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How many times have I looked in that mirror, as I put on my make up | 0:00:07 | 0:00:10 | |
for Swan Lake, Sleeping Beauty, | 0:00:10 | 0:00:12 | |
an important first night, or an exciting gala at Covent Garden, | 0:00:12 | 0:00:17 | |
or just one of the hundreds of performances | 0:00:17 | 0:00:20 | |
that go to make up a long career? | 0:00:20 | 0:00:22 | |
I never felt it was routine. | 0:00:22 | 0:00:25 | |
What they call the smell of the greasepaint | 0:00:25 | 0:00:28 | |
and the lure of the footlights never lost their magic for me. | 0:00:28 | 0:00:31 | |
The opera house fireman always brought me a cup of tea at the end of a show. | 0:00:33 | 0:00:37 | |
My favourites were all the Frederick Ashton ballets. | 0:00:37 | 0:00:40 | |
The last one he created for me was the first ballet ever created for Rudolf Nureyev. | 0:00:40 | 0:00:45 | |
It was Marguerite And Armand. | 0:00:45 | 0:00:47 | |
Ashton chose Liszt's music and the well-known story by Dumas | 0:00:47 | 0:00:51 | |
called The Lady Of The Camellias, | 0:00:51 | 0:00:53 | |
about the love of a famous courtesan | 0:00:53 | 0:00:55 | |
and a young man of good family, | 0:00:55 | 0:00:57 | |
set in mid-19th century Paris, when such a liaison was a social scandal. | 0:00:57 | 0:01:03 | |
Michael Soames played Armand's father. | 0:01:03 | 0:01:07 | |
Let's imagine those moments when the curtain rises, | 0:01:07 | 0:01:10 | |
and all that we can see from the stage | 0:01:10 | 0:01:12 | |
are the lights shining through the darkness. | 0:01:12 | 0:01:15 | |
As the ballet opens, Marguerite is dying of consumption, | 0:01:15 | 0:01:19 | |
and, in her delirium, she relives the episodes of her love for Armand. | 0:01:19 | 0:01:23 | |
Amid the confusion of her dreams, | 0:01:28 | 0:01:30 | |
she imagines she sees him, far away and out of her reach. | 0:01:30 | 0:01:34 | |
MUSIC: "Piano Sonata in B Minor" By Franz Liszt | 0:01:34 | 0:01:39 | |
In her imagination, Armand seems to appear before her. | 0:02:10 | 0:02:14 | |
Marguerite, in her dreams, goes back to the day of their first meeting. | 0:03:49 | 0:03:53 | |
At that time, her illness was only in the early stages. | 0:03:53 | 0:03:58 | |
She gave Armand a camellia, | 0:03:58 | 0:04:00 | |
and she remembers that it was at an evening party | 0:04:00 | 0:04:03 | |
where she was surrounded by men, and escorted by a rich duke. | 0:04:03 | 0:04:07 | |
Armand and Marguerite had fallen in love, | 0:10:23 | 0:10:25 | |
and she dreams of the days when Armand took her away | 0:10:25 | 0:10:28 | |
from Paris to the country, where they lived in idyllic happiness. | 0:10:28 | 0:10:32 | |
One day, Armand's father arrived, | 0:11:52 | 0:11:54 | |
and he persuaded her that she must renounce his son. | 0:11:54 | 0:11:58 | |
Marguerite gave him no explanation. | 0:20:38 | 0:20:41 | |
She let him believe that she really wanted to return to her old way of life in Paris. | 0:20:41 | 0:20:46 | |
She remembers Armand's fury when he found her | 0:21:17 | 0:21:20 | |
surrounded by her admirers. | 0:21:20 | 0:21:22 | |
The young men had always been sure she would go back to them. | 0:21:33 | 0:21:36 | |
They were waiting for her to appear, covered in diamonds on the arm of the duke. | 0:21:36 | 0:21:41 | |
Armand's father was so shocked by his son's conduct | 0:26:57 | 0:27:00 | |
that he resolved to tell him the truth of Marguerite's love. | 0:27:00 | 0:27:03 | |
Humiliated and broken, Marguerite is on her deathbed | 0:27:11 | 0:27:15 | |
when Armand's father hurries to tell her that Armand will soon be with her again. | 0:27:15 | 0:27:19 | |
Subtitles by Red Bee Media Ltd | 0:32:11 | 0:32:14 | |
E-mail [email protected] | 0:32:14 | 0:32:17 |