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These days, we don't get a chance to connect with the people that | 0:00:02 | 0:00:05 | |
live in our street. Well, today, all that is going to change, | 0:00:05 | 0:00:08 | |
because today, we are bringing the whole community together | 0:00:08 | 0:00:11 | |
in one place, in this street. | 0:00:11 | 0:00:13 | |
It's an ordinary street, | 0:00:13 | 0:00:14 | |
but it's home to an extraordinary woman, called Sarah. | 0:00:14 | 0:00:18 | |
She's spent her life nursing the sick... | 0:00:19 | 0:00:21 | |
She's always gone above and beyond her duty. | 0:00:22 | 0:00:26 | |
..but now she and her children are facing | 0:00:26 | 0:00:27 | |
a family tragedy of their own. | 0:00:27 | 0:00:30 | |
She's kept herself so strong, to keep the children going. | 0:00:30 | 0:00:33 | |
Her friends and neighbours want her to know she's not alone, | 0:00:33 | 0:00:37 | |
so we're going to take donated treasures from local people... | 0:00:37 | 0:00:40 | |
-This is just exactly what we're looking for. -Yes, we'll take that. | 0:00:40 | 0:00:44 | |
We'll take that. That's something which is quite nice. | 0:00:44 | 0:00:46 | |
..and a famous sports star, | 0:00:46 | 0:00:49 | |
and sell them in a saleroom, on bric-a-brac stalls, | 0:00:49 | 0:00:51 | |
and at my Street Auction... | 0:00:51 | 0:00:54 | |
Sold! He's got a guitar! Yeah! | 0:00:54 | 0:00:56 | |
'..and we'll use the money to do something great for the family, | 0:00:56 | 0:00:59 | |
'but how will Sarah react when she finds out all of this is for her?' | 0:00:59 | 0:01:03 | |
Today, we're in Clydach in Wales, | 0:01:07 | 0:01:09 | |
a little village just north of Swansea, home to just 8,000 people. | 0:01:09 | 0:01:15 | |
In 2007, this street became home to a young couple, Chris and Sarah. | 0:01:15 | 0:01:20 | |
We met each other local, in Pontardawe. | 0:01:20 | 0:01:23 | |
He was with his friends, I was with my friends, | 0:01:23 | 0:01:26 | |
we had a few drinks. We were together since then, really. | 0:01:26 | 0:01:29 | |
It was clear from the start that Chris and Sarah were meant | 0:01:29 | 0:01:32 | |
for each other, as their friends Emma and Michelle recall. | 0:01:32 | 0:01:35 | |
They were like the perfect couple. | 0:01:35 | 0:01:37 | |
They even looked similar, they've got similar features. | 0:01:37 | 0:01:40 | |
Every time they phoned each other, it was always, "Love you," | 0:01:40 | 0:01:44 | |
on the end and everything. | 0:01:44 | 0:01:46 | |
They were just soulmates. | 0:01:46 | 0:01:48 | |
Sarah cared for the long-term and terminally ill in the community, | 0:01:48 | 0:01:52 | |
and Chris worked at the local nickel refinery. | 0:01:52 | 0:01:55 | |
In 2008, their son Alfie was born, | 0:01:55 | 0:01:58 | |
followed three years later by daughter Mia. | 0:01:58 | 0:02:01 | |
We just wanted the same things. | 0:02:01 | 0:02:03 | |
The children came first, | 0:02:03 | 0:02:05 | |
and then we did plan, you know, eventually getting married, | 0:02:05 | 0:02:08 | |
and just having a happy home and growing old together, | 0:02:08 | 0:02:11 | |
and didn't really think any further than that, really. | 0:02:11 | 0:02:15 | |
But in the summer of 2015, Chris had a seizure and was rushed to A&E. | 0:02:15 | 0:02:20 | |
She phoned me on the Sunday to say that Chris had been taken ill. | 0:02:20 | 0:02:25 | |
He'd had fits through the night. | 0:02:25 | 0:02:27 | |
And I could tell by the look on Sarah's face, coming up the road | 0:02:27 | 0:02:30 | |
on the school run in the morning, she was beside herself. | 0:02:30 | 0:02:34 | |
I think she knew it wasn't good news. | 0:02:34 | 0:02:38 | |
The doctors found Chris had two brain tumours. | 0:02:38 | 0:02:41 | |
He had operations and began chemotherapy. | 0:02:41 | 0:02:44 | |
Leading up to Christmas was the hardest time. | 0:02:44 | 0:02:47 | |
Sarah took the time out from work to care for Chris herself. | 0:02:47 | 0:02:52 | |
Everything I kind of got on with in work, | 0:02:52 | 0:02:56 | |
it helped me to look after Chris, made me understand things | 0:02:56 | 0:03:00 | |
a bit more, but you really don't ever think it's going to hit you. | 0:03:00 | 0:03:03 | |
Unfortunately, Chris passed away on the 23rd of December. | 0:03:05 | 0:03:10 | |
Chris was just 41 when he died, leaving behind Sarah, | 0:03:10 | 0:03:14 | |
seven-year-old Alfie, and Mia, who was just four. | 0:03:14 | 0:03:17 | |
The worst and the hardest thing I've ever had to do is | 0:03:17 | 0:03:20 | |
to come home, and tell them that Daddy's not coming home any more. | 0:03:20 | 0:03:25 | |
And, you know, Chris was such a massive, | 0:03:29 | 0:03:32 | |
massive part of their lives. He still is now. | 0:03:32 | 0:03:35 | |
Massive part of their lives. It's tough, you know, every day. | 0:03:35 | 0:03:39 | |
I mean, they speak about Daddy and when Daddy's coming home, | 0:03:40 | 0:03:43 | |
and it's just hard to tell them he's not. | 0:03:43 | 0:03:46 | |
Most of us would have crumbled | 0:03:47 | 0:03:49 | |
but Sarah found the strength to think of others, even then. | 0:03:49 | 0:03:52 | |
Sarah wanted to give something back for the treatment | 0:03:52 | 0:03:57 | |
and everything that Chris had, cos she thought it was all amazing. | 0:03:57 | 0:04:00 | |
She's raised quite a bit of money. | 0:04:00 | 0:04:02 | |
We done "wear a hat day" in school, for all the children, | 0:04:02 | 0:04:07 | |
and then every year now, we'll be fundraising | 0:04:07 | 0:04:10 | |
for brain tumour research. | 0:04:10 | 0:04:13 | |
Sarah's done so much for others, we'd love to say a big thank you. | 0:04:15 | 0:04:19 | |
Chris started landscaping their garden before he died | 0:04:19 | 0:04:22 | |
but didn't have time to complete it, so we want to help finish | 0:04:22 | 0:04:26 | |
the job for Sarah, but we're going to need to raise £1,500. | 0:04:26 | 0:04:30 | |
And this is how we're going to do it. | 0:04:33 | 0:04:35 | |
Well, the plan is, | 0:04:35 | 0:04:36 | |
we ask all of Sarah's friends and neighbours to donate any | 0:04:36 | 0:04:39 | |
unwanted or unloved items, | 0:04:39 | 0:04:41 | |
so we can sell them on the street here in a pop-up auction. | 0:04:41 | 0:04:43 | |
Now, that's a big challenge, but the real test is keeping this | 0:04:43 | 0:04:46 | |
a secret from Sarah and her kids until after the auction. | 0:04:46 | 0:04:50 | |
It's a tough ask, so I've called on car boot specialist | 0:04:51 | 0:04:54 | |
and upcycling whiz Irina Aggrey to help me. | 0:04:54 | 0:04:57 | |
-Hello, darling, good to see you. -Good to see you too. -Right on time. | 0:04:58 | 0:05:03 | |
-Give us a hug. -Oh, we've got a challenge today. | 0:05:03 | 0:05:05 | |
OK, tell me about it. | 0:05:05 | 0:05:06 | |
We're going to knock on as many doors as possible in this street, | 0:05:06 | 0:05:09 | |
and the adjacent streets, asking for unwanted stuff. | 0:05:09 | 0:05:11 | |
We're going to fill this lovely van, | 0:05:11 | 0:05:13 | |
and hopefully have a big pop-up auction with a big street party. | 0:05:13 | 0:05:16 | |
OK, let's flip a coin. | 0:05:16 | 0:05:18 | |
-You take one side of the street, I'll take the other. -OK. | 0:05:18 | 0:05:20 | |
-You can call, OK? -Tails! | 0:05:20 | 0:05:23 | |
-Yes! -You won. -I'm going to take the left street. | 0:05:23 | 0:05:26 | |
OK, I'll take the right. | 0:05:26 | 0:05:27 | |
Which of us will bring in the most donations? Only one way to find out. | 0:05:27 | 0:05:31 | |
Let's hit the streets. | 0:05:31 | 0:05:33 | |
It's not looking good. | 0:05:37 | 0:05:39 | |
Irina's first to strike lucky, at Donna's. | 0:05:42 | 0:05:46 | |
If you'd have come last week, I had loads. | 0:05:46 | 0:05:49 | |
This 24-piece tea set was made by Staffordshire company | 0:05:49 | 0:05:52 | |
Broadhurst, which has specialised in highly decorative China | 0:05:52 | 0:05:56 | |
since Victorian times, and this set dates back to 1981. | 0:05:56 | 0:06:00 | |
It's Lady Diana, to commemorate their wedding, | 0:06:01 | 0:06:04 | |
when they got married. It's never been out of the box. | 0:06:04 | 0:06:07 | |
Each of the cups and plates is decorated with an important | 0:06:07 | 0:06:10 | |
royal landmark. Memorabilia like this is an antique of the future, | 0:06:10 | 0:06:15 | |
and I think this set could be worth over £25. | 0:06:15 | 0:06:17 | |
My father passed away last July, but he always gave to charity. | 0:06:19 | 0:06:24 | |
This is just exactly what we're looking for. | 0:06:24 | 0:06:26 | |
It's in prime condition. It's never been used. | 0:06:26 | 0:06:29 | |
And the lady's got the original receipt as well. | 0:06:29 | 0:06:32 | |
-The date is on there. Is it '81? -It is. -1981. | 0:06:32 | 0:06:34 | |
It turns out that Donna and her husband know Sarah. | 0:06:34 | 0:06:38 | |
-She was caring for Peter's mother. -Really? | 0:06:38 | 0:06:40 | |
Yeah, Peter's mother died three months after my father, | 0:06:40 | 0:06:43 | |
and lived upstairs, and Sarah was caring. | 0:06:43 | 0:06:47 | |
I didn't meet her, but Pete knows her. | 0:06:48 | 0:06:50 | |
Yeah, carer for my mother. She was lovely. | 0:06:50 | 0:06:53 | |
Very, very, very nice person. | 0:06:53 | 0:06:55 | |
While Irina's collecting the tea set, | 0:06:56 | 0:06:58 | |
I'm also on the ceramics trail - to check out Gwilym's attic. | 0:06:58 | 0:07:03 | |
-Yeah. You hold the steps for me, at the bottom. -There we are, then. | 0:07:03 | 0:07:07 | |
-Is this it? -Yes. -Gosh, it's massive. | 0:07:07 | 0:07:10 | |
Well, this is like an ornamental ceramic case for a mantel clock, | 0:07:10 | 0:07:14 | |
isn't it? To make the clock look a lot more important, | 0:07:14 | 0:07:17 | |
-cos it's got quite a small dial. -Aye. | 0:07:17 | 0:07:18 | |
Did you ever have the clock? | 0:07:18 | 0:07:20 | |
-I did have a clock, but it disintegrated. -Oh, did it? -Aye. | 0:07:20 | 0:07:25 | |
And it would have struck on the hour, cos that would have had | 0:07:25 | 0:07:27 | |
-a pendulum, cos that's quite a long drop in there. -Yes. | 0:07:27 | 0:07:30 | |
I love the decoration. I love the roses. They're hand-painted. | 0:07:30 | 0:07:34 | |
-And all of... You know, it's a beautiful decoration. -Yes. | 0:07:34 | 0:07:37 | |
I don't know who the maker is. | 0:07:37 | 0:07:39 | |
There is a serial number at the bottom, | 0:07:39 | 0:07:41 | |
which means these were mass-produced, look. | 0:07:41 | 0:07:43 | |
-And they're mass produced from a mould... -Aye. | 0:07:43 | 0:07:45 | |
-..and then decorated afterwards. -Afterwards. -Yeah. | 0:07:45 | 0:07:49 | |
This clock cover was probably made around 1890, possibly in France. | 0:07:49 | 0:07:54 | |
It features a central panel called a cartouche, a scrolling top | 0:07:54 | 0:07:58 | |
or pediment, and at each side, columns called pilasters. | 0:07:58 | 0:08:02 | |
It's style is out of fashion right now, but it does have kitsch appeal. | 0:08:02 | 0:08:06 | |
I think if we put this into a proper auction, | 0:08:06 | 0:08:08 | |
we'll get a proper price for it, | 0:08:08 | 0:08:10 | |
because I don't think I could sell this on the pop-up rostrum. | 0:08:10 | 0:08:12 | |
I might get about £10 or £20 for it, | 0:08:12 | 0:08:14 | |
but I think it's worth a lot more than that. | 0:08:14 | 0:08:16 | |
I like the hand-decoration, I love the roses, | 0:08:16 | 0:08:18 | |
I love the fact it's showy. | 0:08:18 | 0:08:20 | |
-How long have you had this? -Oh, I've had it donkey's years. | 0:08:20 | 0:08:24 | |
-How old are you? -I'm 92. -Are you? Gosh, you don't look it! | 0:08:24 | 0:08:28 | |
-I'm 92. -Wow, and here you are, look, | 0:08:28 | 0:08:31 | |
footing the steps for me, on the top of your landing. | 0:08:31 | 0:08:35 | |
Just down the road, Irina's got wind of something she could upcycle. | 0:08:36 | 0:08:41 | |
I'm glad I caught you. | 0:08:41 | 0:08:42 | |
Marian's donating a 1950s kitchen unit with loads of potential. | 0:08:43 | 0:08:48 | |
-This was here when I bought the house. -Yeah, it's wonderful. | 0:08:48 | 0:08:52 | |
I could get so much good use out of it, and you know what? | 0:08:52 | 0:08:54 | |
It could get loved again, which is nice. | 0:08:54 | 0:08:57 | |
It's got lovely details, like this original memo board, | 0:08:57 | 0:09:00 | |
and it's really on trend at the moment. | 0:09:00 | 0:09:03 | |
Refurbished, I reckon this could fetch over £120, | 0:09:03 | 0:09:06 | |
but in the cold light of day, we spot a problem. | 0:09:06 | 0:09:10 | |
-It's got fresh woodworm. -Oh. -So literally all we do is tap... | 0:09:10 | 0:09:12 | |
-FRESH woodworm? -Yeah, see? -Oh, God, look at that! | 0:09:12 | 0:09:16 | |
So, when you tapped that, your finger went straight through it. | 0:09:16 | 0:09:19 | |
I don't think it's going to make it. | 0:09:19 | 0:09:22 | |
You wouldn't know a good carpenter, would you? | 0:09:22 | 0:09:24 | |
I think you'll need more than a carpenter for that. | 0:09:24 | 0:09:27 | |
-You're thinking the same? -Bonfire would be better. | 0:09:27 | 0:09:30 | |
I think he might be right. Don't know why I'm laughing. | 0:09:31 | 0:09:34 | |
Gareth's not convinced about the kitchen cupboard, | 0:09:34 | 0:09:36 | |
but he and his wife have got some other donations for us. | 0:09:36 | 0:09:41 | |
Tell me a little bit about these pieces. | 0:09:41 | 0:09:43 | |
This was my grandmother's, and then my mother's, and then me. | 0:09:43 | 0:09:49 | |
I love the colour, cos it's kind of like a turquoise colour. | 0:09:49 | 0:09:52 | |
-There's that one as well. -Ooh! | 0:09:52 | 0:09:54 | |
-I could just picture the turkey on that. -Yeah. | 0:09:54 | 0:09:57 | |
There's almost a whole dinner set here. | 0:09:57 | 0:10:00 | |
This design's called Cornflour, | 0:10:00 | 0:10:01 | |
by the Grimwade brothers of Winton Pottery in Stoke. | 0:10:01 | 0:10:05 | |
This set was made between 1890 and 1900, and could make us £50. | 0:10:05 | 0:10:11 | |
-So this also belonged to your grandmother? -Yeah. | 0:10:11 | 0:10:15 | |
Look at the colours! They're still so vivid, aren't they? | 0:10:15 | 0:10:18 | |
These Spode plates are decorated with scenes from the life of | 0:10:18 | 0:10:21 | |
the poet Lord Byron, | 0:10:21 | 0:10:22 | |
and were produced from the 1930s to the 1960s. | 0:10:22 | 0:10:25 | |
This four-section sandwich plate could be worth between £5 and £10. | 0:10:27 | 0:10:31 | |
There's this as well. It's a bit chipped. | 0:10:31 | 0:10:33 | |
-I don't know if it's worth anything. -Yeah. | 0:10:33 | 0:10:35 | |
-And I don't know how old it is. I know it was me mother's. -Really? | 0:10:35 | 0:10:38 | |
-So this was your mother's? -Yeah. -Cos to me, this looks quite current. | 0:10:38 | 0:10:42 | |
This vase is made from lustreware, a technique where the pottery | 0:10:44 | 0:10:47 | |
is given an iridescent finish, using metal glaze. | 0:10:47 | 0:10:50 | |
The damage would affect the value for a collector, | 0:10:52 | 0:10:54 | |
but I'm sure someone would give us a couple of pounds for it. | 0:10:54 | 0:10:58 | |
At my next house, Wendy's got a couple of donations for our | 0:10:58 | 0:11:00 | |
bric-a-brac stall, and it turns out she also knows Sarah. | 0:11:00 | 0:11:04 | |
Her partner was Chris. We knew him quite well. | 0:11:06 | 0:11:10 | |
You know, he loved the rugby and everything. Yeah. | 0:11:10 | 0:11:12 | |
-My husband used to talk to him about the rugby. -Oh, really? | 0:11:12 | 0:11:14 | |
Yeah, he did, yeah, yeah. And he was just a lovely guy. | 0:11:14 | 0:11:20 | |
-So sad, isn't it? -Very sad. -Such a sad story. | 0:11:20 | 0:11:22 | |
-And of course, he's so young, as well. -Yeah. | 0:11:22 | 0:11:24 | |
Everywhere we go, we meet people who know Sarah. | 0:11:27 | 0:11:30 | |
As a nurse in the community, looking after the sick and dying, | 0:11:30 | 0:11:33 | |
Sarah's been a support to many local families, | 0:11:33 | 0:11:36 | |
as her friend and colleague Michelle has seen. | 0:11:36 | 0:11:39 | |
All the people that we've looked after have thought the world of her. | 0:11:39 | 0:11:43 | |
She's always going the extra mile to help them and make them smile. | 0:11:43 | 0:11:49 | |
Her and Chris went shopping for one of them to buy him | 0:11:49 | 0:11:53 | |
a bin to put all his recycling in, and everything. | 0:11:53 | 0:11:55 | |
She's always going above and beyond her duty. | 0:11:55 | 0:12:00 | |
But that is just Sarah, anyway. | 0:12:00 | 0:12:02 | |
This close-knit community took Sarah to its heart, | 0:12:02 | 0:12:06 | |
just as it did when Chris lost his parents when he was a teenager. | 0:12:06 | 0:12:10 | |
Chris grew up in this village, went to all the local schools. | 0:12:10 | 0:12:14 | |
You know, it's just the village community, | 0:12:14 | 0:12:16 | |
they all know each other and all gel together. | 0:12:16 | 0:12:19 | |
You know, if we went out local and he was there, | 0:12:19 | 0:12:22 | |
you could always sit and have a drink and have a chat with him. | 0:12:22 | 0:12:24 | |
Chris was one of those few genuinely nice men, | 0:12:24 | 0:12:29 | |
and you don't see many of them sometimes. | 0:12:29 | 0:12:32 | |
And Chris proved as good a dad as he was a friend. | 0:12:32 | 0:12:35 | |
Chris was a very hands-on father. Even though he done shift work, | 0:12:35 | 0:12:39 | |
him and Sarah completely split the work with the children. | 0:12:39 | 0:12:43 | |
It was their main job. | 0:12:43 | 0:12:45 | |
He love... Loves the children so much. | 0:12:45 | 0:12:48 | |
When Alfie was born, one of his friends was getting married two days | 0:12:51 | 0:12:57 | |
after, and he just couldn't wait to take Alfie out to show the world | 0:12:57 | 0:13:01 | |
his son had been born. | 0:13:01 | 0:13:03 | |
Alfie, I see, has struggled. | 0:13:05 | 0:13:08 | |
He misses him so much when he's achieving something. | 0:13:08 | 0:13:12 | |
He plays football, and when he scores a goal, he gives it a bit of | 0:13:12 | 0:13:17 | |
this, and it's just so sad to watch, because you just can't fix it. | 0:13:17 | 0:13:21 | |
And Mia... | 0:13:23 | 0:13:25 | |
every time she sees the sun shine... | 0:13:25 | 0:13:28 | |
Every time she sees the sun shine, or the moon, she says, | 0:13:33 | 0:13:36 | |
"That's my daddy." It's so sad. | 0:13:36 | 0:13:38 | |
You keep going. | 0:13:42 | 0:13:43 | |
You just wake up every day, and you keep going, doing the best you can. | 0:13:43 | 0:13:48 | |
Chris knew time was short and tried his hardest to complete the work | 0:13:50 | 0:13:55 | |
that need doing around the house, | 0:13:55 | 0:13:57 | |
but there was one job he didn't have time to finish. | 0:13:57 | 0:14:00 | |
Since Chris has passed away, | 0:14:01 | 0:14:03 | |
the garden has just been left as a project unfinished, | 0:14:03 | 0:14:07 | |
because there's been other things that Sarah's had to deal with | 0:14:07 | 0:14:10 | |
inside the house, so the garden is as is when Chris passed away. | 0:14:10 | 0:14:15 | |
So, that's my mission - with the help of Sarah's friends and | 0:14:17 | 0:14:20 | |
neighbours, I want to raise enough money to make this space into | 0:14:20 | 0:14:23 | |
the garden Chris dreamed of for his family. | 0:14:23 | 0:14:25 | |
I think it's amazing that the whole community can get | 0:14:27 | 0:14:31 | |
involved to just do something nice, something selfless, something | 0:14:31 | 0:14:34 | |
that's going to make a difference, and she'll be overwhelmed. | 0:14:34 | 0:14:38 | |
She'll be overwhelmed. | 0:14:38 | 0:14:40 | |
She deserves this little bit back, to help them move on. | 0:14:40 | 0:14:43 | |
I'm going to meet Sarah and the kids at home, to see if they'll | 0:14:44 | 0:14:48 | |
donate something themselves, but I mustn't get rumbled. | 0:14:48 | 0:14:52 | |
Wish me luck - and, hopefully, we can get some kids' things to sell. | 0:14:52 | 0:14:56 | |
-Got some things here... -Oh, fantastic. -..that the kids | 0:14:59 | 0:15:02 | |
-want to give. It does all work, it's fine. -Have you asked your daughter? | 0:15:02 | 0:15:05 | |
She's sleeping. Yeah, she done it earlier. | 0:15:05 | 0:15:07 | |
-She said that you could have that. -Are you sure? | 0:15:07 | 0:15:09 | |
-Yeah, 100%, yeah, it's fine. -Oh, bless you, thank you. | 0:15:09 | 0:15:12 | |
Oh, that's brilliant! Star Wars Lego, thank you so much. | 0:15:12 | 0:15:15 | |
-Star Wars Lego, yeah. Some bits and pieces. -Are you a Lego fan? | 0:15:15 | 0:15:19 | |
-No. -No? Oh, Lego's brilliant. I was a Lego fan when I was your age. | 0:15:20 | 0:15:25 | |
-I still am. Oh, hello! -Say hello, Mia. -Hello. -What's your name? Mia? | 0:15:25 | 0:15:31 | |
-Mia. -Hello. Mummy said you'd been... I hate taking things off kiddies! | 0:15:31 | 0:15:37 | |
Oh, it's all right, isn't it? You helped Mummy, didn't you? | 0:15:37 | 0:15:40 | |
You've been the best. | 0:15:40 | 0:15:41 | |
Oh, God, this is really good. | 0:15:41 | 0:15:43 | |
I haven't caught you on a bad day, have I? You're not working? | 0:15:43 | 0:15:45 | |
No, no, I'm not actually in work at the moment. | 0:15:45 | 0:15:49 | |
-What do you do, then? -I work for the NHS... -Oh, do you? | 0:15:49 | 0:15:52 | |
Yeah, palliative care, long-term health and stuff like that, I do. | 0:15:52 | 0:15:57 | |
So... | 0:15:57 | 0:15:58 | |
-Gosh, have you been doing that long? -Eight years. -Have you? -Yeah. | 0:15:58 | 0:16:01 | |
Do you like doing it? | 0:16:01 | 0:16:03 | |
We've just been through a tough time at the moment, so... | 0:16:03 | 0:16:05 | |
-Oh, I'm sorry to hear that. -No, it's all right. | 0:16:05 | 0:16:07 | |
They lost their dad just before Christmas. | 0:16:07 | 0:16:09 | |
-Oh, really? -Yeah, didn't we? -Oh, I'm sorry. | 0:16:09 | 0:16:13 | |
But we've got to keep smiling, haven't we, babs? Yeah. | 0:16:13 | 0:16:15 | |
Oh, they're so young. | 0:16:15 | 0:16:16 | |
I'll just put those there. | 0:16:19 | 0:16:20 | |
A big, big thank you to all three of you, cos you've given up lots | 0:16:24 | 0:16:28 | |
to talk to me, and you've donated really, really well, so thank you. | 0:16:28 | 0:16:31 | |
-It's OK. You're welcome. -High-five? | 0:16:31 | 0:16:33 | |
-Yeah! -All right, thanks again. -See you then. Bye-bye. -Bye. | 0:16:33 | 0:16:36 | |
Well, I think we got away with it. | 0:16:39 | 0:16:42 | |
Gosh, what a lovely family. What a lovely family. | 0:16:42 | 0:16:46 | |
I would love to have sat down in the back garden and talked to them all | 0:16:46 | 0:16:49 | |
for a bit longer, but without giving the game away, that wasn't possible. | 0:16:49 | 0:16:53 | |
I think I pushed it right to the limit. | 0:16:53 | 0:16:55 | |
We haven't got nearly enough items yet to raise the money we need. | 0:16:55 | 0:16:59 | |
Time for a final push. | 0:16:59 | 0:17:01 | |
-Hi. Hello. Where's your mum? -She's in the bath. | 0:17:03 | 0:17:07 | |
-So, did Mummy say to bring this down? -Yeah. -They're your donations? | 0:17:07 | 0:17:11 | |
-Yeah. -OK, then. So, can you tell me what you've got? | 0:17:11 | 0:17:14 | |
I've got, like, loads of toys in there. | 0:17:14 | 0:17:16 | |
I've got loads of toys I don't need any more, I have. | 0:17:16 | 0:17:19 | |
Teddy bears are the world's most collectable toys, | 0:17:19 | 0:17:22 | |
and one famous maker is Steiff. | 0:17:22 | 0:17:25 | |
This one isn't Steiff, | 0:17:25 | 0:17:26 | |
but the most expensive one ever sold made over £100,000 at auction. | 0:17:26 | 0:17:30 | |
Brilliant. Take care. | 0:17:30 | 0:17:32 | |
Charlie is a very generous girl indeed, | 0:17:32 | 0:17:34 | |
and I think her bag of goodies will raise over £20. | 0:17:34 | 0:17:38 | |
At my next house, I stumble on a treasure trove, | 0:17:38 | 0:17:41 | |
all owned by Peter, who's in a generous mood. | 0:17:41 | 0:17:44 | |
Gosh, you've got a lot of stuff in here. | 0:17:44 | 0:17:46 | |
If you put that red one in, cos that's the glass, that's nice. | 0:17:46 | 0:17:49 | |
'Cranberry glass is made by adding gold to molten glass. | 0:17:49 | 0:17:53 | |
'This modern decanter's worth a few pounds.' | 0:17:53 | 0:17:55 | |
If you take these... | 0:17:55 | 0:17:57 | |
There's a matching pair there, eh, Paul? | 0:17:57 | 0:17:59 | |
-OK, thank you. -That would be great, that would. | 0:17:59 | 0:18:01 | |
-Lovely matching pair. -Yes, little brass spill vases. | 0:18:01 | 0:18:03 | |
'Before matches were widely available, | 0:18:03 | 0:18:06 | |
'at the end of the 19th century, spill vases would have held | 0:18:06 | 0:18:09 | |
'tapers or twists of paper, which would have been lit from the fire.' | 0:18:09 | 0:18:13 | |
And we've also got this here. This lovely collector's plate, look. | 0:18:13 | 0:18:16 | |
-Look at that. -Would that be nice? | 0:18:16 | 0:18:18 | |
-And you've got the price tag on that. -Yeah. | 0:18:18 | 0:18:20 | |
-There's a price tag on there, as well, which I purchased. -OK. Thank you. | 0:18:20 | 0:18:23 | |
Also, if we put this in, what do you think? | 0:18:23 | 0:18:26 | |
-That will be fabulous for it. -That would be lovely. | 0:18:26 | 0:18:29 | |
'The plate is moulded with brightly coloured glazes and gilding. | 0:18:29 | 0:18:33 | |
'Biblical designs like this Adam and Eve scene were popular in | 0:18:33 | 0:18:36 | |
'Victorian times, and Peter paid over £20 for it.' | 0:18:36 | 0:18:40 | |
-We've got a little puppy dog here. -Oh, I like the dog. | 0:18:41 | 0:18:44 | |
-Do you like the dog? -He looks nice. -He's got a lovely face, hasn't he? | 0:18:44 | 0:18:47 | |
-Kids will love it. -Yeah, they'll love him, the children will be on for that. | 0:18:47 | 0:18:50 | |
'The dog's head is made from treacle glaze, a dark-brown pottery | 0:18:50 | 0:18:54 | |
'finish very popular in the 1950s for ornaments and souvenirs.' | 0:18:54 | 0:18:59 | |
Are you a bit of a trader? Do you do the markets and things? | 0:18:59 | 0:19:02 | |
I used to, yes. | 0:19:02 | 0:19:03 | |
-I used to do a lot of those. -I can see it. -In the old days. | 0:19:03 | 0:19:07 | |
'And it keeps coming.' | 0:19:07 | 0:19:09 | |
-Will that be any good at all? -Yes. We'll take that. | 0:19:09 | 0:19:12 | |
'This classic Georgian-style candelabra | 0:19:12 | 0:19:15 | |
'has elegant sweeping arms. | 0:19:15 | 0:19:17 | |
'It's silver plated, but still could make a few pounds.' | 0:19:17 | 0:19:21 | |
It's like going into a little antique shop. It's just full of stuff! | 0:19:21 | 0:19:25 | |
'Meanwhile, Irina's struck gold again with Rachel and her family.' | 0:19:25 | 0:19:29 | |
These are all little bits that have just been handed down. | 0:19:29 | 0:19:33 | |
There's a nice little collection of China here. | 0:19:33 | 0:19:36 | |
I think the star item is this little pot. | 0:19:36 | 0:19:38 | |
It's a pattern called Indian Tree by the Staffordshire pottery company HJ Wood | 0:19:38 | 0:19:43 | |
and dates back to the 1960s. | 0:19:43 | 0:19:45 | |
It could be worth £10. | 0:19:45 | 0:19:47 | |
Oh, that's lovely. That's just a nice, clean colour. | 0:19:49 | 0:19:53 | |
Very contemporary. | 0:19:53 | 0:19:55 | |
This glazed jug is made from earthenware, | 0:19:55 | 0:19:57 | |
a simple pottery made from fired clay. | 0:19:57 | 0:20:01 | |
It might have been a milk jug and it should make a fiver. | 0:20:01 | 0:20:04 | |
Where did you get these from, Helen? They're yours? | 0:20:05 | 0:20:08 | |
I have them from Neath. | 0:20:08 | 0:20:10 | |
-Neath Fair. -We'll hold one each. | 0:20:11 | 0:20:14 | |
They can have a little chat. | 0:20:14 | 0:20:15 | |
These three figures look like they're carved from acacia wood, | 0:20:17 | 0:20:20 | |
a dark hardwood with a lovely grain, | 0:20:20 | 0:20:22 | |
found across Africa and the Far East. | 0:20:22 | 0:20:25 | |
They're not antique, but someone will surely pay £15 for them. | 0:20:25 | 0:20:30 | |
Back at Peter's, he's found even more things for me! | 0:20:30 | 0:20:34 | |
Wow! This is great for our bric-a-brac stall. | 0:20:34 | 0:20:36 | |
-I've hit Aladdin's cave! -There we are. -Thank you very much. | 0:20:36 | 0:20:40 | |
-That's a nice print, isn't it? -Lovely. | 0:20:40 | 0:20:42 | |
-That's lovely. -That's a special lady there, isn't it? -There you go, look at that. Yes. | 0:20:42 | 0:20:45 | |
I think there's £2 or £3 there, as well. | 0:20:45 | 0:20:47 | |
'This charming rustic study of two sisters | 0:20:47 | 0:20:50 | |
'is painted in the Victorian style. | 0:20:50 | 0:20:52 | |
'It's not by a famous artist, but it would be a lovely gift for | 0:20:52 | 0:20:56 | |
'a mum or a grandmother, and the donations keep on coming.' | 0:20:56 | 0:20:59 | |
-Oh, I love those. -Would they be great? -Yes. | 0:20:59 | 0:21:01 | |
-They'd be fabulous, wouldn't they? -Do you know who made them? | 0:21:01 | 0:21:04 | |
-One of them's from Ireland. -Yeah. | 0:21:04 | 0:21:07 | |
And the other one is from North Wales. This is a thumb stick. | 0:21:07 | 0:21:11 | |
'A thumb stick is a walking stick that comes up to chest height. | 0:21:11 | 0:21:14 | |
'If you rest your thumb in the crook, it makes | 0:21:14 | 0:21:17 | |
'a very comfortable stick for hiking.' | 0:21:17 | 0:21:20 | |
There's an old electric guitar down there. | 0:21:20 | 0:21:22 | |
Is that the one over there? | 0:21:22 | 0:21:23 | |
-That's the one you can have. -Oh, thank you. -Yes. | 0:21:23 | 0:21:26 | |
That's brilliant. I see money, money, money. | 0:21:26 | 0:21:28 | |
'At the 11th hour, Peter's come to the rescue | 0:21:30 | 0:21:32 | |
'and helped me fill my side of the van. | 0:21:32 | 0:21:35 | |
'Irina's still has got one last house call to make - | 0:21:35 | 0:21:38 | |
'at another of Sarah's friends, | 0:21:38 | 0:21:39 | |
'also called Sarah, who's having a clear out.' | 0:21:39 | 0:21:43 | |
Nice. Celine Dion. Oh, my God! I love her as a singer. | 0:21:43 | 0:21:46 | |
-Do you like her? -Yes. | 0:21:46 | 0:21:47 | |
New items, always handy. | 0:21:47 | 0:21:49 | |
That means none of the pieces are missing. | 0:21:49 | 0:21:51 | |
As well as the perfume, Sarah is donating some games. | 0:21:51 | 0:21:54 | |
As a mum, she understands what | 0:21:54 | 0:21:56 | |
we're trying to achieve for her friend. | 0:21:56 | 0:21:58 | |
It'll be nice for them to have the garden done and have | 0:21:58 | 0:22:01 | |
something out there to remember Chris at the back of the garden. | 0:22:01 | 0:22:06 | |
So the kids can go there, | 0:22:06 | 0:22:07 | |
like a bench or something to put there so they can go out | 0:22:07 | 0:22:10 | |
there to speak and have a think and talk about their father. | 0:22:10 | 0:22:13 | |
That's what they miss, going somewhere to talk. | 0:22:13 | 0:22:16 | |
That's the end of our rummage. | 0:22:16 | 0:22:19 | |
It's time to take a look at what we've collected and see which | 0:22:20 | 0:22:23 | |
of us has gathered the most. | 0:22:23 | 0:22:26 | |
I tell you what... | 0:22:26 | 0:22:27 | |
Kind of even-stevens, what do you think? | 0:22:27 | 0:22:29 | |
-It does look like it, doesn't it? It really does. -Pretty equal. | 0:22:29 | 0:22:33 | |
-But, look, I'd like to start off with this. -I know! | 0:22:33 | 0:22:35 | |
-Because I think that is fantastic. -I love it. Can you see... | 0:22:35 | 0:22:38 | |
-It's just wonderful. -I can see it. | 0:22:38 | 0:22:39 | |
It's so retro and that's why I've been trying my hardest to find | 0:22:39 | 0:22:42 | |
a carpenter, a local carpenter who can restore this. | 0:22:42 | 0:22:45 | |
I haven't had much luck, but there could be a strong possibility. | 0:22:45 | 0:22:48 | |
I just need to give him a call back later. | 0:22:48 | 0:22:50 | |
He might be able to do something with this. | 0:22:50 | 0:22:52 | |
Carved doggies which I think are quite quirky, quite... Quite kitsch. | 0:22:54 | 0:22:58 | |
-With the mixed blue and white. -Yeah. -Bit of Edwardian. | 0:22:58 | 0:23:01 | |
-Doesn't that say "over the top"? -Oh, my God. | 0:23:01 | 0:23:03 | |
-It's just flamboyant, isn't it? -It is, yeah. | 0:23:03 | 0:23:06 | |
Unbelievable. Is this hand-painted? | 0:23:06 | 0:23:07 | |
-Yeah, it is hand-painted. -Amazing. | 0:23:07 | 0:23:09 | |
I mean, it's gaudy, gaudy, but it looks brilliant. | 0:23:09 | 0:23:13 | |
'Someone's also donated this. | 0:23:13 | 0:23:15 | |
'It's a Napoleon clock, because it looks like his famous hat, | 0:23:15 | 0:23:18 | |
'and it probably dates back to the 1920s. | 0:23:18 | 0:23:22 | |
'We've got some great stuff and I think we'll send three items | 0:23:22 | 0:23:25 | |
'to the saleroom. | 0:23:25 | 0:23:27 | |
'The ceramic clock mount, | 0:23:28 | 0:23:31 | |
'Napoleon clock and the Royal Wedding tea set. | 0:23:31 | 0:23:34 | |
'Irina's given herself quite a challenge with her upcycling task. | 0:23:34 | 0:23:39 | |
'Everything else will go to our bric-a-brac stalls | 0:23:39 | 0:23:42 | |
'and the pop-up auction.' | 0:23:42 | 0:23:44 | |
-Well done. -I know. Put it there, partner. -Well done, well done. | 0:23:44 | 0:23:47 | |
It's the day of our street auction and we're not going to let | 0:23:48 | 0:23:52 | |
a little bit of rain get us down. | 0:23:52 | 0:23:54 | |
We've only a got a few hours until we're open for business. | 0:23:54 | 0:23:57 | |
Our van's piled high with finds from the rummage day, | 0:23:57 | 0:24:01 | |
so everyone's pitching in to help. | 0:24:01 | 0:24:03 | |
We've got stalls to set up and a street to transform. | 0:24:04 | 0:24:08 | |
All of this area is ours to have some fun with today and, | 0:24:08 | 0:24:11 | |
hopefully, in a few hours' time, | 0:24:11 | 0:24:14 | |
the community will start to gravitate towards this street. | 0:24:14 | 0:24:17 | |
Everybody in the surrounding neighbourhood will come together | 0:24:17 | 0:24:20 | |
as one, big, powerful unit to have | 0:24:20 | 0:24:22 | |
a great time and raise lots of money for Sarah. | 0:24:22 | 0:24:25 | |
We've recruited a team of local helpers and, of course, | 0:24:26 | 0:24:29 | |
one of the first to volunteer was Sarah herself. | 0:24:29 | 0:24:32 | |
Morning, everyone. Good morning, good morning. | 0:24:34 | 0:24:37 | |
I see you've all met Irina. You've got sashes on. | 0:24:37 | 0:24:41 | |
We're going to get the stuff out from underneath the tables, | 0:24:41 | 0:24:44 | |
the bric-a-brac. We're going to find stations for everything. | 0:24:44 | 0:24:47 | |
Big smiles on your face, OK? Don't let the weather put you off. | 0:24:47 | 0:24:49 | |
I know it's going to change and hundreds of people will turn up. | 0:24:49 | 0:24:52 | |
Right, we can make this work, can't we? | 0:24:52 | 0:24:53 | |
-Yes. -Yes? Ready for this, team? | 0:24:53 | 0:24:55 | |
Yes! THEY CHEER | 0:24:55 | 0:24:57 | |
We'll be selling refreshments in the community hall later | 0:25:00 | 0:25:03 | |
but, in the meantime, I'm going to get the drinks in. | 0:25:03 | 0:25:06 | |
Cup of tea? | 0:25:06 | 0:25:07 | |
Cup of tea? There's a couple of coffees and some water there. | 0:25:07 | 0:25:10 | |
'And I'm not going to go hungry. Jan's been busy baking.' | 0:25:10 | 0:25:14 | |
Some Welsh cakes, which is traditional. Welsh. | 0:25:14 | 0:25:17 | |
-Did you make these? -Yes. | 0:25:17 | 0:25:18 | |
-You can try them if you like. -Oh, good. | 0:25:18 | 0:25:20 | |
I'll try one now. | 0:25:20 | 0:25:22 | |
THEY LAUGH | 0:25:22 | 0:25:24 | |
-Do you know Sarah? -Yes, I do. -You do. | 0:25:24 | 0:25:26 | |
She's been marvellous, so strong after her husband died at | 0:25:26 | 0:25:30 | |
Christmas time. Well, it was only two days before. | 0:25:30 | 0:25:32 | |
She's a lovely girl. My heart goes out to her, really. | 0:25:32 | 0:25:35 | |
'We've got to do our best for Sarah and I think some of our | 0:25:35 | 0:25:38 | |
'donations could raise quite a lot for the cause.' | 0:25:38 | 0:25:41 | |
Remember that 1950s stand-alone kitchen cabinet? | 0:25:41 | 0:25:44 | |
Well, fingers crossed, it's... | 0:25:44 | 0:25:47 | |
Well, it's here. | 0:25:47 | 0:25:48 | |
-Irina! -I know. Yeah. | 0:25:49 | 0:25:52 | |
-This is... -Our '50s retro cabinet. | 0:25:54 | 0:25:56 | |
I needed an expert to give me some advice and suggest something, | 0:25:56 | 0:26:00 | |
so I got a carpenter to have a look at it. | 0:26:00 | 0:26:02 | |
He thought he could do something with it, | 0:26:02 | 0:26:04 | |
but then only when he took it back to his workshop, started | 0:26:04 | 0:26:07 | |
taking away all the rotten bits of woodworm and things like that... | 0:26:07 | 0:26:10 | |
-He realised how bad it was. -Yeah. | 0:26:10 | 0:26:13 | |
Guess some things are salvageable and some aren't. | 0:26:13 | 0:26:16 | |
'But there is some good news - | 0:26:16 | 0:26:17 | |
'the carpenter's donating a piece of furniture of his own for us | 0:26:17 | 0:26:20 | |
'to sell and we'll find out what it looks like soon. | 0:26:20 | 0:26:23 | |
'I'll be auctioning off a few special items later, but we're | 0:26:26 | 0:26:29 | |
'really going to need the crowds to come and brave the weather. | 0:26:29 | 0:26:32 | |
'Time for a progress check on the stalls.' | 0:26:32 | 0:26:36 | |
Look at these. | 0:26:36 | 0:26:37 | |
Oh, wow! | 0:26:39 | 0:26:40 | |
I've never seen a Christmas teapot before. | 0:26:40 | 0:26:43 | |
Not convinced. | 0:26:43 | 0:26:45 | |
Now, what has that carpenter donated? | 0:26:45 | 0:26:46 | |
Look! Look at that - it's beautiful! | 0:26:46 | 0:26:49 | |
Almost looks French. | 0:26:49 | 0:26:52 | |
It's like a light turquoise blue. Look at the detail on the legs. | 0:26:52 | 0:26:57 | |
It's in good nick. It's in good working order! | 0:26:57 | 0:27:01 | |
It's not going to fall apart on us. That's the best bit. | 0:27:01 | 0:27:04 | |
I was worried the rain would keep people away, but it looks like | 0:27:04 | 0:27:07 | |
the whole village has turned out - | 0:27:07 | 0:27:10 | |
and the primary school choir is getting everyone in the party mood. | 0:27:10 | 0:27:15 | |
# There's a tiny caterpillar on a leaf | 0:27:15 | 0:27:18 | |
# Wiggle, wiggle, munch, munch, spin, spin, flap, flap | 0:27:18 | 0:27:22 | |
# There's a tiny caterpillar on a leaf | 0:27:22 | 0:27:26 | |
# Wiggle, wiggle, munch, munch, spin, spin, flap, flap | 0:27:26 | 0:27:30 | |
# There's a tiny caterpillar Tiny caterpillar | 0:27:30 | 0:27:35 | |
# Tiny caterpillar on a leaf | 0:27:35 | 0:27:37 | |
# Wiggle, wiggle, munch, munch, spin, spin, flap, flap. # | 0:27:37 | 0:27:42 | |
CHEERING AND APPLAUSE | 0:27:42 | 0:27:44 | |
And with that it's time to get our street auction officially open. | 0:27:46 | 0:27:49 | |
-ALL: -Five, four, three, two, one, go! | 0:27:49 | 0:27:56 | |
Let's do it! | 0:27:56 | 0:27:57 | |
CHEERING AND LAUGHTER | 0:27:57 | 0:28:00 | |
We've got such fantastic bric-a-brac, let's start selling. | 0:28:01 | 0:28:06 | |
Peter's pooch quickly finds a new home, as does Sarah's perfume set. | 0:28:08 | 0:28:13 | |
And someone's fallen in love with Gareth and Ceranne's dinner set. | 0:28:14 | 0:28:18 | |
I like this kind of chic vintage. | 0:28:18 | 0:28:21 | |
It makes us a brilliant £12. | 0:28:21 | 0:28:24 | |
That's £12, please. | 0:28:24 | 0:28:25 | |
Thank you very much. | 0:28:25 | 0:28:27 | |
All the stalls get off to a great start and there's plenty of | 0:28:27 | 0:28:30 | |
other entertainment for young... | 0:28:30 | 0:28:32 | |
Hello. Look at that smile. | 0:28:32 | 0:28:34 | |
..and old. | 0:28:34 | 0:28:35 | |
HE LAUGHS | 0:28:35 | 0:28:37 | |
Vroom-vroom! | 0:28:37 | 0:28:39 | |
We've just heard that Swansea City Football Club | 0:28:41 | 0:28:43 | |
have heard about what we are doing here today and they want to get | 0:28:43 | 0:28:46 | |
involved. It's the local team, obviously. | 0:28:46 | 0:28:48 | |
So they've sent the club ambassador down, an ex-player, | 0:28:48 | 0:28:50 | |
to donate a couple of items that I can auction off. | 0:28:50 | 0:28:53 | |
-Hi. -Hi, Paul. Are you OK? It's Lee Trundle. -You played for the club? | 0:28:53 | 0:28:56 | |
-Yeah, I played for the club for five years and now I'm club ambassador and coach. -Great. OK. | 0:28:56 | 0:29:01 | |
And you've brought down a signed ball, a brand-new ball. | 0:29:01 | 0:29:04 | |
And that's autographed by all the players. | 0:29:04 | 0:29:06 | |
Yeah, autographed by everyone. | 0:29:06 | 0:29:07 | |
Obviously we've got the Welsh captain there, Ashley Williams, | 0:29:07 | 0:29:10 | |
-as well, who done great in the Euros. -Fantastic. | 0:29:10 | 0:29:12 | |
-Every player will be on there. -Do you know what? That's put the value up, hasn't it? -It has. | 0:29:12 | 0:29:16 | |
Thank you so much. I'll do a header for you. Ready? | 0:29:16 | 0:29:18 | |
'Before we auction off this special ball, Lee is going to help | 0:29:25 | 0:29:28 | |
'me smash my personal best.' | 0:29:28 | 0:29:30 | |
HE LAUGHS | 0:29:35 | 0:29:37 | |
'23 headers, back of the net.' | 0:29:37 | 0:29:40 | |
Thank you so much for the donation. | 0:29:40 | 0:29:42 | |
'I'm sure we'll hit the target with the football donations. | 0:29:42 | 0:29:45 | |
'And luckily enough, there are lots of Swans fans around here.' | 0:29:45 | 0:29:49 | |
-He smells lovely. -Does he smell good? -Yeah. | 0:29:49 | 0:29:52 | |
-Do you think we can auction him off today? -THEY LAUGH | 0:29:52 | 0:29:56 | |
'Inside, the refreshment room is doing a roaring trade. | 0:29:56 | 0:30:00 | |
'And Sarah's daughter Mia is getting a whole new look.' | 0:30:00 | 0:30:04 | |
You look so pretty. How does that look? | 0:30:04 | 0:30:07 | |
What do you think Mummy will say? Will she like it? | 0:30:07 | 0:30:09 | |
I think Mummy will, won't she? | 0:30:09 | 0:30:11 | |
-Oh, bless her. Bless her. -She's so sweet. | 0:30:11 | 0:30:13 | |
-You're very good. -Thank you. | 0:30:13 | 0:30:15 | |
-You are very, very, very good. Do you know, I'd have a go... -Yes. | 0:30:15 | 0:30:19 | |
I would have a go but I think I'm going to do it after the auction. | 0:30:19 | 0:30:22 | |
I think on the rostrum painted up, it wouldn't look right, would it? | 0:30:22 | 0:30:25 | |
You'd like a little tiger mouth. | 0:30:25 | 0:30:27 | |
Everyone's enjoying the day. | 0:30:30 | 0:30:31 | |
Now our volunteers are doing a great job of raising cash. | 0:30:32 | 0:30:36 | |
But don't forget, we sent three items off to a saleroom auction. | 0:30:36 | 0:30:41 | |
And our auctioneer is James Lewis. | 0:30:41 | 0:30:44 | |
Irina's first find, the royal memorabilia. | 0:30:44 | 0:30:47 | |
It's surely worth over £25. | 0:30:47 | 0:30:49 | |
Our Charles and Diana commemorative tea service. | 0:30:49 | 0:30:52 | |
Unusual lot. 10, £10 waving at the back. Thank you, sir. | 0:30:52 | 0:30:57 | |
10. 12 do I see? At £10, 12 now. | 0:30:57 | 0:31:00 | |
At 12. It's on the internet at £12. Anybody else? At 12. | 0:31:00 | 0:31:06 | |
£12. | 0:31:06 | 0:31:07 | |
Someone's got a bargain. Next, the French clock case. | 0:31:07 | 0:31:10 | |
I predicted it would make well over £20. | 0:31:10 | 0:31:13 | |
£5. Anybody want that? | 0:31:13 | 0:31:16 | |
Go on. Well done, sir. Thank you. At £5 it's going. | 0:31:17 | 0:31:20 | |
At 5, and it's with you at £5. | 0:31:20 | 0:31:22 | |
Turns out ceramic clock covers really are out of fashion. | 0:31:24 | 0:31:27 | |
Finally, it's the 1920s Napoleon clock and I'm hoping this | 0:31:27 | 0:31:31 | |
will make £18 to £20. | 0:31:31 | 0:31:34 | |
At £10. 12 do I see? Blimey, that's cheap. 12. 15. And 18 beats it. £18. | 0:31:34 | 0:31:40 | |
And 20 now. How about 21? I'm not proud. Every pound counts for this. | 0:31:40 | 0:31:46 | |
21. 22. 22. 23. With you at 22. 23 do I see? | 0:31:46 | 0:31:51 | |
-GAVEL BANGS -Yours for 22. | 0:31:51 | 0:31:54 | |
So we've made £39 from our three items in the saleroom. | 0:31:54 | 0:31:57 | |
This calls for drastic measures. | 0:31:57 | 0:31:59 | |
We've got to sell, sell, sell if we're going to hit our target of £1,500. | 0:31:59 | 0:32:05 | |
Ladies and gentlemen, could I have your attention, please? | 0:32:05 | 0:32:08 | |
There is ten minutes to go before we stop selling on all the stalls. | 0:32:08 | 0:32:13 | |
So this is the final big push. | 0:32:13 | 0:32:16 | |
Everything for sale now, every single item, is £1. | 0:32:16 | 0:32:20 | |
It's so moving to see the whole village coming together to | 0:32:29 | 0:32:32 | |
support one of their own. | 0:32:32 | 0:32:34 | |
They turned out in their hundreds and they've given up their | 0:32:34 | 0:32:37 | |
treasures, baked us cakes, and handed over their cash. | 0:32:37 | 0:32:40 | |
And all for a young mum who's been through so much. | 0:32:42 | 0:32:45 | |
I just hope we've managed to do Sarah proud. | 0:32:45 | 0:32:48 | |
# You'll never walk alone. # | 0:32:48 | 0:32:56 | |
CHEERING AND APPLAUSE | 0:32:58 | 0:33:00 | |
So emotional. | 0:33:03 | 0:33:05 | |
And with that, the stalls have closed and there's just my pop-up | 0:33:05 | 0:33:08 | |
auction left to come. But there's another surprise. | 0:33:08 | 0:33:13 | |
I've just heard some brilliant news. | 0:33:13 | 0:33:15 | |
A local industry - | 0:33:15 | 0:33:16 | |
in fact, it's a nickel refinery where Chris used to work - | 0:33:16 | 0:33:19 | |
has heard about what we're doing here for Sarah. | 0:33:19 | 0:33:22 | |
And they are donating £500 towards our cause, which is just fantastic. | 0:33:22 | 0:33:28 | |
It really is. That's going to go a long, long way. | 0:33:28 | 0:33:31 | |
The £500 will be added to what we made in the saleroom | 0:33:32 | 0:33:36 | |
and on our stalls. I set us a huge target of £1,500. | 0:33:36 | 0:33:41 | |
But how have we done so far? | 0:33:41 | 0:33:43 | |
You've just seen the figures. | 0:33:43 | 0:33:45 | |
We've already hit our target. | 0:33:45 | 0:33:47 | |
We've done just over £1,500, which means what I do on the rostrum | 0:33:47 | 0:33:50 | |
now is a real bonus. | 0:33:50 | 0:33:52 | |
So let's go out there, let's smash it, and let's work really hard. | 0:33:52 | 0:33:55 | |
Thank you, ladies and gentlemen, for turning up, and I tell you what, | 0:33:55 | 0:33:59 | |
we've managed to have a whole street party in the rain. | 0:33:59 | 0:34:02 | |
And it hasn't stopped raining, but hasn't stopped us, has it? | 0:34:02 | 0:34:05 | |
So let's make it a grand finale. | 0:34:05 | 0:34:06 | |
Please, please, please, bid generously. Dig deep, OK? | 0:34:06 | 0:34:10 | |
We need every penny we can get. | 0:34:10 | 0:34:12 | |
We're going to start straight off with, obviously, lot number one. | 0:34:12 | 0:34:15 | |
Showing here, Irina is showing us a lovely acoustic guitar. | 0:34:15 | 0:34:19 | |
It's a steel-strung acoustic guitar. Let's get off at £10. | 0:34:19 | 0:34:23 | |
£10, straight in there. 10. Is there 12 anywhere? Showing here. | 0:34:23 | 0:34:27 | |
Come on, 12. Yes, I'll take 12. Can you make it 14? Two more. 14. | 0:34:27 | 0:34:31 | |
One more, 15? 16? Go on, one more. £16. Thank you very much. | 0:34:31 | 0:34:36 | |
Well, I'm selling to you £16. Sold. Thank you very much. | 0:34:36 | 0:34:40 | |
Yeah, he's got a guitar! Yeah! | 0:34:40 | 0:34:42 | |
Right, Lot number two, showing here, three wooden dogs. Look at this. | 0:34:42 | 0:34:46 | |
This is a bit of fun. | 0:34:46 | 0:34:48 | |
Right, who's going to start me off with bid of £5? | 0:34:48 | 0:34:51 | |
Yes, come on. That's a bid, isn't it? Oh. You want it, don't you? | 0:34:51 | 0:34:56 | |
You keep... Mummy, buy this for her. A fiver. Come on, it's worth it. | 0:34:56 | 0:34:59 | |
I'm going to take that. A fiver. Any further advances? 6? | 0:34:59 | 0:35:03 | |
6, thank you. 7. 7. 8 with you now? Sir, £8. | 0:35:03 | 0:35:06 | |
Thank you. It's with you now. 8, it's against you. 9 now. | 0:35:06 | 0:35:09 | |
9 at the back. Any further advances? 10. £10 now. | 0:35:09 | 0:35:13 | |
Thank you. 12, can I take 12? Thank you very much. It's against you, sir. 14. | 0:35:13 | 0:35:17 | |
14 with me now. 15, thank you. £15. 16. 16. This is more like it. | 0:35:17 | 0:35:23 | |
Can I take 18? Thank you. £18. 20? £20. He stuck his hand up. £20. 22? | 0:35:23 | 0:35:29 | |
Are you in or are you out? You're out. | 0:35:29 | 0:35:31 | |
£20 and I'm selling to the gentleman with the cap on. | 0:35:31 | 0:35:34 | |
It's going once, twice, sold. Thank you. | 0:35:34 | 0:35:36 | |
Yes, he just took his hat off then! HE LAUGHS | 0:35:36 | 0:35:39 | |
Hold your hand up in the air so we can spot you. | 0:35:39 | 0:35:42 | |
'The villagers are really getting into the spirit of the day. | 0:35:43 | 0:35:46 | |
'Rachel's brown jug makes us £3. | 0:35:46 | 0:35:50 | |
'A late donation of decorative china makes five. | 0:35:50 | 0:35:53 | |
'And these china dogs make £10 for the cause.' | 0:35:54 | 0:35:57 | |
Make no mistake, fair warning, it's going once, twice, sold. Thank you. | 0:35:58 | 0:36:03 | |
Next, it's the donated dressing table. | 0:36:03 | 0:36:06 | |
It will look fabulous in any young girl's bedroom. It's ready to go. | 0:36:06 | 0:36:10 | |
It's in great condition. It's been kindly donated. 20 anywhere? 20 anywhere? | 0:36:10 | 0:36:14 | |
20. Can you make that 20? Thank you. It's against you now. 30? £30. | 0:36:14 | 0:36:18 | |
And I'm taking 30, it's against you, madam. 40, straight in. 40. | 0:36:18 | 0:36:22 | |
You're out. You're in. £40, and I'm selling at 40. £45. | 0:36:22 | 0:36:27 | |
I'm going to sell it to you. I'm going to sell it to you. | 0:36:27 | 0:36:29 | |
£45, fair warning, it's going under the hammer. Sold, £45. Thank you. | 0:36:29 | 0:36:33 | |
CHEERING AND APPLAUSE | 0:36:33 | 0:36:35 | |
Finally, it's the two lots from Swansea City Football Club. | 0:36:35 | 0:36:39 | |
Who knows the Swans? Yes, you do, don't you? | 0:36:39 | 0:36:42 | |
CHEERING | 0:36:42 | 0:36:44 | |
Yeah, the local footie team. Right, well, anyway, | 0:36:44 | 0:36:46 | |
we have two tickets donated by the club to go and see a home game. | 0:36:46 | 0:36:52 | |
Right, who's going to start me off with a bid of £20? Two tickets. | 0:36:52 | 0:36:56 | |
Come on. Welcome the team back. Thank you. £20, straight in. | 0:36:56 | 0:36:59 | |
I'll take 20. 25 anywhere? 25, thank you. It's against you, sir. 30? 30. | 0:36:59 | 0:37:04 | |
Thank you. It's now against you, madam. I've got a bid of £30. £35. | 0:37:04 | 0:37:08 | |
Thank you very much. He's thinking about it. He's thinking. 40. £40. | 0:37:08 | 0:37:13 | |
Yes. This is turning into a proper auction now. I've got a bid of 40. | 0:37:13 | 0:37:16 | |
Can you make that 45? Thank you. £45. And I'm selling at £45. | 0:37:16 | 0:37:21 | |
It's going once, twice. | 0:37:21 | 0:37:23 | |
Fair warning, sir, think about it. 45. 46? | 0:37:23 | 0:37:26 | |
And I'm selling at 45. Sold. Thank you. | 0:37:26 | 0:37:29 | |
To you, madam, down at the front. Enjoy the football. | 0:37:29 | 0:37:32 | |
Lot number 15, showing here. It's a signed football, | 0:37:32 | 0:37:36 | |
the whole of the Swansea team. | 0:37:36 | 0:37:38 | |
This is something you can hang onto for | 0:37:38 | 0:37:40 | |
a long time, knowing it's going up in value. | 0:37:40 | 0:37:43 | |
Who's going to start me off with a bid of £10? | 0:37:43 | 0:37:45 | |
Thank you, straight in, 10. 20. 20. Thank you. 30? 30. 40? | 0:37:45 | 0:37:50 | |
£40, it's against you, madam. 50? £50 is with me now. £50. £50? 55? | 0:37:50 | 0:37:57 | |
55. 60. 65. 65. 70. | 0:37:57 | 0:38:01 | |
£70 now. £70 is with me. | 0:38:01 | 0:38:03 | |
£70. Any further advances on 70? 75. | 0:38:03 | 0:38:07 | |
80. 80 now. It's against you, madam, with the umbrella. | 0:38:07 | 0:38:10 | |
I have a bid of 80 on the front. Can you make that 85? You're out. | 0:38:10 | 0:38:13 | |
And I'm selling at 80. It's going once. 90. Who said that? Whoa! | 0:38:13 | 0:38:18 | |
Thank you. £90. And I'm selling at 90. | 0:38:18 | 0:38:22 | |
Can anyone top that? £95. | 0:38:22 | 0:38:25 | |
It's now against you, sir. 100. Yay! | 0:38:25 | 0:38:31 | |
Shall I sell it to him? | 0:38:31 | 0:38:32 | |
105. 110. | 0:38:34 | 0:38:36 | |
You're out. £110. | 0:38:36 | 0:38:40 | |
It's going once, twice. A big round of applause, everyone. Yay! | 0:38:40 | 0:38:43 | |
CHEERING AND APPLAUSE Well done. | 0:38:43 | 0:38:46 | |
'Sarah wanted to buy the ball for Alfie but was outbid. | 0:38:46 | 0:38:49 | |
'Hopefully we'll be making it up to them soon.' | 0:38:49 | 0:38:52 | |
Now, we set out with a target of £1,500. | 0:38:52 | 0:38:56 | |
That's what we wanted to raise. | 0:38:56 | 0:39:00 | |
That £1,500 target, we have smashed. | 0:39:00 | 0:39:04 | |
CHEERING AND APPLAUSE | 0:39:04 | 0:39:06 | |
You have smashed. | 0:39:06 | 0:39:07 | |
I can tell you what we've made. | 0:39:07 | 0:39:09 | |
A grand total of £2,259. | 0:39:09 | 0:39:13 | |
So thank you! You have been brilliant! | 0:39:13 | 0:39:17 | |
'Time for me to come clean.' | 0:39:17 | 0:39:20 | |
Now we've told a few fibs to one person here today, | 0:39:20 | 0:39:23 | |
in order to get her here. | 0:39:23 | 0:39:25 | |
Most of you know why we're here and who this is for, but they don't. | 0:39:25 | 0:39:29 | |
This person deserves it so much. And she is here today. | 0:39:31 | 0:39:35 | |
And I'd just like to say, if you can hear me now, | 0:39:36 | 0:39:39 | |
that it's been rather an emotional time | 0:39:39 | 0:39:41 | |
for all of us to learn about her story and her personal loss. | 0:39:41 | 0:39:45 | |
Despite her personal loss, she's carried on helping other people. | 0:39:45 | 0:39:50 | |
She's a very loving and caring mother. | 0:39:50 | 0:39:53 | |
She's a great friend to be with and she's a great laugh. | 0:39:53 | 0:39:56 | |
And she will carry on helping people because she was born to help people. | 0:39:56 | 0:40:00 | |
And she is here. It's Sarah Bruce, it's Alfie and Mia. | 0:40:00 | 0:40:06 | |
APPLAUSE | 0:40:06 | 0:40:07 | |
This is all for you. | 0:40:07 | 0:40:08 | |
This party, all of these people, | 0:40:08 | 0:40:12 | |
want to say how much they love you... | 0:40:12 | 0:40:15 | |
..and what you mean to them. | 0:40:18 | 0:40:20 | |
You mean a great deal to them. | 0:40:22 | 0:40:24 | |
And we've got an envelope here, which we want you to read out to | 0:40:24 | 0:40:27 | |
all your friends and neighbours and other people that didn't know you | 0:40:27 | 0:40:31 | |
that have come together in the community to make this work. | 0:40:31 | 0:40:33 | |
-Can you read this out to everybody? -Yeah. | 0:40:33 | 0:40:36 | |
-Because this is what we'd like to do for you. -OK. | 0:40:36 | 0:40:39 | |
Do you want me to wait for Alfie or now? | 0:40:39 | 0:40:41 | |
-Go on, read it out aloud to everybody. -I'll get Alfie. | 0:40:41 | 0:40:43 | |
"Dear Sarah, Alfie and Mia, | 0:40:43 | 0:40:45 | |
"we, your neighbours and friends in Clydach, want to show you | 0:40:45 | 0:40:48 | |
"how much you mean to us, so we've raised money enough to... | 0:40:48 | 0:40:52 | |
"Enough money to give your back garden a makeover for you to enjoy." | 0:40:52 | 0:40:55 | |
CHEERING AND APPLAUSE | 0:40:55 | 0:40:57 | |
Bless you. Bless you. | 0:40:59 | 0:41:01 | |
Well done, mate. | 0:41:04 | 0:41:05 | |
There you go, look, which means you can have... You can have your | 0:41:07 | 0:41:10 | |
own goalmouth and penalty shootout competitions with your mates. | 0:41:10 | 0:41:13 | |
You can have a Wendy house. | 0:41:13 | 0:41:15 | |
Mum can sit and relax and unwind, OK, and look after you. | 0:41:15 | 0:41:18 | |
And just chill out, can't you? | 0:41:18 | 0:41:21 | |
You can just chill out and rest. Three cheers for Sarah. Yeah. | 0:41:21 | 0:41:25 | |
-Hip, hip... ALL: -Hooray! | 0:41:25 | 0:41:27 | |
-Hip, hip... -Hooray! | 0:41:27 | 0:41:29 | |
-Hip, hip... -Hooray! | 0:41:29 | 0:41:30 | |
Thank you so much. | 0:41:31 | 0:41:33 | |
I don't know what else to say. Just thank you. | 0:41:35 | 0:41:38 | |
Before Chris got ill, | 0:41:46 | 0:41:48 | |
he was digging the garden up to do it right for us. | 0:41:48 | 0:41:51 | |
And now it can be done and completed, | 0:41:51 | 0:41:55 | |
finish off the work he started to do, | 0:41:55 | 0:41:58 | |
it means so much to us. | 0:41:58 | 0:41:59 | |
Towards the end, just before he passed away, | 0:42:01 | 0:42:04 | |
he always wanted to make sure everything was in place, | 0:42:04 | 0:42:06 | |
everything was sorted ready for Sarah, ready for the children, | 0:42:06 | 0:42:09 | |
cos obviously he knew she was going to be bringing the children up | 0:42:09 | 0:42:11 | |
on her own and he wanted to make sure that everything was in place. | 0:42:11 | 0:42:15 | |
He'd be so pleased if he was here. | 0:42:15 | 0:42:18 | |
You know, I've only moved to this village since I met Chris and, | 0:42:19 | 0:42:24 | |
well, just for them to come together for us as a family | 0:42:24 | 0:42:28 | |
has been absolutely amazing. | 0:42:28 | 0:42:30 | |
I hope you enjoyed watching the show. | 0:42:31 | 0:42:34 | |
This has been a real emotional journey for me | 0:42:34 | 0:42:36 | |
and for everybody here, but keep watching because we could be | 0:42:36 | 0:42:39 | |
in your street next time and this auction could be all for you. | 0:42:39 | 0:42:42 | |
Since the street auction, work has begun on the makeover and it | 0:42:44 | 0:42:47 | |
won't be too long before Sarah, Alfie and Mia can enjoy | 0:42:47 | 0:42:50 | |
the garden that Chris always dreamed of for them. | 0:42:50 | 0:42:53 |