Episode 8 Film 2013


Episode 8

Film reviews. Claudia Winkleman and Danny Leigh review Russell Crowe and Mark Wahlberg in thriller Broken City, plus Nicole Kidman in twisted family drama Stoker.


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Transcript


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Hello and welcome to the last in Hello and welcome to the last in

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Hello and welcome to the last in the present series of Film 2013

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the present series of Film 2013 the present series of Film 2013

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with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

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with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

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Danny Leigh. We are live. If you Danny Leigh. We are live. If you

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Danny Leigh. We are live. If you Danny Leigh. We are live. If you

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would like to get in touch the would like to get in touch the

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would like to get in touch the details are on the screen now.

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details are on the screen now. details are on the screen now.

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Coming up: Nicole Kidman and Coming up: Nicole Kidman and

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Coming up: Nicole Kidman and Coming up: Nicole Kidman and

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Matthew Goode keep it in the family Matthew Goode keep it in the family

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Matthew Goode keep it in the family Matthew Goode keep it in the family

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in Stoker. Come and say hello to in Stoker. Come and say hello to

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in Stoker. Come and say hello to your uncle Charlie. Breaking bad.

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your uncle Charlie. Breaking bad. your uncle Charlie. Breaking bad.

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Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

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Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

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take charge of a broken city. The take charge of a broken city. The

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take charge of a broken city. The take charge of a broken city. The

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best is yet to come. Our pick of best is yet to come. Our pick of

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best is yet to come. Our pick of best is yet to come. Our pick of

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the films coming up. Plus, we have the films coming up. Plus, we have

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the films coming up. Plus, we have Richard Gere in Arbitrage and

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Richard Gere in Arbitrage and Richard Gere in Arbitrage and

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Caesar Must Die. First tonight is Caesar Must Die. First tonight is

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Caesar Must Die. First tonight is Caesar Must Die. First tonight is

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Stoker a twisted family tale of the Stoker a twisted family tale of the

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Stoker a twisted family tale of the director of Oldboy, Park Chan-wook.

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director of Oldboy, Park Chan-wook. director of Oldboy, Park Chan-wook.

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director of Oldboy, Park Chan-wook. Richard Stoker was taken from us by

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Richard Stoker was taken from us by Richard Stoker was taken from us by

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Richard Stoker was taken from us by a cruel twist of faith. Pray for

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a cruel twist of faith. Pray for a cruel twist of faith. Pray for

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strength for Richard's wife and strength for Richard's wife and

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strength for Richard's wife and daughter. India, say hello to your

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daughter. India, say hello to your daughter. India, say hello to your

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daughter. India, say hello to your uncle Charlie. It's a coming of age

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uncle Charlie. It's a coming of age uncle Charlie. It's a coming of age

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story about a young 18-year-old story about a young 18-year-old

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story about a young 18-year-old girl whose father has recently died

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girl whose father has recently died girl whose father has recently died

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girl whose father has recently died and her uncle turns up out of

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and her uncle turns up out of and her uncle turns up out of

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nowhere and so begins a love nowhere and so begins a love

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nowhere and so begins a love triangle between her, her uncle and

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triangle between her, her uncle and triangle between her, her uncle and

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her mother. Yeah, it was described her mother. Yeah, it was described

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her mother. Yeah, it was described her mother. Yeah, it was described

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to me as a twisted Fairbanksy tale. to me as a twisted Fairbanksy tale.

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to me as a twisted Fairbanksy tale. -- fairytale. I'm not sure what

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-- fairytale. I'm not sure what -- fairytale. I'm not sure what

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-- fairytale. I'm not sure what this is. Is it a thriller? Is it

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this is. Is it a thriller? Is it this is. Is it a thriller? Is it

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this is. Is it a thriller? Is it horror? I'm not quite sure what it

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horror? I'm not quite sure what it horror? I'm not quite sure what it

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Maybe we could talk about you Maybe we could talk about you

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Maybe we could talk about you living here with Charlie like this?

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living here with Charlie like this? living here with Charlie like this?

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Uncle Charlie, who is my character, Uncle Charlie, who is my character,

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Uncle Charlie, who is my character, Uncle Charlie, who is my character,

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comes back. He has been away for, comes back. He has been away for,

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comes back. He has been away for, he has been "travelling" for 20

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he has been "travelling" for 20 he has been "travelling" for 20

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he has been "travelling" for 20 years. The main theme about it is

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years. The main theme about it is years. The main theme about it is

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years. The main theme about it is about bad blood. The idea of where

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about bad blood. The idea of where about bad blood. The idea of where

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evil possible comes from? Is there evil possible comes from? Is there

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evil possible comes from? Is there a possible pre-dispotion within the

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a possible pre-dispotion within the a possible pre-dispotion within the

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a possible pre-dispotion within the family blood line to do some pretty

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family blood line to do some pretty family blood line to do some pretty

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naughty things? What do you want naughty things? What do you want

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naughty things? What do you want naughty things? What do you want

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from me? To be friends.We don't from me? To be friends.We don't

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from me? To be friends.We don't need to be friends. We're family.

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need to be friends. We're family. need to be friends. We're family.

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need to be friends. We're family. She's of age. Of age for what?

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She's of age. Of age for what? She's of age. Of age for what?

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think with director Park he's just think with director Park he's just

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think with director Park he's just very particular and once you get

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very particular and once you get very particular and once you get

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very particular and once you get used to what he likes. Once you get

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used to what he likes. Once you get used to what he likes. Once you get

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used to what he likes. Once you get his rhythm you can kind of read his

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his rhythm you can kind of read his his rhythm you can kind of read his

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mind. That is just because he's... mind. That is just because he's...

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mind. That is just because he's... mind. That is just because he's...

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He is very, very precries in what He is very, very precries in what

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He is very, very precries in what He is very, very precries in what

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he wants and how he wants it. I he wants and how he wants it. I

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he wants and how he wants it. I he wants and how he wants it. I

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caught tonne it early. I was able caught tonne it early. I was able

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caught tonne it early. I was able caught tonne it early. I was able

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to work with him that way. to work with him that way.

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to work with him that way. to work with him that way.

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wondered why it is we have children. wondered why it is we have children.

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wondered why it is we have children. wondered why it is we have children.

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When we first met director Park he When we first met director Park he

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When we first met director Park he When we first met director Park he

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gave us a folder with every single gave us a folder with every single

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gave us a folder with every single frame beautifully drawn out. So, we

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frame beautifully drawn out. So, we frame beautifully drawn out. So, we

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frame beautifully drawn out. So, we frame beautifully drawn out. So, we

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had a fit... We had a sense of how had a fit... We had a sense of how

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had a fit... We had a sense of how the film would feel. You didn't

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the film would feel. You didn't the film would feel. You didn't

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the film would feel. You didn't know how it would be shot. Some of

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know how it would be shot. Some of know how it would be shot. Some of

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know how it would be shot. Some of the stuff was kept from us. I

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the stuff was kept from us. I the stuff was kept from us. I

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remember Nicole saying, "I didn't remember Nicole saying, "I didn't

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remember Nicole saying, "I didn't remember Nicole saying, "I didn't

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realise what he was going to do realise what he was going to do

:04:09.:04:12.

realise what he was going to do realise what he was going to do

:04:12.:04:15.

with that shot with the hair." It's with that shot with the hair." It's

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with that shot with the hair." It's beautifully shot. Mitt When I saw

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beautifully shot. Mitt When I saw beautifully shot. Mitt When I saw

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beautifully shot. Mitt When I saw it for the first time, you could

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it for the first time, you could it for the first time, you could

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it for the first time, you could hear a pin drop. He creates his own

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hear a pin drop. He creates his own hear a pin drop. He creates his own

:04:24.:04:34.
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Who are you? I had very, very high Who are you? I had very, very high

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Who are you? I had very, very high hopes for Stoker, normally it turns

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hopes for Stoker, normally it turns hopes for Stoker, normally it turns

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hopes for Stoker, normally it turns out to be a disaster. You have to

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out to be a disaster. You have to out to be a disaster. You have to

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imagine my surprise when it turned imagine my surprise when it turned

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imagine my surprise when it turned imagine my surprise when it turned

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out to be this mad black hearted out to be this mad black hearted

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out to be this mad black hearted triumph. A gotic chocolate box film.

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triumph. A gotic chocolate box film. triumph. A gotic chocolate box film.

:04:57.:04:57.

It is overblown. It is fiercely It is overblown. It is fiercely

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It is overblown. It is fiercely It is overblown. It is fiercely

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proud of all those things. It looks proud of all those things. It looks

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proud of all those things. It looks pristine and gorgeous. I think it's

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pristine and gorgeous. I think it's pristine and gorgeous. I think it's

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deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

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deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

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in the best sense of the word. I in the best sense of the word. I

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in the best sense of the word. I in the best sense of the word. I

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wanted to roll around in this film. wanted to roll around in this film.

:05:10.:05:12.

wanted to roll around in this film. wanted to roll around in this film.

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The moment I came out of it, I The moment I came out of it, I

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The moment I came out of it, I wanted to turn around and go

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wanted to turn around and go wanted to turn around and go

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straight back in. Isn't that straight back in. Isn't that

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straight back in. Isn't that interesting. The moment I came out

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interesting. The moment I came out interesting. The moment I came out

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interesting. The moment I came out interesting. The moment I came out

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I wanted to go back in and ask for I wanted to go back in and ask for

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I wanted to go back in and ask for I wanted to go back in and ask for

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those two hours of my life back. those two hours of my life back.

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those two hours of my life back. They are never coming back. They

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They are never coming back. They They are never coming back. They

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are never coming back. I thought are never coming back. I thought

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the performances were brilliant. the performances were brilliant.

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the performances were brilliant. Can I read this out, "forgetable

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Can I read this out, "forgetable Can I read this out, "forgetable

:05:32.:05:33.

Can I read this out, "forgetable and choppy, a real shame given the

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and choppy, a real shame given the great performances." They are

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great performances." They are great performances." They are

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fabulous. I wanted, I think it fabulous. I wanted, I think it

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fabulous. I wanted, I think it fabulous. I wanted, I think it

:05:38.:05:38.

might have something to do with my might have something to do with my

:05:38.:05:40.

expectations which were incredibly expectations which were incredibly

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expectations which were incredibly expectations which were incredibly

:05:41.:05:41.

high. I thought it was going... I high. I thought it was going... I

:05:41.:05:43.

high. I thought it was going... I high. I thought it was going... I

:05:43.:05:45.

was told it was a horror. It's not was told it was a horror. It's not

:05:45.:05:46.

was told it was a horror. It's not was told it was a horror. It's not

:05:46.:05:47.

a horror. As I was watching it I a horror. As I was watching it I

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a horror. As I was watching it I was thinking there is a joyless

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was thinking there is a joyless was thinking there is a joyless

:05:51.:05:51.

was thinking there is a joyless ninny who would fail to get this

:05:51.:05:53.

ninny who would fail to get this ninny who would fail to get this

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ninny who would fail to get this film. Maybe we would have to shake

:05:55.:05:56.

film. Maybe we would have to shake film. Maybe we would have to shake

:05:56.:05:59.

them vigorously and say, "do you them vigorously and say, "do you

:05:59.:06:01.

them vigorously and say, "do you like movies" and leave them to

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like movies" and leave them to like movies" and leave them to

:06:02.:06:04.

theirmisery. That is me and them. theirmisery. That is me and them.

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theirmisery. That is me and them. theirmisery. That is me and them.

:06:05.:06:07.

There is a lot. I will read more, There is a lot. I will read more,

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There is a lot. I will read more, "all style and no substance."

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"all style and no substance." "all style and no substance."

:06:12.:06:12.

"all style and no substance." is a wonderful thing going on. This

:06:12.:06:15.

is a wonderful thing going on. This is a wonderful thing going on. This

:06:15.:06:16.

is a wonderful thing going on. This will put you in mind of Hitchcock

:06:16.:06:18.

will put you in mind of Hitchcock will put you in mind of Hitchcock

:06:18.:06:19.

will put you in mind of Hitchcock Shadow of a Doubt. You have the

:06:19.:06:21.

Shadow of a Doubt. You have the Shadow of a Doubt. You have the

:06:21.:06:23.

innocence, you have the Outsiders innocence, you have the Outsiders

:06:23.:06:26.

innocence, you have the Outsiders innocence, you have the Outsiders

:06:26.:06:28.

and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:28.:06:30.

and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:30.:06:32.

it is still it's own film. You are it is still it's own film. You are

:06:32.:06:33.

dismissive about the performances. dismissive about the performances.

:06:33.:06:37.

dismissive about the performances. That is my favourite bit?

:06:38.:06:39.

That is my favourite bit? That is my favourite bit?

:06:39.:06:40.

Wasikowska impeccable. We have to Wasikowska impeccable. We have to

:06:40.:06:41.

Wasikowska impeccable. We have to talk about Nicole Kidman. I don't

:06:41.:06:42.

talk about Nicole Kidman. I don't talk about Nicole Kidman. I don't

:06:42.:06:44.

talk about Nicole Kidman. I don't think as an actress, she has had an

:06:44.:06:45.

think as an actress, she has had an think as an actress, she has had an

:06:45.:06:46.

think as an actress, she has had an odd career. I don't think there is

:06:47.:06:48.

odd career. I don't think there is odd career. I don't think there is

:06:48.:06:48.

odd career. I don't think there is an at actress of her stature who

:06:48.:06:50.

an at actress of her stature who an at actress of her stature who

:06:50.:06:51.

an at actress of her stature who would or could play this role so

:06:51.:06:52.

would or could play this role so would or could play this role so

:06:52.:06:54.

perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:54.:06:55.

perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:55.:06:57.

face. She looks like she is dipped face. She looks like she is dipped

:06:57.:06:59.

face. She looks like she is dipped face. She looks like she is dipped

:06:59.:07:01.

in plastic. She is playing a widow in plastic. She is playing a widow

:07:01.:07:02.

in plastic. She is playing a widow with an itch in her pants.

:07:02.:07:03.

with an itch in her pants. with an itch in her pants.

:07:03.:07:04.

with an itch in her pants. Brilliant is a word I try not to

:07:04.:07:06.

Brilliant is a word I try not to Brilliant is a word I try not to

:07:06.:07:08.

use. It's your word. It's my use. It's your word. It's my

:07:08.:07:09.

use. It's your word. It's my favourite word. I stay away from.

:07:09.:07:11.

favourite word. I stay away from. favourite word. I stay away from.

:07:11.:07:13.

It it's brilliant. Somewhere out It it's brilliant. Somewhere out

:07:13.:07:13.

It it's brilliant. Somewhere out there tonight Tim Burton has been

:07:14.:07:17.

there tonight Tim Burton has been there tonight Tim Burton has been

:07:17.:07:18.

brought his horlicks and has dosed brought his horlicks and has dosed

:07:18.:07:20.

brought his horlicks and has dosed brought his horlicks and has dosed

:07:20.:07:21.

and is waving his arms and legs and is waving his arms and legs

:07:21.:07:22.

and is waving his arms and legs and is waving his arms and legs

:07:22.:07:23.

about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:23.:07:25.

about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:25.:07:26.

of having made a film this good. of having made a film this good.

:07:26.:07:28.

of having made a film this good. Really? I hear you. Performances

:07:28.:07:31.

Really? I hear you. Performances Really? I hear you. Performances

:07:31.:07:32.

brilliant. Don't go! Next, Mark brilliant. Don't go! Next, Mark

:07:32.:07:33.

brilliant. Don't go! Next, Mark Wahlberg and Russell Crowe star in

:07:34.:07:41.

Wahlberg and Russell Crowe star in Wahlberg and Russell Crowe star in

:07:41.:07:43.

the thriller Broken City. When I the thriller Broken City. When I

:07:44.:07:45.

the thriller Broken City. When I was elected Mayor, this was a

:07:45.:07:47.

was elected Mayor, this was a was elected Mayor, this was a

:07:47.:07:48.

broken city. Tell me things haven't broken city. Tell me things haven't

:07:48.:07:50.

broken city. Tell me things haven't broken city. Tell me things haven't

:07:50.:07:52.

changed? Do you know who I am?Yeah. changed? Do you know who I am?Yeah.

:07:52.:07:53.

changed? Do you know who I am?Yeah. Step-by-step, I've been getting it

:07:53.:07:56.

Step-by-step, I've been getting it Step-by-step, I've been getting it

:07:56.:07:57.

fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:07:57.:07:59.

fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:08:00.:08:03.

Look in my eyes, a hero. Thank you. Look in my eyes, a hero. Thank you.

:08:03.:08:04.

Look in my eyes, a hero. Thank you. I'm a detective named Billy Taggart,

:08:04.:08:05.

I'm a detective named Billy Taggart, I'm a detective named Billy Taggart,

:08:05.:08:07.

I'm a detective named Billy Taggart, he has taken the law into his own

:08:07.:08:08.

he has taken the law into his own he has taken the law into his own

:08:08.:08:09.

hands after a huge miscarriage of hands after a huge miscarriage of

:08:09.:08:11.

hands after a huge miscarriage of hands after a huge miscarriage of

:08:11.:08:12.

justice. He is forced to resign or justice. He is forced to resign or

:08:12.:08:14.

justice. He is forced to resign or face criminal charges. He becomes a

:08:14.:08:15.

face criminal charges. He becomes a face criminal charges. He becomes a

:08:15.:08:16.

private investigator he is called private investigator he is called

:08:16.:08:17.

private investigator he is called by the Mayor to investigate his

:08:17.:08:18.

by the Mayor to investigate his by the Mayor to investigate his

:08:18.:08:19.

by the Mayor to investigate his wife who he thinks is having an

:08:19.:08:20.

wife who he thinks is having an wife who he thinks is having an

:08:20.:08:22.

affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:22.:08:24.

affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:24.:08:26.

you. I need you to find the man you. I need you to find the man

:08:26.:08:27.

you. I need you to find the man sleeping with my wife. Done. You

:08:27.:08:28.

sleeping with my wife. Done. You sleeping with my wife. Done. You

:08:28.:08:29.

sleeping with my wife. Done. You are my eyes. What do we have?

:08:29.:08:31.

are my eyes. What do we have? are my eyes. What do we have?

:08:31.:08:33.

are my eyes. What do we have? have him. It's good, Billy. As I

:08:33.:08:34.

have him. It's good, Billy. As I investigate her I unravel

:08:34.:08:35.

investigate her I unravel investigate her I unravel

:08:35.:08:36.

investigate her I unravel corruption and I decide, I will not

:08:36.:08:38.

corruption and I decide, I will not corruption and I decide, I will not

:08:38.:08:42.

corruption and I decide, I will not be the Mayor pawn, I will take him

:08:42.:08:44.

be the Mayor pawn, I will take him be the Mayor pawn, I will take him

:08:44.:08:44.

be the Mayor pawn, I will take him down if it means risk my own

:08:44.:08:46.

down if it means risk my own down if it means risk my own

:08:46.:08:47.

down if it means risk my own freedom. It's not what you think it

:08:47.:08:49.

freedom. It's not what you think it freedom. It's not what you think it

:08:49.:08:50.

freedom. It's not what you think it is. If the last seven years of your

:08:50.:08:53.

is. If the last seven years of your is. If the last seven years of your

:08:53.:08:54.

life mean anything, walk away. If life mean anything, walk away. If

:08:54.:08:55.

life mean anything, walk away. If you think you are investigating

:08:55.:08:57.

you think you are investigating you think you are investigating

:08:57.:08:59.

adultery, Mr Taggart, you don't adultery, Mr Taggart, you don't

:08:59.:09:03.

adultery, Mr Taggart, you don't know Nicholas Hostetler very well.

:09:03.:09:06.

know Nicholas Hostetler very well. know Nicholas Hostetler very well.

:09:06.:09:08.

Russell, who is fairly method comes Russell, who is fairly method comes

:09:08.:09:09.

Russell, who is fairly method comes Russell, who is fairly method comes

:09:09.:09:10.

on to set. He is charming people on to set. He is charming people

:09:10.:09:12.

on to set. He is charming people and shaking hands and telling jokes

:09:12.:09:13.

and shaking hands and telling jokes and shaking hands and telling jokes

:09:13.:09:14.

and kissing babies and being the and kissing babies and being the

:09:14.:09:15.

and kissing babies and being the and kissing babies and being the

:09:15.:09:16.

Mayor. I need a drink.A lot of Mayor. I need a drink.A lot of

:09:16.:09:18.

Mayor. I need a drink.A lot of these people who have taken these

:09:18.:09:20.

these people who have taken these these people who have taken these

:09:20.:09:21.

offices are corrupted by power and offices are corrupted by power and

:09:21.:09:23.

offices are corrupted by power and money. It's a very tempting thing.

:09:23.:09:24.

money. It's a very tempting thing. money. It's a very tempting thing.

:09:24.:09:24.

money. It's a very tempting thing. That's the case that we are dealing

:09:25.:09:28.

That's the case that we are dealing That's the case that we are dealing

:09:28.:09:28.

That's the case that we are dealing with in Broken City. I might have

:09:28.:09:30.

with in Broken City. I might have with in Broken City. I might have

:09:30.:09:32.

to hire someone to investigate you. to hire someone to investigate you.

:09:32.:09:33.

to hire someone to investigate you. to hire someone to investigate you.

:09:33.:09:34.

You are good Mayor, you have it all You are good Mayor, you have it all

:09:34.:09:35.

You are good Mayor, you have it all You are good Mayor, you have it all

:09:35.:09:36.

worked out. Perhaps that is why the worked out. Perhaps that is why the

:09:36.:09:37.

worked out. Perhaps that is why the people keep electing me, Billy,

:09:37.:09:38.

people keep electing me, Billy, people keep electing me, Billy,

:09:38.:09:39.

people keep electing me, Billy, because I simply get the job done.

:09:39.:09:40.

because I simply get the job done. because I simply get the job done.

:09:40.:09:41.

because I simply get the job done. All this, it was all for the City?

:09:41.:09:42.

All this, it was all for the City? All this, it was all for the City?

:09:42.:09:43.

All this, it was all for the City? Everything I do is for this great

:09:43.:09:45.

Everything I do is for this great Everything I do is for this great

:09:45.:09:46.

Everything I do is for this great city. I try to stay optimistic with

:09:46.:09:47.

city. I try to stay optimistic with city. I try to stay optimistic with

:09:47.:09:50.

city. I try to stay optimistic with the officials we elect and that we

:09:50.:09:50.

the officials we elect and that we the officials we elect and that we

:09:50.:09:51.

the officials we elect and that we -- they will take care of the

:09:51.:09:53.

-- they will take care of the -- they will take care of the

:09:53.:09:53.

-- they will take care of the people that elected them and try to

:09:53.:09:54.

people that elected them and try to people that elected them and try to

:09:54.:09:57.

better all the things that they better all the things that they

:09:57.:09:58.

better all the things that they have promised to better and change

:09:58.:09:59.

have promised to better and change have promised to better and change

:09:59.:10:00.

while running for office. You know, while running for office. You know,

:10:00.:10:05.

while running for office. You know, it doesn't always happen. He's a

:10:05.:10:08.

it doesn't always happen. He's a it doesn't always happen. He's a

:10:08.:10:09.

dangerous man, Billy. He knows dangerous man, Billy. He knows

:10:09.:10:10.

dangerous man, Billy. He knows people who kill people. You're

:10:10.:10:11.

people who kill people. You're people who kill people. You're

:10:11.:10:11.

people who kill people. You're going to walk away. That is the

:10:11.:10:13.

going to walk away. That is the going to walk away. That is the

:10:13.:10:18.

going to walk away. That is the deal, Mayor. I suggest you take it.

:10:18.:10:19.

deal, Mayor. I suggest you take it. deal, Mayor. I suggest you take it.

:10:19.:10:22.

deal, Mayor. I suggest you take it. It's a movie out of time. It's a

:10:22.:10:24.

It's a movie out of time. It's a It's a movie out of time. It's a

:10:24.:10:24.

40's film. Somehow it stumbled 40's film. Somehow it stumbled

:10:24.:10:26.

40's film. Somehow it stumbled around in the year 2013. One

:10:26.:10:29.

around in the year 2013. One around in the year 2013. One

:10:29.:10:30.

character says, "do they have character says, "do they have

:10:30.:10:33.

character says, "do they have private I's any more", that is

:10:33.:10:34.

private I's any more", that is private I's any more", that is

:10:34.:10:35.

private I's any more", that is strange. If you have a soft spot

:10:36.:10:37.

strange. If you have a soft spot strange. If you have a soft spot

:10:37.:10:38.

strange. If you have a soft spot for noir it is slick and gets the

:10:38.:10:39.

for noir it is slick and gets the for noir it is slick and gets the

:10:39.:10:41.

for noir it is slick and gets the job done in a B movie fashion. If

:10:41.:10:43.

job done in a B movie fashion. If job done in a B movie fashion. If

:10:43.:10:45.

job done in a B movie fashion. If you are into New York, you are a

:10:45.:10:46.

you are into New York, you are a you are into New York, you are a

:10:46.:10:47.

connoisseur of New York porn and connoisseur of New York porn and

:10:47.:10:48.

connoisseur of New York porn and like the yellow cabs and the

:10:48.:10:50.

like the yellow cabs and the like the yellow cabs and the

:10:50.:10:51.

Chrysler building across the night Chrysler building across the night

:10:51.:10:52.

Chrysler building across the night sky it delivers on that, because

:10:52.:10:54.

sky it delivers on that, because sky it delivers on that, because

:10:54.:10:59.

sky it delivers on that, because New York is about noir and Ready

:10:59.:11:00.

New York is about noir and Ready New York is about noir and Ready

:11:00.:11:01.

Brek. If you have low expectation Brek. If you have low expectation

:11:01.:11:04.

Brek. If you have low expectation it delivers. Everything is about

:11:04.:11:08.

it delivers. Everything is about it delivers. Everything is about

:11:09.:11:10.

expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:10.:11:11.

expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:11.:11:12.

How bad can this be? You realise How bad can this be? You realise

:11:12.:11:13.

How bad can this be? You realise How bad can this be? You realise

:11:13.:11:15.

how difficult it is to make a how difficult it is to make a

:11:15.:11:16.

how difficult it is to make a gripping film. I thought it wasn't

:11:16.:11:17.

gripping film. I thought it wasn't gripping film. I thought it wasn't

:11:17.:11:17.

gripping film. I thought it wasn't nearly as good as it should have

:11:17.:11:20.

nearly as good as it should have nearly as good as it should have

:11:20.:11:20.

nearly as good as it should have been. I will read this out, John

:11:20.:11:22.

been. I will read this out, John been. I will read this out, John

:11:22.:11:24.

Milton says, "thought it was OK, Milton says, "thought it was OK,

:11:24.:11:26.

Milton says, "thought it was OK, not bad, not great, kind of

:11:26.:11:27.

not bad, not great, kind of not bad, not great, kind of

:11:27.:11:27.

average." Thank you very much for average." Thank you very much for

:11:28.:11:28.

average." Thank you very much for tweeting. The problem is, it should

:11:28.:11:29.

tweeting. The problem is, it should tweeting. The problem is, it should

:11:30.:11:31.

have been better. I thought it have been better. I thought it

:11:31.:11:32.

have been better. I thought it was... It goes exactly where you

:11:32.:11:33.

was... It goes exactly where you was... It goes exactly where you

:11:33.:11:34.

was... It goes exactly where you think it will go. It goes there

:11:34.:11:35.

think it will go. It goes there think it will go. It goes there

:11:35.:11:36.

exactly when you think it's going exactly when you think it's going

:11:37.:11:38.

exactly when you think it's going exactly when you think it's going

:11:38.:11:39.

to go. I don't think... I don't to go. I don't think... I don't

:11:39.:11:40.

to go. I don't think... I don't to go. I don't think... I don't

:11:40.:11:41.

think that is the end of the world. think that is the end of the world.

:11:41.:11:43.

think that is the end of the world. It's not unafraid of cliches, put

:11:43.:11:45.

It's not unafraid of cliches, put It's not unafraid of cliches, put

:11:45.:11:45.

it that way. The performances hold it that way. The performances hold

:11:46.:11:46.

it that way. The performances hold it together. Mark Wahlberg gets it

:11:46.:11:48.

it together. Mark Wahlberg gets it it together. Mark Wahlberg gets it

:11:48.:11:48.

it together. Mark Wahlberg gets it a sense of robustness at the heart

:11:48.:11:50.

a sense of robustness at the heart a sense of robustness at the heart

:11:50.:11:52.

a sense of robustness at the heart of it all. Russell Crowe, this is,

:11:52.:11:53.

of it all. Russell Crowe, this is, of it all. Russell Crowe, this is,

:11:53.:11:54.

I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:54.:11:55.

I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:55.:11:56.

performance as much as this in a performance as much as this in a

:11:56.:11:57.

performance as much as this in a long-term. He is not singing for

:11:57.:11:58.

long-term. He is not singing for long-term. He is not singing for

:11:58.:11:59.

long-term. He is not singing for one thing, which is a relief. A

:11:59.:12:00.

one thing, which is a relief. A one thing, which is a relief. A

:12:00.:12:02.

one thing, which is a relief. A relief to me, I suppose to him as

:12:02.:12:07.

relief to me, I suppose to him as relief to me, I suppose to him as

:12:07.:12:08.

relief to me, I suppose to him as well. There is a whiff of gammon

:12:08.:12:12.

well. There is a whiff of gammon well. There is a whiff of gammon

:12:12.:12:13.

you could imagine albacheen owe you could imagine albacheen owe

:12:13.:12:15.

you could imagine albacheen owe you could imagine albacheen owe

:12:15.:12:25.
:12:25.:12:27.

saying, "you could take it down a saying, "you could take it down a

:12:27.:12:27.

saying, "you could take it down a saying, "you could take it down a

:12:27.:12:29.

notch or two." If you expect a film notch or two." If you expect a film

:12:29.:12:30.

notch or two." If you expect a film notch or two." If you expect a film

:12:30.:12:32.

to be in next year's Oscars it to be in next year's Oscars it

:12:32.:12:33.

to be in next year's Oscars it to be in next year's Oscars it

:12:33.:12:34.

won't be. As a B movie that will won't be. As a B movie that will

:12:34.:12:35.

won't be. As a B movie that will won't be. As a B movie that will

:12:35.:12:45.
:12:45.:12:47.

Now we have Caesar Must Die, set in Now we have Caesar Must Die, set in

:12:47.:12:48.

Now we have Caesar Must Die, set in a real Italian prison, this prize-

:12:48.:12:49.

a real Italian prison, this prize- winning docu-drama depicts inmates

:12:49.:12:50.

winning docu-drama depicts inmates winning docu-drama depicts inmates

:12:50.:12:51.

preparing to give a performance of preparing to give a performance of

:12:51.:13:01.
:13:01.:13:01.

Apology for the loss of subtitles for 60 seconds

:13:01.:14:01.

Until now, the best known screenan Until now, the best known screenan

:14:01.:14:03.

Until now, the best known screenan adaptation of jewel July goes back

:14:03.:14:07.

adaptation of jewel July goes back adaptation of jewel July goes back

:14:07.:14:09.

to 1953 starring Marlon Brando. to 1953 starring Marlon Brando.

:14:09.:14:18.

to 1953 starring Marlon Brando. Here you have James Mason, playing

:14:18.:14:20.

Here you have James Mason, playing Here you have James Mason, playing

:14:20.:14:21.

Here you have James Mason, playing a man in prison. All the characters

:14:21.:14:21.

a man in prison. All the characters a man in prison. All the characters

:14:22.:14:22.

a man in prison. All the characters are mafioso. We know that at the

:14:22.:14:24.

are mafioso. We know that at the are mafioso. We know that at the

:14:24.:14:24.

start of the film. They're start of the film. They're

:14:24.:14:25.

start of the film. They're introduced to the director, talk a

:14:25.:14:27.

introduced to the director, talk a introduced to the director, talk a

:14:28.:14:29.

bit about who they are, what bit about who they are, what

:14:29.:14:30.

sentences they're serving. After sentences they're serving. After

:14:30.:14:31.

sentences they're serving. After that, it's the play essentially.

:14:31.:14:32.

that, it's the play essentially. that, it's the play essentially.

:14:32.:14:33.

It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:33.:14:34.

It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:34.:14:35.

by this cast and I think very by this cast and I think very

:14:35.:14:37.

by this cast and I think very smartly and very interestingly, it

:14:37.:14:38.

smartly and very interestingly, it smartly and very interestingly, it

:14:38.:14:39.

leaves their criminal careers in leaves their criminal careers in

:14:39.:14:40.

leaves their criminal careers in leaves their criminal careers in

:14:40.:14:41.

the background and leaves it to you the background and leaves it to you

:14:41.:14:42.

the background and leaves it to you the background and leaves it to you

:14:42.:14:43.

to put two and two together about to put two and two together about

:14:43.:14:44.

to put two and two together about the meaning why Julius Caesar means

:14:44.:14:45.

the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:45.:14:46.

the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:46.:14:47.

so much to them. I think as a play, so much to them. I think as a play,

:14:47.:14:48.

so much to them. I think as a play, so much to them. I think as a play,

:14:48.:14:48.

as a presentation as a play I think as a presentation as a play I think

:14:48.:14:50.

as a presentation as a play I think this is stark and impressive, very

:14:50.:14:51.

this is stark and impressive, very this is stark and impressive, very

:14:51.:14:52.

handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:53.:14:53.

handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:54.:14:54.

cinema. I totally agree. I know it cinema. I totally agree. I know it

:14:54.:14:56.

cinema. I totally agree. I know it sounds weird because they're in a

:14:56.:14:56.

sounds weird because they're in a sounds weird because they're in a

:14:56.:14:57.

prison but a it's extraordinary prison but a it's extraordinary

:14:57.:14:58.

prison but a it's extraordinary prison but a it's extraordinary

:14:58.:15:00.

escapism. If you want to go into a escapism. If you want to go into a

:15:00.:15:01.

cinema and watch something cinema and watch something

:15:01.:15:02.

completely difrpblgts not watch completely difrpblgts not watch

:15:02.:15:05.

completely difrpblgts not watch Broken City, which will remind you

:15:06.:15:08.

Broken City, which will remind you Broken City, which will remind you

:15:08.:15:08.

Broken City, which will remind you of ten other things, go and see

:15:08.:15:10.

of ten other things, go and see of ten other things, go and see

:15:10.:15:11.

of ten other things, go and see this. I'm going to read this. This

:15:11.:15:14.

this. I'm going to read this. This this. I'm going to read this. This

:15:14.:15:15.

this. I'm going to read this. This is bugging - Season Must Die, bad

:15:15.:15:18.

is bugging - Season Must Die, bad is bugging - Season Must Die, bad

:15:18.:15:20.

is bugging - Season Must Die, bad to the bone - Roman prisoners act

:15:20.:15:21.

to the bone - Roman prisoners act to the bone - Roman prisoners act

:15:21.:15:22.

out a superb power struggle - out a superb power struggle -

:15:22.:15:24.

out a superb power struggle - that's from Allie. It's stripped

:15:24.:15:25.

that's from Allie. It's stripped that's from Allie. It's stripped

:15:25.:15:26.

that's from Allie. It's stripped down. It does catch you on the hop.

:15:26.:15:28.

down. It does catch you on the hop. down. It does catch you on the hop.

:15:28.:15:29.

down. It does catch you on the hop. It did me at least because you

:15:29.:15:30.

It did me at least because you It did me at least because you

:15:30.:15:30.

It did me at least because you can't help but expect this is going

:15:30.:15:31.

can't help but expect this is going can't help but expect this is going

:15:31.:15:32.

can't help but expect this is going to be the story of the prisoners

:15:32.:15:33.

to be the story of the prisoners to be the story of the prisoners

:15:33.:15:34.

to be the story of the prisoners and the prison. It's not that stuff

:15:34.:15:35.

and the prison. It's not that stuff and the prison. It's not that stuff

:15:35.:15:37.

is kept at arm's length. What's is kept at arm's length. What's

:15:37.:15:38.

is kept at arm's length. What's nice about it is the filmmakers

:15:38.:15:38.

nice about it is the filmmakers nice about it is the filmmakers

:15:38.:15:39.

nice about it is the filmmakers trust you to put together the fact

:15:39.:15:41.

trust you to put together the fact trust you to put together the fact

:15:41.:15:43.

when you're seeing a convict act when you're seeing a convict act

:15:43.:15:43.

when you're seeing a convict act out scenes from Julius Caesar

:15:43.:15:44.

out scenes from Julius Caesar out scenes from Julius Caesar

:15:44.:15:46.

talking about having blood on their talking about having blood on their

:15:46.:15:47.

talking about having blood on their hands, there is probably quite a

:15:47.:15:49.

hands, there is probably quite a hands, there is probably quite a

:15:49.:15:50.

literal truth to that. It doesn't literal truth to that. It doesn't

:15:50.:15:51.

literal truth to that. It doesn't literal truth to that. It doesn't

:15:51.:15:52.

need saying. I think on that level need saying. I think on that level

:15:52.:15:53.

need saying. I think on that level need saying. I think on that level

:15:53.:15:55.

it's great. I also think it looks... it's great. I also think it looks...

:15:55.:15:56.

it's great. I also think it looks... Beautiful. Yes, looks stunning. You

:15:56.:15:57.

Beautiful. Yes, looks stunning. You Beautiful. Yes, looks stunning. You

:15:57.:15:58.

Beautiful. Yes, looks stunning. You have this black and white centre to

:15:58.:15:59.

have this black and white centre to have this black and white centre to

:15:59.:16:00.

have this black and white centre to the film, then you have - bookended

:16:00.:16:01.

the film, then you have - bookended the film, then you have - bookended

:16:01.:16:02.

by colour scenes which is actually by colour scenes which is actually

:16:02.:16:03.

by colour scenes which is actually in the prison, out of character.

:16:03.:16:05.

in the prison, out of character. in the prison, out of character.

:16:05.:16:06.

It's an unusual and interesting It's an unusual and interesting

:16:06.:16:08.

It's an unusual and interesting It's an unusual and interesting

:16:08.:16:09.

film. Next, Richard Gere stars as a film. Next, Richard Gere stars as a

:16:09.:16:09.

film. Next, Richard Gere stars as a Wall Street billionaire in the

:16:09.:16:14.

Wall Street billionaire in the financial thriller Ashley Benson.

:16:14.:16:15.

financial thriller Ashley Benson. financial thriller Ashley Benson.

:16:16.:16:17.

A dedicated businessman, a family A dedicated businessman, a family

:16:17.:16:20.

A dedicated businessman, a family man, my mentor, my father. World

:16:20.:16:23.

man, my mentor, my father. World man, my mentor, my father. World

:16:23.:16:26.

events all evolve around five events all evolve around five

:16:26.:16:28.

events all evolve around five things - (Spelling) Money. We make

:16:28.:16:30.

things - (Spelling) Money. We make things - (Spelling) Money. We make

:16:30.:16:31.

things - (Spelling) Money. We make a great return. Ashley Benson is a

:16:31.:16:33.

a great return. Ashley Benson is a a great return. Ashley Benson is a

:16:33.:16:34.

thriller about a billionaire named thriller about a billionaire named

:16:34.:16:35.

thriller about a billionaire named Robert Miller. He's known as the

:16:35.:16:40.

Robert Miller. He's known as the Robert Miller. He's known as the

:16:40.:16:42.

Robert Miller. He's known as the oracle of Grade C square. He's got

:16:42.:16:46.

oracle of Grade C square. He's got oracle of Grade C square. He's got

:16:46.:16:47.

the mansion, a beautiful family... the mansion, a beautiful family...

:16:47.:16:48.

the mansion, a beautiful family... I did like this character. These

:16:48.:16:50.

I did like this character. These I did like this character. These

:16:50.:16:51.

are guys that know what's happening. are guys that know what's happening.

:16:51.:16:52.

are guys that know what's happening. They're smarter than us, more

:16:52.:16:54.

They're smarter than us, more They're smarter than us, more

:16:54.:16:55.

capable than us, more charming than capable than us, more charming than

:16:55.:16:56.

capable than us, more charming than capable than us, more charming than

:16:56.:16:58.

us - they have it all, and there us - they have it all, and there

:16:58.:16:59.

us - they have it all, and there us - they have it all, and there

:16:59.:17:00.

seems to be no hiccup with them at seems to be no hiccup with them at

:17:00.:17:01.

all. There's no hesitation. all. There's no hesitation.

:17:01.:17:05.

all. There's no hesitation. Everything is as it should be.

:17:05.:17:06.

Everything is as it should be. Everything is as it should be.

:17:06.:17:15.

Everything is as it should be. No! Some terrible events occur, and

:17:15.:17:17.

No! Some terrible events occur, and No! Some terrible events occur, and

:17:17.:17:18.

No! Some terrible events occur, and he's in a lot of trouble with his

:17:18.:17:18.

he's in a lot of trouble with his he's in a lot of trouble with his

:17:19.:17:20.

company. He's cooked up the books company. He's cooked up the books

:17:20.:17:21.

company. He's cooked up the books company. He's cooked up the books

:17:21.:17:23.

to try to hide a bad investment, so to try to hide a bad investment, so

:17:23.:17:24.

to try to hide a bad investment, so to try to hide a bad investment, so

:17:24.:17:25.

when we meet him, he's in the worst when we meet him, he's in the worst

:17:25.:17:25.

when we meet him, he's in the worst when we meet him, he's in the worst

:17:25.:17:27.

week of his life. We did that with week of his life. We did that with

:17:27.:17:28.

week of his life. We did that with American Gigolo too. We took a

:17:28.:17:31.

American Gigolo too. We took a American Gigolo too. We took a

:17:31.:17:32.

character and presented him as an character and presented him as an

:17:32.:17:33.

character and presented him as an iconic, known entity. We kind of

:17:33.:17:35.

iconic, known entity. We kind of iconic, known entity. We kind of

:17:35.:17:37.

get these guys, and then literally get these guys, and then literally

:17:37.:17:38.

get these guys, and then literally deconstructed him. We do the same

:17:38.:17:39.

deconstructed him. We do the same deconstructed him. We do the same

:17:39.:17:40.

here. What happened to your head? here. What happened to your head?

:17:40.:17:41.

here. What happened to your head? What? Your head, what happened to

:17:41.:17:42.

What? Your head, what happened to What? Your head, what happened to

:17:43.:17:43.

What? Your head, what happened to your head? That's a nasty cut. I

:17:43.:17:44.

your head? That's a nasty cut. I your head? That's a nasty cut. I

:17:44.:17:44.

your head? That's a nasty cut. I have been looking at that for the

:17:45.:17:46.

have been looking at that for the have been looking at that for the

:17:46.:17:47.

last five minutes. Does it hurt last five minutes. Does it hurt

:17:47.:17:49.

last five minutes. Does it hurt last five minutes. Does it hurt

:17:49.:17:51.

you? No, no. I hit it on the you? No, no. I hit it on the

:17:51.:17:54.

you? No, no. I hit it on the medicine cabinet. Last night?

:17:54.:17:55.

medicine cabinet. Last night? medicine cabinet. Last night?

:17:55.:17:55.

morning. Hate when that happens. morning. Hate when that happens.

:17:55.:17:56.

morning. Hate when that happens. morning. Hate when that happens.

:17:56.:17:57.

Guys like this, they want to win Guys like this, they want to win

:17:57.:17:58.

Guys like this, they want to win Guys like this, they want to win

:17:58.:17:59.

the game. They want to be in the the game. They want to be in the

:17:59.:18:00.

the game. They want to be in the the game. They want to be in the

:18:00.:18:01.

game. They want to win the game, game. They want to win the game,

:18:01.:18:02.

game. They want to win the game, game. They want to win the game,

:18:02.:18:04.

game. They want to win the game, and on the way to keep score of who

:18:04.:18:08.

and on the way to keep score of who and on the way to keep score of who

:18:08.:18:09.

and on the way to keep score of who and on the way to keep score of who

:18:09.:18:10.

won - is by who has the plane and won - is by who has the plane and

:18:10.:18:11.

won - is by who has the plane and the money and the house. Torture

:18:11.:18:12.

the money and the house. Torture the money and the house. Torture

:18:12.:18:13.

the money and the house. Torture for these guys would be not being

:18:13.:18:15.

for these guys would be not being for these guys would be not being

:18:15.:18:16.

allowed to play the game anymore. allowed to play the game anymore.

:18:16.:18:17.

allowed to play the game anymore. allowed to play the game anymore.

:18:17.:18:18.

What would you have bid? 600. What would you have bid? 600.

:18:18.:18:23.

What would you have bid? 600. What would you have bid? 600.

:18:23.:18:23.

you would have taken? 475. So we you would have taken? 475. So we

:18:23.:18:26.

you would have taken? 475. So we you would have taken? 475. So we

:18:26.:18:27.

made a good deal. Nick, who wrote made a good deal. Nick, who wrote

:18:27.:18:28.

made a good deal. Nick, who wrote and directed this movie, his

:18:28.:18:31.

and directed this movie, his and directed this movie, his

:18:31.:18:32.

father's quite a famous commodities father's quite a famous commodities

:18:32.:18:32.

father's quite a famous commodities trader. I didn't know anything

:18:32.:18:34.

trader. I didn't know anything trader. I didn't know anything

:18:34.:18:35.

trader. I didn't know anything about this stuff, nor did I care

:18:35.:18:36.

about this stuff, nor did I care about this stuff, nor did I care

:18:36.:18:37.

about this stuff, nor did I care frankly, but when I read the script,

:18:37.:18:38.

frankly, but when I read the script, frankly, but when I read the script,

:18:38.:18:40.

it had that taste of being it had that taste of being

:18:40.:18:41.

it had that taste of being it had that taste of being

:18:41.:18:42.

something that was true. I grew up something that was true. I grew up

:18:42.:18:43.

something that was true. I grew up around it. We'd have arguments at

:18:43.:18:45.

around it. We'd have arguments at around it. We'd have arguments at

:18:45.:18:46.

around it. We'd have arguments at the kitchen table at six years old

:18:46.:18:48.

the kitchen table at six years old the kitchen table at six years old

:18:48.:18:49.

the kitchen table at six years old about currency swaps, so I did have

:18:49.:18:50.

about currency swaps, so I did have about currency swaps, so I did have

:18:50.:18:51.

about currency swaps, so I did have a Brack ground in it. But as timely

:18:51.:18:53.

a Brack ground in it. But as timely a Brack ground in it. But as timely

:18:53.:18:54.

a Brack ground in it. But as timely as this is, this all goes back to

:18:54.:18:56.

as this is, this all goes back to as this is, this all goes back to

:18:56.:18:56.

as this is, this all goes back to Shakespeare, the Greeks - I am such

:18:56.:18:57.

Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:57.:18:59.

Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:59.:18:59.

a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:18:59.:19:01.

a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:19:01.:19:02.

boom, the fates don't allow you to boom, the fates don't allow you to

:19:02.:19:03.

boom, the fates don't allow you to strut that big. They'll smack you

:19:03.:19:05.

strut that big. They'll smack you strut that big. They'll smack you

:19:05.:19:06.

down. The police have been trying down. The police have been trying

:19:06.:19:06.

down. The police have been trying down. The police have been trying

:19:06.:19:08.

to talk me, and I'm not going to to talk me, and I'm not going to

:19:08.:19:08.

to talk me, and I'm not going to to talk me, and I'm not going to

:19:08.:19:15.

lie for you. The guy did it. Let's lie for you. The guy did it. Let's

:19:15.:19:16.

lie for you. The guy did it. Let's be frank, the weirdest thing about

:19:16.:19:18.

be frank, the weirdest thing about be frank, the weirdest thing about

:19:18.:19:18.

be frank, the weirdest thing about this film is the title - do you

:19:18.:19:21.

this film is the title - do you this film is the title - do you

:19:21.:19:23.

this film is the title - do you remember 30 - Tina Faye, can't say

:19:23.:19:26.

remember 30 - Tina Faye, can't say remember 30 - Tina Faye, can't say

:19:26.:19:27.

her friend's film - the National her friend's film - the National

:19:27.:19:29.

her friend's film - the National her friend's film - the National

:19:29.:19:30.

Juror - you can't say... You can't Juror - you can't say... You can't

:19:30.:19:31.

Juror - you can't say... You can't say Ashley Benson... You have to

:19:31.:19:32.

say Ashley Benson... You have to say Ashley Benson... You have to

:19:32.:19:34.

say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:34.:19:35.

say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:35.:19:35.

Go ahead. It's a very New York Go ahead. It's a very New York

:19:35.:19:36.

Go ahead. It's a very New York movie like Broken City, but instead

:19:36.:19:37.

movie like Broken City, but instead movie like Broken City, but instead

:19:38.:19:39.

movie like Broken City, but instead of being a film about cops and

:19:39.:19:40.

of being a film about cops and of being a film about cops and

:19:40.:19:42.

politicians it's a film about money politicians it's a film about money

:19:42.:19:43.

politicians it's a film about money men, really it's a movie about

:19:43.:19:44.

men, really it's a movie about men, really it's a movie about

:19:45.:19:46.

Bernie Madoff. But it's not the Bernie Madoff. But it's not the

:19:46.:19:46.

Bernie Madoff. But it's not the Bernie of reality. It's Richard

:19:46.:19:49.

Bernie of reality. It's Richard Bernie of reality. It's Richard

:19:49.:19:50.

Bernie of reality. It's Richard Gere. It's Silver fox in a private

:19:50.:19:50.

Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:50.:19:52.

Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:52.:19:52.

jet. I think there is a bit of an jet. I think there is a bit of an

:19:52.:19:53.

jet. I think there is a bit of an identity crisis going on here

:19:53.:19:54.

identity crisis going on here identity crisis going on here

:19:54.:19:55.

because certainly for the first because certainly for the first

:19:55.:19:56.

because certainly for the first because certainly for the first

:19:56.:19:58.

five mince of the film you think, five mince of the film you think,

:19:58.:20:02.

five mince of the film you think, is this a retrothrow-back to Basic

:20:02.:20:04.

is this a retrothrow-back to Basic is this a retrothrow-back to Basic

:20:04.:20:05.

Instinct, no-one wants that despite Instinct, no-one wants that despite

:20:05.:20:06.

Instinct, no-one wants that despite Sharon Stone. It's the portrait of

:20:06.:20:08.

Sharon Stone. It's the portrait of Sharon Stone. It's the portrait of

:20:08.:20:10.

Sharon Stone. It's the portrait of a scum bag in a $10,000 suit, and

:20:10.:20:14.

a scum bag in a $10,000 suit, and a scum bag in a $10,000 suit, and

:20:14.:20:15.

a scum bag in a $10,000 suit, and it's smart and neat and well acted.

:20:15.:20:16.

it's smart and neat and well acted. it's smart and neat and well acted.

:20:16.:20:17.

it's smart and neat and well acted. I have a thing for Richard Gere. I

:20:17.:20:18.

I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:18.:20:20.

I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:20.:20:21.

am kind of an old lady on the verge am kind of an old lady on the verge

:20:21.:20:22.

am kind of an old lady on the verge am kind of an old lady on the verge

:20:22.:20:22.

of the menopause - he always gives of the menopause - he always gives

:20:22.:20:25.

of the menopause - he always gives of the menopause - he always gives

:20:25.:20:26.

me a thrill. He's wearing a hat. me a thrill. He's wearing a hat.

:20:26.:20:28.

me a thrill. He's wearing a hat. has the same initials as Ryan

:20:28.:20:29.

has the same initials as Ryan Gosling. They're practically twins.

:20:30.:20:30.

Gosling. They're practically twins. Gosling. They're practically twins.

:20:30.:20:32.

I thought this was really, really I thought this was really, really

:20:32.:20:33.

I thought this was really, really I thought this was really, really

:20:33.:20:33.

good. I thought it was somebody - good. I thought it was somebody -

:20:33.:20:35.

good. I thought it was somebody - good. I thought it was somebody -

:20:35.:20:37.

we have a lot of messages going - we have a lot of messages going -

:20:37.:20:38.

we have a lot of messages going - we have a lot of messages going -

:20:38.:20:40.

are you supposed to root for the are you supposed to root for the

:20:40.:20:41.

are you supposed to root for the bad guy? Yes, Richard Gere strolls

:20:41.:20:44.

bad guy? Yes, Richard Gere strolls charismatically through the movie

:20:44.:20:46.

charismatically through the movie charismatically through the movie

:20:46.:20:47.

just as his character strolls just as his character strolls

:20:47.:20:48.

charismatically through life. I charismatically through life. I

:20:48.:20:50.

charismatically through life. I charismatically through life. I

:20:50.:20:51.

think the movie is a bit smitten think the movie is a bit smitten

:20:51.:20:52.

think the movie is a bit smitten think the movie is a bit smitten

:20:53.:20:53.

with his character. It purts you in with his character. It purts you in

:20:53.:20:54.

with his character. It purts you in this position where you have this

:20:54.:20:55.

this position where you have this this position where you have this

:20:55.:20:58.

ticking clock device, and you are ticking clock device, and you are

:20:58.:21:00.

ticking clock device, and you are rooting for this guy who is

:21:00.:21:02.

rooting for this guy who is rooting for this guy who is

:21:02.:21:02.

repulsive and violent. The movie repulsive and violent. The movie

:21:02.:21:03.

repulsive and violent. The movie repulsive and violent. The movie

:21:03.:21:04.

says there is one law for the rich, says there is one law for the rich,

:21:04.:21:05.

says there is one law for the rich, another for the poor, but then

:21:05.:21:07.

another for the poor, but then another for the poor, but then

:21:07.:21:09.

you're in a position of constantly you're in a position of constantly

:21:09.:21:10.

you're in a position of constantly you're in a position of constantly

:21:10.:21:12.

cheering him on. It does allow for cheering him on. It does allow for

:21:12.:21:13.

cheering him on. It does allow for some meaty acting. There are good

:21:13.:21:15.

some meaty acting. There are good meaty scenes particularly between

:21:15.:21:16.

meaty scenes particularly between meaty scenes particularly between

:21:16.:21:18.

Richard Gere and Tim Roth. They Richard Gere and Tim Roth. They

:21:18.:21:19.

Richard Gere and Tim Roth. They have one scene together, like

:21:19.:21:20.

have one scene together, like have one scene together, like

:21:20.:21:21.

cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:21.:21:24.

cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:24.:21:24.

Brit Marling. Can I say that? She's Brit Marling. Can I say that? She's

:21:24.:21:25.

Brit Marling. Can I say that? She's fantastic, Susan Sarandon. This is

:21:25.:21:26.

fantastic, Susan Sarandon. This is fantastic, Susan Sarandon. This is

:21:26.:21:28.

fantastic, Susan Sarandon. This is my film of the week. What's yours?

:21:28.:21:29.

my film of the week. What's yours? my film of the week. What's yours?

:21:29.:21:30.

The interesting thing is the week The interesting thing is the week

:21:30.:21:34.

The interesting thing is the week after Oscar week is usually like

:21:34.:21:37.

after Oscar week is usually like after Oscar week is usually like

:21:37.:21:38.

sitting under the gunge tank. We sitting under the gunge tank. We

:21:38.:21:39.

sitting under the gunge tank. We should be grateful for what we've

:21:39.:21:40.

should be grateful for what we've should be grateful for what we've

:21:40.:21:40.

should be grateful for what we've got. Stoker, you have been wrong so

:21:40.:21:41.

got. Stoker, you have been wrong so got. Stoker, you have been wrong so

:21:42.:21:43.

many times. You're so wrong now. many times. You're so wrong now.

:21:43.:21:43.

many times. You're so wrong now. many times. You're so wrong now.

:21:43.:21:44.

Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:44.:21:46.

Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:46.:21:47.

It would be the film of most weeks. It would be the film of most weeks.

:21:47.:21:48.

It would be the film of most weeks. It would be the film of most weeks.

:21:48.:21:50.

Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:50.:21:51.

Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:51.:21:53.

see it again with you and you can see it again with you and you can

:21:53.:21:55.

see it again with you and you can point out the important bits.

:21:55.:21:56.

point out the important bits. point out the important bits.

:21:56.:21:57.

point out the important bits. Finally tonight, we have a look at

:21:57.:21:58.

Finally tonight, we have a look at Finally tonight, we have a look at

:21:58.:21:59.

Finally tonight, we have a look at the films coming up in the next

:21:59.:22:09.
:22:09.:22:09.

Apology for the loss of subtitles for 60 seconds

:22:09.:23:52.

the films coming up in the next Take it or leave it. Andy, I am so

:23:52.:24:02.
:24:02.:24:02.

Apology for the loss of subtitles for 60 seconds

:24:02.:24:51.

Take it or leave it. Andy, I am so I really need to see this. I can't

:24:51.:24:54.

I really need to see this. I can't I really need to see this. I can't

:24:54.:25:04.
:25:04.:25:05.

I really need to see this. I can't All very low budget, no special

:25:05.:25:06.

All very low budget, no special All very low budget, no special

:25:06.:25:07.

All very low budget, no special effects at all you'll be pleased to

:25:07.:25:11.

effects at all you'll be pleased to effects at all you'll be pleased to

:25:11.:25:11.

know. Guest guest guest have joined know. Guest guest guest have joined

:25:11.:25:12.

know. Guest guest guest have joined us to -- Antonia, Chris and

:25:12.:25:13.

us to -- Antonia, Chris and us to -- Antonia, Chris and

:25:13.:25:14.

us to -- Antonia, Chris and Catherine have joined us to tell us

:25:14.:25:16.

Catherine have joined us to tell us Catherine have joined us to tell us

:25:17.:25:17.

Catherine have joined us to tell us which films to look out for. What

:25:17.:25:19.

which films to look out for. What which films to look out for. What

:25:19.:25:21.

which films to look out for. What kind of summer is it going to be?

:25:21.:25:22.

kind of summer is it going to be? kind of summer is it going to be?

:25:22.:25:24.

Time will tell. There is wham. Time will tell. There is wham.

:25:24.:25:24.

Time will tell. There is wham. There's bam. There might even be

:25:24.:25:26.

There's bam. There might even be There's bam. There might even be

:25:26.:25:27.

some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:27.:25:28.

some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:28.:25:30.

How do you feel? Most of these How do you feel? Most of these

:25:30.:25:30.

How do you feel? Most of these How do you feel? Most of these

:25:30.:25:31.

films are in colour. I don't know films are in colour. I don't know

:25:31.:25:32.

films are in colour. I don't know films are in colour. I don't know

:25:32.:25:33.

how to share that with you. Through how to share that with you. Through

:25:33.:25:34.

how to share that with you. Through how to share that with you. Through

:25:34.:25:35.

the medium of film recently I have the medium of film recently I have

:25:35.:25:36.

the medium of film recently I have discovered a whole new world of

:25:36.:25:37.

discovered a whole new world of discovered a whole new world of

:25:37.:25:40.

colour, and I am really looking colour, and I am really looking

:25:40.:25:40.

colour, and I am really looking forward to Burt Waterstone which is

:25:40.:25:41.

forward to Burt Waterstone which is forward to Burt Waterstone which is

:25:42.:25:43.

forward to Burt Waterstone which is a movie about the magicians. I fell

:25:43.:25:44.

a movie about the magicians. I fell a movie about the magicians. I fell

:25:44.:25:45.

a movie about the magicians. I fell in love with this movie on the

:25:45.:25:47.

in love with this movie on the in love with this movie on the

:25:47.:25:50.

stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:50.:25:51.

stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:51.:25:52.

moving. Do they? Oh, well! Yes, you moving. Do they? Oh, well! Yes, you

:25:52.:25:54.

moving. Do they? Oh, well! Yes, you fall in love on the stills.

:25:54.:25:55.

fall in love on the stills. fall in love on the stills.

:25:55.:25:56.

Absolutely. Talk to me, Catherine, Absolutely. Talk to me, Catherine,

:25:56.:25:57.

Absolutely. Talk to me, Catherine, because we have the very serious

:25:57.:25:59.

because we have the very serious because we have the very serious

:25:59.:26:00.

because we have the very serious Oscar films. Now are you going to

:26:00.:26:01.

Oscar films. Now are you going to Oscar films. Now are you going to

:26:01.:26:02.

be slightly disappointed as there be slightly disappointed as there

:26:02.:26:03.

be slightly disappointed as there is something - number four or

:26:03.:26:04.

is something - number four or is something - number four or

:26:04.:26:05.

is something - number four or however it goes? Don't get me wrong.

:26:05.:26:07.

however it goes? Don't get me wrong. however it goes? Don't get me wrong.

:26:07.:26:08.

however it goes? Don't get me wrong. I love a gourmet meal, but we have

:26:08.:26:09.

I love a gourmet meal, but we have I love a gourmet meal, but we have

:26:09.:26:10.

been eating gourmet meals for been eating gourmet meals for

:26:10.:26:12.

been eating gourmet meals for months now. Enough!Yeah, three

:26:12.:26:12.

months now. Enough!Yeah, three months now. Enough!Yeah, three

:26:13.:26:13.

months now. Enough!Yeah, three hours, plus, all this. I don't know

:26:13.:26:15.

hours, plus, all this. I don't know hours, plus, all this. I don't know

:26:15.:26:15.

hours, plus, all this. I don't know about you, Claudia, but I am in the

:26:15.:26:17.

about you, Claudia, but I am in the about you, Claudia, but I am in the

:26:17.:26:18.

mood for a dirty take-away. mood for a dirty take-away.

:26:18.:26:20.

mood for a dirty take-away. always want a dirty take-away. You

:26:20.:26:21.

always want a dirty take-away. You always want a dirty take-away. You

:26:21.:26:22.

always want a dirty take-away. You have met me. I like cold pizza.

:26:22.:26:24.

have met me. I like cold pizza. have met me. I like cold pizza.

:26:24.:26:25.

have met me. I like cold pizza. Let's look ahead. You can tell me

:26:25.:26:26.

Let's look ahead. You can tell me Let's look ahead. You can tell me

:26:26.:26:26.

specifically what you're going to specifically what you're going to

:26:27.:26:28.

specifically what you're going to specifically what you're going to

:26:28.:26:30.

be looking out for so people can go, be looking out for so people can go,

:26:30.:26:31.

be looking out for so people can go, be looking out for so people can go,

:26:31.:26:32.

oh, Chris said that one or... oh, Chris said that one or...

:26:32.:26:33.

oh, Chris said that one or... oh, Chris said that one or...

:26:33.:26:34.

have it on very good authority that have it on very good authority that

:26:34.:26:35.

have it on very good authority that the Place Beyond the Pines is

:26:35.:26:36.

the Place Beyond the Pines is the Place Beyond the Pines is

:26:36.:26:36.

fantastic. I was really excited fantastic. I was really excited

:26:36.:26:38.

fantastic. I was really excited fantastic. I was really excited

:26:38.:26:39.

about this, but then Dani said it about this, but then Dani said it

:26:39.:26:41.

about this, but then Dani said it about this, but then Dani said it

:26:41.:26:44.

and said -- saw it and said he and said -- saw it and said he

:26:44.:26:47.

and said -- saw it and said he wasn't overwhelmed. No. A very

:26:47.:26:48.

wasn't overwhelmed. No. A very wasn't overwhelmed. No. A very

:26:48.:26:49.

esteemed critic... Can we say who esteemed critic... Can we say who

:26:49.:26:50.

esteemed critic... Can we say who esteemed critic... Can we say who

:26:50.:26:51.

it was? David Thompson said it was it was? David Thompson said it was

:26:51.:26:53.

it was? David Thompson said it was it was? David Thompson said it was

:26:53.:26:54.

one of the greatest films he ever one of the greatest films he ever

:26:54.:26:56.

one of the greatest films he ever seen. The Director of Blue

:26:56.:27:00.

seen. The Director of Blue seen. The Director of Blue

:27:00.:27:01.

Valentine, I love, and Michelle Valentine, I love, and Michelle

:27:01.:27:02.

Valentine, I love, and Michelle Goesling also stars in this -

:27:02.:27:03.

Goesling also stars in this - Goesling also stars in this -

:27:03.:27:04.

vaguely familiar - as a stunt vaguely familiar - as a stunt

:27:05.:27:05.

vaguely familiar - as a stunt driver who gets involved in

:27:05.:27:07.

driver who gets involved in driver who gets involved in

:27:07.:27:08.

robberies but is tracked down by robberies but is tracked down by

:27:08.:27:10.

robberies but is tracked down by Bradley Cooper, who always gets his

:27:10.:27:14.

Bradley Cooper, who always gets his Bradley Cooper, who always gets his

:27:14.:27:16.

Bradley Cooper, who always gets his man as a cop. Ryan behind the wheel

:27:16.:27:17.

man as a cop. Ryan behind the wheel man as a cop. Ryan behind the wheel

:27:17.:27:21.

man as a cop. Ryan behind the wheel is crazy. Who would - let's look at

:27:21.:27:24.

is crazy. Who would - let's look at is crazy. Who would - let's look at

:27:24.:27:25.

the clip. Ladies and gentlemen, the clip. Ladies and gentlemen,

:27:25.:27:30.

the clip. Ladies and gentlemen, introducing the heart-throb! Is she

:27:30.:27:31.

introducing the heart-throb! Is she introducing the heart-throb! Is she

:27:31.:27:35.

here? Who's that guy? He's yours. here? Who's that guy? He's yours.

:27:35.:27:37.

here? Who's that guy? He's yours. Never heard from you every year,

:27:37.:27:40.

Never heard from you every year, Never heard from you every year,

:27:40.:27:41.

Never heard from you every year, just took off. How are you going to

:27:41.:27:43.

just took off. How are you going to just took off. How are you going to

:27:43.:27:45.

just took off. How are you going to take care of him? Got a kid? You

:27:45.:27:46.

take care of him? Got a kid? You take care of him? Got a kid? You

:27:46.:27:47.

take care of him? Got a kid? You want to provide for that kid? You

:27:47.:27:48.

want to provide for that kid? You want to provide for that kid? You

:27:48.:27:50.

want to provide for that kid? You got to do that using your skill set,

:27:50.:27:51.

got to do that using your skill set, got to do that using your skill set,

:27:51.:27:55.

got to do that using your skill set, and your skill set - shazam!

:27:55.:27:57.

and your skill set - shazam! and your skill set - shazam!

:27:57.:27:58.

and your skill set - shazam! Gliers - bleach, love it. Go ahead.

:27:58.:27:59.

Gliers - bleach, love it. Go ahead. Gliers - bleach, love it. Go ahead.

:27:59.:28:00.

Gliers - bleach, love it. Go ahead. What are you after I am hugely

:28:00.:28:01.

What are you after I am hugely What are you after I am hugely

:28:01.:28:02.

excited about two comedies coming excited about two comedies coming

:28:02.:28:03.

excited about two comedies coming out in August. Catherine is going

:28:03.:28:04.

out in August. Catherine is going out in August. Catherine is going

:28:04.:28:06.

out in August. Catherine is going to talk about one, and I'll talk

:28:06.:28:08.

to talk about one, and I'll talk to talk about one, and I'll talk

:28:08.:28:10.

about the other, Edgarites, the about the other, Edgarites, the

:28:10.:28:13.

about the other, Edgarites, the World's End, Three Flavours Corn it

:28:13.:28:16.

World's End, Three Flavours Corn it World's End, Three Flavours Corn it

:28:16.:28:19.

to, Blood, Sweat trilogy, going to to, Blood, Sweat trilogy, going to

:28:19.:28:20.

to, Blood, Sweat trilogy, going to be sawsome. Five guys reunite after

:28:20.:28:21.

be sawsome. Five guys reunite after be sawsome. Five guys reunite after

:28:22.:28:23.

be sawsome. Five guys reunite after 20 years away, go on a pub crawl,

:28:23.:28:24.

20 years away, go on a pub crawl, 20 years away, go on a pub crawl,

:28:24.:28:25.

20 years away, go on a pub crawl, then the end of the world starts

:28:25.:28:26.

then the end of the world starts then the end of the world starts

:28:26.:28:32.

then the end of the world starts and how to deal with that.

:28:32.:28:33.

and how to deal with that. and how to deal with that.

:28:33.:28:34.

that's still being worked on. We that's still being worked on. We

:28:34.:28:35.

that's still being worked on. We that's still being worked on. We

:28:35.:28:36.

don't have a clip of that. The one don't have a clip of that. The one

:28:36.:28:37.

don't have a clip of that. The one don't have a clip of that. The one

:28:37.:28:38.

don't have a clip of that. The one don't have a clip of that. The one

:28:38.:28:39.

we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:39.:28:40.

we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:40.:28:42.

fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:42.:28:43.

fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:44.:28:44.

always seen as the geek, the comic always seen as the geek, the comic

:28:44.:28:45.

always seen as the geek, the comic always seen as the geek, the comic

:28:45.:28:47.

book guy, so I want to do something book guy, so I want to do something

:28:47.:28:48.

book guy, so I want to do something book guy, so I want to do something

:28:48.:28:48.

a little bit different, so I have a little bit different, so I have

:28:48.:28:50.

a little bit different, so I have a little bit different, so I have

:28:50.:28:52.

gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:52.:28:53.

gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:53.:28:54.

Got a lot of apologies to make. Got a lot of apologies to make.

:28:54.:28:54.

Got a lot of apologies to make. Got a lot of apologies to make.

:28:54.:28:58.

Nothing has been the same since New York.

:28:58.:29:00.

York. York.

:29:00.:29:01.

You experience things, and then You experience things, and then

:29:01.:29:02.

You experience things, and then they're over. I can't sleep, and

:29:02.:29:02.

they're over. I can't sleep, and they're over. I can't sleep, and

:29:02.:29:05.

when I do, I have nightmares. when I do, I have nightmares.

:29:05.:29:06.

when I do, I have nightmares. Honestly, there's a hundred people

:29:06.:29:07.

Honestly, there's a hundred people Honestly, there's a hundred people

:29:07.:29:08.

Honestly, there's a hundred people Honestly, there's a hundred people

:29:08.:29:10.

that want to kill me. I hope I can that want to kill me. I hope I can

:29:10.:29:11.

that want to kill me. I hope I can that want to kill me. I hope I can

:29:11.:29:21.
:29:21.:29:31.

protect the one thing I can't live That's an effect. Catherine? I

:29:31.:29:32.

That's an effect. Catherine? I That's an effect. Catherine? I

:29:32.:29:33.

That's an effect. Catherine? I didn't know what else to say - I

:29:34.:29:35.

didn't know what else to say - I didn't know what else to say - I

:29:35.:29:38.

was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:38.:29:39.

was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:39.:29:40.

tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:40.:29:42.

tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:42.:29:44.

alluded to I am excited about is alluded to I am excited about is

:29:44.:29:45.

alluded to I am excited about is the Alan partridge movie, but not

:29:46.:29:46.

the Alan partridge movie, but not the Alan partridge movie, but not

:29:46.:29:48.

until September there is a horror until September there is a horror

:29:48.:29:51.

until September there is a horror movie - it's a remake, horror

:29:51.:29:52.

movie - it's a remake, horror movie - it's a remake, horror

:29:52.:29:53.

movie - it's a remake, horror reboot, we'll call it a remake. It

:29:53.:29:53.

reboot, we'll call it a remake. It reboot, we'll call it a remake. It

:29:53.:30:03.
:30:03.:30:17.

You have to get me out of here. You have to get me out of here.

:30:17.:30:19.

You have to get me out of here. Leave this book alone. No! You

:30:19.:30:25.

Leave this book alone. No! You don't understand. There was

:30:25.:30:29.

don't understand. There was don't understand. There was

:30:29.:30:30.

don't understand. There was something in the woods. Can I say I

:30:30.:30:32.

something in the woods. Can I say I something in the woods. Can I say I

:30:32.:30:36.

something in the woods. Can I say I love that you chose that and Alan

:30:36.:30:38.

love that you chose that and Alan love that you chose that and Alan

:30:38.:30:39.

Partridge. What are you excite Partridge. What are you excite

:30:39.:30:41.

Partridge. What are you excite Partridge. What are you excite

:30:41.:30:44.

about? 15 years ago I was excited about? 15 years ago I was excited

:30:44.:30:47.

about? 15 years ago I was excited by Gumo. I'm excited about Spring

:30:47.:30:50.

by Gumo. I'm excited about Spring by Gumo. I'm excited about Spring

:30:50.:30:51.

Breakers. Here is a clip. Breakers. Here is a clip.

:30:51.:30:52.

Breakers. Here is a clip. Breakers. Here is a clip.

:30:52.:30:53.

# Every time I try to fly # Every time I try to fly

:30:53.:30:56.

# Every time I try to fly # Every time I try to fly

:30:56.:30:57.

# Every time I try to fly # I fall without my wings I feel so

:30:57.:30:59.

small small

:30:59.:31:01.

small small

:31:01.:31:02.

# I guess I need you baby # I guess I need you baby

:31:02.:31:03.

# I guess I need you baby # I guess I need you baby

:31:03.:31:05.

# I guess I need you baby # And every time I see you in my

:31:05.:31:06.

dreams dreams

:31:06.:31:09.

dreams dreams

:31:09.:31:11.

# I see your face, it's haunting me # I see your face, it's haunting me

:31:11.:31:17.

# I see your face, it's haunting me # I see your face, it's haunting me

:31:17.:31:27.
:31:27.:31:29.

# I guess I need you baby # I guess I need you baby

:31:29.:31:30.

# I guess I need you baby # I make-believe that you are

:31:30.:31:34.

here... # here... #

:31:34.:31:39.

here... # here... #

:31:39.:31:40.

I'm confused? My head on my... I'm confused? My head on my...

:31:40.:31:43.

I'm confused? My head on my... Franko can weapon brave. It's

:31:43.:31:45.

Franko can weapon brave. It's Franko can weapon brave. It's

:31:45.:31:47.

Scarface. Talk to us about Sunday Scarface. Talk to us about Sunday

:31:47.:31:49.

Scarface. Talk to us about Sunday night? Sunday night I have a

:31:49.:31:59.
:31:59.:32:00.

night? Sunday night I have a documentary coming out. It's

:32:00.:32:02.

documentary coming out. It's documentary coming out. It's

:32:02.:32:03.

something for boxing fans for movie something for boxing fans for movie

:32:03.:32:05.

something for boxing fans for movie fans and boxing movie fans like

:32:05.:32:10.

fans and boxing movie fans like fans and boxing movie fans like

:32:10.:32:10.

myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:10.:32:12.

myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:12.:32:14.

Four. We are all in. That made us Four. We are all in. That made us

:32:14.:32:16.

Four. We are all in. That made us go, yes, never mind the movies.

:32:16.:32:17.

go, yes, never mind the movies. go, yes, never mind the movies.

:32:17.:32:19.

Let's just watch that. Have a Let's just watch that. Have a

:32:19.:32:20.

Let's just watch that. Have a lovely summer. We will go away

:32:20.:32:22.

lovely summer. We will go away lovely summer. We will go away

:32:22.:32:25.

lovely summer. We will go away together and move into a nice house

:32:25.:32:26.

together and move into a nice house together and move into a nice house

:32:26.:32:27.

in Bournemouth. That's all for this in Bournemouth. That's all for this

:32:27.:32:28.

in Bournemouth. That's all for this week and for the current series,

:32:28.:32:29.

week and for the current series, week and for the current series,

:32:29.:32:31.

week and for the current series, but we'll be back later in the year.

:32:31.:32:34.

but we'll be back later in the year. but we'll be back later in the year.

:32:34.:32:38.

Playing us out tonight is an Playing us out tonight is an

:32:38.:32:39.

Playing us out tonight is an exclusive look at Star Trek Into

:32:39.:32:39.

exclusive look at Star Trek Into exclusive look at Star Trek Into

:32:39.:32:42.

exclusive look at Star Trek Into Darkness. We wanted to up the ante.

:32:42.:32:44.

Darkness. We wanted to up the ante. Darkness. We wanted to up the ante.

:32:44.:32:47.

There are a lot of characters There are a lot of characters

:32:47.:32:48.

There are a lot of characters people were looking forward to

:32:48.:32:49.

people were looking forward to people were looking forward to

:32:49.:32:50.

people were looking forward to seeing. I'm more excited than I can

:32:50.:32:51.

seeing. I'm more excited than I can seeing. I'm more excited than I can

:32:51.:32:52.

seeing. I'm more excited than I can tell you. The action of this movie,

:32:52.:32:55.

tell you. The action of this movie, tell you. The action of this movie,

:32:55.:32:55.

tell you. The action of this movie, the scale of this movie is light-

:32:55.:32:57.

the scale of this movie is light- the scale of this movie is light-

:32:57.:32:58.

the scale of this movie is light- years beyond what we did in the

:32:58.:32:59.

years beyond what we did in the years beyond what we did in the

:32:59.:33:00.

years beyond what we did in the first movie. It was magical to see

:33:00.:33:01.

first movie. It was magical to see first movie. It was magical to see

:33:01.:33:02.

first movie. It was magical to see what they were able to create this

:33:02.:33:04.

what they were able to create this what they were able to create this

:33:04.:33:05.

time. I think it's stunningly time. I think it's stunningly

:33:05.:33:06.

time. I think it's stunningly time. I think it's stunningly

:33:06.:33:07.

beautiful. The word I come back to beautiful. The word I come back to

:33:07.:33:08.

beautiful. The word I come back to is just, relentless. One thing

:33:08.:33:11.

is just, relentless. One thing is just, relentless. One thing

:33:11.:33:12.

after another after another, after after another after another, after

:33:12.:33:14.

after another after another, after another. This is the film that

:33:14.:33:16.

another. This is the film that another. This is the film that

:33:16.:33:18.

movie was made for. Without movie was made for. Without

:33:18.:33:19.

movie was made for. Without movie was made for. Without

:33:19.:33:20.

question, the IMAX and 3D of it question, the IMAX and 3D of it

:33:20.:33:21.

question, the IMAX and 3D of it will enable viewers to get another

:33:21.:33:23.

will enable viewers to get another will enable viewers to get another

:33:23.:33:24.

level of excitement. This movie was level of excitement. This movie was

:33:24.:33:25.

level of excitement. This movie was the most fun and challenging

:33:25.:33:27.

the most fun and challenging the most fun and challenging

:33:27.:33:28.

Claudia Winkleman and Danny Leigh review Russell Crowe and Mark Wahlberg in thriller Broken City, plus Nicole Kidman in twisted family drama Stoker. The Film 2013 family are also here to preview this summer's blockbusters.


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