? -Steve. -Steve, it's Paul. | 0:08:10 | 0:08:13 | |
That brass horse thing. That's probably worth... | 0:08:13 | 0:08:15 | |
It weighs an absolute ton. You're welcome to take that. | 0:08:15 | 0:08:18 | |
'Once very popular, brass ornaments have fallen out of fashion, | 0:08:18 | 0:08:21 | |
'partly because they need a lot of polishing. | 0:08:21 | 0:08:23 | |
'On the bric-a-brac stall, I still think it could make a fiver.' | 0:08:23 | 0:08:27 | |
Brilliant! Thank you. Thank you. Sorry to barge in on you. | 0:08:27 | 0:08:31 | |
Now off her bike, Irina's met 84-year-old Douglas. | 0:08:31 | 0:08:35 | |
Anything that you were going to clear out, | 0:08:35 | 0:08:37 | |
send off to the junk shop or something. | 0:08:37 | 0:08:40 | |
-Let's have a look. -Can I follow you? -Come in. | 0:08:40 | 0:08:42 | |
Now, Douglas once owned an antique shop, | 0:08:42 | 0:08:45 | |
so we might have a bit of luck here. | 0:08:45 | 0:08:47 | |
-Is this marble? -Onyx. -Oh, onyx. -Yes. | 0:08:47 | 0:08:51 | |
Onyx is a type of stone that's been carved | 0:08:51 | 0:08:53 | |
and used in jewellery and ornament making for centuries. | 0:08:53 | 0:08:57 | |
-Oh, wow. -It's not working though. | 0:08:57 | 0:08:58 | |
That's OK cos some clockmakers could get this to work again. | 0:08:58 | 0:09:01 | |
-And you bought this in Paris? -Yes. | 0:09:01 | 0:09:04 | |
That's absolutely beautiful. Onyx. | 0:09:04 | 0:09:06 | |
-And I love the dials on it. Oh... -It's lovely. | 0:09:06 | 0:09:09 | |
-How old do you think this is? -Pre-war. -Pre-war? -Yeah. | 0:09:09 | 0:09:14 | |
Douglas's late 19-century French clock might be broken | 0:09:14 | 0:09:18 | |
but it would be an attractive buy | 0:09:18 | 0:09:19 | |
for someone who collects and fixes clocks. | 0:09:19 | 0:09:22 | |
It's such a generous gift for you to donate. Thank you very much. | 0:09:22 | 0:09:26 | |
And that's going to be now on someone's mantelpiece on display. | 0:09:26 | 0:09:29 | |
-That's right, that's what it's for. -It's stunning. | 0:09:29 | 0:09:32 | |
What's even more stunning is Douglas is new to the area | 0:09:32 | 0:09:35 | |
and doesn't even know Joyce. | 0:09:35 | 0:09:37 | |
'Now, that's generosity. | 0:09:37 | 0:09:39 | |
'I, meanwhile, have moved from the street onto the high street.' | 0:09:39 | 0:09:43 | |
We've got to start here - a good old cut and blow-dry. | 0:09:43 | 0:09:47 | |
'I bet they know about Joyce in here.' You know her, yeah? | 0:09:47 | 0:09:51 | |
-She used to babysit me when I was little. -Well, there you go. -Yeah. | 0:09:51 | 0:09:54 | |
OK, does she go shopping for all the other old folk? | 0:09:54 | 0:09:56 | |
-Yeah, she comes up here. -Brilliant, you all know her. | 0:09:56 | 0:09:58 | |
-Yeah, we all know her. -What I'm after is, let's say, | 0:09:58 | 0:10:00 | |
-a free cut and blow-dry that I can auction off. -Yeah. | 0:10:00 | 0:10:03 | |
-Could you do that? -Yeah. | 0:10:03 | 0:10:04 | |
-You said Joyce used to babysit you. -Me and my sister, yeah. | 0:10:04 | 0:10:08 | |
Tell me about her then. | 0:10:08 | 0:10:10 | |
Um, she's a friend of the family's and she used to have her hair done | 0:10:10 | 0:10:13 | |
at my dad's place and she used to look after me and my sister | 0:10:13 | 0:10:16 | |
after school and before that. | 0:10:16 | 0:10:17 | |
We used to stay overnight when she lived in Chapel Street. | 0:10:17 | 0:10:20 | |
Should be tears all round on the day. | 0:10:20 | 0:10:21 | |
-You've been a big help, thank you. -Thank you. | 0:10:21 | 0:10:23 | |
-Mums the word. -Thank you. -Brilliant! | 0:10:23 | 0:10:26 | |
'But outside, look who I see.' | 0:10:29 | 0:10:30 | |
I was just sitting down having a well-earned coffee break | 0:10:33 | 0:10:35 | |
and I just saw Joyce walk past. There, look. | 0:10:35 | 0:10:39 | |
She's just gone down to the baker's shop. Do you know what? | 0:10:39 | 0:10:42 | |
When she comes out of there, I'm going in that baker's shop, | 0:10:42 | 0:10:45 | |
cos they obviously know her and, hopefully, we can get some buns. | 0:10:45 | 0:10:48 | |
'The coast is clear, | 0:10:48 | 0:10:50 | |
'so let's go and see if they can bake up a storm for us. | 0:10:50 | 0:10:52 | |
'And, luckily, these ladies are some of Joyce's biggest fans.' | 0:10:52 | 0:10:57 | |
She is the most sweetest, caring, kind individual. | 0:10:57 | 0:11:01 | |
-She would do anything for anybody. -And she does. | 0:11:01 | 0:11:04 | |
She lives in an old people's home, | 0:11:04 | 0:11:06 | |
she's probably one of the oldest ladies there, | 0:11:06 | 0:11:09 | |
and she's always coming in. | 0:11:09 | 0:11:10 | |
She does all their shopping, she looks after them, | 0:11:10 | 0:11:13 | |
-she gets all their medicine, gets all their stuff for them. -Oh, wow. | 0:11:13 | 0:11:16 | |
-She's the star of Thatcham. -She's like the queen of Thatcham. | 0:11:16 | 0:11:18 | |
-Right, OK. -Hail, Joyce, we love you. | 0:11:18 | 0:11:21 | |
I love her to bits! | 0:11:21 | 0:11:23 | |
'I think some iced buns are heading our way.' | 0:11:23 | 0:11:25 | |
Could you make some cakes for us to sell or something like that? | 0:11:25 | 0:11:28 | |
-I'm sure we can. -Whatever you've got, it would great. | 0:11:28 | 0:11:30 | |
We could sell them | 0:11:30 | 0:11:32 | |
There will be a lot of people turning up and they'll be hungry. | 0:11:32 | 0:11:34 | |
'Let them eat cake, I say.' | 0:11:34 | 0:11:36 | |
-Back on the street, Irina's spirits are getting even higher. -Oh, wow! | 0:11:36 | 0:11:41 | |
-They look gorgeous. -Add to your collection. -Thank you so much. | 0:11:41 | 0:11:46 | |
-Do you know where these are from? -No, no idea. -They're so nice. | 0:11:46 | 0:11:50 | |
You could put some nice whisky in there. | 0:11:50 | 0:11:53 | |
The popularity of spirit decanters began to fade in the 1960s, | 0:11:53 | 0:11:57 | |
but John has one good idea for starting a revival. | 0:11:57 | 0:12:00 | |
Do you want me to fill it up? | 0:12:00 | 0:12:03 | |
Oh, yes, please! | 0:12:03 | 0:12:04 | |
Unfilled, they could still reach £2 each on the bric-a-brac stall | 0:12:04 | 0:12:08 | |
and it's all for Joyce's benefit. | 0:12:08 | 0:12:11 | |
We know Joyce, yeah. | 0:12:11 | 0:12:13 | |
-Everybody knows Joyce. -Yeah, I do know her. | 0:12:13 | 0:12:15 | |
She's always been a very caring lady. | 0:12:15 | 0:12:17 | |
She's had a lot to do with the British Legion, selling poppies. | 0:12:17 | 0:12:20 | |
Always caring for the elderly. | 0:12:20 | 0:12:22 | |
Joyce is particularly devoted to the British Legion | 0:12:24 | 0:12:27 | |
because of her father, Edward's, service in the First World War. | 0:12:27 | 0:12:31 | |
He didn't want to leave us, course he didn't. | 0:12:31 | 0:12:34 | |
But he had a duty to do, so he was willing to do it. | 0:12:34 | 0:12:40 | |
Edward was in the Royal Artillery | 0:12:40 | 0:12:42 | |
and fought in the Battle of the Somme. | 0:12:42 | 0:12:44 | |
After the war, he returned home to be with his family. | 0:12:44 | 0:12:48 | |
He was very, very lucky to come back, especially with the trenches. | 0:12:49 | 0:12:56 | |
He was in the trenches. | 0:12:56 | 0:12:58 | |
He used to have...scream out in the night | 0:12:58 | 0:13:01 | |
because he relived his time in the trenches. | 0:13:01 | 0:13:06 | |
He suffered with his lungs because he was gassed. | 0:13:06 | 0:13:09 | |
Joyce began selling poppies 55 years ago, | 0:13:11 | 0:13:13 | |
in memory of her father and would often take her daughters with her. | 0:13:13 | 0:13:17 | |
I can remember being a small child | 0:13:19 | 0:13:21 | |
and my sister, we would go round all over Thatcham | 0:13:21 | 0:13:26 | |
getting money to put in the poppy tin. | 0:13:26 | 0:13:29 | |
As well as selling poppies, | 0:13:29 | 0:13:31 | |
Joyce attends every Remembrance service, | 0:13:31 | 0:13:34 | |
wearing her father's medals. | 0:13:34 | 0:13:36 | |
I feel I've done something to help the country, | 0:13:37 | 0:13:42 | |
especially the servicemen. | 0:13:42 | 0:13:45 | |
BELL RINGS | 0:13:45 | 0:13:48 | |
-Do many people use that? -They do sometimes. -They do, yeah? | 0:13:48 | 0:13:51 | |
-It's too tempting. I love it. -I like your jacket. -Oh, thank you. | 0:13:51 | 0:13:55 | |
Thanks a lot. Well, I love your bell. | 0:13:55 | 0:13:58 | |
-Um, did you get a leaflet through the door? -I did. | 0:13:58 | 0:14:00 | |
-So you know what this is about. -Yes. -Street Auction. | 0:14:00 | 0:14:02 | |
-Yeah, I've got a few bits for you. -Have you? # Hallelujah! # | 0:14:02 | 0:14:06 | |
And inside, Rosemary is true to her word. | 0:14:06 | 0:14:09 | |
-That's so collectible! -Is it? -Love it, yes. That's fantastic. | 0:14:09 | 0:14:12 | |
-People go crazy for these. -Do they? | 0:14:12 | 0:14:14 | |
-They're never out of fashion. -Oh, OK. | 0:14:14 | 0:14:16 | |
Before we had rubber hot water bottles, | 0:14:16 | 0:14:19 | |
we had these, made of ceramic. | 0:14:19 | 0:14:21 | |
As well as being used in bed, | 0:14:21 | 0:14:22 | |
they were often taken on long draughty coach rides | 0:14:22 | 0:14:26 | |
to keep the passengers warm. | 0:14:26 | 0:14:28 | |
-What did you use to use it for? -A doorstop. | 0:14:28 | 0:14:30 | |
-Really? -Yeah. It used to sit on there. It used to be a doorstop. | 0:14:30 | 0:14:34 | |
I reckon we could get a fiver for it on the bric-a-brac stall. | 0:14:34 | 0:14:38 | |
But Rosemary has raided her jewellery box too. | 0:14:38 | 0:14:41 | |
So, these are like semiprecious stones. | 0:14:41 | 0:14:44 | |
They're so pretty. I love the green colour. | 0:14:44 | 0:14:47 | |
-Hand-made? -I don't know. | 0:14:47 | 0:14:48 | |
-Probably were actually. -Where did you get them from? | 0:14:48 | 0:14:51 | |
I got them from a crafts sale many years ago, | 0:14:51 | 0:14:53 | |
-so they probably were hand-made, actually. -They're lovely. | 0:14:53 | 0:14:56 | |
They are beautiful and silver is very contemporary. But there's more. | 0:14:56 | 0:15:00 | |
-These need a clean, actually. -Are they silver as well? -They are. | 0:15:00 | 0:15:04 | |
-I can't get them on any more. -Beautiful, look at that. -You could. | 0:15:04 | 0:15:08 | |
Yeah, I know, I've got tiny wrists. | 0:15:08 | 0:15:11 | |
Gorgeous, look at that! | 0:15:11 | 0:15:14 | |
Don't get too attached, Irina. Those bangles are saleroom bound. | 0:15:14 | 0:15:17 | |
-You been with Granny today then? -Yeah. -Ah, that's sweet, isn't it? | 0:15:17 | 0:15:21 | |
'Back on the street, | 0:15:21 | 0:15:22 | |
'I met Linda and granddaughter Millie returning home.' | 0:15:22 | 0:15:25 | |
You know where you live? | 0:15:25 | 0:15:28 | |
Oh, bless! Oh, isn't that sweet? | 0:15:28 | 0:15:31 | |
Have you got anything you can donate towards our street party? | 0:15:31 | 0:15:35 | |
-Yeah, I've got stuff in the garage. -Can we come and have a look? -Yes. | 0:15:35 | 0:15:38 | |
Thank you. Thank you. Bless you. | 0:15:38 | 0:15:41 | |
Are we going to be allowed to take things away if they were yours? | 0:15:41 | 0:15:45 | |
You might not let us. 'Now that could be tricky.' | 0:15:45 | 0:15:48 | |
This is going to be really hard to take away. | 0:15:48 | 0:15:50 | |
I know what kids are like. | 0:15:50 | 0:15:51 | |
I've got a daughter and anything pink doesn't leave the house. | 0:15:51 | 0:15:55 | |
-She's got plenty. -Will we be able to sell this? -Yes. | 0:15:55 | 0:15:59 | |
-Can we sell this so other little girls can play with it? -Yeah. | 0:15:59 | 0:16:03 | |
-Can we do that? -Yeah. -Do you know something? | 0:16:03 | 0:16:06 | |
-You're such a good sharer, aren't you? -Yeah. -Yeah. Oh, bless! | 0:16:06 | 0:16:11 | |
'Not only is Millie letting us have her old toys, | 0:16:11 | 0:16:13 | |
'she's even carrying them out.' | 0:16:13 | 0:16:15 | |
Ah! We'll put one there. There we go. | 0:16:15 | 0:16:20 | |
What's this? Do you know what this is? | 0:16:20 | 0:16:22 | |
-Yeah, that's a book. -What's that one? | 0:16:22 | 0:16:24 | |
-That's an elephant. -Yeah, elephant. -That's one. -That's a number one. | 0:16:24 | 0:16:27 | |
-Yeah, and four. -That's a number two. | 0:16:27 | 0:16:30 | |
'We should get 50p a book and at least a couple of pounds | 0:16:30 | 0:16:33 | |
'for a good second-hand kiddy's toy.' Ah. | 0:16:33 | 0:16:36 | |
It does need a bit of attention. | 0:16:36 | 0:16:39 | |
Back at Rosemary's, | 0:16:39 | 0:16:40 | |
an old timepiece could strike the right note for the saleroom. | 0:16:40 | 0:16:43 | |
-Are you giving this away? -Well, it needs repairing and, yeah, | 0:16:43 | 0:16:46 | |
I've actually had it fixed once and it's gone again, so... | 0:16:46 | 0:16:50 | |
Beautiful, classic watch there. Lady's watch. | 0:16:50 | 0:16:53 | |
The watch is made by Longines, a luxury Swiss manufacturer, | 0:16:53 | 0:16:57 | |
founded in 1832. | 0:16:57 | 0:16:59 | |
It might not work, | 0:16:59 | 0:17:01 | |
but I think that could tick-tock to £50 in the saleroom. | 0:17:01 | 0:17:04 | |
More bling! More earrings. | 0:17:04 | 0:17:07 | |
Yeah, lots of the stones are missing from those. | 0:17:07 | 0:17:09 | |
That's OK, you can't tell. | 0:17:09 | 0:17:11 | |
-Somebody might be able to put the stones back or whatever. -Yes. | 0:17:11 | 0:17:14 | |
These drop earrings are a lovely classic shape, | 0:17:14 | 0:17:16 | |
especially with the fringe below. | 0:17:16 | 0:17:18 | |
These are absolutely stunning. | 0:17:18 | 0:17:20 | |
I think somebody's going to really love these and cherish them. | 0:17:20 | 0:17:24 | |
-Hopefully. -Thank you so much. | 0:17:24 | 0:17:26 | |
All of Rosemary's jewellery can go off to auction, where the auctioneer | 0:17:26 | 0:17:29 | |
will probably split them into groups to get the very best price. | 0:17:29 | 0:17:33 | |
I' going to give you a hug. Thank you so much, thank you. | 0:17:33 | 0:17:36 | |
What a wonderful donation. And we're still getting more at Millie's. | 0:17:36 | 0:17:40 | |
-Children's wardrobe? -Yes, please. Can we have that? -Yes. | 0:17:40 | 0:17:44 | |
We could paint that a bright colour. Oh! That's brilliant. Are you sure? | 0:17:44 | 0:17:49 | |
-Positive. Take it out. -Yes, yes. -Right, do you know what? | 0:17:49 | 0:17:52 | |
I'm going to get this out before you change your mind. | 0:17:52 | 0:17:55 | |
That's brilliant! | 0:17:55 | 0:17:56 | |
If you had to buy something like that from a department store, | 0:17:56 | 0:17:59 | |
it would cost you £120, £150. | 0:17:59 | 0:18:02 | |
We can paint that and I reckon we'll get £30 for that. It's brilliant. | 0:18:02 | 0:18:07 | |
You've been really generous, all of you. | 0:18:07 | 0:18:10 | |
-A Denby pot. -A Denby pottery? Denby's such a great make! | 0:18:11 | 0:18:16 | |
You know what's so good about these? | 0:18:16 | 0:18:17 | |
They still make them, so if you break it, | 0:18:17 | 0:18:20 | |
you can pop into a shop and buy it. It looks brand-new. | 0:18:20 | 0:18:24 | |
-Does Mummy not use it, no? -Er, no. -Thank you so much. -That's OK. | 0:18:24 | 0:18:29 | |
Hmm, wow! Very nice, thank you. | 0:18:29 | 0:18:33 | |
Joyce has lived in Thatcham all her life | 0:18:35 | 0:18:36 | |
and loves the place and the people. | 0:18:36 | 0:18:38 | |
That's the church where she married Harold. | 0:18:38 | 0:18:41 | |
One of Joyce's neighbours, Margaret, might have something | 0:18:41 | 0:18:44 | |
'that could attract some local attention too.' | 0:18:44 | 0:18:47 | |
-Can we have them? -Yes. -Oh, fantastic! Thank you. | 0:18:47 | 0:18:51 | |
Oh, really nice. I know they're only... That one's a modern print. | 0:18:51 | 0:18:54 | |
-That one's... -This one's Thatcham, isn't it? | 0:18:54 | 0:18:57 | |
-Yeah, that's St Mary's Church in Thatcham. -Yeah. | 0:18:57 | 0:19:01 | |
That's a print as well, but it's a limited edition. 41 of 100. | 0:19:01 | 0:19:05 | |
I think we could sell that locally and someone might buy that, | 0:19:05 | 0:19:08 | |
don't you? Isn't that sweet? Oh, thank you very much! | 0:19:08 | 0:19:12 | |
-You're very welcome. -Thank you very much. | 0:19:12 | 0:19:15 | |
Now, here, I've got, | 0:19:15 | 0:19:17 | |
it looks like a sort of 1980s print, mass-produced. | 0:19:17 | 0:19:20 | |
We might get a couple of quid for that. And this one's another print. | 0:19:20 | 0:19:24 | |
It's a limited edition of 41 out of 100. | 0:19:24 | 0:19:27 | |
We might get £10 for that, which is great. It's all going to help. | 0:19:27 | 0:19:32 | |
I wonder if Irina will uncover anything else with a local link? | 0:19:33 | 0:19:37 | |
Hello, sir. Oh, a meerkat. Oh, my God, that's amazing! | 0:19:37 | 0:19:41 | |
-I'm not so sure, Irina. -Really? -Yes. -Have you named him? | 0:19:41 | 0:19:44 | |
-No, no, I haven't. -Who gave it to you? | 0:19:44 | 0:19:48 | |
-Well, I've got some more in there. -Have you? -Yes. -Oh, my gosh. | 0:19:48 | 0:19:51 | |
He just whips this out from behind the door. It's a meerkat. | 0:19:51 | 0:19:54 | |
I'm in love with him already. | 0:19:54 | 0:19:56 | |
Right now, meerkat stone statues are very popular garden ornaments. | 0:19:56 | 0:20:01 | |
This is definitely the indoor variety, | 0:20:01 | 0:20:03 | |
but its cuteness factor should garner £5 on our stalls. | 0:20:03 | 0:20:07 | |
-Bye. -Bye. | 0:20:07 | 0:20:08 | |
But right now, I'm heading to the local post office, | 0:20:08 | 0:20:11 | |
where Joyce is one of Sue's regular customers. | 0:20:11 | 0:20:15 | |
Whether it's cold, rainy, hot, she's here, all weathers. | 0:20:15 | 0:20:19 | |
She also comes into the shop to do everybody's shopping. | 0:20:19 | 0:20:22 | |
-She's one in a million. -Yeah. | 0:20:22 | 0:20:24 | |
As her saying is, "Never fear, Joyce is here." | 0:20:24 | 0:20:27 | |
-That's nice, isn't it? -Yeah. -"Never fear, Joyce is here." | 0:20:27 | 0:20:30 | |
And Joyce is here for all her neighbours, | 0:20:30 | 0:20:33 | |
as sisters Shirley and Audrey know only too well. | 0:20:33 | 0:20:37 | |
Early morning papers for at least, I think, nine or ten people, isn't it? | 0:20:37 | 0:20:44 | |
And that would be round about 7 o'clock, isn't it? | 0:20:44 | 0:20:47 | |
Yeah, 7 o'clock, half past. | 0:20:47 | 0:20:49 | |
And then she goes to get prescriptions and shopping | 0:20:49 | 0:20:54 | |
for two or three people. | 0:20:54 | 0:20:57 | |
One of the couples she goes shopping for daily | 0:20:58 | 0:21:00 | |
is her younger sister Lorna, who has dementia, | 0:21:00 | 0:21:03 | |
and her husband Douglas. | 0:21:03 | 0:21:05 | |
What sort of a night did you have? Dougie had a good night? | 0:21:05 | 0:21:10 | |
Cos he's going today, isn't he? Or is it tomorrow? | 0:21:10 | 0:21:15 | |
LORNA MUMBLES | 0:21:15 | 0:21:17 | |
I shall do your shopping and get your things. | 0:21:17 | 0:21:21 | |
-Need soup. -You want...soup? All right. | 0:21:21 | 0:21:26 | |
-She's wonderful! -Oh! | 0:21:26 | 0:21:28 | |
I can't say enough about her help. | 0:21:31 | 0:21:34 | |
When I see her, I'm so pleased. I feel... | 0:21:35 | 0:21:41 | |
I'm poor. | 0:21:42 | 0:21:43 | |
Sometimes you feel empty. | 0:21:46 | 0:21:49 | |
But she's...the light of my life. | 0:21:50 | 0:21:54 | |
I just idolise her. | 0:21:57 | 0:21:58 | |
She's my rock. I just love her to death. | 0:22:02 | 0:22:06 | |
I just think she's a credit to us all. | 0:22:07 | 0:22:10 | |
And I hope she goes on for a few more years yet. | 0:22:12 | 0:22:15 | |
'Back in the close, | 0:22:18 | 0:22:20 | |
'we've attracted the attention of Joyce and her neighbours. | 0:22:20 | 0:22:23 | |
'She might be getting suspicious, so I hope I'm not rumbled. Here goes.' | 0:22:23 | 0:22:28 | |
We are going around the houses, knocking on people's doors, | 0:22:28 | 0:22:32 | |
asking if they have any unloved or unwanted items. | 0:22:32 | 0:22:35 | |
-You'll never guess what. -What? | 0:22:35 | 0:22:37 | |
My daughter brought me God knows what yesterday | 0:22:37 | 0:22:41 | |
cos she read the paper and she brought God knows what. | 0:22:41 | 0:22:48 | |
I've got it in my bedroom. | 0:22:48 | 0:22:50 | |
So tell me a bit about yourself, Joyce. What do you do? | 0:22:50 | 0:22:53 | |
-How long have you been here? -I'm 90 years old. | 0:22:53 | 0:22:57 | |
Wow, you don't look it! | 0:22:57 | 0:22:59 | |
Well, that's what they tell me. I'm glad you've told me that. | 0:22:59 | 0:23:04 | |
My life has consisted of others, | 0:23:06 | 0:23:09 | |
help others that can't help themselves. | 0:23:09 | 0:23:12 | |
And if there's anybody wants anything, they've only got to ask. | 0:23:12 | 0:23:17 | |
I can see loads of eggs in there. What's going on? | 0:23:17 | 0:23:20 | |
-That's shopping for other people. -I go shopping for other people. | 0:23:20 | 0:23:23 | |
You go shopping for other people? People should go shopping for YOU! | 0:23:23 | 0:23:26 | |
-She shops for other people. -No, I love doing it, don't I? | 0:23:26 | 0:23:29 | |
-Every morning she's out. -At 8 o'clock. | 0:23:29 | 0:23:33 | |
-You've got to start slowing down! -Why? Don't start telling me that! | 0:23:33 | 0:23:39 | |
-Do you think that's what keeps you going then? -It is. -Yeah. -It is. | 0:23:39 | 0:23:42 | |
'Joyce has collected some things for us in her flat.' | 0:23:42 | 0:23:46 | |
-Lovely little home you've got, Joyce. -Have a look. | 0:23:46 | 0:23:51 | |
-Oh, wow, look at this. -Look. | 0:23:51 | 0:23:53 | |
-Look at it. -It's a collection of thimbles. -Thimbles. -Yeah. | 0:23:53 | 0:23:57 | |
-That's a lampshade. -Yeah, that's a duster. -A duster. Handbag. | 0:23:57 | 0:24:01 | |
-That's never been used. -There's a pair of shoes in there. | 0:24:01 | 0:24:05 | |
'I'll get Joyce's stuff down to the van, but outside, | 0:24:05 | 0:24:07 | |
'I bump into Joyce's daughter Sue, | 0:24:07 | 0:24:09 | |
'and I have to admit I'm getting a little bit nervous.' | 0:24:09 | 0:24:12 | |
-Quite a few people have twigged. -Have they really? -Yeah. | 0:24:12 | 0:24:17 | |
-A couple of her friends have twigged. -Have they? -Yeah. | 0:24:17 | 0:24:20 | |
-I didn't tell them, but the word's leaking out now. -Right. | 0:24:20 | 0:24:23 | |
I sure hope not because we won't get her here if she knows about it. | 0:24:23 | 0:24:27 | |
-She'll scarper, won't she? -She will scarper. | 0:24:27 | 0:24:29 | |
'And this secret is getting harder to keep | 0:24:29 | 0:24:32 | |
'when the lady in question tiptoes up behind you.' | 0:24:32 | 0:24:35 | |
-Can you accept this? -Oh, no, not ME again! | 0:24:35 | 0:24:38 | |
-Is that for us as well? -Yes. | 0:24:38 | 0:24:41 | |
Joyce, have you been having another clearout? | 0:24:41 | 0:24:43 | |
No, that's our lovely mirror. | 0:24:43 | 0:24:46 | |
-I forgot that. -Creeping up on us. | 0:24:46 | 0:24:49 | |
That's a lovely mirror because it's got a nice bevel on it. | 0:24:49 | 0:24:52 | |
-That's right. -I know it's a modern mirror, | 0:24:52 | 0:24:54 | |
but if you had to buy a modern mirror in a department store, | 0:24:54 | 0:24:58 | |
that would be about £50 with a bevel, so that's a tenner for us. | 0:24:58 | 0:25:02 | |
-This one? -And that's nice as well, isn't it? -There you are. -Yeah. | 0:25:02 | 0:25:06 | |
-Joyce, thank you very much. -OK, darling. -Brilliant! | 0:25:06 | 0:25:09 | |
Everyone's been so helpful. | 0:25:09 | 0:25:11 | |
Can you believe that? When I was talking to Joyce's daughter, | 0:25:12 | 0:25:15 | |
I wanted to get more from her about Joyce, you know. | 0:25:15 | 0:25:18 | |
She was saying she's so proud of her. | 0:25:18 | 0:25:20 | |
I would be, if that was my mum. Gosh, I would be. | 0:25:20 | 0:25:22 | |
Brought us a choice of mirrors and these. | 0:25:22 | 0:25:26 | |
Here you are, John. PAUL LAUGHS | 0:25:26 | 0:25:29 | |
Well, no sooner is the van packed, it's now got to be unpacked | 0:25:30 | 0:25:33 | |
to see what Irina and I have collected on our rummage. | 0:25:33 | 0:25:37 | |
Our lines are almost the same length but who will have more items | 0:25:38 | 0:25:41 | |
that we can send over to the saleroom to make more money? | 0:25:41 | 0:25:45 | |
-I like those saw horses. -I know, they're lovely. | 0:25:45 | 0:25:47 | |
-Little stools to sit on in the kitchen. -Yes! | 0:25:47 | 0:25:50 | |
Did you find anything to go off to auction, cos I found nothing? | 0:25:50 | 0:25:53 | |
I did, actually. Some of these, some of this gorgeous silver jewellery. | 0:25:53 | 0:25:57 | |
-Look at that. -That's nice. -Stunning. | 0:25:57 | 0:25:59 | |
-Look at the carving - texture and detail. -We'll send that to auction. | 0:25:59 | 0:26:02 | |
'It's a mix of modern and old jewellery, | 0:26:02 | 0:26:04 | |
'but together, I can see them making over £100 easily.' | 0:26:04 | 0:26:08 | |
-And this Longines watch. -Great, we'll send that off. | 0:26:08 | 0:26:11 | |
'On closer inspection, that's a very elegant lady's watch. | 0:26:11 | 0:26:15 | |
'We might get more than the £50 I first thought. | 0:26:15 | 0:26:18 | |
'Also heading to the saleroom is Douglas's 19th-century clock, | 0:26:18 | 0:26:22 | |
'with its French brass movement. | 0:26:22 | 0:26:24 | |
'It's a good model and could make between £60 and £90.' | 0:26:24 | 0:26:28 | |
-Oh! -This. That's what I was pointing to. -Oh, I like that. | 0:26:28 | 0:26:32 | |
-That's brand-new but they're a lot of money to buy. -Yeah. | 0:26:32 | 0:26:35 | |
-Surely there's £10 to £15 there. -I hope so. | 0:26:35 | 0:26:37 | |
-It's gorgeous royal blue, popular make. -Yeah. | 0:26:37 | 0:26:40 | |
'That's heading for the pop-up auction, | 0:26:40 | 0:26:42 | |
'but I also have a piece of furniture | 0:26:42 | 0:26:44 | |
'I think Irina could work her upcycling magic on.' | 0:26:44 | 0:26:47 | |
-Yeah, I like it. Let's have a look. -Can you do something with that? | 0:26:47 | 0:26:50 | |
-I think so. What colour? -It's up to you, it's up to you. | 0:26:50 | 0:26:53 | |
Let's look inside. | 0:26:53 | 0:26:55 | |
-Yeah, some shelves... -I'd put a hanging rail in there. -Yeah, OK. | 0:26:55 | 0:26:59 | |
Maybe a shelf at the bottom for shoes. | 0:26:59 | 0:27:01 | |
Shall we make it unisex or shall we just go bold and just make it | 0:27:01 | 0:27:04 | |
-like bright pink or something? -Go bold. | 0:27:04 | 0:27:06 | |
Well, looking at those lines, I think it's a draw, don't you? | 0:27:06 | 0:27:08 | |
-I reckon. -Yeah? High five, come on. -Yeah! -Well done, you, well done. | 0:27:08 | 0:27:12 | |
-You read my mind. -I'm really, really pleased. | 0:27:12 | 0:27:14 | |
But our work isn't finished yet, and looking at this, | 0:27:14 | 0:27:17 | |
-I think we're sort of £200 to £300? -Yeah. | 0:27:17 | 0:27:21 | |
But our job isn't done right now. | 0:27:21 | 0:27:23 | |
As I said, it's right down to that street auction | 0:27:23 | 0:27:26 | |
and it's about community spirit. | 0:27:26 | 0:27:28 | |
Will they deliver? We're going to find out. | 0:27:28 | 0:27:30 | |
Well, our D-day has arrived and, boy, do we have a lot to do?! | 0:27:33 | 0:27:37 | |
There's the van to empty, stalls to fill. | 0:27:37 | 0:27:40 | |
-Does that look nice? -But there's more than bunting to hang. | 0:27:42 | 0:27:45 | |
Do you think we could go and buy some hangers? | 0:27:45 | 0:27:47 | |
I might have to go door-knocking | 0:27:47 | 0:27:49 | |
-to see if anybody's got any spare hangers. -Needs must Irina. | 0:27:49 | 0:27:52 | |
Remember, this is all for Joyce. | 0:27:52 | 0:27:54 | |
Have you got any spare coat hangers, please? | 0:27:54 | 0:27:56 | |
Now, what's that saying? "Ask and they will come." | 0:27:56 | 0:28:00 | |
Look at these gorgeous hangers. This could be our little showstopper. | 0:28:00 | 0:28:03 | |
I absolutely loved meeting Joyce. She's such a special lady. | 0:28:03 | 0:28:08 | |
I've got to keep my voice down because she is around. | 0:28:08 | 0:28:10 | |
She definitely knows about the street party, | 0:28:10 | 0:28:13 | |
but she does not know it's all for her, | 0:28:13 | 0:28:15 | |
and when her sisters found out, they wanted to get involved, | 0:28:15 | 0:28:18 | |
so Joyce and her sisters are working on the raffle all day long. | 0:28:18 | 0:28:21 | |
In fact, we've got a whole army of helpers here, | 0:28:21 | 0:28:24 | |
so let's meet our stewards. Morning, everyone! | 0:28:24 | 0:28:27 | |
'We have the girls on tea and coffee.' | 0:28:27 | 0:28:29 | |
-Big responsibility, OK? -Absolutely. | 0:28:29 | 0:28:31 | |
Everybody's going to be thirsty and hungry. | 0:28:31 | 0:28:33 | |
-You're going to be worked off your feet today. -Yes. | 0:28:33 | 0:28:36 | |
But you'll make a lot of money. | 0:28:36 | 0:28:37 | |
'The bric-a-brac sellers.' | 0:28:37 | 0:28:39 | |
Mark everything up - £1 up to £5. | 0:28:39 | 0:28:41 | |
£2, £3, £4 - give a bit of change, | 0:28:41 | 0:28:44 | |
but at the end of the day, you're going to have a lot of paper money | 0:28:44 | 0:28:47 | |
and I'm going to check on you, OK? | 0:28:47 | 0:28:49 | |
'And Joyce will be joining sisters Shirley and Audrey | 0:28:49 | 0:28:52 | |
'on the tombola stall.' | 0:28:52 | 0:28:54 | |
Oh, you're not going to do a singsong, are you, Audrey, John? | 0:28:54 | 0:28:57 | |
-When we get Joyce with us. -Are you? -And my sister in the wheelchair. | 0:28:57 | 0:29:01 | |
-Yeah. -She'll remember the words. We're going to do our sister song. | 0:29:01 | 0:29:04 | |
Go on, give us a little tiny example, a little rendition. | 0:29:04 | 0:29:08 | |
# Sisters, sisters | 0:29:08 | 0:29:12 | |
# They were... # | 0:29:12 | 0:29:14 | |
Uh-oh... | 0:29:14 | 0:29:17 | |
'I think they'll work better as a trio. | 0:29:17 | 0:29:20 | |
'The bric-a-brac stall is filling up nicely. | 0:29:21 | 0:29:24 | |
'I wonder if there's anything which could go to the pop-up auction | 0:29:24 | 0:29:27 | |
'to raise a bit more money.' | 0:29:27 | 0:29:29 | |
That's quite nice. Look at that. | 0:29:29 | 0:29:30 | |
There's a bit of studio pottery there. It's from Newlyn in Cornwall. | 0:29:30 | 0:29:35 | |
I like that. That's 20th-century modern. I guess that's 1980s, 1990s. | 0:29:35 | 0:29:40 | |
'Newlyn is a fishing town in Cornwall, but it became famous | 0:29:40 | 0:29:43 | |
'in the 1920s because of its flourishing arts scene.' | 0:29:43 | 0:29:46 | |
I'm going to sell that one on the rostrum. Might get £10 for that. | 0:29:46 | 0:29:50 | |
He's nice - or she. "My name is Primrose." She's lovely! | 0:29:50 | 0:29:55 | |
The condition's fantastic. | 0:29:55 | 0:29:58 | |
There's not a lot of age to it, but it's got the look, | 0:29:58 | 0:30:00 | |
it's got the look. It's beautifully weighted and it's articulated. | 0:30:00 | 0:30:04 | |
'Antique teddy bears made by the German company Steiff | 0:30:04 | 0:30:07 | |
'can sell for tens of thousands of pounds. | 0:30:07 | 0:30:10 | |
'This lovely lady isn't in that bracket | 0:30:10 | 0:30:12 | |
'but I think £10 would be on the money.' | 0:30:12 | 0:30:15 | |
I think I'm going to sell this one on the pop-up rostrum, | 0:30:15 | 0:30:17 | |
along with this bit of studio pottery. | 0:30:17 | 0:30:19 | |
'Hello, King Kong!' | 0:30:21 | 0:30:23 | |
Gosh, that's heavy! | 0:30:23 | 0:30:24 | |
'It's a clay model gorilla. | 0:30:25 | 0:30:27 | |
'It doesn't have any markings to who made it, but it's striking.' | 0:30:27 | 0:30:31 | |
I'm going to put him up for auction | 0:30:31 | 0:30:33 | |
because I think he just might get overlooked here. | 0:30:33 | 0:30:36 | |
Hopefully, on the rostrum, all being well, £10 plus. | 0:30:36 | 0:30:41 | |
I think we could triple our money. | 0:30:41 | 0:30:43 | |
I'm going to sell this one on the pop-up auction. | 0:30:43 | 0:30:46 | |
Something else which is rather striking | 0:30:46 | 0:30:48 | |
is the child's wardrobe Irina has upcycled. | 0:30:48 | 0:30:50 | |
Remember how it used to look. | 0:30:50 | 0:30:52 | |
Irina's transformed it with a few licks of colourful paint | 0:30:52 | 0:30:56 | |
and a decorating technique called decoupage, | 0:30:56 | 0:30:58 | |
where coloured paper was glued onto the wardrobe | 0:30:58 | 0:31:01 | |
and then sealed with varnish. | 0:31:01 | 0:31:04 | |
And now, here is our upcycling. | 0:31:04 | 0:31:06 | |
I'm ever so excited to be looking at this. | 0:31:06 | 0:31:08 | |
-You have done a fantastic job, my darling. -Thank you. -Look at this. | 0:31:08 | 0:31:11 | |
It's full of superheroes. | 0:31:11 | 0:31:13 | |
That will suit anybody's house - young, sort of middle-aged, | 0:31:13 | 0:31:17 | |
-someone funky, someone that remembers the past. -Yeah, universal. | 0:31:17 | 0:31:22 | |
-Yeah. -Love it. Thank you. -Oh, it's brilliant. | 0:31:22 | 0:31:25 | |
It's absolutely brilliant. | 0:31:25 | 0:31:27 | |
'I have to be a superhero on the rostrum | 0:31:27 | 0:31:29 | |
'and get someone to part with £30.' | 0:31:29 | 0:31:33 | |
But if we're ever going to reach our £1,000 target, | 0:31:33 | 0:31:36 | |
we'd better get this show on the road. | 0:31:36 | 0:31:38 | |
I'm going to get this party officially opened with a five... | 0:31:38 | 0:31:42 | |
-ALL: -Four, three, two, one. | 0:31:42 | 0:31:46 | |
Yay! Whoo! | 0:31:46 | 0:31:48 | |
'The good people of Thatcham haven't let us down. | 0:31:52 | 0:31:55 | |
'They've come to buy and to party.' | 0:31:55 | 0:31:57 | |
No, we need a bubble machine. | 0:32:01 | 0:32:02 | |
'My dance card has been well and truly marked.' | 0:32:02 | 0:32:06 | |
Thank you so much. | 0:32:06 | 0:32:08 | |
My feet might be dancing, but so are my nerves. | 0:32:08 | 0:32:11 | |
There's no sign of Joyce yet. | 0:32:11 | 0:32:13 | |
I hope she hasn't twigged and done a runner. | 0:32:13 | 0:32:16 | |
Right now, Irina's helping Joyce's sisters drum up business. | 0:32:16 | 0:32:20 | |
Come and buy your raffle tickets! | 0:32:20 | 0:32:22 | |
£1 a strip! | 0:32:24 | 0:32:26 | |
A strip? Steady on, Irina! | 0:32:26 | 0:32:28 | |
'One lady who might like a flutter is Thatcham's mayor, | 0:32:28 | 0:32:32 | |
'but has she ever tried a human fruit machine?' | 0:32:32 | 0:32:35 | |
Oh, hard luck! | 0:32:35 | 0:32:36 | |
'Have we started an addiction?' | 0:32:36 | 0:32:38 | |
Oh, one of each! | 0:32:38 | 0:32:40 | |
'We're halfway through the fundraiser | 0:32:40 | 0:32:42 | |
'but I still haven't spotted Joyce yet. | 0:32:42 | 0:32:45 | |
'While we're on tenterhooks, we could find out | 0:32:45 | 0:32:47 | |
'how much money we raised with the items we sent over to the sale.' | 0:32:47 | 0:32:51 | |
The auctioneer is Marc Burridge. | 0:32:53 | 0:32:55 | |
-Closest to me at £60 then... -GAVEL BANGS | 0:32:55 | 0:32:57 | |
And Joyce's daughter Sue and her husband, Vic, went along | 0:32:57 | 0:33:01 | |
to see how they fared under the hammer. | 0:33:01 | 0:33:04 | |
First up, it's Douglas's broken 19th-century French clock, | 0:33:04 | 0:33:08 | |
which I can see making over £100. | 0:33:08 | 0:33:11 | |
And I have interest on the book. | 0:33:11 | 0:33:14 | |
50. 5. 60. 5. | 0:33:14 | 0:33:16 | |
70. 5. 80. 5. | 0:33:16 | 0:33:19 | |
£90 here. And 5 in the room. | 0:33:19 | 0:33:21 | |
100. Take 10, sir? 110 in the room. And 20, will you? | 0:33:21 | 0:33:27 | |
-All done at £110 then. -GAVEL BANGS | 0:33:27 | 0:33:30 | |
Well, that struck it rich in the saleroom. | 0:33:30 | 0:33:32 | |
Perhaps Rosemary's broken watch | 0:33:32 | 0:33:34 | |
and her collection of silver jewellery will do the same. | 0:33:34 | 0:33:37 | |
The estimate is between £30 and £40, but I think they could do better. | 0:33:37 | 0:33:42 | |
30 I have. And 5. 35. | 0:33:42 | 0:33:44 | |
And 40. And 5. | 0:33:44 | 0:33:46 | |
5, thank you. 50. And 60. And 70. | 0:33:46 | 0:33:49 | |
And 80. And 90. At £90 then. | 0:33:49 | 0:33:52 | |
-We're selling on £90. Well done. -GAVEL BANGS | 0:33:52 | 0:33:55 | |
That was brilliant! But we've had some exciting news. | 0:33:55 | 0:33:58 | |
The stones on Rosemary's stylish drop earrings have been identified | 0:33:58 | 0:34:02 | |
as rubies, diamonds and emeralds. | 0:34:02 | 0:34:04 | |
We contacted Rosemary with the news | 0:34:04 | 0:34:06 | |
and she's still happy to donate them. | 0:34:06 | 0:34:09 | |
I think we could get over £150. | 0:34:09 | 0:34:12 | |
Diamonds, emeralds and rubies. | 0:34:12 | 0:34:14 | |
On the book here at £100 to start. Thank you, 110. | 0:34:14 | 0:34:18 | |
110, thank you. 20. | 0:34:18 | 0:34:20 | |
130. 140. 150. 150. 160. | 0:34:20 | 0:34:23 | |
170. 180. 190. | 0:34:23 | 0:34:26 | |
-And I'm selling on £180 then. -GAVEL BANGS | 0:34:26 | 0:34:30 | |
Wow, those earrings definitely sparkled in the saleroom. | 0:34:31 | 0:34:34 | |
We've just made £380. | 0:34:34 | 0:34:38 | |
Those items we sent off to auction did exceptionally well. | 0:34:38 | 0:34:41 | |
We were feeling so confident, at that stage, | 0:34:41 | 0:34:43 | |
we decided to get Joyce another gift and here it is, | 0:34:43 | 0:34:46 | |
tucked away, out of sight, | 0:34:46 | 0:34:48 | |
ready to present it to her later on, at the very end, after the auction. | 0:34:48 | 0:34:52 | |
It's a lovely bench. | 0:34:52 | 0:34:53 | |
She can sit on this with her friends | 0:34:53 | 0:34:55 | |
and have a cup of tea in the sunshine | 0:34:55 | 0:34:57 | |
somewhere dotted around here. | 0:34:57 | 0:34:58 | |
We've taken a chance buying that bench | 0:35:00 | 0:35:02 | |
because we still have to raise enough money | 0:35:02 | 0:35:04 | |
to give Joyce and perhaps some of her family a great day out. | 0:35:04 | 0:35:08 | |
But right now, the party girl herself has finally arrived. | 0:35:08 | 0:35:12 | |
-I remember talking to you, don't I? -That's my sister. -Is it? | 0:35:13 | 0:35:16 | |
-What's your name again? -Joyce. -I know it, I'm just kidding you! | 0:35:16 | 0:35:21 | |
THEY LAUGH | 0:35:21 | 0:35:22 | |
-Hey, you gave us lots of things, didn't you? -Yes, three things. | 0:35:22 | 0:35:25 | |
How have you been anyway? | 0:35:25 | 0:35:27 | |
Well, up and down like a yo-yo, but I still keep going. | 0:35:27 | 0:35:32 | |
-LAUGHTER -I still keep going, see? | 0:35:32 | 0:35:36 | |
I still keep going. | 0:35:36 | 0:35:38 | |
Well, while the final monies are being counted from the stall, | 0:35:38 | 0:35:41 | |
we can get a chorus from the Golden Girls. | 0:35:41 | 0:35:44 | |
-#..Me and my man. -# | 0:35:44 | 0:35:47 | |
-That's him over there. -Wow, brilliant! Brilliant! | 0:35:47 | 0:35:50 | |
-Absolutely brilliant! You should all be on stage. -They won't have us. | 0:35:50 | 0:35:56 | |
-You've got the words. -They won't have us. | 0:35:56 | 0:35:58 | |
We're not the Beverleys but we're the next best. | 0:35:58 | 0:36:02 | |
You're all fabulous, you're absolutely brilliant. | 0:36:02 | 0:36:05 | |
Big round of applause, everyone. APPLAUSE | 0:36:05 | 0:36:07 | |
Yay! Well done. | 0:36:07 | 0:36:08 | |
Between them, these sisters have a combined age of over 250 years, | 0:36:08 | 0:36:13 | |
but how do OUR figures tally? | 0:36:13 | 0:36:16 | |
The countdown from today's sales on the bric-a-brac stall. | 0:36:16 | 0:36:19 | |
What is it, Irina? | 0:36:19 | 0:36:21 | |
Well, for the day's sale, Paul, we've made £556.50. | 0:36:21 | 0:36:26 | |
-That's pretty good, isn't it? -It is, isn't it? | 0:36:26 | 0:36:28 | |
-Plus £380 from the auction. -Mm-hmm. | 0:36:28 | 0:36:31 | |
By my reckoning, I've got to make about £80, £70 to £80. | 0:36:32 | 0:36:35 | |
-You can do that hands down. -I've got to do £100. | 0:36:35 | 0:36:37 | |
I'm going to get on the rostrum now. | 0:36:37 | 0:36:39 | |
-Come and join me. -Yes, let's do this. | 0:36:39 | 0:36:41 | |
'Friends and neighbours have already dug deep in their pockets | 0:36:41 | 0:36:44 | |
'but can we get over our target? | 0:36:44 | 0:36:47 | |
'First up, it's that adorable teddy bear I spotted earlier. | 0:36:47 | 0:36:50 | |
'I'd like to see it get £10 at least.' | 0:36:50 | 0:36:53 | |
Lot number 1. Who's going to buy this teddy bear for £5? | 0:36:53 | 0:36:57 | |
Yes, lots of yeses, thank you. 5, I'm in at 5. | 0:36:57 | 0:37:00 | |
£8, thank you. The bid's now against you. I'll take 10. £10. £12. | 0:37:00 | 0:37:03 | |
Thank you very, very much. | 0:37:03 | 0:37:05 | |
Thank you, £15. It's against you now. | 0:37:05 | 0:37:07 | |
16, thank you. 17. You're out. | 0:37:07 | 0:37:10 | |
£17. And I'm selling at £17. | 0:37:10 | 0:37:12 | |
It's going once, twice, sold. GAVEL BANGS | 0:37:12 | 0:37:15 | |
APPLAUSE 'That's a good start. | 0:37:15 | 0:37:18 | |
'It would have never have made that on the bric-a-brac stall. | 0:37:18 | 0:37:21 | |
'I'd like the Newlyn-style coffee mug to get a tenner too.' | 0:37:21 | 0:37:24 | |
It really is quite special. | 0:37:24 | 0:37:26 | |
Thank you. £3. I'm looking for 5 anywhere. | 0:37:26 | 0:37:28 | |
No? I've got a bid of 3 and I'm taking 3. It's going once. | 0:37:28 | 0:37:31 | |
Fair warning. Sold, thank you. £3. GAVEL BANGS | 0:37:31 | 0:37:33 | |
APPLAUSE | 0:37:33 | 0:37:35 | |
'Every little helps, but I'm betting on King Kong getting at least £15.' | 0:37:35 | 0:37:40 | |
5. 10, thank you. £10. | 0:37:40 | 0:37:41 | |
£10. 12 anywhere? I'll take 12. 12. It's against you now. | 0:37:41 | 0:37:45 | |
Oh, two hands. I'll take 12 and 13, yeah? | 0:37:45 | 0:37:48 | |
£13. 14. | 0:37:48 | 0:37:49 | |
£14 now. 15. 16. | 0:37:49 | 0:37:52 | |
17. £20! Thank you, £20. LAUGHTER | 0:37:52 | 0:37:56 | |
£25 now. 25. | 0:37:56 | 0:37:59 | |
You're out. £25. | 0:37:59 | 0:38:01 | |
I have a bid of £25 and I'm selling. | 0:38:01 | 0:38:03 | |
GAVEL BANGS Sold. Thank you. £25. | 0:38:03 | 0:38:05 | |
APPLAUSE Thank you, madam. | 0:38:05 | 0:38:07 | |
'I never saw it reaching that price. Are we back on track, I wonder? | 0:38:07 | 0:38:11 | |
'Up next is the upcycled children's wardrobe. | 0:38:11 | 0:38:14 | |
'It was bland and a little bit boring | 0:38:14 | 0:38:16 | |
'but I think Irina's superhero decoupage | 0:38:16 | 0:38:19 | |
'could recoup a £20 profit.' | 0:38:19 | 0:38:22 | |
I absolutely love it! | 0:38:22 | 0:38:23 | |
£25, thank you, sir. Straight in. | 0:38:23 | 0:38:26 | |
One bid at 25. £30, thank you. | 0:38:26 | 0:38:28 | |
It's against you, sir. £35, thank you, sir. | 0:38:28 | 0:38:31 | |
I've got a bid of £35 with me and I'm selling at £35. | 0:38:31 | 0:38:35 | |
It's going once, twice. Sold. GAVEL BANGS | 0:38:35 | 0:38:38 | |
'Just a few hours' work with some old comics and a paintbrush | 0:38:38 | 0:38:41 | |
'have reaped a financial reward. | 0:38:41 | 0:38:43 | |
'The casserole dish also cooked itself a great deal.' | 0:38:43 | 0:38:46 | |
21, he's out. £21. It's going once, twice... | 0:38:46 | 0:38:50 | |
Sold, thank you. GAVEL BANGS | 0:38:50 | 0:38:52 | |
'As did a last-minute flower stand donation.' | 0:38:52 | 0:38:55 | |
Chap standing underneath the tree, and I'm selling at £25. | 0:38:55 | 0:38:58 | |
Fair warning, it's going once, twice... Sold. | 0:38:58 | 0:39:01 | |
'But what about the limited edition Thatcham print? | 0:39:01 | 0:39:04 | |
'Will local interest win the £20 I think it's worth?' | 0:39:04 | 0:39:07 | |
Our last lot of the day. £10, surely. Thank you. | 0:39:07 | 0:39:10 | |
Straight in at 10. 15. 20. | 0:39:10 | 0:39:13 | |
£35. Can I make that 40? | 0:39:13 | 0:39:16 | |
40? That bid might just get it. | 0:39:16 | 0:39:18 | |
£36. £1 more. | 0:39:18 | 0:39:21 | |
40. £40. 41 if it helps. 41? Thank you for your bid, sir. | 0:39:21 | 0:39:26 | |
£40. And I'm selling at £40. | 0:39:26 | 0:39:28 | |
Fair warning. It's going once, twice... | 0:39:28 | 0:39:30 | |
Sold, thank you, £40. GAVEL BANGS | 0:39:30 | 0:39:33 | |
APPLAUSE Brilliant, absolutely brilliant. | 0:39:33 | 0:39:36 | |
Today, we were hoping to raise £1,000 | 0:39:37 | 0:39:41 | |
for a very, very special person | 0:39:41 | 0:39:43 | |
who lives here in your community. | 0:39:43 | 0:39:46 | |
Today, on the pop-up rostrum, we have managed... | 0:39:46 | 0:39:49 | |
..£298, which gives us a grand total | 0:39:50 | 0:39:55 | |
of £1,239! So, thank you so much! CHEERING AND APPLAUSE | 0:39:55 | 0:39:59 | |
We have done our target and we've beaten it! | 0:39:59 | 0:40:03 | |
It's all about the community, bringing people together. | 0:40:04 | 0:40:08 | |
Now, it is for one very, very special person, | 0:40:08 | 0:40:12 | |
and I've come to understand what this person does. | 0:40:12 | 0:40:16 | |
She works tirelessly and selflessly for other people day in and day out. | 0:40:16 | 0:40:21 | |
And on a personal level, it's been a real privilege to get to know her | 0:40:21 | 0:40:26 | |
and I can't believe we've managed to keep this a secret for so long. | 0:40:26 | 0:40:31 | |
But, I tell you what, I don't think she's twigged it yet. | 0:40:31 | 0:40:34 | |
I can let you into who this is for. | 0:40:34 | 0:40:37 | |
Joyce Lovelock! CHEERING AND APPLAUSE | 0:40:37 | 0:40:40 | |
Joyce Lovelock. | 0:40:40 | 0:40:42 | |
91-year-old Joyce Lovelock. | 0:40:42 | 0:40:45 | |
This is all for you, my darling. | 0:40:45 | 0:40:48 | |
-This is all for you. -Thank you so much. | 0:40:48 | 0:40:51 | |
This is all for you. | 0:40:53 | 0:40:54 | |
Thank you so much for helping everybody day in and day out. | 0:40:54 | 0:40:59 | |
-Oh, I love them all, I love them all. -Oh, I know you do. | 0:40:59 | 0:41:02 | |
-I love them all. -It's all your family, isn't it? | 0:41:02 | 0:41:04 | |
-It really is. -They are. | 0:41:04 | 0:41:06 | |
'Time to show Joyce the first part of the surprise.' | 0:41:06 | 0:41:09 | |
A big round of applause for this bench. Look at that! | 0:41:09 | 0:41:12 | |
CHEERING AND APPLAUSE | 0:41:12 | 0:41:15 | |
-How about that? -Thank you so, so much, everybody. | 0:41:19 | 0:41:24 | |
'And now for the second part of her surprise.' | 0:41:24 | 0:41:26 | |
We've arranged for you a special trip. | 0:41:26 | 0:41:30 | |
A VIP guest to Forces Day | 0:41:30 | 0:41:34 | |
at the British Legion National Memorial Arboretum. | 0:41:34 | 0:41:40 | |
-Oh... -APPLAUSE | 0:41:40 | 0:41:43 | |
Thank you all, everybody, for all you've done for me. | 0:41:47 | 0:41:52 | |
I much appreciate it but I've got a job to accept it. | 0:41:52 | 0:41:58 | |
LAUGHTER | 0:41:58 | 0:42:00 | |
It is all about you, Joyce. You are my hero, you really are. | 0:42:00 | 0:42:04 | |
-Thank you. -Bless you, bless you. | 0:42:04 | 0:42:07 | |
'The bench has its first guest of honour, | 0:42:07 | 0:42:09 | |
'but what does she think of it?' | 0:42:09 | 0:42:12 | |
Wonderful! We've got one over there but it can go now! | 0:42:12 | 0:42:17 | |
THEY LAUGH | 0:42:17 | 0:42:19 | |
-Isn't it gorgeous? -What will you all do if anything happens to me? | 0:42:19 | 0:42:23 | |
-You'll have to take it. -No, we won't. | 0:42:23 | 0:42:25 | |
We'll have to come and sit on it and think of you | 0:42:25 | 0:42:27 | |
and think of this day, won't we? | 0:42:27 | 0:42:30 | |
What a fantastic person. | 0:42:34 | 0:42:35 | |
As you can see, the whole community made this possible. | 0:42:35 | 0:42:38 | |
Everybody got together. | 0:42:38 | 0:42:39 | |
We beat our target, we surprised Joyce, | 0:42:39 | 0:42:42 | |
and I tell you what - that lady is a superstar. | 0:42:42 | 0:42:45 | |
She's 91 years old and she's a great example to all of us. | 0:42:45 | 0:42:48 | |
Never give up, keep on helping people. | 0:42:48 | 0:42:50 | |
And that's really what this show is all about. I hope you've enjoyed it. | 0:42:50 | 0:42:53 | |
Join us again soon because we could be in YOUR street | 0:42:53 | 0:42:55 | |
and this auction could be about YOU. | 0:42:55 | 0:42:58 | |
Along with her family, Joyce had a wonderful day | 0:42:58 | 0:43:00 | |
at the National Memorial Arboretum, proudly wearing her father's medals. | 0:43:00 | 0:43:04 | |
She paid her respects to those who'd given their lives in service. | 0:43:04 | 0:43:09 |