Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
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Hello and welcome to Film 2012 with me Claudia Winkleman and Danny | :00:31. | :00:36. | |
Leigh.. If you want to get in touch please tweet or email. The details | :00:36. | :00:46. | |
:00:46. | :00:47. | ||
are on the screen now. Coming up: Having a ball with Clint Eastwood | :00:47. | :00:52. | |
and Amy Adams in Trouble with the Curve. You don't even like baseball. | :00:52. | :00:57. | |
I love baseball. Ralph Fiennes and Helena Bonham Carter do Dickens in | :00:58. | :01:02. | |
Great Expectations. There are caravans and car carnage in black | :01:02. | :01:10. | |
comedy, Sightseers. I've had a brilliant holiday. Plus, Thomas | :01:10. | :01:14. | |
Vinterberg's new film The Hunt and Antiona Quirke is here with her Top | :01:14. | :01:19. | |
Five road movies. First Trouble with the Curve, starring Clint | :01:19. | :01:24. | |
Eastwood as an ageing baseball scout and Amy Adams as his long | :01:24. | :01:34. | |
suffering daughter. He is one of the guys who has earnt these | :01:34. | :01:39. | |
players. I'm not a poledancer. is an old baseball scout. He is | :01:39. | :01:44. | |
having problems with his vision which is esession for a scout. He | :01:44. | :01:48. | |
is very stubborn. He doesn't want anybody to help. He doesn't want | :01:48. | :01:54. | |
anybody feeling sorry for him. His daughter, who is a lawyer in | :01:54. | :01:58. | |
Atlanta. Trust me, I can handle it. Wants to come out and see what is | :01:59. | :02:04. | |
the mat we are him? I'm do it for Pete. He thought you could use | :02:04. | :02:11. | |
company. He's wrong. Wait until I see that horse's ass. It must be so | :02:11. | :02:15. | |
rewarding one one -- being one of your close friends. Fathers and | :02:15. | :02:17. | |
daughters can be the best relationship of your life and it | :02:17. | :02:21. | |
can be the most challenging. Daughters want so badly the | :02:22. | :02:26. | |
approval of their father. Why don't you go home I feel this sense of | :02:26. | :02:31. | |
responsibility to make sure you are OK. It's not the, you know, father | :02:31. | :02:37. | |
knows best Brady Bunch version of a relationship. I found it to be | :02:37. | :02:45. | |
pretty identifiable. This is my daughter, mickey. Excuse us! Sorry. | :02:45. | :02:52. | |
Hi. I play an exprobaseball player. Coming in. You are crazy. He sees | :02:52. | :02:58. | |
the things in mickey that keeps her from connecting from Gus and vice | :02:58. | :03:06. | |
versa. Who are you, Dr Phil? That is quality television. Yeah. | :03:06. | :03:11. | |
did you handle that by yourself? didn't. He sent me away. Only a | :03:11. | :03:14. | |
coward leaves her kid. You don't know half of what you think you do. | :03:14. | :03:19. | |
I did what I felt was right. I didn't want you to have life in the | :03:19. | :03:25. | |
cheap seats, that is all. Spending every waking moment with my dad, | :03:25. | :03:28. | |
watching baseball eating food no good for me, playing pool and | :03:28. | :03:35. | |
staying up too late, those were the best seats in the house. If is | :03:35. | :03:39. | |
surprises you are after buy a kinder Egg. He plays the same | :03:39. | :03:44. | |
character he has been playing for the last 15 years. A film no | :03:44. | :03:48. | |
surprises. Do you feel differently? No. I think I liked it more than | :03:48. | :03:53. | |
you, I can tell. It's predictable. If anybody else was playing these | :03:53. | :03:57. | |
parts you would put it down to a Sunday afternoon movie that you | :03:57. | :04:01. | |
would not feel guilty about getting up and leaving and making a toasted | :04:01. | :04:04. | |
sandwich. However. Amy Adams is brilliant. I love Clint Eastwood in. | :04:04. | :04:07. | |
It I like Justin Timberlake. Yes, you know what is going to happen. | :04:07. | :04:11. | |
When she goes out there you think - she is going to wear a leather | :04:11. | :04:15. | |
jacket, they will be in a bar with sawdust on the floor. It happens. I | :04:15. | :04:21. | |
don't think it actually matters. I found it enjoyable. And, I think it | :04:21. | :04:24. | |
ends well. I think you are crazy. I accept there is more to - there can | :04:24. | :04:31. | |
be more to a movie than originality. What this film does have, this much, | :04:31. | :04:36. | |
is proper movie star magnetism. It comes from Amy Adams who sinks her | :04:36. | :04:41. | |
teeth into this cliched cartoonish role. She brings the movie to life. | :04:41. | :04:46. | |
She makes it more or less watchable. It's not a quote you will see on | :04:46. | :04:50. | |
the poster "more or less watchable". It's the Clint Eastwood character. | :04:50. | :04:56. | |
The plot too, it is one giant celebration of doing things the old | :04:56. | :05:01. | |
fashioned way. One middle finger to everything about the modern world. | :05:01. | :05:03. | |
Clint's character and possibly Clint himself think that is | :05:03. | :05:06. | |
everything in the world could be make instantly bet fer we stopped | :05:06. | :05:11. | |
emailing each other. He is not wrong. He is not wrong. John | :05:11. | :05:17. | |
Goodman is in it. It's not enough. OK. The script more or less | :05:17. | :05:23. | |
watchable. The script is unwatchable. The script's idea of a | :05:23. | :05:30. | |
cliff-hanger is when cliff and his prostate attempt to answer the call | :05:30. | :05:34. | |
of nature. It's not a nail biter in the real world. I will not spoil it | :05:34. | :05:37. | |
for people out there by revealing what happens there. OK. Thank you. | :05:37. | :05:42. | |
I know what you mean. I thought the third, third, as it were was OK? | :05:42. | :05:52. | |
:05:52. | :05:53. | ||
It's not enough. None of this is enough. I understand. Sightseers, | :05:53. | :05:58. | |
the latest from Kill List director Ben Wheatley. Written by and | :05:58. | :06:01. | |
starring Alice Lowe and Steve Oram. It's a black comedy about serial | :06:01. | :06:07. | |
killing and and caravanning. Show me your world, Chris. I thought we | :06:07. | :06:11. | |
would start with Crich Tramway Museum. Dear mum, Yorkshire is | :06:11. | :06:19. | |
lovely, not like you say at all. They can smile. The caravan made us | :06:19. | :06:24. | |
quite (inaudible) but Chris is a sensitive lover. Sightseers is a | :06:24. | :06:31. | |
serial killing road movie/comedy about a bearded man and - Angry | :06:31. | :06:35. | |
woman. An angry woman. Who go on holiday and get carried away and a | :06:35. | :06:41. | |
few people die. It's a romcom with some blood. Good girl. You are | :06:41. | :06:46. | |
going to pick that up? I don't do that. If you don't pick it up | :06:46. | :06:52. | |
immediately I have to inform the National Trust. As we were writing | :06:52. | :06:56. | |
it we thought, we will have a murder and a bit of sightseeing and | :06:56. | :07:01. | |
another murder and another bit of sightseeing. Pretty much. It meant | :07:01. | :07:04. | |
each murder had to tell what you was happening between them and | :07:04. | :07:08. | |
between their relationship. That is how we plotted that course. | :07:08. | :07:12. | |
have to be aware of making sure there is something funny going on | :07:12. | :07:17. | |
every minute or so to remind the audience it's meant to be funny. | :07:17. | :07:22. | |
It's I easy to take a mis-step and they do something terrible and you | :07:22. | :07:26. | |
lose the audience and they won't laugh after that. Say one word and | :07:26. | :07:36. | |
:07:36. | :07:37. | ||
it's... It's thinking outside the box. It's an American genre, the | :07:37. | :07:43. | |
serial killer genre and road movie genre. You had to work out how you | :07:43. | :07:49. | |
do that in Britain it's a tiny place. Have you to make a break | :07:49. | :07:54. | |
for... Isle of Wight. I was surprised when people say - Britain | :07:54. | :07:58. | |
looks beautiful. It was. It is beautiful. Getting outside was | :07:58. | :08:06. | |
exciting for me. People said - comedy is never made in the wild. I | :08:06. | :08:16. | |
:08:16. | :08:18. | ||
disagree. Sit. You are like your mother. Has it gone wrong? Yeah, a | :08:18. | :08:23. | |
bit. You didn't let him see you do number twos, did you, Tina? They | :08:23. | :08:28. | |
are not happy bunnies by the end of the film. If you are a serial | :08:28. | :08:35. | |
killer you have a limited span - Future. Limited career. Have you | :08:35. | :08:42. | |
had a nice holiday? Yeah, I've had a brilliant holiday. There is no- | :08:42. | :08:47. | |
one better better than Ben Wheatley of capturing the side of Britain | :08:47. | :08:53. | |
line that is mundane and deeply sinister. Sightseers is genuinely | :08:53. | :09:00. | |
very dark and very funny. The easy way to describe it Mike Lee's Nuts | :09:00. | :09:10. | |
:09:10. | :09:11. | ||
in May meets Natural Born Killers. It's so naturally British. It's a | :09:11. | :09:16. | |
very good point. I went with all the team here. I have to say we | :09:16. | :09:20. | |
came out of the screening room and punched the air. I have to read | :09:20. | :09:28. | |
tweets. We had so many. B251 "it's a blast. Disagree with my opinion | :09:28. | :09:37. | |
at your peril." another one "easily the best comedy I have seen in | :09:37. | :09:43. | |
years, comfortably the darkest." The characters are brilliant. I'm | :09:43. | :09:48. | |
obsessed with Ian and Janice, her mother is fantastically portrayed. | :09:48. | :09:52. | |
I wanted to see it immediately again? I talked about Ben Wheatley. | :09:52. | :09:56. | |
We should talk about Steve Oram and Alice Lowe who co-writ the script | :09:56. | :10:00. | |
and star in. It it's down to them that the blackness and comedy are | :10:00. | :10:06. | |
kept in balance the whole time. That is rare. That make it is a | :10:06. | :10:10. | |
special film. The secret of Sightseers for all the blood being | :10:10. | :10:17. | |
cleaned off the caravan wheels at heart it's a great romance. A | :10:17. | :10:19. | |
horribly believable, creepy love story. That is the genius of the | :10:19. | :10:23. | |
film. That is why it works so beautifully. To go back to Ben | :10:23. | :10:29. | |
Wheatley, he has made three great films now. This is the third. Just | :10:29. | :10:34. | |
Around The Corner is special. Sightseers is a great British | :10:34. | :10:37. | |
comedy. Embrace it. You feel so bad for anybody they meet. That is all | :10:37. | :10:44. | |
I want... You go "no, take a different turn!" There is a | :10:44. | :10:47. | |
plausibility about this. Anyone who spent their childhood being dragged | :10:47. | :10:51. | |
around National Trust places. This could easily be the couple across | :10:51. | :10:55. | |
the cafe from you, across the gift shop from you in the tram museum at | :10:55. | :10:59. | |
any moment. Please go and see. It we are begging. You must. You won't | :10:59. | :11:09. | |
:11:09. | :11:17. | ||
be grumpy with this. Next this Welcome Antiona. Hello. You have | :11:18. | :11:23. | |
Road Trip, good one? Hellish. So many good road trips. Cinema was | :11:23. | :11:27. | |
made about stories for travel. In so many ways cinema is travel. You | :11:27. | :11:31. | |
are being shown places you have never been to before and people you | :11:31. | :11:36. | |
have never met. You are seeing it through the windscreen of a car. | :11:36. | :11:40. | |
The perfect medium for tales of the road. When we were told your Top | :11:40. | :11:46. | |
Five. They save it for us they don't want us to get grumpy we both | :11:46. | :11:53. | |
went, there was whooping. I was a happy man. I get blank faces when I | :11:53. | :11:58. | |
tell people my Top Five. They are nervous about it. People like their | :11:58. | :12:02. | |
Top Five. We were grinning like religious cultist. I must warn you | :12:02. | :12:05. | |
that there is strong language in some of tonight's clips. How did | :12:05. | :12:13. | |
you choose No Five and what is it? America in the '60s and '70s. Could | :12:13. | :12:23. | |
:12:23. | :12:24. | ||
you look at Bonnie and Clyde, Jules... It's a road movie. Easy | :12:24. | :12:27. | |
Rider. You coo choose any of these and you would have had a great time. | :12:28. | :12:32. | |
I thought let's pick one that is just as good and has been curiously | :12:32. | :12:42. | |
overlooked. I picked Thunder bolt andlight Foot. He directed the | :12:42. | :12:45. | |
Deerhuntser. Overlooked, when you see this clip you will notice two | :12:45. | :12:54. | |
very familiar faces. Let's have a look. I saw that, that was really | :12:54. | :12:59. | |
good. Where are we headed, man? I'm ready? I don't know. Sometimes when | :12:59. | :13:07. | |
there is nothing to do, it is best to keep moving. Can you smell | :13:07. | :13:13. | |
something up here? No. Smell that? I don't smell anything. It smells | :13:13. | :13:23. | |
:13:23. | :13:25. | ||
like shit. Oh... Racoon shit Hang your head out the window and let | :13:25. | :13:31. | |
the rain get at it. Would you like a little... No, get out of here. | :13:31. | :13:41. | |
:13:41. | :13:42. | ||
Remember not to pick your teeth. God! For Jeff Bridges alone. At 25. | :13:42. | :13:46. | |
What a sight. This is the incredible thing about that movie | :13:46. | :13:52. | |
and one of the great ingredients is that you have a cynic and innocent | :13:53. | :13:58. | |
forced together. Think about Rainman, Tom Cruise is great in | :13:59. | :14:04. | |
that film. Change happens in a road movie more than any other genre. | :14:04. | :14:14. | |
This nail it is. After the Deerhunter he bankrupted the | :14:14. | :14:21. | |
company. Clint Eastwood gave him two takes. What is No Four? | :14:21. | :14:26. | |
Steps. We went back to the 1930's to Hitchcock. I remember seeing | :14:27. | :14:31. | |
this when I was a kid being overwhelmed with the sense of | :14:31. | :14:35. | |
cosyness. Something to terrificically cosy and safe about | :14:35. | :14:39. | |
the road movie. When you are young and you have seen a few you are | :14:39. | :14:43. | |
aware of the way they do things you know what will come next. You know | :14:43. | :14:46. | |
the people will fall in love am you know they will spend an evening | :14:46. | :14:50. | |
sitting around the fire telling stories. In road movies there are | :14:50. | :14:53. | |
moments when people check into motels and tell stories or spend | :14:53. | :15:00. | |
the night in the back of a freight train in an empty car ainkdr | :15:00. | :15:03. | |
carriage. In this clip, two wise cracking people falling in love. | :15:03. | :15:13. | |
:15:13. | :15:27. | ||
Must be a mile away by now. Don't do that! WHISTLING Do stop | :15:27. | :15:32. | |
whistling. You are the white man's burden. I can't tell you what | :15:32. | :15:35. | |
comfort that thought gives me. Those policemen will get you as | :15:35. | :15:39. | |
soon as it is daylight. They are not police men. When did you find | :15:39. | :15:49. | |
that out? A brilliant choice. What's next? Wizard of Australia. | :15:49. | :15:59. | |
:15:59. | :16:00. | ||
Go ahead. -- wizard of Oz. Go ahead. You are often on the road with | :16:00. | :16:04. | |
friends who - you are making new friends you are never going to see | :16:04. | :16:07. | |
again. The whole thing can feel like a dream. There is that | :16:07. | :16:17. | |
:16:17. | :16:18. | ||
sensation of waking up at the end of the film. Yeah. You see in this | :16:18. | :16:21. | |
little clip how beautifully that theme creeps in here at this point | :16:22. | :16:31. | |
in the film. Here is the clip. We know each other now, don't we? | :16:31. | :16:38. | |
We do. That's right. To Oz. # We are off to see the wizard | :16:38. | :16:48. | |
:16:48. | :16:57. | ||
It is not like me to bring David Lynch into the conversation. He | :16:57. | :17:06. | |
took a lot of that movie and put it into Wild At Heart. This is the | :17:06. | :17:14. | |
other thing about "Road" movies, it is a place where the most crazy | :17:14. | :17:21. | |
things happen. You were there. is your next one? Next is Red River. | :17:21. | :17:28. | |
This is John Wayne at his best. Many of the Great Westerns are | :17:28. | :17:33. | |
"Road" movies. It could have been The Searchers. What you get in | :17:33. | :17:38. | |
these movies is not just a sense of being on the road, it is a sense of | :17:38. | :17:42. | |
a scale of an entire continent which is just an extraordinary | :17:43. | :17:46. | |
thing to get across. Cinema gets the sense of motion across, | :17:46. | :17:56. | |
:17:56. | :18:16. | ||
particularly. Look at this clip. There they are. 14 years of hard | :18:16. | :18:23. | |
work. They say we can't make the drive. They could be wrong. Better | :18:23. | :18:33. | |
:18:33. | :18:41. | ||
John Wayne and Monty Cliff didn't get on off-set. Now, I love your | :18:41. | :18:45. | |
number one. It has to be everybody's number one. I will go | :18:45. | :18:51. | |
to my death saying this is number one because it is THE best. It is | :18:51. | :18:56. | |
Midnight Run. It's just - they are on the road. The two guys together | :18:56. | :19:00. | |
are on the run. It is the definition of a road movie. We are | :19:00. | :19:05. | |
in a car. We are in a van. We are swimming. We are walking down the | :19:05. | :19:09. | |
street barefoot. We are in the back of a truck. It goes on and on and | :19:09. | :19:18. | |
on. Yes. You tend to think a hundred cigarettes have been smoked, | :19:18. | :19:24. | |
a thousand cups of coffee have been drunk, the hair is standing on end. | :19:24. | :19:33. | |
That is the... I love it! We have to have a look at the clip. | :19:33. | :19:39. | |
Jack, let's be fair about this. You lied to me first. What?! At the | :19:39. | :19:49. | |
:19:49. | :19:50. | ||
river. Get the... At the river... You lied to me first. You have some | :19:50. | :19:54. | |
locking nerve! You lied to me first. Yes. You had no knowledge I was | :19:54. | :20:04. | |
lying about my fear of flying. At the river, you lied to me. I can't | :20:04. | :20:09. | |
argue with you. I don't know what you are talking about! Fantastic. | :20:09. | :20:16. | |
The great movies must feel like a string of pearls and each bead is a | :20:16. | :20:22. | |
sketch. That movie has it all. are brilliant. Very good. I love | :20:22. | :20:25. | |
your... My hat is off! Next, director Mike Newell's | :20:25. | :20:35. | |
:20:35. | :20:37. | ||
adaptation of Great Expectations. Great Expectations is a story of a | :20:37. | :20:44. | |
kid who is shaped by his desperate attempts to make himself worthy of | :20:44. | :20:51. | |
this unreachable character. What do you think? She is very pretty. | :20:51. | :20:57. | |
you wish to see Miss Havisham. Havisham lives in his local village | :20:57. | :21:04. | |
and she is the lady of the manor. Let me look at you. Come closer. | :21:04. | :21:09. | |
She introduced Pip into the household and wants him to play and | :21:09. | :21:18. | |
she is not the warmest of characters. Let me see you play | :21:18. | :21:27. | |
cards with him. He is a common boy. You can break his heart. She is the | :21:27. | :21:32. | |
epitome of his ambition to get out of the life he is in. He is | :21:32. | :21:38. | |
everything that is wrong. He has come into a handsome fortune and he | :21:38. | :21:42. | |
has great expectations. It is the desire of the benefactor that he be | :21:42. | :21:52. | |
brought up as a gentleman in London. Dickens' worlds, the characters | :21:52. | :21:57. | |
work themselves into our awareness. Hold your nose. Magwitch receives | :21:57. | :22:02. | |
the gift of Pip's courage and generosity in his desperation and | :22:02. | :22:09. | |
never forgets it. You acted noble, my boy. Pip is a nice person. It is | :22:10. | :22:14. | |
all about him becoming not a nice person in a way. You must | :22:14. | :22:20. | |
understand... What must I understand? That I cannot renew our | :22:20. | :22:23. | |
acquaintance. My life has changed since then. As a point of | :22:23. | :22:27. | |
recognition for all of us in Pip's journey, I think the young person | :22:27. | :22:31. | |
looking for meaning in the world and getting it wrong and the hard | :22:31. | :22:37. | |
knocks of trying to get it right. How can you do it? Give your | :22:37. | :22:43. | |
affections to that man? All sorts of ugly creatures hover above a | :22:43. | :22:52. | |
lighted candle. Can the candle help it? You can. It's a story of | :22:52. | :22:57. | |
ambition and obsession taking over people. I have loved you since I | :22:57. | :23:03. | |
first saw you in this house. touches nothing. It is not natural. | :23:03. | :23:11. | |
It is natural in me. I love you. We talked about Sightseers. Great | :23:11. | :23:15. | |
Expectations feels like a movie which is for tourists, it is the | :23:15. | :23:25. | |
:23:25. | :23:25. | ||
kind of familiar Dickens' adaptation, it is filled with top | :23:25. | :23:31. | |
hats and mutton-chop whiskers. I think it is the kind of film that | :23:31. | :23:36. | |
belongs in some commemorative tin that you give to your gran. | :23:36. | :23:40. | |
give it to your gran or you give it to me. I enjoyed it. It's been | :23:40. | :23:45. | |
adapted before. I thought it was directed beautifully. I'm saying | :23:45. | :23:51. | |
that. I thought that Ralph Fiennes is brilliant. I could watch Helena | :23:51. | :23:54. | |
Bonham Carter talk about sausages, or maybe do an ad for home | :23:54. | :23:58. | |
insurance - I don't know if she feels strongly about that! She is | :23:58. | :24:02. | |
watchable. I enjoyed it. In terms of performances, they have taken | :24:02. | :24:08. | |
half the cast of Harry Potter and imported them into this. The pick | :24:08. | :24:18. | |
:24:18. | :24:21. | ||
of the bunch is Ewan Bremner. Helena Bonham Carter - you can't | :24:21. | :24:31. | |
:24:31. | :24:33. | ||
help thinking her Miss Havisham is going to do a Kate Bush B-side! | :24:33. | :24:38. | |
There is nothing wrong with it. going again on Sunday! | :24:38. | :24:41. | |
Next, The Hunt starring Mads Mikkelsen as a teacher whose life | :24:41. | :24:51. | |
:24:51. | :24:51. | ||
Apology for the loss of subtitles for 75 seconds | :24:51. | :26:07. | |
falls apart after he is falsely What did you think? Given its | :26:07. | :26:11. | |
subject matter, The Hunt could have been a heavy-handed movie. It is | :26:11. | :26:16. | |
chilling. It is one of the best films I have seen this year. It is | :26:16. | :26:20. | |
deceptively calm at first but when the false accusation is made, | :26:20. | :26:25. | |
everything spirals very quickly into a nightmare. It's the kind of | :26:25. | :26:30. | |
film that I defy anyone to see this film - and people should - I defy | :26:30. | :26:35. | |
them not to get physically caught up in it. Some of it is almost | :26:35. | :26:40. | |
unwatchable. There is a scene in the supermarket, and in the church | :26:40. | :26:44. | |
- I haven't spoilt it - where you will be sitting and he is | :26:44. | :26:50. | |
outstanding in it. It is Mads Mikkelsen's vehicle. He won the | :26:50. | :26:55. | |
Best Actor at the Cannes Festival. There is great performances all | :26:55. | :26:59. | |
over this film. Annika Wedderkopp plays the little girl. She is great. | :26:59. | :27:05. | |
It is such an important role. Thomas Bo Larsen is also fantastic | :27:05. | :27:12. | |
as Mads Mikkelsen's best friend. Yes. I think after that, lots of | :27:12. | :27:16. | |
people, me included, expected Thomas Vinterberg to have the kind | :27:16. | :27:21. | |
of career that maybe he hasn't. This is a welcome comeback. This | :27:21. | :27:24. | |
film feels relevant and resonant at the moment. If that prompts more | :27:24. | :27:28. | |
people to see it, fantastic. There is something timeless about this | :27:28. | :27:35. | |
film. It is a joy. Yeah. Flawless. Yes. It is. People need to see this | :27:35. | :27:41. | |
movie. That's all for tonight. Next week | :27:41. | :27:44. | |
we're back to Wednesday night at the ever so slightly earlier time | :27:44. | :27:46. | |
of 11.15pm. We'll be reviewing Celeste and Jesse Forever, Seven | :27:46. | :27:49. | |
Psychopaths, I Anna and Love Crime. Playing us out tonight - Tom Cruise | :27:50. | :27:51. | |
as Jack Reacher. It's in cinemas Boxing Day. | :27:52. | :28:00. | |
Thank you and good night. Jack Reacher is a ghost. A brilliant | :28:00. | :28:05. | |
investigator. A troublemaker, too. And two years ago, he disappears. | :28:05. | :28:09. | |
You don't find this guy unless he wants to be found. Excuse me, Sir. | :28:09. | :28:19. | |
:28:19. | :28:21. |