Browse content similar to Live from the Red Carpet. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It is the biggest night of the year in British film. Hello and welcome | :00:00. | :00:29. | |
to the Royal Albert Hall in London for this BBC News shall programme | :00:30. | :00:34. | |
for the annual British Academy Film Awards. I am Jane Hill and with me | :00:35. | :00:38. | |
for the next hour and a half or so is the film critic Jason Solomons | :00:39. | :00:42. | |
and the fashion writer Lorraine Candy. All the stars will be writing | :00:43. | :00:46. | |
here on the red carpet very shortly and we will be talking to plenty of | :00:47. | :00:50. | |
them. Let's start our special programme here tonight by reminding | :00:51. | :00:55. | |
ourselves which films are nominated in that all-important category, best | :00:56. | :00:57. | |
film. I'm human. Oh, my God. That's | :00:58. | :01:21. | |
incredible. Jesus Christ! Who is first in this queue? Do you mind if | :01:22. | :01:26. | |
this young lass signs on first? There you go. Go back to your desk, | :01:27. | :01:31. | |
let her sign-on and do the job the taxpayer pays you for. I don't care | :01:32. | :01:48. | |
if I know where I go... URA janitor will stop. So what? You can do that | :01:49. | :01:57. | |
anywhere. There are plenty of clogged up toilets in this town. I | :01:58. | :02:02. | |
am in the hockey team. I work on George's boat two days a week. I | :02:03. | :02:09. | |
have two girlfriends. I'm in a band. Why didn't you come home when you | :02:10. | :02:15. | |
were supposed to? And who is you? Nobody. I found him yesterday. Some | :02:16. | :02:28. | |
boys chased him. He's scared more than anything. He wouldn't tell me | :02:29. | :02:29. | |
where he lived. And so that is just a reminder of | :02:30. | :02:44. | |
that all-important category, Best Film. Welcome to the Royal Albert | :02:45. | :02:51. | |
Hall where members of the public have defied my expectations yet | :02:52. | :02:56. | |
again. Some of them were telling me they queued here yesterday to get | :02:57. | :02:59. | |
the wristband you have to get if you want to come and stand on the side | :03:00. | :03:03. | |
of the red carpet here. They were queueing in the Baltic London | :03:04. | :03:07. | |
temperatures for 18 hours. That is how keen they were to get here and | :03:08. | :03:11. | |
see everyone on the red carpet. Eddie Redmayne is among those and | :03:12. | :03:17. | |
they are therefore not going to be disappointed because the arrivals | :03:18. | :03:20. | |
have started early. He will be presenting an award tonight. For the | :03:21. | :03:24. | |
last couple of years it has been all about him. Tonight he is here to | :03:25. | :03:29. | |
present an award. With me this evening the film critic Jason | :03:30. | :03:33. | |
Solomons and Lorraine Candy, the fashion writer from the Sunday | :03:34. | :03:37. | |
Times, keeping a BDI on all the comings and goings on the red carpet | :03:38. | :03:43. | |
-- a BDI. My colleague Lizo Mzimba is at the far end of the red carpet, | :03:44. | :03:50. | |
some way away from me tonight and you will be talking to people when | :03:51. | :03:53. | |
they arrive and some early arrival is already? Yes, I am joined by one | :03:54. | :03:57. | |
of the most famous names in cinema now, Daisy Ridley. You are going to | :03:58. | :04:06. | |
present an award tonight and also Eagle Huntress is up for an award. | :04:07. | :04:12. | |
You must be used to this now? I am not. I have not done a red carpet | :04:13. | :04:16. | |
for a long time. The last time was the Oscars. It is amazing being on | :04:17. | :04:22. | |
British soil and it is great to be in Britain with people who are very | :04:23. | :04:25. | |
kind and very excited. It is wonderful. Eagle Huntress is a | :04:26. | :04:31. | |
wonderful story about female empowerment? I just absolutely loved | :04:32. | :04:40. | |
the film and it so happens it is a similar theme that I am very happy | :04:41. | :04:47. | |
to be speaking about really. And we finally have the title for the next | :04:48. | :04:53. | |
Star Wars film. You pleased you have not given it away? Hilariously, my | :04:54. | :04:59. | |
trainer said they have released the title and I said what? Ryan had told | :05:00. | :05:06. | |
me last year so I was there with my little secret and it was all over | :05:07. | :05:10. | |
the Internet. I was like, I missed the hype! I I put the title to the | :05:11. | :05:18. | |
back of my mind so I would not slip up by accident. How exciting is it | :05:19. | :05:25. | |
keeping all of those secrets? The film is out in December and you | :05:26. | :05:29. | |
filled the macro filmed it months ago? I have been filling my time | :05:30. | :05:39. | |
with lots of things. It gets easier. Seven was harder. Eight, people ask | :05:40. | :05:44. | |
less questions. Because people have a grasp on what it is, they have | :05:45. | :05:51. | |
more idea what it could be. They are shouting for you as they always are. | :05:52. | :05:58. | |
Have a lovely evening. Thank you. They are shouting here already. We | :05:59. | :06:03. | |
hear the rip every year. It is so hard to hear anything over the | :06:04. | :06:08. | |
harbour. It is one of the things which makes the BAFTAs so much fun | :06:09. | :06:15. | |
-- we hear it every year. It is a really, really lovely atmosphere | :06:16. | :06:18. | |
here tonight. Let's get some quick opening thoughts from Jason and | :06:19. | :06:22. | |
Lorraine. There has been so much talk about La La Land. It is great | :06:23. | :06:28. | |
fun and uplifting but it is a love letter to Los Angeles and this is | :06:29. | :06:33. | |
the British Academy we are talking about. Do you think they will talk | :06:34. | :06:37. | |
about it differently? We tend to be in thrall to the LA but we have to | :06:38. | :06:42. | |
do it back and we say we're here at the Royal Albert Hall, can we do | :06:43. | :06:47. | |
things differently? It would be surprising if La La Land did not win | :06:48. | :06:51. | |
Best Film, it has 11 nominations but there are other films to be | :06:52. | :06:55. | |
considered. Films like Moonlight which I know has been beguiling | :06:56. | :06:58. | |
Academy members here. It is poetic and it is a film which seeps into | :06:59. | :07:04. | |
your soul. Has it done enough to trip but La La Land on the red | :07:05. | :07:09. | |
carpet? I think it is a possibility that is why we have things in the | :07:10. | :07:13. | |
balance. It would not be a shock if La La Land wins eight, nine or ten | :07:14. | :07:18. | |
awards. I love it. I think it is charming and the is terrific. It is | :07:19. | :07:24. | |
fooling people because it is not an old-fashioned musical. It is a young | :07:25. | :07:28. | |
musical. It is very much about now. It is a very modern score. The two | :07:29. | :07:34. | |
leads where their musical chops lightly. Ryan Gosling is cool and | :07:35. | :07:38. | |
effortless but they are very aware it is the 21st century. They are not | :07:39. | :07:43. | |
Fred Astaire and Ginger Rogers or Jean Kelly and Leslie Caron. I find | :07:44. | :07:47. | |
it charming and light but some people have been disappointed that | :07:48. | :07:52. | |
it did not change their lives. It is a musical, movie, it will not do | :07:53. | :07:57. | |
that, I am sorry! But it does have the power to change people was that | :07:58. | :08:02. | |
lives. It depends if the voters will go for something with heft behind it | :08:03. | :08:06. | |
or they will say it is freezing cold, I want the son of La La Land. | :08:07. | :08:11. | |
The stars Ryan Gosling and Emma Stone are both due on the red carpet | :08:12. | :08:16. | |
tonight. Brain Candy, what should we look out for? What trends have you | :08:17. | :08:22. | |
been spotting? This is a really big night for British fashion. It would | :08:23. | :08:26. | |
be great to see the British design houses, the British designers being | :08:27. | :08:33. | |
represented. We saw a London designer being worn by Daisy Ridley. | :08:34. | :08:38. | |
I would like to see more of that. We will see Burberry, Stella McCartney | :08:39. | :08:42. | |
and big British brands as well and hopefully some of the sunshine that | :08:43. | :08:46. | |
La La Land brought us as well because yellow is the big colour | :08:47. | :08:51. | |
this season. It is a difficult colour to wear! We should mention as | :08:52. | :08:54. | |
well the Duke and Duchess of Cambridge will be here tonight as | :08:55. | :09:00. | |
well. Always fascinating to see what the Duchess is wearing and | :09:01. | :09:03. | |
presumably, no doubt she will be wearing British? Yes, what she is | :09:04. | :09:11. | |
wearing and he will be wearing will be fascinating. She often wears | :09:12. | :09:15. | |
Alexander McQueen. But she always looks amazing whatever she wears. We | :09:16. | :09:20. | |
will look out for that to the other end of the red carpet to Lizo | :09:21. | :09:25. | |
Mzimba. I am joined here by a man who is a double nominee. | :09:26. | :09:33. | |
You have two, one for directed screenplay and adaption. It is Tom | :09:34. | :09:39. | |
Ford. You adapted this from a book called Tony and Susan? It is by | :09:40. | :09:43. | |
terrific writer who is no longer with us. You had to change quite a | :09:44. | :09:49. | |
lot of it? I did but these stories spoke to me. It is about loyalty and | :09:50. | :09:54. | |
hanging on to people in your lives you laugh and not letting them go. I | :09:55. | :10:01. | |
am a very loyal person. That spoke to a -- people you love. But I did | :10:02. | :10:06. | |
have to make it cinematic. How much of yourself did you put into the Amy | :10:07. | :10:11. | |
Adams character? When you are writing all of the characters you | :10:12. | :10:15. | |
cannot help but put yourself in. Something has to speak to personally | :10:16. | :10:20. | |
and you have to exaggerate that when you work on something. Tom Ford, | :10:21. | :10:27. | |
thank you for talking to us. That takes us from the world of | :10:28. | :10:32. | |
fashion, Tom Ford is still a fashion designer but also directs the odd | :10:33. | :10:37. | |
film on the side. He does. He has a very stylised look at everything. He | :10:38. | :10:43. | |
shows in LA now, not here. I suspect if Amy Adams is here she will be | :10:44. | :10:49. | |
wearing Tom and Juliet as well. He made Nocturnal Animals which if | :10:50. | :10:54. | |
anyone who knows me and follows no Twitter will know it was one of my | :10:55. | :10:59. | |
least favourite films of the season but very stylish and fantastic | :11:00. | :11:03. | |
cinematography. What are your thoughts? It has nine nominations | :11:04. | :11:08. | |
here. At the Oscars, it was almost completely shut out of it. Where it | :11:09. | :11:14. | |
plays to the BAFTA voters is very important. Tom Ford won best | :11:15. | :11:18. | |
director at the Venice home Festival for Nocturnal Animals. It was deemed | :11:19. | :11:22. | |
very stylish and a very powerful film. Amy Adams had a strong | :11:23. | :11:26. | |
performance and Jake Guillen Hall as well. It seems to have lost | :11:27. | :11:31. | |
momentum. -- Jake Gyllenhaal. It left to bitter taste in the mouth. | :11:32. | :11:39. | |
His previous film with Colin Firth was very gentle and beautiful but in | :11:40. | :11:47. | |
Nocturnal Animals, all the seven years he has been waiting to bring | :11:48. | :11:51. | |
us another film, there are some very difficult scenes two digests. There | :11:52. | :11:57. | |
are scenes of rape. The backlash against that film has been pretty | :11:58. | :12:02. | |
harsh. I think it is a film about the power to hurt people and it is a | :12:03. | :12:06. | |
fairly vicious film. It is also about how much Tom Ford hates Texas | :12:07. | :12:12. | |
as well. He is still wrangling about that. But it is a very stylish film. | :12:13. | :12:17. | |
Can you mask the intent of the film by style alone? I can agree with | :12:18. | :12:22. | |
people who don't like it. It is a bitter, bitter peace. But Amy Adams | :12:23. | :12:30. | |
herself is very watchable. She is a real darling of the awards season | :12:31. | :12:33. | |
and we should mention that she is also an Arrival which is nominated | :12:34. | :12:43. | |
for Best Film. Amy Adams is kind of the next Meryl Streep. She is always | :12:44. | :12:47. | |
nominated. Sometimes when you do lots of work it cancels each other | :12:48. | :12:53. | |
out because you cannot vote for her in all films. Arrival of the sci-fi | :12:54. | :12:58. | |
film from Denis Villeneuve. It is a big film with big themes about alien | :12:59. | :13:05. | |
contact and she is a linguist who makes alien contact. It is a film | :13:06. | :13:09. | |
which blows people's minds. It did not do that for me, I found it a | :13:10. | :13:13. | |
disappointing movie but that is the joy of these awards season is | :13:14. | :13:16. | |
because some people will like certain films and some will not. | :13:17. | :13:28. | |
Then you will get a massive format Arrival with big effect against a | :13:29. | :13:30. | |
British film like I, Daniel Blake or Nocturnal Animals which has a | :13:31. | :13:32. | |
different feel to its artistic nature. Amy Adams is an award stable | :13:33. | :13:38. | |
but she never manages to convert these things to winds. She is the | :13:39. | :13:43. | |
perennial bridesmaid on the red carpet. She also could have been in | :13:44. | :13:47. | |
La La Land, she has red hair, she sings and dances, she is Emma Stone | :13:48. | :13:54. | |
by another name. Remind us who votes and who makes up the decisions | :13:55. | :13:58. | |
tonight? There are about seven members of the British Academy. In | :13:59. | :14:03. | |
the Oscars they have several thousand but they all come from | :14:04. | :14:09. | |
film. The BAFTAs have people who work in television and also work in | :14:10. | :14:12. | |
the gaming industry which always surprises people. They put a lot of | :14:13. | :14:18. | |
money and British wealth into the gaming industry and they get to vote | :14:19. | :14:23. | |
in the BAFTAs as well. It will be strange if they vote for Nocturnal | :14:24. | :14:29. | |
Animals instead of the films with big special effects. The BAFTAs are | :14:30. | :14:34. | |
very different to any other voting body in the world of cinema because | :14:35. | :14:38. | |
they are made up from people in other genres and categories and | :14:39. | :14:42. | |
crafts. While you are explaining that we are looking at pictures of | :14:43. | :14:47. | |
Eddie Redmayne. Lorraine, the last time you and I were on the red | :14:48. | :14:50. | |
carpet, you were talking about a photo issued you did with Eddie | :14:51. | :14:55. | |
Redmayne and he is hugely important to men's fashion? He is. He has been | :14:56. | :15:04. | |
hugely supportive. I think it is important to talk about what the men | :15:05. | :15:08. | |
wear on the red carpet because we should not be defining women by what | :15:09. | :15:13. | |
they wear on the red carpet. Fashion in this country ?28 billion to the | :15:14. | :15:19. | |
economy. It is the second biggest employer in the UK. Evenings like | :15:20. | :15:24. | |
this are really important. These are showcases for the big fashion | :15:25. | :15:29. | |
houses. Why would he be wearing Dior? Is that a deal. This is the | :15:30. | :15:32. | |
British Academy. Finding I think there are just a lot | :15:33. | :15:42. | |
of ceremonies he has to go to. A lot of ceremonies, a lot of red | :15:43. | :15:46. | |
carpets, so here's varying it. He is so friendly, he talks to everybody. | :15:47. | :15:51. | |
He has just done about five selfies here and he is incredibly popular as | :15:52. | :15:53. | |
a British actor. An awful lot of people screaming for | :15:54. | :15:58. | |
him behind us, for sure. He is very popular among the early arrivals. We | :15:59. | :16:04. | |
have reflected, Jason, on the Best Film category. Of course, another | :16:05. | :16:11. | |
thing that sets BAFTA apart, that category of Best British film. I | :16:12. | :16:14. | |
personally would be astonished if I, Daniel Blake does not win this, but | :16:15. | :16:19. | |
what are your thoughts? Well, that is nominated in the best | :16:20. | :16:21. | |
British film category and the Best Film category. If it does not win | :16:22. | :16:25. | |
one of them, something has gone a bit wrong. It is not feature at the | :16:26. | :16:29. | |
Oscars or anywhere else really, other than the European film awards, | :16:30. | :16:34. | |
so this is a uniquely British film. It is Ken Loach's film, of course, I | :16:35. | :16:38. | |
think a tremendously important film, a kind of state of the nation | :16:39. | :16:43. | |
address. Is it a film that BAFTA members, who tend to be more liberal | :16:44. | :16:48. | |
and metropolitan elite, are seeing and saying, that is how the other | :16:49. | :16:51. | |
half live, and it is sort of a dose of medicine and not real? I think | :16:52. | :16:55. | |
this one is one of ten large's very finest works. I think it is a | :16:56. | :16:59. | |
tremendously important film everyone needs to say, and a dose of salts | :17:00. | :17:03. | |
for the nation. It really makes you sit up and see what is happening to | :17:04. | :17:07. | |
Britain today. There was a piece in the paper today is a job centre is | :17:08. | :17:11. | |
not like this, the staff are not like this. Can Loach is saying, | :17:12. | :17:14. | |
actually, I went round to a lot of them. Some people are like there's | :17:15. | :17:18. | |
some other time. It is not a documentary, it is a drama about | :17:19. | :17:21. | |
what can happen in a certain situation. I think he does it | :17:22. | :17:24. | |
brilliantly. Hayley Squires is nominated. She is | :17:25. | :17:30. | |
due to be here tonight. Let's now had to Lizo again. | :17:31. | :17:35. | |
Thank you. I am joined by Kenneth Lonergan, the man behind Manchester | :17:36. | :17:38. | |
by the Sea. You have a nomination for directing and four Original | :17:39. | :17:41. | |
Screenplay. Congratulations, first of all. This is a very sad story | :17:42. | :17:45. | |
about a man coping with grief. How do you make sure the town is not too | :17:46. | :17:51. | |
unremittingly grim throughout it? I think with all the sorrow the | :17:52. | :17:53. | |
characters go through, there is quite a lot of love in the story, | :17:54. | :17:58. | |
and the characters are trying very hard to take care of each other, | :17:59. | :18:01. | |
which is something that happens in life. When things go wrong, you | :18:02. | :18:04. | |
often find people rallying around each other and showing up for each | :18:05. | :18:07. | |
other and doing their best for each other. I find that encouraging and | :18:08. | :18:11. | |
inspiring, and I hope the film is about that as much as anything. | :18:12. | :18:15. | |
So you think it is a mixture of grease, relationships, family? | :18:16. | :18:19. | |
I think it is about coping with things that none of those wants to | :18:20. | :18:21. | |
cope with, but the fact that people do cope with them, and it is about, | :18:22. | :18:29. | |
if a character has been hit harder than anyone has deserves to be had, | :18:30. | :18:36. | |
but he is still showing up, trying to make arrangements and look after | :18:37. | :18:39. | |
his nephew, and doing it out of the love he has for his brother and his | :18:40. | :18:43. | |
brother had for him. In many ways, the film seems to be about that more | :18:44. | :18:45. | |
than anything else. It premiered more than a year ago at | :18:46. | :18:49. | |
the Sundance festival. What are the last 12 months been like, seeing it | :18:50. | :18:54. | |
go from strength to strength, both distribution wise, and in the way | :18:55. | :18:57. | |
that audiences and critics have related directly macro it is great. | :18:58. | :19:04. | |
You hope your works will be liked. Your first duty is to make it as | :19:05. | :19:08. | |
good as you can, and then you hope people will like it, and to have | :19:09. | :19:13. | |
such wonderful distribution, with Studio Canal and Amazon in the | :19:14. | :19:18. | |
States, and the performances and people responding, it is all you can | :19:19. | :19:20. | |
ask for. You must be delighted that Casey | :19:21. | :19:24. | |
Affleck and Michelle Williams, with only 11 minutes' screen got | :19:25. | :19:28. | |
nominations as well. Yes, well, she is brilliant, and it | :19:29. | :19:32. | |
is a performance that pervades the movie. Every scene she has, she is a | :19:33. | :19:36. | |
knockout. She can do anything. I'm not surprised at all sea is getting | :19:37. | :19:38. | |
all this attention. Thank you so much for your time. | :19:39. | :19:46. | |
Manchester by the Sea, a film we have not touched on this far, Jason. | :19:47. | :19:52. | |
I would say that is in a category film that you really appreciate. It | :19:53. | :19:58. | |
is beautifully and shot, without possibly enjoying it. I know Casey | :19:59. | :20:02. | |
Affleck is nominated for a lark in this award season, but his character | :20:03. | :20:05. | |
is not the most likeable. Yes, it is about a janitor from | :20:06. | :20:13. | |
Boston, a call back to his hometown, the titular Manchester, which is a | :20:14. | :20:17. | |
rather snowy place near Boston. He has to go back there because his | :20:18. | :20:19. | |
brother has died and he has inherited his nephew, played by | :20:20. | :20:25. | |
Lucas Hedges, and has to run into his ex-wife, played by Michelle | :20:26. | :20:28. | |
Williams. There is a secret buried in his past. What is it? That is | :20:29. | :20:33. | |
basically the film. It reveals their pain, and he is a very pained lead | :20:34. | :20:36. | |
character who doesn't change much over the course of the movie. It is | :20:37. | :20:41. | |
an incremental change, if you like, a thawing of that frost. We see the | :20:42. | :20:45. | |
tiny changes are everything. A little goes a long way in this | :20:46. | :20:50. | |
movie. Not a lot happens, and yet, everything happens, in a way. Kenny | :20:51. | :20:54. | |
Lonergan, the director that Lizo was talking to, he has brought moments | :20:55. | :20:59. | |
of the everyday integrates drama. A very fine director. But my favourite | :21:00. | :21:03. | |
is the Lizo will speak to next. That had there now. | :21:04. | :21:07. | |
Yes, I am joined by Barry Jenkins, the man behind the firm moonlight. | :21:08. | :21:14. | |
You have got a nomination, and the film is up for best screenplay. What | :21:15. | :21:18. | |
has it been like, taking this film around the world? | :21:19. | :21:20. | |
It has been amazing. The movie has been met with a lot of love. | :21:21. | :21:23. | |
People are finding a way to see themselves in these characters, and | :21:24. | :21:26. | |
that's all you can ask from an audience. | :21:27. | :21:29. | |
And of course, with the rows over diversity in the last couple of | :21:30. | :21:32. | |
years, moonlight has been one of the films at the forefront of what many | :21:33. | :21:36. | |
people say our award juries making the right decision this year. | :21:37. | :21:42. | |
Yes, and I am proud to be in that place. I am very proud of that. I | :21:43. | :21:46. | |
think the awards season, the divers make up this year, is more | :21:47. | :21:49. | |
reflective of the world I live in and the industry I work in, so it | :21:50. | :21:53. | |
heartens me we are able to be a part of reflecting that world. | :21:54. | :21:57. | |
Your film is relatively low-budget compared to something like La La | :21:58. | :22:00. | |
Land, but it has had a massive impact. For you, what were the main | :22:01. | :22:05. | |
challenges of getting a movie like this made, and it seems to be out of | :22:06. | :22:12. | |
proportion to the impact it has made? | :22:13. | :22:14. | |
There weren't many challenges. Once the companies came on board, the | :22:15. | :22:20. | |
budget was what it was. I think we are all craftspeople, and can work | :22:21. | :22:26. | |
with big or small tools. The tool, the budget, on this film was small, | :22:27. | :22:29. | |
but it did not change the mode of expression. We approached it as if | :22:30. | :22:33. | |
we had unlimited resources. It felt like a luxury to have $1.5 million, | :22:34. | :22:41. | |
but these companies really had our backs, so everything I have ever | :22:42. | :22:44. | |
done, including short films, this is probably the easiest I have made, | :22:45. | :22:48. | |
because I always have felt supported. | :22:49. | :22:51. | |
What is the message of your film? Is it about acceptance? | :22:52. | :22:54. | |
I think it is about that, but more than that, about human expression. | :22:55. | :22:57. | |
We don't ignite as a society that we are always giving feedback to | :22:58. | :23:01. | |
people, telling them to behave in a certain way. They should have the | :23:02. | :23:05. | |
freedom to decide who they are one themselves. That is the ultimate | :23:06. | :23:07. | |
message of the film. Barry, thank you for your time. An | :23:08. | :23:09. | |
outstanding movie. Yes, I quite agree with ??MACRO1 | :23:10. | :23:17. | |
there. I felt sorry Barry Jenkins was not nominated for best Director, | :23:18. | :23:20. | |
even though his film Moonlight is in the best film category. As we | :23:21. | :23:23. | |
reflected at the beginning, it could not be more different than La La | :23:24. | :23:28. | |
Land, but it is a thoughtful, beautiful piece. | :23:29. | :23:32. | |
Absolutely. The story of a young boy growing up, told in three chapters. | :23:33. | :23:36. | |
We see him at eight years old, we see him as a teenager having a Tough | :23:37. | :23:40. | |
life in high school, coming to terms with his sexuality, and then as a | :23:41. | :23:44. | |
grown-up, he has completely changed. He is played by three different | :23:45. | :23:46. | |
actors who don't really look the same, but that is the point. It is | :23:47. | :23:51. | |
about toughness and growing up. I almost want to spoil what Moonlight | :23:52. | :23:54. | |
is, because when you watch it, you don't know what you are going to | :23:55. | :24:01. | |
get. It has also got nominees for Naomie Harris and Mahershala Ali, | :24:02. | :24:05. | |
who I think is tremendous. We see him there in one of the key scenes | :24:06. | :24:11. | |
of the film, where he is teaching a child, nicknamed Little, to swim. | :24:12. | :24:16. | |
Naomie Harris plays his mother. The film has toughness and tenderness in | :24:17. | :24:19. | |
equal measure, and can really break your heart and make you cry in | :24:20. | :24:22. | |
various places where you were not expecting it. What is different | :24:23. | :24:26. | |
about Moonlight is, it is a sort of tone poem. We don't normally see | :24:27. | :24:31. | |
films like this nominated at the top echelons of best picture. This might | :24:32. | :24:34. | |
have slipped down the cracks eight years ago and nominated at film | :24:35. | :24:37. | |
festivals like Sundance, but because of the drive to look for films that | :24:38. | :24:43. | |
are different, that old black and African-American stories, Moonlight | :24:44. | :24:46. | |
suddenly finds itself front and centre, and carries it beautifully. | :24:47. | :24:49. | |
It is the sort of film we could have overlooked, and I am so delighted it | :24:50. | :24:53. | |
has got eight Oscar nominations and as many BAFTA nominations as it has. | :24:54. | :25:00. | |
It is putting people in the spotlight like Mahershala Ali. | :25:01. | :25:05. | |
He is fantastic, isn't a tee yes, he was in house of cards. | :25:06. | :25:13. | |
-- House Of Cards. And Naomie Harris, an extraordinary performance | :25:14. | :25:15. | |
from there. And she really thought twice about | :25:16. | :25:18. | |
taking a role, because it is not giving anything away to say that her | :25:19. | :25:22. | |
character has a drug addiction, which plays into the relationship | :25:23. | :25:25. | |
with the sun, and from everything I have read, she had some misgivings | :25:26. | :25:31. | |
about playing that sort of character with all the drug problems | :25:32. | :25:33. | |
associated with it again, as might be perceived. | :25:34. | :25:39. | |
I think if you years ago, for African-American films, there were | :25:40. | :25:42. | |
too many characters who were, for example, crack addicts. For example, | :25:43. | :25:47. | |
Ali Barry in Jungle Fever. She realised she wanted to play | :25:48. | :25:52. | |
different kinds of characters, but that this was a different kind of | :25:53. | :25:55. | |
character, there was something very special about her. She needed three | :25:56. | :26:00. | |
days' work on this film, but this is the one that will change her career | :26:01. | :26:03. | |
and life, it is a fantastic performance. I'm delighted for her. | :26:04. | :26:07. | |
I think she has been a fine actress for a long time and not able to find | :26:08. | :26:10. | |
parts like this in Britain. Real shame, I think, that she has had to | :26:11. | :26:15. | |
go to the US to get a part like this. I am thrilled she has, and her | :26:16. | :26:18. | |
career will escalate from here. Absolutely. We will find out in a | :26:19. | :26:21. | |
few hours whether she wins tonight. An excellent performance. | :26:22. | :26:28. | |
Let's also remind people, the Bafta also gives a fellowship every year, | :26:29. | :26:32. | |
and this year, it is going to someone you particularly admire and | :26:33. | :26:37. | |
like? There are two reasons I watch films, | :26:38. | :26:42. | |
Mel Brooks and Woody Allen, and tonight, Mel Brooks is 87 years old | :26:43. | :26:45. | |
and getting a fellowship from BAFTA. He said he is not overwhelmed, he is | :26:46. | :26:51. | |
just whelmed by it, but I think Mel that is something. He did The | :26:52. | :26:56. | |
Producers, one of the funniest scripts ever written, and then | :26:57. | :27:03. | |
History Of The World Part one, Young Frankenstein and Blazing Saddles. He | :27:04. | :27:07. | |
is a zany in his comedy, but he has something to do their words say | :27:08. | :27:11. | |
about now. I wouldn't be surprised if the funniest moment of the night | :27:12. | :27:13. | |
came from Mel Brooks. We look forward to that later in the | :27:14. | :27:18. | |
ceremony. Nicole Kidman arriving, very bravely taking off her jacket! | :27:19. | :27:21. | |
Perhaps we will hear from parent little later. As we hear that would | :27:22. | :27:26. | |
see these images of Nicole Kidman, let's go to Lizo as well. | :27:27. | :27:35. | |
Yes, I am joined by the Director of Arrival, nine nominations, including | :27:36. | :27:38. | |
a best Director nomination for you. An incredible sci-fi film with an | :27:39. | :27:41. | |
unusual narrative structure, how difficult was it balancing all those | :27:42. | :27:44. | |
elements? We spent a lot of time in the | :27:45. | :27:48. | |
editing room. A long creative process, because exactly as you | :27:49. | :27:51. | |
said, the elements were not obvious. By far the most difficult movie I | :27:52. | :27:58. | |
ever made. Balancing the intellect and the emotions was hard to do. | :27:59. | :28:02. | |
And what is Amy Adams, who plays the crucial central role in this movie, | :28:03. | :28:06. | |
bring to it? Intelligence, intelligence, and | :28:07. | :28:11. | |
intelligence. And Grace, and she has the movie on her shoulder. She was | :28:12. | :28:16. | |
my news. She was the main inspiration for this movie. -- my | :28:17. | :28:23. | |
muse. She is a fantastic actress, and it was a massive honour for me | :28:24. | :28:27. | |
to work with her. And not only astonishing visually, | :28:28. | :28:30. | |
the sound in this movie, along with it take to balance all those | :28:31. | :28:33. | |
elements? Which is the more challenging? | :28:34. | :28:37. | |
-- how long did it take? Yes, it is always tricky to train | :28:38. | :28:41. | |
create new alien sounds, create a language, so that was a long | :28:42. | :28:45. | |
process. We were working with the sound crew based in New Zealand. | :28:46. | :28:49. | |
They worked with people from Montreal, so it was like a | :28:50. | :28:54. | |
Commonwealth team working from everywhere on the planet to try to | :28:55. | :28:58. | |
create those fantastic sounds, the way that my aliens are speaking. | :28:59. | :29:01. | |
Thank you so much for talking to us. So, Denis Villeneuve, I know he is | :29:02. | :29:19. | |
nominated, and that's what counts. Let's look at this beautiful shot | :29:20. | :29:21. | |
here, looking at the Royal Albert here, looking at the Royal Albert | :29:22. | :29:23. | |
Hall. Regular watchers of this programme will know that we have | :29:24. | :29:27. | |
moved location this year. For many years, this has come from the Royal | :29:28. | :29:30. | |
Opera house in London's Covent Garden. We have moved a couple of | :29:31. | :29:33. | |
miles away down to the Albert Hall, and it looks absolutely beautiful | :29:34. | :29:38. | |
here tonight. The film critic Jason Solomons Whitney, and Lorraine Candy | :29:39. | :29:45. | |
at their word, editor of style at the Sunday Times. Lorraine, quick | :29:46. | :29:49. | |
thought in terms of what we have seen so far. Still many more people | :29:50. | :29:52. | |
to come down the red carpet, but do you have any thoughts so far? Some | :29:53. | :30:00. | |
of the women, I want to give them a jumper? | :30:01. | :30:02. | |
It is great that it is at the Albert Hall. The British fashion awards | :30:03. | :30:05. | |
were here last year, and they were fantastic as well. Seeing a lot of | :30:06. | :30:09. | |
women being incredibly brave with this shoulder -- off the shoulder | :30:10. | :30:18. | |
garments, and Nicole Kidman must be freezing! | :30:19. | :30:21. | |
The wonderful rates Paul. We love him. Very versatile. I think perhaps | :30:22. | :30:30. | |
he is presenting a -- and awards tonight, and that is way he is here. | :30:31. | :30:35. | |
Rafe Spall. We are just looking at Nicole Kidman. I feel as if I see | :30:36. | :30:40. | |
her in so many adverts these days, I have lost track of who she | :30:41. | :30:43. | |
advertises, but does she have a particular connection with Armani? | :30:44. | :30:47. | |
No, she has been close to the house, but she worked with a lot of design | :30:48. | :30:51. | |
and beauty houses as well. She is always on the front row in Paris and | :30:52. | :30:56. | |
Milan. She travels around a lot. I think Armani is a heritage brand, so | :30:57. | :30:59. | |
she will have a long relationship with them, and it is quite | :31:00. | :31:03. | |
revealing. Yes! Do they look at the weather | :31:04. | :31:07. | |
forecast before they come?! I think people will have changed | :31:08. | :31:10. | |
their minds at the last minute, actually. Just give as a reminder of | :31:11. | :31:19. | |
how important this can be. We are here at the British Academy Awards. | :31:20. | :31:23. | |
There I suggest, in terms of the fashion publicity, is it a | :31:24. | :31:29. | |
competition to try and dress and Oscar winner as well? | :31:30. | :31:32. | |
It is absolutely huge for the fashion industry, because it is a | :31:33. | :31:36. | |
huge shop window into some of the biggest design houses. Everything | :31:37. | :31:44. | |
that they make getting a high profile is what drives sales, and | :31:45. | :31:47. | |
that drives their retail, so it is very important to them. Often, they | :31:48. | :31:52. | |
establish long-running relationships with female actresses, bringing them | :31:53. | :31:57. | |
to the shows. There are a lot of actresses who have bespoke clothes | :31:58. | :32:00. | |
made for them this evening, so some will be mature dresses worth up to | :32:01. | :32:06. | |
?10,000. Usually, the jewellery arrives at the early part of the | :32:07. | :32:10. | |
evening with a bodyguard, said that the jewellery houses, bowled Dari, | :32:11. | :32:13. | |
Tiffany, Will Atkinson in bodyguards all around London today to make sure | :32:14. | :32:20. | |
there are items are safe and the red carpet. These items are | :32:21. | :32:23. | |
photographed, and with Instagram and social media, they are photographed | :32:24. | :32:25. | |
endlessly. Well, as the cries from the crowd | :32:26. | :32:36. | |
behind us get ever louder, if we can hear ourselves think and talk, | :32:37. | :32:40. | |
Jason, let's also mentioned the fact that there is the rising star award, | :32:41. | :32:44. | |
again, one of the things that is just a little different about the | :32:45. | :32:47. | |
BAFTAs, a nice little touch that is a little different, and the only | :32:48. | :32:52. | |
award that is voted for by members of the public. | :32:53. | :32:55. | |
Yes, that is right, which is quite interesting. It gets people | :32:56. | :32:59. | |
involved, and they can tweak away. What happens is, someone from the | :33:00. | :33:03. | |
most popular film will win, so someone from Star Wars, they will | :33:04. | :33:09. | |
win, and Kristin Stewart a few years ago for Twilight, you might as well | :33:10. | :33:13. | |
give them the award right now. But this year, we don't have that. We | :33:14. | :33:17. | |
have people who are indeed bubbling under. Ruth Negga is probably the | :33:18. | :33:21. | |
most interesting, because she is a rising star at the BAFTAs, but also | :33:22. | :33:25. | |
nominated for Best actress at the BAFTAs. I would say that is fairly | :33:26. | :33:30. | |
risen, if you ask me! She is a film not many people will have seen yet | :33:31. | :33:35. | |
that is recently out in the UK, a crucial film, and interracial | :33:36. | :33:39. | |
romance film in which she gets married to Joel Egerton, who is not | :33:40. | :33:43. | |
nominated. A great performance from her in this film, much done with her | :33:44. | :33:48. | |
eyes. Very tender and delicate performance. She has been rising for | :33:49. | :33:53. | |
a while in the UK, but to see her here is very interesting. Whether | :33:54. | :33:56. | |
she will win the category, I don't know, but as the Oscar-nominated and | :33:57. | :34:00. | |
is probably enough for her. She is up against Lucas Hedges, who I | :34:01. | :34:03. | |
mentioned earlier, from Manchester by the Sea, the nephew who has to be | :34:04. | :34:06. | |
adopted. He is very, very good, the nephew | :34:07. | :34:11. | |
who is only 20. Many of these stars are terribly | :34:12. | :34:14. | |
annoying, because they are very young and have great careers ahead | :34:15. | :34:17. | |
of them! Tom Holland, here's a young British actor, the son of the | :34:18. | :34:24. | |
broadcaster Dominic Holland. He is Spiderman in the new Spiderman | :34:25. | :34:30. | |
movie. He is only 20. Yes, wonderful young actor. And Laia | :34:31. | :34:34. | |
Costa, many will not know her name, but she is an interesting film, all | :34:35. | :34:38. | |
done in one shot, which takes place in Berlin. Then we have someone who | :34:39. | :34:43. | |
I think is probably at the top of a game by now. | :34:44. | :34:45. | |
I think we can say that. Let's go to laser. | :34:46. | :34:51. | |
Yes, I am with Nicole Kidman, nominated for Lion, an incredible | :34:52. | :34:56. | |
story. So emotional. What was your reaction when he first heard about | :34:57. | :34:58. | |
the story? Well, I read it, and I was really | :34:59. | :35:03. | |
moved by it. Then I found out it was a true story and I was gobsmacked | :35:04. | :35:10. | |
that it had actually happened. And then I got to be in the film. | :35:11. | :35:14. | |
The Director asked me, and he said, would you like to play the role? She | :35:15. | :35:19. | |
really wants you to play there. It is always a lovely feeling when the | :35:20. | :35:22. | |
person it is based on wants you to play them. | :35:23. | :35:24. | |
Do you feel more pressure when portraying a real-life person? | :35:25. | :35:29. | |
Sorry, what was the question? Do you feel more pressure when portraying a | :35:30. | :35:34. | |
real-life person. I don't know if you feel more | :35:35. | :35:38. | |
pressure. You feel a sense of obligation and responsibility to be | :35:39. | :35:42. | |
true to their spirit and essence and try to fulfil what they want, | :35:43. | :35:50. | |
because it is their life. Luckily, Sue was very, very embracing and | :35:51. | :35:52. | |
very comforting, and very supportive. | :35:53. | :35:55. | |
Nicole, thank you so much for your time. | :35:56. | :36:02. | |
Nicole Kidman, and we had not spoken much about Lion. I loved it. I loved | :36:03. | :36:08. | |
it so much more than I expected too, for some reason. If you have not | :36:09. | :36:13. | |
seen it, take tissues, I would say. A wonderful story, very moving. It | :36:14. | :36:19. | |
is very slow-paced, I will say. But it is beautiful cinematography as | :36:20. | :36:21. | |
well. We should add it as a true story as | :36:22. | :36:24. | |
well, all the more remarkable, because it is a about a little boy. | :36:25. | :36:31. | |
It is in three parts. In the first part, it is played by a beautiful | :36:32. | :36:35. | |
Indian eight-year-old who gets lost on a train, and is adopted on the | :36:36. | :36:38. | |
streets of Calcutta by Nicole Kidman. Dev Patel is also nominated | :36:39. | :36:45. | |
tonight. She broke my heart in this when she first receives the trial | :36:46. | :36:49. | |
from Lion, and says, I am going to adopt this kid. A beautiful | :36:50. | :36:53. | |
performance from there. She has curly hair in it, doesn't play the | :36:54. | :36:58. | |
glamorous Nicole Bittman role. I think it marks a new stage in her | :36:59. | :37:03. | |
career, this part. When she won the Oscar a long time ago, she has | :37:04. | :37:07. | |
really struggled to find parts that kind of match her talent, really, | :37:08. | :37:11. | |
and has been used by directors in different forms. I think this is the | :37:12. | :37:14. | |
best we have seen her for some time, so I'm delighted she is here to | :37:15. | :37:18. | |
celebrate that. She has also become the emblem for that movie, carrying | :37:19. | :37:22. | |
the movie, which people are crying about all over the country, about a | :37:23. | :37:26. | |
boy finding his home on Google Earth, when he is intending to go | :37:27. | :37:31. | |
home to India. There is not a dry eye in the house. | :37:32. | :37:35. | |
We spoke to Dev Patel just after he heard he had been nominated. He was | :37:36. | :37:39. | |
just so delightful. He called his mum, and then he spoke | :37:40. | :37:43. | |
to us! I think that was very sweet of him. | :37:44. | :37:44. | |
And he was busy filming in Mumbai at And he was busy filming in Mumbai at | :37:45. | :37:50. | |
the time, but very delighted, as if he can't believe how far he has come | :37:51. | :37:55. | |
from, as he would put it, his suburban north London upbringing. | :37:56. | :37:59. | |
A great story for Dev, but it couldn't happen to a nicer guy as | :38:00. | :38:03. | |
well. It is interesting to see his career go from Channel 4, Skins, the | :38:04. | :38:13. | |
big break of Slum Dog Millionaire, but he worked in US television for | :38:14. | :38:17. | |
Aaron Sorkin in The Newsroom as well. He has changed and sell | :38:18. | :38:20. | |
significantly as an actor, physically, for this role. He has | :38:21. | :38:25. | |
beefed up to play this guy. I think you will be an important British | :38:26. | :38:30. | |
actor in the years to come, because you mentioned the diversity issue, | :38:31. | :38:35. | |
this is a film with a story about people of colour, and last year, we | :38:36. | :38:40. | |
had hashtags. We will not get those of the BAFTAs this year. Things have | :38:41. | :38:44. | |
changed quite significantly, and Dev Patel is at the vanguard of that. | :38:45. | :38:47. | |
More from Lizo now. Thank you, I am with the Director | :38:48. | :38:54. | |
Ron Howard, who is nominated for the documentary the Beatles a week the | :38:55. | :39:00. | |
touring years. -- The Beatles: eight Days a Week - The Touring Years. So | :39:01. | :39:03. | |
much has been said about the Beatles over the past few decades, what | :39:04. | :39:07. | |
inspired you to make another story? I realised the perspective you can | :39:08. | :39:11. | |
now bring to the story, also because Paul and Ringo are willing to do | :39:12. | :39:17. | |
new, comprehensive interviews for us to build around, but I think that | :39:18. | :39:23. | |
perspective, it certainly reminded me that these young guys had | :39:24. | :39:28. | |
something to teach us today, their commitment to certain principles, | :39:29. | :39:31. | |
you know, whether they were artistic or moral. They really lived by them, | :39:32. | :39:39. | |
and that is to be acknowledged. As well as newly discovered footage, | :39:40. | :39:41. | |
there must have been a massive decision about what to actually | :39:42. | :39:45. | |
leave out of the documentary? You could have made something 12 hours | :39:46. | :39:50. | |
long? Certainly, and more. We wanted plenty of room for the music, first | :39:51. | :39:52. | |
and foremost. How many times does a and foremost. How many times does a | :39:53. | :39:57. | |
Director get the opportunity to get in that much great Beatles music? | :39:58. | :40:01. | |
But there was all the humour, and in all this personal drama, it was a | :40:02. | :40:04. | |
kind of coming-of-age story, the way they developed and threw down the | :40:05. | :40:15. | |
gauntlet. Through Lizo, -- Beatlemania, there was a lot of | :40:16. | :40:18. | |
drama as well. Well, Ron Howard, enjoy the evening. | :40:19. | :40:20. | |
Thank you very much. Ron Howard, he was on the red carpet | :40:21. | :40:25. | |
with his daughter Bryce Dallas Howard a little earlier. In the | :40:26. | :40:30. | |
background, at and I think we might hear from you surely, is Isabel | :40:31. | :40:37. | |
Huppert. Not nominated here, but she has an Oscar nomination? Yes, she | :40:38. | :40:43. | |
was nominated for an Oscar, great surprise for a French actress, | :40:44. | :40:47. | |
banana nominated here, which was equally so brightening. I think she | :40:48. | :40:50. | |
is an incandescent star. -- not nominated here. She is terrific in a | :40:51. | :40:56. | |
fungal Things To Come as well. I'm glad she is here, and hope she does | :40:57. | :41:05. | |
not make a wasted journey. -- a film called Things To Come. It is unusual | :41:06. | :41:11. | |
for her to push for a role get the Oscar nomination, and it does not | :41:12. | :41:14. | |
happen very often. I talked to very couple of weeks ago when the critics | :41:15. | :41:19. | |
awarded her a lifetime achievement award, and she said she did not | :41:20. | :41:22. | |
often get that spotlight and was delighted to be here. | :41:23. | :41:26. | |
Let's return to how we started our programme to commit more about La La | :41:27. | :41:27. | |
Land, back to Lizo for that. I am here with the Director of La La | :41:28. | :41:36. | |
Land, and the screenplay nominee. What has it didn't like, this | :41:37. | :41:40. | |
roller-coaster ride since you premiered in Venice? | :41:41. | :41:43. | |
It has been a roller-coaster ride. It has been amazing. The thing I | :41:44. | :41:46. | |
could not predict that has really may be happy is just that the movie | :41:47. | :41:49. | |
has connected with people all around the world. That is really so real to | :41:50. | :41:52. | |
me. Did you have any reservations about | :41:53. | :41:55. | |
making a musical at a time when people thought, no, we don't want to | :41:56. | :41:59. | |
see musicals any more? I did not have any reservations. I | :42:00. | :42:02. | |
think a lot of financiers had reservations. It is about six or | :42:03. | :42:07. | |
seven years to get financing, but no, all of us who made the movie | :42:08. | :42:10. | |
jumped in headfirst. I do so much for your time. | :42:11. | :42:14. | |
And if you stay with us for a second, we hope to get in a word | :42:15. | :42:23. | |
with Jacob? No, we can't. Do we have JK Rowling? We do! How are you? You | :42:24. | :42:28. | |
are live on BBC News. Hello, BBC News. Fantastic Beasts | :42:29. | :42:34. | |
and Where to Find Them, nominated for Outstanding British Film. You | :42:35. | :42:38. | |
must be thrilled as a writer and producer? | :42:39. | :42:42. | |
Yes, yes, I am genuinely over the moon, actually. It is amazing, | :42:43. | :42:46. | |
amazing. Even if we don't win, that is a huge nomination to get, so I am | :42:47. | :42:50. | |
really thrilled stop did you have any reservations about returning to | :42:51. | :42:53. | |
the wedding world you created with Harry Potter? | :42:54. | :42:57. | |
Absolutely, of course. The expectation is massive, the bar is | :42:58. | :43:01. | |
very high, and the only reason to return is if you have a story that | :43:02. | :43:04. | |
you still really wanted to tell, and I did have, and it has been | :43:05. | :43:09. | |
incredible, actually. I have loved it. | :43:10. | :43:11. | |
And preparations for the next movie coming along. Have you cast your | :43:12. | :43:15. | |
jumbled or yet? We're doing that right now, and it | :43:16. | :43:22. | |
is a massive thing, Dumbledore, my favourite character in the whole | :43:23. | :43:25. | |
series, so we're right in the middle of that right now. | :43:26. | :43:27. | |
You have been quite outspoken and social media recently about a lot of | :43:28. | :43:32. | |
things. How strongly do you feel about the political situation in the | :43:33. | :43:37. | |
world at the moment? Let's just say, it is an interesting | :43:38. | :43:42. | |
time to be writing a franchise about the rise of a populist maniac. | :43:43. | :43:46. | |
And I must ask, I know you are a huge Kennedys buff. Natalie Portman | :43:47. | :43:51. | |
nominated for Jackie, have you seen it? | :43:52. | :43:53. | |
I haven't, I genuinely want to see it, but I haven't. | :43:54. | :43:56. | |
I would be interested to know what you think as someone with a massive | :43:57. | :43:59. | |
interest in the Kennedys. Nice to see you as ever. Take care. | :44:00. | :44:07. | |
Well, Lizo keeping very, very busy at the far end of the carpet. | :44:08. | :44:13. | |
That is JK Rowling. Some interesting things going on with her on Twitter | :44:14. | :44:18. | |
recently as you may have seen. Before her, the Director of La La | :44:19. | :44:24. | |
Land. Look at this! The lovely Dev Patel. Hopefully, we will hear from | :44:25. | :44:29. | |
him in a moment. It might have struck people | :44:30. | :44:35. | |
watching, how young he is, that Director! | :44:36. | :44:39. | |
Yes, policemen and film-makers! Here 31 years old and nominated for best | :44:40. | :44:45. | |
Director. Film has been nominated, 11 nominations for La La Land. It | :44:46. | :44:49. | |
says to me that film is having to reinvent itself and get younger. | :44:50. | :44:51. | |
With him and Barry Jenkins, who Lizo or two earlier, the 37-year-old | :44:52. | :44:57. | |
Director of Moonlight, we are seeing a new movement, lots of new | :44:58. | :45:00. | |
film-makers coming through. I think it is very important film remains | :45:01. | :45:04. | |
relevant to young film-makers, because they could migrate to | :45:05. | :45:08. | |
television and Netflix. Lots of power there these days. It is | :45:09. | :45:11. | |
important that these film-makers want to make films for the communal | :45:12. | :45:15. | |
experience and the big screen. I think we're seeing an interesting | :45:16. | :45:19. | |
move this year. I think cinema has been to be honest, quite dull for | :45:20. | :45:24. | |
two years. La La Land and Moonlight have really altered the landscape | :45:25. | :45:26. | |
and change the way people shoot and receive films. They have given | :45:27. | :45:30. | |
things and new energy, and a spring in the step. | :45:31. | :45:35. | |
There is Amy Adams, who we have been speaking about as well. Lorraine, | :45:36. | :45:43. | |
putting you on the spot, do you have any idea who she is wearing? Very | :45:44. | :45:49. | |
difficult to see from the monitor. I tell you what's brilliant about Amy | :45:50. | :45:53. | |
and Emma Stone, the rise of the Red Hat. How that's become amazing | :45:54. | :45:57. | |
again. How women are asking for it as a hair colour. Tom Ford's film, | :45:58. | :46:08. | |
he has some redheads, Julianne Moore, Amy Evans on the young | :46:09. | :46:19. | |
actress Isla Fisher. There is your surrogate son, Dev Patel! This is | :46:20. | :46:24. | |
Andrew Garfield arriving but let's hear from Lizo. | :46:25. | :46:28. | |
I am joined by Dev Patel, best supporter actor nominee. Lion, what | :46:29. | :46:35. | |
an superb story, what did you think? I actually got sent the news | :46:36. | :46:39. | |
article. The fact these incredible news events actually happened and a | :46:40. | :46:44. | |
boy showed such adaptability, street smarts and resilience, it completely | :46:45. | :46:49. | |
moved me and I was obsessed with it from that moment on, where I was | :46:50. | :46:52. | |
knocking on the screenwriter's door trying to get an It's amazing | :46:53. | :46:56. | |
walking the red heart carpet having had that. Circle moment. What was | :46:57. | :47:05. | |
most difficult, the Australian accident or getting into the skin of | :47:06. | :47:11. | |
the Both. I had to change the way I sound and the way I look. It is | :47:12. | :47:16. | |
really going crazy! It nourished me as a human being. It took me to | :47:17. | :47:21. | |
places in the world I had never been to. I made a lifelong friend in the | :47:22. | :47:26. | |
director, I can't tell you how much I love him and respect him. | :47:27. | :47:30. | |
Thank you. Best of luck tonight. Thank you so much. | :47:31. | :47:40. | |
Dev Patel, who stars in Lion. That is Emma Stone, winner of the Golden | :47:41. | :47:48. | |
Globe for Best Actress in a comedy or a musical. Signing autographs. We | :47:49. | :47:55. | |
were just recollecting the rise of the redhead. It is Emma Stone. We | :47:56. | :48:01. | |
were saying at the start of the night, you were particularly | :48:02. | :48:04. | |
interested to see who she would be wearing this evening. | :48:05. | :48:14. | |
Nicole Kidman. We are, you will have gathered, very close to a large | :48:15. | :48:20. | |
group of members of the public who queued a time yesterday to stand on | :48:21. | :48:23. | |
the red carpet here. I have to tell you, there was a lot of love just | :48:24. | :48:27. | |
now for JK Rowling. They were screaming for her to come over. She | :48:28. | :48:31. | |
was busy having her photograph taken by the photographers just below us | :48:32. | :48:36. | |
here. But huge reception for her. That was very striking, I thought. I | :48:37. | :48:42. | |
think we can return to Lizo. Thank you. I'm joined by Hugh Grant, | :48:43. | :48:46. | |
another Best supporting actor nominee. She might do all the | :48:47. | :48:52. | |
singing in this movie but it is your character, Sinckler, at the centre | :48:53. | :48:55. | |
of it all, at the centre of gravity of the movie. | :48:56. | :49:00. | |
Well, you could argue that. The centre of gravity is the | :49:01. | :49:04. | |
relationship between the two of them. In the end it is a romance, | :49:05. | :49:07. | |
but a very weird one. How did you find playing a man in a | :49:08. | :49:12. | |
difficult position? He wants to be very supportive to his wife but he | :49:13. | :49:16. | |
also has realistic expectations and viewpoints on her abilities. | :49:17. | :49:22. | |
My character knows that my wife is the worst singer in the world but | :49:23. | :49:27. | |
has to pretend she's not. Partly out of love, but partly out of self | :49:28. | :49:32. | |
interest, because if that myth is exploded his whole world, which is | :49:33. | :49:37. | |
quite affluent, explodes. What was it like working with the | :49:38. | :49:43. | |
screen legend that is Meryl Streep? Well, of course, terrifying and a | :49:44. | :49:47. | |
treat in equal measures. Hugh Grant, thank you very much for | :49:48. | :49:52. | |
talking to us. Best of luck tonight. Hugh Grant, who stars alongside | :49:53. | :49:58. | |
Meryl Streep. Meryl Streep is due here this evening. Meryl Streep, who | :49:59. | :50:02. | |
now always gets referred to as that rather overrated actress! After what | :50:03. | :50:10. | |
Donald Trump said. She's got a few awards in her Cabinet. Do you think | :50:11. | :50:14. | |
she might get another one here today? Just thinking about that | :50:15. | :50:18. | |
category. Best Actress category... Meryl Streep is always in that | :50:19. | :50:22. | |
category. She's up against Emily Blunt and Amy Adams. I think... | :50:23. | :50:28. | |
Natalie Portman as well. Emma Stone, I think is so charming. We saw her | :50:29. | :50:33. | |
earlier. So charming, she sings and dances and carries the comedy, I | :50:34. | :50:40. | |
think it is Emma Stone's. We were talking about I, Daniel Blake, a | :50:41. | :50:42. | |
standout film from Ken Loach. Let's hear from him now. | :50:43. | :50:47. | |
I am with Ken Loach at this end of the carpet. A film, a very powerful | :50:48. | :50:51. | |
piece of work since you premiered it in Cannes. What's it like being | :50:52. | :50:56. | |
honoured with a BAFTAs and night for Best Film and Outstanding British | :50:57. | :50:59. | |
Film nomination? It's extraordinary. The film is so | :51:00. | :51:02. | |
different to all the razzmatazz here. It is quite strange having | :51:03. | :51:07. | |
made a film about people whose lives are thrown into chaos by the Social | :51:08. | :51:11. | |
Security system, to find yourself among those bullets and grammar. But | :51:12. | :51:15. | |
there you go, it's part of the contradiction of the film business. | :51:16. | :51:19. | |
It's nice that people liked the film. I mean, it's good for the | :51:20. | :51:25. | |
film, so that's OK. How important our events like this, | :51:26. | :51:28. | |
bringing a message home that you want to get to as many people as | :51:29. | :51:31. | |
possible? It gives the film prominence and a | :51:32. | :51:35. | |
profile and we've been very lucky with awards this year. The Academy | :51:36. | :51:40. | |
Awards obviously helped. So yeah, we are, more people know about it, | :51:41. | :51:44. | |
maybe more people will go on fear. Then the people who it's really | :51:45. | :51:48. | |
about, they might see some, a real campaign to get things changed. | :51:49. | :51:53. | |
How pleased were you to see Hayley Squires getting a best supporting | :51:54. | :51:57. | |
actress nomination for the movie? She is a terrific girl and a | :51:58. | :52:02. | |
brilliant actress, obviously. As is Dave Jones as Daniel break. I'm | :52:03. | :52:11. | |
really chuffed Hayley, she's going to do lots of great work in her | :52:12. | :52:14. | |
career and she's a fine writer, too. She is someone to watch. | :52:15. | :52:15. | |
Thank you for your time. Ken Loach, the director of I, Daniel | :52:16. | :52:26. | |
Blake. You wouldn't have been able to hear that, Jason, but | :52:27. | :52:29. | |
particularly paying tribute to Hayley Squires, saying he thinks she | :52:30. | :52:33. | |
has a fantastic future ahead of her. A very strong performance by her. | :52:34. | :52:40. | |
I love her in this film, she is absolutely incandescent. She plays a | :52:41. | :52:44. | |
sort of beating heart of this movie. I, Daniel Blake is the title but it | :52:45. | :52:48. | |
is really about her, her struggles as a single mum. She's been shoved | :52:49. | :52:53. | |
out of London and has to go and live in Newcastle and fight... It's | :52:54. | :52:57. | |
almost a tigerish performance, a tigress protecting her young in this | :52:58. | :53:00. | |
movie, trying to do everything to survive. Ken Loach has this | :53:01. | :53:03. | |
marvellous facility for picking unknown actors and making them | :53:04. | :53:06. | |
absolutely give the performances of their lives that the find their | :53:07. | :53:10. | |
careers. I think Hayley Squires is one of those. She is nominated | :53:11. | :53:12. | |
tonight in the supporting category, which I think is right, I would love | :53:13. | :53:26. | |
to see her win that. It is such a British performance, as well. Such a | :53:27. | :53:28. | |
British actress but becoming brilliant at this awards season, | :53:29. | :53:30. | |
growing into this and becoming glamorous and really fighting for | :53:31. | :53:33. | |
that role. Ken Loach, he's about to join Lizo, we can probably hear from | :53:34. | :53:35. | |
her shortly. She was fantastic, and Dave Johns as | :53:36. | :53:40. | |
well, who plays the title character. Let's hear from her now. | :53:41. | :53:46. | |
Yes, I'm with Hayley Squires, best supporting actress nominee, what was | :53:47. | :53:49. | |
your reaction when you heard? One of shock and excitement but yes, | :53:50. | :53:55. | |
shock. How have you found the reaction to | :53:56. | :53:59. | |
the movie over the past few months? It's been massive. We've had a | :54:00. | :54:04. | |
massive outpouring from community groups, from people who recognise | :54:05. | :54:08. | |
something in I, Daniel Blake to be relevant in their lives, either | :54:09. | :54:10. | |
happen to them or their family members. The outpouring of people | :54:11. | :54:14. | |
talking about it, writing about it, getting in touch with us and wanting | :54:15. | :54:19. | |
to do something about it is massive. A very moving scene with your | :54:20. | :54:21. | |
character in a food bank. How did you prepare for something like that? | :54:22. | :54:27. | |
I met with the food bank where we shot the scene and spoke to the | :54:28. | :54:30. | |
people who worked for the charity that run the food bank. Myself and | :54:31. | :54:36. | |
Ken talked in depth about people who end up in those circumstances, we | :54:37. | :54:38. | |
talked about hunger and what that does to the body and then tried to | :54:39. | :54:42. | |
go in and be as truthful as possible in those circumstances. | :54:43. | :54:46. | |
Thank you so much for talking to us this evening. | :54:47. | :54:52. | |
Hayley Squires, wishing Lizo a lovely evening. It might be her who | :54:53. | :54:56. | |
ends up having a lovely evening, I think that's the way these things | :54:57. | :55:00. | |
are meant to go! The star of I, Daniel Blake. Amy Adams again. We | :55:01. | :55:04. | |
are in a striking vantage point is here because things are very | :55:05. | :55:07. | |
different here. It is not the Opera house, the Albert Hall, a new setup | :55:08. | :55:11. | |
and louder than ever, if that's possible! | :55:12. | :55:16. | |
We arrived this balcony where it is almost like a holding pen, whether | :55:17. | :55:21. | |
celebrities are taken off to have their photos taken. Celebrities on | :55:22. | :55:25. | |
their head. The lovely thing is I got a really good look at Amy Adams' | :55:26. | :55:27. | |
dress is beautiful. We just trying to reattach | :55:28. | :55:47. | |
microphone. We are looking at pictures now of Barry Jenkins, the | :55:48. | :55:53. | |
director of Moonlight. One of my favourite films of this season. | :55:54. | :55:58. | |
Jason mentioning the fact he is only 37 years old. We hope we will see | :55:59. | :56:03. | |
more fantastic features from him. I think we can hear you properly, | :56:04. | :56:08. | |
Lorraine. We were reflecting on Amy Adams, a simple dress, but the green | :56:09. | :56:14. | |
is so beautiful. Lovely, beautiful green dress. Tom Ford Cape. There is | :56:15. | :56:26. | |
Gucci and Dior. Osmond. Dev Patel was wearing a Burberry tuxedo. It is | :56:27. | :56:32. | |
great. You can see them here close up. | :56:33. | :56:37. | |
And you've been reminding us just how important, how influential and | :56:38. | :56:40. | |
how useful that is for all those fashion houses you've just named. | :56:41. | :56:47. | |
Yes, the world stage. Photographed here, Cena list-macro and then all | :56:48. | :56:49. | |
the red carpet gaffe brings and websites around the world will have | :56:50. | :56:54. | |
them in the next few days. Probably the highest trafficked galleries. | :56:55. | :57:03. | |
You mentioned earlier the role of the jewellers or the jewellery | :57:04. | :57:07. | |
designers. We shouldn't forget that. I was particularly struck, I've | :57:08. | :57:11. | |
never been this close to a number of real a list stars before and I was | :57:12. | :57:15. | |
struck that I could have a fantastic sight line of Amy Adams' big drop | :57:16. | :57:21. | |
earrings. They come up, possibly some of these, with a bodyguard. | :57:22. | :57:25. | |
They do, most of the jewellery arrives with two or three | :57:26. | :57:31. | |
bodyguards. Probably thousands of pounds worth of jewellery sat down | :57:32. | :57:34. | |
there at the moment being worn. She's just about to have her picture | :57:35. | :57:40. | |
taken. Tremendously democratic, I think. A | :57:41. | :57:43. | |
holding pen of celebrities just beneath us. I could steal some of | :57:44. | :57:47. | |
their earrings. They are all waiting for their go on giving each other a | :57:48. | :57:51. | |
go. They also have to pass through Lizo before they get here. He has | :57:52. | :57:56. | |
one of the big stars of the night. I am with Emma Stone, Best Actress | :57:57. | :58:01. | |
nominee for La La Land. The film has gone down so well. Do you think part | :58:02. | :58:08. | |
of its appeal is people can relate to Maja's struggle, her wish to | :58:09. | :58:11. | |
better herself and move on in the world? | :58:12. | :58:15. | |
I'm not ever really sure what parts are the most resonant for people, I | :58:16. | :58:18. | |
think it's different parts for different people, but maybe, maybe | :58:19. | :58:22. | |
that part of wanting to believe in something against all odds and | :58:23. | :58:30. | |
trying to hold onto hope. And hold creativity, even when it seems | :58:31. | :58:34. | |
impossible. When was the first moment you knew this film is | :58:35. | :58:37. | |
something special and really hitting a nerve with audiences and critics,? | :58:38. | :58:49. | |
It was a special and overwhelming, very hot moment. There was no air. | :58:50. | :58:54. | |
We were sweating and teary and it was really special. | :58:55. | :58:57. | |
Thank you so much for your time this evening. Hope you have a good | :58:58. | :59:01. | |
evening at the ceremony. Thank you very much. | :59:02. | :59:06. | |
Excellent to hear from Emma Stone, nominated for her role in La La | :59:07. | :59:10. | |
Land, directed by Damien Chazelle. You are watching a special BBC News | :59:11. | :59:14. | |
programme from the Royal Albert Hall in London, the British film Academy | :59:15. | :59:18. | |
awards. I should give you a warning that there is an increasing amount | :59:19. | :59:21. | |
of flash photography into my's programme. The actors, actresses, | :59:22. | :59:27. | |
directors and producers are starting to ride thick and fast and the | :59:28. | :59:31. | |
photographers, a huge number of them... There is a lot of flash | :59:32. | :59:35. | |
photography tonight. I think you can safely expect that for the rest of | :59:36. | :59:39. | |
the programme. Hugh Grant just having his photo taken. And he stars | :59:40. | :59:45. | |
alongside Meryl Streep and she has just arrived. I forget how many | :59:46. | :59:57. | |
BAFTAs she has won but she certainly has a huge number of Oscars. She | :59:58. | :00:04. | |
hasn't got a huge amount of nominations, turning nominations | :00:05. | :00:10. | |
into a winners in the easiest thing to do. She doesn't always win. I | :00:11. | :00:15. | |
think tonight, we're not at the Opera house but she praised the | :00:16. | :00:20. | |
world's worst opera singer. As I say, we saw Emma Stone with the Lizo | :00:21. | :00:24. | |
earlier before. We were talking about her. She was wearing Chanel. | :00:25. | :00:29. | |
She is sparkling and incandescent, as she is in the film. Every now and | :00:30. | :00:33. | |
then Hollywood feels the need to anoint some new and we see that more | :00:34. | :00:37. | |
regularly now. This year I think is Emma Stone's year. This is the new | :00:38. | :00:41. | |
starlet they are putting forward and she has Mathilde over the years. She | :00:42. | :00:46. | |
worked with Woody Allen, she was in Crazy, Stupid Love. She has worked | :00:47. | :00:54. | |
with Woody Allen twice, and aircraft and become a tremendous actress. | :00:55. | :00:58. | |
What should other La La Land is a great feat. She dances amazingly but | :00:59. | :01:03. | |
not outstanding. She delivers her lines brilliantly, she has a | :01:04. | :01:07. | |
modernity and wit to her and has become almost like a Diane Keaton | :01:08. | :01:13. | |
figure, that we can... Every time she comes on screen thing, can I | :01:14. | :01:17. | |
love her any more and yes, you can. Very rarely on a cover of a | :01:18. | :01:21. | |
magazine. She's actually at the moment probably the most wanted in | :01:22. | :01:25. | |
terms of design houses dressing her. She's been very, very careful about | :01:26. | :01:29. | |
the kind of publicity she does. She rarely does an interview. She's very | :01:30. | :01:34. | |
rarely photographed out and about with the paparazzi. She's always | :01:35. | :01:37. | |
holding back, which makes are worth more. I think she's an extraordinary | :01:38. | :01:42. | |
new start and I think if she does go into fashion should be very powerful | :01:43. | :01:45. | |
because she is so beautiful to dress and a quirky looking girl. | :01:46. | :01:51. | |
We're just seeing Amy Adams again, that dress we were talking about a | :01:52. | :01:56. | |
few moments ago. You it was Tom Ford. He directed Nocturnal Animals. | :01:57. | :02:02. | |
It is one of the films that was talked about this year. She is also | :02:03. | :02:06. | |
in Arrival, in the Best Film category. She plays a linguist. I | :02:07. | :02:14. | |
like the idea behind Arrival. It is that notion that aliens arrive, | :02:15. | :02:18. | |
someone arrives from outer space, but you do not send in dance or | :02:19. | :02:23. | |
trips, you send in an interpreter to try to speak to them. She plays the | :02:24. | :02:29. | |
interpreter. That is right. I am a linguist myself, so I found it | :02:30. | :02:34. | |
touching, that you would invent a language to speak to them. The | :02:35. | :02:38. | |
talking and communication would be the way forward. It is a powerful | :02:39. | :02:42. | |
message. It is a film I saw before the political upheaval of these | :02:43. | :02:48. | |
days. Films like this, this is when cinema can be important, it can show | :02:49. | :02:53. | |
you how behaviours can work, what scenarios may be. Arrival is one of | :02:54. | :02:58. | |
those important movies. Not self-important, it is about the | :02:59. | :03:02. | |
practicalities of sci-fi. In the end, it is a film that comes down to | :03:03. | :03:05. | |
Amy Adams and the personal aspect of it. While it was being cosmic, it | :03:06. | :03:12. | |
had me. I loved it. There are some great effects. And Jeremy Renner, | :03:13. | :03:16. | |
who plays opposite her, he is very strong as well. I think we're | :03:17. | :03:22. | |
looking at Naomie Harris. We are. She is from Moonlight. She is | :03:23. | :03:28. | |
wearing Gucci. Yes, an extraordinary collection. It is so upbeat and | :03:29. | :03:34. | |
pretty. They had a new designer start two years ago. He brought a | :03:35. | :03:41. | |
new, feminine aesthetic. It has become the label to wear. I have | :03:42. | :03:47. | |
seen it for five times tonight. That is probably the biggest number of | :03:48. | :03:49. | |
times I have seen a designer tonight. That is interesting. She | :03:50. | :03:54. | |
looks so pretty. It is very feminine. You will no far better | :03:55. | :04:04. | |
than me, Lorraine, but I sensed that she is an actress who is very much | :04:05. | :04:08. | |
engaging with the fashion world as well. She was fabulous in The Theory | :04:09. | :04:12. | |
Of Everything, alongside Eddie Redmayne, one of her many strong | :04:13. | :04:15. | |
performances. There have been many others. I feel like I am seeing her | :04:16. | :04:20. | |
associated with bashing, is that the? Yes, she will be in the front | :04:21. | :04:26. | |
row at London fashion issue -- at London fashion week on Friday, it is | :04:27. | :04:33. | |
Paris after that. She will definitely be in the front row on | :04:34. | :04:37. | |
Monday next week. Is that one of her favourites? Yes, one of her brands. | :04:38. | :04:43. | |
You're watching BBC News, special coverage from the Royal Albert Hall | :04:44. | :04:48. | |
in London. We are building up to the British academy film awards. La La | :04:49. | :04:55. | |
Land is the film with the most nominations but that does not | :04:56. | :04:59. | |
necessarily translate to winning on the night. This is the favourite, | :05:00. | :05:06. | |
Meryl Streep, a favourite of so many. She has fabulous longevity, | :05:07. | :05:14. | |
superbly talented. I was chatting to lots of members of the public | :05:15. | :05:18. | |
earlier this afternoon. All those people who had been queueing up to | :05:19. | :05:22. | |
stand on the red carpet. I always say, who do you want to see, who are | :05:23. | :05:27. | |
you looking out for? Lots of them said Ryan Gosling and Emma Stone, | :05:28. | :05:31. | |
but some of them still say Meryl Streep. She has been with us for so | :05:32. | :05:36. | |
many years. Fantastic performances. People want to see her. People might | :05:37. | :05:42. | |
want to hear a speed give her a Golden Globe speech is anything to | :05:43. | :05:47. | |
go by. Will we have the same politicisation at the Baftas? I am | :05:48. | :05:50. | |
not sure. People are grown up with Meryl Streep in various ways. She | :05:51. | :05:56. | |
was an independent move like the Deer Hunter in the 1970s, and | :05:57. | :06:01. | |
Manhattan. All the way through the 1980s, those great roles, like | :06:02. | :06:06. | |
Silkwood, and the reboot through the 1990s, in films like the River Wild, | :06:07. | :06:11. | |
and Margaret Thatcher in the Ireland lady. Nevin Florence Foster Jenkins. | :06:12. | :06:14. | |
She has managed to get funnier as she has got older. Florence Foster | :06:15. | :06:19. | |
Jenkins is a great comedy performance. She has managed to grow | :06:20. | :06:24. | |
and almost be ageless. You think of her about you cannot pigeonhole her | :06:25. | :06:30. | |
as any sort of tight. She can change to become Margaret Thatcher budgie | :06:31. | :06:35. | |
can become Florence Foster Jenkins. Talking of costumes, you see them in | :06:36. | :06:38. | |
the red carpet. We sometimes forget how brilliant they are in cinema. | :06:39. | :06:45. | |
The costumes for Meryl Streep in Florence Foster Jenkins are things | :06:46. | :06:49. | |
of wonder, witty, extraordinary, creations that go with the | :06:50. | :06:54. | |
character. She is nominated for that as well, for her work on the film. | :06:55. | :06:59. | |
Emma Stone being very brave, signing lots of autographs. People around | :07:00. | :07:14. | |
her were trying to move her own. There is Emily Blunt, nominated for | :07:15. | :07:18. | |
a girl on a train. How much involvement does she have with the | :07:19. | :07:23. | |
fashion world? Not so much. Not as much as we noticed with Emma Stone | :07:24. | :07:27. | |
at the beginning. I am not sure what she is wearing. It is possibly | :07:28. | :07:37. | |
Gucci. It is really beautiful. She is not classically want to be seen | :07:38. | :07:41. | |
in the front rows. She is taken seriously as an actress and she | :07:42. | :07:47. | |
seems to be focused on that. It is funny the way these decisions are | :07:48. | :07:51. | |
taken. We do not know if that is driven by the fashion industry or | :07:52. | :07:55. | |
her personal choice. When you see her run the red carpet, you feel she | :07:56. | :07:58. | |
could win anything and she would stand out. You would think that | :07:59. | :08:02. | |
fashion designers would want to dress her. Yes, it is always about | :08:03. | :08:08. | |
time. Where people are filming and where they are in the world when the | :08:09. | :08:13. | |
collections dropped. Whether they can be photographed for the | :08:14. | :08:16. | |
campaigns as well. It is all about juggling the acting and the | :08:17. | :08:21. | |
campaigns they may be doing as well. Emily Blunt is nominated in the | :08:22. | :08:26. | |
leading actress category. She is alongside that very strong | :08:27. | :08:29. | |
contender, Emma Stone, that we've been talking about so much. Also | :08:30. | :08:35. | |
alongside Natalie Portman, who is wonderful in Jackie, and who is very | :08:36. | :08:40. | |
heavily pregnant. I presume that is why she not here tonight. Probably | :08:41. | :08:44. | |
not an airline that would want to take that on. Error where we saw a | :08:45. | :08:48. | |
brief shot of Tom Holland, young man, 20 years old, from London. He | :08:49. | :08:54. | |
is in the Rising Star category we talking about earlier. Yes, and Noel | :08:55. | :09:02. | |
Clarke, previous winner. We have segued beautifully. It can make a | :09:03. | :09:07. | |
career. Noel Clarke is a real ambassador for that Rising Star | :09:08. | :09:11. | |
award. It changed his life and his career. There is a reason for them | :09:12. | :09:16. | |
continuing that relationship with that award. It gives the Baftas a | :09:17. | :09:21. | |
little bit of a difference. People can be involved. The Oscars are | :09:22. | :09:25. | |
terribly high and mighty. You cannot be involved, but you can with the | :09:26. | :09:30. | |
Rising Star award. You can votes forehead and become part of the | :09:31. | :09:37. | |
ceremony. Bafta are keen to anoint new people and keep them as part of | :09:38. | :09:40. | |
the family. It is an ongoing relationship. As it is with fashion | :09:41. | :09:43. | |
houses, and film-makers and actresses. I mention Naomie Harris. | :09:44. | :09:50. | |
Sometimes I feel like we might lose some of her talent to America. It is | :09:51. | :09:54. | |
important we use them in British films and have parts for them that | :09:55. | :09:57. | |
are strong and make them proud to be in the British film industry. We | :09:58. | :10:01. | |
need are stars. We should treat them well. We should make sure they are | :10:02. | :10:07. | |
looked after, because they will just disappear. The only way to do that | :10:08. | :10:11. | |
is to make sure the work is good enough. Very interesting that we saw | :10:12. | :10:15. | |
Naomie Harris in that beautiful Gucci creation. This is Emma Stone. | :10:16. | :10:22. | |
That sums up the Baftas tonight. Emma Stone in La La Land, Naomie | :10:23. | :10:26. | |
Harris in Moonlight, perhaps to make of the strongest contenders at the | :10:27. | :10:30. | |
British academy film awards this evening, live from the Royal Albert | :10:31. | :10:36. | |
Hall in London. La La Land has the most nominations. We wait to see | :10:37. | :10:39. | |
whether it walks away with all the trophies. Emma Stone wearing Chanel. | :10:40. | :10:47. | |
Naomie Harris, as we were reflecting earlier, I really fantastic | :10:48. | :10:50. | |
performance in Moonlight. The two films could not be more different, | :10:51. | :10:54. | |
Moonlight about a young man growing up in a pure area of Miami in the | :10:55. | :11:02. | |
1970s. And Isabelle Huppert, who is nominated for an Oscar and will be | :11:03. | :11:05. | |
presenting an award here tonight. You're watching BBC News. And the | :11:06. | :11:13. | |
Royal Albert Hall, the new venue for this year for the Baftas. It really | :11:14. | :11:21. | |
does look beautiful. It is a particularly long red carpet. I feel | :11:22. | :11:25. | |
like it is about twice the length of the Opera house we're used to. And | :11:26. | :11:29. | |
on this bitterly cold night, some of the stars had been very good indeed | :11:30. | :11:33. | |
about staying and having their photograph taken and signing | :11:34. | :11:37. | |
autographs. That was Ken Loach, nominated for I, Daniel Blake. What | :11:38. | :11:41. | |
an extraordinary and lengthy career. He is 80 years old. Use a long red | :11:42. | :11:46. | |
carpet, lengthy career. It was 50 years ago he got his first Bafta | :11:47. | :11:51. | |
nomination. He has it that she has had a few nominations in between as | :11:52. | :11:56. | |
well. I will make some predictions. I think that Ken Loach will win for | :11:57. | :12:00. | |
I, Daniel Blake in the best British film. I think that La La Land will | :12:01. | :12:05. | |
win Best Film. You could not have two more different films carrying | :12:06. | :12:11. | |
away the major prizes. For the career alone, Ken Loach deserves it. | :12:12. | :12:15. | |
But for I, Daniel Blake, he double deserves it. There is controversy | :12:16. | :12:18. | |
around it because some people are not happy at the way the benefit | :12:19. | :12:24. | |
system is per trade. He would argue, and I can see over your shoulder, | :12:25. | :12:27. | |
doing some interviews, he would argue that he and his scriptwriter, | :12:28. | :12:33. | |
Paul Lafferty, who he works with a lot, did lots of research, and | :12:34. | :12:38. | |
conducted lots of interviews. Ken Loach was supposed to have retired | :12:39. | :12:44. | |
from making feature films. But poll uncovered this research and it was | :12:45. | :12:48. | |
too much like Ken Loach for him to refuse. If he had not made this | :12:49. | :12:52. | |
film, I am not sure there is a simple film-maker out there who | :12:53. | :12:55. | |
would have made it, certainly not in this way. -- a single film-maker. | :12:56. | :13:02. | |
And Arnold was nominated for American honey. She's influenced by | :13:03. | :13:06. | |
Ken Loach. Will she be making films like that? It Ken Loach does not | :13:07. | :13:11. | |
make that film, the stories do not get told. It is controversial, but | :13:12. | :13:18. | |
all the better for it. I am glad that people there to challenge it, | :13:19. | :13:23. | |
because they will find it is not a false note in that movie. As the | :13:24. | :13:27. | |
movie is constructed, people might say gets a bit melodramatic, but was | :13:28. | :13:33. | |
Charles Dickens. He is making a point and sometimes cinema has to | :13:34. | :13:35. | |
cut straight to the heart. That is what I, Daniel Blake does. There is | :13:36. | :13:40. | |
Hayley Squires, having her photograph taken on the way into the | :13:41. | :13:44. | |
Albert Hall. A young upcoming talent. Ken Loach and his producers | :13:45. | :13:50. | |
went through a long casting process. He wants to work with people who are | :13:51. | :13:55. | |
considered unknown. He did that with Hayley Squires and Dave Johns, who | :13:56. | :14:01. | |
plays the character Daniel Braid. He is a stand-up comedian. Ken Loach | :14:02. | :14:04. | |
does not want celebrity to detract from the message. For him, the | :14:05. | :14:10. | |
medium of cinema is to get across this political message. A big star | :14:11. | :14:16. | |
might detract from that. There is Dave Johns, who plays Daniel Blake. | :14:17. | :14:20. | |
There are a formidable pairing that movie. They put Newcastle on the | :14:21. | :14:24. | |
map. It does not get enough cinematic limelight. People in | :14:25. | :14:28. | |
Newcastle will be cheering that film. It represents that plays well. | :14:29. | :14:36. | |
Daniel Blake has been received with warmth in that place. When you look | :14:37. | :14:41. | |
at the list, the categories, do you think Hayley Squires would have a | :14:42. | :14:45. | |
chance? We have mentioned it before, but Naomie Harris is very good in | :14:46. | :14:50. | |
Moonlight. Viola Davis, we have not spoken about her much, but she is | :14:51. | :14:55. | |
strong in Fences. He has won Oscars for roles in the past. It is a | :14:56. | :15:00. | |
strong category. The supporting categories are more interesting than | :15:01. | :15:04. | |
the leading categories. The supporting roles lend a certain town | :15:05. | :15:09. | |
to a picture. The actor can be free of the burden of carrying the whole | :15:10. | :15:12. | |
movie and land a different tone to it. Hugh Grant is very funny in | :15:13. | :15:18. | |
Florence Foster Jenkins. I think Mahershala Ali is great as well in | :15:19. | :15:22. | |
Moonlight. This is a Dev Patel category in Lion. He becomes the | :15:23. | :15:27. | |
main part of that film. People will be fond of him and the night and | :15:28. | :15:29. | |
homecoming king. Yes, Russell Tovey having his photo | :15:30. | :15:38. | |
taken. He is presenting an award tonight. Looking at the Best Actor | :15:39. | :15:43. | |
nominee is fair. All of them here tonight, as well. That takes us back | :15:44. | :15:49. | |
to something we touched on right at the start, the importance of the | :15:50. | :15:54. | |
BAFTAs now. It is up there, it is very much part of the award season, | :15:55. | :15:59. | |
not just in the States but the big film festivals as well, Venice and | :16:00. | :16:04. | |
Berlin. Where do you rank BAFTA, if you can, in terms of importance? If | :16:05. | :16:09. | |
you won BAFTA you would be very chuffed with yourself and rightly | :16:10. | :16:14. | |
so. What is becoming important is there are some differences, as well. | :16:15. | :16:19. | |
It's not the same as the Oscars, it has its own unique a very unique | :16:20. | :16:25. | |
British award. They look for very different things. The mix is very | :16:26. | :16:31. | |
crucial. They are getting it just about right this year, with the | :16:32. | :16:34. | |
Outstanding British Film. The Americans are pleased, nestle | :16:35. | :16:40. | |
alongside them. I would like to see a day where we don't have Best Film, | :16:41. | :16:46. | |
we just have, or best British film, just all together, with the | :16:47. | :16:49. | |
documentaries as well. So rich is sin are at the moment that to | :16:50. | :16:59. | |
delineate is very old-fashioned. Beard animated, documentary or | :17:00. | :17:03. | |
blockbusters. But for now the red carpet is where they are | :17:04. | :17:05. | |
democratically squeezed together, robbing freezing shoulders! | :17:06. | :17:11. | |
It suddenly got a little more, and quite. Penelope Cruz presenting an | :17:12. | :17:15. | |
award here tonight as well. Now we can hear ourselves and talk to each | :17:16. | :17:19. | |
other, just some of your grip reflections on tonight on what we've | :17:20. | :17:24. | |
seen, on a bitterly cold night? There have been some very beautiful | :17:25. | :17:29. | |
creations out there? Yes, people have been wearing them very briefly. | :17:30. | :17:34. | |
To my mind there hasn't been anything new or unusual. It's a | :17:35. | :17:38. | |
whole season of trouser suits and all in ones. We've seen nothing but | :17:39. | :17:44. | |
dresses tonight and it's all been very floaty and feminine. Fashion is | :17:45. | :17:48. | |
in a cool place at the moment. I would like to have seen people | :17:49. | :17:53. | |
mixing it up a bit, using more designers. I would like more British | :17:54. | :17:58. | |
designers on the catwalk. Surprised we haven't seen any Victoria | :17:59. | :18:02. | |
Beckham. She has done trousers, especially as it is so cold! It's | :18:03. | :18:08. | |
unusual to see so many European houses are not British houses. I'd | :18:09. | :18:12. | |
like to have seen more London designers, being on the eve of | :18:13. | :18:16. | |
London Fashion Week. Everyone looked amazing. Nod to the men as well. | :18:17. | :18:20. | |
That is important as well. It's interesting we always talk about | :18:21. | :18:25. | |
what women wear, it doesn't define them as actresses but it's great to | :18:26. | :18:28. | |
see them engaging with the industry. I always think we need to talk about | :18:29. | :18:35. | |
what men wear. Dev Patel wore Burberry, which was great. We saw a | :18:36. | :18:40. | |
lot of Tom Ford and Armani as well. There were some blue tuxedos, Tom | :18:41. | :18:44. | |
Ford in a red velvet... He always wears that. If you can get away | :18:45. | :18:50. | |
with! He wears these things very well. I'm sure he has snuck in the | :18:51. | :18:59. | |
back. Well, something of a lull here. We should point out that two | :19:00. | :19:06. | |
important people haven't arrived as far as we know. The Duke of | :19:07. | :19:11. | |
Cambridge is a patron of BAFTA. The patron of BAFTA. They had a | :19:12. | :19:17. | |
pre-soiree at Kensington Palace last night, a nominee 's party. That is | :19:18. | :19:23. | |
kind of his stomping ground. He's very much in charge of it. There was | :19:24. | :19:28. | |
some talk, may silly talk a few weeks ago, about whether the Dutch | :19:29. | :19:32. | |
ash should be coming as well, because she might be so glamorous | :19:33. | :19:37. | |
she might put Nicole Kidman and the others to shame, complete nonsense! | :19:38. | :19:41. | |
She doesn't always turn up but he himself will be here. He is | :19:42. | :19:45. | |
presenting the Fellowship to Mel Brooks. I think there is going to be | :19:46. | :19:52. | |
a gag gag waiting to happen and maybe a film coming out that at some | :19:53. | :19:56. | |
point. I think he's very supportive of BAFTA and I think it's very | :19:57. | :19:59. | |
important for BAFTA to have that edge. And again, with its | :20:00. | :20:04. | |
international reputation, it gives them another draw for the people | :20:05. | :20:07. | |
coming. I think he's very involved with that, as well. He does go to... | :20:08. | :20:13. | |
Before all those Royal variety shows and all those royal premiers, they | :20:14. | :20:16. | |
used to give them terrible films to watch but I think now we are in safe | :20:17. | :20:21. | |
hands and the taste has got a bit better than the bland family films | :20:22. | :20:25. | |
they used to put in front of his grandmother, the Queen. | :20:26. | :20:28. | |
Maybe this is a silly question, but is it useful for them to have that | :20:29. | :20:36. | |
royal patron edge? Does it boost the British Academy? I'm curious what | :20:37. | :20:40. | |
difference it makes. I suppose by definition it brings publicity. It | :20:41. | :20:44. | |
does. It makes it feel it is such an important industry. Varane was | :20:45. | :20:48. | |
talking about how much fashion contributes to the gross domestic | :20:49. | :20:51. | |
product to the country, film as well. Billions. It is vital they get | :20:52. | :20:56. | |
represented. Films struggled for a long time to be taken seriously. I | :20:57. | :21:01. | |
think that debate is over now. We can't lose sight of its commerce and | :21:02. | :21:06. | |
how important it is. We talked about Felicity Jones earlier, she is in | :21:07. | :21:11. | |
star wards broke one, a huge film around the world. For Britain to | :21:12. | :21:16. | |
remain the centre of that, the centre of culture, we are almost | :21:17. | :21:22. | |
second to La La Land in Hollywood itself, is Britain as a cultural and | :21:23. | :21:26. | |
creative entity. To have the royal family behind that is very | :21:27. | :21:29. | |
important. You are watching this BBC News | :21:30. | :21:33. | |
special programme live from the Royal Albert Hall in London, as we | :21:34. | :21:40. | |
edge up to the beginning of the British Academy film awards. The | :21:41. | :21:44. | |
ceremony due to begin, I believe, dead on seven o'clock. Most of the | :21:45. | :21:51. | |
actors, actresses, directors and producers are inside. They made | :21:52. | :21:55. | |
their way up the red carpet in this new venue here at the Royal Albert | :21:56. | :21:59. | |
Hall. The ceremony, we should say again, will be hosted by Stephen | :22:00. | :22:07. | |
Fry, as we have become used to. And the Fellowship tonight will be | :22:08. | :22:12. | |
presented by his Royal Highness the Duke of Cambridge, as we've been | :22:13. | :22:17. | |
reflecting. And I'm making an educated guess, perhaps they are | :22:18. | :22:21. | |
arriving now. That award, as we say, goes to someone who has had an | :22:22. | :22:26. | |
extremely long and extremely influential career, Mel Brooks. I | :22:27. | :22:32. | |
think 87 now, is he? He is, 87, extraordinary. The longevity of that | :22:33. | :22:37. | |
career... I think the Duchess and you are arriving and we'll be right | :22:38. | :22:41. | |
behind you, Jane. A different route for them. They get a different | :22:42. | :22:46. | |
carpet. They have a considerably shorter | :22:47. | :22:49. | |
carpet, that's what I just realise. You are at eagle eyed in a way that | :22:50. | :22:54. | |
I was not. Yes, just arriving behind us. The Duke of Cambridge in his | :22:55. | :23:03. | |
role of patron of BAFTA. And Lorraine Candy from the Sunday | :23:04. | :23:06. | |
Times, you were saying at the start of our programme tonight that you | :23:07. | :23:10. | |
hoped we would see a British dress, British designer. | :23:11. | :23:14. | |
I don't know, I think possibly Alexander McQueen, but... She does | :23:15. | :23:20. | |
look amazing, doesn't she? We will see if we can get confirmation of | :23:21. | :23:25. | |
that. Alexander McQueen, a label that she wears quite a lot. Yes, her | :23:26. | :23:30. | |
wedding dress also. Would she have thought about that dress for | :23:31. | :23:35. | |
tonight? Film related red carpet would...? I think she would have | :23:36. | :23:40. | |
wanted to support British and she knows she's going to be photographed | :23:41. | :23:45. | |
more than any other woman here. She would have put quite a lot of | :23:46. | :23:47. | |
thought into that. So, they make their way in. What's | :23:48. | :23:58. | |
so striking is we've been fighting the volume levels all night, as we | :23:59. | :24:02. | |
always do here at the BAFTAs. But because they came through a | :24:03. | :24:05. | |
different entrance, the vast majority of members of the public | :24:06. | :24:08. | |
hear clearly didn't realise they had arrived, because there was no | :24:09. | :24:13. | |
shouting, even I was taken by surprise. | :24:14. | :24:16. | |
They don't want to upstage the actresses. They're with the Chief | :24:17. | :24:19. | |
Executive of BAFTA, is wearing Burberry. I thought I'd get that in | :24:20. | :24:24. | |
there! Good inside knowledge, Jason. | :24:25. | :24:29. | |
That really does signify that we are very close to the ceremony starting. | :24:30. | :24:33. | |
We had a couple of predictions from you this evening, Jason, but I'm not | :24:34. | :24:38. | |
going to let you go and let this element of the evening close without | :24:39. | :24:41. | |
getting some firm predictions from you and then you and I will be back | :24:42. | :24:45. | |
together in a couple of hours from now to see whether you or I were | :24:46. | :24:50. | |
right. In terms of Best Film, that is distinct from the category of | :24:51. | :24:54. | |
Best British film, but Best Film, just to remind people the | :24:55. | :25:01. | |
nominations are Arrival, Manchester by the Sea, I, Daniel Blake and | :25:02. | :25:04. | |
Moonlight and La La Land. Do I gather you are calling that the La | :25:05. | :25:08. | |
La Land? Yes, 11 nominations and I think that heft will carry it | :25:09. | :25:12. | |
through. I'd love it to be Moonlight but I think it is La La Land and I | :25:13. | :25:16. | |
will be delighted for that as well. Yes, I guess I feel the same as you. | :25:17. | :25:21. | |
I would love it to be Moonlight. Outstanding British Film, forgive | :25:22. | :25:24. | |
me, apologies to some because we have barely mentions of those | :25:25. | :25:28. | |
mentioned. Fantastic beast and where to find them is among them. I, | :25:29. | :25:35. | |
Daniel Blake, you would think? Yes, I think I, Daniel Blake. A foreign | :25:36. | :25:42. | |
film in the British category, under the shadow, set in Iran in the 80s | :25:43. | :25:47. | |
but I think it is a I, Daniel Blake. A tremendous year and winning in | :25:48. | :25:50. | |
Cannes and I think he will carry that momentum through to winning | :25:51. | :25:53. | |
tonight. And the shouting her shouted again. I think that is | :25:54. | :25:59. | |
because Casey Affleck has arrived. Yes, he is over there, hiding with a | :26:00. | :26:04. | |
beard, not how he appears in the film. Casey Affleck, he is in | :26:05. | :26:08. | |
Manchester by the Sea. Probably the hot favourite to win Best Actor 's | :26:09. | :26:12. | |
night. He's got the pressure from Andrew Garfield behind him but I | :26:13. | :26:17. | |
think it is Casey Affleck's, it seems he is winning everywhere else. | :26:18. | :26:21. | |
I have to say, it's not the performance I love the most, but I | :26:22. | :26:26. | |
see why it is getting a lot of heft behind it and I think it's probably | :26:27. | :26:29. | |
going to carry at all the way through to the Oscars. Hard to see | :26:30. | :26:33. | |
anyone coming in and tripping up Casey Affleck other than his own | :26:34. | :26:38. | |
beard. Jason Solomons and Lorraine Candy, fantastic to have you | :26:39. | :26:43. | |
alongside me and bearing the cold. We could even hear each other for | :26:44. | :26:48. | |
some of it, an absolute treat! Thank you. The British film Academy Awards | :26:49. | :26:52. | |
will get underway in the next 15 minutes or so and we will have a | :26:53. | :26:57. | |
special results programme for you here on BBC News. Jason and I will | :26:58. | :27:01. | |
be back with you for that at 9:30pm this evening. We will see whether | :27:02. | :27:08. | |
Jason's predictions are indeed correct. Let's find out what | :27:09. | :27:13. | |
happens. For now, from here, alongside the red carpet at the | :27:14. | :27:16. | |
Royal Albert Hall in London, it is goodbye for now. | :27:17. | :27:19. |