A special chance to see some of the other prizes awarded at the 2016 Bafta ceremony.
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Ladies and gentlemen, good evening and welcome to the British Academy
Film Awards. We move on to make up and cinematography and hair. She was
sharp and true in swords of Vengeance, and he was a blockhead in
Sex Drugs and Rock 'n' roll. Annabel Wallace and Tom Hughes.
Good evening. It is wonderful to be here at the British Academy Film
Awards. We are so pleased to be presenting two awards. First up make
up and hair. All the nominees are magnificent. Let's look at their
work. The Danish Girl. And the BAFTA is awarded to... Mad
Max Fury Road. Thank you very much to all of the
members of BAFTA for thinking that our work was worthy of this award.
First and foremost we have to thank George Miller for taking us less --
taking us on this journey. Thank you to our cruise through the globe --
crew. And to friends and family and partners who supported us. Great
respect to the other nominees. It was a great race. Thank you.
APPLAUSE. And now the BAFTA for cinematography. The art of
filmmaking. When done right it can turn a good move into a great one.
Let's look at some of the best examples of this from the last year.
Unfortunately he could not be here tonight so we will look after this
and make sure he gets it. Thank you very much. Congratulations. It is
documentary and original music given the honour next, and to present them
be positively perfect pair. He was triumphant in Trumbo and she was
glorious in Guardians of the Galaxy. Please welcome them now.
This seems to be a running theme, interracial dating. Lucky me. Happy
Valentines. Kiss cam. She is married. Thank you very much. It is
great to be here to celebrate another fantastic year in film and
to be presenting two BAFTA awards. First, the BAFTA four documentary,
and genre which has both educated and entertained in equal measure --
BAFTA for documentary. Let's take a look at some of these sensational
films. My father said, have you forgiven
them? All of this time you have never felt angry? No. Everybody's
got a good side if you look for it. I look like a flowing head. I've got
no hair. I am just on a black screen. There is my hand. What's
goin' on? And the BAFTA is awarded to... Amy.
Thank you so much. Thank you to everyone who voted for the film.
Thank you to everyone who worked on the film. All of the people who
contributed, those who trusted us to tell this story. It was difficult to
make but in the end it was all about Amy. We fell in love with her when
we were making the film. The aim was to show the world what an amazing
person she was, how intelligent, witty and beautiful before it got
out of control and went crazy. I just want to say thank you to
Altitude. Chris King, partner in crime, and Adam Barker. Most people
in this room would know someone who had struggled with addiction and yet
the media thought it was okayed to tear someone apart. Someone like
this comes along let's try to be more grown-up about it. Show a bit
more love. --OK. Now, the BAFTA for original music. Let's take a look at
the five nominees. Shall we? And the BAFTA goes to... The Hateful
Eight. Unfortunately, he cannot be here tonight, but has sent the
following message: I am sorry a car not be in person in London. I am
conducting a concert in Dublin tonight, including the score for the
Hateful Eight. My thanks go to the British Academy Film Awards for this
honour. I would like to thank Quentin Tarantino, the entire team
and the Weinstein company for inviting me to be part of this song.
Collaborations with great directors have given me creative pleasure over
the 55 years since I wrote the first film score. At 87 years old it is
gratifying that my work is still deemed relevant. Thank you.
APPLAUSE. The next awards are for British Short film and British Short
animation, and to present them we are not short of presenters, he was
in between one before and magnificent in The Inbetweeners and
she made waves in Shanghai. Good evening, everyone. It is
wonderful to be here tonight at the British Academy Film Awards at this
truly stunning venue. We are taking our cue from the categories and
keeping it short, so let's look at the nominations for British Short
film. Writing at Pulham, are we? Think we are a bit of Keats, a bit
of a Byron? -- poem. I know that of a sudden... That was
a flash moment way back then. The fire! Try to calm down. Listen,
I need you to stay where you are. The crew are on their way. And BAFTA
is awarded to... Operator. APPLAUSE. Thank you. I will keep this short.
So many people to thank. Kate Dickie and VIcki McLure. The amazing people
who work for nothing. Those who funded the film. The Fire Brigades'
Union, Simon and treat a -- Trita Hall and to my friends and family.
Thank you so much. Now let's have a look at the
nominations for British Short Animation. Edmond.
And the BAFTA is awarded to... Edmond !
Wow. OK. It was already so good to be nominated, I was having a really
good time and it was such an honour to be nominated with Simon, who is
my best friend. And also with Richard Williams, who has actually
taught me how to animate with his animation survival kit. So thank you
so much, Richard, as well. It's been so... An honour to be nominated with
you. And of course we have to thank so many people for this short film.
It took us a year and I think a year ago we were thinking about how this
character was going to be, you know, how we could empathise with this
character, who actually eats the people he loves. But it kind of
worked! So that's really good. I want to thank the team, the national
film television school team and my family and my friends and Adam
Watts, who really helped us with the animation. Thank you so much.
We come now to editing and sound and the present them, the British
Japanese actress and an Irish actor who was legendary in Legend.
Welcome! It is an absolute pleasure to be
here this evening to present the BAFTA for editing. We did have a
very long introduction, but in keeping with this award we have
edited it it right down. Let's have a look at the nominees.
And the BAFTA goes to... Mad Max: Fury Road !
Wow. Thank you. Thank you, BAFTA. I am just happy that the film is being
recognised in this way. You know, this film really was an editor's
dream job and there's really only one person I have to thank. George
Miller. His passion for the language of cinema and the language of the
action film. This makes everyday in the cutting room and adventure. So,
George, thank you so much. This is for you too.
Now it's time to hear the five nominees vying for the Sound BAFTA.
And the BAFTA goes to... The Revenant ! This is quite a surprise.
Thank you, BAFTA, and most of all thank you Alejandro for making this
amazing world. Yes, you are an amazing director but you are in an
even more amazing human being and that's what you can see here. -- and
even. I was very lucky to be introduced to this beautiful country
through the movies. The first time I heard about London and the UK was
through a film written by Alan Parker called Melody. We were kids
looking at... Through the window of the cinema and travelling for the
first time beyond our boundaries. So that's obviously one of the amazing
things that cinema has, it can make you go other places. I'm very
honoured to share this with my friends, so I will be brief. Thank
you so much. A lot of people I have to acknowledge who really help us
through this great journey that we were put on by Alejandro, Lisa
Levine, Tom Meadows, everyone at Regency was such a support. Amazing
support. Universal, everyone at Universal, thank you so much. And
thank you so much Alejandro. Thank you.
Well, we now come to the board for Production Design. To help us with
this one we have two jawdropping actors, who were in a film about the
student days called --of David Cameron and Boris Johnson. It was
called the Riot Club. They went on to ruin the country... Run the
country! Run the country! Max Irons and Douglas Booth! Good evening,
everyone. It is an honour to be here and thank you for mentioning The
Riot Club. It's a shame we had to cut the scene with a pig. I put
effort into that one. Let's take a look at the nominations for
Production Design. And the BAFTA goes to... Mad Max:
Fury Road! Colin Gibson and Lisa Thompson!
It could only be better if Rebel Wilson gave it to me. I've been
fortunate enough to thank my art department crew on a number of other
occasions tonight. I would like to add a few names to the honour roll,
who don't often... Well, who haven't had a chance online for a presenter
tonight. Obviously the marvel that is George Miller. To our producers,
Doug Mitchell and PJ, carrot and stick, a well under way. To the all
dancing and all singing stop him, orchestrated by the lovely and
talented Guy Norris. And to the actors, the ensemble who brought the
pulse, the face and heart. There are things you can't design into
anything. But when Charlie is the Ron sits in a couple of used cars
you get to win one of these. -- Charlise Theron. Thank you all very
much, thank you BAFTAs. A million congratulations to all nominees and
of course all winners. I am going off now to haste in my own demise by
eating and drinking like a wild rattling warthog who knows no shame
and no table manners. And I suggest that you do the same. I will see you
at the trough. Good night. Thank you. Thank you very