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Hello, and welcome to Hull, the UK city of Culture. | :00:10. | :00:13. | |
Hello, and welcome to Hull, the UK City of Culture. | :00:14. | :00:21. | |
Showcasing the brightest and the best | :00:22. | :00:23. | |
of contemporary culture has brought us here to Hull's Cemetery | :00:24. | :00:34. | |
for a circus performance with a difference. | :00:35. | :00:35. | |
And continuing our celebration of difference, we meet Matt Fraser | :00:36. | :00:38. | |
who will be putting his disability centre stage to play | :00:39. | :00:40. | |
I'm a deformed actor playing a deformed character | :00:41. | :00:43. | |
for the first time in Britain, which is extraordinary that it | :00:44. | :00:46. | |
should be the first but it's exciting that I get to do it. | :00:47. | :00:49. | |
We will meet the army of 2017 volunteers giving | :00:50. | :00:51. | |
# There's a star man, waiting in the sky... | :00:52. | :01:02. | |
And go on a trip down memory lane with a Spider from Mars. | :01:03. | :01:15. | |
Hello, I'm Anne-Marie Tasker, and I'm the arts and culture | :01:16. | :01:22. | |
correspondence for the BBC here in Hull and this is Kofi Smiles. | :01:23. | :01:25. | |
I'm the face of Hull, chosen by the BBC with a mission, | :01:26. | :01:28. | |
to bring you culture whenever and wherever it happens. | :01:29. | :01:30. | |
Today, we are taking it quite literally because we are not | :01:31. | :01:33. | |
in a concert hall or in a theatre, we are here in a graveyard. | :01:34. | :01:36. | |
It's a setting for a performance which is quite difficult to sum up | :01:37. | :01:40. | |
It's part-circus acrobats, part music, part dance and it | :01:41. | :01:46. | |
all takes place under the cover of darkness. | :01:47. | :01:54. | |
Areialists, acrobats, video artists, singers. | :01:55. | :02:00. | |
Coming together to tell the story of an ancient Greek | :02:01. | :02:02. | |
"Depart" explores the tragic love story of Orpheus when he descends | :02:03. | :02:06. | |
into the underworld and tries and fails to bring his dead wife, | :02:07. | :02:09. | |
The audience happens upon the action as they wander | :02:10. | :02:12. | |
We are trying to find the right trees, and battling | :02:13. | :02:20. | |
the British weather has been challenging. | :02:21. | :02:22. | |
Performing outdoors definitely has its challenges like that. | :02:23. | :02:23. | |
Quite often you will find yourself quite drippy, and wet. | :02:24. | :02:28. | |
It's also kind of really exciting in the outdoors because it's not | :02:29. | :02:31. | |
often in the outdoors that you get the chance to perform in a tree, | :02:32. | :02:34. | |
What's magical about it is that the audience is in the outside | :02:35. | :02:39. | |
in the wilderness with you, so that you get to share | :02:40. | :02:45. | |
an experience a lot more than in a theatre | :02:46. | :02:48. | |
The show is by the world-renowned Australian company Circa who only | :02:49. | :02:57. | |
arrived to rehearse a few days before the first performance, | :02:58. | :02:59. | |
and although this graveyard closed in the 1970s, | :03:00. | :03:01. | |
the choice of venue has caused some controversy. | :03:02. | :03:04. | |
If you approach something with respect and with care, | :03:05. | :03:08. | |
and if your intent is to help bring a community to this place, | :03:09. | :03:20. | |
to improve this place and a great deal of nurture has | :03:21. | :03:23. | |
been given to this site, then I think you are | :03:24. | :03:25. | |
The show premiered last summer, but for these performances, | :03:26. | :03:29. | |
Circa are working with one of Hull's community choirs. | :03:30. | :03:31. | |
More than 100 members of the Freedom chorus have spent months rehearsing | :03:32. | :03:37. | |
and add an ethereal soundtrack to the performance. | :03:38. | :03:41. | |
It's absolutely brilliant to be part of the city of culture, | :03:42. | :03:47. | |
but to be able to perform alongside Circa as well is really incredible. | :03:48. | :03:50. | |
It's not a venue that anybody knows is a venue, of course. | :03:51. | :04:02. | |
Of course, great respect will be paid because of where we are. | :04:03. | :04:05. | |
Well, it's getting dark now and everyone is here waiting | :04:06. | :04:07. | |
It's Friday night, walking around a graveyard, so I thought | :04:08. | :04:24. | |
it was brilliant the way they brought out a different | :04:25. | :04:27. | |
I've only got one difficulty, how do you describe it | :04:28. | :04:35. | |
The setup, where it was, where it is held, the performers, | :04:36. | :04:42. | |
Captivating. Enthralling, absolutely brilliant. | :04:43. | :04:53. | |
And after Hull, the play moves from Brighton to Blackpool. | :04:54. | :05:12. | |
"Depart" is just one of hundreds of events taking part | :05:13. | :05:14. | |
In fact, an event has been promised every day of the year. | :05:15. | :05:18. | |
And when you make a promise like that, you are going to need | :05:19. | :05:21. | |
a lot of people to help with the staging and that's where | :05:22. | :05:24. | |
They've given up their free time to lend a hand. | :05:25. | :05:39. | |
There are more than 2,000 of them, ranging in age from 16 up to 84. | :05:40. | :05:42. | |
Caroline has been to meet some of them. | :05:43. | :05:45. | |
They are the blue-coated army, an army of volunteers | :05:46. | :05:48. | |
from all backgrounds, ages, from all over the UK. | :05:49. | :05:58. | |
From greeting people at events to performing as extras in plays, | :05:59. | :06:00. | |
the 2017 volunteers are the engine that is helping to drive this | :06:01. | :06:03. | |
In much the same way as the games makers did at the London Olympics, | :06:04. | :06:08. | |
Hull's volunteers of the welcoming face of this city | :06:09. | :06:10. | |
There's no way I was going to miss this year volunteering. | :06:11. | :06:19. | |
There's no way I was going to miss this year's volunteering. | :06:20. | :06:26. | |
Sue caught the bug at London 2012 and she was one | :06:27. | :06:29. | |
Tonight, the blue jacket is being left at home. | :06:30. | :06:34. | |
The green tabard is the uniform for this event in one | :06:35. | :06:37. | |
Sue, and other volunteers, have been collecting | :06:38. | :06:40. | |
We are finding in most of the activities we do | :06:41. | :06:49. | |
there are people from all over the world coming. | :06:50. | :06:51. | |
Are you here to join the search for the seven... | :06:52. | :06:58. | |
Well, you can't say the job of a volunteer isn't varied. | :06:59. | :07:06. | |
At this one event alone, they have been directing all these | :07:07. | :07:09. | |
people to where they need to be, collecting their data | :07:10. | :07:13. | |
and some are even part of the performance itself. | :07:14. | :07:15. | |
We wanted to be city of culture volunteers because we couldn't | :07:16. | :07:24. | |
resist being involved in such a fantastic opportunity. | :07:25. | :07:45. | |
The toilets are downstairs on the ground floor. | :07:46. | :07:47. | |
Mum of two Louise also works full-time as a teacher. | :07:48. | :07:50. | |
She is squeezing in her volunteering shifts on evenings and weekends. | :07:51. | :07:52. | |
When you put that jacket and it gives you license | :07:53. | :07:55. | |
to strike up a conversation with absolutely anybody. | :07:56. | :07:57. | |
Even out of the uniform, I'm finding that I'm more likely | :07:58. | :07:59. | |
to start a conversation with people who I don't know that I was before. | :08:00. | :08:03. | |
Volunteering for her is stepping completely out of our comfort zone, | :08:04. | :08:19. | |
but today, she is helping out at a stress test for | :08:20. | :08:22. | |
Well, this is a rehearsal of a performance due to take place | :08:23. | :08:26. | |
in a couple of weeks' time and it will involve live ands and require | :08:27. | :08:29. | |
the audience to move around the performance space, | :08:30. | :08:31. | |
so the volunteers are being used to put it to the test and make sure | :08:32. | :08:35. | |
It's been interesting to see how a theatre company works on its first | :08:36. | :08:39. | |
Talking to people, strangers, but I feel now I'm | :08:40. | :08:45. | |
I've seen already in the first few months that she has just flown | :08:46. | :08:53. | |
She is one of the welcoming faces of Hull and for me, | :08:54. | :08:59. | |
that's a gift that the city of culture has given | :09:00. | :09:01. | |
At first, I didn't think we would be able to be involved. | :09:02. | :09:13. | |
Enid and Jason have also thrown themselves out of their comfort zone | :09:14. | :09:15. | |
Some people see us as visually impaired and we should be | :09:16. | :09:25. | |
in a corner, but we have been put out the front because it's nice. | :09:26. | :09:28. | |
You feel more engaged with what is going on with this | :09:29. | :09:31. | |
process in general, but it gives you a little insight | :09:32. | :09:34. | |
in things that you thought you couldn't do which you can, | :09:35. | :09:42. | |
with that support network going on in the background. | :09:43. | :09:44. | |
I think we should give something back to our communities. | :09:45. | :09:47. | |
And this has given people such a massive opportunity to do that. | :09:48. | :10:10. | |
I think it's that it's absolutely wonderful that I have been | :10:11. | :10:13. | |
Hopefully, at the end of the year, we will have a huge army of people | :10:14. | :10:17. | |
then in a position to volunteer for all sorts of organisations | :10:18. | :10:20. | |
and really lift the community life of the city. | :10:21. | :10:22. | |
The city of culture goes global with celebrations | :10:23. | :10:25. | |
in Hull's Twin city, Freetown. | :10:26. | :10:26. | |
We remember David Bowie and the spiders from Mars | :10:27. | :10:30. | |
But first, here's my guide to some 2017 highlights and a little look | :10:31. | :10:35. | |
North Atlantic Flux took us on a four-day journey of musical | :10:36. | :10:42. | |
discovery bringing in Icelandic and Scandinavian musicians to Hull. | :10:43. | :10:53. | |
On the Orchard Park estate, local residents collaborated | :10:54. | :10:55. | |
with artists to put on a vibrant parade around the neighbourhood. | :10:56. | :10:57. | |
The Ferens Art Gallery has an amazing new exhibition called | :10:58. | :11:00. | |
Skin, which features work by Ron Mueck, Lucian Freud | :11:01. | :11:03. | |
and the Sea Of Hull photographs taken by Spencer Tunick of over 3000 | :11:04. | :11:07. | |
And I don't care if anybody sees me or not. | :11:08. | :11:21. | |
We are looking forward to Assemblefest which takes over | :11:22. | :11:23. | |
an ordinary shopping street, turning unlikely places | :11:24. | :11:25. | |
Nearly 30 years ago, the beautiful South performed | :11:26. | :11:33. | |
in Hull, and in June, Paul Heaton and Jackie Abbott | :11:34. | :11:35. | |
East Park will be transformed to the fictional Malarkey | :11:36. | :11:43. | |
Park for Hull's first childrenchildren's | :11:44. | :11:49. | |
Park for Hull's first children's literature Festival. | :11:50. | :11:50. | |
And in July, the BBC Proms will come to Hull for a day | :11:51. | :11:53. | |
of outdoor concerts, the first time recently that this | :11:54. | :11:56. | |
British institution has travelled outside of London. | :11:57. | :12:05. | |
Well, from a circus performance in a graveyard to something more | :12:06. | :12:11. | |
traditional. We are talking Shakespeare, Richard III to be | :12:12. | :12:18. | |
precise. But Hull being Hull, it's with a difference. We are sitting in | :12:19. | :12:27. | |
with the lead actor, mat Fraser. He is returning to his theatrical | :12:28. | :12:32. | |
roots, after role in American horror story. Can you imagine a mark on | :12:33. | :12:41. | |
this normal body? I could have ruled the world. Mat Fraser has been in | :12:42. | :12:55. | |
rehearsals for three weeks now. And for him, it's one of the toughest | :12:56. | :13:00. | |
roles he's ever had with 685 lines to learn. Director, Barry Rutter | :13:01. | :13:11. | |
started Northern broadsides 25 years ago with the aim of making | :13:12. | :13:19. | |
Shakespeare access the ball to all. His success means others are sure to | :13:20. | :13:28. | |
follow. You have done lots of theatre, but never any Shakespeare. | :13:29. | :13:41. | |
Why now? I did Puck, in a chaotic version of a Midsummer night 's | :13:42. | :13:52. | |
dream. The reason why now is because I was intrigued to be asked to | :13:53. | :13:58. | |
audition and I'm what we might call a mid-term career artist, and each | :13:59. | :14:03. | |
time you do something it is less shocking dangerous the next time you | :14:04. | :14:08. | |
do it. It had been a long time since I had been scared of something and | :14:09. | :14:14. | |
just the notion of doing that wonderful, eponymous character. It's | :14:15. | :14:19. | |
not the easiest of Shakespeare's plays, is it? It's one of the most | :14:20. | :14:25. | |
famous plays, it's done more than Hamlet, even. And it is the only one | :14:26. | :14:31. | |
where the character talks directly to the audience and they are in on | :14:32. | :14:38. | |
his secrets of evil, he's one of the most famous villains and famous | :14:39. | :14:46. | |
disabled people. I think I'm one of the first people to say I'm a | :14:47. | :14:52. | |
deformed Akhtar laying deformed character. It's extraordinary that | :14:53. | :14:55. | |
it should be the first but exciting that I get to do it. It must be a | :14:56. | :15:02. | |
big deal for you, isn't it? It wasn't from me, I didn't push to get | :15:03. | :15:09. | |
it. I was offered it. Although we could say it's about time, Barry | :15:10. | :15:15. | |
offered it to me and not anybody else, so I'm going to run with it | :15:16. | :15:19. | |
and see what we do. I'm fascinated to see what audience members make of | :15:20. | :15:29. | |
it. He horrible to everyone. He was stabbed you in the back by any means | :15:30. | :15:35. | |
necessary. As a disabled person, I camera late to having to think round | :15:36. | :15:40. | |
the corners, -- I am used to having to think round the corners. I can't | :15:41. | :15:48. | |
really relate to the murder and decay that he causes though. For me, | :15:49. | :16:01. | |
the challenges to step up to playing one of the biggest characters. I've | :16:02. | :16:08. | |
never played the lead before. You have two on that. I'm very much a | :16:09. | :16:14. | |
team player. I have any go, obviously. I wouldn't be an actor | :16:15. | :16:19. | |
otherwise, but I don't have a monstrous ego that wishes to be the | :16:20. | :16:29. | |
star. So owning the lead, that's my challenge. In terms of challenges | :16:30. | :16:36. | |
for the audience, it is whether my deformity Pauls out of the play. But | :16:37. | :16:46. | |
Lenny Henry doing their low... There's been a lot of boot polish | :16:47. | :16:51. | |
going on over the years, so now, let's go! | :16:52. | :17:02. | |
-- Lenny Henry playing Othello. Hull is twinned with Freetown in Africa. | :17:03. | :17:15. | |
It started with William Wilberforce trying to abolish the slave trade. | :17:16. | :17:21. | |
Hull and Freetown were twinned many years ago and it's a relationship | :17:22. | :17:25. | |
being celebrated in 2017 with a concert later this summer. Surely | :17:26. | :17:31. | |
Henry has been finding out more about Freetown and how it's being | :17:32. | :17:40. | |
involved with the City Of Culture. A message from Freetown to Hull. This | :17:41. | :17:43. | |
is the capital of Sierra Leone and as its partner enjoys its year as | :17:44. | :17:50. | |
the city of culture, expectations are growing as to what this will | :17:51. | :17:55. | |
mean for Freetown. I expect people will want to see a treat coming from | :17:56. | :18:05. | |
Freetown. All the stuff we've got going on, I'm sure it's true. They | :18:06. | :18:11. | |
don't have a choice but to be treated. That the many people, | :18:12. | :18:19. | |
Sierra Leone is not known for its culture, but that this, Ebola. It's | :18:20. | :18:29. | |
impact still resonates. 50,000 people also died in a civil war in | :18:30. | :18:42. | |
the 1990s. Sierra Leone's Refugee All-stars was formed during the | :18:43. | :18:50. | |
crisis. People were killed in front of my eyes. I saw people burned in | :18:51. | :18:56. | |
front of me. I lost my brother, my sister, my friends. It was too bad. | :18:57. | :19:06. | |
The All-Stars translated their suffering into lyrics that inspire | :19:07. | :19:14. | |
and uplift. As part of the city of culture celebrations, they have | :19:15. | :19:17. | |
travelled to Hull to spread hope, joy and faith. Culture means a lot. | :19:18. | :19:28. | |
Good connections between Freetown and Hull City, so I'm excited. This | :19:29. | :19:37. | |
year is not just about showcasing talent like this, but building | :19:38. | :19:41. | |
educational links and letting people know that Freetown is open for | :19:42. | :19:50. | |
business. To cement their future relationships, the Twin cities are | :19:51. | :19:54. | |
now building connections through education. Pupils at schools can | :19:55. | :20:06. | |
share cultural links via Skype. Your pen pal wants to know what your | :20:07. | :20:11. | |
favourite food is. This is not just for the children, but it is for them | :20:12. | :20:18. | |
to access more information to develop more creative thinking. I | :20:19. | :20:23. | |
like school, because when I go there, I can express myself and I | :20:24. | :20:30. | |
like many books. When I finish, I want to become a lawyer. This is | :20:31. | :20:37. | |
Freetown's version of the promotional film that propelled | :20:38. | :20:48. | |
Hull's place as the city of culture for this year. Freetown now wants | :20:49. | :20:51. | |
the world to know it is open for business. | :20:52. | :20:59. | |
It's one of rock music's most celebrated partnerships, during the | :21:00. | :21:08. | |
1970s, David Bowie and the spiders from Mars changed the face of music. | :21:09. | :21:14. | |
The spiders from Mars had a very different musical apprenticeship. | :21:15. | :21:17. | |
They honed their skills on the club pub circuit from Hull, playing as | :21:18. | :21:27. | |
the Rats. Sadly, only one of them is left, Woody Woodmansey. We went on a | :21:28. | :21:33. | |
trip down memory lane with him. # There's a star man, waiting in the | :21:34. | :21:39. | |
sky. # He'd like to come and meet us... | :21:40. | :21:45. | |
David Bowie introduced Britain's music fans to cities that are dust | :21:46. | :21:56. | |
-- the spiders from Mars. Woody Woodmansey is the only surviving | :21:57. | :21:59. | |
member of the group and he has come back home to visit some of the | :22:00. | :22:04. | |
places where he hung out before he was famous. The spiders were | :22:05. | :22:11. | |
originally called the Rats. I recorded with the Rats with Mick | :22:12. | :22:23. | |
Ronson. He'd been in with the Rats with another drummer and they done | :22:24. | :22:25. | |
the rise and fall of Bernie Gripplestone. I don't think | :22:26. | :22:40. | |
that would have worked for David Bowie. As the Rats played their | :22:41. | :22:57. | |
first gig is in a Hull and East Yorkshire, from pubs clubs. We were | :22:58. | :23:06. | |
in the Duke Of Cumberland in 1969. How much has it changed since then? | :23:07. | :23:11. | |
Directed noise anything. Different net curtains! -- I don't recognise | :23:12. | :23:20. | |
anything. We would come back to Hull and we would come here. We would | :23:21. | :23:26. | |
have a night out, watch bands. It doesn't look like you would fit on | :23:27. | :23:31. | |
there with your drum kit. M it would fit on there but the band would not. | :23:32. | :23:44. | |
-- my drum kit. The rise and fall of Ziggy stardust and the spiders of | :23:45. | :23:47. | |
Mars was the album may play. But there was one place they never | :23:48. | :23:55. | |
performed it, Hull. Finally, coming to play here. It was the biggest gig | :23:56. | :24:02. | |
in Hull, so it was with my dream to play here. How does it feel to be up | :24:03. | :24:08. | |
here. Getting ready to play. It's great. It's somewhere that David | :24:09. | :24:14. | |
wanted to play himself because he knew we were from Hull, so it was | :24:15. | :24:19. | |
always on our wish list but it just never happened. To come back now, | :24:20. | :24:27. | |
Hull, the city of culture, it's amazing. To be able to celebrate | :24:28. | :24:33. | |
David's legacy and do it for Mick and Trevor. It would've been nice | :24:34. | :24:37. | |
for them to be here in their city to be playing. | :24:38. | :24:50. | |
More than four decades since that talk, with the Tony bus and he | :24:51. | :25:02. | |
performance the full album the first time ever, live as part of the | :25:03. | :25:04. | |
celebrations. -- Tony Visconti. Woody buzz dream | :25:05. | :25:22. | |
of playing the album in Hull has finally come true. That is it from | :25:23. | :25:30. | |
Hull's General Cemetery and our latest look at the highlights from | :25:31. | :25:35. | |
the UK city of culture. We will be back in the summer, but you can get | :25:36. | :25:41. | |
your cultural fix on our website. Goodbye. Goodbye. | :25:42. | :26:04. | |
All the energy being stored up in the atmosphere is going out with a | :26:05. | :26:11. | |
bang in parts of England. Severe thunderstorms about. Flashflood in | :26:12. | :26:14. | |
being reported, and a | :26:15. | :26:15. |