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This programme contains very strong Hello, and welcome to film 2012. If | :00:28. | :00:32. | |
you want to get in touch, details on the screen. Coming up on | :00:32. | :00:39. | |
tonight's show. A cast of national treasures seek retirement in the | :00:39. | :00:45. | |
sun in the best exotic marigold hotel. -- The Best Exotic Marigold | :00:45. | :00:51. | |
Hotel. They simply refuse to die. Woody Harrelson plays a bad cop in | :00:51. | :00:57. | |
Rampart. I am not a racist. The fact is, I hate all people equally. | :00:58. | :01:03. | |
And the winner is... We take a look at the nominee's ahead of this | :01:03. | :01:09. | |
Sunday's Academy Awards. First tonight, the best exotic marigold | :01:09. | :01:15. | |
Hotel, directed by John Madden, starring Judi Dench, Bill Nighy and | :01:15. | :01:23. | |
Maggie Smith. And this is the day. Where are you going? Why not spend | :01:23. | :01:27. | |
your autumn years in an Indian palace. It is a luxury development | :01:27. | :01:32. | |
where all of the residents are in their golden years. Like the Costa | :01:32. | :01:38. | |
Brava? You s, but with more elephants. I play a character | :01:38. | :01:45. | |
called Sonny, who has an idea to sell to old people, and they end up | :01:45. | :01:48. | |
in India with all these guys, but they end up finding that all is not | :01:48. | :01:52. | |
what they think and lots of craziness happens. Your first time | :01:52. | :01:57. | |
in India? This country seems more civilised than one originally | :01:57. | :02:05. | |
thought. Welcome The Best Exotic Marigold Hotel! Here is an Indian, | :02:05. | :02:10. | |
isn't he? It is primarily a comedy that has a melancholy undertow | :02:10. | :02:14. | |
because it deals with people at a point in their lives way you do not | :02:14. | :02:18. | |
know what is left and what is coming, and it is a story of | :02:18. | :02:22. | |
cultural collision because it is about how the people cope with the | :02:22. | :02:26. | |
madness of modern India. How can you bear this country? What do you | :02:26. | :02:33. | |
see that I don't? A light, colours, smiles. All life is here. Do you | :02:33. | :02:42. | |
think we will be all right? The romance of India is very much | :02:42. | :02:52. | |
:02:52. | :02:53. | ||
in our history. If this film has got this magic work in it | :02:53. | :03:02. | |
Catalonian, if it has that word in it, it is OK. That was a gin and | :03:02. | :03:10. | |
tonic. I know that now! Almost every one of those actors, the key | :03:10. | :03:13. | |
ones you can see, they are people who have worked with each other, | :03:13. | :03:17. | |
often several times, and that is an incredible resource for a director. | :03:17. | :03:27. | |
:03:27. | :03:31. | ||
You don't really have to do very You can read that it is like the | :03:31. | :03:34. | |
Guardian saying it is a festival of luvvies, but you have a tradition | :03:34. | :03:37. | |
of actors being on tour and spending time together and it was | :03:37. | :03:42. | |
sort of like that, and it was delightful. It was like a | :03:42. | :03:47. | |
travelling theatre company. John Madden brilliantly kept us in order. | :03:47. | :03:52. | |
Everything will be all right in the end. So if it is not all right, it | :03:52. | :03:59. | |
is not the end. High. Hello to you. I thought this storm was adorable. | :03:59. | :04:02. | |
I note your are horrified. I mentioned a couple of weeks ago | :04:03. | :04:12. | |
when the Descendants came out, and I mentioned they had booked seats, | :04:12. | :04:16. | |
but 12 of them are going and they have already planned their snacks. | :04:16. | :04:22. | |
They are going to love this film. I thought it was charming, | :04:22. | :04:30. | |
brilliantly played, especially by Bill Nighy and Tom Wilkinson. I | :04:30. | :04:34. | |
thought the whole thing was lovely, but I can tell you didn't. I just | :04:34. | :04:39. | |
think it is a chronically mixed bag. Some of it is smart and funny and | :04:39. | :04:45. | |
the premise of a motley crew of OAPs being outsourced to India is | :04:45. | :04:49. | |
funny, but I think there is a side to the film which is rather | :04:49. | :04:53. | |
traditional. The fact they turn up at this derelict hotel run by a | :04:53. | :04:59. | |
bumbling local is a plot device taken from Carry On abroad. And a | :04:59. | :05:08. | |
lot of the jokes were of equal vintage. The first joke in the | :05:08. | :05:10. | |
script has everyone getting diarrhoea and locking themselves in | :05:10. | :05:15. | |
the toilet. I think he has a split personality. But the film is canny | :05:15. | :05:21. | |
and clever. There is at huge boulder audience out there. A lot | :05:21. | :05:25. | |
of the stuff we talk about is an especially terribly relevant to | :05:25. | :05:28. | |
them. They probably went to see The King's Speech and have not seen | :05:28. | :05:33. | |
much since. It does a job for them. And as a way of spending the grey | :05:33. | :05:38. | |
pound, it could be worse. My grandma spends it on facts and | :05:38. | :05:44. | |
scratchcards. I like your grandma. I think the performances are good. | :05:44. | :05:49. | |
The masterstroke is getting the cast together. They could read it | :05:49. | :05:53. | |
assembly instructions for flat-pack furniture and that -- it would work. | :05:53. | :05:57. | |
I am not hostile, but I wish he didn't rely so much on things like | :05:57. | :06:03. | |
it Ain't half Hot mum. Next, Rampart stars Woody Harrelson | :06:03. | :06:07. | |
caught on tape abusing a suspect and defines himself entering a | :06:07. | :06:17. | |
:06:17. | :06:31. | ||
The only thing that is wrong here is that a camera caught him doing | :06:31. | :06:39. | |
police work. You first read the script and you think this guy is an | :06:39. | :06:48. | |
asshole. I am not a racist. The fact is I hate all people equally. | :06:49. | :06:53. | |
Personally, I didn't think I could pull it off. I can't even imagine | :06:53. | :06:56. | |
playing a cop. It is the only profession I really cannot imagine | :06:56. | :07:02. | |
playing. Why are you looking to hand me? I know you are setting me | :07:02. | :07:09. | |
up. Answer my question. Of all the rotten cops, why are you after the | :07:09. | :07:14. | |
one guide who gets it? The one cop who get sick? Are you Fokine | :07:14. | :07:19. | |
kidding me? Let me remind you that several years ago you killed an | :07:19. | :07:28. | |
alleged serial date rapist primitively. -- Prix meditatively. | :07:28. | :07:32. | |
I can prove no shooting was dirty, like I can prove that you have done | :07:32. | :07:35. | |
it. As a director he creates an environment that is very safe. | :07:35. | :07:41. | |
There is a lot of play, improvisation, spontaneous things | :07:41. | :07:48. | |
and he never says cuts. I consider him a maestro. He is really a | :07:48. | :07:52. | |
master of his craft. It is only his second movie, but I cannot wait to | :07:52. | :07:57. | |
see what he does next. I hope I get to do it with him. You can't just | :07:57. | :08:02. | |
walk in the house like you still live here. You are a dirty cup, and | :08:02. | :08:07. | |
you have made us all dirty. I do not know if this character has made | :08:07. | :08:13. | |
-- redeemed himself or even what the Arc is. It might be like the | :08:13. | :08:19. | |
Paul Simon Lin, as things change, we are more a less the same. Have | :08:19. | :08:26. | |
you thought about retirement? you force me to retire, I will have | :08:26. | :08:31. | |
my own show on Fox News, and you'll be my first guest. So you have | :08:31. | :08:39. | |
It is a beast of a performance from Woody Harrelson, and is almost in | :08:39. | :08:46. | |
close-up in everyone, and he dominates there film. But it also | :08:46. | :08:49. | |
belongs to James Ellroy, and people will associate him with LA | :08:49. | :08:52. | |
Confidential and it is not a disgrace to compare Rum par with | :08:52. | :08:58. | |
that. La Confidential is a mystery at heart, but Rampart is two hours | :08:58. | :09:03. | |
in a character's head. I kind of enjoyed it. He's a true James | :09:03. | :09:07. | |
Ellroy policeman, and I think him and the film are the saviours | :09:07. | :09:12. | |
because they are repulsive and magnetic. That is my dream night. | :09:12. | :09:18. | |
Repulsion and cannot help myself. I know I am being keen, but I am | :09:18. | :09:23. | |
about not to be. I think this film was brilliant. I thought it was | :09:23. | :09:28. | |
mind-blowing. I do not understand why he is not up for an Oscar. I | :09:28. | :09:31. | |
think it is one of those films where you decide early on whether | :09:31. | :09:35. | |
you're getting on the train for the ride, because I think it is | :09:35. | :09:42. | |
beautifully directed, but there are these 360 degree shops, and there | :09:42. | :09:47. | |
is amazing supporting cast of Steve Buscemi, so put -- Sigourney Weaver, | :09:47. | :09:53. | |
Robin Wright, and I decided early on that I was with it. Like he is | :09:53. | :09:56. | |
falling apart, some of the shots are as well. I thought it was | :09:56. | :10:01. | |
brilliant. The direction is very stylised. It is a big presence in | :10:01. | :10:08. | |
the film. Oren Moverman's direction is a big presence. Sometimes you | :10:08. | :10:13. | |
are looking through a steroid pumped body, but when they pull | :10:13. | :10:19. | |
together it is powerful. This is Woody Harrelson's movie, but an | :10:19. | :10:23. | |
Mahesh has not been treated well by Hollywood, and make BT is always | :10:23. | :10:31. | |
perfect. Instead of our usual top five, we have people picking out | :10:31. | :10:35. | |
top Oscar travesties in the beer mat - Best Film nominations that | :10:35. | :10:42. | |
never won. Clint Eastwood With Dirty Harry once said there are a | :10:42. | :10:45. | |
lot of great movies that won the Academy Award and a lot of great | :10:45. | :10:51. | |
movies that happened. Here are my choices for the ones that got away. | :10:51. | :10:55. | |
Apocalypse Now, losing to Kramer vs. Kramer in 1980. I love the smell of | :10:55. | :11:00. | |
napalm in the morning. One time we had a bomb, 12 hours and it was all | :11:00. | :11:05. | |
over when I woke up. Perhaps the Academy thought it had | :11:05. | :11:08. | |
congratulated Francis Ford Coppola with the Godfather films, or | :11:08. | :11:11. | |
perhaps the fiasco surrounding the making of the film was still so | :11:11. | :11:17. | |
intense it was hard to see the incredible thing behind the mist. | :11:17. | :11:21. | |
On the other hand, Kramer vs. Kramer is an issue film and has a | :11:21. | :11:31. | |
:11:31. | :11:32. | ||
very Oscar style undercurrent. came here to take my son home. And | :11:32. | :11:37. | |
I realise he already is home. losing to the English Patient in | :11:37. | :11:47. | |
:11:47. | :11:52. | ||
You should see the other guy! was very cool, very sly, funny, but | :11:52. | :11:57. | |
the Academy had not learnt to embrace the directors. But the | :11:57. | :12:02. | |
English Patient was the first film to be really pushed by Hardy Wine | :12:02. | :12:07. | |
Stein -- Harvey Weinstein with his infamous campaigning. I know you | :12:07. | :12:12. | |
will carry me out of the Palace of winds. The English Patient changed | :12:12. | :12:17. | |
the way movies won an Oscar for ever. Oscar travesties go way back, | :12:17. | :12:23. | |
and my first choice is one of the all-time classic Callas. Citizen | :12:23. | :12:28. | |
Kane's 1941 lost to how Green Was My Valley. It would be one thing if | :12:28. | :12:33. | |
it film had beaten Citizen Kane and the Maltese Falcon and was a time | :12:33. | :12:36. | |
this work of genius, unfortunately, How Green Was My Valley, set in a | :12:36. | :12:40. | |
Welsh mining community but filmed in Malibu does not stand up well | :12:40. | :12:49. | |
today. Come on, lad. You can walk. Apparently the Academy preferred | :12:49. | :12:54. | |
John Ford's daffodils to rosebuds. Whether you agree if Citizen Kane | :12:54. | :12:58. | |
is the greatest film ever made, the movies to watch today because it is | :12:58. | :13:03. | |
great. How Green Was My Valley is a maybe watch to find out what beats | :13:03. | :13:08. | |
its intake. That was 1941. 70 years later The Social Network loses out | :13:08. | :13:11. | |
to The King's Speech in 2011 and it seems the Academy are still | :13:11. | :13:16. | |
favouring traditional fare over more radical story telling. David | :13:16. | :13:22. | |
Fincher's brilliant The Social Network is the Digital Citizen Kane. | :13:22. | :13:28. | |
He has security. They need a user name and a password. It betrays not | :13:28. | :13:32. | |
a newspaper baron, but a social networking entrepreneur. What won | :13:32. | :13:38. | |
the Oscar? A nice as pie biopic about a king. I am not saying The | :13:38. | :13:41. | |
King's Speech is not a very nice film and terribly well acted, but | :13:41. | :13:50. | |
come on, it does not compare. choices, but those Academy mistakes | :13:50. | :13:54. | |
pale in significance, shining examples of when the people's | :13:54. | :13:57. | |
champion was looked over and they look stupid. First up, Goodfellas | :13:58. | :14:02. | |
losing to Dances With Wolves at the 1991 Academy Awards. Where is my | :14:02. | :14:09. | |
Fokine drink? The Oscars is a cavalcade of wrong, fit only for | :14:09. | :14:13. | |
generating pub quiz questions. He should have won his first Oscar for | :14:13. | :14:17. | |
his pulsating gangster classic, Goodfellas, and the cast is top | :14:17. | :14:27. | |
:14:27. | :14:32. | ||
You little flock. Now he is moving! So naturally it lost to a dull, | :14:32. | :14:36. | |
overlong epic. What one best picture in 1991? Dances With | :14:36. | :14:45. | |
I hope I never have to fight him. He seems to be honest and very | :14:45. | :14:52. | |
direct. Really? Next up, Pulp Fiction losing to Forrest Gump at | :14:52. | :15:01. | |
the 1995 Academy Awards. Everybody be cool, this is a robbery. Any of | :15:01. | :15:08. | |
you fuckinpricks move and I'll executed every mother fucking last | :15:08. | :15:14. | |
one. Forrest Gump had a great Tom Hanks performance but it's no Pulp | :15:14. | :15:18. | |
Fiction? Do you want to continue this in the car or in the jail | :15:18. | :15:27. | |
house with the cops. It's dialogue is more enduring than... My mum | :15:27. | :15:31. | |
always said life was like a box of chocolates. It works as a character | :15:31. | :15:37. | |
study, a thriller and a love letter to cinema itself. It just plain | :15:37. | :15:43. | |
works. I love them. They did that brilliantly. What, for you, go on? | :15:43. | :15:50. | |
1980 was the year of Raging Bull, The Shining, The Elephant Man. The | :15:50. | :15:55. | |
Oscar went to Ordinary People. I don't know if crack was invented in | :15:55. | :16:01. | |
1980 but they were smoking something. We had so many tweets. | :16:01. | :16:06. | |
Helen is with me "I will never forget Crash over Brokeback | :16:06. | :16:13. | |
Mountain". I was working, the cast of Crash were like "no, no" Sandra | :16:13. | :16:20. | |
Bullock was like... Did you not see that? Absolutely. I love this guy | :16:20. | :16:24. | |
"Raging Bull, fight club, Goodfellas and while we are at it | :16:24. | :16:28. | |
Blade Runner". There is a lot of grumpy people. People are livid, in | :16:28. | :16:38. | |
:16:38. | :16:39. | ||
only a gad way. Next Black Gold a tale of greed and betrayal set in | :16:39. | :16:45. | |
the 19 3o's Arab states at the dawn of the oil boom. It stars Antonio | :16:45. | :16:51. | |
Banderas and Mark Strong. All I want is your friendship. It's a | :16:51. | :17:00. | |
reflection about the power corrupting the appalling power | :17:00. | :17:05. | |
money has in human beings in a very specific context. Get ready to be | :17:05. | :17:12. | |
rich. How rich? Seriously rich. a human being, you know, he's | :17:12. | :17:22. | |
blinded by the power of this new source of wealth. He goes from the | :17:22. | :17:29. | |
"us" to the "me". It's dangerous when you are talking about politics. | :17:29. | :17:33. | |
That is a mirror of possibly the modern Arabic world that has | :17:33. | :17:36. | |
suddenly come into an awful lot of money and how it's going to deal | :17:36. | :17:42. | |
with that wealth and which direction it will go in. Because, | :17:42. | :17:48. | |
you see, my son, everything you see in this room was one with either -- | :17:48. | :17:53. | |
was won with either blood or love, never money. Because anything that | :17:53. | :18:01. | |
can be bought has no real value. It's amazing we have come full | :18:01. | :18:05. | |
circle in the Tunisian elections have just happened and the | :18:05. | :18:08. | |
revolution was happening during filming. Interesting to make a film | :18:08. | :18:12. | |
about revolution, about a new way, which is being mirrored in the | :18:12. | :18:16. | |
politics of the real world, in the very place that you are filming it. | :18:16. | :18:23. | |
That was extraordinary. I will not betray you like you betrayed me. | :18:23. | :18:31. | |
You were born to rule. You are the next Sultan. Follow me. Now, you | :18:31. | :18:39. | |
are a man. It's, basically, Pus In Boots in the dessert. Of course, it | :18:39. | :18:44. | |
isn't. Imagine he is wearing boots. I won't do the voice. I love | :18:44. | :18:47. | |
Antonio Banderas. I cannot get that character out of my head. Whenever | :18:47. | :18:52. | |
he speaks I think "why isn't he wearing a hat and a feather in it"? | :18:52. | :18:59. | |
What did you think? This was to be the start of a new era. I don't | :18:59. | :19:03. | |
think it work. The cast are dressed up in costumes that lack look like | :19:03. | :19:10. | |
they were pulled out of a storage trunk after a Turkish delight | :19:10. | :19:15. | |
advert. A film about Arab history have you a cast drawn from Malaga, | :19:15. | :19:21. | |
Mumbai and Wembley. The director takes a do your own thing approach | :19:21. | :19:28. | |
to accents. The thing is wobbley. Freida Pinto comes on and | :19:28. | :19:32. | |
disappears. She is off screen, I assume she is on the phone to her | :19:32. | :19:38. | |
agent. Antonio Banderas is close to Willow Twanky. I will be positive. | :19:38. | :19:47. | |
How? There are moments when this epic approach that Jean-Jacques | :19:47. | :19:55. | |
Annaud takes pays off. Between his casting and his relentless owe old | :19:55. | :20:00. | |
fashion quality you want Nicholas Lindhurst to arrive on a magic | :20:00. | :20:05. | |
carpet. That spoils the illusion for me. Tell me I'm wrong? You are | :20:05. | :20:11. | |
bang on it. It feels incredibly long. If people go "they are being | :20:11. | :20:18. | |
mean" you will go into the cinema and come out in June. You were a | :20:18. | :20:23. | |
bet iger fan of seven years in Tibet. I want to say is that the | :20:23. | :20:28. | |
landscape looks beautiful. Wonderful sand in this film and | :20:28. | :20:35. | |
wonderful camels. What is your Film of the Week? It's Rampart. I loved | :20:35. | :20:42. | |
it but I want a nod to marigold. The Oscars take place on Sunday, | :20:42. | :20:49. | |
here is a quick reminder of who is leading the race. Hugo leads the | :20:49. | :20:55. | |
Oscar race with 11 nominations with the much rewarded The Artist with | :20:55. | :21:05. | |
10. Six nominations, Money zs ball, and War horse. The Descendants | :21:05. | :21:11. | |
starring George Clooney has Fife as done the re-make of The Girl With | :21:11. | :21:18. | |
the Dragon Tattoo. The can The Help has four nominations alongside | :21:18. | :21:22. | |
Woody Allen most commercially successful film of all-time, | :21:22. | :21:31. | |
Midnight In Paris. Oscar has cast a wide net and made notable snubs too. | :21:31. | :21:37. | |
Spiel spiel spiel has been locked out of Best Director category while | :21:37. | :21:42. | |
their films got an impressive number of nominations. The | :21:42. | :21:52. | |
:21:52. | :21:58. | ||
Adventures of Tin Tin wasn't put forward for the Best Animation. For | :21:58. | :22:03. | |
some Mr Oscar seems more reliable. Meryl Streep the most nominated | :22:03. | :22:09. | |
actress in Oscar history received her 17th nomination. Woody Allen | :22:09. | :22:15. | |
his 23rd. John Williams gained his 47th, almost as many as the most | :22:15. | :22:25. | |
:22:25. | :22:26. | ||
nominated of all, the great Walt Disney. Gary Oldman got his first | :22:26. | :22:36. | |
:22:36. | :22:39. | ||
nominations. And Best Director for The Artist. And the screenplay | :22:39. | :22:44. | |
Bridesmaids bucking the trend for not taking comedy seriously. Who | :22:44. | :22:48. | |
will go home with the Oscar on on Sunday, maybe they will surprise us. | :22:48. | :22:53. | |
Here with us to preview the awards ahead of Sunday night's ceremony | :22:53. | :22:57. | |
are Peter Bradshaw and Robbie Collin. Thank you for talking to us. | :22:57. | :23:02. | |
It is late. A sacrifice we will make. I was... Every year I go, | :23:02. | :23:07. | |
they missed out, so-and-so. I suddenly got a proper surge of | :23:07. | :23:11. | |
excitement. It's the Oscars. They are on Sunday. We will all stay up | :23:11. | :23:18. | |
and watch them. What is not to love. Sadly without Eddie Murphy. Thank | :23:18. | :23:25. | |
you. It's not that I wasn't looking forward to a change? I was mentally | :23:25. | :23:31. | |
prepared for it. Billy will do it great. Tpwho what he will do. | :23:31. | :23:36. | |
will do what he has done before. will pull viewers. American viewers | :23:36. | :23:41. | |
love Billy Crystal. He will hit it straight down the middle. Let me | :23:41. | :23:46. | |
state now, officially, I'm looking at you. It's bad form to always | :23:46. | :23:52. | |
star every Oscar's chat with, they missed out so many films, I try not | :23:52. | :24:00. | |
to. This year there are so many. need to We Need To Talk About Kevin | :24:00. | :24:06. | |
and all kind of things. Maybe the DVDs didn't get. There let's look | :24:06. | :24:16. | |
:24:16. | :24:31. | ||
at the nine films nominated for Our families are just as screwed up. | :24:31. | :24:39. | |
Our heart aches are just as painful, but we're going to make it out OK. | :24:39. | :24:44. | |
My dad said, the way I saw the world was a gift. After he died, I | :24:44. | :24:48. | |
found this key in my dad's closet. He must have wanted me to find | :24:48. | :24:53. | |
something. If things were easy to find... They wouldn't be worth | :24:53. | :24:58. | |
finding. Every black house should have a separate bathroom for the | :24:58. | :25:07. | |
coloured help. I will have to kill that woman. Have you lost your mind. | :25:07. | :25:09. | |
It's scandalous. Courage sometimes skips a generation. Thank you for | :25:09. | :25:18. | |
bringing it back to our family. are you? Hugo. Where do you live? | :25:18. | :25:28. | |
It's a secret. Yes. Good, I love secrets. The story is not over yet. | :25:28. | :25:38. | |
:25:38. | :25:39. | ||
I want to walk around Paris with you. I keep forgeting you are just | :25:39. | :25:49. | |
:25:49. | :25:50. | ||
a tourist. That's putting it mildly. What time did you get in last | :25:50. | :25:59. | |
night? Not that late. I'm m a perplexing situation. There are | :25:59. | :26:04. | |
rich teams and there are poor teams. Then are 50 feet of crap, then | :26:04. | :26:12. | |
there is us. We're going to shake things up. Tell him. Do you want me | :26:12. | :26:22. | |
:26:22. | :26:36. | ||
to speak? If we win with this team, Unless you love, your life will | :26:36. | :26:46. | |
:26:46. | :27:06. | ||
I love War Horse. Watching that makes me go,... Please. Does this | :27:06. | :27:11. | |
belong to The Artist? Is that piece won it? It does belong to The | :27:11. | :27:16. | |
Artist I spent so long banging and banging on about The Artist I can | :27:16. | :27:21. | |
hardly make a claim for anything else. This list is remarkable, not | :27:21. | :27:26. | |
that it's merely disappointing, there have two films on it which | :27:26. | :27:34. | |
are bad, Extremely Loud and Incredibly Close and War horse. | :27:34. | :27:39. | |
That is possibly the worst reviewed Best Picture candidate of all-time. | :27:39. | :27:43. | |
I bet you're right. It might well be that it's badly reviewed. It's | :27:44. | :27:51. | |
more than that, it is bad. War Horse is an appalling film. | :27:51. | :27:56. | |
you... Did you watch. It you need to watch it with me? It's made out | :27:56. | :28:03. | |
of plastic. I adored it. I'm grumpy on many levels. No. If it's not The | :28:03. | :28:08. | |
Artist. We would like it to be The Artist. There can be a shock? | :28:08. | :28:14. | |
Possibly the only film to take it from The Artist, one film it's The | :28:14. | :28:20. | |
Help. It's well liked in the academy. He shivers here. Bad news. | :28:20. | :28:25. | |
Bad news culturally for us all. Best Actress nominations and | :28:25. | :28:30. | |
supporting actress nominations. It appears to the academy voters. 94% | :28:30. | :28:34. | |
of them are over the age of 60. That harking back to a certain type | :28:34. | :28:44. | |
:28:44. | :28:46. | ||
of film making. Both of you like The Help? I also like War Horse. | :28:46. | :28:52. | |
Suddenly confronted... I don't like The Help. It's well acted and well | :28:52. | :28:56. | |
put together. We can have that conversation about what else can | :28:56. | :29:01. | |
win. It's a foregone conclusion it's The Artist. The thing about | :29:01. | :29:05. | |
Michel Hazanavicius is whether it will be history repeating it in | :29:05. | :29:10. | |
1998 when Life Is beautiful Cleaned up. Maybe it is the same thing | :29:10. | :29:17. | |
again. Maybe this will be a one time deal. In 1998 the world fell | :29:17. | :29:22. | |
in love with him and then he disappeared. We have had so many | :29:22. | :29:28. | |
comments coming in, I feel I will only read out the admissions | :29:28. | :29:34. | |
tonight. Kevin, We Need To Talk About Kevin, Drive. Yes. That blew | :29:34. | :29:40. | |
my mind. He will be winning Oscars in five years time when the academy | :29:40. | :29:50. | |
:29:50. | :29:56. | ||
gets on to what a Best Director he Moving on to Best Director, Michel | :29:56. | :30:00. | |
Hazanavicius. Alexander Payne. Martin Scorsese, Woody Allen, | :30:00. | :30:04. | |
Terence Malick for the Tree Of Life. Who would you like to win and who | :30:04. | :30:10. | |
do you think will? I think it would be Michelle have an assiduous, but | :30:10. | :30:15. | |
I would not expire if it was Martin Scorsese. Having ignored him, the | :30:15. | :30:21. | |
Academy decided they would like him. I think it will be Michel | :30:21. | :30:26. | |
Hazanavicius. Both of these songs are tributes to old film-makers. He | :30:26. | :30:31. | |
paid tribute to French cinema, and Michelle has no vicious is paying | :30:31. | :30:36. | |
tribute to all Hollywood. cannot rule out Woody Allen. | :30:36. | :30:42. | |
agree! A very nice film with a feel-good vibe, Midnight In Paris. | :30:42. | :30:46. | |
I have seen it three times, once as an honest to God paying member of | :30:46. | :30:51. | |
the public and everybody loves it. The crowd, they love it. I will | :30:51. | :30:56. | |
bang on, and I am not making eye- contact, where his Steven | :30:56. | :31:04. | |
Spielberg? And Lynne Ramsay. Le in Ramsey's a future mission. It is | :31:04. | :31:09. | |
essentially a Hollywood closing ranks. It is not a great time for | :31:09. | :31:16. | |
Hollywood, and this is a circling of the wagons. Something like Steve | :31:16. | :31:21. | |
McQueen, directing a Shame, a British film made in America, and | :31:21. | :31:25. | |
he has been excluded. There is a parochial, chauvinist American | :31:25. | :31:30. | |
films. They don't like smart-ass liberals from Britain making films | :31:30. | :31:35. | |
about Columbine. That does not play well. They its have a look at best | :31:35. | :31:39. | |
actor and Best actress. Let's have a look at this lovely video. Popper, | :31:39. | :31:44. | |
why did you have me? Because I love you, and you are the most important | :31:44. | :31:51. | |
thing in this world. That is why I love you. You're my reason to live. | :31:51. | :31:57. | |
Who easy? I want to know who the guy my wife was seen is. -- who | :31:57. | :32:07. | |
:32:07. | :32:14. | ||
Ricky has been helping us. He has been telling us all about his | :32:14. | :32:23. | |
adventures. I want to milk the last man to baseball you have been you. | :32:23. | :32:31. | |
And you want to stay in the show. Let's do that. You won't tell them? | :32:31. | :32:37. | |
What is your name? Albert. You will real name. Albert. A I thought I | :32:37. | :32:41. | |
might write my stories down and read them to you. Did you know | :32:41. | :32:45. | |
growing up that you thought she would be made? You yes, I did. | :32:45. | :32:50. | |
to think about being something else? I have taken myself since I | :32:50. | :32:56. | |
was 10. She has had a rough life. Let's not make it rougher. We have | :32:56. | :33:02. | |
always lived alongside evil, but it has never been so efficient, so | :33:02. | :33:11. | |
avid for carnage. You literally when nothing in bed but perfume? | :33:11. | :33:14. | |
And as I am in England, I will say piously be nothing but Yardley's | :33:14. | :33:21. | |
Lavender. I have not seen a better life. Is it going to be George | :33:21. | :33:28. | |
Clooney? I think we all rather like that. George Clooney, I have gone | :33:28. | :33:33. | |
off him a bit. Famously Steven Spielberg watched him in the arm | :33:33. | :33:37. | |
and said if that man can stop waggling his head about, he will be | :33:37. | :33:41. | |
a star. And he has stop waggling his head about but he still keeps | :33:41. | :33:45. | |
doing it. There are lots of mannerisms and tics and weird | :33:45. | :33:53. | |
things he does. He pulls a lot of faces. If where is Brad Pitt | :33:53. | :33:57. | |
doesn't look like he is doing anything at all. He is an above the | :33:57. | :34:01. | |
title Hollywood star. He is absolutely brilliant. The this year | :34:01. | :34:06. | |
he has done all his best work, Tree Of Life was terrific. My issue with | :34:06. | :34:10. | |
the best actor race is that it becomes a competition between which | :34:10. | :34:14. | |
carried take you liked the most and that is why people like Gary Oldman | :34:14. | :34:20. | |
and can get overlooked. People are being obsessed with simpered -- | :34:20. | :34:25. | |
being sympathetic. I think it is depressing it has come down to | :34:25. | :34:29. | |
George Clooney. It's a decent performance, but I think you'll be | :34:29. | :34:36. | |
an anti-climax, and fish on the job than his charming. What Gary Oldman | :34:36. | :34:40. | |
has done is the difference between favourite performance and Best | :34:40. | :34:45. | |
actor. Gary Oldman and carries the film without seeming to do a film. | :34:45. | :34:49. | |
He should have won the Oscar three or four times already. I'm not | :34:49. | :34:54. | |
saying it because I'm being patriotic, Gary Oldman and is the | :34:54. | :35:01. | |
best actor of this year, plain and simple. He won't win. Forget it. | :35:02. | :35:08. | |
They talk about Best actress. We didn't have fisticuffs, but we were | :35:08. | :35:11. | |
having a conversation where everybody sort of disagreed with | :35:11. | :35:15. | |
who might get it, or rather you came out with me and said it might | :35:15. | :35:20. | |
be the only Davies. I think that is the sort of performance the Academy | :35:20. | :35:26. | |
votes for. It is easy to overestimate how well the Margaret | :35:26. | :35:32. | |
Thatcher thing has gone down. They are familiar with it over here, and | :35:32. | :35:35. | |
people really bought into that, but there is a weird archness to the | :35:35. | :35:45. | |
:35:45. | :35:49. | ||
performance that might turn of American voters. But for Viola. | :35:49. | :35:52. | |
very bland performance. I don't think the help these that well- | :35:52. | :35:58. | |
acted, but Octavia Spencer is much more of an interesting support | :35:58. | :36:03. | |
since -- more interesting performance. The would you like | :36:03. | :36:07. | |
Meryl Streep to win? The two is an inspired piece of mimicry. People | :36:07. | :36:13. | |
ask if it goes beyond mimicry, but what a piece of mimicry. I am | :36:13. | :36:18. | |
astonished you would say that. Why did faze Brown not win an Oscar for | :36:18. | :36:23. | |
her remarkable mimicry of her at the time -- face Brown. I will | :36:23. | :36:28. | |
breathe a sigh of relief if Viola Davies wins. What she's doing is | :36:28. | :36:33. | |
better than what Meryl Streep is doing. But we have to talk about | :36:33. | :36:39. | |
emissions. Elizabeth Olsen, Tilda Swinton. Kirsten dance. | :36:39. | :36:47. | |
Charlize Theron? D Denny one not watch Young adults? The very | :36:47. | :36:54. | |
quickly, best actor in a supporting role. Kenneth Branagh, Jonah hill, | :36:54. | :37:00. | |
McNulty, Christopher Plummer, Max von Sydow. I think you are not | :37:00. | :37:05. | |
allowed to put to better on Christopher Plummer, it is him. | :37:05. | :37:11. | |
Academy loves a plucky old man, and they don't get more plucky or Auld | :37:11. | :37:15. | |
than Christopher Plummer. He lost out last time he was nominated, so | :37:15. | :37:20. | |
every chance they will see this as a chance to redress the balance. | :37:20. | :37:25. | |
still like Kenneth Branagh. I would have liked to have seen Albert | :37:26. | :37:31. | |
Brooks will Drive. The supporting characters matter - category is | :37:31. | :37:35. | |
where they give some nods, so they might be some surprises. We have | :37:35. | :37:40. | |
literally got 18 seconds. It is going to Octavia Spencer. We will | :37:40. | :37:43. | |
wake up Monday morning if we haven't lost it all night long, | :37:43. | :37:52. | |
what is the headline? Will it be the Artist? A absolutely. | :37:52. | :37:58. | |
artistry of Harvey. That is all for tonight. In next week's show we | :37:58. | :38:03. | |
will review project X, wanderlust and this means war. Casablanca is | :38:03. | :38:07. | |
back in cinemas now. Maybe that is my form of the week. Thank you for | :38:07. | :38:13. | |
watching. Good night. -- film of the week. Play it, Sam. Play as | :38:13. | :38:23. | |
:38:23. | :38:36. | ||
Times Goes By. I am a little rusty Sing it, Sam. # You must remember | :38:36. | :38:46. | |
:38:46. | :38:48. | ||
this. # A kiss is just a kiss. | :38:48. | :38:51. | |
# A sigh is just a sigh. # The fundamental things apply. | :38:51. | :39:00. |