Extra Time BBC News: The Baftas

Ladies and gentlemen, good evening and welcome to the British Academy

Film Awards. We move on to make up and cinematography and hair. She was

sharp and true in swords of Vengeance, and he was a blockhead in

Sex Drugs and Rock 'n' roll. Annabel Wallace and Tom Hughes.

Good evening. It is wonderful to be here at the British Academy Film

Awards. We are so pleased to be presenting two awards. First up make

up and hair. All the nominees are magnificent. Let's look at their

work. The Danish Girl. And the BAFTA is awarded to... Mad

Max Fury Road. Thank you very much to all of the

members of BAFTA for thinking that our work was worthy of this award.

First and foremost we have to thank George Miller for taking us less --

taking us on this journey. Thank you to our cruise through the globe --

crew. And to friends and family and partners who supported us. Great

respect to the other nominees. It was a great race. Thank you.

APPLAUSE. And now the BAFTA for cinematography. The art of

filmmaking. When done right it can turn a good move into a great one.

Let's look at some of the best examples of this from the last year.

Unfortunately he could not be here tonight so we will look after this

and make sure he gets it. Thank you very much. Congratulations. It is

documentary and original music given the honour next, and to present them

be positively perfect pair. He was triumphant in Trumbo and she was

glorious in Guardians of the Galaxy. Please welcome them now.

This seems to be a running theme, interracial dating. Lucky me. Happy

Valentines. Kiss cam. She is married. Thank you very much. It is

great to be here to celebrate another fantastic year in film and

to be presenting two BAFTA awards. First, the BAFTA four documentary,

and genre which has both educated and entertained in equal measure --

BAFTA for documentary. Let's take a look at some of these sensational

films. My father said, have you forgiven

them? All of this time you have never felt angry? No. Everybody's

got a good side if you look for it. I look like a flowing head. I've got

no hair. I am just on a black screen. There is my hand. What's

goin' on? And the BAFTA is awarded to... Amy.

Thank you so much. Thank you to everyone who voted for the film.

Thank you to everyone who worked on the film. All of the people who

contributed, those who trusted us to tell this story. It was difficult to

make but in the end it was all about Amy. We fell in love with her when

we were making the film. The aim was to show the world what an amazing

person she was, how intelligent, witty and beautiful before it got

out of control and went crazy. I just want to say thank you to

Altitude. Chris King, partner in crime, and Adam Barker. Most people

in this room would know someone who had struggled with addiction and yet

the media thought it was okayed to tear someone apart. Someone like

this comes along let's try to be more grown-up about it. Show a bit

more love. --OK. Now, the BAFTA for original music. Let's take a look at

the five nominees. Shall we? And the BAFTA goes to... The Hateful

Eight. Unfortunately, he cannot be here tonight, but has sent the

following message: I am sorry a car not be in person in London. I am

conducting a concert in Dublin tonight, including the score for the

Hateful Eight. My thanks go to the British Academy Film Awards for this

honour. I would like to thank Quentin Tarantino, the entire team

and the Weinstein company for inviting me to be part of this song.

Collaborations with great directors have given me creative pleasure over

the 55 years since I wrote the first film score. At 87 years old it is

gratifying that my work is still deemed relevant. Thank you.

APPLAUSE. The next awards are for British Short film and British Short

animation, and to present them we are not short of presenters, he was

in between one before and magnificent in The Inbetweeners and

she made waves in Shanghai. Good evening, everyone. It is

wonderful to be here tonight at the British Academy Film Awards at this

truly stunning venue. We are taking our cue from the categories and

keeping it short, so let's look at the nominations for British Short

film. Writing at Pulham, are we? Think we are a bit of Keats, a bit

of a Byron? -- poem. I know that of a sudden... That was

a flash moment way back then. The fire! Try to calm down. Listen,

I need you to stay where you are. The crew are on their way. And BAFTA

is awarded to... Operator. APPLAUSE. Thank you. I will keep this short.

So many people to thank. Kate Dickie and VIcki McLure. The amazing people

who work for nothing. Those who funded the film. The Fire Brigades'

Union, Simon and treat a -- Trita Hall and to my friends and family.

Thank you so much. Now let's have a look at the

nominations for British Short Animation. Edmond.

And the BAFTA is awarded to... Edmond !

Wow. OK. It was already so good to be nominated, I was having a really

good time and it was such an honour to be nominated with Simon, who is

my best friend. And also with Richard Williams, who has actually

taught me how to animate with his animation survival kit. So thank you

so much, Richard, as well. It's been so... An honour to be nominated with

you. And of course we have to thank so many people for this short film.

It took us a year and I think a year ago we were thinking about how this

character was going to be, you know, how we could empathise with this

character, who actually eats the people he loves. But it kind of

worked! So that's really good. I want to thank the team, the national

film television school team and my family and my friends and Adam

Watts, who really helped us with the animation. Thank you so much.

We come now to editing and sound and the present them, the British

Japanese actress and an Irish actor who was legendary in Legend.

Welcome! It is an absolute pleasure to be

here this evening to present the BAFTA for editing. We did have a

very long introduction, but in keeping with this award we have

edited it it right down. Let's have a look at the nominees.

And the BAFTA goes to... Mad Max: Fury Road !

Wow. Thank you. Thank you, BAFTA. I am just happy that the film is being

recognised in this way. You know, this film really was an editor's

dream job and there's really only one person I have to thank. George

Miller. His passion for the language of cinema and the language of the

action film. This makes everyday in the cutting room and adventure. So,

George, thank you so much. This is for you too.

Now it's time to hear the five nominees vying for the Sound BAFTA.

And the BAFTA goes to... The Revenant ! This is quite a surprise.

Thank you, BAFTA, and most of all thank you Alejandro for making this

amazing world. Yes, you are an amazing director but you are in an

even more amazing human being and that's what you can see here. -- and

even. I was very lucky to be introduced to this beautiful country

through the movies. The first time I heard about London and the UK was

through a film written by Alan Parker called Melody. We were kids

looking at... Through the window of the cinema and travelling for the

first time beyond our boundaries. So that's obviously one of the amazing

things that cinema has, it can make you go other places. I'm very

honoured to share this with my friends, so I will be brief. Thank

you so much. A lot of people I have to acknowledge who really help us

through this great journey that we were put on by Alejandro, Lisa

Levine, Tom Meadows, everyone at Regency was such a support. Amazing

support. Universal, everyone at Universal, thank you so much. And

thank you so much Alejandro. Thank you.

Well, we now come to the board for Production Design. To help us with

this one we have two jawdropping actors, who were in a film about the

student days called --of David Cameron and Boris Johnson. It was

called the Riot Club. They went on to ruin the country... Run the

country! Run the country! Max Irons and Douglas Booth! Good evening,

everyone. It is an honour to be here and thank you for mentioning The

Riot Club. It's a shame we had to cut the scene with a pig. I put

effort into that one. Let's take a look at the nominations for

Production Design. And the BAFTA goes to... Mad Max:

Fury Road! Colin Gibson and Lisa Thompson!

It could only be better if Rebel Wilson gave it to me. I've been

fortunate enough to thank my art department crew on a number of other

occasions tonight. I would like to add a few names to the honour roll,

who don't often... Well, who haven't had a chance online for a presenter

tonight. Obviously the marvel that is George Miller. To our producers,

Doug Mitchell and PJ, carrot and stick, a well under way. To the all

dancing and all singing stop him, orchestrated by the lovely and

talented Guy Norris. And to the actors, the ensemble who brought the

pulse, the face and heart. There are things you can't design into

anything. But when Charlie is the Ron sits in a couple of used cars

you get to win one of these. -- Charlise Theron. Thank you all very

much, thank you BAFTAs. A million congratulations to all nominees and

of course all winners. I am going off now to haste in my own demise by

eating and drinking like a wild rattling warthog who knows no shame

and no table manners. And I suggest that you do the same. I will see you

at the trough. Good night. Thank you. Thank you very