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Now for arts and night, presented by Andrew Graham Dixon. | :00:00. | :00:12. | |
I've been a professional art critic for more than three decades and in | :00:13. | :00:18. | |
that time I've come to believe that the essential power of art comes in | :00:19. | :00:21. | |
the ability of art to provoke people to think about their lives in new | :00:22. | :00:28. | |
and unexpected ways. For my edition of this programme, I want to explore | :00:29. | :00:33. | |
that process in action, to eavesdrop on the actual conversations people | :00:34. | :00:36. | |
have in art galleries, and I think the results will surprise you. | :00:37. | :00:41. | |
And, in fact, if statistics are to be believed, we are now | :00:42. | :00:47. | |
Don't think you're allowed to, but I agree, you want to stroke it. | :00:48. | :00:56. | |
Last year alone, nearly 5 million of us flocked to Tate Modern | :00:57. | :01:00. | |
I'm really weirded out that that is a self-portrait... | :01:01. | :01:18. | |
Sometimes we're left perplexed, or simply nonplussed. | :01:19. | :01:23. | |
All I think is, what if it's upside down? | :01:24. | :01:26. | |
But what is really going on inside people's heads | :01:27. | :01:32. | |
as they gaze at a Henry Moore sculpture or a Francis | :01:33. | :01:34. | |
No, long gone - too much medication, too much shock treatment. | :01:35. | :01:43. | |
In a unique experiment with the Tate, we invited | :01:44. | :01:48. | |
a cross-section of British society to reveal just what they think | :01:49. | :01:51. | |
of some of our most famous public artworks. | :01:52. | :01:57. | |
OK, hear me out - there's an element of a three-way going on there. | :01:58. | :02:01. | |
Using concealed cameras, we eavesdropped on their often frank | :02:02. | :02:05. | |
conversations as they came face to face with a range of works that | :02:06. | :02:08. | |
deal with love, family and friendship. | :02:09. | :02:12. | |
Their reactions were varied and surprising ? | :02:13. | :02:23. | |
Proof - if proof be needed ? that, while experts can help us | :02:24. | :02:33. | |
better understand art, we don't always need them | :02:34. | :02:35. | |
I think that hand up is very striking. | :02:36. | :02:41. | |
Yes, you could lie in there like a cat. | :02:42. | :03:05. | |
The first work to come under the spotlight was this bronze | :03:06. | :03:08. | |
sculpture made in 1949 by Henry Moore ? regarded | :03:09. | :03:12. | |
as ground-breaking in his time, but apparently less so today. | :03:13. | :03:17. | |
It's a bit old-fashioned in some ways, isn't it, | :03:18. | :03:19. | |
So they still have a little way to go. | :03:20. | :03:32. | |
Very interesting how both aren't even looking at the child. | :03:33. | :03:38. | |
Yes, looks like he is handing the baby over cos he's had enough. | :03:39. | :03:43. | |
We're not used to having the conventional nuclear family | :03:44. | :03:58. | |
It's not really been our experience in life. | :03:59. | :03:59. | |
There's something about this that brings a smile to my face. | :04:00. | :04:05. | |
Is that them with their little newborn baby? | :04:06. | :04:09. | |
But, as with all great artists, their work can mean very different | :04:10. | :04:12. | |
And the fact that Moore made this work to celebrate the birth | :04:13. | :04:18. | |
of his only and long-awaited child clearly struck a chord with this | :04:19. | :04:21. | |
couple, Oliver and Melissa, with baby Maxwell. | :04:22. | :04:26. | |
To be fair, he's got a six pack, which I am working towards. | :04:27. | :04:41. | |
He'd just turned 29, cos our birthdays are only | :04:42. | :04:51. | |
I'm a year older and he's younger so I'm a cougar, | :04:52. | :04:55. | |
And I think a year into the relationship we had | :04:56. | :05:01. | |
a conversation about when we wanted children, and I said I sensed that | :05:02. | :05:04. | |
possibility there could be something wrong. | :05:05. | :05:08. | |
I had a very bad infection when I was a teenager that | :05:09. | :05:11. | |
scarred my tubes so there was a very small chance I could get pregnant | :05:12. | :05:16. | |
and, if I were to get pregnant, there's a 5% chance it would be | :05:17. | :05:20. | |
So they said the best thing to do was have the tubes | :05:21. | :05:26. | |
If you'd have told me just then what we would have gone through now, | :05:27. | :05:34. | |
you still would not comprehend cos it was just... | :05:35. | :05:36. | |
I don't think there's a reading on this. | :05:37. | :05:43. | |
It would be nice to see if they struggled like we did. | :05:44. | :05:50. | |
There is something about it that jumps out, that they went | :05:51. | :05:53. | |
Because we were given such positive information, | :05:54. | :05:58. | |
It was just the tube thing and it should happen first time. | :05:59. | :06:10. | |
When it didn't happen first time, we were not prepared | :06:11. | :06:12. | |
at all and we just couldn't get out of this dark place of doom. | :06:13. | :06:24. | |
That was the only time I thought our relationship was truly | :06:25. | :06:29. | |
on the rocks and we might not be able to come back together cos | :06:30. | :06:32. | |
we were each depressed, each in our low and we couldn't get | :06:33. | :06:35. | |
The places that we were within ourselves and in our relationship... | :06:36. | :06:39. | |
Yeah, I didn't know where he was and he didn't know | :06:40. | :06:42. | |
We didn't even think we'd get a positive test. | :06:43. | :07:03. | |
I think she's proud that she conquered and she did this. | :07:04. | :07:09. | |
The thing that captivates, where we were, it's not like a smile | :07:10. | :07:19. | |
It's just tranquil confidence that we've actually achieved it. | :07:20. | :07:21. | |
You have just described it - that is what is in their eyes. | :07:22. | :07:30. | |
We still look at Maxwell and we can't believe | :07:31. | :07:32. | |
he's ours and I always thank him for coming and being our son. | :07:33. | :07:35. | |
People didn't live that long in them ages. | :07:36. | :07:54. | |
If she was 40, what, back in the 1500s, | :07:55. | :07:56. | |
Real quick and she probably had a second kid already! | :07:57. | :08:20. | |
They say to keep politics out of religion and to keep religion out of | :08:21. | :08:25. | |
politics but when were they ever separate? Lord but look my child. | :08:26. | :08:29. | |
Gender politics lies at the heart of this large-scale drawing | :08:30. | :08:31. | |
by Sonia Boyce, in which she depicts herself as two very different | :08:32. | :08:34. | |
It's like an alter ego, so it's like the Christian who's | :08:35. | :08:48. | |
praying who's got the eyes closed and the Rastafarian has | :08:49. | :08:51. | |
got her hand up saying, "Talk to that, my eyes are open, | :08:52. | :08:53. | |
I haven't read it yet, but looking at it, he's doing | :08:54. | :09:25. | |
the praying MP and she's laying down ready for MS and she's thinking, | :09:26. | :09:34. | |
Oh, that's true, it's actually a woman... | :09:35. | :09:40. | |
In tackling religion, politics and feminism head on, | :09:41. | :09:43. | |
Boyce's work seems calculated to divide opinion. | :09:44. | :09:49. | |
I think that hand up is very striking. | :09:50. | :10:02. | |
So are you saying the lady in the dress is saying, | :10:03. | :10:05. | |
"I've had enough, you're not going to control me any more?" | :10:06. | :10:07. | |
"I'm going off, I'm going my way", all flamboyant - | :10:08. | :10:11. | |
I think I went through that journey when I got here... | :10:12. | :10:14. | |
Coming here from Nigeria, I felt like an immigrant | :10:15. | :10:24. | |
because I hadn't grown up here so I really felt detached | :10:25. | :10:26. | |
from our community, detached from everything I knew. | :10:27. | :10:28. | |
And it was the Church that kind of made it easier to settle | :10:29. | :10:31. | |
here so it was a big part of us when we came here in the '90s. | :10:32. | :10:35. | |
But, in last five years or so, I started questioning, | :10:36. | :10:38. | |
so I've kind of stepped back a bit from the Church, | :10:39. | :10:40. | |
finding out about different faiths, about different world views, | :10:41. | :10:42. | |
different ideology, and I'm trying to make up my own mind. | :10:43. | :10:47. | |
I'm questioning a lot of this cos suddenly I see it just controlling | :10:48. | :10:51. | |
women and that's how I would link... | :10:52. | :10:54. | |
Yeah, I really started seeing religion as controlling women, | :10:55. | :10:59. | |
trying to get women to obey, all this, you know, submit | :11:00. | :11:04. | |
to your husband in every area of life. | :11:05. | :11:13. | |
There is inequality between men and women, it's as simple as that. | :11:14. | :11:19. | |
And Dapo, he is a feminist to a point because there are men, | :11:20. | :11:22. | |
especially African men, who would not do 1% of what Dap does | :11:23. | :11:25. | |
in the home, and I am really grateful that he is like that but, | :11:26. | :11:28. | |
on the other hand, I get angry that people are baffled | :11:29. | :11:31. | |
It shouldn't be anything special, you know? | :11:32. | :11:37. | |
So are you saying you don't see any kind of religion | :11:38. | :11:40. | |
Maybe you've got a point but maybe I don't see it the way you see it. | :11:41. | :11:46. | |
The only thing I do see is that women follow easily | :11:47. | :11:49. | |
without questioning whereas men are a lot more "prove it to me", | :11:50. | :11:53. | |
The benefits of the feminist views... | :11:54. | :12:02. | |
Ideally, I would like to plead the fifth, because none readily jump | :12:03. | :12:06. | |
out at me, unless you can help me out? | :12:07. | :12:10. | |
I know I don't do anything to perpetuate, to hold women down. | :12:11. | :12:24. | |
I'm trying to choose my words carefully, so I don't get shot | :12:25. | :12:29. | |
We don't shoot down, we make changes. | :12:30. | :12:33. | |
The colours are fabulous, the only thing I don't like actually | :12:34. | :12:42. | |
Well, it's more skin-like, isn't it, and the purple's unexpected. | :12:43. | :12:55. | |
These two are a lot more flowing, he must have had an off day | :12:56. | :12:58. | |
She's not sat on a chair though, is she? | :12:59. | :13:07. | |
It doesn't look muscular, it looks... | :13:08. | :13:15. | |
I would say, personally, they are all men. | :13:16. | :13:28. | |
Do you know what, this is my holiday home. | :13:29. | :13:32. | |
This is me, sitting there with my Pepsi Max | :13:33. | :13:44. | |
I think it shows calm and serenity on one side | :13:45. | :13:47. | |
and then it shows chaos on the other side and, | :13:48. | :13:49. | |
and it is probably symbolic of something | :13:50. | :13:52. | |
that was going on his life at the time. | :13:53. | :13:54. | |
David Hockney produced A Bigger Splash in 1967, | :13:55. | :13:56. | |
the same year that homosexuality was decriminalised in Britain, | :13:57. | :13:59. | |
making him a poster boy for a new generation. | :14:00. | :14:02. | |
But the freedoms the law promised, Hockney realised, could at that time | :14:03. | :14:04. | |
He might be on his own there, but he's making a bigger | :14:05. | :14:19. | |
He's jumping in and there's a bit of freedom to it. | :14:20. | :14:37. | |
Yeah, but I was just sort of thinking if I look back on myself | :14:38. | :14:40. | |
I was only married for about three years | :14:41. | :15:00. | |
and it was a terrible, terrible mistake, and if I had been | :15:01. | :15:04. | |
now of course I wouldn't have got married but in those days | :15:05. | :15:13. | |
the feelings, the feelings, the attitudes, the assumptions | :15:14. | :15:17. | |
And people say to people now, "Why did you get married"? | :15:18. | :15:27. | |
And that's a question that doesn't relate to the context | :15:28. | :15:30. | |
And I just assumed that all the feelings I had | :15:31. | :15:36. | |
in the '50s and '60s would simply go away, that being married | :15:37. | :15:39. | |
was what you did and that that would be in the past. | :15:40. | :15:45. | |
And then I had to realise that that wasn't how it was. | :15:46. | :15:50. | |
You could argue I'm a bit envious of the fact that someone | :15:51. | :15:52. | |
in 1967 could leave his home country and be a gay man and go | :15:53. | :16:00. | |
to the relative freedom of California, cos not everybody | :16:01. | :16:03. | |
and its only in recent times that we are able to feel it. | :16:04. | :16:13. | |
I mean, for us being able to do our civil registration, | :16:14. | :16:18. | |
what, two years ago, was something you wouldn't have | :16:19. | :16:24. | |
conceived of as being possible in 1967. | :16:25. | :16:32. | |
And here we are now in sort of married bliss. | :16:33. | :16:42. | |
Yeah, we thought if we were going to live together then let's | :16:43. | :16:56. | |
Probably we just think it's a normal thing | :16:57. | :17:00. | |
I mean we do still have to explain to people, | :17:01. | :17:04. | |
Yeah, well, recently I was accused of being your brother, wasn't I? | :17:05. | :17:14. | |
They went, "Oh, are you two brothers", | :17:15. | :17:15. | |
It's even worse when they say am I your father! | :17:16. | :17:23. | |
in California is that you could argue he's solitary | :17:24. | :17:39. | |
but at the same time he's able to have a ball with, | :17:40. | :17:46. | |
in a sense, whoever he wants to, but particularly | :17:47. | :17:49. | |
And so the splash is a celebration I expect, isn't it? | :17:50. | :17:59. | |
More than a celebration, it's an activity. | :18:00. | :18:03. | |
Oh, I don't know what Aunt Ethel would say! | :18:04. | :18:20. | |
I'm scared of the dead person in the middle. | :18:21. | :18:29. | |
It's too weird, and what are all the little flowers for? | :18:30. | :18:42. | |
Well, it's a celebration of something. | :18:43. | :18:44. | |
It doesn't look like a celebration to me! | :18:45. | :18:49. | |
Everyone is climbing out of their graves. | :18:50. | :18:51. | |
Donald Rodney, In The House Of My Father. | :18:52. | :19:04. | |
Donald Rodney took this arresting photograph of his hand, | :19:05. | :19:16. | |
when he was being treated in hospital for sickle cell anaemia, | :19:17. | :19:23. | |
a debilitating, hereditary disease that eventually killed him. | :19:24. | :19:29. | |
You know with sickle cell it can be hereditary so maybe | :19:30. | :19:32. | |
Or maybe he got it from his father, | :19:33. | :19:35. | |
Yeah, and there's a nail through his skin | :19:36. | :19:53. | |
Maybe the pins are a symbol of needles. | :19:54. | :20:01. | |
When you have crisis it's like a pins and needles feeling | :20:02. | :20:03. | |
When I was diagnosed, I was diagnosed | :20:04. | :20:16. | |
at the age of four, so at that age I weren't too sure what sickle cell | :20:17. | :20:20. | |
was but I knew it was something serious and I knew whenever | :20:21. | :20:23. | |
I was tired and fatigued and my joints began to swell, | :20:24. | :20:26. | |
there was something going on and I knew I had to go | :20:27. | :20:29. | |
Recently, over the last two years I've experienced a lot | :20:30. | :20:36. | |
of admittances to hospital, and when that happens | :20:37. | :20:43. | |
there are three people I think about. | :20:44. | :20:45. | |
they know what I'll be feeling, and feeling mentally | :20:46. | :20:55. | |
She's a very strong person and likes to put up | :20:56. | :21:03. | |
a front, like she's well and, "I'm fine, I'm fine". | :21:04. | :21:20. | |
So I am genuinely always concerned for her and always make | :21:21. | :21:23. | |
I feel funny talking about this, you know. | :21:24. | :21:36. | |
Cos he did die, you know, he did die of sickle cell. | :21:37. | :21:42. | |
You try to hold yourself together all the time. | :21:43. | :21:56. | |
I don't know what that is all about, do you? | :21:57. | :22:12. | |
Yes, that could be it, that's more like it, | :22:13. | :22:29. | |
Yes, you and I are too old for this sort of out. | :22:30. | :22:40. | |
First thing that comes to my mind is... | :22:41. | :22:42. | |
I would have gone the other way, more female parts than that. | :22:43. | :22:54. | |
The wrap for me is just like a studded manly type of thing | :22:55. | :23:02. | |
This challenging sculpture by Cathy de Monchaux was always | :23:03. | :23:17. | |
bound to provoke a spirited debate, especially between couples. | :23:18. | :23:22. | |
But for some it resonated even deeper. | :23:23. | :23:27. | |
It's a bit zippy and there's something kind of very | :23:28. | :23:37. | |
Yes, that crushed red velvet. Yeah. | :23:38. | :23:40. | |
There is a touch of that, "Let me get in... | :23:41. | :23:51. | |
In some ways I feel I have the urban legend mum. | :23:52. | :24:03. | |
And sometimes I forget that my mum is my mum. | :24:04. | :24:06. | |
I feel like I've got my best friend because | :24:07. | :24:09. | |
you know, she has always encouraged me to be myself | :24:10. | :24:12. | |
and that's been the only expectation, and to be honest. | :24:13. | :24:17. | |
I suppose I've always insisted on being myself | :24:18. | :24:27. | |
and Leng has had to do that as well. | :24:28. | :24:34. | |
I like the nuts and bolts, they look quite brutal, bit kinky. | :24:35. | :24:43. | |
I mean, obviously there is lots of labia. | :24:44. | :24:51. | |
It is quite ambiguous cos although, yes, it's labia but also | :24:52. | :24:54. | |
I love the fact that underneath the first layer it's not, | :24:55. | :25:10. | |
Well, it really should really be my chat up line, | :25:11. | :25:20. | |
I'd always known since I was small that I definitely | :25:21. | :25:28. | |
was male, but I wasn't born that way, so wearing female clothing just | :25:29. | :25:31. | |
Yes, you came in from school wearing a little | :25:32. | :25:43. | |
yellow mini skirt and T-shirt and long hair and it looked fabulous | :25:44. | :25:45. | |
and he came in from school pulling at this skirt saying, | :25:46. | :25:48. | |
"I don't ever want to wear a skirt again", | :25:49. | :25:50. | |
and I said, "Well, you don't have to wear a skirt again, | :25:51. | :25:53. | |
darling", cos there was obviously something behind this. | :25:54. | :25:55. | |
The thing is when you feel trapped and you feel your life | :25:56. | :25:58. | |
isn't your own, you feel isolated, and it's a very scary feeling. | :25:59. | :26:01. | |
And statistically a lot of trans people have had these feelings. | :26:02. | :26:03. | |
Looking at it actually it does really hit a few personal | :26:04. | :26:06. | |
I mean, usually when I tell people I am trans it's | :26:07. | :26:11. | |
like usually great, but then it's like a reflex they can't | :26:12. | :26:16. | |
help so it's like, "So have you had that | :26:17. | :26:18. | |
straight at my groin area and, you know, when I first meet | :26:19. | :26:24. | |
I don't go, "Oh, by the way, how big's yours?" | :26:25. | :26:30. | |
The nice thing is now when I look in the mirror | :26:31. | :26:33. | |
at myself I feel comfortable with what I look at cos it's taken | :26:34. | :26:36. | |
a long time to look the way I do now, and that's from a lot of work | :26:37. | :26:40. | |
but it's also from feeling proud and happy with who I am. | :26:41. | :26:43. | |
I think since you've had your chest surgery you have | :26:44. | :26:45. | |
I mean that is just one of the most amazing things, | :26:46. | :26:50. | |
But sometimes I feel like a secret agent or a double | :26:51. | :26:54. | |
agent almost, as I navigate the world because sometimes I'm read | :26:55. | :26:57. | |
as too male for some spaces, or not read | :26:58. | :27:01. | |
as male enough, and even now that can be challenging. | :27:02. | :27:03. | |
because in their view you are different, that they feel | :27:04. | :27:08. | |
they can just ask you anything quite boldly? | :27:09. | :27:13. | |
Yeah, cos I realise then that people stop looking at me | :27:14. | :27:15. | |
I feel like an exhibit, almost like that, cos first thing | :27:16. | :27:19. | |
we said when we looked at it, we were like, "What is it"? | :27:20. | :27:23. | |
And that actually happens to me in reverse. | :27:24. | :27:26. | |
Suddenly I go from being Leng, being read as a male, | :27:27. | :27:29. | |
It's interesting that you thought Venus fly trap. | :27:30. | :27:40. | |
That was before we even understood it, | :27:41. | :27:41. | |
I just thought that was a hardcore man machine. | :27:42. | :27:46. | |
Well, the reason it's not hardcore man machine | :27:47. | :27:48. | |
Don't worry, Son, we will talk about this in 12 years' time! | :27:49. | :28:01. | |
I would not like to go for a burial at all. Cremation every time for me. | :28:02. | :28:28. | |
I wouldn't have it in my house. I probably would. I like that. Weird, | :28:29. | :28:38. | |
though. It is quite dizzying. I know what you mean. Go and look at | :28:39. | :28:39. | |
something else. The weather is looking a little hit | :28:40. | :28:55. | |
and miss across the UK. There will be a big temperature contrast, mild | :28:56. | :28:59. | |
weather in the south and cold weather in the | :29:00. | :29:00. |