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This programme contains strong Hello and welcome to Film 2012 with | :00:25. | :00:28. | |
me, Claudia Winkleman. And me, Danny Leigh. We are live and if you | :00:28. | :00:32. | |
want to get in touch, please tweet or e-mail. | :00:32. | :00:38. | |
On tonight's show: Andy Samberg and Rashida Jones find | :00:38. | :00:46. | |
breaking up is hard to do in Celeste And Jesse Forever. | :00:46. | :00:49. | |
totally fine. And Charlotte Rampling falls for | :00:49. | :00:59. | |
:00:59. | :01:05. | ||
crumpled cop Gabriel Byrne in I, Plus, Kristin Scott Thomas in | :01:05. | :01:11. | |
French thriller Love Crime. And Chris Hewitt is here with his top | :01:11. | :01:12. | |
five psychopaths. First tonight, romantic comedy | :01:12. | :01:15. | |
Celeste And Jesse Forever, co- written by and starring Rashida | :01:15. | :01:25. | |
:01:25. | :01:25. | ||
Jones. You guys have been separated for six months. You're getting | :01:25. | :01:29. | |
divorced, and you spend every day together as if it is no big deal. | :01:29. | :01:33. | |
We are separated, and we are friends. It is the perfect break up | :01:33. | :01:43. | |
:01:43. | :01:44. | ||
of. She is so angry. She is uber- angry. You are acute. Love you. | :01:44. | :01:52. | |
Love you. You and Jessie are clearly not ready to let go of the | :01:52. | :01:56. | |
job of. You should start a bidding. I am trying. I have a date tonight. | :01:56. | :02:03. | |
My next is here. You should leave her. This is going to be hard to | :02:03. | :02:10. | |
believe. But I met another person. What? I am sorry, so lest. Are you | :02:10. | :02:20. | |
:02:20. | :02:20. | ||
OK? I am totally fine. I do having regrets about Jessie? One? No. | :02:20. | :02:23. | |
you ever need it somebody to be with you and hold you and caress | :02:23. | :02:32. | |
you, I could be that guy. No. Of good. Did you even though he was | :02:32. | :02:41. | |
seeing someone? The barely knows her. I am not gay. I know, I meant | :02:41. | :02:51. | |
a boy. Do you want to be right, or do you want to be happy? For do you | :02:51. | :03:01. | |
:03:01. | :03:13. | ||
love her? You are my best friend. She obviously has an amazing fringe. | :03:13. | :03:18. | |
What did you think of the film a? Despite the title, this is a film | :03:18. | :03:22. | |
about one person, and that is Rashida Jones. It is such a | :03:22. | :03:25. | |
showcase for their talents that by the end, you expect her to be doing | :03:25. | :03:31. | |
handstands. I did not stay for the credits, so maybe that happened. | :03:31. | :03:36. | |
did, and if she didn't sing songs from Annie. He doesn't like the sun | :03:36. | :03:40. | |
will come out tomorrow? At is a genuine question. My problem is | :03:40. | :03:44. | |
that she is incredibly watchable and so is he, but it is utterly | :03:44. | :03:52. | |
unrealistic. These people keep going like that. I think it is a | :03:52. | :03:55. | |
heart. They are so irritating. You would think they would still be | :03:55. | :03:59. | |
together, and then they are not. It is meant to be a rom-com, but I did | :03:59. | :04:05. | |
not find any of it believable. is frustrating, because there are | :04:05. | :04:08. | |
so many times here where it is better than the average rom-com. | :04:08. | :04:13. | |
You get nuggets of originality, but you also get these huge lumps of | :04:13. | :04:18. | |
cliche. At those moments, it is as average as the average rom-com. You | :04:18. | :04:22. | |
can almost see Rashida Jones morph before your eyes into this | :04:23. | :04:26. | |
nightmarish combination of Jennifer Aniston and Reece Witherspoon. I | :04:26. | :04:35. | |
hesitate to say this, but also Catherine Hegel. Also, there was a | :04:35. | :04:38. | |
sub-plot with Willey, played by Emma Robert. She was perfectly good, | :04:38. | :04:43. | |
but none of it was believable. Maybe that is what happens in LA, | :04:43. | :04:48. | |
that she is suddenly looking after Britney Spears. None of that | :04:48. | :04:51. | |
happens. I don't think we should be blase about what is good about this | :04:51. | :04:56. | |
film, because a lot of it is sharply written. She is an | :04:56. | :05:00. | |
interesting character, because she is not particularly cute or | :05:00. | :05:04. | |
Adorable. There is a wistful tone to a lot of it, but you expect more. | :05:04. | :05:08. | |
People will have seen Rashida Jones here and there. She is a face to | :05:08. | :05:13. | |
watch, but this is a disappointment. If you were to go on a date with | :05:13. | :05:17. | |
this movie, you would probably not do a runner while it was in the | :05:17. | :05:25. | |
bathroom, but you would ignore its text the following day. | :05:25. | :05:28. | |
Next, blag, the seven psychopath, a writer-director Martin McDonagh's | :05:28. | :05:34. | |
follow-up to the hugely successful In Bruges. The way you are feeling | :05:34. | :05:38. | |
today, depressed and alcoholic, you should put it into your writing. | :05:38. | :05:42. | |
is kind of a black comedy about a guy trying to make -- write a | :05:42. | :05:48. | |
script called Seven Psychopaths. am sick of these stereotypical such | :05:48. | :05:55. | |
a bad movies. He wants the film to be about peace and love, but it has | :05:55. | :06:02. | |
to be about Seven Psychopaths, so he is in a quandary. Life-affirming. | :06:02. | :06:09. | |
But it is about seven fucking psychopaths! And his friends have a | :06:09. | :06:13. | |
kidnapping scheme. Billy has this scam going on where he kidnaps a | :06:13. | :06:17. | |
dog and takes it home and whizz until posters are put up and then | :06:17. | :06:22. | |
he brings it back and receives the $200 award. At a one-day, he steals | :06:22. | :06:32. | |
:06:32. | :06:34. | ||
a little shit soup dog and it belongs to a dangerous man who. | :06:34. | :06:36. | |
are you? They said they were looking for a little dog, and then | :06:36. | :06:42. | |
another punk killed those punks. you want to go to the bathroom and | :06:42. | :06:47. | |
clean some of the blood and Duke of? It does completely obey the | :06:47. | :06:52. | |
rules of guns and violence and the usual gangster movie. But as we go | :06:52. | :06:56. | |
through, I hope the nature of wanting to get away from that | :06:56. | :07:02. | |
becomes more evident. A put your hands up. No. But I have got a gun. | :07:02. | :07:10. | |
I don't care. How about we changed the title from Seven Psychopaths to | :07:10. | :07:14. | |
seven lesbians? There is a friend who just wants to help his friend | :07:14. | :07:21. | |
write the script. We could take on the bad guys in a desert. What | :07:21. | :07:27. | |
about in real life? But his version of a good script will not be the | :07:27. | :07:34. | |
same as Colin's version. shootings or pay-offs, just human | :07:34. | :07:40. | |
beings talking. Are we making French movies now? He would be a | :07:40. | :07:46. | |
terrible writer, Billy, as we see in the campfire scene. I like it. | :07:46. | :07:54. | |
It has got layers. Are you going to cry? By just think it is a really | :07:54. | :08:01. | |
funny script, very imaginative. have to get this dog off the street. | :08:01. | :08:05. | |
The every now and then, you read something and it jumps off the page. | :08:05. | :08:09. | |
This one slaps you around the face and gives you a kick in the arse. | :08:09. | :08:14. | |
It takes you on a wonderful ride. An eye for an eye leaves the whole | :08:14. | :08:19. | |
world blind. And it, there will be one guy left with one eye. How is | :08:19. | :08:23. | |
the last blind guy going to take out the eye of the last guy left? | :08:23. | :08:27. | |
Well, if Seven Psychopaths was even half as good as it thinks it is, it | :08:27. | :08:32. | |
would be the greatest movie ever made. As it is, it is half a lot of | :08:32. | :08:37. | |
fun and half a kind of lazy mess. It is blood-soaked and filled with | :08:37. | :08:43. | |
in-jokes. When it works, it works because of Christopher Walken, who | :08:43. | :08:46. | |
sidesteps onto the stage as a dog thief in a cravat and dancers off | :08:46. | :08:53. | |
with the movie. He is a joy and a treasure. There are 30 minutes here | :08:53. | :08:58. | |
of Manichean durable stuff. But what audiences are supposed to give | :08:58. | :09:01. | |
the remaining one hour and ten minutes, I don't know. I thought it | :09:01. | :09:08. | |
was drivel. I don't use that word enough. Maybe I am being harsh. | :09:08. | :09:13. | |
Christopher Walken is good, but the rest is nonsense. It thinks it is | :09:13. | :09:19. | |
clever. Because In Bruges was so fantastic, my expectations were | :09:19. | :09:25. | |
probably too high. I thought they were going to create this magical | :09:25. | :09:31. | |
thing. The actors are good. The script, I did not understand. Like | :09:31. | :09:37. | |
Celeste And Jesse Forever, it did not feel real. You have an out of | :09:37. | :09:41. | |
work screen writer and an out-of- work actor. They have drinks and | :09:41. | :09:45. | |
they have flats with huge windows. I was on Woody Hulse and's side and | :09:45. | :09:50. | |
I wanted them to die. You are being uncharacteristically cutting. I | :09:50. | :09:54. | |
agree with you about In Bruges. You feel like an anxious parent on | :09:54. | :09:58. | |
Sportsday. You are willing this film to be better than it is | :09:58. | :10:02. | |
because of In Bruges. I like it more than you, but I concede that | :10:02. | :10:07. | |
in In Bruges, Colin Farrell is the funny guy. Here, he is the straight | :10:07. | :10:13. | |
man. Colin Farrell is not, in a professional context, a straight | :10:13. | :10:18. | |
man. And that is a huge headache. Abbey Cornish is in it for eight | :10:19. | :10:23. | |
seconds and then makes a joke about the women getting killed. That is | :10:23. | :10:28. | |
not enough. Secondly, there are massive signposts, going, somebody | :10:28. | :10:32. | |
is going to mention the credits, and then the credits happen. It is | :10:32. | :10:42. | |
not good. Let me finish. It is all about the dialogue. So was In | :10:42. | :10:47. | |
Bruges. Sometimes in In Bruges, you have a dialogue where it feels like | :10:47. | :10:50. | |
you are over here in two digs in a pub and they happen to be having a | :10:50. | :10:55. | |
hilarious conversation. Other times, you are just overhearing two digs | :10:55. | :11:00. | |
in a pub, and the film can't always tell the difference. We have had | :11:00. | :11:03. | |
one tweet saying it is a pointless waste of time. But somebody else | :11:03. | :11:08. | |
loved it. Nice commentary on Hollywood and violence in film, too. | :11:08. | :11:12. | |
I think this film and Celeste And Jesse Forever should go on a date | :11:12. | :11:16. | |
together and then go home and have sex while thinking about themselves. | :11:16. | :11:26. | |
:11:26. | :11:43. | ||
Hello and welcome, Chris. Nice Did you love soccer baths? I did, | :11:43. | :11:49. | |
but it also kept me awake at night thinking of other names. There are | :11:49. | :11:57. | |
so many to choose from. What makes a great psychopath? I wrote some | :11:57. | :12:03. | |
doubt, characteristics. Manipulative, impulsive - sorry, | :12:03. | :12:07. | |
that is describing me. Basically, people not afraid to break the law | :12:07. | :12:12. | |
or people not afraid to kill. But I wanted a movie cycle paths, not a | :12:12. | :12:17. | |
real-life psychopaths or obvious choices. And that is clever. As you | :12:17. | :12:21. | |
can imagine, there is violence, nudity and strong language in some | :12:21. | :12:25. | |
of these clips. If you are easily offended, but the bed. These are | :12:25. | :12:31. | |
psychopaths. Have a nap. At number five? Not all movie psychopaths | :12:31. | :12:35. | |
should be genuinely chilling. Most of these people, you don't want to | :12:35. | :12:40. | |
be stuck in a lift or a car with them. This guy is hilarious. It is | :12:40. | :12:45. | |
Bennett from Commando, has played by Vernon Wells. Lovely moustache. | :12:45. | :12:55. | |
:12:55. | :13:07. | ||
He wants to kill Arnold John, I'm not going to shoot you | :13:07. | :13:17. | |
:13:17. | :13:17. | ||
between the eyes. I will shoot you between the balls! Let off some | :13:17. | :13:25. | |
steam, Bennett. Vernon Wells started out as a male | :13:25. | :13:32. | |
model. Up modelling what, we can only guess. And such a beautiful | :13:32. | :13:40. | |
segue into the next psychopath. what way? Tell me. What is number | :13:41. | :13:47. | |
four? Number four is Silence Of The Lambs, but not Hannibal Lecter. | :13:47. | :13:51. | |
That has been done. And if you met Hannibal Lecter, he might kill you, | :13:51. | :13:58. | |
but you would have a good time. Bit of culture, opera, a nice meal. But | :13:58. | :14:02. | |
Buffalo Bill, Jame Gumb, is terrifying. He is a complete | :14:02. | :14:06. | |
psychopath. He will put you down a well and cut off your skin and | :14:06. | :14:16. | |
:14:16. | :14:49. | ||
dance around and get naked. It is A brilliant choice, truly | :14:49. | :14:51. | |
terrifying because there is no reasoning with him. | :14:51. | :14:58. | |
No, nonepm. Psycho paths don't want a chat. Others, you think if I made | :14:58. | :15:02. | |
a toasted sandwich. It is one of the many advantages of going out at | :15:02. | :15:07. | |
4am, we can have that clip. Who hasn't done that? Who hasn't | :15:07. | :15:12. | |
indeed? Well, me! What's your next clip? My next clip | :15:12. | :15:22. | |
:15:22. | :15:22. | ||
is, not a supernatural figure and this is John Ryder in The Hitcher. | :15:22. | :15:32. | |
:15:32. | :15:35. | ||
And he wants someone to stop him. You want to know what happens to an | :15:35. | :15:43. | |
eyeball when it gets punctured? Have you got any idea how much | :15:43. | :15:48. | |
blood jets out of a guy's neck when his floodlight has been slit? | :15:48. | :15:58. | |
:15:58. | :15:59. | ||
do you want? Not the best drive of your life | :16:00. | :16:06. | |
that. Let's go to Twitter. They have | :16:06. | :16:10. | |
picked up on something that needs addressing here. You You talked | :16:10. | :16:16. | |
about tucking. There is a lack of female psycho ins your list -- fibg | :16:16. | :16:26. | |
owes in your -- psychoes in your list. They mentioned Misery. Glen | :16:26. | :16:30. | |
Close in Fatal Attraction. From you... Most serial killers are male. | :16:30. | :16:36. | |
So my list reflects that. Have you go home tonight and find | :16:36. | :16:46. | |
:16:46. | :16:52. | ||
your ankles slashed. What's your next clip? It is Robert | :16:52. | :16:57. | |
Mitchum as halfy Powell. Here is a clip. | :16:57. | :17:04. | |
John told a lie. The Lord is talking to me now. He | :17:04. | :17:13. | |
is saying a lie is an abomination before my eyes. Speak boy. Speak. | :17:13. | :17:23. | |
:17:23. | :17:32. | ||
Speak or I'll cut your throat. up. Save him. The doll. | :17:32. | :17:36. | |
Now that's the film that should be on after the Queen's Speech annual | :17:36. | :17:41. | |
tradition after tradition across the country. | :17:41. | :17:51. | |
:17:51. | :17:52. | ||
Tell us about The Simpsons. In the great episode Great Fear. Simp | :17:52. | :17:58. | |
Simpsons characters only have three fingers. | :17:58. | :18:08. | |
:18:08. | :18:12. | ||
What's your number one? I assumed it would be Darf? Who is your | :18:12. | :18:22. | |
:18:22. | :18:23. | ||
number one? It is not Darf Vader. It is Good Fellows. | :18:23. | :18:27. | |
You have met somebody like this? have met somebody like this. | :18:27. | :18:32. | |
Stop going out. Move in with me. All of a sudden, | :18:32. | :18:37. | |
you are having a laugh and Danny will say something and the | :18:37. | :18:40. | |
atmosphere will change. Let's have a chip. | :18:40. | :18:45. | |
You are -- clip. You are a funny guy. | :18:45. | :18:50. | |
You are just funny. It is the way you tell the story and everything. | :18:50. | :18:57. | |
Funny, how? I mean, what's funny about it? Anthony, he is a big boy, | :18:57. | :19:06. | |
he knows what he said. Funny, how? What? Just, you're funny. | :19:06. | :19:14. | |
Let me understand this. Maybe my memory is fucked up, like funny how, | :19:14. | :19:21. | |
like and I am a clown, I am here to fuck and amuse you? How am I funny? | :19:21. | :19:29. | |
You know how you tell the story. No, no, you said I'm funny. How the | :19:29. | :19:35. | |
fuck am I funny? Tell me what's funny? | :19:35. | :19:44. | |
Best choice in the world. How many times did did Joe Pesci | :19:44. | :19:51. | |
have somebody come up to him in the street? You are brilliant. Bold | :19:51. | :20:01. | |
:20:01. | :20:02. | ||
choices. I admire Animals are Horrified. I really want a Frank | :20:02. | :20:09. | |
Booth. A self imposed rule, I said no Frank Booth. | :20:09. | :20:15. | |
Flawless top five. Flawless. Next, Kristin Scott Thomas stars as | :20:15. | :20:17. | |
a ruthless business woman in the French psychological thriller, Love | :20:17. | :20:27. | |
:20:27. | :20:27. | ||
Apology for the loss of subtitles for 55 seconds | :20:27. | :21:23. | |
Well Love Crime is the kind of thriller where everyone involved | :21:23. | :21:29. | |
seems to live in a show show home. It has a nice slow burn quality to | :21:29. | :21:35. | |
it and by the end, the director wouldn't be ashamed to put his name | :21:35. | :21:39. | |
to. My only problem with it, it does have the most appalling | :21:39. | :21:46. | |
soundtrack. There is a honking musician who plays over entire | :21:46. | :21:53. | |
scenes and if the world's worst busker is on set and they can't | :21:54. | :21:57. | |
restrain him. I really enjoyed it. I thought both | :21:57. | :22:01. | |
girls were really, really good. It reminded me a lot of Damages if you | :22:01. | :22:06. | |
have seen that and Rose Burn and Glen Close. I loved it, my problem | :22:06. | :22:12. | |
was the last 30 seconds of the film where for me, it just turned into | :22:12. | :22:17. | |
mayhem. Listen, if people are going to go and see this film and they | :22:17. | :22:20. | |
should if they fancy it, they have to accept certain things. Touf work | :22:20. | :22:24. | |
with it -- you have to work with it and you have to accept for the plot | :22:24. | :22:34. | |
:22:34. | :22:41. | ||
to function the police force has to be employing the sons of Inspector | :22:41. | :22:47. | |
Cluso. It has been remade already. | :22:47. | :22:51. | |
That's quick. It is under the title of Passion. | :22:51. | :22:55. | |
It is a lot more unhinged and more sleazy. | :22:55. | :23:00. | |
And in a good way. I I like that and I liked both | :23:00. | :23:04. | |
films. Love Crime is released on Friday, | :23:04. | :23:07. | |
14th December. Next, Charlotte Rampling and | :23:07. | :23:10. | |
Gabriel Byrne in I, Anna, a noir thriller written and directed by | :23:10. | :23:17. | |
Rampling's son Barnaby Southcombe. This is your first time. | :23:17. | :23:24. | |
Is it obvious? Have we met before? We seem -- you seem familiar? | :23:24. | :23:29. | |
Sunday morning at the Barbican. haven't seen you at the Barbican | :23:30. | :23:36. | |
for years. You must have the wrong woman. It is a noir thriller. There | :23:36. | :23:41. | |
is a psychological aspect. There is a murder investigative aspect, but | :23:41. | :23:46. | |
really it is exploring the themes of loneliness and that's really | :23:46. | :23:50. | |
what drew me to it and the story of this woman and this time in her | :23:50. | :23:52. | |
life. You won't really know what is going | :23:52. | :23:56. | |
on and hopefully you will be intrigued and you will want to | :23:56. | :24:00. | |
follow the story, I guess you could say she is a woman on the edge, but | :24:00. | :24:06. | |
you don't know if it is that or just an impression. | :24:06. | :24:10. | |
Detective chief inspector to be precise, though I do more | :24:10. | :24:14. | |
shovelling of papers these days than I do. | :24:14. | :24:21. | |
I see it now. The sleuth thing, not the shovelling. | :24:21. | :24:24. | |
Loneliness means you are not happy being on your own and there is no | :24:24. | :24:28. | |
way that anybody seems to be able to come into your space and make it | :24:28. | :24:33. | |
feel better. They are two people who are lost in their own | :24:33. | :24:43. | |
:24:43. | :24:47. | ||
# Oh tonight # Oh tonight # | :24:47. | :24:53. | |
I sent the script to her agent and just because it was such a kind of | :24:53. | :24:59. | |
important thing for me to do and the idea of her saying no to it was | :24:59. | :25:05. | |
just too much to bear. He sent it to my agent, because he | :25:05. | :25:10. | |
did send a draft idea of this story to me about a year-and-a-half which | :25:10. | :25:15. | |
I really didn't like. She has been frank and brutal with things I have | :25:15. | :25:18. | |
done in the past so I was kind of expecting this strong and direct | :25:18. | :25:27. | |
reaction, but thankfully we ended up getting a positive reaction. | :25:27. | :25:34. | |
So did Allegra get lucky? You say like that it is easy. | :25:34. | :25:41. | |
Mum, you have to get out more. It is a good looking movie and it | :25:41. | :25:48. | |
has bags and bags of atmosphere. I think there can be such a thing as | :25:48. | :25:53. | |
an excess of style if a film that's that's too stylish and I think it | :25:53. | :25:56. | |
falls into that trap. I know you are much keener. | :25:56. | :26:04. | |
I loved it. I found it compelling. Gabriel Burn if case he is watching, | :26:04. | :26:14. | |
:26:14. | :26:16. | ||
whatever you want. I love the man. Charlotte Rampling is excellent. I | :26:16. | :26:21. | |
didn't didn't see the end coming. It is my film of the week. | :26:21. | :26:25. | |
It is the kind of film where a character can't make the tea | :26:25. | :26:30. | |
without looking like it took three- and-a-half weeks to set the shot up. | :26:30. | :26:34. | |
That's my problem with it. There are good things going on and there | :26:34. | :26:38. | |
is a couple of good movies trapped under the surface. There is a drama | :26:38. | :26:47. | |
about two middle-aged lost souls on the dating scene. I think it | :26:47. | :26:51. | |
collapses in the middle. Did you? I'm interested to see what | :26:51. | :26:55. | |
Barnaby Southcombe does next, but I'm not interested in seeing this | :26:55. | :26:59. | |
film again. I am nervous about asking you what | :26:59. | :27:04. | |
your film of the week is? If people go late at night in a large crowd | :27:04. | :27:11. | |
and while I wouldn't advice bad behaviour, if you have a drink or | :27:11. | :27:19. | |
two, Seven Psycho paths, have more than a couple of drinks. | :27:19. | :27:29. | |
:27:29. | :27:32. | ||
We are on at the earlier time of 10.45pm next week. | :27:32. | :27:34. | |
We'll be reviewing The Hobbit, Smashed and documentary West of | :27:34. | :27:37. |