Logan, Elle and Viceroy's House. Film 2017


Logan, Elle and Viceroy's House.

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Transcript


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Hello, this is Film 2017 I'm Charlie Brooker,

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and the award for best picture goes to Moonla Land.

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Anyway it's the last show of the series so there's

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an end-of-term feel in the studio, a relaxed air, as though life itself

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simply doesn't matter, so why not chuck us your thoughts on Twitter?

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Details for that are on the screen now.

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No! He will have some ones are allowed but those. Hugh Jackman

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plays Wolverine for the final time in the Logan. I never want to spend

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more than two minutes dressed up. Hugh Bonneville plays the distinct

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non-Wolverine Louis Mountbatten in Viceroy's House. 30 minutes, we will

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do better next time. Superheroes, giant apes and singing candelabras.

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We look forward to the films scuttling this summer. Stop right

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there! I. Plus Isabelle Huppert stars

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in provocative French drama, Elle. But first, chaperoning me are my

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designated appropriate adults, Hello - I quickly have to ask,

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have either of you recovered from the Oscars best

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picture mix-up yet? Because I cringed so hard my I

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anally ingested my own underwear... It may take me a while to find a way

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from that image conversationally. Think happy thoughts.

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We start with Logan, Hugh Jackman's ninth and final

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outing playing Wolverine, a sort of furious cross

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between Noddy Holder from Slade and a cutlery drawer.

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This time round, he's not as ripped and fiery as in the past -

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instead he's old, bitter, decrepit, disenfranchised

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and other adjectives often used to describe me -

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Logan. What did you do? In Logan we find our hero, Wolverine in very

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different shape than we have seen him, he is ill, his body is

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decaying, he is not healing the way that he used to. And he is raising

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money, working for every dollar right now to buy medicine for

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Charles Xavier who is living across the board in an abandoned chemical

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tank. We have got ourselves in X-Men fan. Into their lives comes an

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11-year-old girl. You're going to pay for that, right? Not OK! In many

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respects, it is not a superhero movie. We feel that there has become

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a formula for it these films and we thought we would try and change

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things and see if it was possible to make a straight drama with these

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superhero characters. She needs our help. Someone has come along. Scene

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after scene could be taken from a small, independent movie about the

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difficulties of getting old or being unwell, but nevertheless, Logan and

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Charles are X-Men. They do have powers. On the count of three, and

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you're going to start walking away. I am a lawyer now. Two... Three...

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There is a lot of action and a lot of it, extremely violent. Quite

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shocking. There are moments when you recoil. We were like, let's not just

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make the movie about violence, but recriminations about violence. Make

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the movie about a man and the recriminations have been a

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superhero. No, no, no. I thought we had never fully cracked it. I felt

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we had never really given the fans the true Wolverine that I knew they

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wanted. It was my last shot. There are really is a sense of closure and

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in a very emotional sense as well. You still have time. Now, this

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struck me, this is what I like to think of as a gourmet Burger movie

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in that it has some heft to it, it is very well made and looks

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expensive but it is still basically a burger, junk food, I did enjoy it.

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It is basically a burger. How bloody do you like your burgers? It is the

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bloodiest film. Patrick Stewart seemed excited about the violence.

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It is astonishingly visceral, there are body parts piling up, and in

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that sense I do not think it is like a superhero movie. It is a raw and

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dripping burger. There are interesting things going on. There

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is a scene quite early on where you cut to Hugh Jackman and the whole

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thing is paced so you would have a brilliant one-liner and there are

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screen writers who can make a living out of doing just that. Hugh Jackman

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does not make it, the moment passes and he looks sad. Superhero movies

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do not do that. Wiping away the blood would take about half an hour!

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I could not believe this was a 15 certificate. I don't know what

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Wolverine would have to do to get an 18 certificate. He would have to

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start doing! Then shaking it out of his trouser leg -- pooing. There is

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a theme running through it and the references to Neal Westerns. Any

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film in which a solemn young girl gets one over on those types of

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Nazis is OK by me. Patrick Stewart was trying to make out... It is a

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meditation on ageing and mortality. Hugh Jackman works in this movie.

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One of my problems has been, he is a big musical theatre buff, but here,

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he does not seem like that. He looks knackered and disgusted with

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himself. The only problem is, the films that he is up against are not

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quite his equals. You have Richard E Grant and a job lot of him blows.

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You cannot have a powerful meditation on ageing and have

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Richard E Grant as a villain. He has a robot hand and keeps on taking off

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his sunglasses. If we have to live in this world were each film is

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always at franchise, at least let them get better and this film has

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learned from Deadpool. I admire, I took my son and he had seen all the

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X-Men movies, and he was quite traumatised. It was not my finest

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hour as a parent. People should be aware, there is a lot of blood. It

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is like someone taking a lawn mower through a butchers shop. It is sort

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of disgusting. The sound of it is disgusting. It is 17 years since the

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first one, so we have grown up a bit. In a couple of years, we will

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reach the point where there are only superhero movies. Superhero movies

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that you have to watch by watching another superhero movie.

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Next up is colonial drama 'Viceroy's House'

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Hugh Bonneville stars as Louis Mountbatten,

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the final Viceroy of India, sent to Delhi in 1947

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when the good eggs running the British Empire decided to grant

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India its independence, and gave it an extra helping

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hand by carving it up on religious grounds.

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I am to be the last Viceroy of India and I will carry out the role with

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great pride. You're giving a nation back to its people, how bad can it

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be? We are the future. Let's not make a mess of it. Viceroy's House

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is about a period in 1947 when Lord Mountbatten who was the

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great-grandson of Queen Victoria and his wife were sent to India to

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essentially hand India back to its people. Without peace, all other

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dreams vanished and are reduced to ashes. India is a ship on fire.

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Viceroy's House employs the upstairs downstairs storyline. It enabled me

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to tell this sweeping epic story of ordinary Indians, so whilst upstairs

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we follow Mountbatten so many of the topics in

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the film are playing out on the political stage. It is very

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interesting to have these conversations about whether we can

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learn from our mistakes. It is time, people are ready to go back and look

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at alternative narratives to the Empire compared to the ones that I

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grew up with and was taught in school. We will do better next time.

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This seemed to me like it was trying to be three films at once, it was

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like upstairs downstairs, it was like a political play in some ways

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and it was also as sweeping romance or trying to be and I don't know

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that it managed to do all three of those things. I think it did well at

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contextualising the romance. It gave it an emotional immediacy. My

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problem is simple, and this will sound like I have got it in for Hugh

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Bonneville, but if you're going to make a film about a serious period

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of history, you don't want to cast the bloke from Downton Abbey. What

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have you got against him? Apologies to Hugh Bonneville. It is because he

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is so nice. The British Empire is responsible for terrible massacres

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but you cannot lay it at the feet of the nice dad from Downton Abbey. Ie

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Wouldn't say I felt for his plight, I thought, that is a bit of a first

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world problem. The film goes soft on the British Empire. I think you have

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to cast the way she cannot make the film, because I think the film that

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Gurinder Chadha wanted to make was a film about the millions of Indians

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who had their lives torn apart but you cannot make that film. You have

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to make it like Downton Abbey. You need the handy little people in it

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or it does not happen. Are you saying that is why... The romance

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Senate, I did not care for them. I think it was a couple, when we first

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meet them, they had already fallen in love and we are told they are in

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love and we are supposed to accept it. Well, I don't! You are being

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selfish! The couple give the best performances. It is a real shame

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they are not on the poster more. I am really ignorant and I did not

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know a lot of this stuff about partition and I found it

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interesting. In the first 20 minutes, it has to do so much heavy

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lifting. Are you learning the real history? It says something terrible

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about Churchill, you do not get that in British films. There is a film

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called United Kingdom. That film was all about Churchill's skulduggery.

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It had to be dressed up like Downton Abbey. This has to do the same

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thing, lay out the sconce in order to bring in the audience. I think it

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is smarter than that. Do you think it would have worked better as a

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miniseries? For me, it could not make up its mind whether it was a

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political peace or a romantic drama and I would have preferred to see

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two separate things or see this play out over eight hours.

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There were trying to pull in different audiences. They had to

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maximise the audience and the trick of getting people into the cinema.

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If people don't go to see it quickly, it disappears and the

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history is lost. It is an nice and metaphor for the partition of India,

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this couple who cannot be together. They captured the pain of the

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subcontinent, so there is an artistic reason. Thought you were

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going to say it was an nice and metaphor for Brexit.

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Right, now, following a winter of critically acclaimed dramas

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heaving with worthy themes and harrowing performances -

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you probably feel the need to unwind with some pointless

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Fortunately for you, blockbuster season's almost here.

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We asked some critics what's worth looking forward to...

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Let's go. Three, two, one. Talking raccoon is, romantic aliens and

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shamefully out of shape, hideous old men. 2017 is only a couple of months

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old, but already it is time for the return of the blockbuster. I love

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blockbuster, they remind me of growing up. Your popcorn and just

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enjoyed the movie. Summer season used to begin in June, now it begins

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in March. Apart from the films where people suck the rest of their lives,

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people get stomped on by giant critters. Apart from angry monkeys,

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what else can we expect? Well, this sort of thing. Sometimes they can

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feel a bit template heavy, just setting up for the next one in the

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series. Sequels and remakes, reboots, remakes of the sequels...

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These films cost $150 million to make and no one is willing to bet

:16:52.:16:55.

that on something completely original and unproven. It is a myth

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we are inundated with superhero movies. It's not the case at all. We

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have Logan, two DC movies. I am looking for Warriors. The summer

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blockbuster I am looking forward to has to be Wonder Woman. I love

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seeing women being kick cars in movies. She has a new outfit.

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Traditionally in superhero movies, they think women don't sell, so

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traditionally, they have been terrible. Wonder Woman, ready. Maybe

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this reboot will do it for you. One is a beauty, the other is a beast.

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Emma Watson is the quintessential English rose. I think the casting of

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her as Belle was perfect. This is the role Ewan McGregor was born to

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play. If singing crockery and clapping candelabra aren't

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terrifying enough... This looks very much like the horror of 2017.

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Politically speaking and socially speaking, it will probably be the

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most relative horror movie of the year. It is an incredibly ingenious

:18:35.:18:43.

racial satire which takes horror and comedy, puts them together to create

:18:44.:18:50.

something very intense. Sticking with scary, try this... It looks

:18:51.:18:57.

like a return to an nasty creature aboard a spaceship, picking off the

:18:58.:19:03.

crew, one by one. The hope is, this will be a little bit more like

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alien, in that it will be terrifying and scary. It needs to be.

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Meanwhile, on Earth, Amy Schumer and Goldie Hawn teamed up and much

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hilarity ensues before our very eyes. Amy Schumer and Goldie Hawn

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get kidnapped. You have messed with the wrong pitches. Welcome to

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Baywatch. Baywatch, where do you begin? There is a whole lot of

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explosions this year. I am looking forward to Get Out.

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Ellen, anything in particular you really want to see?

:19:55.:20:02.

Baywatch. I watched it as a kid and it is probably going to be terrible,

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but it might not be. Hideous. Danny, I imagine the summer

:20:08.:20:11.

isn't your season film-wise? I work on my tan in the summer. Lots

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of things coming out. I am looking forward to Alien Covenant. Bill

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Paxton, died at the weekend, which is a sad loss. Alien will always be

:20:34.:20:38.

the greatest of them, but it is a sad moment. I thought 2016 was over,

:20:39.:20:47.

we didn't have to do this any more. You have been treating us mentioning

:20:48.:20:53.

your favourite Bill Paxton movies and characters. And it was Chet in

:20:54.:21:05.

weird science. Hurricane Dixon in One False Move. He was in a lot of

:21:06.:21:18.

brilliant films. Simple plan. Frailty, he directed.

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Our last film is Elle, a provocative thriller

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from veteran Dutch director, Paul Verhoeven.

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In an Oscar-nominated performance Isabelle Huppert stars as a woman

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who is violently raped by a masked intruder and who at first appears

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to react with an almost surreal level of detachment.

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It is a story about a woman to whom is something violent and unusual

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happens and she reacts in such a way that it is quite unpredictable.

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She is a fearless woman and she is a sort of solitary character, also.

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The way she reacts is interesting because she is not a victim, and

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also she is not the caricature of the classical revenge girl. She is

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more like a postfeminist heroine, not being a victim, but in between.

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There is a quest in the film and I was always touched by the story like

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she was seeking something and trying to put the pieces of her life

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together. I was flabbergasted by this film. It

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works almost like a magic trick. Lots of extremely offensive and

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outrageous things going on, yet somehow you are calm about it while

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you are watching it. It operates on a strange dreamlike level. Whatever

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the French for flabbergasted is, that is what I was. I think if

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people expect it to be a rape revenge thriller, reduce it down to

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three words, those would be done, but it is not that movie. It gets to

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the revenge without giving away what happens. It leaves you off balance.

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I have a lot of time for this film. But if you sat there now and said

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you were outraged or freaked out, I couldn't tell you that you were

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wrong. What happens, the way it swerves, keeps you off-balance, it

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is electric. It is not lost something you would necessarily

:24:37.:24:43.

recommend to anyone else. It was never, it was consistently

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entertaining. You never know what is going to happen next. We have to say

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it works on lots of different levels. Moments of extreme comedy.

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It works as a soap, in some ways. It is easy to say what it is not. It is

:24:57.:25:04.

not a feminist masterpiece, it is not on rape culture, it is a good

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film. One of them oppressive things is how it is ambiguous and slippery

:25:10.:25:15.

both in tone and in the story and also fundamentally the character.

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The high wire gamble is to take a film about a rape victim and tell

:25:23.:25:25.

the story about what happens after the rape, but also her messy life,

:25:26.:25:30.

her business intrigues and this shambolic family. That is where the

:25:31.:25:35.

latter comes. On another planet, this is a sitcom because of what is

:25:36.:25:39.

happening with the family. We have to talk about Isabel Hubert, people

:25:40.:25:46.

watch this, and the man who made Basic Instinct and Showgirls. She is

:25:47.:25:58.

hypnotic in this. She is in every scene. Almost like she is very

:25:59.:26:03.

brittle, a very brittle character who, in any other film, might seem

:26:04.:26:09.

unlikeable. But I warmed to her because some of the other people

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were grotesque in this. She does it in such great style as well. In

:26:13.:26:20.

English, it wouldn't make sense. Paul Verhoeven wanted to make this

:26:21.:26:27.

in America, he wanted Sharon Stone, Nicole Kidman. Imagining this film,

:26:28.:26:33.

the big cliche, I cannot imagine this film with any other actress.

:26:34.:26:39.

Elle, how could you make this film without Isabelle Huppert. People

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might be taken aback by this film, it would be 1000 times worse without

:26:45.:26:50.

Isabelle Huppert. It doesn't make sense, that is part of the weird

:26:51.:26:55.

beauty, it doesn't make sense. Things happen in it, at one point

:26:56.:27:01.

she reverses her car into her ex-husband's car. The front bumper

:27:02.:27:06.

falls off and he scarcely registers this. It almost feels like she

:27:07.:27:12.

works, she works at a video film company, and it is like it is in the

:27:13.:27:19.

grand theft auto universe. He does well in having his Cake and eating

:27:20.:27:26.

it, it is like a French fantasy arthouse film. It is the predictable

:27:27.:27:34.

pleasures as well. Is it your film of the week? Yes. I panicked them. I

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think it is my film of the week. A movie that can take your breath away

:27:45.:27:49.

like this and leave all three of us and everyone who watches this, what

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have I just seen? How rare is that. You might be more of a Logan person

:27:55.:27:58.

and that is OK too. Imagine them as a double bill?

:27:59.:28:02.

Right that's almost it for this week and the series.

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No one's going to be here for you next week.

:28:05.:28:06.

You'll have to adopt some kind of coping strategy.

:28:07.:28:09.

Finally, because it's 40 years old this year,

:28:10.:28:11.

we'll leave you with a iconic moment from the 1977 classic,

:28:12.:28:13.

'Saturday Night Fever', the inspiring tale of a Travoltian

:28:14.:28:15.

man struggling with the tragic leg condition known as Disco Fever.

:28:16.:28:18.

Personally, I love to see someone tearing up the dance floor.

:28:19.:28:21.

A 24-year-old man has been charged with murder.

:28:22.:29:35.

I've got no doubt about Michael Farmer's guilt.

:29:36.:29:38.

You made sure an innocent man is charged.

:29:39.:29:42.

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