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Good evening. Wonderful to be here tonight, at the British Academy film | :00:00. | :00:27. | |
awards, presenting two awards. First up, make-up and hair. All the | :00:28. | :00:31. | |
nominees in this category are masters of their craft. So let's | :00:32. | :00:42. | |
take a look at them. Doctor strange, Jerry Lee would head. Florence | :00:43. | :00:46. | |
Foster Jenkins. And the BAFTA BAFTA goes to J. Roy | :00:47. | :01:40. | |
Helland, Daniel Phillips, Florence Foster Jenkins. Thank you so much, | :01:41. | :01:46. | |
Academy, I am thrilled to work in this job. Thank you Stephen, Tracy, | :01:47. | :01:51. | |
Michael, we had great fun. I am so thrilled with this. Thank you. | :01:52. | :01:56. | |
APPLAUSE Thank you to the Academy, and thank | :01:57. | :02:04. | |
you, Meryl. You keep coming up with interesting characters that are just | :02:05. | :02:05. | |
so much fun to put together. And the BAFTA is awarded to Justin | :02:06. | :03:29. | |
Hurwitz, La La Land. Thank you to the Academy. Or Russia, either way | :03:30. | :03:34. | |
it is an honour. It is technically a musical, so I want to share this | :03:35. | :03:38. | |
without a credible lyricist, who wrote all of the words. To the | :03:39. | :03:47. | |
songs, and I wish they could be here, mostly so that they could be | :03:48. | :03:50. | |
the ones talking, and I wouldn't have to think of as much stuff to | :03:51. | :03:54. | |
say. But this was... I remember talking a couple of years ago to | :03:55. | :03:59. | |
somebody who came to the Baftas as part of a movie that had multiple | :04:00. | :04:03. | |
nominations and they said one of the coolest things was getting to know | :04:04. | :04:06. | |
multiple people who worked on the movie who you may not have known, | :04:07. | :04:10. | |
and that is not the experience I am having because this was such an | :04:11. | :04:13. | |
unusually collaborative movie where from the very beginning we were | :04:14. | :04:17. | |
working under one roof and I got to see these other artists work up | :04:18. | :04:20. | |
close. I got to see the costumes being designed, and watching them | :04:21. | :04:25. | |
work, and I was constantly inspired by the work of these other artists, | :04:26. | :04:30. | |
which is a cool experience for a composer in general, but to sit | :04:31. | :04:34. | |
under the direction of Damien, who is so masterful at what he does, was | :04:35. | :04:36. | |
really something will never forget. Tonight's nominees for costume | :04:37. | :04:51. | |
design brought their films to life with startling colour deep | :04:52. | :04:55. | |
brilliance, and exquisite attention to detail. Let's take a look at | :04:56. | :04:57. | |
them. And the BAFTA is awarded to Madeline | :04:58. | :05:56. | |
Fontaine, for Jackie. APPLAUSE | :05:57. | :06:00. | |
. Thank you. I am so very move to be | :06:01. | :06:13. | |
here with the wall. This evening. And so much in awe to be recognised | :06:14. | :06:22. | |
by my fortunate peers, especially because for me, English costume | :06:23. | :06:27. | |
designers are a gauge of quality. This movie belongs to history, and | :06:28. | :06:34. | |
is so much embedded in our collective memory. I hope to be up | :06:35. | :06:44. | |
to the challenge, and here I am, reassured and fulfilled. Thank you | :06:45. | :06:48. | |
to all the talented people who supported and accompanied me in this | :06:49. | :06:51. | |
adventure, and thank you, of course, to Natalie Portman, who gave life | :06:52. | :06:59. | |
and grace to these costumes. Thank you. | :07:00. | :08:02. | |
And the BAFTA is awarded to Arrival. Congratulations. Wow, this is such | :08:03. | :08:26. | |
an honour, such an honour. Thank you so much, everyone. The story of the | :08:27. | :08:32. | |
sound of Arrival is a little bit like the film. It ended up being an | :08:33. | :08:39. | |
international collaboration, headed by a Montreal team, wonderful | :08:40. | :08:42. | |
Montreal team. First, thank you to the producers, Dan Lavine, Aaron | :08:43. | :08:54. | |
Rider, just to name a few. And that followed the team to Montreal, and | :08:55. | :09:00. | |
took us to follow him home, and also the film is to talk about the | :09:01. | :09:15. | |
beautiful score, by Johann Johannsson, and the lovely sound of | :09:16. | :09:22. | |
Amy Adams. It is lovely to be here in this building, the Royal Albert | :09:23. | :09:26. | |
Hall, for the 70th British Academy film awards. Yes, and in honour of | :09:27. | :09:31. | |
the categories we are keeping our entries short and sweet. So let's | :09:32. | :09:36. | |
take a look at the nominations for British short animation. | :09:37. | :10:30. | |
Hello, my name is Nush. This is really surreal experience, all kinds | :10:31. | :11:07. | |
of thoughts in my head right now. I haven't prepared speech, and I | :11:08. | :11:10. | |
just... I just want to say that, as filmmakers, I realise that I have | :11:11. | :11:17. | |
become quite shameless in the amount of favours I ask from people, and it | :11:18. | :11:23. | |
is crazy, we borrowed some lights for three months, we kept them for | :11:24. | :11:30. | |
ten months. And you know, that is what brought us here. So many people | :11:31. | :11:35. | |
have just gone beyond, to help us get here. Even this dress that I am | :11:36. | :11:40. | |
wearing tonight, someone so do it. OK, now let's take a look at the | :11:41. | :11:44. | |
nominations for British Short film. Wow. This is incredible. This film | :11:45. | :13:18. | |
was made by many people. Actress and executive producer, Schpat Deda, all | :13:19. | :13:29. | |
refugees from the genocide in Kosovo. My grandmother was a refugee | :13:30. | :13:32. | |
from the Holocaust, and I think many people here came from migrant | :13:33. | :13:36. | |
families, and have somehow been related to the crisis of the | :13:37. | :13:42. | |
refugees. From my perspective, and I think from all of our perspectives, | :13:43. | :13:46. | |
being British, our heart is love. Our sole is compassion. And I think | :13:47. | :13:54. | |
that we need that to be reflected within our government, and we need | :13:55. | :13:58. | |
that to be reflected in our government's policy, in relation to | :13:59. | :14:03. | |
how they deal with other countries across the Atlantic, their | :14:04. | :14:06. | |
administrations, and not put up with any racism, homophobia, Islam | :14:07. | :14:11. | |
phobia, or anything like that. So thank you for this. I really | :14:12. | :14:12. | |
appreciated. Thank you. The Bafta goes to... John Gilbert. | :14:13. | :15:33. | |
Unfortunately, John is not able to be here so we will make sure that he | :15:34. | :15:35. | |
receives this award. And the Bafta goes to fantastic | :15:36. | :16:30. | |
beasts. Apologies as I reach for my piece of | :16:31. | :17:02. | |
paper. I am proud to collect this award on behalf of Stuart Craig as | :17:03. | :17:08. | |
he unfortunately cannot be here as he is a little under the weather. We | :17:09. | :17:16. | |
would like to thank after. Congratulation to both Anna and her | :17:17. | :17:20. | |
lovely team. It is through devotion and hard work and so many talented | :17:21. | :17:25. | |
people, the seemingly impossible was achieved in 12 acres of previously | :17:26. | :17:32. | |
empty suit your lot grew into 1920s New York. The nominees for the Bafta | :17:33. | :17:42. | |
documentary are all powerful films. There's the -- mesmerise in in | :17:43. | :17:52. | |
different and equal measure. Let's take a look at the films. The Bafta | :17:53. | :19:02. | |
goes to... 13. Wow, this is absolutely incredible. | :19:03. | :19:29. | |
My name is Lisa and I had the incredible honour of working with | :19:30. | :19:37. | |
the incredible visionary. She's so heartbroken not to be here, the only | :19:38. | :19:42. | |
thing that would keep her from being here is that she's shooting her next | :19:43. | :19:50. | |
film in New Zealand. Now the award for film not in the English | :19:51. | :19:55. | |
language. It showcases some of the most inspiring work around the | :19:56. | :20:00. | |
world. Tragedy, struggle and oppression and they also stress | :20:01. | :20:09. | |
family and unity. Let's take a look at the nominees. | :20:10. | :21:58. | |
Who did you say you worked for? This is my... Secretary. | :21:59. | :22:18. | |
It is a great honour to be here with you tonight. I would like to thank | :22:19. | :22:43. | |
the lead actor of the film... My producers, who is standing here, the | :22:44. | :22:51. | |
incredible cast and crew that I had which is a great luck and I want to | :22:52. | :22:57. | |
thank the distributors in the UK, they did a great job and it was a | :22:58. | :23:04. | |
great opportunity to meet the British public. And thanks to the | :23:05. | :23:10. | |
academy. Thank you. And the award goes to Linus Sandgren | :23:11. | :24:38. | |
for La La Land. Thank you to the Academy. This is overwhelming and | :24:39. | :24:44. | |
extremely generous of you. I would like to thank the entire La La Land | :24:45. | :24:51. | |
crew. I think this was a film made with an exceptional amount of, you | :24:52. | :24:57. | |
know, craftsmanship and first of all I want to thank Damian, you are a | :24:58. | :25:04. | |
great romantic heart and passion for film and filmmaking and for the | :25:05. | :25:15. | |
friendship. I want to thank Emma and Brian for your brilliant | :25:16. | :25:16. | |
performances. I am sure, like me, | :25:17. | :25:48. | |
many of you will be glad to see It was cold for many, | :25:49. | :25:52. | |
there was a lot of cloud around. And we closed out the second half | :25:53. | :25:57. | |
of the weekens ona similar story - | :25:58. | :26:02. |