Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the last in Hello and welcome to the last in | :00:29. | :00:29. | |
Hello and welcome to the last in the present series of Film 2013 | :00:29. | :00:31. | |
the present series of Film 2013 the present series of Film 2013 | :00:31. | :00:32. | |
with me Claudia Winkleman. And me, with me Claudia Winkleman. And me, | :00:32. | :00:34. | |
with me Claudia Winkleman. And me, with me Claudia Winkleman. And me, | :00:34. | :00:35. | |
Danny Leigh. We are live. If you Danny Leigh. We are live. If you | :00:35. | :00:36. | |
Danny Leigh. We are live. If you Danny Leigh. We are live. If you | :00:36. | :00:36. | |
would like to get in touch the would like to get in touch the | :00:36. | :00:39. | |
would like to get in touch the details are on the screen now. | :00:39. | :00:40. | |
details are on the screen now. details are on the screen now. | :00:40. | :00:41. | |
Coming up: Nicole Kidman and Coming up: Nicole Kidman and | :00:41. | :00:42. | |
Coming up: Nicole Kidman and Coming up: Nicole Kidman and | :00:42. | :00:44. | |
Matthew Goode keep it in the family Matthew Goode keep it in the family | :00:44. | :00:46. | |
Matthew Goode keep it in the family Matthew Goode keep it in the family | :00:46. | :00:48. | |
in Stoker. Come and say hello to in Stoker. Come and say hello to | :00:48. | :00:50. | |
in Stoker. Come and say hello to your uncle Charlie. Breaking bad. | :00:50. | :00:52. | |
your uncle Charlie. Breaking bad. your uncle Charlie. Breaking bad. | :00:52. | :00:52. | |
Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg | :00:52. | :00:54. | |
Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg | :00:54. | :00:54. | |
take charge of a broken city. The take charge of a broken city. The | :00:54. | :00:55. | |
take charge of a broken city. The take charge of a broken city. The | :00:56. | :01:02. | |
best is yet to come. Our pick of best is yet to come. Our pick of | :01:02. | :01:04. | |
best is yet to come. Our pick of best is yet to come. Our pick of | :01:04. | :01:05. | |
the films coming up. Plus, we have the films coming up. Plus, we have | :01:06. | :01:06. | |
the films coming up. Plus, we have Richard Gere in Arbitrage and | :01:07. | :01:07. | |
Richard Gere in Arbitrage and Richard Gere in Arbitrage and | :01:07. | :01:10. | |
Caesar Must Die. First tonight is Caesar Must Die. First tonight is | :01:10. | :01:12. | |
Caesar Must Die. First tonight is Caesar Must Die. First tonight is | :01:12. | :01:12. | |
Stoker a twisted family tale of the Stoker a twisted family tale of the | :01:12. | :01:16. | |
Stoker a twisted family tale of the director of Oldboy, Park Chan-wook. | :01:16. | :01:18. | |
director of Oldboy, Park Chan-wook. director of Oldboy, Park Chan-wook. | :01:18. | :01:20. | |
director of Oldboy, Park Chan-wook. Richard Stoker was taken from us by | :01:20. | :01:22. | |
Richard Stoker was taken from us by Richard Stoker was taken from us by | :01:22. | :01:24. | |
Richard Stoker was taken from us by a cruel twist of faith. Pray for | :01:24. | :01:25. | |
a cruel twist of faith. Pray for a cruel twist of faith. Pray for | :01:26. | :01:28. | |
strength for Richard's wife and strength for Richard's wife and | :01:28. | :01:29. | |
strength for Richard's wife and daughter. India, say hello to your | :01:29. | :01:30. | |
daughter. India, say hello to your daughter. India, say hello to your | :01:30. | :01:31. | |
daughter. India, say hello to your uncle Charlie. It's a coming of age | :01:31. | :01:33. | |
uncle Charlie. It's a coming of age uncle Charlie. It's a coming of age | :01:33. | :01:34. | |
story about a young 18-year-old story about a young 18-year-old | :01:34. | :01:35. | |
story about a young 18-year-old girl whose father has recently died | :01:35. | :01:36. | |
girl whose father has recently died girl whose father has recently died | :01:36. | :01:37. | |
girl whose father has recently died and her uncle turns up out of | :01:37. | :01:39. | |
and her uncle turns up out of and her uncle turns up out of | :01:39. | :01:40. | |
nowhere and so begins a love nowhere and so begins a love | :01:40. | :01:42. | |
nowhere and so begins a love triangle between her, her uncle and | :01:42. | :01:43. | |
triangle between her, her uncle and triangle between her, her uncle and | :01:43. | :01:45. | |
her mother. Yeah, it was described her mother. Yeah, it was described | :01:45. | :01:46. | |
her mother. Yeah, it was described her mother. Yeah, it was described | :01:46. | :01:53. | |
to me as a twisted Fairbanksy tale. to me as a twisted Fairbanksy tale. | :01:53. | :01:54. | |
to me as a twisted Fairbanksy tale. -- fairytale. I'm not sure what | :01:54. | :01:57. | |
-- fairytale. I'm not sure what -- fairytale. I'm not sure what | :01:57. | :01:59. | |
-- fairytale. I'm not sure what this is. Is it a thriller? Is it | :01:59. | :02:00. | |
this is. Is it a thriller? Is it this is. Is it a thriller? Is it | :02:00. | :02:02. | |
this is. Is it a thriller? Is it horror? I'm not quite sure what it | :02:02. | :02:06. | |
horror? I'm not quite sure what it horror? I'm not quite sure what it | :02:06. | :02:16. | |
:02:16. | :02:31. | ||
Maybe we could talk about you Maybe we could talk about you | :02:31. | :02:34. | |
Maybe we could talk about you living here with Charlie like this? | :02:34. | :02:35. | |
living here with Charlie like this? living here with Charlie like this? | :02:35. | :02:37. | |
Uncle Charlie, who is my character, Uncle Charlie, who is my character, | :02:37. | :02:38. | |
Uncle Charlie, who is my character, Uncle Charlie, who is my character, | :02:38. | :02:40. | |
comes back. He has been away for, comes back. He has been away for, | :02:40. | :02:41. | |
comes back. He has been away for, he has been "travelling" for 20 | :02:41. | :02:43. | |
he has been "travelling" for 20 he has been "travelling" for 20 | :02:43. | :02:43. | |
he has been "travelling" for 20 years. The main theme about it is | :02:43. | :02:46. | |
years. The main theme about it is years. The main theme about it is | :02:46. | :02:47. | |
years. The main theme about it is about bad blood. The idea of where | :02:47. | :02:48. | |
about bad blood. The idea of where about bad blood. The idea of where | :02:48. | :02:50. | |
evil possible comes from? Is there evil possible comes from? Is there | :02:50. | :02:51. | |
evil possible comes from? Is there a possible pre-dispotion within the | :02:51. | :02:53. | |
a possible pre-dispotion within the a possible pre-dispotion within the | :02:53. | :02:55. | |
a possible pre-dispotion within the family blood line to do some pretty | :02:55. | :02:56. | |
family blood line to do some pretty family blood line to do some pretty | :02:56. | :02:58. | |
naughty things? What do you want naughty things? What do you want | :02:58. | :03:01. | |
naughty things? What do you want naughty things? What do you want | :03:01. | :03:02. | |
from me? To be friends.We don't from me? To be friends.We don't | :03:02. | :03:10. | |
from me? To be friends.We don't need to be friends. We're family. | :03:10. | :03:13. | |
need to be friends. We're family. need to be friends. We're family. | :03:13. | :03:15. | |
need to be friends. We're family. She's of age. Of age for what? | :03:15. | :03:17. | |
She's of age. Of age for what? She's of age. Of age for what? | :03:17. | :03:18. | |
think with director Park he's just think with director Park he's just | :03:18. | :03:19. | |
think with director Park he's just very particular and once you get | :03:19. | :03:21. | |
very particular and once you get very particular and once you get | :03:21. | :03:23. | |
very particular and once you get used to what he likes. Once you get | :03:23. | :03:24. | |
used to what he likes. Once you get used to what he likes. Once you get | :03:24. | :03:25. | |
used to what he likes. Once you get his rhythm you can kind of read his | :03:25. | :03:27. | |
his rhythm you can kind of read his his rhythm you can kind of read his | :03:28. | :03:29. | |
mind. That is just because he's... mind. That is just because he's... | :03:29. | :03:31. | |
mind. That is just because he's... mind. That is just because he's... | :03:31. | :03:31. | |
He is very, very precries in what He is very, very precries in what | :03:31. | :03:34. | |
He is very, very precries in what He is very, very precries in what | :03:34. | :03:35. | |
he wants and how he wants it. I he wants and how he wants it. I | :03:36. | :03:36. | |
he wants and how he wants it. I he wants and how he wants it. I | :03:36. | :03:37. | |
caught tonne it early. I was able caught tonne it early. I was able | :03:37. | :03:40. | |
caught tonne it early. I was able caught tonne it early. I was able | :03:41. | :03:41. | |
to work with him that way. to work with him that way. | :03:41. | :03:42. | |
to work with him that way. to work with him that way. | :03:42. | :03:47. | |
wondered why it is we have children. wondered why it is we have children. | :03:47. | :03:49. | |
wondered why it is we have children. wondered why it is we have children. | :03:49. | :03:50. | |
When we first met director Park he When we first met director Park he | :03:50. | :03:52. | |
When we first met director Park he When we first met director Park he | :03:52. | :03:53. | |
gave us a folder with every single gave us a folder with every single | :03:53. | :03:55. | |
gave us a folder with every single frame beautifully drawn out. So, we | :03:55. | :03:56. | |
frame beautifully drawn out. So, we frame beautifully drawn out. So, we | :03:56. | :03:58. | |
frame beautifully drawn out. So, we frame beautifully drawn out. So, we | :03:58. | :03:59. | |
had a fit... We had a sense of how had a fit... We had a sense of how | :03:59. | :04:01. | |
had a fit... We had a sense of how the film would feel. You didn't | :04:01. | :04:02. | |
the film would feel. You didn't the film would feel. You didn't | :04:02. | :04:03. | |
the film would feel. You didn't know how it would be shot. Some of | :04:03. | :04:04. | |
know how it would be shot. Some of know how it would be shot. Some of | :04:05. | :04:05. | |
know how it would be shot. Some of the stuff was kept from us. I | :04:05. | :04:07. | |
the stuff was kept from us. I the stuff was kept from us. I | :04:07. | :04:07. | |
remember Nicole saying, "I didn't remember Nicole saying, "I didn't | :04:07. | :04:08. | |
remember Nicole saying, "I didn't remember Nicole saying, "I didn't | :04:08. | :04:09. | |
realise what he was going to do realise what he was going to do | :04:09. | :04:12. | |
realise what he was going to do realise what he was going to do | :04:12. | :04:15. | |
with that shot with the hair." It's with that shot with the hair." It's | :04:15. | :04:18. | |
with that shot with the hair." It's beautifully shot. Mitt When I saw | :04:18. | :04:19. | |
beautifully shot. Mitt When I saw beautifully shot. Mitt When I saw | :04:19. | :04:20. | |
beautifully shot. Mitt When I saw it for the first time, you could | :04:20. | :04:22. | |
it for the first time, you could it for the first time, you could | :04:22. | :04:23. | |
it for the first time, you could hear a pin drop. He creates his own | :04:23. | :04:24. | |
hear a pin drop. He creates his own hear a pin drop. He creates his own | :04:24. | :04:34. | |
:04:34. | :04:42. | ||
Who are you? I had very, very high Who are you? I had very, very high | :04:42. | :04:43. | |
Who are you? I had very, very high hopes for Stoker, normally it turns | :04:43. | :04:44. | |
hopes for Stoker, normally it turns hopes for Stoker, normally it turns | :04:44. | :04:45. | |
hopes for Stoker, normally it turns out to be a disaster. You have to | :04:45. | :04:46. | |
out to be a disaster. You have to out to be a disaster. You have to | :04:46. | :04:48. | |
imagine my surprise when it turned imagine my surprise when it turned | :04:48. | :04:51. | |
imagine my surprise when it turned imagine my surprise when it turned | :04:51. | :04:53. | |
out to be this mad black hearted out to be this mad black hearted | :04:53. | :04:54. | |
out to be this mad black hearted triumph. A gotic chocolate box film. | :04:54. | :04:57. | |
triumph. A gotic chocolate box film. triumph. A gotic chocolate box film. | :04:57. | :04:57. | |
It is overblown. It is fiercely It is overblown. It is fiercely | :04:57. | :04:59. | |
It is overblown. It is fiercely It is overblown. It is fiercely | :04:59. | :04:59. | |
proud of all those things. It looks proud of all those things. It looks | :05:00. | :05:02. | |
proud of all those things. It looks pristine and gorgeous. I think it's | :05:02. | :05:04. | |
pristine and gorgeous. I think it's pristine and gorgeous. I think it's | :05:04. | :05:06. | |
deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong, | :05:07. | :05:07. | |
deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong, | :05:07. | :05:08. | |
in the best sense of the word. I in the best sense of the word. I | :05:08. | :05:09. | |
in the best sense of the word. I in the best sense of the word. I | :05:09. | :05:10. | |
wanted to roll around in this film. wanted to roll around in this film. | :05:10. | :05:12. | |
wanted to roll around in this film. wanted to roll around in this film. | :05:12. | :05:13. | |
The moment I came out of it, I The moment I came out of it, I | :05:13. | :05:14. | |
The moment I came out of it, I wanted to turn around and go | :05:14. | :05:15. | |
wanted to turn around and go wanted to turn around and go | :05:15. | :05:16. | |
straight back in. Isn't that straight back in. Isn't that | :05:16. | :05:17. | |
straight back in. Isn't that interesting. The moment I came out | :05:17. | :05:18. | |
interesting. The moment I came out interesting. The moment I came out | :05:18. | :05:19. | |
interesting. The moment I came out interesting. The moment I came out | :05:19. | :05:20. | |
I wanted to go back in and ask for I wanted to go back in and ask for | :05:20. | :05:21. | |
I wanted to go back in and ask for I wanted to go back in and ask for | :05:21. | :05:21. | |
those two hours of my life back. those two hours of my life back. | :05:22. | :05:23. | |
those two hours of my life back. They are never coming back. They | :05:23. | :05:24. | |
They are never coming back. They They are never coming back. They | :05:24. | :05:25. | |
are never coming back. I thought are never coming back. I thought | :05:25. | :05:27. | |
the performances were brilliant. the performances were brilliant. | :05:27. | :05:29. | |
the performances were brilliant. Can I read this out, "forgetable | :05:29. | :05:32. | |
Can I read this out, "forgetable Can I read this out, "forgetable | :05:32. | :05:33. | |
Can I read this out, "forgetable and choppy, a real shame given the | :05:33. | :05:35. | |
and choppy, a real shame given the great performances." They are | :05:35. | :05:36. | |
great performances." They are great performances." They are | :05:36. | :05:37. | |
fabulous. I wanted, I think it fabulous. I wanted, I think it | :05:37. | :05:38. | |
fabulous. I wanted, I think it fabulous. I wanted, I think it | :05:38. | :05:38. | |
might have something to do with my might have something to do with my | :05:38. | :05:40. | |
expectations which were incredibly expectations which were incredibly | :05:40. | :05:41. | |
expectations which were incredibly expectations which were incredibly | :05:41. | :05:41. | |
high. I thought it was going... I high. I thought it was going... I | :05:41. | :05:43. | |
high. I thought it was going... I high. I thought it was going... I | :05:43. | :05:45. | |
was told it was a horror. It's not was told it was a horror. It's not | :05:45. | :05:46. | |
was told it was a horror. It's not was told it was a horror. It's not | :05:46. | :05:47. | |
a horror. As I was watching it I a horror. As I was watching it I | :05:47. | :05:49. | |
a horror. As I was watching it I was thinking there is a joyless | :05:49. | :05:51. | |
was thinking there is a joyless was thinking there is a joyless | :05:51. | :05:51. | |
was thinking there is a joyless ninny who would fail to get this | :05:51. | :05:53. | |
ninny who would fail to get this ninny who would fail to get this | :05:53. | :05:55. | |
ninny who would fail to get this film. Maybe we would have to shake | :05:55. | :05:56. | |
film. Maybe we would have to shake film. Maybe we would have to shake | :05:56. | :05:59. | |
them vigorously and say, "do you them vigorously and say, "do you | :05:59. | :06:01. | |
them vigorously and say, "do you like movies" and leave them to | :06:01. | :06:02. | |
like movies" and leave them to like movies" and leave them to | :06:02. | :06:04. | |
theirmisery. That is me and them. theirmisery. That is me and them. | :06:04. | :06:05. | |
theirmisery. That is me and them. theirmisery. That is me and them. | :06:05. | :06:07. | |
There is a lot. I will read more, There is a lot. I will read more, | :06:07. | :06:09. | |
There is a lot. I will read more, "all style and no substance." | :06:09. | :06:12. | |
"all style and no substance." "all style and no substance." | :06:12. | :06:12. | |
"all style and no substance." is a wonderful thing going on. This | :06:12. | :06:15. | |
is a wonderful thing going on. This is a wonderful thing going on. This | :06:15. | :06:16. | |
is a wonderful thing going on. This will put you in mind of Hitchcock | :06:16. | :06:18. | |
will put you in mind of Hitchcock will put you in mind of Hitchcock | :06:18. | :06:19. | |
will put you in mind of Hitchcock Shadow of a Doubt. You have the | :06:19. | :06:21. | |
Shadow of a Doubt. You have the Shadow of a Doubt. You have the | :06:21. | :06:23. | |
innocence, you have the Outsiders innocence, you have the Outsiders | :06:23. | :06:26. | |
innocence, you have the Outsiders innocence, you have the Outsiders | :06:26. | :06:28. | |
and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter, | :06:28. | :06:30. | |
and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter, | :06:30. | :06:32. | |
it is still it's own film. You are it is still it's own film. You are | :06:32. | :06:33. | |
dismissive about the performances. dismissive about the performances. | :06:33. | :06:37. | |
dismissive about the performances. That is my favourite bit? | :06:38. | :06:39. | |
That is my favourite bit? That is my favourite bit? | :06:39. | :06:40. | |
Wasikowska impeccable. We have to Wasikowska impeccable. We have to | :06:40. | :06:41. | |
Wasikowska impeccable. We have to talk about Nicole Kidman. I don't | :06:41. | :06:42. | |
talk about Nicole Kidman. I don't talk about Nicole Kidman. I don't | :06:42. | :06:44. | |
talk about Nicole Kidman. I don't think as an actress, she has had an | :06:44. | :06:45. | |
think as an actress, she has had an think as an actress, she has had an | :06:45. | :06:46. | |
think as an actress, she has had an odd career. I don't think there is | :06:47. | :06:48. | |
odd career. I don't think there is odd career. I don't think there is | :06:48. | :06:48. | |
odd career. I don't think there is an at actress of her stature who | :06:48. | :06:50. | |
an at actress of her stature who an at actress of her stature who | :06:50. | :06:51. | |
an at actress of her stature who would or could play this role so | :06:51. | :06:52. | |
would or could play this role so would or could play this role so | :06:52. | :06:54. | |
perfectly. She has that frozen doll perfectly. She has that frozen doll | :06:54. | :06:55. | |
perfectly. She has that frozen doll perfectly. She has that frozen doll | :06:55. | :06:57. | |
face. She looks like she is dipped face. She looks like she is dipped | :06:57. | :06:59. | |
face. She looks like she is dipped face. She looks like she is dipped | :06:59. | :07:01. | |
in plastic. She is playing a widow in plastic. She is playing a widow | :07:01. | :07:02. | |
in plastic. She is playing a widow with an itch in her pants. | :07:02. | :07:03. | |
with an itch in her pants. with an itch in her pants. | :07:03. | :07:04. | |
with an itch in her pants. Brilliant is a word I try not to | :07:04. | :07:06. | |
Brilliant is a word I try not to Brilliant is a word I try not to | :07:06. | :07:08. | |
use. It's your word. It's my use. It's your word. It's my | :07:08. | :07:09. | |
use. It's your word. It's my favourite word. I stay away from. | :07:09. | :07:11. | |
favourite word. I stay away from. favourite word. I stay away from. | :07:11. | :07:13. | |
It it's brilliant. Somewhere out It it's brilliant. Somewhere out | :07:13. | :07:13. | |
It it's brilliant. Somewhere out there tonight Tim Burton has been | :07:14. | :07:17. | |
there tonight Tim Burton has been there tonight Tim Burton has been | :07:17. | :07:18. | |
brought his horlicks and has dosed brought his horlicks and has dosed | :07:18. | :07:20. | |
brought his horlicks and has dosed brought his horlicks and has dosed | :07:20. | :07:21. | |
and is waving his arms and legs and is waving his arms and legs | :07:21. | :07:22. | |
and is waving his arms and legs and is waving his arms and legs | :07:22. | :07:23. | |
about like dogs, do he is dreaming about like dogs, do he is dreaming | :07:23. | :07:25. | |
about like dogs, do he is dreaming about like dogs, do he is dreaming | :07:25. | :07:26. | |
of having made a film this good. of having made a film this good. | :07:26. | :07:28. | |
of having made a film this good. Really? I hear you. Performances | :07:28. | :07:31. | |
Really? I hear you. Performances Really? I hear you. Performances | :07:31. | :07:32. | |
brilliant. Don't go! Next, Mark brilliant. Don't go! Next, Mark | :07:32. | :07:33. | |
brilliant. Don't go! Next, Mark Wahlberg and Russell Crowe star in | :07:34. | :07:41. | |
Wahlberg and Russell Crowe star in Wahlberg and Russell Crowe star in | :07:41. | :07:43. | |
the thriller Broken City. When I the thriller Broken City. When I | :07:44. | :07:45. | |
the thriller Broken City. When I was elected Mayor, this was a | :07:45. | :07:47. | |
was elected Mayor, this was a was elected Mayor, this was a | :07:47. | :07:48. | |
broken city. Tell me things haven't broken city. Tell me things haven't | :07:48. | :07:50. | |
broken city. Tell me things haven't broken city. Tell me things haven't | :07:50. | :07:52. | |
changed? Do you know who I am?Yeah. changed? Do you know who I am?Yeah. | :07:52. | :07:53. | |
changed? Do you know who I am?Yeah. Step-by-step, I've been getting it | :07:53. | :07:56. | |
Step-by-step, I've been getting it Step-by-step, I've been getting it | :07:56. | :07:57. | |
fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor. | :07:57. | :07:59. | |
fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor. | :08:00. | :08:03. | |
Look in my eyes, a hero. Thank you. Look in my eyes, a hero. Thank you. | :08:03. | :08:04. | |
Look in my eyes, a hero. Thank you. I'm a detective named Billy Taggart, | :08:04. | :08:05. | |
I'm a detective named Billy Taggart, I'm a detective named Billy Taggart, | :08:05. | :08:07. | |
I'm a detective named Billy Taggart, he has taken the law into his own | :08:07. | :08:08. | |
he has taken the law into his own he has taken the law into his own | :08:08. | :08:09. | |
hands after a huge miscarriage of hands after a huge miscarriage of | :08:09. | :08:11. | |
hands after a huge miscarriage of hands after a huge miscarriage of | :08:11. | :08:12. | |
justice. He is forced to resign or justice. He is forced to resign or | :08:12. | :08:14. | |
justice. He is forced to resign or face criminal charges. He becomes a | :08:14. | :08:15. | |
face criminal charges. He becomes a face criminal charges. He becomes a | :08:15. | :08:16. | |
private investigator he is called private investigator he is called | :08:16. | :08:17. | |
private investigator he is called by the Mayor to investigate his | :08:17. | :08:18. | |
by the Mayor to investigate his by the Mayor to investigate his | :08:18. | :08:19. | |
by the Mayor to investigate his wife who he thinks is having an | :08:19. | :08:20. | |
wife who he thinks is having an wife who he thinks is having an | :08:20. | :08:22. | |
affair. I'm not sure I'm following affair. I'm not sure I'm following | :08:22. | :08:24. | |
affair. I'm not sure I'm following affair. I'm not sure I'm following | :08:24. | :08:26. | |
you. I need you to find the man you. I need you to find the man | :08:26. | :08:27. | |
you. I need you to find the man sleeping with my wife. Done. You | :08:27. | :08:28. | |
sleeping with my wife. Done. You sleeping with my wife. Done. You | :08:28. | :08:29. | |
sleeping with my wife. Done. You are my eyes. What do we have? | :08:29. | :08:31. | |
are my eyes. What do we have? are my eyes. What do we have? | :08:31. | :08:33. | |
are my eyes. What do we have? have him. It's good, Billy. As I | :08:33. | :08:34. | |
have him. It's good, Billy. As I investigate her I unravel | :08:34. | :08:35. | |
investigate her I unravel investigate her I unravel | :08:35. | :08:36. | |
investigate her I unravel corruption and I decide, I will not | :08:36. | :08:38. | |
corruption and I decide, I will not corruption and I decide, I will not | :08:38. | :08:42. | |
corruption and I decide, I will not be the Mayor pawn, I will take him | :08:42. | :08:44. | |
be the Mayor pawn, I will take him be the Mayor pawn, I will take him | :08:44. | :08:44. | |
be the Mayor pawn, I will take him down if it means risk my own | :08:44. | :08:46. | |
down if it means risk my own down if it means risk my own | :08:46. | :08:47. | |
down if it means risk my own freedom. It's not what you think it | :08:47. | :08:49. | |
freedom. It's not what you think it freedom. It's not what you think it | :08:49. | :08:50. | |
freedom. It's not what you think it is. If the last seven years of your | :08:50. | :08:53. | |
is. If the last seven years of your is. If the last seven years of your | :08:53. | :08:54. | |
life mean anything, walk away. If life mean anything, walk away. If | :08:54. | :08:55. | |
life mean anything, walk away. If you think you are investigating | :08:55. | :08:57. | |
you think you are investigating you think you are investigating | :08:57. | :08:59. | |
adultery, Mr Taggart, you don't adultery, Mr Taggart, you don't | :08:59. | :09:03. | |
adultery, Mr Taggart, you don't know Nicholas Hostetler very well. | :09:03. | :09:06. | |
know Nicholas Hostetler very well. know Nicholas Hostetler very well. | :09:06. | :09:08. | |
Russell, who is fairly method comes Russell, who is fairly method comes | :09:08. | :09:09. | |
Russell, who is fairly method comes Russell, who is fairly method comes | :09:09. | :09:10. | |
on to set. He is charming people on to set. He is charming people | :09:10. | :09:12. | |
on to set. He is charming people and shaking hands and telling jokes | :09:12. | :09:13. | |
and shaking hands and telling jokes and shaking hands and telling jokes | :09:13. | :09:14. | |
and kissing babies and being the and kissing babies and being the | :09:14. | :09:15. | |
and kissing babies and being the and kissing babies and being the | :09:15. | :09:16. | |
Mayor. I need a drink.A lot of Mayor. I need a drink.A lot of | :09:16. | :09:18. | |
Mayor. I need a drink.A lot of these people who have taken these | :09:18. | :09:20. | |
these people who have taken these these people who have taken these | :09:20. | :09:21. | |
offices are corrupted by power and offices are corrupted by power and | :09:21. | :09:23. | |
offices are corrupted by power and money. It's a very tempting thing. | :09:23. | :09:24. | |
money. It's a very tempting thing. money. It's a very tempting thing. | :09:24. | :09:24. | |
money. It's a very tempting thing. That's the case that we are dealing | :09:25. | :09:28. | |
That's the case that we are dealing That's the case that we are dealing | :09:28. | :09:28. | |
That's the case that we are dealing with in Broken City. I might have | :09:28. | :09:30. | |
with in Broken City. I might have with in Broken City. I might have | :09:30. | :09:32. | |
to hire someone to investigate you. to hire someone to investigate you. | :09:32. | :09:33. | |
to hire someone to investigate you. to hire someone to investigate you. | :09:33. | :09:34. | |
You are good Mayor, you have it all You are good Mayor, you have it all | :09:34. | :09:35. | |
You are good Mayor, you have it all You are good Mayor, you have it all | :09:35. | :09:36. | |
worked out. Perhaps that is why the worked out. Perhaps that is why the | :09:36. | :09:37. | |
worked out. Perhaps that is why the people keep electing me, Billy, | :09:37. | :09:38. | |
people keep electing me, Billy, people keep electing me, Billy, | :09:38. | :09:39. | |
people keep electing me, Billy, because I simply get the job done. | :09:39. | :09:40. | |
because I simply get the job done. because I simply get the job done. | :09:40. | :09:41. | |
because I simply get the job done. All this, it was all for the City? | :09:41. | :09:42. | |
All this, it was all for the City? All this, it was all for the City? | :09:42. | :09:43. | |
All this, it was all for the City? Everything I do is for this great | :09:43. | :09:45. | |
Everything I do is for this great Everything I do is for this great | :09:45. | :09:46. | |
Everything I do is for this great city. I try to stay optimistic with | :09:46. | :09:47. | |
city. I try to stay optimistic with city. I try to stay optimistic with | :09:47. | :09:50. | |
city. I try to stay optimistic with the officials we elect and that we | :09:50. | :09:50. | |
the officials we elect and that we the officials we elect and that we | :09:50. | :09:51. | |
the officials we elect and that we -- they will take care of the | :09:51. | :09:53. | |
-- they will take care of the -- they will take care of the | :09:53. | :09:53. | |
-- they will take care of the people that elected them and try to | :09:53. | :09:54. | |
people that elected them and try to people that elected them and try to | :09:54. | :09:57. | |
better all the things that they better all the things that they | :09:57. | :09:58. | |
better all the things that they have promised to better and change | :09:58. | :09:59. | |
have promised to better and change have promised to better and change | :09:59. | :10:00. | |
while running for office. You know, while running for office. You know, | :10:00. | :10:05. | |
while running for office. You know, it doesn't always happen. He's a | :10:05. | :10:08. | |
it doesn't always happen. He's a it doesn't always happen. He's a | :10:08. | :10:09. | |
dangerous man, Billy. He knows dangerous man, Billy. He knows | :10:09. | :10:10. | |
dangerous man, Billy. He knows people who kill people. You're | :10:10. | :10:11. | |
people who kill people. You're people who kill people. You're | :10:11. | :10:11. | |
people who kill people. You're going to walk away. That is the | :10:11. | :10:13. | |
going to walk away. That is the going to walk away. That is the | :10:13. | :10:18. | |
going to walk away. That is the deal, Mayor. I suggest you take it. | :10:18. | :10:19. | |
deal, Mayor. I suggest you take it. deal, Mayor. I suggest you take it. | :10:19. | :10:22. | |
deal, Mayor. I suggest you take it. It's a movie out of time. It's a | :10:22. | :10:24. | |
It's a movie out of time. It's a It's a movie out of time. It's a | :10:24. | :10:24. | |
40's film. Somehow it stumbled 40's film. Somehow it stumbled | :10:24. | :10:26. | |
40's film. Somehow it stumbled around in the year 2013. One | :10:26. | :10:29. | |
around in the year 2013. One around in the year 2013. One | :10:29. | :10:30. | |
character says, "do they have character says, "do they have | :10:30. | :10:33. | |
character says, "do they have private I's any more", that is | :10:33. | :10:34. | |
private I's any more", that is private I's any more", that is | :10:34. | :10:35. | |
private I's any more", that is strange. If you have a soft spot | :10:36. | :10:37. | |
strange. If you have a soft spot strange. If you have a soft spot | :10:37. | :10:38. | |
strange. If you have a soft spot for noir it is slick and gets the | :10:38. | :10:39. | |
for noir it is slick and gets the for noir it is slick and gets the | :10:39. | :10:41. | |
for noir it is slick and gets the job done in a B movie fashion. If | :10:41. | :10:43. | |
job done in a B movie fashion. If job done in a B movie fashion. If | :10:43. | :10:45. | |
job done in a B movie fashion. If you are into New York, you are a | :10:45. | :10:46. | |
you are into New York, you are a you are into New York, you are a | :10:46. | :10:47. | |
connoisseur of New York porn and connoisseur of New York porn and | :10:47. | :10:48. | |
connoisseur of New York porn and like the yellow cabs and the | :10:48. | :10:50. | |
like the yellow cabs and the like the yellow cabs and the | :10:50. | :10:51. | |
Chrysler building across the night Chrysler building across the night | :10:51. | :10:52. | |
Chrysler building across the night sky it delivers on that, because | :10:52. | :10:54. | |
sky it delivers on that, because sky it delivers on that, because | :10:54. | :10:59. | |
sky it delivers on that, because New York is about noir and Ready | :10:59. | :11:00. | |
New York is about noir and Ready New York is about noir and Ready | :11:00. | :11:01. | |
Brek. If you have low expectation Brek. If you have low expectation | :11:01. | :11:04. | |
Brek. If you have low expectation it delivers. Everything is about | :11:04. | :11:08. | |
it delivers. Everything is about it delivers. Everything is about | :11:09. | :11:10. | |
expectations as we dis -- discussed. expectations as we dis -- discussed. | :11:10. | :11:11. | |
expectations as we dis -- discussed. expectations as we dis -- discussed. | :11:11. | :11:12. | |
How bad can this be? You realise How bad can this be? You realise | :11:12. | :11:13. | |
How bad can this be? You realise How bad can this be? You realise | :11:13. | :11:15. | |
how difficult it is to make a how difficult it is to make a | :11:15. | :11:16. | |
how difficult it is to make a gripping film. I thought it wasn't | :11:16. | :11:17. | |
gripping film. I thought it wasn't gripping film. I thought it wasn't | :11:17. | :11:17. | |
gripping film. I thought it wasn't nearly as good as it should have | :11:17. | :11:20. | |
nearly as good as it should have nearly as good as it should have | :11:20. | :11:20. | |
nearly as good as it should have been. I will read this out, John | :11:20. | :11:22. | |
been. I will read this out, John been. I will read this out, John | :11:22. | :11:24. | |
Milton says, "thought it was OK, Milton says, "thought it was OK, | :11:24. | :11:26. | |
Milton says, "thought it was OK, not bad, not great, kind of | :11:26. | :11:27. | |
not bad, not great, kind of not bad, not great, kind of | :11:27. | :11:27. | |
average." Thank you very much for average." Thank you very much for | :11:28. | :11:28. | |
average." Thank you very much for tweeting. The problem is, it should | :11:28. | :11:29. | |
tweeting. The problem is, it should tweeting. The problem is, it should | :11:30. | :11:31. | |
have been better. I thought it have been better. I thought it | :11:31. | :11:32. | |
have been better. I thought it was... It goes exactly where you | :11:32. | :11:33. | |
was... It goes exactly where you was... It goes exactly where you | :11:33. | :11:34. | |
was... It goes exactly where you think it will go. It goes there | :11:34. | :11:35. | |
think it will go. It goes there think it will go. It goes there | :11:35. | :11:36. | |
exactly when you think it's going exactly when you think it's going | :11:37. | :11:38. | |
exactly when you think it's going exactly when you think it's going | :11:38. | :11:39. | |
to go. I don't think... I don't to go. I don't think... I don't | :11:39. | :11:40. | |
to go. I don't think... I don't to go. I don't think... I don't | :11:40. | :11:41. | |
think that is the end of the world. think that is the end of the world. | :11:41. | :11:43. | |
think that is the end of the world. It's not unafraid of cliches, put | :11:43. | :11:45. | |
It's not unafraid of cliches, put It's not unafraid of cliches, put | :11:45. | :11:45. | |
it that way. The performances hold it that way. The performances hold | :11:46. | :11:46. | |
it that way. The performances hold it together. Mark Wahlberg gets it | :11:46. | :11:48. | |
it together. Mark Wahlberg gets it it together. Mark Wahlberg gets it | :11:48. | :11:48. | |
it together. Mark Wahlberg gets it a sense of robustness at the heart | :11:48. | :11:50. | |
a sense of robustness at the heart a sense of robustness at the heart | :11:50. | :11:52. | |
a sense of robustness at the heart of it all. Russell Crowe, this is, | :11:52. | :11:53. | |
of it all. Russell Crowe, this is, of it all. Russell Crowe, this is, | :11:53. | :11:54. | |
I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe | :11:54. | :11:55. | |
I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe | :11:55. | :11:56. | |
performance as much as this in a performance as much as this in a | :11:56. | :11:57. | |
performance as much as this in a long-term. He is not singing for | :11:57. | :11:58. | |
long-term. He is not singing for long-term. He is not singing for | :11:58. | :11:59. | |
long-term. He is not singing for one thing, which is a relief. A | :11:59. | :12:00. | |
one thing, which is a relief. A one thing, which is a relief. A | :12:00. | :12:02. | |
one thing, which is a relief. A relief to me, I suppose to him as | :12:02. | :12:07. | |
relief to me, I suppose to him as relief to me, I suppose to him as | :12:07. | :12:08. | |
relief to me, I suppose to him as well. There is a whiff of gammon | :12:08. | :12:12. | |
well. There is a whiff of gammon well. There is a whiff of gammon | :12:12. | :12:13. | |
you could imagine albacheen owe you could imagine albacheen owe | :12:13. | :12:15. | |
you could imagine albacheen owe you could imagine albacheen owe | :12:15. | :12:25. | |
:12:25. | :12:27. | ||
saying, "you could take it down a saying, "you could take it down a | :12:27. | :12:27. | |
saying, "you could take it down a saying, "you could take it down a | :12:27. | :12:29. | |
notch or two." If you expect a film notch or two." If you expect a film | :12:29. | :12:30. | |
notch or two." If you expect a film notch or two." If you expect a film | :12:30. | :12:32. | |
to be in next year's Oscars it to be in next year's Oscars it | :12:32. | :12:33. | |
to be in next year's Oscars it to be in next year's Oscars it | :12:33. | :12:34. | |
won't be. As a B movie that will won't be. As a B movie that will | :12:34. | :12:35. | |
won't be. As a B movie that will won't be. As a B movie that will | :12:35. | :12:45. | |
:12:45. | :12:47. | ||
Now we have Caesar Must Die, set in Now we have Caesar Must Die, set in | :12:47. | :12:48. | |
Now we have Caesar Must Die, set in a real Italian prison, this prize- | :12:48. | :12:49. | |
a real Italian prison, this prize- winning docu-drama depicts inmates | :12:49. | :12:50. | |
winning docu-drama depicts inmates winning docu-drama depicts inmates | :12:50. | :12:51. | |
preparing to give a performance of preparing to give a performance of | :12:51. | :13:01. | |
:13:01. | :13:01. | ||
Apology for the loss of subtitles for 60 seconds | :13:01. | :14:01. | |
Until now, the best known screenan Until now, the best known screenan | :14:01. | :14:03. | |
Until now, the best known screenan adaptation of jewel July goes back | :14:03. | :14:07. | |
adaptation of jewel July goes back adaptation of jewel July goes back | :14:07. | :14:09. | |
to 1953 starring Marlon Brando. to 1953 starring Marlon Brando. | :14:09. | :14:18. | |
to 1953 starring Marlon Brando. Here you have James Mason, playing | :14:18. | :14:20. | |
Here you have James Mason, playing Here you have James Mason, playing | :14:20. | :14:21. | |
Here you have James Mason, playing a man in prison. All the characters | :14:21. | :14:21. | |
a man in prison. All the characters a man in prison. All the characters | :14:22. | :14:22. | |
a man in prison. All the characters are mafioso. We know that at the | :14:22. | :14:24. | |
are mafioso. We know that at the are mafioso. We know that at the | :14:24. | :14:24. | |
start of the film. They're start of the film. They're | :14:24. | :14:25. | |
start of the film. They're introduced to the director, talk a | :14:25. | :14:27. | |
introduced to the director, talk a introduced to the director, talk a | :14:28. | :14:29. | |
bit about who they are, what bit about who they are, what | :14:29. | :14:30. | |
sentences they're serving. After sentences they're serving. After | :14:30. | :14:31. | |
sentences they're serving. After that, it's the play essentially. | :14:31. | :14:32. | |
that, it's the play essentially. that, it's the play essentially. | :14:32. | :14:33. | |
It's Julius Caesar but as performed It's Julius Caesar but as performed | :14:33. | :14:34. | |
It's Julius Caesar but as performed It's Julius Caesar but as performed | :14:34. | :14:35. | |
by this cast and I think very by this cast and I think very | :14:35. | :14:37. | |
by this cast and I think very smartly and very interestingly, it | :14:37. | :14:38. | |
smartly and very interestingly, it smartly and very interestingly, it | :14:38. | :14:39. | |
leaves their criminal careers in leaves their criminal careers in | :14:39. | :14:40. | |
leaves their criminal careers in leaves their criminal careers in | :14:40. | :14:41. | |
the background and leaves it to you the background and leaves it to you | :14:41. | :14:42. | |
the background and leaves it to you the background and leaves it to you | :14:42. | :14:43. | |
to put two and two together about to put two and two together about | :14:43. | :14:44. | |
to put two and two together about the meaning why Julius Caesar means | :14:44. | :14:45. | |
the meaning why Julius Caesar means the meaning why Julius Caesar means | :14:45. | :14:46. | |
the meaning why Julius Caesar means the meaning why Julius Caesar means | :14:46. | :14:47. | |
so much to them. I think as a play, so much to them. I think as a play, | :14:47. | :14:48. | |
so much to them. I think as a play, so much to them. I think as a play, | :14:48. | :14:48. | |
as a presentation as a play I think as a presentation as a play I think | :14:48. | :14:50. | |
as a presentation as a play I think this is stark and impressive, very | :14:50. | :14:51. | |
this is stark and impressive, very this is stark and impressive, very | :14:51. | :14:52. | |
handsome. It's a powerful piece of handsome. It's a powerful piece of | :14:53. | :14:53. | |
handsome. It's a powerful piece of handsome. It's a powerful piece of | :14:54. | :14:54. | |
cinema. I totally agree. I know it cinema. I totally agree. I know it | :14:54. | :14:56. | |
cinema. I totally agree. I know it sounds weird because they're in a | :14:56. | :14:56. | |
sounds weird because they're in a sounds weird because they're in a | :14:56. | :14:57. | |
prison but a it's extraordinary prison but a it's extraordinary | :14:57. | :14:58. | |
prison but a it's extraordinary prison but a it's extraordinary | :14:58. | :15:00. | |
escapism. If you want to go into a escapism. If you want to go into a | :15:00. | :15:01. | |
cinema and watch something cinema and watch something | :15:01. | :15:02. | |
completely difrpblgts not watch completely difrpblgts not watch | :15:02. | :15:05. | |
completely difrpblgts not watch Broken City, which will remind you | :15:06. | :15:08. | |
Broken City, which will remind you Broken City, which will remind you | :15:08. | :15:08. | |
Broken City, which will remind you of ten other things, go and see | :15:08. | :15:10. | |
of ten other things, go and see of ten other things, go and see | :15:10. | :15:11. | |
of ten other things, go and see this. I'm going to read this. This | :15:11. | :15:14. | |
this. I'm going to read this. This this. I'm going to read this. This | :15:14. | :15:15. | |
this. I'm going to read this. This is bugging - Season Must Die, bad | :15:15. | :15:18. | |
is bugging - Season Must Die, bad is bugging - Season Must Die, bad | :15:18. | :15:20. | |
is bugging - Season Must Die, bad to the bone - Roman prisoners act | :15:20. | :15:21. | |
to the bone - Roman prisoners act to the bone - Roman prisoners act | :15:21. | :15:22. | |
out a superb power struggle - out a superb power struggle - | :15:22. | :15:24. | |
out a superb power struggle - that's from Allie. It's stripped | :15:24. | :15:25. | |
that's from Allie. It's stripped that's from Allie. It's stripped | :15:25. | :15:26. | |
that's from Allie. It's stripped down. It does catch you on the hop. | :15:26. | :15:28. | |
down. It does catch you on the hop. down. It does catch you on the hop. | :15:28. | :15:29. | |
down. It does catch you on the hop. It did me at least because you | :15:29. | :15:30. | |
It did me at least because you It did me at least because you | :15:30. | :15:30. | |
It did me at least because you can't help but expect this is going | :15:30. | :15:31. | |
can't help but expect this is going can't help but expect this is going | :15:31. | :15:32. | |
can't help but expect this is going to be the story of the prisoners | :15:32. | :15:33. | |
to be the story of the prisoners to be the story of the prisoners | :15:33. | :15:34. | |
to be the story of the prisoners and the prison. It's not that stuff | :15:34. | :15:35. | |
and the prison. It's not that stuff and the prison. It's not that stuff | :15:35. | :15:37. | |
is kept at arm's length. What's is kept at arm's length. What's | :15:37. | :15:38. | |
is kept at arm's length. What's nice about it is the filmmakers | :15:38. | :15:38. | |
nice about it is the filmmakers nice about it is the filmmakers | :15:38. | :15:39. | |
nice about it is the filmmakers trust you to put together the fact | :15:39. | :15:41. | |
trust you to put together the fact trust you to put together the fact | :15:41. | :15:43. | |
when you're seeing a convict act when you're seeing a convict act | :15:43. | :15:43. | |
when you're seeing a convict act out scenes from Julius Caesar | :15:43. | :15:44. | |
out scenes from Julius Caesar out scenes from Julius Caesar | :15:44. | :15:46. | |
talking about having blood on their talking about having blood on their | :15:46. | :15:47. | |
talking about having blood on their hands, there is probably quite a | :15:47. | :15:49. | |
hands, there is probably quite a hands, there is probably quite a | :15:49. | :15:50. | |
literal truth to that. It doesn't literal truth to that. It doesn't | :15:50. | :15:51. | |
literal truth to that. It doesn't literal truth to that. It doesn't | :15:51. | :15:52. | |
need saying. I think on that level need saying. I think on that level | :15:52. | :15:53. | |
need saying. I think on that level need saying. I think on that level | :15:53. | :15:55. | |
it's great. I also think it looks... it's great. I also think it looks... | :15:55. | :15:56. | |
it's great. I also think it looks... Beautiful. Yes, looks stunning. You | :15:56. | :15:57. | |
Beautiful. Yes, looks stunning. You Beautiful. Yes, looks stunning. You | :15:57. | :15:58. | |
Beautiful. Yes, looks stunning. You have this black and white centre to | :15:58. | :15:59. | |
have this black and white centre to have this black and white centre to | :15:59. | :16:00. | |
have this black and white centre to the film, then you have - bookended | :16:00. | :16:01. | |
the film, then you have - bookended the film, then you have - bookended | :16:01. | :16:02. | |
by colour scenes which is actually by colour scenes which is actually | :16:02. | :16:03. | |
by colour scenes which is actually in the prison, out of character. | :16:03. | :16:05. | |
in the prison, out of character. in the prison, out of character. | :16:05. | :16:06. | |
It's an unusual and interesting It's an unusual and interesting | :16:06. | :16:08. | |
It's an unusual and interesting It's an unusual and interesting | :16:08. | :16:09. | |
film. Next, Richard Gere stars as a film. Next, Richard Gere stars as a | :16:09. | :16:09. | |
film. Next, Richard Gere stars as a Wall Street billionaire in the | :16:09. | :16:14. | |
Wall Street billionaire in the financial thriller Ashley Benson. | :16:14. | :16:15. | |
financial thriller Ashley Benson. financial thriller Ashley Benson. | :16:16. | :16:17. | |
A dedicated businessman, a family A dedicated businessman, a family | :16:17. | :16:20. | |
A dedicated businessman, a family man, my mentor, my father. World | :16:20. | :16:23. | |
man, my mentor, my father. World man, my mentor, my father. World | :16:23. | :16:26. | |
events all evolve around five events all evolve around five | :16:26. | :16:28. | |
events all evolve around five things - (Spelling) Money. We make | :16:28. | :16:30. | |
things - (Spelling) Money. We make things - (Spelling) Money. We make | :16:30. | :16:31. | |
things - (Spelling) Money. We make a great return. Ashley Benson is a | :16:31. | :16:33. | |
a great return. Ashley Benson is a a great return. Ashley Benson is a | :16:33. | :16:34. | |
thriller about a billionaire named thriller about a billionaire named | :16:34. | :16:35. | |
thriller about a billionaire named Robert Miller. He's known as the | :16:35. | :16:40. | |
Robert Miller. He's known as the Robert Miller. He's known as the | :16:40. | :16:42. | |
Robert Miller. He's known as the oracle of Grade C square. He's got | :16:42. | :16:46. | |
oracle of Grade C square. He's got oracle of Grade C square. He's got | :16:46. | :16:47. | |
the mansion, a beautiful family... the mansion, a beautiful family... | :16:47. | :16:48. | |
the mansion, a beautiful family... I did like this character. These | :16:48. | :16:50. | |
I did like this character. These I did like this character. These | :16:50. | :16:51. | |
are guys that know what's happening. are guys that know what's happening. | :16:51. | :16:52. | |
are guys that know what's happening. They're smarter than us, more | :16:52. | :16:54. | |
They're smarter than us, more They're smarter than us, more | :16:54. | :16:55. | |
capable than us, more charming than capable than us, more charming than | :16:55. | :16:56. | |
capable than us, more charming than capable than us, more charming than | :16:56. | :16:58. | |
us - they have it all, and there us - they have it all, and there | :16:58. | :16:59. | |
us - they have it all, and there us - they have it all, and there | :16:59. | :17:00. | |
seems to be no hiccup with them at seems to be no hiccup with them at | :17:00. | :17:01. | |
all. There's no hesitation. all. There's no hesitation. | :17:01. | :17:05. | |
all. There's no hesitation. Everything is as it should be. | :17:05. | :17:06. | |
Everything is as it should be. Everything is as it should be. | :17:06. | :17:15. | |
Everything is as it should be. No! Some terrible events occur, and | :17:15. | :17:17. | |
No! Some terrible events occur, and No! Some terrible events occur, and | :17:17. | :17:18. | |
No! Some terrible events occur, and he's in a lot of trouble with his | :17:18. | :17:18. | |
he's in a lot of trouble with his he's in a lot of trouble with his | :17:19. | :17:20. | |
company. He's cooked up the books company. He's cooked up the books | :17:20. | :17:21. | |
company. He's cooked up the books company. He's cooked up the books | :17:21. | :17:23. | |
to try to hide a bad investment, so to try to hide a bad investment, so | :17:23. | :17:24. | |
to try to hide a bad investment, so to try to hide a bad investment, so | :17:24. | :17:25. | |
when we meet him, he's in the worst when we meet him, he's in the worst | :17:25. | :17:25. | |
when we meet him, he's in the worst when we meet him, he's in the worst | :17:25. | :17:27. | |
week of his life. We did that with week of his life. We did that with | :17:27. | :17:28. | |
week of his life. We did that with American Gigolo too. We took a | :17:28. | :17:31. | |
American Gigolo too. We took a American Gigolo too. We took a | :17:31. | :17:32. | |
character and presented him as an character and presented him as an | :17:32. | :17:33. | |
character and presented him as an iconic, known entity. We kind of | :17:33. | :17:35. | |
iconic, known entity. We kind of iconic, known entity. We kind of | :17:35. | :17:37. | |
get these guys, and then literally get these guys, and then literally | :17:37. | :17:38. | |
get these guys, and then literally deconstructed him. We do the same | :17:38. | :17:39. | |
deconstructed him. We do the same deconstructed him. We do the same | :17:39. | :17:40. | |
here. What happened to your head? here. What happened to your head? | :17:40. | :17:41. | |
here. What happened to your head? What? Your head, what happened to | :17:41. | :17:42. | |
What? Your head, what happened to What? Your head, what happened to | :17:43. | :17:43. | |
What? Your head, what happened to your head? That's a nasty cut. I | :17:43. | :17:44. | |
your head? That's a nasty cut. I your head? That's a nasty cut. I | :17:44. | :17:44. | |
your head? That's a nasty cut. I have been looking at that for the | :17:45. | :17:46. | |
have been looking at that for the have been looking at that for the | :17:46. | :17:47. | |
last five minutes. Does it hurt last five minutes. Does it hurt | :17:47. | :17:49. | |
last five minutes. Does it hurt last five minutes. Does it hurt | :17:49. | :17:51. | |
you? No, no. I hit it on the you? No, no. I hit it on the | :17:51. | :17:54. | |
you? No, no. I hit it on the medicine cabinet. Last night? | :17:54. | :17:55. | |
medicine cabinet. Last night? medicine cabinet. Last night? | :17:55. | :17:55. | |
morning. Hate when that happens. morning. Hate when that happens. | :17:55. | :17:56. | |
morning. Hate when that happens. morning. Hate when that happens. | :17:56. | :17:57. | |
Guys like this, they want to win Guys like this, they want to win | :17:57. | :17:58. | |
Guys like this, they want to win Guys like this, they want to win | :17:58. | :17:59. | |
the game. They want to be in the the game. They want to be in the | :17:59. | :18:00. | |
the game. They want to be in the the game. They want to be in the | :18:00. | :18:01. | |
game. They want to win the game, game. They want to win the game, | :18:01. | :18:02. | |
game. They want to win the game, game. They want to win the game, | :18:02. | :18:04. | |
game. They want to win the game, and on the way to keep score of who | :18:04. | :18:08. | |
and on the way to keep score of who and on the way to keep score of who | :18:08. | :18:09. | |
and on the way to keep score of who and on the way to keep score of who | :18:09. | :18:10. | |
won - is by who has the plane and won - is by who has the plane and | :18:10. | :18:11. | |
won - is by who has the plane and the money and the house. Torture | :18:11. | :18:12. | |
the money and the house. Torture the money and the house. Torture | :18:12. | :18:13. | |
the money and the house. Torture for these guys would be not being | :18:13. | :18:15. | |
for these guys would be not being for these guys would be not being | :18:15. | :18:16. | |
allowed to play the game anymore. allowed to play the game anymore. | :18:16. | :18:17. | |
allowed to play the game anymore. allowed to play the game anymore. | :18:17. | :18:18. | |
What would you have bid? 600. What would you have bid? 600. | :18:18. | :18:23. | |
What would you have bid? 600. What would you have bid? 600. | :18:23. | :18:23. | |
you would have taken? 475. So we you would have taken? 475. So we | :18:23. | :18:26. | |
you would have taken? 475. So we you would have taken? 475. So we | :18:26. | :18:27. | |
made a good deal. Nick, who wrote made a good deal. Nick, who wrote | :18:27. | :18:28. | |
made a good deal. Nick, who wrote and directed this movie, his | :18:28. | :18:31. | |
and directed this movie, his and directed this movie, his | :18:31. | :18:32. | |
father's quite a famous commodities father's quite a famous commodities | :18:32. | :18:32. | |
father's quite a famous commodities trader. I didn't know anything | :18:32. | :18:34. | |
trader. I didn't know anything trader. I didn't know anything | :18:34. | :18:35. | |
trader. I didn't know anything about this stuff, nor did I care | :18:35. | :18:36. | |
about this stuff, nor did I care about this stuff, nor did I care | :18:36. | :18:37. | |
about this stuff, nor did I care frankly, but when I read the script, | :18:37. | :18:38. | |
frankly, but when I read the script, frankly, but when I read the script, | :18:38. | :18:40. | |
it had that taste of being it had that taste of being | :18:40. | :18:41. | |
it had that taste of being it had that taste of being | :18:41. | :18:42. | |
something that was true. I grew up something that was true. I grew up | :18:42. | :18:43. | |
something that was true. I grew up around it. We'd have arguments at | :18:43. | :18:45. | |
around it. We'd have arguments at around it. We'd have arguments at | :18:45. | :18:46. | |
around it. We'd have arguments at the kitchen table at six years old | :18:46. | :18:48. | |
the kitchen table at six years old the kitchen table at six years old | :18:48. | :18:49. | |
the kitchen table at six years old about currency swaps, so I did have | :18:49. | :18:50. | |
about currency swaps, so I did have about currency swaps, so I did have | :18:50. | :18:51. | |
about currency swaps, so I did have a Brack ground in it. But as timely | :18:51. | :18:53. | |
a Brack ground in it. But as timely a Brack ground in it. But as timely | :18:53. | :18:54. | |
a Brack ground in it. But as timely as this is, this all goes back to | :18:54. | :18:56. | |
as this is, this all goes back to as this is, this all goes back to | :18:56. | :18:56. | |
as this is, this all goes back to Shakespeare, the Greeks - I am such | :18:56. | :18:57. | |
Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such | :18:57. | :18:59. | |
Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such | :18:59. | :18:59. | |
a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then | :18:59. | :19:01. | |
a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then | :19:01. | :19:02. | |
boom, the fates don't allow you to boom, the fates don't allow you to | :19:02. | :19:03. | |
boom, the fates don't allow you to strut that big. They'll smack you | :19:03. | :19:05. | |
strut that big. They'll smack you strut that big. They'll smack you | :19:05. | :19:06. | |
down. The police have been trying down. The police have been trying | :19:06. | :19:06. | |
down. The police have been trying down. The police have been trying | :19:06. | :19:08. | |
to talk me, and I'm not going to to talk me, and I'm not going to | :19:08. | :19:08. | |
to talk me, and I'm not going to to talk me, and I'm not going to | :19:08. | :19:15. | |
lie for you. The guy did it. Let's lie for you. The guy did it. Let's | :19:15. | :19:16. | |
lie for you. The guy did it. Let's be frank, the weirdest thing about | :19:16. | :19:18. | |
be frank, the weirdest thing about be frank, the weirdest thing about | :19:18. | :19:18. | |
be frank, the weirdest thing about this film is the title - do you | :19:18. | :19:21. | |
this film is the title - do you this film is the title - do you | :19:21. | :19:23. | |
this film is the title - do you remember 30 - Tina Faye, can't say | :19:23. | :19:26. | |
remember 30 - Tina Faye, can't say remember 30 - Tina Faye, can't say | :19:26. | :19:27. | |
her friend's film - the National her friend's film - the National | :19:27. | :19:29. | |
her friend's film - the National her friend's film - the National | :19:29. | :19:30. | |
Juror - you can't say... You can't Juror - you can't say... You can't | :19:30. | :19:31. | |
Juror - you can't say... You can't say Ashley Benson... You have to | :19:31. | :19:32. | |
say Ashley Benson... You have to say Ashley Benson... You have to | :19:32. | :19:34. | |
say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is... | :19:34. | :19:35. | |
say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is... | :19:35. | :19:35. | |
Go ahead. It's a very New York Go ahead. It's a very New York | :19:35. | :19:36. | |
Go ahead. It's a very New York movie like Broken City, but instead | :19:36. | :19:37. | |
movie like Broken City, but instead movie like Broken City, but instead | :19:38. | :19:39. | |
movie like Broken City, but instead of being a film about cops and | :19:39. | :19:40. | |
of being a film about cops and of being a film about cops and | :19:40. | :19:42. | |
politicians it's a film about money politicians it's a film about money | :19:42. | :19:43. | |
politicians it's a film about money men, really it's a movie about | :19:43. | :19:44. | |
men, really it's a movie about men, really it's a movie about | :19:45. | :19:46. | |
Bernie Madoff. But it's not the Bernie Madoff. But it's not the | :19:46. | :19:46. | |
Bernie Madoff. But it's not the Bernie of reality. It's Richard | :19:46. | :19:49. | |
Bernie of reality. It's Richard Bernie of reality. It's Richard | :19:49. | :19:50. | |
Bernie of reality. It's Richard Gere. It's Silver fox in a private | :19:50. | :19:50. | |
Gere. It's Silver fox in a private Gere. It's Silver fox in a private | :19:50. | :19:52. | |
Gere. It's Silver fox in a private Gere. It's Silver fox in a private | :19:52. | :19:52. | |
jet. I think there is a bit of an jet. I think there is a bit of an | :19:52. | :19:53. | |
jet. I think there is a bit of an identity crisis going on here | :19:53. | :19:54. | |
identity crisis going on here identity crisis going on here | :19:54. | :19:55. | |
because certainly for the first because certainly for the first | :19:55. | :19:56. | |
because certainly for the first because certainly for the first | :19:56. | :19:58. | |
five mince of the film you think, five mince of the film you think, | :19:58. | :20:02. | |
five mince of the film you think, is this a retrothrow-back to Basic | :20:02. | :20:04. | |
is this a retrothrow-back to Basic is this a retrothrow-back to Basic | :20:04. | :20:05. | |
Instinct, no-one wants that despite Instinct, no-one wants that despite | :20:05. | :20:06. | |
Instinct, no-one wants that despite Sharon Stone. It's the portrait of | :20:06. | :20:08. | |
Sharon Stone. It's the portrait of Sharon Stone. It's the portrait of | :20:08. | :20:10. | |
Sharon Stone. It's the portrait of a scum bag in a $10,000 suit, and | :20:10. | :20:14. | |
a scum bag in a $10,000 suit, and a scum bag in a $10,000 suit, and | :20:14. | :20:15. | |
a scum bag in a $10,000 suit, and it's smart and neat and well acted. | :20:15. | :20:16. | |
it's smart and neat and well acted. it's smart and neat and well acted. | :20:16. | :20:17. | |
it's smart and neat and well acted. I have a thing for Richard Gere. I | :20:17. | :20:18. | |
I have a thing for Richard Gere. I I have a thing for Richard Gere. I | :20:18. | :20:20. | |
I have a thing for Richard Gere. I I have a thing for Richard Gere. I | :20:20. | :20:21. | |
am kind of an old lady on the verge am kind of an old lady on the verge | :20:21. | :20:22. | |
am kind of an old lady on the verge am kind of an old lady on the verge | :20:22. | :20:22. | |
of the menopause - he always gives of the menopause - he always gives | :20:22. | :20:25. | |
of the menopause - he always gives of the menopause - he always gives | :20:25. | :20:26. | |
me a thrill. He's wearing a hat. me a thrill. He's wearing a hat. | :20:26. | :20:28. | |
me a thrill. He's wearing a hat. has the same initials as Ryan | :20:28. | :20:29. | |
has the same initials as Ryan Gosling. They're practically twins. | :20:30. | :20:30. | |
Gosling. They're practically twins. Gosling. They're practically twins. | :20:30. | :20:32. | |
I thought this was really, really I thought this was really, really | :20:32. | :20:33. | |
I thought this was really, really I thought this was really, really | :20:33. | :20:33. | |
good. I thought it was somebody - good. I thought it was somebody - | :20:33. | :20:35. | |
good. I thought it was somebody - good. I thought it was somebody - | :20:35. | :20:37. | |
we have a lot of messages going - we have a lot of messages going - | :20:37. | :20:38. | |
we have a lot of messages going - we have a lot of messages going - | :20:38. | :20:40. | |
are you supposed to root for the are you supposed to root for the | :20:40. | :20:41. | |
are you supposed to root for the bad guy? Yes, Richard Gere strolls | :20:41. | :20:44. | |
bad guy? Yes, Richard Gere strolls charismatically through the movie | :20:44. | :20:46. | |
charismatically through the movie charismatically through the movie | :20:46. | :20:47. | |
just as his character strolls just as his character strolls | :20:47. | :20:48. | |
charismatically through life. I charismatically through life. I | :20:48. | :20:50. | |
charismatically through life. I charismatically through life. I | :20:50. | :20:51. | |
think the movie is a bit smitten think the movie is a bit smitten | :20:51. | :20:52. | |
think the movie is a bit smitten think the movie is a bit smitten | :20:53. | :20:53. | |
with his character. It purts you in with his character. It purts you in | :20:53. | :20:54. | |
with his character. It purts you in this position where you have this | :20:54. | :20:55. | |
this position where you have this this position where you have this | :20:55. | :20:58. | |
ticking clock device, and you are ticking clock device, and you are | :20:58. | :21:00. | |
ticking clock device, and you are rooting for this guy who is | :21:00. | :21:02. | |
rooting for this guy who is rooting for this guy who is | :21:02. | :21:02. | |
repulsive and violent. The movie repulsive and violent. The movie | :21:02. | :21:03. | |
repulsive and violent. The movie repulsive and violent. The movie | :21:03. | :21:04. | |
says there is one law for the rich, says there is one law for the rich, | :21:04. | :21:05. | |
says there is one law for the rich, another for the poor, but then | :21:05. | :21:07. | |
another for the poor, but then another for the poor, but then | :21:07. | :21:09. | |
you're in a position of constantly you're in a position of constantly | :21:09. | :21:10. | |
you're in a position of constantly you're in a position of constantly | :21:10. | :21:12. | |
cheering him on. It does allow for cheering him on. It does allow for | :21:12. | :21:13. | |
cheering him on. It does allow for some meaty acting. There are good | :21:13. | :21:15. | |
some meaty acting. There are good meaty scenes particularly between | :21:15. | :21:16. | |
meaty scenes particularly between meaty scenes particularly between | :21:16. | :21:18. | |
Richard Gere and Tim Roth. They Richard Gere and Tim Roth. They | :21:18. | :21:19. | |
Richard Gere and Tim Roth. They have one scene together, like | :21:19. | :21:20. | |
have one scene together, like have one scene together, like | :21:20. | :21:21. | |
cinematic ping-pong. Also I love cinematic ping-pong. Also I love | :21:21. | :21:24. | |
cinematic ping-pong. Also I love cinematic ping-pong. Also I love | :21:24. | :21:24. | |
Brit Marling. Can I say that? She's Brit Marling. Can I say that? She's | :21:24. | :21:25. | |
Brit Marling. Can I say that? She's fantastic, Susan Sarandon. This is | :21:25. | :21:26. | |
fantastic, Susan Sarandon. This is fantastic, Susan Sarandon. This is | :21:26. | :21:28. | |
fantastic, Susan Sarandon. This is my film of the week. What's yours? | :21:28. | :21:29. | |
my film of the week. What's yours? my film of the week. What's yours? | :21:29. | :21:30. | |
The interesting thing is the week The interesting thing is the week | :21:30. | :21:34. | |
The interesting thing is the week after Oscar week is usually like | :21:34. | :21:37. | |
after Oscar week is usually like after Oscar week is usually like | :21:37. | :21:38. | |
sitting under the gunge tank. We sitting under the gunge tank. We | :21:38. | :21:39. | |
sitting under the gunge tank. We should be grateful for what we've | :21:39. | :21:40. | |
should be grateful for what we've should be grateful for what we've | :21:40. | :21:40. | |
should be grateful for what we've got. Stoker, you have been wrong so | :21:40. | :21:41. | |
got. Stoker, you have been wrong so got. Stoker, you have been wrong so | :21:42. | :21:43. | |
many times. You're so wrong now. many times. You're so wrong now. | :21:43. | :21:43. | |
many times. You're so wrong now. many times. You're so wrong now. | :21:43. | :21:44. | |
Stoke soak is the film of this week. Stoke soak is the film of this week. | :21:44. | :21:46. | |
Stoke soak is the film of this week. Stoke soak is the film of this week. | :21:46. | :21:47. | |
It would be the film of most weeks. It would be the film of most weeks. | :21:47. | :21:48. | |
It would be the film of most weeks. It would be the film of most weeks. | :21:48. | :21:50. | |
Would it? Maybe I am going to go Would it? Maybe I am going to go | :21:50. | :21:51. | |
Would it? Maybe I am going to go Would it? Maybe I am going to go | :21:51. | :21:53. | |
see it again with you and you can see it again with you and you can | :21:53. | :21:55. | |
see it again with you and you can point out the important bits. | :21:55. | :21:56. | |
point out the important bits. point out the important bits. | :21:56. | :21:57. | |
point out the important bits. Finally tonight, we have a look at | :21:57. | :21:58. | |
Finally tonight, we have a look at Finally tonight, we have a look at | :21:58. | :21:59. | |
Finally tonight, we have a look at the films coming up in the next | :21:59. | :22:09. | |
:22:09. | :22:09. | ||
Apology for the loss of subtitles for 60 seconds | :22:09. | :23:52. | |
the films coming up in the next Take it or leave it. Andy, I am so | :23:52. | :24:02. | |
:24:02. | :24:02. | ||
Apology for the loss of subtitles for 60 seconds | :24:02. | :24:51. | |
Take it or leave it. Andy, I am so I really need to see this. I can't | :24:51. | :24:54. | |
I really need to see this. I can't I really need to see this. I can't | :24:54. | :25:04. | |
:25:04. | :25:05. | ||
I really need to see this. I can't All very low budget, no special | :25:05. | :25:06. | |
All very low budget, no special All very low budget, no special | :25:06. | :25:07. | |
All very low budget, no special effects at all you'll be pleased to | :25:07. | :25:11. | |
effects at all you'll be pleased to effects at all you'll be pleased to | :25:11. | :25:11. | |
know. Guest guest guest have joined know. Guest guest guest have joined | :25:11. | :25:12. | |
know. Guest guest guest have joined us to -- Antonia, Chris and | :25:12. | :25:13. | |
us to -- Antonia, Chris and us to -- Antonia, Chris and | :25:13. | :25:14. | |
us to -- Antonia, Chris and Catherine have joined us to tell us | :25:14. | :25:16. | |
Catherine have joined us to tell us Catherine have joined us to tell us | :25:17. | :25:17. | |
Catherine have joined us to tell us which films to look out for. What | :25:17. | :25:19. | |
which films to look out for. What which films to look out for. What | :25:19. | :25:21. | |
which films to look out for. What kind of summer is it going to be? | :25:21. | :25:22. | |
kind of summer is it going to be? kind of summer is it going to be? | :25:22. | :25:24. | |
Time will tell. There is wham. Time will tell. There is wham. | :25:24. | :25:24. | |
Time will tell. There is wham. There's bam. There might even be | :25:24. | :25:26. | |
There's bam. There might even be There's bam. There might even be | :25:26. | :25:27. | |
some thank you, ma'am. Who knows. some thank you, ma'am. Who knows. | :25:27. | :25:28. | |
some thank you, ma'am. Who knows. some thank you, ma'am. Who knows. | :25:28. | :25:30. | |
How do you feel? Most of these How do you feel? Most of these | :25:30. | :25:30. | |
How do you feel? Most of these How do you feel? Most of these | :25:30. | :25:31. | |
films are in colour. I don't know films are in colour. I don't know | :25:31. | :25:32. | |
films are in colour. I don't know films are in colour. I don't know | :25:32. | :25:33. | |
how to share that with you. Through how to share that with you. Through | :25:33. | :25:34. | |
how to share that with you. Through how to share that with you. Through | :25:34. | :25:35. | |
the medium of film recently I have the medium of film recently I have | :25:35. | :25:36. | |
the medium of film recently I have discovered a whole new world of | :25:36. | :25:37. | |
discovered a whole new world of discovered a whole new world of | :25:37. | :25:40. | |
colour, and I am really looking colour, and I am really looking | :25:40. | :25:40. | |
colour, and I am really looking forward to Burt Waterstone which is | :25:40. | :25:41. | |
forward to Burt Waterstone which is forward to Burt Waterstone which is | :25:42. | :25:43. | |
forward to Burt Waterstone which is a movie about the magicians. I fell | :25:43. | :25:44. | |
a movie about the magicians. I fell a movie about the magicians. I fell | :25:44. | :25:45. | |
a movie about the magicians. I fell in love with this movie on the | :25:45. | :25:47. | |
in love with this movie on the in love with this movie on the | :25:47. | :25:50. | |
stills alone. Sadly, they do start stills alone. Sadly, they do start | :25:50. | :25:51. | |
stills alone. Sadly, they do start stills alone. Sadly, they do start | :25:51. | :25:52. | |
moving. Do they? Oh, well! Yes, you moving. Do they? Oh, well! Yes, you | :25:52. | :25:54. | |
moving. Do they? Oh, well! Yes, you fall in love on the stills. | :25:54. | :25:55. | |
fall in love on the stills. fall in love on the stills. | :25:55. | :25:56. | |
Absolutely. Talk to me, Catherine, Absolutely. Talk to me, Catherine, | :25:56. | :25:57. | |
Absolutely. Talk to me, Catherine, because we have the very serious | :25:57. | :25:59. | |
because we have the very serious because we have the very serious | :25:59. | :26:00. | |
because we have the very serious Oscar films. Now are you going to | :26:00. | :26:01. | |
Oscar films. Now are you going to Oscar films. Now are you going to | :26:01. | :26:02. | |
be slightly disappointed as there be slightly disappointed as there | :26:02. | :26:03. | |
be slightly disappointed as there is something - number four or | :26:03. | :26:04. | |
is something - number four or is something - number four or | :26:04. | :26:05. | |
is something - number four or however it goes? Don't get me wrong. | :26:05. | :26:07. | |
however it goes? Don't get me wrong. however it goes? Don't get me wrong. | :26:07. | :26:08. | |
however it goes? Don't get me wrong. I love a gourmet meal, but we have | :26:08. | :26:09. | |
I love a gourmet meal, but we have I love a gourmet meal, but we have | :26:09. | :26:10. | |
been eating gourmet meals for been eating gourmet meals for | :26:10. | :26:12. | |
been eating gourmet meals for months now. Enough!Yeah, three | :26:12. | :26:12. | |
months now. Enough!Yeah, three months now. Enough!Yeah, three | :26:13. | :26:13. | |
months now. Enough!Yeah, three hours, plus, all this. I don't know | :26:13. | :26:15. | |
hours, plus, all this. I don't know hours, plus, all this. I don't know | :26:15. | :26:15. | |
hours, plus, all this. I don't know about you, Claudia, but I am in the | :26:15. | :26:17. | |
about you, Claudia, but I am in the about you, Claudia, but I am in the | :26:17. | :26:18. | |
mood for a dirty take-away. mood for a dirty take-away. | :26:18. | :26:20. | |
mood for a dirty take-away. always want a dirty take-away. You | :26:20. | :26:21. | |
always want a dirty take-away. You always want a dirty take-away. You | :26:21. | :26:22. | |
always want a dirty take-away. You have met me. I like cold pizza. | :26:22. | :26:24. | |
have met me. I like cold pizza. have met me. I like cold pizza. | :26:24. | :26:25. | |
have met me. I like cold pizza. Let's look ahead. You can tell me | :26:25. | :26:26. | |
Let's look ahead. You can tell me Let's look ahead. You can tell me | :26:26. | :26:26. | |
specifically what you're going to specifically what you're going to | :26:27. | :26:28. | |
specifically what you're going to specifically what you're going to | :26:28. | :26:30. | |
be looking out for so people can go, be looking out for so people can go, | :26:30. | :26:31. | |
be looking out for so people can go, be looking out for so people can go, | :26:31. | :26:32. | |
oh, Chris said that one or... oh, Chris said that one or... | :26:32. | :26:33. | |
oh, Chris said that one or... oh, Chris said that one or... | :26:33. | :26:34. | |
have it on very good authority that have it on very good authority that | :26:34. | :26:35. | |
have it on very good authority that the Place Beyond the Pines is | :26:35. | :26:36. | |
the Place Beyond the Pines is the Place Beyond the Pines is | :26:36. | :26:36. | |
fantastic. I was really excited fantastic. I was really excited | :26:36. | :26:38. | |
fantastic. I was really excited fantastic. I was really excited | :26:38. | :26:39. | |
about this, but then Dani said it about this, but then Dani said it | :26:39. | :26:41. | |
about this, but then Dani said it about this, but then Dani said it | :26:41. | :26:44. | |
and said -- saw it and said he and said -- saw it and said he | :26:44. | :26:47. | |
and said -- saw it and said he wasn't overwhelmed. No. A very | :26:47. | :26:48. | |
wasn't overwhelmed. No. A very wasn't overwhelmed. No. A very | :26:48. | :26:49. | |
esteemed critic... Can we say who esteemed critic... Can we say who | :26:49. | :26:50. | |
esteemed critic... Can we say who esteemed critic... Can we say who | :26:50. | :26:51. | |
it was? David Thompson said it was it was? David Thompson said it was | :26:51. | :26:53. | |
it was? David Thompson said it was it was? David Thompson said it was | :26:53. | :26:54. | |
one of the greatest films he ever one of the greatest films he ever | :26:54. | :26:56. | |
one of the greatest films he ever seen. The Director of Blue | :26:56. | :27:00. | |
seen. The Director of Blue seen. The Director of Blue | :27:00. | :27:01. | |
Valentine, I love, and Michelle Valentine, I love, and Michelle | :27:01. | :27:02. | |
Valentine, I love, and Michelle Goesling also stars in this - | :27:02. | :27:03. | |
Goesling also stars in this - Goesling also stars in this - | :27:03. | :27:04. | |
vaguely familiar - as a stunt vaguely familiar - as a stunt | :27:05. | :27:05. | |
vaguely familiar - as a stunt driver who gets involved in | :27:05. | :27:07. | |
driver who gets involved in driver who gets involved in | :27:07. | :27:08. | |
robberies but is tracked down by robberies but is tracked down by | :27:08. | :27:10. | |
robberies but is tracked down by Bradley Cooper, who always gets his | :27:10. | :27:14. | |
Bradley Cooper, who always gets his Bradley Cooper, who always gets his | :27:14. | :27:16. | |
Bradley Cooper, who always gets his man as a cop. Ryan behind the wheel | :27:16. | :27:17. | |
man as a cop. Ryan behind the wheel man as a cop. Ryan behind the wheel | :27:17. | :27:21. | |
man as a cop. Ryan behind the wheel is crazy. Who would - let's look at | :27:21. | :27:24. | |
is crazy. Who would - let's look at is crazy. Who would - let's look at | :27:24. | :27:25. | |
the clip. Ladies and gentlemen, the clip. Ladies and gentlemen, | :27:25. | :27:30. | |
the clip. Ladies and gentlemen, introducing the heart-throb! Is she | :27:30. | :27:31. | |
introducing the heart-throb! Is she introducing the heart-throb! Is she | :27:31. | :27:35. | |
here? Who's that guy? He's yours. here? Who's that guy? He's yours. | :27:35. | :27:37. | |
here? Who's that guy? He's yours. Never heard from you every year, | :27:37. | :27:40. | |
Never heard from you every year, Never heard from you every year, | :27:40. | :27:41. | |
Never heard from you every year, just took off. How are you going to | :27:41. | :27:43. | |
just took off. How are you going to just took off. How are you going to | :27:43. | :27:45. | |
just took off. How are you going to take care of him? Got a kid? You | :27:45. | :27:46. | |
take care of him? Got a kid? You take care of him? Got a kid? You | :27:46. | :27:47. | |
take care of him? Got a kid? You want to provide for that kid? You | :27:47. | :27:48. | |
want to provide for that kid? You want to provide for that kid? You | :27:48. | :27:50. | |
want to provide for that kid? You got to do that using your skill set, | :27:50. | :27:51. | |
got to do that using your skill set, got to do that using your skill set, | :27:51. | :27:55. | |
got to do that using your skill set, and your skill set - shazam! | :27:55. | :27:57. | |
and your skill set - shazam! and your skill set - shazam! | :27:57. | :27:58. | |
and your skill set - shazam! Gliers - bleach, love it. Go ahead. | :27:58. | :27:59. | |
Gliers - bleach, love it. Go ahead. Gliers - bleach, love it. Go ahead. | :27:59. | :28:00. | |
Gliers - bleach, love it. Go ahead. What are you after I am hugely | :28:00. | :28:01. | |
What are you after I am hugely What are you after I am hugely | :28:01. | :28:02. | |
excited about two comedies coming excited about two comedies coming | :28:02. | :28:03. | |
excited about two comedies coming out in August. Catherine is going | :28:03. | :28:04. | |
out in August. Catherine is going out in August. Catherine is going | :28:04. | :28:06. | |
out in August. Catherine is going to talk about one, and I'll talk | :28:06. | :28:08. | |
to talk about one, and I'll talk to talk about one, and I'll talk | :28:08. | :28:10. | |
about the other, Edgarites, the about the other, Edgarites, the | :28:10. | :28:13. | |
about the other, Edgarites, the World's End, Three Flavours Corn it | :28:13. | :28:16. | |
World's End, Three Flavours Corn it World's End, Three Flavours Corn it | :28:16. | :28:19. | |
to, Blood, Sweat trilogy, going to to, Blood, Sweat trilogy, going to | :28:19. | :28:20. | |
to, Blood, Sweat trilogy, going to be sawsome. Five guys reunite after | :28:20. | :28:21. | |
be sawsome. Five guys reunite after be sawsome. Five guys reunite after | :28:22. | :28:23. | |
be sawsome. Five guys reunite after 20 years away, go on a pub crawl, | :28:23. | :28:24. | |
20 years away, go on a pub crawl, 20 years away, go on a pub crawl, | :28:24. | :28:25. | |
20 years away, go on a pub crawl, then the end of the world starts | :28:25. | :28:26. | |
then the end of the world starts then the end of the world starts | :28:26. | :28:32. | |
then the end of the world starts and how to deal with that. | :28:32. | :28:33. | |
and how to deal with that. and how to deal with that. | :28:33. | :28:34. | |
that's still being worked on. We that's still being worked on. We | :28:34. | :28:35. | |
that's still being worked on. We that's still being worked on. We | :28:35. | :28:36. | |
don't have a clip of that. The one don't have a clip of that. The one | :28:36. | :28:37. | |
don't have a clip of that. The one don't have a clip of that. The one | :28:37. | :28:38. | |
don't have a clip of that. The one don't have a clip of that. The one | :28:38. | :28:39. | |
we do have a clip of - I am a bit we do have a clip of - I am a bit | :28:39. | :28:40. | |
we do have a clip of - I am a bit we do have a clip of - I am a bit | :28:40. | :28:42. | |
fed up with being pigeonholed. I am fed up with being pigeonholed. I am | :28:42. | :28:43. | |
fed up with being pigeonholed. I am fed up with being pigeonholed. I am | :28:44. | :28:44. | |
always seen as the geek, the comic always seen as the geek, the comic | :28:44. | :28:45. | |
always seen as the geek, the comic always seen as the geek, the comic | :28:45. | :28:47. | |
book guy, so I want to do something book guy, so I want to do something | :28:47. | :28:48. | |
book guy, so I want to do something book guy, so I want to do something | :28:48. | :28:48. | |
a little bit different, so I have a little bit different, so I have | :28:48. | :28:50. | |
a little bit different, so I have a little bit different, so I have | :28:50. | :28:52. | |
gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip. | :28:52. | :28:53. | |
gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip. | :28:53. | :28:54. | |
Got a lot of apologies to make. Got a lot of apologies to make. | :28:54. | :28:54. | |
Got a lot of apologies to make. Got a lot of apologies to make. | :28:54. | :28:58. | |
Nothing has been the same since New York. | :28:58. | :29:00. | |
York. York. | :29:00. | :29:01. | |
You experience things, and then You experience things, and then | :29:01. | :29:02. | |
You experience things, and then they're over. I can't sleep, and | :29:02. | :29:02. | |
they're over. I can't sleep, and they're over. I can't sleep, and | :29:02. | :29:05. | |
when I do, I have nightmares. when I do, I have nightmares. | :29:05. | :29:06. | |
when I do, I have nightmares. Honestly, there's a hundred people | :29:06. | :29:07. | |
Honestly, there's a hundred people Honestly, there's a hundred people | :29:07. | :29:08. | |
Honestly, there's a hundred people Honestly, there's a hundred people | :29:08. | :29:10. | |
that want to kill me. I hope I can that want to kill me. I hope I can | :29:10. | :29:11. | |
that want to kill me. I hope I can that want to kill me. I hope I can | :29:11. | :29:21. | |
:29:21. | :29:31. | ||
protect the one thing I can't live That's an effect. Catherine? I | :29:31. | :29:32. | |
That's an effect. Catherine? I That's an effect. Catherine? I | :29:32. | :29:33. | |
That's an effect. Catherine? I didn't know what else to say - I | :29:34. | :29:35. | |
didn't know what else to say - I didn't know what else to say - I | :29:35. | :29:38. | |
was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine, | :29:38. | :29:39. | |
was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine, | :29:39. | :29:40. | |
tell me? The comedy to which Chris tell me? The comedy to which Chris | :29:40. | :29:42. | |
tell me? The comedy to which Chris tell me? The comedy to which Chris | :29:42. | :29:44. | |
alluded to I am excited about is alluded to I am excited about is | :29:44. | :29:45. | |
alluded to I am excited about is the Alan partridge movie, but not | :29:46. | :29:46. | |
the Alan partridge movie, but not the Alan partridge movie, but not | :29:46. | :29:48. | |
until September there is a horror until September there is a horror | :29:48. | :29:51. | |
until September there is a horror movie - it's a remake, horror | :29:51. | :29:52. | |
movie - it's a remake, horror movie - it's a remake, horror | :29:52. | :29:53. | |
movie - it's a remake, horror reboot, we'll call it a remake. It | :29:53. | :29:53. | |
reboot, we'll call it a remake. It reboot, we'll call it a remake. It | :29:53. | :30:03. | |
:30:03. | :30:17. | ||
You have to get me out of here. You have to get me out of here. | :30:17. | :30:19. | |
You have to get me out of here. Leave this book alone. No! You | :30:19. | :30:25. | |
Leave this book alone. No! You don't understand. There was | :30:25. | :30:29. | |
don't understand. There was don't understand. There was | :30:29. | :30:30. | |
don't understand. There was something in the woods. Can I say I | :30:30. | :30:32. | |
something in the woods. Can I say I something in the woods. Can I say I | :30:32. | :30:36. | |
something in the woods. Can I say I love that you chose that and Alan | :30:36. | :30:38. | |
love that you chose that and Alan love that you chose that and Alan | :30:38. | :30:39. | |
Partridge. What are you excite Partridge. What are you excite | :30:39. | :30:41. | |
Partridge. What are you excite Partridge. What are you excite | :30:41. | :30:44. | |
about? 15 years ago I was excited about? 15 years ago I was excited | :30:44. | :30:47. | |
about? 15 years ago I was excited by Gumo. I'm excited about Spring | :30:47. | :30:50. | |
by Gumo. I'm excited about Spring by Gumo. I'm excited about Spring | :30:50. | :30:51. | |
Breakers. Here is a clip. Breakers. Here is a clip. | :30:51. | :30:52. | |
Breakers. Here is a clip. Breakers. Here is a clip. | :30:52. | :30:53. | |
# Every time I try to fly # Every time I try to fly | :30:53. | :30:56. | |
# Every time I try to fly # Every time I try to fly | :30:56. | :30:57. | |
# Every time I try to fly # I fall without my wings I feel so | :30:57. | :30:59. | |
small small | :30:59. | :31:01. | |
small small | :31:01. | :31:02. | |
# I guess I need you baby # I guess I need you baby | :31:02. | :31:03. | |
# I guess I need you baby # I guess I need you baby | :31:03. | :31:05. | |
# I guess I need you baby # And every time I see you in my | :31:05. | :31:06. | |
dreams dreams | :31:06. | :31:09. | |
dreams dreams | :31:09. | :31:11. | |
# I see your face, it's haunting me # I see your face, it's haunting me | :31:11. | :31:17. | |
# I see your face, it's haunting me # I see your face, it's haunting me | :31:17. | :31:27. | |
:31:27. | :31:29. | ||
# I guess I need you baby # I guess I need you baby | :31:29. | :31:30. | |
# I guess I need you baby # I make-believe that you are | :31:30. | :31:34. | |
here... # here... # | :31:34. | :31:39. | |
here... # here... # | :31:39. | :31:40. | |
I'm confused? My head on my... I'm confused? My head on my... | :31:40. | :31:43. | |
I'm confused? My head on my... Franko can weapon brave. It's | :31:43. | :31:45. | |
Franko can weapon brave. It's Franko can weapon brave. It's | :31:45. | :31:47. | |
Scarface. Talk to us about Sunday Scarface. Talk to us about Sunday | :31:47. | :31:49. | |
Scarface. Talk to us about Sunday night? Sunday night I have a | :31:49. | :31:59. | |
:31:59. | :32:00. | ||
night? Sunday night I have a documentary coming out. It's | :32:00. | :32:02. | |
documentary coming out. It's documentary coming out. It's | :32:02. | :32:03. | |
something for boxing fans for movie something for boxing fans for movie | :32:03. | :32:05. | |
something for boxing fans for movie fans and boxing movie fans like | :32:05. | :32:10. | |
fans and boxing movie fans like fans and boxing movie fans like | :32:10. | :32:10. | |
myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC | :32:10. | :32:12. | |
myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC | :32:12. | :32:14. | |
Four. We are all in. That made us Four. We are all in. That made us | :32:14. | :32:16. | |
Four. We are all in. That made us go, yes, never mind the movies. | :32:16. | :32:17. | |
go, yes, never mind the movies. go, yes, never mind the movies. | :32:17. | :32:19. | |
Let's just watch that. Have a Let's just watch that. Have a | :32:19. | :32:20. | |
Let's just watch that. Have a lovely summer. We will go away | :32:20. | :32:22. | |
lovely summer. We will go away lovely summer. We will go away | :32:22. | :32:25. | |
lovely summer. We will go away together and move into a nice house | :32:25. | :32:26. | |
together and move into a nice house together and move into a nice house | :32:26. | :32:27. | |
in Bournemouth. That's all for this in Bournemouth. That's all for this | :32:27. | :32:28. | |
in Bournemouth. That's all for this week and for the current series, | :32:28. | :32:29. | |
week and for the current series, week and for the current series, | :32:29. | :32:31. | |
week and for the current series, but we'll be back later in the year. | :32:31. | :32:34. | |
but we'll be back later in the year. but we'll be back later in the year. | :32:34. | :32:38. | |
Playing us out tonight is an Playing us out tonight is an | :32:38. | :32:39. | |
Playing us out tonight is an exclusive look at Star Trek Into | :32:39. | :32:39. | |
exclusive look at Star Trek Into exclusive look at Star Trek Into | :32:39. | :32:42. | |
exclusive look at Star Trek Into Darkness. We wanted to up the ante. | :32:42. | :32:44. | |
Darkness. We wanted to up the ante. Darkness. We wanted to up the ante. | :32:44. | :32:47. | |
There are a lot of characters There are a lot of characters | :32:47. | :32:48. | |
There are a lot of characters people were looking forward to | :32:48. | :32:49. | |
people were looking forward to people were looking forward to | :32:49. | :32:50. | |
people were looking forward to seeing. I'm more excited than I can | :32:50. | :32:51. | |
seeing. I'm more excited than I can seeing. I'm more excited than I can | :32:51. | :32:52. | |
seeing. I'm more excited than I can tell you. The action of this movie, | :32:52. | :32:55. | |
tell you. The action of this movie, tell you. The action of this movie, | :32:55. | :32:55. | |
tell you. The action of this movie, the scale of this movie is light- | :32:55. | :32:57. | |
the scale of this movie is light- the scale of this movie is light- | :32:57. | :32:58. | |
the scale of this movie is light- years beyond what we did in the | :32:58. | :32:59. | |
years beyond what we did in the years beyond what we did in the | :32:59. | :33:00. | |
years beyond what we did in the first movie. It was magical to see | :33:00. | :33:01. | |
first movie. It was magical to see first movie. It was magical to see | :33:01. | :33:02. | |
first movie. It was magical to see what they were able to create this | :33:02. | :33:04. | |
what they were able to create this what they were able to create this | :33:04. | :33:05. | |
time. I think it's stunningly time. I think it's stunningly | :33:05. | :33:06. | |
time. I think it's stunningly time. I think it's stunningly | :33:06. | :33:07. | |
beautiful. The word I come back to beautiful. The word I come back to | :33:07. | :33:08. | |
beautiful. The word I come back to is just, relentless. One thing | :33:08. | :33:11. | |
is just, relentless. One thing is just, relentless. One thing | :33:11. | :33:12. | |
after another after another, after after another after another, after | :33:12. | :33:14. | |
after another after another, after another. This is the film that | :33:14. | :33:16. | |
another. This is the film that another. This is the film that | :33:16. | :33:18. | |
movie was made for. Without movie was made for. Without | :33:18. | :33:19. | |
movie was made for. Without movie was made for. Without | :33:19. | :33:20. | |
question, the IMAX and 3D of it question, the IMAX and 3D of it | :33:20. | :33:21. | |
question, the IMAX and 3D of it will enable viewers to get another | :33:21. | :33:23. | |
will enable viewers to get another will enable viewers to get another | :33:23. | :33:24. | |
level of excitement. This movie was level of excitement. This movie was | :33:24. | :33:25. | |
level of excitement. This movie was the most fun and challenging | :33:25. | :33:27. | |
the most fun and challenging the most fun and challenging | :33:27. | :33:28. |