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Hello, welcome back. We are now inside the Royal Opera house in | :00:00. | :00:28. | |
London's Covent Garden. The 2016 British Academy film awards are just | :00:29. | :00:34. | |
coming to an end. Quite a mixed bag of results. Let's go through | :00:35. | :00:38. | |
everything we know at the end of another star-studded night. Very | :00:39. | :00:41. | |
good attendance on the red carpet a couple of hours ago. Jason Solomons | :00:42. | :00:48. | |
has been watching the ceremony. Always fun to compare what you | :00:49. | :00:51. | |
thought a few hours ago with what has been happening. No obvious | :00:52. | :01:01. | |
winner, a couple of big wins for the Revenant. It seems to be pulling | :01:02. | :01:08. | |
ahead. Leonardo DiCaprio winning Best actor for his role. Also | :01:09. | :01:14. | |
winning Best Director. That has pulled ahead. Four awards. Mad Max | :01:15. | :01:22. | |
also with four awards in the technical character is -- | :01:23. | :01:28. | |
categories. They are the films were the most awards. Great win for | :01:29. | :01:32. | |
Leonardo DiCaprio, we felt it was his time. Probably means it is his | :01:33. | :01:38. | |
Oscar time. After four five attempts, he may scoop the big one. | :01:39. | :01:42. | |
We will find that many Oscars only a couple of weeks away. If we think | :01:43. | :01:47. | |
about Best actress, that has been interesting. Cate Blanchett Mohammed | :01:48. | :01:54. | |
Fatau editor certainly gave her the award for best outfit of the night. | :01:55. | :01:58. | |
No doubt about that. She did not pick up the win. The big surprise of | :01:59. | :02:04. | |
the night, Best actress. Very hard to call. Cate Blanchett winning on | :02:05. | :02:10. | |
the red carpet, up against Matty Smith. The person who won middle, | :02:11. | :02:26. | |
Brie Larson, for her role in the film Room. It is an Irish film. Her | :02:27. | :02:33. | |
performance was superb. Fiercely protective mother, protecting her | :02:34. | :02:37. | |
child from the outside world. Bringing him up on her own. I love | :02:38. | :02:41. | |
the film, very pleased for bringing this new, in. To beat Matty Smith | :02:42. | :02:51. | |
and Cate Blanchett, a big shock. She was not here, she did not fancy her | :02:52. | :02:58. | |
chances, I think. She's filming King Kong in Australia. She was nominated | :02:59. | :03:10. | |
in the Rising Star award. That went to a young man with a great future | :03:11. | :03:15. | |
ahead of him. Very popular and confident on the red carpet. He was | :03:16. | :03:20. | |
confident, the coolest man in the house, John Boyega, the young star | :03:21. | :03:25. | |
of Star Wars. That is voted for by the public. Just showing his | :03:26. | :03:31. | |
popularity. He gave the best acceptance speech, cool, gracious, | :03:32. | :03:35. | |
dignified. He thanked all the people who brought him up, his agent, with | :03:36. | :03:40. | |
him since 16. He looked great in attacks either, in thing at the | :03:41. | :03:49. | |
diversity issue. -- tinting. Great to see BAFTA nominating this young | :03:50. | :03:57. | |
talented black man. Everybody relieved and delighted for him. Such | :03:58. | :04:04. | |
a charming man, terrific actor. Interesting you mentioned the | :04:05. | :04:08. | |
diversity issue. So much criticism at the Oscars nominations. | :04:09. | :04:13. | |
Unbelievable lack of diversity. It has been a debate in the run-up to | :04:14. | :04:18. | |
the BAFTAs. You were able to watch the ceremony more closely than me. | :04:19. | :04:22. | |
Rebel Wilson making some choice comments. The Australian comedic | :04:23. | :04:27. | |
actress, said she had never been invited to the Oscars, because they | :04:28. | :04:31. | |
are racist. She made a joke about Idris Elba, up for an award. A lot | :04:32. | :04:40. | |
of people thought he would get that best supporting actor. In the end it | :04:41. | :04:45. | |
went to Mark Rylance, for his performance in Bridge Of Spies, the | :04:46. | :04:49. | |
Steven Spielberg film. Much beloved character actor is superb and the | :04:50. | :04:57. | |
role. Fede thing we can say that is anti-diversity. A terrific role, he | :04:58. | :05:02. | |
nailed it. Very pleased Mark Rylance won that. I predicted it, a superb | :05:03. | :05:07. | |
supporting role. He brings different colour to that movie working | :05:08. | :05:11. | |
alongside Tom Hanks as an accused Russian spy. Steven Spielberg was | :05:12. | :05:18. | |
here tonight. We saw him on the red carpet. Mark Rylance, also nominated | :05:19. | :05:23. | |
for the Oscars. That will be interesting. He is someone getting | :05:24. | :05:31. | |
such a reputation in the UK, but his initial reputation is very much as | :05:32. | :05:35. | |
eight superb theatre actor. He's had a blossoming with Wolf Hall, will | :05:36. | :05:41. | |
that play into the academy's decision? He is liked? I think so. | :05:42. | :05:48. | |
That was a terrific successful BBC America. Great success on the stage | :05:49. | :05:54. | |
in New York. That is where he is now. Could not accept the award. I | :05:55. | :05:58. | |
think he will make Los Angeles for the Oscars. Relative newcomer for | :05:59. | :06:04. | |
the big screen. That works in his favour. We are not really knowing | :06:05. | :06:12. | |
him, he's fresh. The trick of Bridge Of Spies, less is more, the less we | :06:13. | :06:17. | |
see of him, the more you wish this character was more knowable. It is | :06:18. | :06:23. | |
the BAFTAs, the British Academy Awards. They have two categories, | :06:24. | :06:29. | |
best film, waiting to hear what has been chosen, but they have Best | :06:30. | :06:36. | |
British film. Really striking year. Some cracking entries. Almost to the | :06:37. | :06:43. | |
point, looking at the a few weeks ago, we thought some of those should | :06:44. | :06:49. | |
be up for best film. We will go with Best British film before we bring | :06:50. | :06:52. | |
you best film. Best British film, delighted to say that went to | :06:53. | :06:55. | |
Brooklyn, wonderful tale, beautifully told by John Crowley, a | :06:56. | :07:02. | |
young Irish girl leaving 1950s rural Ireland to set up a new life in | :07:03. | :07:08. | |
1950s New York in Brooklyn. At a border house run by Julie Walters. | :07:09. | :07:13. | |
Charming slow burner, big choice at the end. It has captured hearts. | :07:14. | :07:17. | |
Best picture nomination at the Oscars. Deservedly winning Best | :07:18. | :07:22. | |
British film. Beautifully written by Nick Hornby. Well pleased for that | :07:23. | :07:27. | |
one. It stood head and shoulders with the big hitters. Best film. | :07:28. | :07:32. | |
Maybe could not cope with the best film, may I reveal it? It is a clue. | :07:33. | :07:38. | |
Everyone is filtering out. As we thought. It is The Revenant. Finally | :07:39. | :07:46. | |
it has won. Best picture at the BAFTAs. That means the director | :07:47. | :07:56. | |
winning Best Director, that is the big one to beat. The success of the | :07:57. | :08:01. | |
Oscars season. Leonardo DiCaprio left for dead, after being famously | :08:02. | :08:08. | |
mauled by a bear in the woods. Coming back to wreak revenge on | :08:09. | :08:12. | |
those who left him behind. A tale of injuries with Leonardo DiCaprio | :08:13. | :08:17. | |
crawling through deep valleys, snow, eating raw fish, liver, growing a | :08:18. | :08:23. | |
long beard. Sheltering in a horse-macro. Extraordinary long | :08:24. | :08:38. | |
movie. -- sheltering in a horse. As spectacular as the Canadian scenery | :08:39. | :08:43. | |
is, it is enduring. It is extraordinary. The director winning | :08:44. | :08:50. | |
four Birdman last year, extraordinary run of form for him. | :08:51. | :08:54. | |
Most people will flock to the film because of Leonardo DiCaprio | :08:55. | :08:58. | |
committee carries the movie, we are with him every step of the way. | :08:59. | :09:03. | |
Every crawl of the way. It is a real match a film. If you like survival | :09:04. | :09:09. | |
programmes, you will like the Reverend. What you make of so much | :09:10. | :09:17. | |
talk of what phenomenally hard work physically it was, to make this | :09:18. | :09:21. | |
film? Filming in very cold temperatures. The wonderful | :09:22. | :09:25. | |
cinematography coming at a price, the cinematographer only wanted to | :09:26. | :09:32. | |
use natural light, they could only film for several hours a day. They | :09:33. | :09:37. | |
like to say this is the hard work, stressing that, focusing on the art. | :09:38. | :09:45. | |
Film crews have warmers for their feet, nice trailers, cups of tea. | :09:46. | :09:53. | |
I'm surely not -- Sean Leo have a warm glass of brandy at the end of | :09:54. | :09:56. | |
the night. The most important thing is the picture at the end. Epic tale | :09:57. | :10:03. | |
of so bridal -- survival, everyone was impressed. It is not a banner | :10:04. | :10:09. | |
year, because the spread of the awards. Mad Max, the film I don't | :10:10. | :10:14. | |
understand, they go for a drive, turn back again. It's got a lot of | :10:15. | :10:19. | |
awards, Best costume, I could wear a T-shirt, winning that award. Carole | :10:20. | :10:32. | |
the film missing out. Wonderful film, I feel bad about it. It was | :10:33. | :10:39. | |
very spectacular. Talking at the start of the programme the numbers, | :10:40. | :10:43. | |
Carole coming in with nine nominations, I think it has not come | :10:44. | :10:48. | |
away with anything. The cupboard is bare. A real shame. One of those | :10:49. | :10:53. | |
movies, very cocooned in its own beauty. When they push to vote at | :10:54. | :11:00. | |
the end of the night, does not quite take flight. It smoulders. A slow | :11:01. | :11:04. | |
burning cigarette. Without catching fire. That is the problem Carole | :11:05. | :11:11. | |
had, could not swayed voters to for it, even though it is a swoon of a | :11:12. | :11:15. | |
film. Best of dementia read. Something I loved, even though I | :11:16. | :11:23. | |
found it sad to watch. Amy, the director is a wonderful man, works | :11:24. | :11:27. | |
in a journalistic fashion. Made the film that Ayrton Senna. I was the | :11:28. | :11:33. | |
last person who thought I would be interested in that, but it was | :11:34. | :11:36. | |
absolutely gripping. He worked the same here. I'm absolutely delighted | :11:37. | :11:42. | |
for him. Amy is a London film about a London icon who came to a tragic | :11:43. | :11:48. | |
end. The story of Amy Winehouse. We are witnessing a tragedy before our | :11:49. | :11:52. | |
very eyes. He has changed the way documentaries are seen. Not only a | :11:53. | :11:56. | |
successful documentary, in the cinema is, second most successful | :11:57. | :12:05. | |
documentary of all time. Changing the way we are perceiving | :12:06. | :12:09. | |
documentaries. Cinematic events using real-life footage to play a | :12:10. | :12:14. | |
character. Amy Winehouse plays herself, Ayrton Senna plays herself. | :12:15. | :12:19. | |
He's beginning work on a new icon, Diego Maradona. Could be here in a | :12:20. | :12:23. | |
few years' time talking about that one. I'm sure it will be brilliant. | :12:24. | :12:28. | |
I may enjoy that, and I am not a football fan. That is how clever he | :12:29. | :12:32. | |
is. A couple of things we have not mentioned. Spotlight, the film about | :12:33. | :12:38. | |
the Boston Globe, the fantastic undercover reporting that eventually | :12:39. | :12:43. | |
won a Pulitzer prize, and a covering abuse in the Catholic Church. It did | :12:44. | :12:47. | |
take home the prize for best original screenplay. A film about | :12:48. | :12:52. | |
writing, building your case, journalism winning the writing prize | :12:53. | :12:57. | |
tonight. Please for the film. Tom McCarthy, the director, wrote the | :12:58. | :13:02. | |
screenplay. He talked very movingly tonight about how he told the story. | :13:03. | :13:07. | |
Not a story everyone wanted told. They had to fight to get it told. | :13:08. | :13:11. | |
The story about the investigative team at the Boston Globe, back in | :13:12. | :13:16. | |
2000. So old-fashioned, people waiting for the phone, typing away. | :13:17. | :13:21. | |
As journalists, we have a soft spot for it. In America, do not | :13:22. | :13:28. | |
discounted. Liberal Hollywood credentials, the great ensemble | :13:29. | :13:37. | |
cast, we will see that making a few steps towards glory on Oscars night. | :13:38. | :13:44. | |
The only one to beat is The Revenant do. I know the British Academy would | :13:45. | :13:52. | |
say, we are our own people, these are our awards, what Britain has | :13:53. | :13:56. | |
chosen, but it is hard not to just think about the Oscars, only a | :13:57. | :14:00. | |
couple of weeks away. As a closing thought, because I think you are | :14:01. | :14:04. | |
missing a party, that is the one to watch overall? It is now. The big | :14:05. | :14:11. | |
story, Leonardo DiCaprio finally winning the Best actor award. | :14:12. | :14:18. | |
Anything that is the story, Leonardo DiCaprio blossoming as a movie star. | :14:19. | :14:26. | |
We have seen in grown-up on-screen, the Basketball Diaries, Romeo and | :14:27. | :14:31. | |
Juliet, Titanic. He is a man now, winning an Oscar, winning a BAFTA. | :14:32. | :14:38. | |
He is the star of the night. Thanks for talking us through the night. | :14:39. | :14:42. | |
Jason Solomons. All the results can be found on our website. That is | :14:43. | :14:49. | |
all, the party just beginning at the Royal Opera house in London's Covent | :14:50. | :14:52. | |
Garden. Goodbye. | :14:53. | :14:56. |