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Hello and welcome with Claudia Winkleman and Danny Leigh. Tweet | :00:35. | :00:38. | |
wore e-mail, the details are on the screen now. | :00:38. | :00:43. | |
Coming up: Hail to the chief, Steven Spielberg | :00:43. | :00:48. | |
talk about his new film, Lincoln. I like our chances now. | :00:48. | :00:54. | |
Hunting Bin Laden, Jessica Chastain stars in Zero Dark Thirty. I'm not | :00:54. | :01:00. | |
your friend, I'm not going to help you, I'm going to break you. | :01:00. | :01:03. | |
He's back, Schwarzenegger returns in The Last Stand. How are you | :01:03. | :01:13. | |
:01:13. | :01:17. | ||
Sheriff? Old! Plus, we have the Top Five Movie Mother. First up Steven | :01:17. | :01:21. | |
Spielberg's Lincoln, it stars Daniel Day-Lewis and is nominated | :01:21. | :01:27. | |
for 12 Oscars. Mr Lincoln, I hate them all, I do, I'm a prejudiced | :01:27. | :01:31. | |
man. Congress must never declare equal those whom God created | :01:31. | :01:37. | |
unequal. You are going to try to pass the | :01:37. | :01:45. | |
amendment to abolish slavery, no- one has as much in the people as | :01:45. | :01:52. | |
you, don't waste that power. chose to tell the story about one | :01:52. | :01:55. | |
of the little known events in American history, about the fight | :01:55. | :02:00. | |
to pass the 13th amendment to abolish slavery. To explore that | :02:00. | :02:05. | |
story in as much detail as we felt it deserved, we counted on the | :02:05. | :02:10. | |
audiences for Lincoln to supply the now universal understanding that | :02:10. | :02:16. | |
slavery was horrific, the same way we count on the audiences' | :02:16. | :02:22. | |
awareness of the horrific Civil War. We will win the war, it is enI have | :02:22. | :02:30. | |
table. It ain't won yet. You will begin your second term with semi- | :02:30. | :02:37. | |
divine statisticture, imagine what peace will bring, why tarnish the | :02:37. | :02:41. | |
battle luster with a battle in the Congress. It is the same hacks that | :02:41. | :02:46. | |
rejected it ten months ago, we will lose. I like our chances now. | :02:46. | :02:51. | |
you began to think about the subject that you are taking on in | :02:51. | :02:54. | |
the case of Lincoln, you would never get out of bed, would you let | :02:54. | :02:59. | |
somebody else do it T I think you create for yourself a certain | :02:59. | :03:03. | |
irremember regins. It is not disrespectable, dr irreverence, it | :03:03. | :03:08. | |
is not disrespectable but necessary to do the work. We focused on the | :03:08. | :03:12. | |
last four months of his life, because we wanted today show | :03:13. | :03:16. | |
Lincoln accomplishing something great, that was abolishing slavery | :03:16. | :03:23. | |
and ending the Civil War. Come February the 1st, I intend to sign | :03:23. | :03:28. | |
the 13th amendment. We are coming to oppose peace. Abolishing slavery | :03:28. | :03:32. | |
settles the fate of millions in bondage, and unborn millions to | :03:32. | :03:40. | |
come. It is either the amendment or confederate peace. Slavery is death. | :03:40. | :03:44. | |
It is interesting that it is Spenceful even though you know what | :03:44. | :03:46. | |
Spenceful even though you know what will happen. I had that feeling | :03:46. | :03:52. | |
when I was writing it, it is dramatic, democracy is a dramatic | :03:52. | :03:57. | |
process. We wanted to include Lincoln's family dynamic, only in | :03:57. | :04:00. | |
the moments it actually collided with the public events that this | :04:00. | :04:04. | |
whole story is about. You think I'm ignorant of what you are up to | :04:04. | :04:08. | |
because you haven't discussed this scheme with me as you ought to have | :04:08. | :04:12. | |
done, when have I been so easily balm boozeled, I believe you when | :04:12. | :04:15. | |
you insist amending the constitution and abolishing slavery | :04:15. | :04:20. | |
will end the war. Since you are end sending my son into war, woe unto | :04:20. | :04:27. | |
you if you fail to pass the amendment. Seward doesn't want me | :04:27. | :04:32. | |
leaving big muddy footprints all over town. No-one has every lived | :04:32. | :04:38. | |
who knows better than you the proper placement of foot falls on | :04:38. | :04:44. | |
treacherous paths. Seward can't do it, you must, because if you fail | :04:44. | :04:50. | |
the the necessary votes -- you fail to acquire the necessary votes, woe | :04:50. | :04:54. | |
unto you, circumstance you answer to me. It was her incyst tense that | :04:54. | :04:59. | |
he was brilliant, and she would never let up on that, and telling | :04:59. | :05:02. | |
him how brilliant he is, and what he was going to do. She never had | :05:02. | :05:06. | |
any doubt that he was going to be President, and he was going to | :05:06. | :05:12. | |
change the world. He was so open, and that was one of the most | :05:12. | :05:18. | |
beautiful surprises of getting to know him. Was how insanely | :05:18. | :05:23. | |
accessible that man was, at a time when it was physically very | :05:23. | :05:27. | |
dangerous, in his case, to be accessible. Think of all the boys | :05:27. | :05:32. | |
who will die if you make peace. can't end this war until we cure | :05:32. | :05:38. | |
ourselves of slavery, this amendment is that cure. We need two | :05:38. | :05:44. | |
yeses. Get out and get them. How? I'm the President of the United | :05:44. | :05:49. | |
States, clothed in immense power, you will procure me these votes. | :05:49. | :05:53. | |
Lincoln certainly guided the country through the worst crisis in | :05:53. | :05:57. | |
the entire history, more than any other single person he helped the | :05:57. | :05:59. | |
United States to survive. Doing this he helped the idea of | :06:00. | :06:04. | |
democracy, as a viable political system to survive. And more than | :06:05. | :06:09. | |
any other single person, Lincoln helped end slavery. Today we will | :06:09. | :06:19. | |
:06:19. | :06:25. | ||
What did you think? The challenge for Steven Spielberg was to not | :06:25. | :06:28. | |
take a $07 million museum exhibit. I don't think he has, it is a | :06:29. | :06:34. | |
little bit polite and respectable. There are a lot of well-loved | :06:34. | :06:38. | |
actors in historically authentic facial hair. It is absorbing, and | :06:38. | :06:42. | |
not quite the movie people expect it to be. I totally agree, it is | :06:42. | :06:46. | |
Daniel Day-Lewis, it is about a hero, who Steven Spielberg himself | :06:46. | :06:50. | |
says he was obsessed by from the age of four. It is Spielberg, John | :06:50. | :06:53. | |
Williams, it will be rousing, there will be moments where they want you | :06:54. | :06:58. | |
to stand up and weep. It is not like that, I felt everyone | :06:58. | :07:00. | |
underplayed, definitely Daniel Day- Lewis, and Spielberg, it is three | :07:00. | :07:04. | |
hours of men talking. But I loved it. I could have watched another | :07:04. | :07:09. | |
three hours. It is a less pithy West Wing. It is about politics and | :07:09. | :07:13. | |
I found it deeply interesting. I liked that it wasn't sentimental? | :07:13. | :07:16. | |
will agree with you. It is a much smaller movie than people might | :07:16. | :07:20. | |
expect. Most of the action takes place around drawing room tables. | :07:20. | :07:24. | |
You are right, there is an absence of rousing speeches, it is about | :07:24. | :07:27. | |
the dirty work of politics, really. I think it is a sturdy film about | :07:28. | :07:31. | |
politics and a politician, and you don't feel like you will be grabbed | :07:31. | :07:35. | |
by the shoulders and led into the grift shop afterwards. Lots of | :07:35. | :07:45. | |
people say it is a bit of a bore, "painfully dull, a badly performed | :07:45. | :07:49. | |
film". Someone else says that Day- Lewis is full of ease and charisma, | :07:49. | :07:54. | |
and Spielberg's best. Let's talk about Daniel Day-Lewis? Let's talk | :07:54. | :07:59. | |
about Spielberg first. I have to be honest and say I think's a great | :07:59. | :08:04. | |
film maker. He has a career-long smaltz problem. I think here he has | :08:04. | :08:08. | |
it under control. If I was going to be picky, I would mention the John | :08:09. | :08:13. | |
Williams sko, I wish it could be turned down or scurgically removed. | :08:13. | :08:18. | |
It gets everywhere. If Spielberg is showing you a battlefield with dead | :08:18. | :08:25. | |
bodies, you don't need the mournful orchestra to see that. It is a | :08:25. | :08:28. | |
great film. In terms of Daniel Day- Lewis, we almost risk taking him | :08:28. | :08:31. | |
for granted, what he does here is phenomenal, really, he does that | :08:31. | :08:37. | |
thing which actors talk about a lot, I have very rarely seen, he | :08:37. | :08:41. | |
disappears inside the character. If you look at Meryl Streep, in the | :08:41. | :08:45. | |
Iron Lady, it is a comparable role, it is a great performance, but you | :08:45. | :08:49. | |
are aware of a great performance going on. Here you are unaware of | :08:49. | :08:54. | |
the performance, Day-Lewis Louis isn't there any more, it's | :08:54. | :08:58. | |
unnerving, it is like an old photograph coming to life. There is | :08:58. | :09:02. | |
not another actor alive who could do what he does here. I feel I | :09:02. | :09:06. | |
shouldn't have said that, someone is getting the stove pipe hat and | :09:06. | :09:11. | |
beard ready. He is brilliant. It is worth mentions Tommy Lee Jones and | :09:11. | :09:15. | |
Sally Field, across the bored? There is not a duff performance. As | :09:15. | :09:18. | |
an actor's film it is great. Kathryn Bigelow directs Zero Dark | :09:18. | :09:23. | |
Thirty, the story of the decade- long hunt for Osama Bin Laden. | :09:23. | :09:30. | |
You really believe this story? Osama Bin Laden. Yeah. What part | :09:30. | :09:38. | |
convinced you? Her confidence. Zero Dark Thirty chronicles the | :09:38. | :09:43. | |
hunt for Osama Bin Laden, that look place over ten years, from 9/11 | :09:43. | :09:50. | |
2001, to May 21st2011. My character is working in the CIA as a targeter, | :09:51. | :09:55. | |
she finds a lead that will lead her to the compound and Bin Laden. Many | :09:55. | :09:59. | |
people doubt her, but she stays on it until the very end. There are | :09:59. | :10:03. | |
two narratives about the location of Osama Bin Laden, the one that | :10:03. | :10:07. | |
you are most familiar with is that UBL is hide anything a cave in the | :10:07. | :10:11. | |
tribal areas, and surrounded by a large contingent of loyal fighters, | :10:11. | :10:17. | |
but that narrative is pre-9/11 understanding of UBL. Mya, is | :10:18. | :10:21. | |
somebody that gives up everything in her life for this mission. She | :10:21. | :10:26. | |
believes she was chosen for this, that she was called to do this. It | :10:26. | :10:30. | |
take as fanatical behaviour to catch a fanatic. This woman was | :10:30. | :10:33. | |
fascinating to me, I was surprised that I was surprised that there | :10:33. | :10:38. | |
were so many women who work in intelligence. The more research I | :10:38. | :10:43. | |
was doing in women in the CIA, they have been trained to be unemotional | :10:43. | :10:47. | |
and analytically precise. If she appears to be an emotional person, | :10:47. | :10:55. | |
no-one will believe anything she says. Third floor, north-east | :10:55. | :11:05. | |
:11:05. | :11:06. | ||
corner. You don't think she's a little young for the hard stuff. | :11:06. | :11:11. | |
Washington says she's a killer. writer, who wrote The Hurt Locker, | :11:11. | :11:14. | |
comes from an investigative journalist background. He prides | :11:14. | :11:19. | |
himself on the reality of the facts, as much as possible. But what that | :11:19. | :11:24. | |
then does is not incorporate any back story. If you think of the The | :11:24. | :11:27. | |
Hurt Locker, we didn't find out much about the guy, we were with | :11:27. | :11:31. | |
them doing what they were doing, the same is true of Mya, you don't | :11:31. | :11:35. | |
find out about her past were she comes from, or who she is. All you | :11:35. | :11:39. | |
are really concerned with is her relentless drive to capture this | :11:39. | :11:43. | |
guy. Bin Laden is the one who keeps telling them to...When I first go | :11:43. | :11:46. | |
to a script, I make two lists, one list is everything my character | :11:46. | :11:50. | |
says about herself, the second thing is everyone else says about | :11:50. | :11:54. | |
her n those lists there is clues everywhere. | :11:54. | :12:03. | |
Can I be honest with you? I am bad news. I'm not sure friend, I'm not | :12:03. | :12:09. | |
going to help you, I'm going to break you. | :12:09. | :12:18. | |
Any questions? Do people really think that Kathryn Bigelow and Mark | :12:18. | :12:23. | |
Bole will make a movie that says torture is a good thing. To have | :12:23. | :12:27. | |
omitted harsh tactics or the detainee programme, as part of that | :12:27. | :12:30. | |
ten-year journey, would have been whitewashing history. It was very | :12:30. | :12:36. | |
important to us to keep all the elements of the story intact. The | :12:36. | :12:42. | |
fact that depiction is some how conflated with being pro--something, | :12:42. | :12:46. | |
is extremely -- pro-something, is extremely confusing to me. We lay | :12:46. | :12:51. | |
out the story as it exist, it in no way articulates one's endorsement | :12:51. | :12:56. | |
of T personal lie I think it is reprehensible, and that is the take | :12:56. | :13:03. | |
away of the film. You will never find him. | :13:03. | :13:13. | |
:13:13. | :13:15. | ||
He's one of the disappeared ones. It is no good that I want to swear, | :13:15. | :13:19. | |
I won't, go ahead? Don't swear, we will end up in a situation! Zero | :13:19. | :13:21. | |
Dark Thirty has been so smothered in controversy, you feel like you | :13:21. | :13:25. | |
have to give it two reviews, you have to review the film and the | :13:25. | :13:28. | |
controversy. As cinema I think this is staggering. There is a lot going | :13:28. | :13:33. | |
on here which I think is knocking on for flawless. You have a | :13:33. | :13:37. | |
thriller, where going in will know the ending in the simplest terms, | :13:37. | :13:39. | |
and yet you are gripped and transfixed, it is a movie that | :13:39. | :13:43. | |
takes you by the scruff of the neck and doesn't let go. In the last 30, | :13:44. | :13:48. | |
40 minutes it becomes an action movey, it is a masterclass of an | :13:48. | :13:51. | |
action movey, it doesn't put a shot wrong. We are talking about this at | :13:51. | :13:55. | |
a time when TV is supposed to have overtaken movies, and we are | :13:55. | :13:58. | |
supposed to sit at home and watch the box sets rather than the cinema. | :13:58. | :14:03. | |
This is a reminder of what cinema can be. There are programmes out | :14:03. | :14:08. | |
there with similar subject matter, it makes Homeland look like | :14:08. | :14:13. | |
Hollyoaks. I should watch more Hollyoaks! Watching that clip again | :14:13. | :14:17. | |
makes me want to watch it. When it finished I wanted more. It trips | :14:17. | :14:21. | |
you up all the time. She did it also in the The Hurt Locker, just | :14:21. | :14:24. | |
when you think we are going down this route, or maybe there will be | :14:24. | :14:28. | |
a Roman, maybe she will do this or this, every single time it pulls | :14:28. | :14:33. | |
you up. It goes, no, this is not what's happening. Jessica Chastain | :14:33. | :14:38. | |
is phenomenal in it. It is a thriller, I'm going to read out | :14:38. | :14:44. | |
some tweets. Jay is trying to come up with a new word to describe it | :14:44. | :14:48. | |
"overrated", that is not true. Another viewer says it is a triumph, | :14:48. | :14:53. | |
some of the most arresting and breath-taking cinema. Eerie, wasn't | :14:53. | :14:58. | |
it. Chas chats chas is fan it is a -- Jessica Chastain is fantastic, | :14:58. | :15:02. | |
and it is interesting talking about her in the same week as Daniel Day- | :15:02. | :15:08. | |
Lewis. We know that he's making a believable human out of a | :15:08. | :15:11. | |
historical film, Jessica Chastain has to take a character and make a | :15:11. | :15:16. | |
story out of no back story. We have to talk about a cold and troubling | :15:16. | :15:20. | |
film about cold and troubling event. Is it pro-torture, people will have | :15:20. | :15:27. | |
to make their own minds up. From my side, is it pro-torture, throw | :15:27. | :15:30. | |
another question back, does it show torture working? I don't think it | :15:30. | :15:35. | |
does, it is the portrait of a botch job. The CIA took ten years to | :15:35. | :15:39. | |
track one man down. This film doesn't shy away from the | :15:39. | :15:42. | |
incompetence, and torture didn't deliver results and it ruined | :15:42. | :15:46. | |
America's reputation in the process. We have to ask are these people | :15:46. | :15:50. | |
heros, including Jessica Chastain. As well as a great thriller and | :15:50. | :15:56. | |
action movie, it is a great revenge story. Like all revenge stories the | :15:56. | :16:02. | |
Searchers, Straw Dogs, Dead Man Shoes, you are feeling uneasy and | :16:02. | :16:06. | |
queasy, and you don't know what taking revenge has taken out of the | :16:06. | :16:11. | |
people responsible. What I do have a problem is in calling it | :16:11. | :16:13. | |
journalism, this isn't journalism, they have made a mistake doing, | :16:13. | :16:23. | |
:16:23. | :16:31. | ||
that but it is a great movie. Welcome Katherine. Hello. I know I | :16:31. | :16:36. | |
said this, not recently, quite recently, this is the best top five | :16:36. | :16:40. | |
ever. Top *Five Mothers. There is so many, all amplified. Why have | :16:40. | :16:46. | |
you chosen it this week? It is a tribute to Sally Field, who have we | :16:46. | :16:49. | |
have been talking about Lincoln, the ultimate movie mother. She has | :16:49. | :16:56. | |
a film out this week. What's number five? Number five we have the | :16:56. | :17:00. | |
formidable Angel Lansbury performance in The Manchurian | :17:00. | :17:02. | |
Candidate, she is just probably the most evil person on this list. | :17:02. | :17:08. | |
Let's take a look at her. This is a clip. | :17:08. | :17:16. | |
But now we have come almost to the end. One last step. And then when I | :17:16. | :17:21. | |
take power they will be pulled down and ground into dirt for what they | :17:21. | :17:31. | |
:17:31. | :17:34. | ||
did to you. And what they did in so con temptously underestimating me. | :17:34. | :17:38. | |
That is all together eerie? One of the greatest pleasures in life is | :17:38. | :17:43. | |
take people who have only seen Angel Lansbury in Murder She Wrote, | :17:43. | :17:49. | |
and showing her in Chanderpaul. That is the her The Manchurian | :17:50. | :17:53. | |
Candidate. That is her with her son for those who don't know it. There | :17:53. | :17:58. | |
is a link isn't there? The role of number four Angel Lansbury was | :17:58. | :18:03. | |
interested in playing. At number four here is to her, Mrs Robinson, | :18:03. | :18:08. | |
it is Anne Bancroft in The Graduate. This is the most brilliant clip, we | :18:08. | :18:18. | |
:18:18. | :18:23. | ||
could watch it all day. In your head put in Angela! Oh God. Let me | :18:23. | :18:28. | |
out. Don't be nervous. Get away from that door. I want to say | :18:28. | :18:32. | |
something first. Jesus Christ. want to know I'm available to you, | :18:32. | :18:36. | |
if you won't sleep with me this time, you can call me any time you | :18:36. | :18:39. | |
want and we will make an arrangement. Do you understand. | :18:39. | :18:44. | |
me out. Do you understand? Yet yes, let me out. I find you very | :18:44. | :18:49. | |
attractive. The best thing is the noise he makes, it's like, make it | :18:49. | :18:53. | |
stop. It is so terrible for Anne Bancroft, Dustin Hoffman is six | :18:53. | :18:58. | |
years younger than her. She has to say she's twice his age. He has a | :18:58. | :19:02. | |
side parting, that will take years off. The next clip is my all-time | :19:02. | :19:06. | |
favourite, it makes me cry. next one is traumatic, it is a film | :19:06. | :19:11. | |
I first saw when I was three, it still upsets me just as much now. | :19:11. | :19:21. | |
:19:21. | :19:47. | ||
It is Mrs Jumbo in Dumb bow. # Baby mind | :19:47. | :19:54. | |
# Don't you cry # Baby mind | :19:55. | :20:01. | |
# Dry your eyes # Rest your head | :20:01. | :20:04. | |
# Close to my heart Do you know what I love about the | :20:04. | :20:08. | |
clip, when we showed it earlier, all the cool boys behind the | :20:08. | :20:13. | |
cameras, who were like, all right Claudia, eating cookies, scratching | :20:13. | :20:20. | |
their heads, were like sniffing and cute mum! Disney know this stuff, | :20:20. | :20:25. | |
if you are a mother in a Disney film you are ending up dead, | :20:25. | :20:29. | |
separated or something awful. is number two, a fantastic one? | :20:29. | :20:33. | |
is another horrible one, I'm afraid. You know me. Here we have Kenneth | :20:33. | :20:42. | |
Whiteside played by Piper Laurie in stef -- Laurie White played by | :20:42. | :20:52. | |
:20:52. | :20:55. | ||
Piper Laurie in the Stephen King movie Carrie. He's not gonna come. | :20:55. | :21:00. | |
Stop it momma. Stop hurting yourself momma. | :21:00. | :21:04. | |
He's gonna laugh, they are all going to laugh at you. They are not | :21:04. | :21:08. | |
going to laugh at me. It is not too late, you can stay with me. I don't | :21:08. | :21:11. | |
want to stay with you momma. I will answer the door and tell them that | :21:11. | :21:16. | |
you are sick and you changed your mind. Sit down and be quiet. Can I | :21:16. | :21:22. | |
say I watched that a bit too young, even still now, I'm not ready, I'm | :21:22. | :21:26. | |
not grown up, even though I'm 74? It is one of the most banned books | :21:26. | :21:31. | |
in high schools, apparently. that true, I didn't know that. | :21:31. | :21:35. | |
we talk about Twitter world? Interestingly there is a lot of | :21:35. | :21:43. | |
unanimity, an awful lot of Jackie Weaver in Animal Kingdom, and | :21:43. | :21:51. | |
Aliens, and the Psycho conundrum, nor man and Mrs Bates. For the life | :21:51. | :22:01. | |
:22:01. | :22:01. | ||
action ones I wanted actual actresses, exempt for Dumbo. Julian | :22:01. | :22:05. | |
Moore, the film she's in is out this year. Number one, did you know | :22:05. | :22:10. | |
it would be number one? I did, not agreeing for form's sake, this is | :22:10. | :22:13. | |
genuinely, this one is head and shoulders above all the rest for me. | :22:13. | :22:23. | |
:22:23. | :22:24. | ||
There can be no other contender it is Sarah Connor, from Terminator 2. | :22:24. | :22:33. | |
Men like you built the hydrogen bomb. Men like you messed it up. | :22:33. | :22:38. | |
You think you're so creative. You don't know what it's like to really | :22:38. | :22:42. | |
create something. To create a life. To feel it growing inside you, all | :22:42. | :22:47. | |
you know how to create is death and destruction. Mom, mom! We need to | :22:47. | :22:53. | |
be a little more constructive here, OK! She is the coolest of all time. | :22:53. | :22:56. | |
It is such an evolution, we have seen her in the first time, this is | :22:56. | :23:00. | |
what being a mother has done to her, that and the threat of nuclear war. | :23:00. | :23:04. | |
That will do it! Who is your favourite? It is a great list, I | :23:04. | :23:08. | |
have no problem with it. It is David Lynch's birthday, it might | :23:08. | :23:16. | |
have been nice to have Wild At Hard, with Diane Ladd, she plays her | :23:16. | :23:22. | |
real-life daughter, Laura Dern's mother, as a monstrosity, that is a | :23:22. | :23:27. | |
movie mum. What is the next top five? It is sequels, I'm looking | :23:27. | :23:33. | |
forward to it. Aliens, otherwise we will have a fight. Predator 12. | :23:33. | :23:38. | |
is ten years, everybody will be happy, he's back, Arnie stars in | :23:38. | :23:44. | |
The Last Stand. There is the elephant right there, | :23:45. | :23:51. | |
boys. I thought he wasn't working today. | :23:51. | :23:55. | |
Hey ray, how you doing. Good to see you. You looking jacked, you been | :23:55. | :24:02. | |
working out. Give me that damn thing. It is an | :24:02. | :24:06. | |
underdog story where I play basically a Sheriff that has just | :24:06. | :24:12. | |
come back to his home town to spent the last few years in my home town, | :24:12. | :24:17. | |
and then retire. When all of a sudden this town gets hit by | :24:17. | :24:25. | |
violent criminals. Sure, the FBI, I have a violent | :24:25. | :24:29. | |
criminal making a run for the Mexican border. A couple of | :24:29. | :24:33. | |
truckers stopped in town, there is something off about them. Complete | :24:33. | :24:37. | |
your mission. Get me across that border. Something big is going on | :24:37. | :24:45. | |
here. I want a roadblock right here, right now. | :24:45. | :24:48. | |
I picked this movie because it was fantastic script. The story was | :24:48. | :24:52. | |
great, it had intensity, drama, it had a lot of action, which I love, | :24:52. | :24:59. | |
and which my fans expect me to deliver. It is, without any doubt, | :24:59. | :25:05. | |
a tense action movie. But, with Comic Relief. The FBI says there is | :25:05. | :25:13. | |
an escaped fugutive heading our way. When it rains it pours. I'm not | :25:13. | :25:17. | |
going to let that guy come through our town without a fight. How will | :25:17. | :25:23. | |
we come up against all that fire power? I got an idea. | :25:23. | :25:28. | |
I was back in an action movie where from the beginning to the end I was | :25:28. | :25:34. | |
punching, I was shooting. I was running, I was climbing. I was | :25:34. | :25:39. | |
kicked, I was beaten, and I was in cars and crashing into cars. | :25:39. | :25:43. | |
the hell are you? I am eight Sheriff. | :25:43. | :25:46. | |
It was from the beginning to the end. All action. It was | :25:46. | :25:56. | |
:25:56. | :26:01. | ||
unbelievable. How are you Sheriff? Old! | :26:01. | :26:05. | |
They are selling this as the any comeback movie, and a lot of | :26:05. | :26:10. | |
shoppers will check carefully the contents of their burgers this week, | :26:10. | :26:14. | |
people should know there are limited quantities of | :26:14. | :26:17. | |
Schwarzenegger in this movie. Maybe he's at a certain age where the | :26:17. | :26:20. | |
action stuff isn't doable, or maybe he has better things to do. This is | :26:20. | :26:24. | |
the kind of movie where you think the golf clubs are out of shot. He | :26:24. | :26:27. | |
goes missing for long periods of time. It leaves the movie with | :26:27. | :26:32. | |
space to fill. The movie tries to do that by, Johnny Knoxville, and | :26:32. | :26:42. | |
:26:42. | :26:43. | ||
it even has a go at becoming another Fast And The Furious, the | :26:43. | :26:48. | |
Pablo Esqobar, drug Lord who he's coming up against, is also a | :26:48. | :26:54. | |
champion racing drama, competing in South America under an assumed name. | :26:54. | :26:58. | |
Forest Whitaker had the job of explaining that, and I haven't felt | :26:58. | :27:03. | |
so sorry for an actor. Often you don't know you have missed | :27:03. | :27:08. | |
something until it is become, mouse saki, give it a Government any, | :27:08. | :27:13. | |
welcome. He is the colour of teak. I can only dream about being that | :27:13. | :27:16. | |
colour. He's a mountain, he can't move any more, because he's full of | :27:16. | :27:21. | |
foetus, I don't know what he's full of! He's walking along, nothing | :27:21. | :27:27. | |
makes sense, give me the keys, somebody gets in the bus, nobody is | :27:27. | :27:31. | |
in town, nothing, but it is also about 40 minutes long, the other | :27:31. | :27:33. | |
films we have done are three-and-a- half. The things that don't make | :27:33. | :27:39. | |
sense, why does a small two-horse town in Arizona have a 65-year-old | :27:39. | :27:45. | |
huge as youry ian for the Sheriff. Film of the week? Zero Dark Thirty | :27:45. | :27:52. | |
Lincoln for me. Next week we are back on Tuesday, who knew! He | :27:52. | :27:58. | |
earlier time of 11.25 we will review Hyde Park On Hudson. Michael | :27:58. | :28:08. | |
:28:08. | :28:08. |