Extra Time BBC News: The Baftas


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A special chance to see some of the other prizes awarded at the 2016 Bafta ceremony.


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Transcript


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Ladies and gentlemen, good evening and welcome to the British Academy

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Film Awards. We move on to make up and cinematography and hair. She was

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sharp and true in swords of Vengeance, and he was a blockhead in

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Sex Drugs and Rock 'n' roll. Annabel Wallace and Tom Hughes.

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Good evening. It is wonderful to be here at the British Academy Film

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Awards. We are so pleased to be presenting two awards. First up make

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up and hair. All the nominees are magnificent. Let's look at their

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work. The Danish Girl. And the BAFTA is awarded to... Mad

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Max Fury Road. Thank you very much to all of the

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members of BAFTA for thinking that our work was worthy of this award.

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First and foremost we have to thank George Miller for taking us less --

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taking us on this journey. Thank you to our cruise through the globe --

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crew. And to friends and family and partners who supported us. Great

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respect to the other nominees. It was a great race. Thank you.

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APPLAUSE. And now the BAFTA for cinematography. The art of

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filmmaking. When done right it can turn a good move into a great one.

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Let's look at some of the best examples of this from the last year.

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Unfortunately he could not be here tonight so we will look after this

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and make sure he gets it. Thank you very much. Congratulations. It is

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documentary and original music given the honour next, and to present them

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be positively perfect pair. He was triumphant in Trumbo and she was

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glorious in Guardians of the Galaxy. Please welcome them now.

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This seems to be a running theme, interracial dating. Lucky me. Happy

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Valentines. Kiss cam. She is married. Thank you very much. It is

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great to be here to celebrate another fantastic year in film and

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to be presenting two BAFTA awards. First, the BAFTA four documentary,

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and genre which has both educated and entertained in equal measure --

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BAFTA for documentary. Let's take a look at some of these sensational

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films. My father said, have you forgiven

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them? All of this time you have never felt angry? No. Everybody's

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got a good side if you look for it. I look like a flowing head. I've got

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no hair. I am just on a black screen. There is my hand. What's

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goin' on? And the BAFTA is awarded to... Amy.

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Thank you so much. Thank you to everyone who voted for the film.

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Thank you to everyone who worked on the film. All of the people who

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contributed, those who trusted us to tell this story. It was difficult to

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make but in the end it was all about Amy. We fell in love with her when

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we were making the film. The aim was to show the world what an amazing

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person she was, how intelligent, witty and beautiful before it got

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out of control and went crazy. I just want to say thank you to

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Altitude. Chris King, partner in crime, and Adam Barker. Most people

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in this room would know someone who had struggled with addiction and yet

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the media thought it was okayed to tear someone apart. Someone like

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this comes along let's try to be more grown-up about it. Show a bit

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more love. --OK. Now, the BAFTA for original music. Let's take a look at

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the five nominees. Shall we? And the BAFTA goes to... The Hateful

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Eight. Unfortunately, he cannot be here tonight, but has sent the

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following message: I am sorry a car not be in person in London. I am

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conducting a concert in Dublin tonight, including the score for the

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Hateful Eight. My thanks go to the British Academy Film Awards for this

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honour. I would like to thank Quentin Tarantino, the entire team

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and the Weinstein company for inviting me to be part of this song.

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Collaborations with great directors have given me creative pleasure over

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the 55 years since I wrote the first film score. At 87 years old it is

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gratifying that my work is still deemed relevant. Thank you.

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APPLAUSE. The next awards are for British Short film and British Short

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animation, and to present them we are not short of presenters, he was

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in between one before and magnificent in The Inbetweeners and

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she made waves in Shanghai. Good evening, everyone. It is

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wonderful to be here tonight at the British Academy Film Awards at this

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truly stunning venue. We are taking our cue from the categories and

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keeping it short, so let's look at the nominations for British Short

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film. Writing at Pulham, are we? Think we are a bit of Keats, a bit

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of a Byron? -- poem. I know that of a sudden... That was

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a flash moment way back then. The fire! Try to calm down. Listen,

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I need you to stay where you are. The crew are on their way. And BAFTA

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is awarded to... Operator. APPLAUSE. Thank you. I will keep this short.

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So many people to thank. Kate Dickie and VIcki McLure. The amazing people

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who work for nothing. Those who funded the film. The Fire Brigades'

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Union, Simon and treat a -- Trita Hall and to my friends and family.

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Thank you so much. Now let's have a look at the

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nominations for British Short Animation. Edmond.

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And the BAFTA is awarded to... Edmond !

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Wow. OK. It was already so good to be nominated, I was having a really

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good time and it was such an honour to be nominated with Simon, who is

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my best friend. And also with Richard Williams, who has actually

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taught me how to animate with his animation survival kit. So thank you

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so much, Richard, as well. It's been so... An honour to be nominated with

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you. And of course we have to thank so many people for this short film.

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It took us a year and I think a year ago we were thinking about how this

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character was going to be, you know, how we could empathise with this

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character, who actually eats the people he loves. But it kind of

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worked! So that's really good. I want to thank the team, the national

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film television school team and my family and my friends and Adam

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Watts, who really helped us with the animation. Thank you so much.

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We come now to editing and sound and the present them, the British

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Japanese actress and an Irish actor who was legendary in Legend.

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Welcome! It is an absolute pleasure to be

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here this evening to present the BAFTA for editing. We did have a

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very long introduction, but in keeping with this award we have

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edited it it right down. Let's have a look at the nominees.

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And the BAFTA goes to... Mad Max: Fury Road !

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Wow. Thank you. Thank you, BAFTA. I am just happy that the film is being

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recognised in this way. You know, this film really was an editor's

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dream job and there's really only one person I have to thank. George

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Miller. His passion for the language of cinema and the language of the

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action film. This makes everyday in the cutting room and adventure. So,

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George, thank you so much. This is for you too.

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Now it's time to hear the five nominees vying for the Sound BAFTA.

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And the BAFTA goes to... The Revenant ! This is quite a surprise.

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Thank you, BAFTA, and most of all thank you Alejandro for making this

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amazing world. Yes, you are an amazing director but you are in an

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even more amazing human being and that's what you can see here. -- and

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even. I was very lucky to be introduced to this beautiful country

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through the movies. The first time I heard about London and the UK was

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through a film written by Alan Parker called Melody. We were kids

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looking at... Through the window of the cinema and travelling for the

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first time beyond our boundaries. So that's obviously one of the amazing

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things that cinema has, it can make you go other places. I'm very

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honoured to share this with my friends, so I will be brief. Thank

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you so much. A lot of people I have to acknowledge who really help us

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through this great journey that we were put on by Alejandro, Lisa

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Levine, Tom Meadows, everyone at Regency was such a support. Amazing

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support. Universal, everyone at Universal, thank you so much. And

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thank you so much Alejandro. Thank you.

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Well, we now come to the board for Production Design. To help us with

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this one we have two jawdropping actors, who were in a film about the

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student days called --of David Cameron and Boris Johnson. It was

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called the Riot Club. They went on to ruin the country... Run the

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country! Run the country! Max Irons and Douglas Booth! Good evening,

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everyone. It is an honour to be here and thank you for mentioning The

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Riot Club. It's a shame we had to cut the scene with a pig. I put

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effort into that one. Let's take a look at the nominations for

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Production Design. And the BAFTA goes to... Mad Max:

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Fury Road! Colin Gibson and Lisa Thompson!

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It could only be better if Rebel Wilson gave it to me. I've been

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fortunate enough to thank my art department crew on a number of other

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occasions tonight. I would like to add a few names to the honour roll,

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who don't often... Well, who haven't had a chance online for a presenter

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tonight. Obviously the marvel that is George Miller. To our producers,

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Doug Mitchell and PJ, carrot and stick, a well under way. To the all

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dancing and all singing stop him, orchestrated by the lovely and

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talented Guy Norris. And to the actors, the ensemble who brought the

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pulse, the face and heart. There are things you can't design into

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anything. But when Charlie is the Ron sits in a couple of used cars

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you get to win one of these. -- Charlise Theron. Thank you all very

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much, thank you BAFTAs. A million congratulations to all nominees and

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of course all winners. I am going off now to haste in my own demise by

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eating and drinking like a wild rattling warthog who knows no shame

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and no table manners. And I suggest that you do the same. I will see you

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at the trough. Good night. Thank you. Thank you very

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