Episode 8 Film 2013


Episode 8

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Hello and welcome to the last in Hello and welcome to the last in

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Hello and welcome to the last in the present series of Film 2013

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the present series of Film 2013 the present series of Film 2013

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with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

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with me Claudia Winkleman. And me, with me Claudia Winkleman. And me,

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Danny Leigh. We are live. If you Danny Leigh. We are live. If you

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Danny Leigh. We are live. If you Danny Leigh. We are live. If you

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would like to get in touch the would like to get in touch the

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would like to get in touch the details are on the screen now.

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details are on the screen now. details are on the screen now.

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Coming up: Nicole Kidman and Coming up: Nicole Kidman and

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Coming up: Nicole Kidman and Coming up: Nicole Kidman and

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Matthew Goode keep it in the family Matthew Goode keep it in the family

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Matthew Goode keep it in the family Matthew Goode keep it in the family

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in Stoker. Come and say hello to in Stoker. Come and say hello to

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in Stoker. Come and say hello to your uncle Charlie. Breaking bad.

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your uncle Charlie. Breaking bad. your uncle Charlie. Breaking bad.

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Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

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Russell Crowe and Mark Wahlberg Russell Crowe and Mark Wahlberg

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take charge of a broken city. The take charge of a broken city. The

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take charge of a broken city. The take charge of a broken city. The

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best is yet to come. Our pick of best is yet to come. Our pick of

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best is yet to come. Our pick of best is yet to come. Our pick of

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the films coming up. Plus, we have the films coming up. Plus, we have

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the films coming up. Plus, we have Richard Gere in Arbitrage and

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Richard Gere in Arbitrage and Richard Gere in Arbitrage and

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Caesar Must Die. First tonight is Caesar Must Die. First tonight is

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Caesar Must Die. First tonight is Caesar Must Die. First tonight is

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Stoker a twisted family tale of the Stoker a twisted family tale of the

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Stoker a twisted family tale of the director of Oldboy, Park Chan-wook.

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director of Oldboy, Park Chan-wook. director of Oldboy, Park Chan-wook.

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director of Oldboy, Park Chan-wook. Richard Stoker was taken from us by

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Richard Stoker was taken from us by Richard Stoker was taken from us by

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Richard Stoker was taken from us by a cruel twist of faith. Pray for

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a cruel twist of faith. Pray for a cruel twist of faith. Pray for

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strength for Richard's wife and strength for Richard's wife and

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strength for Richard's wife and daughter. India, say hello to your

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daughter. India, say hello to your daughter. India, say hello to your

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daughter. India, say hello to your uncle Charlie. It's a coming of age

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uncle Charlie. It's a coming of age uncle Charlie. It's a coming of age

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story about a young 18-year-old story about a young 18-year-old

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story about a young 18-year-old girl whose father has recently died

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girl whose father has recently died girl whose father has recently died

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girl whose father has recently died and her uncle turns up out of

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and her uncle turns up out of and her uncle turns up out of

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nowhere and so begins a love nowhere and so begins a love

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nowhere and so begins a love triangle between her, her uncle and

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triangle between her, her uncle and triangle between her, her uncle and

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her mother. Yeah, it was described her mother. Yeah, it was described

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her mother. Yeah, it was described her mother. Yeah, it was described

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to me as a twisted Fairbanksy tale. to me as a twisted Fairbanksy tale.

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to me as a twisted Fairbanksy tale. -- fairytale. I'm not sure what

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-- fairytale. I'm not sure what -- fairytale. I'm not sure what

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-- fairytale. I'm not sure what this is. Is it a thriller? Is it

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this is. Is it a thriller? Is it this is. Is it a thriller? Is it

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this is. Is it a thriller? Is it horror? I'm not quite sure what it

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horror? I'm not quite sure what it horror? I'm not quite sure what it

:02:06.:02:16.
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Maybe we could talk about you Maybe we could talk about you

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Maybe we could talk about you living here with Charlie like this?

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living here with Charlie like this? living here with Charlie like this?

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Uncle Charlie, who is my character, Uncle Charlie, who is my character,

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Uncle Charlie, who is my character, Uncle Charlie, who is my character,

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comes back. He has been away for, comes back. He has been away for,

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comes back. He has been away for, he has been "travelling" for 20

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he has been "travelling" for 20 he has been "travelling" for 20

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he has been "travelling" for 20 years. The main theme about it is

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years. The main theme about it is years. The main theme about it is

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years. The main theme about it is about bad blood. The idea of where

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about bad blood. The idea of where about bad blood. The idea of where

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evil possible comes from? Is there evil possible comes from? Is there

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evil possible comes from? Is there a possible pre-dispotion within the

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a possible pre-dispotion within the a possible pre-dispotion within the

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a possible pre-dispotion within the family blood line to do some pretty

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family blood line to do some pretty family blood line to do some pretty

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naughty things? What do you want naughty things? What do you want

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naughty things? What do you want naughty things? What do you want

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from me? To be friends.We don't from me? To be friends.We don't

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from me? To be friends.We don't need to be friends. We're family.

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need to be friends. We're family. need to be friends. We're family.

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need to be friends. We're family. She's of age. Of age for what?

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She's of age. Of age for what? She's of age. Of age for what?

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think with director Park he's just think with director Park he's just

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think with director Park he's just very particular and once you get

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very particular and once you get very particular and once you get

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very particular and once you get used to what he likes. Once you get

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used to what he likes. Once you get used to what he likes. Once you get

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used to what he likes. Once you get his rhythm you can kind of read his

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his rhythm you can kind of read his his rhythm you can kind of read his

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mind. That is just because he's... mind. That is just because he's...

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mind. That is just because he's... mind. That is just because he's...

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He is very, very precries in what He is very, very precries in what

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He is very, very precries in what He is very, very precries in what

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he wants and how he wants it. I he wants and how he wants it. I

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he wants and how he wants it. I he wants and how he wants it. I

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caught tonne it early. I was able caught tonne it early. I was able

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caught tonne it early. I was able caught tonne it early. I was able

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to work with him that way. to work with him that way.

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to work with him that way. to work with him that way.

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wondered why it is we have children. wondered why it is we have children.

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wondered why it is we have children. wondered why it is we have children.

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When we first met director Park he When we first met director Park he

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When we first met director Park he When we first met director Park he

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gave us a folder with every single gave us a folder with every single

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gave us a folder with every single frame beautifully drawn out. So, we

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frame beautifully drawn out. So, we frame beautifully drawn out. So, we

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frame beautifully drawn out. So, we frame beautifully drawn out. So, we

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had a fit... We had a sense of how had a fit... We had a sense of how

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had a fit... We had a sense of how the film would feel. You didn't

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the film would feel. You didn't the film would feel. You didn't

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the film would feel. You didn't know how it would be shot. Some of

:04:03.:04:04.

know how it would be shot. Some of know how it would be shot. Some of

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know how it would be shot. Some of the stuff was kept from us. I

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the stuff was kept from us. I the stuff was kept from us. I

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remember Nicole saying, "I didn't remember Nicole saying, "I didn't

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remember Nicole saying, "I didn't remember Nicole saying, "I didn't

:04:08.:04:09.

realise what he was going to do realise what he was going to do

:04:09.:04:12.

realise what he was going to do realise what he was going to do

:04:12.:04:15.

with that shot with the hair." It's with that shot with the hair." It's

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with that shot with the hair." It's beautifully shot. Mitt When I saw

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beautifully shot. Mitt When I saw beautifully shot. Mitt When I saw

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beautifully shot. Mitt When I saw it for the first time, you could

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it for the first time, you could it for the first time, you could

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it for the first time, you could hear a pin drop. He creates his own

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hear a pin drop. He creates his own hear a pin drop. He creates his own

:04:24.:04:34.
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Who are you? I had very, very high Who are you? I had very, very high

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Who are you? I had very, very high hopes for Stoker, normally it turns

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hopes for Stoker, normally it turns hopes for Stoker, normally it turns

:04:44.:04:45.

hopes for Stoker, normally it turns out to be a disaster. You have to

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out to be a disaster. You have to out to be a disaster. You have to

:04:46.:04:48.

imagine my surprise when it turned imagine my surprise when it turned

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imagine my surprise when it turned imagine my surprise when it turned

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out to be this mad black hearted out to be this mad black hearted

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out to be this mad black hearted triumph. A gotic chocolate box film.

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triumph. A gotic chocolate box film. triumph. A gotic chocolate box film.

:04:57.:04:57.

It is overblown. It is fiercely It is overblown. It is fiercely

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It is overblown. It is fiercely It is overblown. It is fiercely

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proud of all those things. It looks proud of all those things. It looks

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proud of all those things. It looks pristine and gorgeous. I think it's

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pristine and gorgeous. I think it's pristine and gorgeous. I think it's

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deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

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deeply preverse. It's deeply wrong, deeply preverse. It's deeply wrong,

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in the best sense of the word. I in the best sense of the word. I

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in the best sense of the word. I in the best sense of the word. I

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wanted to roll around in this film. wanted to roll around in this film.

:05:10.:05:12.

wanted to roll around in this film. wanted to roll around in this film.

:05:12.:05:13.

The moment I came out of it, I The moment I came out of it, I

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The moment I came out of it, I wanted to turn around and go

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wanted to turn around and go wanted to turn around and go

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straight back in. Isn't that straight back in. Isn't that

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straight back in. Isn't that interesting. The moment I came out

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interesting. The moment I came out interesting. The moment I came out

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interesting. The moment I came out interesting. The moment I came out

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I wanted to go back in and ask for I wanted to go back in and ask for

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I wanted to go back in and ask for I wanted to go back in and ask for

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those two hours of my life back. those two hours of my life back.

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those two hours of my life back. They are never coming back. They

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They are never coming back. They They are never coming back. They

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are never coming back. I thought are never coming back. I thought

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the performances were brilliant. the performances were brilliant.

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the performances were brilliant. Can I read this out, "forgetable

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Can I read this out, "forgetable Can I read this out, "forgetable

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Can I read this out, "forgetable and choppy, a real shame given the

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and choppy, a real shame given the great performances." They are

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great performances." They are great performances." They are

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fabulous. I wanted, I think it fabulous. I wanted, I think it

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fabulous. I wanted, I think it fabulous. I wanted, I think it

:05:38.:05:38.

might have something to do with my might have something to do with my

:05:38.:05:40.

expectations which were incredibly expectations which were incredibly

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expectations which were incredibly expectations which were incredibly

:05:41.:05:41.

high. I thought it was going... I high. I thought it was going... I

:05:41.:05:43.

high. I thought it was going... I high. I thought it was going... I

:05:43.:05:45.

was told it was a horror. It's not was told it was a horror. It's not

:05:45.:05:46.

was told it was a horror. It's not was told it was a horror. It's not

:05:46.:05:47.

a horror. As I was watching it I a horror. As I was watching it I

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a horror. As I was watching it I was thinking there is a joyless

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was thinking there is a joyless was thinking there is a joyless

:05:51.:05:51.

was thinking there is a joyless ninny who would fail to get this

:05:51.:05:53.

ninny who would fail to get this ninny who would fail to get this

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ninny who would fail to get this film. Maybe we would have to shake

:05:55.:05:56.

film. Maybe we would have to shake film. Maybe we would have to shake

:05:56.:05:59.

them vigorously and say, "do you them vigorously and say, "do you

:05:59.:06:01.

them vigorously and say, "do you like movies" and leave them to

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like movies" and leave them to like movies" and leave them to

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theirmisery. That is me and them. theirmisery. That is me and them.

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theirmisery. That is me and them. theirmisery. That is me and them.

:06:05.:06:07.

There is a lot. I will read more, There is a lot. I will read more,

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There is a lot. I will read more, "all style and no substance."

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"all style and no substance." "all style and no substance."

:06:12.:06:12.

"all style and no substance." is a wonderful thing going on. This

:06:12.:06:15.

is a wonderful thing going on. This is a wonderful thing going on. This

:06:15.:06:16.

is a wonderful thing going on. This will put you in mind of Hitchcock

:06:16.:06:18.

will put you in mind of Hitchcock will put you in mind of Hitchcock

:06:18.:06:19.

will put you in mind of Hitchcock Shadow of a Doubt. You have the

:06:19.:06:21.

Shadow of a Doubt. You have the Shadow of a Doubt. You have the

:06:21.:06:23.

innocence, you have the Outsiders innocence, you have the Outsiders

:06:23.:06:26.

innocence, you have the Outsiders innocence, you have the Outsiders

:06:26.:06:28.

and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:28.:06:30.

and Twin Peaks Night of the Hunter, and Twin Peaks Night of the Hunter,

:06:30.:06:32.

it is still it's own film. You are it is still it's own film. You are

:06:32.:06:33.

dismissive about the performances. dismissive about the performances.

:06:33.:06:37.

dismissive about the performances. That is my favourite bit?

:06:38.:06:39.

That is my favourite bit? That is my favourite bit?

:06:39.:06:40.

Wasikowska impeccable. We have to Wasikowska impeccable. We have to

:06:40.:06:41.

Wasikowska impeccable. We have to talk about Nicole Kidman. I don't

:06:41.:06:42.

talk about Nicole Kidman. I don't talk about Nicole Kidman. I don't

:06:42.:06:44.

talk about Nicole Kidman. I don't think as an actress, she has had an

:06:44.:06:45.

think as an actress, she has had an think as an actress, she has had an

:06:45.:06:46.

think as an actress, she has had an odd career. I don't think there is

:06:47.:06:48.

odd career. I don't think there is odd career. I don't think there is

:06:48.:06:48.

odd career. I don't think there is an at actress of her stature who

:06:48.:06:50.

an at actress of her stature who an at actress of her stature who

:06:50.:06:51.

an at actress of her stature who would or could play this role so

:06:51.:06:52.

would or could play this role so would or could play this role so

:06:52.:06:54.

perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:54.:06:55.

perfectly. She has that frozen doll perfectly. She has that frozen doll

:06:55.:06:57.

face. She looks like she is dipped face. She looks like she is dipped

:06:57.:06:59.

face. She looks like she is dipped face. She looks like she is dipped

:06:59.:07:01.

in plastic. She is playing a widow in plastic. She is playing a widow

:07:01.:07:02.

in plastic. She is playing a widow with an itch in her pants.

:07:02.:07:03.

with an itch in her pants. with an itch in her pants.

:07:03.:07:04.

with an itch in her pants. Brilliant is a word I try not to

:07:04.:07:06.

Brilliant is a word I try not to Brilliant is a word I try not to

:07:06.:07:08.

use. It's your word. It's my use. It's your word. It's my

:07:08.:07:09.

use. It's your word. It's my favourite word. I stay away from.

:07:09.:07:11.

favourite word. I stay away from. favourite word. I stay away from.

:07:11.:07:13.

It it's brilliant. Somewhere out It it's brilliant. Somewhere out

:07:13.:07:13.

It it's brilliant. Somewhere out there tonight Tim Burton has been

:07:14.:07:17.

there tonight Tim Burton has been there tonight Tim Burton has been

:07:17.:07:18.

brought his horlicks and has dosed brought his horlicks and has dosed

:07:18.:07:20.

brought his horlicks and has dosed brought his horlicks and has dosed

:07:20.:07:21.

and is waving his arms and legs and is waving his arms and legs

:07:21.:07:22.

and is waving his arms and legs and is waving his arms and legs

:07:22.:07:23.

about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:23.:07:25.

about like dogs, do he is dreaming about like dogs, do he is dreaming

:07:25.:07:26.

of having made a film this good. of having made a film this good.

:07:26.:07:28.

of having made a film this good. Really? I hear you. Performances

:07:28.:07:31.

Really? I hear you. Performances Really? I hear you. Performances

:07:31.:07:32.

brilliant. Don't go! Next, Mark brilliant. Don't go! Next, Mark

:07:32.:07:33.

brilliant. Don't go! Next, Mark Wahlberg and Russell Crowe star in

:07:34.:07:41.

Wahlberg and Russell Crowe star in Wahlberg and Russell Crowe star in

:07:41.:07:43.

the thriller Broken City. When I the thriller Broken City. When I

:07:44.:07:45.

the thriller Broken City. When I was elected Mayor, this was a

:07:45.:07:47.

was elected Mayor, this was a was elected Mayor, this was a

:07:47.:07:48.

broken city. Tell me things haven't broken city. Tell me things haven't

:07:48.:07:50.

broken city. Tell me things haven't broken city. Tell me things haven't

:07:50.:07:52.

changed? Do you know who I am?Yeah. changed? Do you know who I am?Yeah.

:07:52.:07:53.

changed? Do you know who I am?Yeah. Step-by-step, I've been getting it

:07:53.:07:56.

Step-by-step, I've been getting it Step-by-step, I've been getting it

:07:56.:07:57.

fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:07:57.:07:59.

fixed. Here's our guy. Mr Mayor. fixed. Here's our guy. Mr Mayor.

:08:00.:08:03.

Look in my eyes, a hero. Thank you. Look in my eyes, a hero. Thank you.

:08:03.:08:04.

Look in my eyes, a hero. Thank you. I'm a detective named Billy Taggart,

:08:04.:08:05.

I'm a detective named Billy Taggart, I'm a detective named Billy Taggart,

:08:05.:08:07.

I'm a detective named Billy Taggart, he has taken the law into his own

:08:07.:08:08.

he has taken the law into his own he has taken the law into his own

:08:08.:08:09.

hands after a huge miscarriage of hands after a huge miscarriage of

:08:09.:08:11.

hands after a huge miscarriage of hands after a huge miscarriage of

:08:11.:08:12.

justice. He is forced to resign or justice. He is forced to resign or

:08:12.:08:14.

justice. He is forced to resign or face criminal charges. He becomes a

:08:14.:08:15.

face criminal charges. He becomes a face criminal charges. He becomes a

:08:15.:08:16.

private investigator he is called private investigator he is called

:08:16.:08:17.

private investigator he is called by the Mayor to investigate his

:08:17.:08:18.

by the Mayor to investigate his by the Mayor to investigate his

:08:18.:08:19.

by the Mayor to investigate his wife who he thinks is having an

:08:19.:08:20.

wife who he thinks is having an wife who he thinks is having an

:08:20.:08:22.

affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:22.:08:24.

affair. I'm not sure I'm following affair. I'm not sure I'm following

:08:24.:08:26.

you. I need you to find the man you. I need you to find the man

:08:26.:08:27.

you. I need you to find the man sleeping with my wife. Done. You

:08:27.:08:28.

sleeping with my wife. Done. You sleeping with my wife. Done. You

:08:28.:08:29.

sleeping with my wife. Done. You are my eyes. What do we have?

:08:29.:08:31.

are my eyes. What do we have? are my eyes. What do we have?

:08:31.:08:33.

are my eyes. What do we have? have him. It's good, Billy. As I

:08:33.:08:34.

have him. It's good, Billy. As I investigate her I unravel

:08:34.:08:35.

investigate her I unravel investigate her I unravel

:08:35.:08:36.

investigate her I unravel corruption and I decide, I will not

:08:36.:08:38.

corruption and I decide, I will not corruption and I decide, I will not

:08:38.:08:42.

corruption and I decide, I will not be the Mayor pawn, I will take him

:08:42.:08:44.

be the Mayor pawn, I will take him be the Mayor pawn, I will take him

:08:44.:08:44.

be the Mayor pawn, I will take him down if it means risk my own

:08:44.:08:46.

down if it means risk my own down if it means risk my own

:08:46.:08:47.

down if it means risk my own freedom. It's not what you think it

:08:47.:08:49.

freedom. It's not what you think it freedom. It's not what you think it

:08:49.:08:50.

freedom. It's not what you think it is. If the last seven years of your

:08:50.:08:53.

is. If the last seven years of your is. If the last seven years of your

:08:53.:08:54.

life mean anything, walk away. If life mean anything, walk away. If

:08:54.:08:55.

life mean anything, walk away. If you think you are investigating

:08:55.:08:57.

you think you are investigating you think you are investigating

:08:57.:08:59.

adultery, Mr Taggart, you don't adultery, Mr Taggart, you don't

:08:59.:09:03.

adultery, Mr Taggart, you don't know Nicholas Hostetler very well.

:09:03.:09:06.

know Nicholas Hostetler very well. know Nicholas Hostetler very well.

:09:06.:09:08.

Russell, who is fairly method comes Russell, who is fairly method comes

:09:08.:09:09.

Russell, who is fairly method comes Russell, who is fairly method comes

:09:09.:09:10.

on to set. He is charming people on to set. He is charming people

:09:10.:09:12.

on to set. He is charming people and shaking hands and telling jokes

:09:12.:09:13.

and shaking hands and telling jokes and shaking hands and telling jokes

:09:13.:09:14.

and kissing babies and being the and kissing babies and being the

:09:14.:09:15.

and kissing babies and being the and kissing babies and being the

:09:15.:09:16.

Mayor. I need a drink.A lot of Mayor. I need a drink.A lot of

:09:16.:09:18.

Mayor. I need a drink.A lot of these people who have taken these

:09:18.:09:20.

these people who have taken these these people who have taken these

:09:20.:09:21.

offices are corrupted by power and offices are corrupted by power and

:09:21.:09:23.

offices are corrupted by power and money. It's a very tempting thing.

:09:23.:09:24.

money. It's a very tempting thing. money. It's a very tempting thing.

:09:24.:09:24.

money. It's a very tempting thing. That's the case that we are dealing

:09:25.:09:28.

That's the case that we are dealing That's the case that we are dealing

:09:28.:09:28.

That's the case that we are dealing with in Broken City. I might have

:09:28.:09:30.

with in Broken City. I might have with in Broken City. I might have

:09:30.:09:32.

to hire someone to investigate you. to hire someone to investigate you.

:09:32.:09:33.

to hire someone to investigate you. to hire someone to investigate you.

:09:33.:09:34.

You are good Mayor, you have it all You are good Mayor, you have it all

:09:34.:09:35.

You are good Mayor, you have it all You are good Mayor, you have it all

:09:35.:09:36.

worked out. Perhaps that is why the worked out. Perhaps that is why the

:09:36.:09:37.

worked out. Perhaps that is why the people keep electing me, Billy,

:09:37.:09:38.

people keep electing me, Billy, people keep electing me, Billy,

:09:38.:09:39.

people keep electing me, Billy, because I simply get the job done.

:09:39.:09:40.

because I simply get the job done. because I simply get the job done.

:09:40.:09:41.

because I simply get the job done. All this, it was all for the City?

:09:41.:09:42.

All this, it was all for the City? All this, it was all for the City?

:09:42.:09:43.

All this, it was all for the City? Everything I do is for this great

:09:43.:09:45.

Everything I do is for this great Everything I do is for this great

:09:45.:09:46.

Everything I do is for this great city. I try to stay optimistic with

:09:46.:09:47.

city. I try to stay optimistic with city. I try to stay optimistic with

:09:47.:09:50.

city. I try to stay optimistic with the officials we elect and that we

:09:50.:09:50.

the officials we elect and that we the officials we elect and that we

:09:50.:09:51.

the officials we elect and that we -- they will take care of the

:09:51.:09:53.

-- they will take care of the -- they will take care of the

:09:53.:09:53.

-- they will take care of the people that elected them and try to

:09:53.:09:54.

people that elected them and try to people that elected them and try to

:09:54.:09:57.

better all the things that they better all the things that they

:09:57.:09:58.

better all the things that they have promised to better and change

:09:58.:09:59.

have promised to better and change have promised to better and change

:09:59.:10:00.

while running for office. You know, while running for office. You know,

:10:00.:10:05.

while running for office. You know, it doesn't always happen. He's a

:10:05.:10:08.

it doesn't always happen. He's a it doesn't always happen. He's a

:10:08.:10:09.

dangerous man, Billy. He knows dangerous man, Billy. He knows

:10:09.:10:10.

dangerous man, Billy. He knows people who kill people. You're

:10:10.:10:11.

people who kill people. You're people who kill people. You're

:10:11.:10:11.

people who kill people. You're going to walk away. That is the

:10:11.:10:13.

going to walk away. That is the going to walk away. That is the

:10:13.:10:18.

going to walk away. That is the deal, Mayor. I suggest you take it.

:10:18.:10:19.

deal, Mayor. I suggest you take it. deal, Mayor. I suggest you take it.

:10:19.:10:22.

deal, Mayor. I suggest you take it. It's a movie out of time. It's a

:10:22.:10:24.

It's a movie out of time. It's a It's a movie out of time. It's a

:10:24.:10:24.

40's film. Somehow it stumbled 40's film. Somehow it stumbled

:10:24.:10:26.

40's film. Somehow it stumbled around in the year 2013. One

:10:26.:10:29.

around in the year 2013. One around in the year 2013. One

:10:29.:10:30.

character says, "do they have character says, "do they have

:10:30.:10:33.

character says, "do they have private I's any more", that is

:10:33.:10:34.

private I's any more", that is private I's any more", that is

:10:34.:10:35.

private I's any more", that is strange. If you have a soft spot

:10:36.:10:37.

strange. If you have a soft spot strange. If you have a soft spot

:10:37.:10:38.

strange. If you have a soft spot for noir it is slick and gets the

:10:38.:10:39.

for noir it is slick and gets the for noir it is slick and gets the

:10:39.:10:41.

for noir it is slick and gets the job done in a B movie fashion. If

:10:41.:10:43.

job done in a B movie fashion. If job done in a B movie fashion. If

:10:43.:10:45.

job done in a B movie fashion. If you are into New York, you are a

:10:45.:10:46.

you are into New York, you are a you are into New York, you are a

:10:46.:10:47.

connoisseur of New York porn and connoisseur of New York porn and

:10:47.:10:48.

connoisseur of New York porn and like the yellow cabs and the

:10:48.:10:50.

like the yellow cabs and the like the yellow cabs and the

:10:50.:10:51.

Chrysler building across the night Chrysler building across the night

:10:51.:10:52.

Chrysler building across the night sky it delivers on that, because

:10:52.:10:54.

sky it delivers on that, because sky it delivers on that, because

:10:54.:10:59.

sky it delivers on that, because New York is about noir and Ready

:10:59.:11:00.

New York is about noir and Ready New York is about noir and Ready

:11:00.:11:01.

Brek. If you have low expectation Brek. If you have low expectation

:11:01.:11:04.

Brek. If you have low expectation it delivers. Everything is about

:11:04.:11:08.

it delivers. Everything is about it delivers. Everything is about

:11:09.:11:10.

expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:10.:11:11.

expectations as we dis -- discussed. expectations as we dis -- discussed.

:11:11.:11:12.

How bad can this be? You realise How bad can this be? You realise

:11:12.:11:13.

How bad can this be? You realise How bad can this be? You realise

:11:13.:11:15.

how difficult it is to make a how difficult it is to make a

:11:15.:11:16.

how difficult it is to make a gripping film. I thought it wasn't

:11:16.:11:17.

gripping film. I thought it wasn't gripping film. I thought it wasn't

:11:17.:11:17.

gripping film. I thought it wasn't nearly as good as it should have

:11:17.:11:20.

nearly as good as it should have nearly as good as it should have

:11:20.:11:20.

nearly as good as it should have been. I will read this out, John

:11:20.:11:22.

been. I will read this out, John been. I will read this out, John

:11:22.:11:24.

Milton says, "thought it was OK, Milton says, "thought it was OK,

:11:24.:11:26.

Milton says, "thought it was OK, not bad, not great, kind of

:11:26.:11:27.

not bad, not great, kind of not bad, not great, kind of

:11:27.:11:27.

average." Thank you very much for average." Thank you very much for

:11:28.:11:28.

average." Thank you very much for tweeting. The problem is, it should

:11:28.:11:29.

tweeting. The problem is, it should tweeting. The problem is, it should

:11:30.:11:31.

have been better. I thought it have been better. I thought it

:11:31.:11:32.

have been better. I thought it was... It goes exactly where you

:11:32.:11:33.

was... It goes exactly where you was... It goes exactly where you

:11:33.:11:34.

was... It goes exactly where you think it will go. It goes there

:11:34.:11:35.

think it will go. It goes there think it will go. It goes there

:11:35.:11:36.

exactly when you think it's going exactly when you think it's going

:11:37.:11:38.

exactly when you think it's going exactly when you think it's going

:11:38.:11:39.

to go. I don't think... I don't to go. I don't think... I don't

:11:39.:11:40.

to go. I don't think... I don't to go. I don't think... I don't

:11:40.:11:41.

think that is the end of the world. think that is the end of the world.

:11:41.:11:43.

think that is the end of the world. It's not unafraid of cliches, put

:11:43.:11:45.

It's not unafraid of cliches, put It's not unafraid of cliches, put

:11:45.:11:45.

it that way. The performances hold it that way. The performances hold

:11:46.:11:46.

it that way. The performances hold it together. Mark Wahlberg gets it

:11:46.:11:48.

it together. Mark Wahlberg gets it it together. Mark Wahlberg gets it

:11:48.:11:48.

it together. Mark Wahlberg gets it a sense of robustness at the heart

:11:48.:11:50.

a sense of robustness at the heart a sense of robustness at the heart

:11:50.:11:52.

a sense of robustness at the heart of it all. Russell Crowe, this is,

:11:52.:11:53.

of it all. Russell Crowe, this is, of it all. Russell Crowe, this is,

:11:53.:11:54.

I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:54.:11:55.

I haven't enjoyed a Russell Crowe I haven't enjoyed a Russell Crowe

:11:55.:11:56.

performance as much as this in a performance as much as this in a

:11:56.:11:57.

performance as much as this in a long-term. He is not singing for

:11:57.:11:58.

long-term. He is not singing for long-term. He is not singing for

:11:58.:11:59.

long-term. He is not singing for one thing, which is a relief. A

:11:59.:12:00.

one thing, which is a relief. A one thing, which is a relief. A

:12:00.:12:02.

one thing, which is a relief. A relief to me, I suppose to him as

:12:02.:12:07.

relief to me, I suppose to him as relief to me, I suppose to him as

:12:07.:12:08.

relief to me, I suppose to him as well. There is a whiff of gammon

:12:08.:12:12.

well. There is a whiff of gammon well. There is a whiff of gammon

:12:12.:12:13.

you could imagine albacheen owe you could imagine albacheen owe

:12:13.:12:15.

you could imagine albacheen owe you could imagine albacheen owe

:12:15.:12:25.
:12:25.:12:27.

saying, "you could take it down a saying, "you could take it down a

:12:27.:12:27.

saying, "you could take it down a saying, "you could take it down a

:12:27.:12:29.

notch or two." If you expect a film notch or two." If you expect a film

:12:29.:12:30.

notch or two." If you expect a film notch or two." If you expect a film

:12:30.:12:32.

to be in next year's Oscars it to be in next year's Oscars it

:12:32.:12:33.

to be in next year's Oscars it to be in next year's Oscars it

:12:33.:12:34.

won't be. As a B movie that will won't be. As a B movie that will

:12:34.:12:35.

won't be. As a B movie that will won't be. As a B movie that will

:12:35.:12:45.
:12:45.:12:47.

Now we have Caesar Must Die, set in Now we have Caesar Must Die, set in

:12:47.:12:48.

Now we have Caesar Must Die, set in a real Italian prison, this prize-

:12:48.:12:49.

a real Italian prison, this prize- winning docu-drama depicts inmates

:12:49.:12:50.

winning docu-drama depicts inmates winning docu-drama depicts inmates

:12:50.:12:51.

preparing to give a performance of preparing to give a performance of

:12:51.:13:01.
:13:01.:13:01.

Apology for the loss of subtitles for 60 seconds

:13:01.:14:01.

Until now, the best known screenan Until now, the best known screenan

:14:01.:14:03.

Until now, the best known screenan adaptation of jewel July goes back

:14:03.:14:07.

adaptation of jewel July goes back adaptation of jewel July goes back

:14:07.:14:09.

to 1953 starring Marlon Brando. to 1953 starring Marlon Brando.

:14:09.:14:18.

to 1953 starring Marlon Brando. Here you have James Mason, playing

:14:18.:14:20.

Here you have James Mason, playing Here you have James Mason, playing

:14:20.:14:21.

Here you have James Mason, playing a man in prison. All the characters

:14:21.:14:21.

a man in prison. All the characters a man in prison. All the characters

:14:22.:14:22.

a man in prison. All the characters are mafioso. We know that at the

:14:22.:14:24.

are mafioso. We know that at the are mafioso. We know that at the

:14:24.:14:24.

start of the film. They're start of the film. They're

:14:24.:14:25.

start of the film. They're introduced to the director, talk a

:14:25.:14:27.

introduced to the director, talk a introduced to the director, talk a

:14:28.:14:29.

bit about who they are, what bit about who they are, what

:14:29.:14:30.

sentences they're serving. After sentences they're serving. After

:14:30.:14:31.

sentences they're serving. After that, it's the play essentially.

:14:31.:14:32.

that, it's the play essentially. that, it's the play essentially.

:14:32.:14:33.

It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:33.:14:34.

It's Julius Caesar but as performed It's Julius Caesar but as performed

:14:34.:14:35.

by this cast and I think very by this cast and I think very

:14:35.:14:37.

by this cast and I think very smartly and very interestingly, it

:14:37.:14:38.

smartly and very interestingly, it smartly and very interestingly, it

:14:38.:14:39.

leaves their criminal careers in leaves their criminal careers in

:14:39.:14:40.

leaves their criminal careers in leaves their criminal careers in

:14:40.:14:41.

the background and leaves it to you the background and leaves it to you

:14:41.:14:42.

the background and leaves it to you the background and leaves it to you

:14:42.:14:43.

to put two and two together about to put two and two together about

:14:43.:14:44.

to put two and two together about the meaning why Julius Caesar means

:14:44.:14:45.

the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:45.:14:46.

the meaning why Julius Caesar means the meaning why Julius Caesar means

:14:46.:14:47.

so much to them. I think as a play, so much to them. I think as a play,

:14:47.:14:48.

so much to them. I think as a play, so much to them. I think as a play,

:14:48.:14:48.

as a presentation as a play I think as a presentation as a play I think

:14:48.:14:50.

as a presentation as a play I think this is stark and impressive, very

:14:50.:14:51.

this is stark and impressive, very this is stark and impressive, very

:14:51.:14:52.

handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:53.:14:53.

handsome. It's a powerful piece of handsome. It's a powerful piece of

:14:54.:14:54.

cinema. I totally agree. I know it cinema. I totally agree. I know it

:14:54.:14:56.

cinema. I totally agree. I know it sounds weird because they're in a

:14:56.:14:56.

sounds weird because they're in a sounds weird because they're in a

:14:56.:14:57.

prison but a it's extraordinary prison but a it's extraordinary

:14:57.:14:58.

prison but a it's extraordinary prison but a it's extraordinary

:14:58.:15:00.

escapism. If you want to go into a escapism. If you want to go into a

:15:00.:15:01.

cinema and watch something cinema and watch something

:15:01.:15:02.

completely difrpblgts not watch completely difrpblgts not watch

:15:02.:15:05.

completely difrpblgts not watch Broken City, which will remind you

:15:06.:15:08.

Broken City, which will remind you Broken City, which will remind you

:15:08.:15:08.

Broken City, which will remind you of ten other things, go and see

:15:08.:15:10.

of ten other things, go and see of ten other things, go and see

:15:10.:15:11.

of ten other things, go and see this. I'm going to read this. This

:15:11.:15:14.

this. I'm going to read this. This this. I'm going to read this. This

:15:14.:15:15.

this. I'm going to read this. This is bugging - Season Must Die, bad

:15:15.:15:18.

is bugging - Season Must Die, bad is bugging - Season Must Die, bad

:15:18.:15:20.

is bugging - Season Must Die, bad to the bone - Roman prisoners act

:15:20.:15:21.

to the bone - Roman prisoners act to the bone - Roman prisoners act

:15:21.:15:22.

out a superb power struggle - out a superb power struggle -

:15:22.:15:24.

out a superb power struggle - that's from Allie. It's stripped

:15:24.:15:25.

that's from Allie. It's stripped that's from Allie. It's stripped

:15:25.:15:26.

that's from Allie. It's stripped down. It does catch you on the hop.

:15:26.:15:28.

down. It does catch you on the hop. down. It does catch you on the hop.

:15:28.:15:29.

down. It does catch you on the hop. It did me at least because you

:15:29.:15:30.

It did me at least because you It did me at least because you

:15:30.:15:30.

It did me at least because you can't help but expect this is going

:15:30.:15:31.

can't help but expect this is going can't help but expect this is going

:15:31.:15:32.

can't help but expect this is going to be the story of the prisoners

:15:32.:15:33.

to be the story of the prisoners to be the story of the prisoners

:15:33.:15:34.

to be the story of the prisoners and the prison. It's not that stuff

:15:34.:15:35.

and the prison. It's not that stuff and the prison. It's not that stuff

:15:35.:15:37.

is kept at arm's length. What's is kept at arm's length. What's

:15:37.:15:38.

is kept at arm's length. What's nice about it is the filmmakers

:15:38.:15:38.

nice about it is the filmmakers nice about it is the filmmakers

:15:38.:15:39.

nice about it is the filmmakers trust you to put together the fact

:15:39.:15:41.

trust you to put together the fact trust you to put together the fact

:15:41.:15:43.

when you're seeing a convict act when you're seeing a convict act

:15:43.:15:43.

when you're seeing a convict act out scenes from Julius Caesar

:15:43.:15:44.

out scenes from Julius Caesar out scenes from Julius Caesar

:15:44.:15:46.

talking about having blood on their talking about having blood on their

:15:46.:15:47.

talking about having blood on their hands, there is probably quite a

:15:47.:15:49.

hands, there is probably quite a hands, there is probably quite a

:15:49.:15:50.

literal truth to that. It doesn't literal truth to that. It doesn't

:15:50.:15:51.

literal truth to that. It doesn't literal truth to that. It doesn't

:15:51.:15:52.

need saying. I think on that level need saying. I think on that level

:15:52.:15:53.

need saying. I think on that level need saying. I think on that level

:15:53.:15:55.

it's great. I also think it looks... it's great. I also think it looks...

:15:55.:15:56.

it's great. I also think it looks... Beautiful. Yes, looks stunning. You

:15:56.:15:57.

Beautiful. Yes, looks stunning. You Beautiful. Yes, looks stunning. You

:15:57.:15:58.

Beautiful. Yes, looks stunning. You have this black and white centre to

:15:58.:15:59.

have this black and white centre to have this black and white centre to

:15:59.:16:00.

have this black and white centre to the film, then you have - bookended

:16:00.:16:01.

the film, then you have - bookended the film, then you have - bookended

:16:01.:16:02.

by colour scenes which is actually by colour scenes which is actually

:16:02.:16:03.

by colour scenes which is actually in the prison, out of character.

:16:03.:16:05.

in the prison, out of character. in the prison, out of character.

:16:05.:16:06.

It's an unusual and interesting It's an unusual and interesting

:16:06.:16:08.

It's an unusual and interesting It's an unusual and interesting

:16:08.:16:09.

film. Next, Richard Gere stars as a film. Next, Richard Gere stars as a

:16:09.:16:09.

film. Next, Richard Gere stars as a Wall Street billionaire in the

:16:09.:16:14.

Wall Street billionaire in the financial thriller Ashley Benson.

:16:14.:16:15.

financial thriller Ashley Benson. financial thriller Ashley Benson.

:16:16.:16:17.

A dedicated businessman, a family A dedicated businessman, a family

:16:17.:16:20.

A dedicated businessman, a family man, my mentor, my father. World

:16:20.:16:23.

man, my mentor, my father. World man, my mentor, my father. World

:16:23.:16:26.

events all evolve around five events all evolve around five

:16:26.:16:28.

events all evolve around five things - (Spelling) Money. We make

:16:28.:16:30.

things - (Spelling) Money. We make things - (Spelling) Money. We make

:16:30.:16:31.

things - (Spelling) Money. We make a great return. Ashley Benson is a

:16:31.:16:33.

a great return. Ashley Benson is a a great return. Ashley Benson is a

:16:33.:16:34.

thriller about a billionaire named thriller about a billionaire named

:16:34.:16:35.

thriller about a billionaire named Robert Miller. He's known as the

:16:35.:16:40.

Robert Miller. He's known as the Robert Miller. He's known as the

:16:40.:16:42.

Robert Miller. He's known as the oracle of Grade C square. He's got

:16:42.:16:46.

oracle of Grade C square. He's got oracle of Grade C square. He's got

:16:46.:16:47.

the mansion, a beautiful family... the mansion, a beautiful family...

:16:47.:16:48.

the mansion, a beautiful family... I did like this character. These

:16:48.:16:50.

I did like this character. These I did like this character. These

:16:50.:16:51.

are guys that know what's happening. are guys that know what's happening.

:16:51.:16:52.

are guys that know what's happening. They're smarter than us, more

:16:52.:16:54.

They're smarter than us, more They're smarter than us, more

:16:54.:16:55.

capable than us, more charming than capable than us, more charming than

:16:55.:16:56.

capable than us, more charming than capable than us, more charming than

:16:56.:16:58.

us - they have it all, and there us - they have it all, and there

:16:58.:16:59.

us - they have it all, and there us - they have it all, and there

:16:59.:17:00.

seems to be no hiccup with them at seems to be no hiccup with them at

:17:00.:17:01.

all. There's no hesitation. all. There's no hesitation.

:17:01.:17:05.

all. There's no hesitation. Everything is as it should be.

:17:05.:17:06.

Everything is as it should be. Everything is as it should be.

:17:06.:17:15.

Everything is as it should be. No! Some terrible events occur, and

:17:15.:17:17.

No! Some terrible events occur, and No! Some terrible events occur, and

:17:17.:17:18.

No! Some terrible events occur, and he's in a lot of trouble with his

:17:18.:17:18.

he's in a lot of trouble with his he's in a lot of trouble with his

:17:19.:17:20.

company. He's cooked up the books company. He's cooked up the books

:17:20.:17:21.

company. He's cooked up the books company. He's cooked up the books

:17:21.:17:23.

to try to hide a bad investment, so to try to hide a bad investment, so

:17:23.:17:24.

to try to hide a bad investment, so to try to hide a bad investment, so

:17:24.:17:25.

when we meet him, he's in the worst when we meet him, he's in the worst

:17:25.:17:25.

when we meet him, he's in the worst when we meet him, he's in the worst

:17:25.:17:27.

week of his life. We did that with week of his life. We did that with

:17:27.:17:28.

week of his life. We did that with American Gigolo too. We took a

:17:28.:17:31.

American Gigolo too. We took a American Gigolo too. We took a

:17:31.:17:32.

character and presented him as an character and presented him as an

:17:32.:17:33.

character and presented him as an iconic, known entity. We kind of

:17:33.:17:35.

iconic, known entity. We kind of iconic, known entity. We kind of

:17:35.:17:37.

get these guys, and then literally get these guys, and then literally

:17:37.:17:38.

get these guys, and then literally deconstructed him. We do the same

:17:38.:17:39.

deconstructed him. We do the same deconstructed him. We do the same

:17:39.:17:40.

here. What happened to your head? here. What happened to your head?

:17:40.:17:41.

here. What happened to your head? What? Your head, what happened to

:17:41.:17:42.

What? Your head, what happened to What? Your head, what happened to

:17:43.:17:43.

What? Your head, what happened to your head? That's a nasty cut. I

:17:43.:17:44.

your head? That's a nasty cut. I your head? That's a nasty cut. I

:17:44.:17:44.

your head? That's a nasty cut. I have been looking at that for the

:17:45.:17:46.

have been looking at that for the have been looking at that for the

:17:46.:17:47.

last five minutes. Does it hurt last five minutes. Does it hurt

:17:47.:17:49.

last five minutes. Does it hurt last five minutes. Does it hurt

:17:49.:17:51.

you? No, no. I hit it on the you? No, no. I hit it on the

:17:51.:17:54.

you? No, no. I hit it on the medicine cabinet. Last night?

:17:54.:17:55.

medicine cabinet. Last night? medicine cabinet. Last night?

:17:55.:17:55.

morning. Hate when that happens. morning. Hate when that happens.

:17:55.:17:56.

morning. Hate when that happens. morning. Hate when that happens.

:17:56.:17:57.

Guys like this, they want to win Guys like this, they want to win

:17:57.:17:58.

Guys like this, they want to win Guys like this, they want to win

:17:58.:17:59.

the game. They want to be in the the game. They want to be in the

:17:59.:18:00.

the game. They want to be in the the game. They want to be in the

:18:00.:18:01.

game. They want to win the game, game. They want to win the game,

:18:01.:18:02.

game. They want to win the game, game. They want to win the game,

:18:02.:18:04.

game. They want to win the game, and on the way to keep score of who

:18:04.:18:08.

and on the way to keep score of who and on the way to keep score of who

:18:08.:18:09.

and on the way to keep score of who and on the way to keep score of who

:18:09.:18:10.

won - is by who has the plane and won - is by who has the plane and

:18:10.:18:11.

won - is by who has the plane and the money and the house. Torture

:18:11.:18:12.

the money and the house. Torture the money and the house. Torture

:18:12.:18:13.

the money and the house. Torture for these guys would be not being

:18:13.:18:15.

for these guys would be not being for these guys would be not being

:18:15.:18:16.

allowed to play the game anymore. allowed to play the game anymore.

:18:16.:18:17.

allowed to play the game anymore. allowed to play the game anymore.

:18:17.:18:18.

What would you have bid? 600. What would you have bid? 600.

:18:18.:18:23.

What would you have bid? 600. What would you have bid? 600.

:18:23.:18:23.

you would have taken? 475. So we you would have taken? 475. So we

:18:23.:18:26.

you would have taken? 475. So we you would have taken? 475. So we

:18:26.:18:27.

made a good deal. Nick, who wrote made a good deal. Nick, who wrote

:18:27.:18:28.

made a good deal. Nick, who wrote and directed this movie, his

:18:28.:18:31.

and directed this movie, his and directed this movie, his

:18:31.:18:32.

father's quite a famous commodities father's quite a famous commodities

:18:32.:18:32.

father's quite a famous commodities trader. I didn't know anything

:18:32.:18:34.

trader. I didn't know anything trader. I didn't know anything

:18:34.:18:35.

trader. I didn't know anything about this stuff, nor did I care

:18:35.:18:36.

about this stuff, nor did I care about this stuff, nor did I care

:18:36.:18:37.

about this stuff, nor did I care frankly, but when I read the script,

:18:37.:18:38.

frankly, but when I read the script, frankly, but when I read the script,

:18:38.:18:40.

it had that taste of being it had that taste of being

:18:40.:18:41.

it had that taste of being it had that taste of being

:18:41.:18:42.

something that was true. I grew up something that was true. I grew up

:18:42.:18:43.

something that was true. I grew up around it. We'd have arguments at

:18:43.:18:45.

around it. We'd have arguments at around it. We'd have arguments at

:18:45.:18:46.

around it. We'd have arguments at the kitchen table at six years old

:18:46.:18:48.

the kitchen table at six years old the kitchen table at six years old

:18:48.:18:49.

the kitchen table at six years old about currency swaps, so I did have

:18:49.:18:50.

about currency swaps, so I did have about currency swaps, so I did have

:18:50.:18:51.

about currency swaps, so I did have a Brack ground in it. But as timely

:18:51.:18:53.

a Brack ground in it. But as timely a Brack ground in it. But as timely

:18:53.:18:54.

a Brack ground in it. But as timely as this is, this all goes back to

:18:54.:18:56.

as this is, this all goes back to as this is, this all goes back to

:18:56.:18:56.

as this is, this all goes back to Shakespeare, the Greeks - I am such

:18:56.:18:57.

Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:57.:18:59.

Shakespeare, the Greeks - I am such Shakespeare, the Greeks - I am such

:18:59.:18:59.

a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:18:59.:19:01.

a big shot. I can do no wrong. Then a big shot. I can do no wrong. Then

:19:01.:19:02.

boom, the fates don't allow you to boom, the fates don't allow you to

:19:02.:19:03.

boom, the fates don't allow you to strut that big. They'll smack you

:19:03.:19:05.

strut that big. They'll smack you strut that big. They'll smack you

:19:05.:19:06.

down. The police have been trying down. The police have been trying

:19:06.:19:06.

down. The police have been trying down. The police have been trying

:19:06.:19:08.

to talk me, and I'm not going to to talk me, and I'm not going to

:19:08.:19:08.

to talk me, and I'm not going to to talk me, and I'm not going to

:19:08.:19:15.

lie for you. The guy did it. Let's lie for you. The guy did it. Let's

:19:15.:19:16.

lie for you. The guy did it. Let's be frank, the weirdest thing about

:19:16.:19:18.

be frank, the weirdest thing about be frank, the weirdest thing about

:19:18.:19:18.

be frank, the weirdest thing about this film is the title - do you

:19:18.:19:21.

this film is the title - do you this film is the title - do you

:19:21.:19:23.

this film is the title - do you remember 30 - Tina Faye, can't say

:19:23.:19:26.

remember 30 - Tina Faye, can't say remember 30 - Tina Faye, can't say

:19:26.:19:27.

her friend's film - the National her friend's film - the National

:19:27.:19:29.

her friend's film - the National her friend's film - the National

:19:29.:19:30.

Juror - you can't say... You can't Juror - you can't say... You can't

:19:30.:19:31.

Juror - you can't say... You can't say Ashley Benson... You have to

:19:31.:19:32.

say Ashley Benson... You have to say Ashley Benson... You have to

:19:32.:19:34.

say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:34.:19:35.

say Ashley Benson. Whatever it is... say Ashley Benson. Whatever it is...

:19:35.:19:35.

Go ahead. It's a very New York Go ahead. It's a very New York

:19:35.:19:36.

Go ahead. It's a very New York movie like Broken City, but instead

:19:36.:19:37.

movie like Broken City, but instead movie like Broken City, but instead

:19:38.:19:39.

movie like Broken City, but instead of being a film about cops and

:19:39.:19:40.

of being a film about cops and of being a film about cops and

:19:40.:19:42.

politicians it's a film about money politicians it's a film about money

:19:42.:19:43.

politicians it's a film about money men, really it's a movie about

:19:43.:19:44.

men, really it's a movie about men, really it's a movie about

:19:45.:19:46.

Bernie Madoff. But it's not the Bernie Madoff. But it's not the

:19:46.:19:46.

Bernie Madoff. But it's not the Bernie of reality. It's Richard

:19:46.:19:49.

Bernie of reality. It's Richard Bernie of reality. It's Richard

:19:49.:19:50.

Bernie of reality. It's Richard Gere. It's Silver fox in a private

:19:50.:19:50.

Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:50.:19:52.

Gere. It's Silver fox in a private Gere. It's Silver fox in a private

:19:52.:19:52.

jet. I think there is a bit of an jet. I think there is a bit of an

:19:52.:19:53.

jet. I think there is a bit of an identity crisis going on here

:19:53.:19:54.

identity crisis going on here identity crisis going on here

:19:54.:19:55.

because certainly for the first because certainly for the first

:19:55.:19:56.

because certainly for the first because certainly for the first

:19:56.:19:58.

five mince of the film you think, five mince of the film you think,

:19:58.:20:02.

five mince of the film you think, is this a retrothrow-back to Basic

:20:02.:20:04.

is this a retrothrow-back to Basic is this a retrothrow-back to Basic

:20:04.:20:05.

Instinct, no-one wants that despite Instinct, no-one wants that despite

:20:05.:20:06.

Instinct, no-one wants that despite Sharon Stone. It's the portrait of

:20:06.:20:08.

Sharon Stone. It's the portrait of Sharon Stone. It's the portrait of

:20:08.:20:10.

Sharon Stone. It's the portrait of a scum bag in a $10,000 suit, and

:20:10.:20:14.

a scum bag in a $10,000 suit, and a scum bag in a $10,000 suit, and

:20:14.:20:15.

a scum bag in a $10,000 suit, and it's smart and neat and well acted.

:20:15.:20:16.

it's smart and neat and well acted. it's smart and neat and well acted.

:20:16.:20:17.

it's smart and neat and well acted. I have a thing for Richard Gere. I

:20:17.:20:18.

I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:18.:20:20.

I have a thing for Richard Gere. I I have a thing for Richard Gere. I

:20:20.:20:21.

am kind of an old lady on the verge am kind of an old lady on the verge

:20:21.:20:22.

am kind of an old lady on the verge am kind of an old lady on the verge

:20:22.:20:22.

of the menopause - he always gives of the menopause - he always gives

:20:22.:20:25.

of the menopause - he always gives of the menopause - he always gives

:20:25.:20:26.

me a thrill. He's wearing a hat. me a thrill. He's wearing a hat.

:20:26.:20:28.

me a thrill. He's wearing a hat. has the same initials as Ryan

:20:28.:20:29.

has the same initials as Ryan Gosling. They're practically twins.

:20:30.:20:30.

Gosling. They're practically twins. Gosling. They're practically twins.

:20:30.:20:32.

I thought this was really, really I thought this was really, really

:20:32.:20:33.

I thought this was really, really I thought this was really, really

:20:33.:20:33.

good. I thought it was somebody - good. I thought it was somebody -

:20:33.:20:35.

good. I thought it was somebody - good. I thought it was somebody -

:20:35.:20:37.

we have a lot of messages going - we have a lot of messages going -

:20:37.:20:38.

we have a lot of messages going - we have a lot of messages going -

:20:38.:20:40.

are you supposed to root for the are you supposed to root for the

:20:40.:20:41.

are you supposed to root for the bad guy? Yes, Richard Gere strolls

:20:41.:20:44.

bad guy? Yes, Richard Gere strolls charismatically through the movie

:20:44.:20:46.

charismatically through the movie charismatically through the movie

:20:46.:20:47.

just as his character strolls just as his character strolls

:20:47.:20:48.

charismatically through life. I charismatically through life. I

:20:48.:20:50.

charismatically through life. I charismatically through life. I

:20:50.:20:51.

think the movie is a bit smitten think the movie is a bit smitten

:20:51.:20:52.

think the movie is a bit smitten think the movie is a bit smitten

:20:53.:20:53.

with his character. It purts you in with his character. It purts you in

:20:53.:20:54.

with his character. It purts you in this position where you have this

:20:54.:20:55.

this position where you have this this position where you have this

:20:55.:20:58.

ticking clock device, and you are ticking clock device, and you are

:20:58.:21:00.

ticking clock device, and you are rooting for this guy who is

:21:00.:21:02.

rooting for this guy who is rooting for this guy who is

:21:02.:21:02.

repulsive and violent. The movie repulsive and violent. The movie

:21:02.:21:03.

repulsive and violent. The movie repulsive and violent. The movie

:21:03.:21:04.

says there is one law for the rich, says there is one law for the rich,

:21:04.:21:05.

says there is one law for the rich, another for the poor, but then

:21:05.:21:07.

another for the poor, but then another for the poor, but then

:21:07.:21:09.

you're in a position of constantly you're in a position of constantly

:21:09.:21:10.

you're in a position of constantly you're in a position of constantly

:21:10.:21:12.

cheering him on. It does allow for cheering him on. It does allow for

:21:12.:21:13.

cheering him on. It does allow for some meaty acting. There are good

:21:13.:21:15.

some meaty acting. There are good meaty scenes particularly between

:21:15.:21:16.

meaty scenes particularly between meaty scenes particularly between

:21:16.:21:18.

Richard Gere and Tim Roth. They Richard Gere and Tim Roth. They

:21:18.:21:19.

Richard Gere and Tim Roth. They have one scene together, like

:21:19.:21:20.

have one scene together, like have one scene together, like

:21:20.:21:21.

cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:21.:21:24.

cinematic ping-pong. Also I love cinematic ping-pong. Also I love

:21:24.:21:24.

Brit Marling. Can I say that? She's Brit Marling. Can I say that? She's

:21:24.:21:25.

Brit Marling. Can I say that? She's fantastic, Susan Sarandon. This is

:21:25.:21:26.

fantastic, Susan Sarandon. This is fantastic, Susan Sarandon. This is

:21:26.:21:28.

fantastic, Susan Sarandon. This is my film of the week. What's yours?

:21:28.:21:29.

my film of the week. What's yours? my film of the week. What's yours?

:21:29.:21:30.

The interesting thing is the week The interesting thing is the week

:21:30.:21:34.

The interesting thing is the week after Oscar week is usually like

:21:34.:21:37.

after Oscar week is usually like after Oscar week is usually like

:21:37.:21:38.

sitting under the gunge tank. We sitting under the gunge tank. We

:21:38.:21:39.

sitting under the gunge tank. We should be grateful for what we've

:21:39.:21:40.

should be grateful for what we've should be grateful for what we've

:21:40.:21:40.

should be grateful for what we've got. Stoker, you have been wrong so

:21:40.:21:41.

got. Stoker, you have been wrong so got. Stoker, you have been wrong so

:21:42.:21:43.

many times. You're so wrong now. many times. You're so wrong now.

:21:43.:21:43.

many times. You're so wrong now. many times. You're so wrong now.

:21:43.:21:44.

Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:44.:21:46.

Stoke soak is the film of this week. Stoke soak is the film of this week.

:21:46.:21:47.

It would be the film of most weeks. It would be the film of most weeks.

:21:47.:21:48.

It would be the film of most weeks. It would be the film of most weeks.

:21:48.:21:50.

Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:50.:21:51.

Would it? Maybe I am going to go Would it? Maybe I am going to go

:21:51.:21:53.

see it again with you and you can see it again with you and you can

:21:53.:21:55.

see it again with you and you can point out the important bits.

:21:55.:21:56.

point out the important bits. point out the important bits.

:21:56.:21:57.

point out the important bits. Finally tonight, we have a look at

:21:57.:21:58.

Finally tonight, we have a look at Finally tonight, we have a look at

:21:58.:21:59.

Finally tonight, we have a look at the films coming up in the next

:21:59.:22:09.
:22:09.:22:09.

Apology for the loss of subtitles for 60 seconds

:22:09.:23:52.

the films coming up in the next Take it or leave it. Andy, I am so

:23:52.:24:02.
:24:02.:24:02.

Apology for the loss of subtitles for 60 seconds

:24:02.:24:51.

Take it or leave it. Andy, I am so I really need to see this. I can't

:24:51.:24:54.

I really need to see this. I can't I really need to see this. I can't

:24:54.:25:04.
:25:04.:25:05.

I really need to see this. I can't All very low budget, no special

:25:05.:25:06.

All very low budget, no special All very low budget, no special

:25:06.:25:07.

All very low budget, no special effects at all you'll be pleased to

:25:07.:25:11.

effects at all you'll be pleased to effects at all you'll be pleased to

:25:11.:25:11.

know. Guest guest guest have joined know. Guest guest guest have joined

:25:11.:25:12.

know. Guest guest guest have joined us to -- Antonia, Chris and

:25:12.:25:13.

us to -- Antonia, Chris and us to -- Antonia, Chris and

:25:13.:25:14.

us to -- Antonia, Chris and Catherine have joined us to tell us

:25:14.:25:16.

Catherine have joined us to tell us Catherine have joined us to tell us

:25:17.:25:17.

Catherine have joined us to tell us which films to look out for. What

:25:17.:25:19.

which films to look out for. What which films to look out for. What

:25:19.:25:21.

which films to look out for. What kind of summer is it going to be?

:25:21.:25:22.

kind of summer is it going to be? kind of summer is it going to be?

:25:22.:25:24.

Time will tell. There is wham. Time will tell. There is wham.

:25:24.:25:24.

Time will tell. There is wham. There's bam. There might even be

:25:24.:25:26.

There's bam. There might even be There's bam. There might even be

:25:26.:25:27.

some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:27.:25:28.

some thank you, ma'am. Who knows. some thank you, ma'am. Who knows.

:25:28.:25:30.

How do you feel? Most of these How do you feel? Most of these

:25:30.:25:30.

How do you feel? Most of these How do you feel? Most of these

:25:30.:25:31.

films are in colour. I don't know films are in colour. I don't know

:25:31.:25:32.

films are in colour. I don't know films are in colour. I don't know

:25:32.:25:33.

how to share that with you. Through how to share that with you. Through

:25:33.:25:34.

how to share that with you. Through how to share that with you. Through

:25:34.:25:35.

the medium of film recently I have the medium of film recently I have

:25:35.:25:36.

the medium of film recently I have discovered a whole new world of

:25:36.:25:37.

discovered a whole new world of discovered a whole new world of

:25:37.:25:40.

colour, and I am really looking colour, and I am really looking

:25:40.:25:40.

colour, and I am really looking forward to Burt Waterstone which is

:25:40.:25:41.

forward to Burt Waterstone which is forward to Burt Waterstone which is

:25:42.:25:43.

forward to Burt Waterstone which is a movie about the magicians. I fell

:25:43.:25:44.

a movie about the magicians. I fell a movie about the magicians. I fell

:25:44.:25:45.

a movie about the magicians. I fell in love with this movie on the

:25:45.:25:47.

in love with this movie on the in love with this movie on the

:25:47.:25:50.

stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:50.:25:51.

stills alone. Sadly, they do start stills alone. Sadly, they do start

:25:51.:25:52.

moving. Do they? Oh, well! Yes, you moving. Do they? Oh, well! Yes, you

:25:52.:25:54.

moving. Do they? Oh, well! Yes, you fall in love on the stills.

:25:54.:25:55.

fall in love on the stills. fall in love on the stills.

:25:55.:25:56.

Absolutely. Talk to me, Catherine, Absolutely. Talk to me, Catherine,

:25:56.:25:57.

Absolutely. Talk to me, Catherine, because we have the very serious

:25:57.:25:59.

because we have the very serious because we have the very serious

:25:59.:26:00.

because we have the very serious Oscar films. Now are you going to

:26:00.:26:01.

Oscar films. Now are you going to Oscar films. Now are you going to

:26:01.:26:02.

be slightly disappointed as there be slightly disappointed as there

:26:02.:26:03.

be slightly disappointed as there is something - number four or

:26:03.:26:04.

is something - number four or is something - number four or

:26:04.:26:05.

is something - number four or however it goes? Don't get me wrong.

:26:05.:26:07.

however it goes? Don't get me wrong. however it goes? Don't get me wrong.

:26:07.:26:08.

however it goes? Don't get me wrong. I love a gourmet meal, but we have

:26:08.:26:09.

I love a gourmet meal, but we have I love a gourmet meal, but we have

:26:09.:26:10.

been eating gourmet meals for been eating gourmet meals for

:26:10.:26:12.

been eating gourmet meals for months now. Enough!Yeah, three

:26:12.:26:12.

months now. Enough!Yeah, three months now. Enough!Yeah, three

:26:13.:26:13.

months now. Enough!Yeah, three hours, plus, all this. I don't know

:26:13.:26:15.

hours, plus, all this. I don't know hours, plus, all this. I don't know

:26:15.:26:15.

hours, plus, all this. I don't know about you, Claudia, but I am in the

:26:15.:26:17.

about you, Claudia, but I am in the about you, Claudia, but I am in the

:26:17.:26:18.

mood for a dirty take-away. mood for a dirty take-away.

:26:18.:26:20.

mood for a dirty take-away. always want a dirty take-away. You

:26:20.:26:21.

always want a dirty take-away. You always want a dirty take-away. You

:26:21.:26:22.

always want a dirty take-away. You have met me. I like cold pizza.

:26:22.:26:24.

have met me. I like cold pizza. have met me. I like cold pizza.

:26:24.:26:25.

have met me. I like cold pizza. Let's look ahead. You can tell me

:26:25.:26:26.

Let's look ahead. You can tell me Let's look ahead. You can tell me

:26:26.:26:26.

specifically what you're going to specifically what you're going to

:26:27.:26:28.

specifically what you're going to specifically what you're going to

:26:28.:26:30.

be looking out for so people can go, be looking out for so people can go,

:26:30.:26:31.

be looking out for so people can go, be looking out for so people can go,

:26:31.:26:32.

oh, Chris said that one or... oh, Chris said that one or...

:26:32.:26:33.

oh, Chris said that one or... oh, Chris said that one or...

:26:33.:26:34.

have it on very good authority that have it on very good authority that

:26:34.:26:35.

have it on very good authority that the Place Beyond the Pines is

:26:35.:26:36.

the Place Beyond the Pines is the Place Beyond the Pines is

:26:36.:26:36.

fantastic. I was really excited fantastic. I was really excited

:26:36.:26:38.

fantastic. I was really excited fantastic. I was really excited

:26:38.:26:39.

about this, but then Dani said it about this, but then Dani said it

:26:39.:26:41.

about this, but then Dani said it about this, but then Dani said it

:26:41.:26:44.

and said -- saw it and said he and said -- saw it and said he

:26:44.:26:47.

and said -- saw it and said he wasn't overwhelmed. No. A very

:26:47.:26:48.

wasn't overwhelmed. No. A very wasn't overwhelmed. No. A very

:26:48.:26:49.

esteemed critic... Can we say who esteemed critic... Can we say who

:26:49.:26:50.

esteemed critic... Can we say who esteemed critic... Can we say who

:26:50.:26:51.

it was? David Thompson said it was it was? David Thompson said it was

:26:51.:26:53.

it was? David Thompson said it was it was? David Thompson said it was

:26:53.:26:54.

one of the greatest films he ever one of the greatest films he ever

:26:54.:26:56.

one of the greatest films he ever seen. The Director of Blue

:26:56.:27:00.

seen. The Director of Blue seen. The Director of Blue

:27:00.:27:01.

Valentine, I love, and Michelle Valentine, I love, and Michelle

:27:01.:27:02.

Valentine, I love, and Michelle Goesling also stars in this -

:27:02.:27:03.

Goesling also stars in this - Goesling also stars in this -

:27:03.:27:04.

vaguely familiar - as a stunt vaguely familiar - as a stunt

:27:05.:27:05.

vaguely familiar - as a stunt driver who gets involved in

:27:05.:27:07.

driver who gets involved in driver who gets involved in

:27:07.:27:08.

robberies but is tracked down by robberies but is tracked down by

:27:08.:27:10.

robberies but is tracked down by Bradley Cooper, who always gets his

:27:10.:27:14.

Bradley Cooper, who always gets his Bradley Cooper, who always gets his

:27:14.:27:16.

Bradley Cooper, who always gets his man as a cop. Ryan behind the wheel

:27:16.:27:17.

man as a cop. Ryan behind the wheel man as a cop. Ryan behind the wheel

:27:17.:27:21.

man as a cop. Ryan behind the wheel is crazy. Who would - let's look at

:27:21.:27:24.

is crazy. Who would - let's look at is crazy. Who would - let's look at

:27:24.:27:25.

the clip. Ladies and gentlemen, the clip. Ladies and gentlemen,

:27:25.:27:30.

the clip. Ladies and gentlemen, introducing the heart-throb! Is she

:27:30.:27:31.

introducing the heart-throb! Is she introducing the heart-throb! Is she

:27:31.:27:35.

here? Who's that guy? He's yours. here? Who's that guy? He's yours.

:27:35.:27:37.

here? Who's that guy? He's yours. Never heard from you every year,

:27:37.:27:40.

Never heard from you every year, Never heard from you every year,

:27:40.:27:41.

Never heard from you every year, just took off. How are you going to

:27:41.:27:43.

just took off. How are you going to just took off. How are you going to

:27:43.:27:45.

just took off. How are you going to take care of him? Got a kid? You

:27:45.:27:46.

take care of him? Got a kid? You take care of him? Got a kid? You

:27:46.:27:47.

take care of him? Got a kid? You want to provide for that kid? You

:27:47.:27:48.

want to provide for that kid? You want to provide for that kid? You

:27:48.:27:50.

want to provide for that kid? You got to do that using your skill set,

:27:50.:27:51.

got to do that using your skill set, got to do that using your skill set,

:27:51.:27:55.

got to do that using your skill set, and your skill set - shazam!

:27:55.:27:57.

and your skill set - shazam! and your skill set - shazam!

:27:57.:27:58.

and your skill set - shazam! Gliers - bleach, love it. Go ahead.

:27:58.:27:59.

Gliers - bleach, love it. Go ahead. Gliers - bleach, love it. Go ahead.

:27:59.:28:00.

Gliers - bleach, love it. Go ahead. What are you after I am hugely

:28:00.:28:01.

What are you after I am hugely What are you after I am hugely

:28:01.:28:02.

excited about two comedies coming excited about two comedies coming

:28:02.:28:03.

excited about two comedies coming out in August. Catherine is going

:28:03.:28:04.

out in August. Catherine is going out in August. Catherine is going

:28:04.:28:06.

out in August. Catherine is going to talk about one, and I'll talk

:28:06.:28:08.

to talk about one, and I'll talk to talk about one, and I'll talk

:28:08.:28:10.

about the other, Edgarites, the about the other, Edgarites, the

:28:10.:28:13.

about the other, Edgarites, the World's End, Three Flavours Corn it

:28:13.:28:16.

World's End, Three Flavours Corn it World's End, Three Flavours Corn it

:28:16.:28:19.

to, Blood, Sweat trilogy, going to to, Blood, Sweat trilogy, going to

:28:19.:28:20.

to, Blood, Sweat trilogy, going to be sawsome. Five guys reunite after

:28:20.:28:21.

be sawsome. Five guys reunite after be sawsome. Five guys reunite after

:28:22.:28:23.

be sawsome. Five guys reunite after 20 years away, go on a pub crawl,

:28:23.:28:24.

20 years away, go on a pub crawl, 20 years away, go on a pub crawl,

:28:24.:28:25.

20 years away, go on a pub crawl, then the end of the world starts

:28:25.:28:26.

then the end of the world starts then the end of the world starts

:28:26.:28:32.

then the end of the world starts and how to deal with that.

:28:32.:28:33.

and how to deal with that. and how to deal with that.

:28:33.:28:34.

that's still being worked on. We that's still being worked on. We

:28:34.:28:35.

that's still being worked on. We that's still being worked on. We

:28:35.:28:36.

don't have a clip of that. The one don't have a clip of that. The one

:28:36.:28:37.

don't have a clip of that. The one don't have a clip of that. The one

:28:37.:28:38.

don't have a clip of that. The one don't have a clip of that. The one

:28:38.:28:39.

we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:39.:28:40.

we do have a clip of - I am a bit we do have a clip of - I am a bit

:28:40.:28:42.

fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:42.:28:43.

fed up with being pigeonholed. I am fed up with being pigeonholed. I am

:28:44.:28:44.

always seen as the geek, the comic always seen as the geek, the comic

:28:44.:28:45.

always seen as the geek, the comic always seen as the geek, the comic

:28:45.:28:47.

book guy, so I want to do something book guy, so I want to do something

:28:47.:28:48.

book guy, so I want to do something book guy, so I want to do something

:28:48.:28:48.

a little bit different, so I have a little bit different, so I have

:28:48.:28:50.

a little bit different, so I have a little bit different, so I have

:28:50.:28:52.

gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:52.:28:53.

gone for Ironman 3. Here's the clip. gone for Ironman 3. Here's the clip.

:28:53.:28:54.

Got a lot of apologies to make. Got a lot of apologies to make.

:28:54.:28:54.

Got a lot of apologies to make. Got a lot of apologies to make.

:28:54.:28:58.

Nothing has been the same since New York.

:28:58.:29:00.

York. York.

:29:00.:29:01.

You experience things, and then You experience things, and then

:29:01.:29:02.

You experience things, and then they're over. I can't sleep, and

:29:02.:29:02.

they're over. I can't sleep, and they're over. I can't sleep, and

:29:02.:29:05.

when I do, I have nightmares. when I do, I have nightmares.

:29:05.:29:06.

when I do, I have nightmares. Honestly, there's a hundred people

:29:06.:29:07.

Honestly, there's a hundred people Honestly, there's a hundred people

:29:07.:29:08.

Honestly, there's a hundred people Honestly, there's a hundred people

:29:08.:29:10.

that want to kill me. I hope I can that want to kill me. I hope I can

:29:10.:29:11.

that want to kill me. I hope I can that want to kill me. I hope I can

:29:11.:29:21.
:29:21.:29:31.

protect the one thing I can't live That's an effect. Catherine? I

:29:31.:29:32.

That's an effect. Catherine? I That's an effect. Catherine? I

:29:32.:29:33.

That's an effect. Catherine? I didn't know what else to say - I

:29:34.:29:35.

didn't know what else to say - I didn't know what else to say - I

:29:35.:29:38.

was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:38.:29:39.

was like woo-hoo! Cliffs. Catherine, was like woo-hoo! Cliffs. Catherine,

:29:39.:29:40.

tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:40.:29:42.

tell me? The comedy to which Chris tell me? The comedy to which Chris

:29:42.:29:44.

alluded to I am excited about is alluded to I am excited about is

:29:44.:29:45.

alluded to I am excited about is the Alan partridge movie, but not

:29:46.:29:46.

the Alan partridge movie, but not the Alan partridge movie, but not

:29:46.:29:48.

until September there is a horror until September there is a horror

:29:48.:29:51.

until September there is a horror movie - it's a remake, horror

:29:51.:29:52.

movie - it's a remake, horror movie - it's a remake, horror

:29:52.:29:53.

movie - it's a remake, horror reboot, we'll call it a remake. It

:29:53.:29:53.

reboot, we'll call it a remake. It reboot, we'll call it a remake. It

:29:53.:30:03.
:30:03.:30:17.

You have to get me out of here. You have to get me out of here.

:30:17.:30:19.

You have to get me out of here. Leave this book alone. No! You

:30:19.:30:25.

Leave this book alone. No! You don't understand. There was

:30:25.:30:29.

don't understand. There was don't understand. There was

:30:29.:30:30.

don't understand. There was something in the woods. Can I say I

:30:30.:30:32.

something in the woods. Can I say I something in the woods. Can I say I

:30:32.:30:36.

something in the woods. Can I say I love that you chose that and Alan

:30:36.:30:38.

love that you chose that and Alan love that you chose that and Alan

:30:38.:30:39.

Partridge. What are you excite Partridge. What are you excite

:30:39.:30:41.

Partridge. What are you excite Partridge. What are you excite

:30:41.:30:44.

about? 15 years ago I was excited about? 15 years ago I was excited

:30:44.:30:47.

about? 15 years ago I was excited by Gumo. I'm excited about Spring

:30:47.:30:50.

by Gumo. I'm excited about Spring by Gumo. I'm excited about Spring

:30:50.:30:51.

Breakers. Here is a clip. Breakers. Here is a clip.

:30:51.:30:52.

Breakers. Here is a clip. Breakers. Here is a clip.

:30:52.:30:53.

# Every time I try to fly # Every time I try to fly

:30:53.:30:56.

# Every time I try to fly # Every time I try to fly

:30:56.:30:57.

# Every time I try to fly # I fall without my wings I feel so

:30:57.:30:59.

small small

:30:59.:31:01.

small small

:31:01.:31:02.

# I guess I need you baby # I guess I need you baby

:31:02.:31:03.

# I guess I need you baby # I guess I need you baby

:31:03.:31:05.

# I guess I need you baby # And every time I see you in my

:31:05.:31:06.

dreams dreams

:31:06.:31:09.

dreams dreams

:31:09.:31:11.

# I see your face, it's haunting me # I see your face, it's haunting me

:31:11.:31:17.

# I see your face, it's haunting me # I see your face, it's haunting me

:31:17.:31:27.
:31:27.:31:29.

# I guess I need you baby # I guess I need you baby

:31:29.:31:30.

# I guess I need you baby # I make-believe that you are

:31:30.:31:34.

here... # here... #

:31:34.:31:39.

here... # here... #

:31:39.:31:40.

I'm confused? My head on my... I'm confused? My head on my...

:31:40.:31:43.

I'm confused? My head on my... Franko can weapon brave. It's

:31:43.:31:45.

Franko can weapon brave. It's Franko can weapon brave. It's

:31:45.:31:47.

Scarface. Talk to us about Sunday Scarface. Talk to us about Sunday

:31:47.:31:49.

Scarface. Talk to us about Sunday night? Sunday night I have a

:31:49.:31:59.
:31:59.:32:00.

night? Sunday night I have a documentary coming out. It's

:32:00.:32:02.

documentary coming out. It's documentary coming out. It's

:32:02.:32:03.

something for boxing fans for movie something for boxing fans for movie

:32:03.:32:05.

something for boxing fans for movie fans and boxing movie fans like

:32:05.:32:10.

fans and boxing movie fans like fans and boxing movie fans like

:32:10.:32:10.

myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:10.:32:12.

myself. Sunday night, 9.00pm, BBC myself. Sunday night, 9.00pm, BBC

:32:12.:32:14.

Four. We are all in. That made us Four. We are all in. That made us

:32:14.:32:16.

Four. We are all in. That made us go, yes, never mind the movies.

:32:16.:32:17.

go, yes, never mind the movies. go, yes, never mind the movies.

:32:17.:32:19.

Let's just watch that. Have a Let's just watch that. Have a

:32:19.:32:20.

Let's just watch that. Have a lovely summer. We will go away

:32:20.:32:22.

lovely summer. We will go away lovely summer. We will go away

:32:22.:32:25.

lovely summer. We will go away together and move into a nice house

:32:25.:32:26.

together and move into a nice house together and move into a nice house

:32:26.:32:27.

in Bournemouth. That's all for this in Bournemouth. That's all for this

:32:27.:32:28.

in Bournemouth. That's all for this week and for the current series,

:32:28.:32:29.

week and for the current series, week and for the current series,

:32:29.:32:31.

week and for the current series, but we'll be back later in the year.

:32:31.:32:34.

but we'll be back later in the year. but we'll be back later in the year.

:32:34.:32:38.

Playing us out tonight is an Playing us out tonight is an

:32:38.:32:39.

Playing us out tonight is an exclusive look at Star Trek Into

:32:39.:32:39.

exclusive look at Star Trek Into exclusive look at Star Trek Into

:32:39.:32:42.

exclusive look at Star Trek Into Darkness. We wanted to up the ante.

:32:42.:32:44.

Darkness. We wanted to up the ante. Darkness. We wanted to up the ante.

:32:44.:32:47.

There are a lot of characters There are a lot of characters

:32:47.:32:48.

There are a lot of characters people were looking forward to

:32:48.:32:49.

people were looking forward to people were looking forward to

:32:49.:32:50.

people were looking forward to seeing. I'm more excited than I can

:32:50.:32:51.

seeing. I'm more excited than I can seeing. I'm more excited than I can

:32:51.:32:52.

seeing. I'm more excited than I can tell you. The action of this movie,

:32:52.:32:55.

tell you. The action of this movie, tell you. The action of this movie,

:32:55.:32:55.

tell you. The action of this movie, the scale of this movie is light-

:32:55.:32:57.

the scale of this movie is light- the scale of this movie is light-

:32:57.:32:58.

the scale of this movie is light- years beyond what we did in the

:32:58.:32:59.

years beyond what we did in the years beyond what we did in the

:32:59.:33:00.

years beyond what we did in the first movie. It was magical to see

:33:00.:33:01.

first movie. It was magical to see first movie. It was magical to see

:33:01.:33:02.

first movie. It was magical to see what they were able to create this

:33:02.:33:04.

what they were able to create this what they were able to create this

:33:04.:33:05.

time. I think it's stunningly time. I think it's stunningly

:33:05.:33:06.

time. I think it's stunningly time. I think it's stunningly

:33:06.:33:07.

beautiful. The word I come back to beautiful. The word I come back to

:33:07.:33:08.

beautiful. The word I come back to is just, relentless. One thing

:33:08.:33:11.

is just, relentless. One thing is just, relentless. One thing

:33:11.:33:12.

after another after another, after after another after another, after

:33:12.:33:14.

after another after another, after another. This is the film that

:33:14.:33:16.

another. This is the film that another. This is the film that

:33:16.:33:18.

movie was made for. Without movie was made for. Without

:33:18.:33:19.

movie was made for. Without movie was made for. Without

:33:19.:33:20.

question, the IMAX and 3D of it question, the IMAX and 3D of it

:33:20.:33:21.

question, the IMAX and 3D of it will enable viewers to get another

:33:21.:33:23.

will enable viewers to get another will enable viewers to get another

:33:23.:33:24.

level of excitement. This movie was level of excitement. This movie was

:33:24.:33:25.

level of excitement. This movie was the most fun and challenging

:33:25.:33:27.

the most fun and challenging the most fun and challenging

:33:27.:33:28.

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