Browse content similar to Oscars, Patriots Day, A Cure for Wellness. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Film 2017. Up late on a school night, what seems. Tonight we | :00:31. | :00:40. | |
will be talking Oscars. Send us your tweets for best picture. Will it be | :00:41. | :00:53. | |
La La Land? Let us know your thoughts. Off we go on tonight's | :00:54. | :01:01. | |
show. Marathon manhunt. Mark Wahlberg stars real-life terrorism | :01:02. | :01:06. | |
thriller Patriots Day. We've got to find these guys before they do this | :01:07. | :01:10. | |
to somebody else. The doctor will see you now. Dane DeHaan is not sure | :01:11. | :01:19. | |
about A Cure For Wellness. Paso doble canapes and prepare the plonk, | :01:20. | :01:28. | |
it's the Oscars. -- pass over the canapes. | :01:29. | :01:34. | |
Talking of beautiful people with great teeth and dripping with | :01:35. | :01:38. | |
diamonds, joining me to chat all things Oscar related our two of the | :01:39. | :01:44. | |
film world's most glamorous critics, Danny Lee and Tim Roby. Let's get | :01:45. | :01:55. | |
things going with tonight's show. Back in 2013 two bombs were | :01:56. | :02:02. | |
detonated at the end of the Boston Marathon. This is the subject of | :02:03. | :02:07. | |
Patriots Day, starring Mark Wahlberg. It is marathon day, be | :02:08. | :02:14. | |
prepared to augment should they require our assistance. Wow. They | :02:15. | :02:24. | |
say half a million people take place in the Boston Marathon here in New | :02:25. | :02:29. | |
England. Children, mothers, fathers, going on route on the Mac and loved | :02:30. | :02:33. | |
ones. It's a joyous occasion. People don't expect something like this to | :02:34. | :02:45. | |
happen. -- root on their loved ones. When it happens people to -- when it | :02:46. | :02:53. | |
happened people didn't run away, they ran towards the victims. They | :02:54. | :02:57. | |
were pulling people to the emergency vehicles. It was an amazing example | :02:58. | :03:01. | |
of human heroism. It's terrorism. Let's get the evidence, it started | :03:02. | :03:16. | |
right over there. What I was interested in doing in this film is | :03:17. | :03:21. | |
showing a positive reaction that the law enforcement had, to show how | :03:22. | :03:23. | |
helpful they were and how tireless these men were and how they were | :03:24. | :03:29. | |
putting themselves on the line of fire to help the Citizens of Boston. | :03:30. | :03:34. | |
Two bombers. We need to find these guys before they do this to somebody | :03:35. | :03:39. | |
else. We cannot have our citizens on the street with all these threats. | :03:40. | :03:42. | |
Every inch of the city is getting searched. They realised there is | :03:43. | :03:49. | |
nobody else but us. We need to stop this, figure this out. Are there | :03:50. | :03:57. | |
more bombs? All units be on alert for a black Mercedes SUV. Are there | :03:58. | :04:02. | |
more bombs? I want a lawyer. I have rights. You ain't got nothing, | :04:03. | :04:12. | |
sweetheart. For me this felt too soon. Really? Bitter taste, really. | :04:13. | :04:21. | |
Interesting because I am a very oversensitive person. I didn't feel | :04:22. | :04:25. | |
that. I thought it handled it gracefully. It almost reminded me | :04:26. | :04:28. | |
that it could be mawkish but it reminded me of the film that came | :04:29. | :04:37. | |
quite soon after 911. It felt necessary. I think it's something | :04:38. | :04:45. | |
quite important about the way a city response. It doesn't feel | :04:46. | :04:48. | |
jingoistic. It is a film about Boston. It reminds me of 77, I am in | :04:49. | :04:55. | |
London, it doesn't become aggressive and exclusive, and I think it | :04:56. | :05:01. | |
captures that nicely so it doesn't feel, if I can be honest Trumpy. | :05:02. | :05:08. | |
What about the characters, the goodies and the baddies? This is the | :05:09. | :05:13. | |
third one this director has done with Mark Wahlberg. They did Lone | :05:14. | :05:24. | |
Survivor. I would be interested to see him do a film about survivors | :05:25. | :05:28. | |
that are not American and without Mark Wahlberg. It isn't quite | :05:29. | :05:32. | |
believable that this guy did all of this stuff in the course of a few | :05:33. | :05:41. | |
days. That is a debit audit. The way the terrorists are bullying each | :05:42. | :05:45. | |
other is really good. And there is a very good Chinese actor who plays | :05:46. | :05:48. | |
the hostage. There is a really good bit of sequence building. He is | :05:49. | :05:53. | |
getting better at doing that. And the manhunt, and the shoot out, the | :05:54. | :05:57. | |
really big shoot out that began. It is fantastic. On a pragmatic level. | :05:58. | :06:05. | |
You know the story. Exactly and when the explosion happened at the | :06:06. | :06:09. | |
marathon. It takes you by surprise. That is why mentioned 1993. The | :06:10. | :06:16. | |
camera goes half a second ahead of you. You have to catch up with it. | :06:17. | :06:21. | |
That is what happens with the explosion. There is not that | :06:22. | :06:26. | |
tick-tock we are not ready for it. When the explosion happens it is | :06:27. | :06:29. | |
chaos and bedlam. You feel connected with the characters because of that. | :06:30. | :06:33. | |
For them everything is scrambled and for you, as well. As the film | :06:34. | :06:38. | |
unfolds, the shoot out, listen, I may write, what do I know about | :06:39. | :06:42. | |
that, I don't know how that works, but it feels real. It feels chaotic. | :06:43. | :06:50. | |
You don't know what's happening. The trilogy, do we want more from them? | :06:51. | :06:55. | |
I prefer Mark Wahlberg when he is being nasty light in The Departed. | :06:56. | :07:06. | |
He is better. -- like in. As well as the shoot outs, there is the | :07:07. | :07:10. | |
interrogation rooms. We saw that in that clip when the woman says are | :07:11. | :07:17. | |
there any more bombs. She has to say that about ten times. She goals from | :07:18. | :07:26. | |
coldly terrified and to maternal. It was a really well-written scene. -- | :07:27. | :07:31. | |
she goes. There are not many other male movie stars who can play a | :07:32. | :07:37. | |
working dude without seeming like somebody raiding the dressing up | :07:38. | :07:41. | |
box. I think the director will keep going back to Mark Wahlberg because | :07:42. | :07:47. | |
he has the nature for it. The go to guys. Next up, a thriller, A Cure | :07:48. | :07:53. | |
For Wellness. Dane DeHaan stars as a young executives sent to rescue his | :07:54. | :07:58. | |
boss from a mysterious wellness spa from the Swiss Alps. But he soon | :07:59. | :08:06. | |
figures out that all is not what it seems. I would like you to go to | :08:07. | :08:15. | |
Switzerland and bring him back. What do you offer here? It is a process | :08:16. | :08:18. | |
of purification away from the pressures of modern world. You want | :08:19. | :08:29. | |
to bring him back with you? He is -- is that a problem? He is a patient, | :08:30. | :08:38. | |
not a prisoner. I was just leaving. Nobody ever leaves. Welcome back. | :08:39. | :08:47. | |
Signs of concussion. Deplete the immune system. I would like to | :08:48. | :08:54. | |
recommend a treatment. Think of it as a cleansing of the mind. As much | :08:55. | :09:01. | |
as the body. Some patients experience visions. Rest assured, it | :09:02. | :09:07. | |
is just the toxins leaving the system. There is a terrible darkness | :09:08. | :09:21. | |
here. This is happening now. You said no one ever leaves. What | :09:22. | :09:26. | |
happens to them? I saw the bodies. You are not a well man. You are | :09:27. | :09:32. | |
trying to make me think I'm insane. What is happening to me? It is all | :09:33. | :09:40. | |
part of the cure. There is no cure. Accept the diagnosis and you will | :09:41. | :09:41. | |
see. Any problems with the dentist? Don't | :09:42. | :09:52. | |
go anywhere near this film. Or eels. There were so many in this film. I | :09:53. | :09:57. | |
don't know if any of them were harmed. Some of them definitely fell | :09:58. | :10:01. | |
asleep. It goes on forever, this thing. I think he is an interesting | :10:02. | :10:09. | |
stylist. Here, I think he has just plucked things and put them in any | :10:10. | :10:14. | |
order and it seems to go around in circles. It could be signpost this | :10:15. | :10:19. | |
way too scary Gothic peace number five. It just keeps doing that. -- | :10:20. | :10:29. | |
this way to scary Gothic set number five. If you're old enough to | :10:30. | :10:32. | |
remember the 90s first hand you will remember the music videos of Marilyn | :10:33. | :10:38. | |
Manson. When people watch that people think the only bad thing | :10:39. | :10:44. | |
about these videos is it isn't to the half hours long, well, this is | :10:45. | :10:49. | |
the movie for you. He packs every single second with something. Some | :10:50. | :10:54. | |
of those images are chilling, but there is a lot of camp going on. It | :10:55. | :11:01. | |
is like League Of Gentlemen making a trip around advert. How many hosed | :11:02. | :11:12. | |
buttocks to have to see? I'm not getting time back. He says that is | :11:13. | :11:19. | |
his nightmare. And mind. There is no logic to your dreams and your | :11:20. | :11:24. | |
nightmares. -- and mine. It made sense, that he was just throwing | :11:25. | :11:30. | |
that logic as the film. You feel as if you are stuck inside a sleep | :11:31. | :11:35. | |
cycle with him. You feel like asking can we do it in 90 minutes and throw | :11:36. | :11:39. | |
in a bit of the camp which I did enjoy to a point. The actor who | :11:40. | :11:46. | |
played the owner of the spa seemed to be enjoying himself. I think it | :11:47. | :11:54. | |
also becomes Shutter Island on half speed with Dane DeHaan just doing | :11:55. | :11:59. | |
Leonardo DiCaprio light, his younger brother, or something. Lots of great | :12:00. | :12:03. | |
stuff is getting thrown around. There is the old universal horror | :12:04. | :12:10. | |
films coming through. Dracula, mad science, Frankenstein, but the thing | :12:11. | :12:12. | |
about the capital murder universal horror films is that they were 70 | :12:13. | :12:18. | |
minutes. This film is not 70 minutes, you cannot kill the slasher | :12:19. | :12:21. | |
in the film, every time you think you have him he gets up again, let's | :12:22. | :12:26. | |
have more eels! It tries to mess with your head. But you are thinking | :12:27. | :12:30. | |
I'm still watching this film, this is a dream, I'm still going to be at | :12:31. | :12:37. | |
A Cure For Wellness, I'm never getting out of this film. Help me. | :12:38. | :12:42. | |
Let's leave eels and fluffy robes to one side, it is time to talk dickie | :12:43. | :12:47. | |
bows, it is time to talk Oscars. Four days until the 89th Academy | :12:48. | :12:53. | |
Awards. The glitzy annual jamboree where the fabulously famous and | :12:54. | :12:56. | |
tremendously talented gather to celebrate the best of last year's | :12:57. | :13:02. | |
films. Top of the pile nominations wise is La La Land. Can anything | :13:03. | :13:10. | |
beat it? Let's take a look. And the BAFTA goes... And the BAFTA goes | :13:11. | :13:24. | |
to... Emma Stone. La La Land. This year La La Land seems unstoppable. | :13:25. | :13:30. | |
It's very, very exciting. With a record 40 nominations it could be | :13:31. | :13:33. | |
the biggest Oscar winner of all time. What? -- 14. Hollywood likes | :13:34. | :13:42. | |
happy endings but Tinseltown also likes a surprise. What? What? What | :13:43. | :13:53. | |
do you mean? This year sees other films threatening to take the glory. | :13:54. | :14:06. | |
Brace for impact. Hidden Figures has beaten La La Land at the box office | :14:07. | :14:15. | |
and picked up three nominations, including Best picture. Pretty heavy | :14:16. | :14:23. | |
stuff. Going in all guns blazing is Hacksaw Ridge with six nominations, | :14:24. | :14:27. | |
including one for director Mel Gibson, his first in over 20 years. | :14:28. | :14:35. | |
Sci-fi epic Arrival has eight nominations. But is it proper | :14:36. | :14:41. | |
introduction. But none for its star, Amy Adams. When it comes to acting, | :14:42. | :14:47. | |
La La Land's chances may not be set in stone. With show stopping | :14:48. | :14:54. | |
performances from Isabelle Huppert in Elle. Natalie Portman in Jackie. | :14:55. | :15:02. | |
And Casey Affleck in Manchester By The Sea threatening to spoil the | :15:03. | :15:04. | |
party. But always invited to the party is | :15:05. | :15:14. | |
Meryl Streep. I am so blessed. She picks up her 20th nomination for | :15:15. | :15:23. | |
Florence Foster Jenkins. After last year's Oscars saw controversy, this | :15:24. | :15:29. | |
year sees seven actors of colour nominated. Including first timers | :15:30. | :15:32. | |
Dev Patel for Lion. The money is on the Viola Davis -- | :15:33. | :15:59. | |
is on Viola Davis in Fences. Missing out our Tom Hanks -- are Tom Hanks. | :16:00. | :16:11. | |
And Annette Bening's performance in 21st-century Women. It is radio | :16:12. | :16:22. | |
silence for Martin Scorsese. And, as ever, some of the biggest grossing | :16:23. | :16:23. | |
movies of the year have missed out. Such as Dead pool. And Finding Dori | :16:24. | :16:40. | |
but one film which might give La La Land a run for its money is | :16:41. | :16:50. | |
Moonlight. Having already won big awards ceremonies, it is officially | :16:51. | :16:54. | |
this year's little movie that could. What was you expecting? Will Barry | :16:55. | :17:00. | |
Jenkins become the first ever African-American to win best | :17:01. | :17:08. | |
director? Or will wonder kid Damien Chazelle become the youngest ever | :17:09. | :17:14. | |
winner for La La Land? Either way, on Sunday, all will be revealed. | :17:15. | :17:31. | |
I want to know what are you doing for Oscar night. I don't spend | :17:32. | :17:42. | |
enough of my life in cinemas watching things so I'm watching it | :17:43. | :17:46. | |
on a big screen! Probably drinking coffee all night. I will break into | :17:47. | :17:59. | |
his house! Every year! Weird. With eels! Walk away from the eels! Do | :18:00. | :18:07. | |
you think the nominations are a good representation, is a good year? I | :18:08. | :18:10. | |
think it is a very good year. We talk about it every year but this is | :18:11. | :18:15. | |
the first I can remember when a lot the best films actually stand a good | :18:16. | :18:19. | |
chance of winning something, maybe even best film. I would say it is an | :18:20. | :18:25. | |
uncommonly good year. Is it a good representation of variety? There are | :18:26. | :18:29. | |
some good nominations and some unfortunate missing people, Annette | :18:30. | :18:33. | |
Bening was highlighted and that was a real shame. Some of the other | :18:34. | :18:38. | |
actors in Moonlight as well. La La Land looks set to do well. I feel we | :18:39. | :18:44. | |
are jaded media darlings that we have been hearing so much about it | :18:45. | :18:49. | |
since September, that you reach a point, enough already. Give it some | :18:50. | :18:53. | |
Oscars and move on. The conversation which seems to be happening is this | :18:54. | :18:59. | |
Moonlight against La La Land almost wrestling match which we need to get | :19:00. | :19:03. | |
over. If you talk to Damien Chazelle or Barry Jenkins, they would both | :19:04. | :19:08. | |
love each other's films. I was not a huge fan of La La Land at the time | :19:09. | :19:12. | |
but it is a huge crowd pleaser and audiences here in the state have | :19:13. | :19:15. | |
fallen in love with it. We are a couple of years away from everyone | :19:16. | :19:21. | |
eating each other! If people can find some solace and fun and at the | :19:22. | :19:25. | |
cinema, great. And there are so many crowd pleaser is, different kinds | :19:26. | :19:30. | |
this year. La La Land is the obvious one, Hidden Figures is another one | :19:31. | :19:34. | |
and it has done better at the box office in America. And Moonlight as | :19:35. | :19:38. | |
well, I have been to screenings and the crowd go crazy for it. Hell Or | :19:39. | :19:42. | |
High Water is above nobody is talking about. Fantastic film. And | :19:43. | :19:49. | |
did very well at the box office. It kept being filled, people would go | :19:50. | :19:56. | |
and said they had seen it... It is the sleeper hit of the year and I'm | :19:57. | :20:01. | |
glad it got the attention it's got. Jeff Bridges was nominated, I would | :20:02. | :20:05. | |
have nominated Ben Foster as well. I would have nominated about six from | :20:06. | :20:10. | |
Moonlight. But I think it will win and hopefully screenplay as well is | :20:11. | :20:15. | |
pretty much in the bag so I think it will get two. I'm so much more of a | :20:16. | :20:22. | |
Moonlight fan but La La Land has almost become cast as the bad guy. | :20:23. | :20:29. | |
It is a little film actually. It is not an expensive movie. There is | :20:30. | :20:32. | |
huge ambition behind it and it is straight it has become cast, it is | :20:33. | :20:38. | |
like King Kong. I hope Moonlight wins a lot of Oscars and more people | :20:39. | :20:44. | |
go and see it. But in no way it is bigger than the Oscars and the | :20:45. | :20:47. | |
effect it has already had and will continue to have gone films from | :20:48. | :20:51. | |
2070 onward are going to stop looking like Moonlight. That the | :20:52. | :20:58. | |
-- 2017. The Academy has done a little better this year after last | :20:59. | :21:05. | |
year's all-white acting nominees. Let's have a look at the acting | :21:06. | :21:14. | |
categories. I just settled in. It seems like he's doing pretty good. I | :21:15. | :21:21. | |
think he is. When I first read the script I cried many times, it is a | :21:22. | :21:25. | |
really moving story in a way that you just don't see any more. You | :21:26. | :21:33. | |
think you're better than us? No. Did you like that? There wasn't any | :21:34. | :21:40. | |
hesitation when I read the script, it was a compelling script and a | :21:41. | :21:45. | |
compelling person. I don't know how I'm going to live with myself. | :21:46. | :21:53. | |
You've never seen it. All my other but it's playing... You should go. I | :21:54. | :22:07. | |
can take you. We can't go to the funeral. We had to be what we're | :22:08. | :22:12. | |
told. The powerful control the lives of the powerless. That's the way the | :22:13. | :22:21. | |
world works. He is the father of six children from the live deep in the | :22:22. | :22:24. | |
forest from the youngest ones have hardly been out of the forest at | :22:25. | :22:29. | |
all. Why don't you go ahead and let him play football, he wants to be | :22:30. | :22:33. | |
like you. I don't want him to be like me, I want him to get as far | :22:34. | :22:37. | |
away from my life as he can possibly get, the only decent thing that ever | :22:38. | :22:40. | |
happened to me. We couldn't have done it if we hadn't done the plate. | :22:41. | :22:45. | |
You're trying to find your character and direct and produce and the | :22:46. | :22:47. | |
dialogue! It's a story about a woman to whom | :22:48. | :23:03. | |
something violent and unusual happens. And she react in such a way | :23:04. | :23:09. | |
that it's quite unpredictable. Will you marry me? We both really love | :23:10. | :23:15. | |
these characters and I think we needed one another for these | :23:16. | :23:19. | |
performances. It was strangely non-verbal of agreement that we | :23:20. | :23:22. | |
would treasure these people and honour them by being as truthful and | :23:23. | :23:30. | |
authentic as possible. Can you hear me? One of the most inspiring things | :23:31. | :23:37. | |
for me in playing the role was that she edited all her interviews so she | :23:38. | :23:43. | |
had so much control and wanted to author her story. I'm guessing you | :23:44. | :23:47. | |
won't allow me to write any of that. No. Because I never said that. Two | :23:48. | :23:57. | |
options from you follow my rules or follow my rule. This is my favourite | :23:58. | :24:05. | |
place in the whole world. And I'm going to sing here. It is true that | :24:06. | :24:12. | |
a lot of singers might age are on the decline I seem to just get | :24:13. | :24:20. | |
better and better. Her favourite place, Oscar-nominated! Can we talk | :24:21. | :24:24. | |
about actor first? Is it a close race between Casey and Denzel? It is | :24:25. | :24:32. | |
because Casey has been winning most of the award but there was a bit of | :24:33. | :24:37. | |
controversy around him and Denzel does some of his best work in | :24:38. | :24:41. | |
sensors. It could be down to the wire between them. What about Andrew | :24:42. | :24:50. | |
Garfield? -- in Fences. Andrew Garfield is very good, but also in | :24:51. | :24:53. | |
Silence which has been shut out completely. I would have nominated | :24:54. | :24:59. | |
the Japanese actor who plays the main interrogator and he was | :25:00. | :25:02. | |
brilliant. If that is not a best supporting actor, I don't know what | :25:03. | :25:08. | |
is. By Ola Davies is the interesting one. For a lot of the films it is a | :25:09. | :25:15. | |
double act -- Viola Davis. This is a slightly cowardly thing they've | :25:16. | :25:18. | |
done, she is going to win because she should and overdue as well but | :25:19. | :25:27. | |
she won on Broadway for playing the lead actress. She would have beaten | :25:28. | :25:33. | |
Emma Stone and she would have only been the second black actress to win | :25:34. | :25:43. | |
after 5-3. It feels premeditated, she has always been talked about in | :25:44. | :25:48. | |
terms of best supporting -- after Halle Berry. If you tally it up, she | :25:49. | :25:55. | |
is on screen as least as much as Denzel Washington if not more and in | :25:56. | :25:59. | |
the scenes in that film, the big scenes are hers. She is supporting | :26:00. | :26:02. | |
actress but the supporting categories you will traditionally | :26:03. | :26:06. | |
have someone like Anne Hathaway singing a song. Don't spoil it! I | :26:07. | :26:13. | |
don't know what the category is supposed to be any more. I interpret | :26:14. | :26:19. | |
it as a support to the lead actor. You think about Mascarell yelling in | :26:20. | :26:29. | |
Moonlight -- this Mahershala Ali. It is also about reflecting on the | :26:30. | :26:35. | |
other actors. That is the perfect size for a sporting of Ormesby is up | :26:36. | :26:44. | |
against Dev Patel who might be a spoiler -- but he is up against. We | :26:45. | :26:52. | |
love Dev Patel and Lens is a great movie but he the supporting actor | :26:53. | :26:58. | |
despite having half the film but the actor in the first up is nowhere to | :26:59. | :27:03. | |
be seen. There are lot of double acts this year and Florence Foster | :27:04. | :27:06. | |
Jenkins, and course Meryl Streep rolled up for her nomination but | :27:07. | :27:12. | |
Hugh Grant does not get nominated. He is constantly turning the light | :27:13. | :27:16. | |
on Meryl Streep and he is nowhere. But a look at the elms up for the | :27:17. | :27:19. | |
top prize, best picture. There are days that define your | :27:20. | :27:30. | |
story beyond your life. Some people build Fences to keep people out and | :27:31. | :27:36. | |
that build them to keep people in. You're free to run into the health | :27:37. | :27:41. | |
of our -- going to be hellfire battle without a weapon. Did you | :27:42. | :27:48. | |
hear about these bank robberies? Can you handle it? Absolutely. | :27:49. | :27:58. | |
I have to find my way back home. What if you do find it? I can't be | :27:59. | :28:06. | |
the guardian. I thought we had discussed this. At some point you've | :28:07. | :28:13. | |
got to decide for yourself who you're going to be. | :28:14. | :28:21. | |
I'm here. I want to do the Casey Affleck think I don't know! So many | :28:22. | :28:35. | |
fantastic films. If La La Land wins everything, it could only win 13 and | :28:36. | :28:39. | |
it becomes the most successful film ever. It won't win that many, maybe | :28:40. | :28:44. | |
seven or eight. The big one it might lose its best actor I think Ryan | :28:45. | :28:48. | |
Gosling lose. But it will lose things like costumes, I think Jackie | :28:49. | :28:54. | |
might win, and one of the Sound awards might go to Hacksaw Ridge, | :28:55. | :28:58. | |
they will give that a well done for coming. It might lose original | :28:59. | :29:04. | |
screenplay to Manchester by the Sea which I think would be the correct | :29:05. | :29:06. | |
call, Kenneth Lonergan deserves that. I have certain issues with | :29:07. | :29:12. | |
Manchester by this e-book is a piece of writing it is phenomenal. And the | :29:13. | :29:20. | |
as well. -- Manchester by the Sea but as a piece of writing. Is there | :29:21. | :29:25. | |
a film that could be something that sweeps? We have talked about | :29:26. | :29:30. | |
Moonlight and there is a lot of love for it, is that what you want to | :29:31. | :29:34. | |
see? I would like to happen but I don't think it will. Moonlight will | :29:35. | :29:38. | |
elevate from being the runner up in a sense, the kind of dark horse that | :29:39. | :29:43. | |
people wanted to win. La La Land will be the winner that people | :29:44. | :29:48. | |
forget in five years' time. I think that's right. I'm still going to be | :29:49. | :29:56. | |
doing jazz hands in 20 years! You need to stop that. I don't begrudge | :29:57. | :30:00. | |
people the good time they have had La La Land but thinking about best | :30:01. | :30:05. | |
director, if you get Emma Stone and Ryan Gosling, it is almost like | :30:06. | :30:08. | |
buying them off the shelf, they come and do at what they do. It is a | :30:09. | :30:14. | |
persona. They are basically doing their thing. It is not a film that | :30:15. | :30:19. | |
has been made on the same level as Moonlight and to just get that film | :30:20. | :30:23. | |
made in the way it is, that is kind of astonishing. I don't think | :30:24. | :30:26. | |
Moonlight needs the Oscar, maybe the Oscars need Moonlight. Arrival is up | :30:27. | :30:31. | |
for best picture but nothing for Amy Adams? Which is strained again, we | :30:32. | :30:36. | |
talked about Annette Bening. They would have both have lost and | :30:37. | :30:40. | |
they're both be nominated about five times. | :30:41. | :30:45. | |
I will put you on the spot. Which film do you think will win and which | :30:46. | :30:53. | |
ones you want to win? I think Moonlight should win but I think La | :30:54. | :31:00. | |
La Land will win. Same. If Hidden Figures picks up a couple, or | :31:01. | :31:05. | |
Manchester By The Sea, then great. I only ask you for one. I could give | :31:06. | :31:11. | |
you a very big list. Let's talk about eels. Not again. A Cure For | :31:12. | :31:21. | |
Wellness. Oscar. We know what they think, now what do you think. Jamie | :31:22. | :31:27. | |
says La La Land will win but I once Moonlight to win. It is a master 's | :31:28. | :31:33. | |
piece that space with you. Spencer says let's not overpraised La La | :31:34. | :31:36. | |
Land. Has everybody else forgotten Arrival? Andy says that La La Land | :31:37. | :31:42. | |
is entertaining, wonderful, and just what the world needs will stop an | :31:43. | :31:46. | |
all-time favourite of mine, I have seen it six times, I think it will | :31:47. | :31:51. | |
win. Dora says Lion is a bit of a sleeper, it would not surprise me if | :31:52. | :31:56. | |
it won best picture. It would surprise me half a bit. Brandon says | :31:57. | :32:03. | |
if Moonlight doesn't win anything I will cry. Not long to wait now. All | :32:04. | :32:07. | |
will be revealed early Monday morning. Next week, Charlie Brooker | :32:08. | :32:16. | |
will be back. But for all a few beautiful people jetting off to LA | :32:17. | :32:20. | |
this week and, I am going to leave you with a masterclass in how to | :32:21. | :32:25. | |
make an awards show pop. This is a multi-award-winning, well, I think | :32:26. | :32:33. | |
it won two Razzies. Nominees, presenters, take note, this is how | :32:34. | :32:36. | |
you do it. Thanks for watching. Goodbye. In three, two... Read the | :32:37. | :32:49. | |
card, moron. Well, this certainly is a special evening. I can barely | :32:50. | :32:56. | |
catch my breath. Turn it over the term... What the hell is he doing? | :32:57. | :33:03. | |
It gets me out of breath just watching you. To Raquel... You are | :33:04. | :33:11. | |
not supposed to read that. Let's get to the subject at hand. The nominees | :33:12. | :33:16. | |
are Sir Richard Attenborough for his musical based on the life of Mother | :33:17. | :33:26. | |
Teresa. Mother! # I love food, I love food | :33:27. | :33:38. | |
# Don't get any salsa... #. Spike Lee. But as Frank at the | :33:39. | :33:42. | |
Academy Awards. And his tale of genetics going | :33:43. | :33:46. | |
haywire at a retirement home. A 24-year-old man | :33:47. | :33:58. | |
has been charged with murder. Huntley's definitely | :33:59. | :34:06. | |
hiding something. | :34:07. | :34:10. |