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Hello. Welcome to Film 2011. We are live and if you want to get in | :00:32. | :00:40. | |
touch, the details are on the screen. Coming up - Robert Downey | :00:40. | :00:50. | |
:00:50. | :00:53. | ||
Junior and Jude Law return in guy rich's -- Guy Ritchie's game game. | :00:53. | :00:58. | |
-- Sherlock Holmes: A Game of Shadow. The new Mission Impossible | :00:58. | :01:04. | |
and we have an early review of The Girl With The Dragon Tattoo. | :01:04. | :01:09. | |
the past 40 years someone has been trying to drive me insane. Plus, | :01:09. | :01:14. | |
we'll discuss our films of the year with Antonia, Chris and Catherine. | :01:14. | :01:19. | |
First, Sherlock Holmes: A Game of Shadow with Robert Downey Junior | :01:19. | :01:27. | |
and Jude Law. This is the most important case of my career. What | :01:27. | :01:35. | |
are we up against here? The most formidable criminal mind in Europe. | :01:35. | :01:41. | |
Professor James Moriarty. We could stop the collapse of western | :01:41. | :01:49. | |
civilisation. No pressure. He's chasing Moriarty, the greatest | :01:49. | :01:54. | |
super-villain of all time. Are you sure you want to play this game? | :01:54. | :02:04. | |
:02:04. | :02:06. | ||
He's become obsessed with this kind of hard theory that Moriarty is up | :02:06. | :02:11. | |
to something super no good. This isn't the first occasion that Mr | :02:11. | :02:16. | |
Holmes has inconvenienced me recently. The question is, what to | :02:16. | :02:24. | |
do about it? In a way, he's like Kryptonite to super man. He's a way | :02:24. | :02:33. | |
to introduce mortality and fal built into the Holmes character. | :02:33. | :02:43. | |
forgot the rest. It's coming back now. It's about the excitement that | :02:43. | :02:46. | |
Holmes can derive by knowing that there is someone that can be a | :02:46. | :02:54. | |
worthy opponent. It's surprising to Watson to learn that Holmes has a | :02:54. | :02:58. | |
brother. Sherlock Holmes seems such a unique one-off creation, this | :02:58. | :03:02. | |
strange man, with his incredible knowledge, his weird habits. In the | :03:02. | :03:06. | |
future there will be one of those machines in every town in Europe. | :03:06. | :03:12. | |
Loitering in the wood shed again. Good evening. I see your boot maker | :03:12. | :03:19. | |
is ill, dear brother. Not only that, he's much smarter and brighter than | :03:19. | :03:26. | |
I am. May I point out that the chimney is in great need of a | :03:26. | :03:33. | |
cleaning out. You can't imagine what the parents were like. What | :03:33. | :03:41. | |
dark knight of the soul -- dark night of the soul when they named | :03:41. | :03:51. | |
him. He's been around for 130 years, Sherlock Holmes and he does endure. | :03:51. | :03:54. | |
In case of Guy Ritchie Sherlock Holmes he's flying through the air | :03:54. | :03:57. | |
and punching people and doing extraordinary things with swords | :03:57. | :04:07. | |
:04:07. | :04:09. | ||
and weapons. Just follow my lead. Make it count. I'll say that | :04:09. | :04:13. | |
counts! I made Christmas trees. charmed. What did you think? | :04:13. | :04:16. | |
first Sherlock Holmes had the huge advantage. If we are going to be | :04:16. | :04:21. | |
frank, we low expectations, so when it came out and it was oddly | :04:21. | :04:25. | |
fantastic it was a surprise. What they've done is Guy Ritchie goes in | :04:25. | :04:34. | |
thinking let's make the same again, only more so. More of that kind of | :04:34. | :04:40. | |
visual CGI and Victorian London. I am quite partial to that. There is | :04:40. | :04:46. | |
more Robert Downey Junior and more power to him. Long may he last. | :04:46. | :04:53. | |
He's home. Equal parts 77 Iggy Pop and Henry Higgins. He's a magnetic | :04:53. | :04:58. | |
lunatic and he's stoked up and he's wonderful. The canny casting move | :04:58. | :05:05. | |
which makes it tick is Jared Harris into as Moriarty. Most actors, if | :05:05. | :05:09. | |
you put Robert on the one side of the screen they would fall off. He | :05:09. | :05:13. | |
has the charisma to hold his place. It's an interesting character, | :05:13. | :05:17. | |
because it's not conventional villain. There is no cackling. It's | :05:17. | :05:21. | |
much more quietly psychotic and it works a treat. They are in perfect | :05:21. | :05:26. | |
synchronicity and I would watch the two of them orderering chips for | :05:26. | :05:32. | |
two hours. Could you? What kind of chips? Any chips they like. Dusted | :05:33. | :05:37. | |
with chilli. I have a question, do you think Guy Ritchie like guns? | :05:37. | :05:44. | |
Genuine question. You will see 900 slow-mos of bullets. If I see | :05:44. | :05:47. | |
something coming out of a barrel, I wanted to hurt myself. However, I | :05:47. | :05:52. | |
just want to mention the women. One woman is killed off before the | :05:52. | :06:02. | |
:06:02. | :06:02. | ||
opening titles. The other one Noomi Rapace isn't given anything to do. | :06:02. | :06:08. | |
In every seen that you see she is eating. You have to watch this. | :06:08. | :06:12. | |
Call me. You will agree. She is holding it together or drinking. | :06:12. | :06:15. | |
She doesn't speak and the plot doesn't make any sense. However, | :06:15. | :06:21. | |
what saves it is the insane campness of it. The naked wrestling | :06:21. | :06:30. | |
is absolutely brilliant. There was homoerattic subtext in the first | :06:30. | :06:40. | |
one, but they've abandoned that now and it's very clear. The story is | :06:40. | :06:44. | |
not very comprehensible. The last 20 minutes or 30 minutes suddenly | :06:44. | :06:49. | |
it clicks into gear and become gripping. I'm very happy with this | :06:49. | :06:54. | |
film. I'm happy with Stephen Fry in this fill. He's delicious. I loved | :06:54. | :06:58. | |
him before -- film. He's delicious. I loved him before though. I would | :06:58. | :07:02. | |
recommend this has a Christmas panto of a movie, so in the same | :07:02. | :07:08. | |
way stuffed full of pant mine dames. The ending is properly laugh-out- | :07:08. | :07:14. | |
loud brilliant. I hooted. I didn't laugh. Next, Tom Cruise is back in | :07:14. | :07:17. | |
Mission Impossible: Ghost Protocol. The mission is to stop a nuclear | :07:17. | :07:27. | |
:07:27. | :07:28. | ||
war by swinging off buildings. are live. Normally there's a | :07:28. | :07:32. | |
mission and Ethan has to put together a team and go to get the | :07:32. | :07:42. | |
:07:42. | :07:43. | ||
mission done right. This is completely the opposite. Ethan, | :07:43. | :07:47. | |
what happened?! It was a set-up. They are classifying this as | :07:48. | :07:53. | |
undeclared act of war and the blame points to you and your team. The | :07:53. | :07:59. | |
President has nicheated glos protocol. The entire IMF has been | :07:59. | :08:03. | |
disavowed. What is now? Your mission, should you choose to | :08:03. | :08:12. | |
accept it... It's big. It's exciting. It's a crazy, fun, action | :08:13. | :08:22. | |
:08:23. | :08:24. | ||
movie. One of the signature things in the movie was a see quepbs on | :08:24. | :08:31. | |
the tallest -- sequence on the tallest building in the world. | :08:31. | :08:35. | |
didn't have a lot of test time. They built walls for me to practice | :08:35. | :08:39. | |
climbing and I would do drills, so I spent poz actually working on | :08:39. | :08:48. | |
that and getting my enduerst -- I spent months actually working on | :08:48. | :08:57. | |
that and getting my endurance up. Infra-red sensors. Don't have time. | :08:57. | :09:03. | |
How am I going to do this? I love making the movies and enjoy the | :09:03. | :09:13. | |
:09:13. | :09:13. | ||
challenge of coming up with the sequences. There's a great sense of | :09:13. | :09:17. | |
humour. I'm grifg you the broad strokes and the tone -- I'm giving | :09:17. | :09:21. | |
you the broad strokes and the tone. It will have a different sense of | :09:21. | :09:28. | |
humour. That is from Brad Bird and crew. I just jump? And I catch you. | :09:28. | :09:36. | |
Yeah. Why is that so hard to grasp? What? Why? It's a 25-foot drop. | :09:36. | :09:42. | |
would be more worried about the heat. Then there's that. What heat? | :09:42. | :09:48. | |
If you switch off the fan it will get really hot. Of course. | :09:48. | :09:52. | |
Relatively. We have got explosions and we've got car chases and hand- | :09:52. | :09:58. | |
to-hand combat. We have villains and heroes and what do you want, | :09:59. | :10:08. | |
:10:09. | :10:20. | ||
Come on. I'm not going to come on. That's exhilarating. Let me say | :10:20. | :10:26. | |
this, it's Tom. Risky Business, Tom. I can't be angry with him. Let me | :10:26. | :10:33. | |
say this, he's over 50 and he looks 12. He's jumping and racing and | :10:33. | :10:35. | |
standing and it's Mission Impossible and it's Chris imagine | :10:36. | :10:39. | |
the minute the music starts, the opening sequence is about an hour | :10:39. | :10:44. | |
long. You see the back of his tiny head and he's throwing a rock at | :10:44. | :10:49. | |
the wall. It's like The Great Escape in miniature. The star is | :10:49. | :10:53. | |
Simon Pegg. Every time he says anything he plays it so well. He | :10:53. | :10:59. | |
doesn't go over the top, but he's fantastic. I liked it. It's | :10:59. | :11:03. | |
interesting, because the third was terrible and the franchise had run | :11:03. | :11:09. | |
aground, so they had to do something big and quite adventurous. | :11:09. | :11:14. | |
Brad Bird has got a CV of wonders and dreams. Never directed human | :11:14. | :11:21. | |
beings. He has worked on Pixar. He has never directed humans. It would | :11:21. | :11:26. | |
be a gamble. What he brings to the table is this huge visual | :11:26. | :11:28. | |
imagination and the sense of anything which possible and the | :11:28. | :11:35. | |
sense of choreography. That half works, because the spectical is | :11:35. | :11:39. | |
awe-inspiring. The sandstorm. the hotel in Dubai, which is the | :11:39. | :11:44. | |
money shot. It is Tom 130 floors up and he's genuinely awesome and if | :11:44. | :11:50. | |
you see it on the big screen it will induce the feelings of vertigo | :11:50. | :11:56. | |
and you will feel clammy. In terms of looking it great, it does. The | :11:56. | :12:00. | |
action sequences are fantastic. My problem with the movie, for a start, | :12:00. | :12:04. | |
it hangs around too long. It outstays its welcome. You can | :12:04. | :12:07. | |
either finish half an hour earlier or do something different for the | :12:07. | :12:12. | |
last 30 minutes, because unlike Holmes, things are very saggy and | :12:12. | :12:16. | |
confused. The whole immeant prospect of if you clear war seems | :12:16. | :12:19. | |
dull, which is not what they were going for, I'm sure. I know it's | :12:19. | :12:23. | |
terrible, but I have a problem with Tom Cruise and the status of Tom | :12:23. | :12:27. | |
Cruise in this film. It's his production. It does say, "Produced | :12:27. | :12:34. | |
by Tom Cruise." It is almost like - - They made walls. Jeremy Renner is | :12:34. | :12:40. | |
a fine actor. Simon Pegg does very well. He's fantastic. Really well | :12:40. | :12:44. | |
judged and to make room for himself. Tom Cruise didn't make room for | :12:44. | :12:48. | |
anyone. He's this 50-year-old who is eager to mark his territory, | :12:48. | :12:53. | |
threatened by what he might see as competition. It's like watching an | :12:53. | :12:58. | |
ageing tomcat musking everywhere. Mr Cruise, if you are watching. | :12:58. | :13:03. | |
that a verb? I think you're marvellous. I apologise. I'm going | :13:03. | :13:08. | |
to send him a Christmas present. Mission Impossible: Ghost Protocol | :13:08. | :13:12. | |
is on nationwide release from Monday, 26th December. Now the top | :13:12. | :13:21. | |
five. We have the favourite dramatic exits. Whether you are a | :13:21. | :13:26. | |
secret agent, escaping from a ticking time bomb, or a super- | :13:26. | :13:30. | |
villain disappearing in a cloud of smoke, or a shakes sphere character | :13:30. | :13:38. | |
pursued by a bear, there's a lot to be said for making a dramatic exit. | :13:38. | :13:45. | |
This is Up. In this greatest film by Pixar Karl thinks that modern | :13:45. | :13:49. | |
life is rubbish, following the tragic death of his wife, so given | :13:49. | :13:53. | |
that this is a cartoon he does what all right-thinking pensioners | :13:53. | :13:58. | |
should do and leaves it all behind by tieing several thousand balloons | :13:58. | :14:08. | |
:14:08. | :14:28. | ||
So long, boys! I'll send you a postcard! | :14:28. | :14:38. | |
:14:38. | :14:40. | ||
We have all been in meetings which have poured us out of our minds but | :14:40. | :14:47. | |
we have never been in one like this one in the Cohen brothers | :14:47. | :14:53. | |
magnificent screwball comedy. He climbs on to his desk and postponed | :14:53. | :15:03. | |
:15:03. | :15:13. | ||
At number three, it is Hard Boiled. We have all seen action heroes leap | :15:13. | :15:20. | |
out of windows. Been there, done that. But in this 1992 Hong Kong | :15:20. | :15:27. | |
Classic, there is a bit of a twist. He leaps out of the building with a | :15:27. | :15:37. | |
:15:37. | :15:39. | ||
gun him one hand and her baby in the other. Take That, Bruce Willis. | :15:39. | :15:43. | |
At number two, it is Tim Robbins in the short shank redemption. Exits | :15:43. | :15:50. | |
do not come more dramatic than a good old-fashioned jailbreak and a | :15:50. | :15:53. | |
jailbreak does not come more dramatic than the Houdini attempt | :15:53. | :15:58. | |
in this prison drama. Andy has vanished, seemingly into thin air | :15:58. | :16:04. | |
but actually through a tunnel he has been digging for decades, | :16:04. | :16:14. | |
:16:14. | :16:15. | ||
hidden behind a poster of Raquel Welch. In flashback, we see the | :16:15. | :16:19. | |
escape when he crawls through a sewer and emerges into the rain, | :16:19. | :16:23. | |
the redemption of the title. At number one, it is Kevin Spacey | :16:23. | :16:28. | |
in the usual suspects. Man walks out of a police station. That is | :16:28. | :16:35. | |
not dramatic, right? Wrong. We have seen the Kop question him about the | :16:35. | :16:44. | |
criminal mastermind. I am not a rat. He is allowed to leave the police | :16:44. | :16:54. | |
:16:54. | :17:02. | ||
station. Only to realise, the First, we see his limp begin to | :17:02. | :17:12. | |
:17:12. | :17:13. | ||
straighten out. And then it hits cars. -- and then it hits us. And | :17:13. | :17:19. | |
like that, he is gone. Brilliant. Next, David Fincher's | :17:19. | :17:23. | |
remake of The Girl With The Dragon Tattoo, Steig Larsson's best- | :17:23. | :17:26. | |
selling story about a journalist and a troubled young computer | :17:26. | :17:32. | |
hacker who team up to solve a 40- year-old murder case. I need your | :17:32. | :17:38. | |
help. We will be investigating the most detestable collection of | :17:38. | :17:43. | |
people we will ever meet, my family. This is Harriet. Someone in the | :17:43. | :17:47. | |
family murdered Harriet. For the past 40 years it has been driving | :17:47. | :17:53. | |
me insane. It is interesting and a different kind of crime story. And | :17:53. | :17:58. | |
it has definitely a different kind of hero. She is one of the best | :17:58. | :18:03. | |
investigators I have. But. She is different. The character Lisbeth | :18:03. | :18:07. | |
Salander is one of the most interesting female roles which has | :18:07. | :18:13. | |
ever been created. It is a story about secrets, secrets of a family, | :18:13. | :18:20. | |
secrets of a society, her secret. need a research assistant. I know | :18:20. | :18:25. | |
an excellent one. She did the background check on you. What? | :18:25. | :18:30. | |
It is a story which deals with violence against women, it is a | :18:30. | :18:35. | |
story which deals with an abused human being who has been beaten and | :18:35. | :18:40. | |
got tat since they were a child and has somehow managed to survive. | :18:40. | :18:46. | |
What are you doing? Reading your notes. They are encrypted. Blue is. | :18:46. | :18:51. | |
Rape, torture, fire, and was, torture, religion, and a missing | :18:51. | :18:55. | |
anything? It asks a lot of questions. | :18:56. | :19:00. | |
A new way here that day. I came in a bit later after the accident on | :19:00. | :19:08. | |
the bridge. I have had a terrible day. And the days after, searching, | :19:08. | :19:14. | |
not finding, even worse. Every good film has the atmosphere, | :19:14. | :19:19. | |
the expression of the director that makes it and David Fincher has | :19:19. | :19:23. | |
always been very strong in expressing himself through his | :19:23. | :19:28. | |
films. Being a very smart director, what he is asking for his life. The | :19:28. | :19:32. | |
good thing about doing maybe 40 takes his there is nobody who can | :19:32. | :19:36. | |
stick to an idea for 40 takes. You get too tired and everything | :19:36. | :19:46. | |
:19:46. | :19:50. | ||
crumbles and suddenly, there is beautiful real live. -- real life. | :19:50. | :19:55. | |
We should warn people that this version of The Girl With The Dragon | :19:55. | :19:57. | |
Tattoo, it does have the most wildly of putting credit sequence | :19:57. | :20:03. | |
that I have ever seen in my life. It is like a bond credit sequence | :20:03. | :20:08. | |
conceived by it a bass player. Be good news is the credit sequence | :20:08. | :20:12. | |
ends and actually, the film, if the credit sequence is your worst | :20:12. | :20:16. | |
nightmare, the film itself is as good as you would hope it would be. | :20:16. | :20:21. | |
I think what it does is it takes Steig Larsson's novel and it hangs | :20:21. | :20:25. | |
on to what is important from that. It takes this Swedish horror story | :20:25. | :20:30. | |
and it is faithful and ambitious. It takes the writing and applies a | :20:30. | :20:36. | |
coat of lustre to it. It is a fantastic movie. I think if you | :20:36. | :20:40. | |
come as a fan of the original three films you can embrace it. If you | :20:40. | :20:45. | |
come as a David Fincher fan it is even better. You have Bibles, | :20:45. | :20:51. | |
corpses, a lot of raw edges and blood being spilt. It has the 15 | :20:52. | :20:55. | |
years of film-making which has gone on since. Fincher has grown into | :20:55. | :20:59. | |
this incredibly eloquent director and he has you in the palm of your | :20:59. | :21:03. | |
hand. He builds up tension and he builds up sexual tension. There was | :21:03. | :21:07. | |
a huge risk and a lot of people had baited breath with this film but it | :21:07. | :21:12. | |
is a success. I think it works from well. Stellan Skarsgard was talking | :21:12. | :21:15. | |
about the joy of working with venture and the 40 takes. The | :21:15. | :21:20. | |
proven benefit is up there on screen. I did really like it. But I | :21:21. | :21:27. | |
felt wrong already going in because I loved the original and I loved | :21:27. | :21:31. | |
Noomi Rapace's Lisbeth Salander which is how I pictured her when I | :21:31. | :21:36. | |
was reading the books. I felt unfaithful when I was -- as if I | :21:36. | :21:40. | |
was going on a date with a different but same person, if that | :21:40. | :21:44. | |
makes sense. But I thought it was excellent. Often you leave a | :21:44. | :21:47. | |
Fincher film but you go straight back and watch it straight away. | :21:47. | :21:53. | |
The films we are discussing this week, it is like someone who is | :21:53. | :22:02. | |
playing musical chairs. Geraldine James is in everything. And the | :22:02. | :22:06. | |
girl with a dragon tattoo is like Sherlock Holmes. The script is | :22:06. | :22:13. | |
excellent. He has compressed everything. He has turned it into | :22:13. | :22:19. | |
something which is very eloquent and economical. I'm going to stick | :22:19. | :22:27. | |
up for Rooney Mara. I love her. She is brilliant. Noomi Rapace was a | :22:27. | :22:31. | |
tough girl but Rooney Mara his skinny and feral and more | :22:31. | :22:39. | |
vulnerable and kind of Wilder. is your film of the week? It is The | :22:39. | :22:44. | |
Girl With The Dragon Tattoo but Sherlock Holmes is also fun. Go and | :22:44. | :22:49. | |
see them. It is Christmas. Go and see everything a million times. Or | :22:49. | :22:55. | |
come round mine, I am making mince pies. The bill with a dragon tattoo | :22:55. | :22:59. | |
is on nationwide release from 26th December -- the girl with the | :22:59. | :23:05. | |
dragon tattooed. Here is a round-up of films which we are looking for - | :23:05. | :23:13. | |
- looking forward to in the new It may be the season to be jolly | :23:13. | :23:17. | |
now but the coming weeks and months are filled with films of intense, | :23:17. | :23:27. | |
complex and challenging subject Martha, Marsay, May, Myleene is | :23:27. | :23:34. | |
about the story of a woman he in a cult and when she is suddenly free. | :23:34. | :23:40. | |
Are if I guess it is most about internal struggle with identity and | :23:40. | :23:48. | |
who to trust and how to find yourself and how you identify | :23:48. | :23:52. | |
yourself within a group. They think the question here is what is your | :23:52. | :23:57. | |
place in the world and how do find that place? Someone said the review | :23:57. | :24:01. | |
are postulated, where did Martha find more love, in the community or | :24:01. | :24:07. | |
with her sister and brother-in-law. It is an interesting question. | :24:07. | :24:12. | |
Elizabeth has already gained plaudits for her performance. | :24:12. | :24:16. | |
not have time to second guess my self. I felt like I had the tools I | :24:16. | :24:21. | |
needed. I do not feel like that anymore on anything. I am happy I | :24:21. | :24:26. | |
was naive enough to think I was super confident enough to take the | :24:26. | :24:35. | |
role on. Director Steve McQueen's follow-up | :24:35. | :24:42. | |
to Hunger is A shame, film about sexual addiction. It is about his | :24:42. | :24:48. | |
routine, his daily life and it is interrupted by his sister. I am | :24:48. | :24:56. | |
trying to help you. How are you helping me? You are a burden. | :24:56. | :25:03. | |
and has become very introverted and regimented -- Brandon. He controls | :25:03. | :25:07. | |
his life and he shut people out. did not want to give an excuse for | :25:07. | :25:12. | |
these characters for their behaviour and set it definitely in | :25:12. | :25:17. | |
stone and say this is the condition and this is the cause. | :25:17. | :25:21. | |
The Descendants sees George Clooney trying to connect with his children | :25:21. | :25:27. | |
and facing up to some home truths about his marriage. My wife was | :25:27. | :25:31. | |
launched from a powerboat and hit her head. You might not be over to | :25:31. | :25:35. | |
hear this right now but she was lonely. Who is he? I would like to | :25:35. | :25:39. | |
know who the guy is that my wife was seeing. | :25:39. | :25:45. | |
What I liked about it was this man who has been cuckolded decides to | :25:45. | :25:50. | |
go find his wife's lover and tell him that she is going to die, even | :25:50. | :26:00. | |
:26:00. | :26:02. | ||
though he wants to murder the guy. Why are you looking to hang me? | :26:03. | :26:07. | |
Wendy Hurrell son plays a dysfunctional cop in the film | :26:07. | :26:14. | |
Rampart, who has gone road. Are you in on this? Are you kidding me? Let | :26:14. | :26:20. | |
me remind you that you killed an alleged serial date rapist Prix | :26:20. | :26:25. | |
meditatively. You first read the script and you think, this guy it | :26:25. | :26:31. | |
is an asshole. Do I look like Santa Claus to you? | :26:31. | :26:35. | |
Personally, I was not sure I could pull it off because I cannot even | :26:35. | :26:39. | |
imagine playing a cop. It is the only profession I cannot imagine | :26:39. | :26:49. | |
:26:49. | :26:49. | ||
playing. I don't know if his character redeems himself in the | :26:49. | :26:55. | |
course of the film or even, what his Arc is necessarily. It might be | :26:55. | :27:02. | |
like that Paul Simon line, after a change we are more less the same. | :27:02. | :27:07. | |
You were a dirty cup and you have dirtied all of us up by default. -- | :27:07. | :27:13. | |
30 cop. Leonardo DiCaprio stars as J Edgar | :27:13. | :27:17. | |
Hoover in a biopic directed by Clint Eastwood. He is amazing that | :27:17. | :27:22. | |
when you think by the age of 22 he had graduated from law school and | :27:22. | :27:27. | |
then he starts this Bureau of Investigation, later to become the | :27:27. | :27:34. | |
Federal Bureau of Investigation. Saved it for the press. He air is | :27:34. | :27:38. | |
an incredibly instinctive director. He has a tight knit group of people | :27:38. | :27:44. | |
he has worked with for years. Very similar to J Edgar Hoover. He has | :27:44. | :27:49. | |
almost a splinter sell unit, an elite squadron of people. You can | :27:49. | :27:53. | |
never get out of your head the image of him with this tiny monitor | :27:53. | :27:57. | |
piercing at you and it motivates you to tell the truth. You feel | :27:57. | :28:00. | |
like he is looking right through you. | :28:00. | :28:10. | |
:28:10. | :28:16. | ||
Sex. Male. Family. Child. Divorce. Keira Knightley stars in David | :28:16. | :28:22. | |
Cronenberg's A Dangerous Method. this movie, Jung is 29 years old | :28:22. | :28:26. | |
when we meet him and at the beginning of his career, handsome | :28:26. | :28:31. | |
and charismatic. Freud is 50 years old, he is charismatic, witty and | :28:31. | :28:36. | |
funny. Not what people think of when you think of Freud but that is | :28:36. | :28:40. | |
who we are dealing with this -- who we are dealing with it in this | :28:40. | :28:45. | |
movie. It is human frailties. The fact that they are not so different | :28:45. | :28:50. | |
but it is their personalities which affect the course of psychoanalysis | :28:50. | :28:54. | |
and their friendship. Don't you think we ought to stop? Do you want | :28:54. | :28:58. | |
to stop. Where there is discord, may we | :28:58. | :29:04. | |
bring harmony. Mamma Mia director terms Thatcherite as she read teams | :29:04. | :29:11. | |
with Meryl Streep for these Iron Lady. I think if you ask Meryl | :29:11. | :29:15. | |
Streep to play whoever it is, you are going to get a human and a | :29:15. | :29:25. | |
:29:25. | :29:26. | ||
humane character. Dennis. I feel very humble and daunted by | :29:26. | :29:34. | |
the prospect of what she really took on her shoulders. We do look | :29:34. | :29:42. | |
at public figures as if they are monsters or gods and the truth is, | :29:42. | :29:45. | |
everybody falls sort-of in the middle. With all due respect, when | :29:45. | :29:50. | |
one has been to war. With all due respect, sir, I have done battle | :29:51. | :29:56. | |
every single day of my life. I have good news. We have the film | :29:56. | :30:01. | |
2011 family in the studio. Thank you so much for coming in. In a | :30:01. | :30:05. | |
moment we will talk light of the arms of the year but first of all, | :30:05. | :30:15. | |
:30:15. | :30:23. | ||
Antonia, what is your answer? The great masterpiece. This is | :30:23. | :30:28. | |
Viggio who inspired all the great French new-wave directors. He made | :30:28. | :30:33. | |
the movie about a young couple coming to terms in their marriage. | :30:33. | :30:38. | |
He died before the premiere and it was released in the mutilated form | :30:38. | :30:47. | |
and this is his cut. Excellent choice. And you? I'm going for | :30:47. | :30:50. | |
James Watkins, The Woman In Black. With Daniel Radcliffe, based on the | :30:50. | :30:55. | |
Susan Hill novel. The play is terrifying and the TV movie from | :30:55. | :31:00. | |
the 1980s is terrifying, so hopefully this will follow. And | :31:00. | :31:07. | |
also The Raid. Indonesian action film. Directed by Gareth Evans. It | :31:07. | :31:12. | |
is phenomenal. People went bananas for it. They did in Toronto. It | :31:12. | :31:19. | |
lives up to the hype. You've had two, but I won't get grumpy. It's | :31:19. | :31:26. | |
Christmas. Catherine. I'm in the going to be greedy. 2012 is all | :31:26. | :31:35. | |
about psychoanalysts, spel Freud and Yeung. I like A Dangerous | :31:35. | :31:41. | |
Method. It's directed by David Kronenberg and Michael Fassbender | :31:41. | :31:51. | |
:31:51. | :31:53. | ||
spanks his patients. I'm in. I've changed my own choice. Danny? | :31:53. | :31:58. | |
I'm saying nothing more. Come back if January. OK. Love it when he's | :31:58. | :32:04. | |
strict. For me it's The Muppets, but I'm a moron. Was it a difficult | :32:04. | :32:07. | |
choice for film of the year. Did you think it was a good year? | :32:07. | :32:16. | |
but I'm always depressed by the end of the year. Ghastly year. Really? | :32:16. | :32:25. | |
I thought Senna was pretty good. Amazing year for British films. | :32:25. | :32:29. | |
top eleven years of the century so far, but pretty good. Blockbusters | :32:29. | :32:34. | |
were terrible. Pretty much awful, but British cinema fantastic. | :32:35. | :32:41. | |
Antonia, one film? If you had to pick one? It's a little independent | :32:41. | :32:48. | |
American movie called Beginners, starring Euan McGregor. With | :32:48. | :32:53. | |
Christopher Plummer, his father, who comes out as gay in his 70s. | :32:53. | :32:59. | |
It's the most tender, excentric and peculiar, quiet, grown-up, little | :32:59. | :33:04. | |
masterpiece. I loved it. Here's a clip. Maybe you should take out a | :33:04. | :33:09. | |
personal ad, where you can explain your situation. My situation? | :33:09. | :33:14. | |
You want to be in a relationship and you can't stay in one. That's | :33:14. | :33:24. | |
your fatherly advice, personal ads? Well, a lot of people use them. I | :33:24. | :33:34. | |
:33:34. | :33:35. | ||
did. What? Why should I be monogamous. Pop. It's romantic and | :33:35. | :33:40. | |
funny and Christopher Plummer, 84 yesterday and still going strong. | :33:40. | :33:50. | |
:33:50. | :33:50. | ||
Fabulous. Chris? I love Fast Five, but I'm going to pick The Artist, | :33:50. | :33:55. | |
the French black and white silent film. You'll come out floating on | :33:55. | :34:01. | |
air. It's directed by Michel Hazanavicius. It stars Jean | :34:01. | :34:07. | |
Dujardin. It's about a silent movie stars who star begins to fall as | :34:07. | :34:17. | |
:34:17. | :34:33. | ||
talkies come into vogue. Here's a MUSIC | :34:33. | :34:40. | |
It's knock-out. I saw it on Sunday. There is a blog and I saw a review | :34:40. | :34:45. | |
of this film on it. There is a picture of a cat jumping. And the | :34:45. | :34:50. | |
dog. It's not even out. The dog and the cat. Amazing. It should win | :34:50. | :34:55. | |
every Oscar known to man. It's great. One of the movies where | :34:55. | :35:00. | |
people say, "They don't make them like they used." It's made exactly | :35:00. | :35:06. | |
like they used to, but with a modern twist. After that festive | :35:06. | :35:12. | |
high, my film of the year is about Australia's worst of ever serial | :35:12. | :35:22. | |
:35:22. | :35:23. | ||
killer, Snowtown. It's about John bundy. -- John Bunting. It stars | :35:23. | :35:28. | |
Justin Kurzel and Lucas Pittaway. You will see in this clip the work | :35:28. | :35:38. | |
:35:38. | :35:57. | ||
by him. There you go. Good on ya. Come here. Chuck it at the house. | :35:57. | :36:03. | |
There you go. Chuck it at the house. Go on. | :36:03. | :36:06. | |
LAUGHTER Come here. Come here. Have a look. | :36:06. | :36:13. | |
Come on. It's absolutely brilliant. Even when you watch that clip again | :36:13. | :36:17. | |
and you go, of course it's going to be film of the year. You can see | :36:17. | :36:22. | |
from the clip it's not your typical serial killer chasing blonde with | :36:22. | :36:28. | |
big boobs down a corridor. It's like if Mike Leigh made a movie. | :36:28. | :36:31. | |
It's the social realist thing. Fascinating. Very disturbing to | :36:31. | :36:40. | |
watch. Not something you'll go, "Let's watch that again." What is | :36:40. | :36:43. | |
your favourite? Necessitated, which I spent the entirety of January | :36:43. | :36:47. | |
talking about, but if I'm pushed it's Melancholia. I think it's | :36:47. | :36:55. | |
beautiful. It's by Lars von Trier. Let's see a clip. I want in the | :36:55. | :37:05. | |
church. I don't believe in marriage. You arranged this great party. | :37:05. | :37:12. | |
Until death do us part and forever and ever, Justin and Michael. I | :37:12. | :37:18. | |
just have one thing to say, enjoy it while it lasts. I myself hate | :37:18. | :37:23. | |
marriages. Please. Especially when they involve some of my closest | :37:23. | :37:31. | |
family members. They are all fantastic choices. I liked We Need | :37:31. | :37:35. | |
To Talk About Kevin and The Smurfs. I'm kidding. It was terrible. I | :37:35. | :37:40. | |
wept during it. We've had so many tweets. I can't read them all out | :37:40. | :37:44. | |
and lots of people like Melancholia and Snowtown. There's a lot of love | :37:44. | :37:49. | |
on the net. Guys, thank you. Let's be merry. We are playing games. We | :37:49. | :37:53. | |
are off for Christmas, but we'll be back on 11th January. Thank you so | :37:53. | :38:01. | |
much for watching. Have a fantastic Christmas and this is for Antonia. | :38:01. | :38:08. | |
# Have yourself a merry Lil' Chris mass | :38:08. | :38:14. |