Moonlight, Fences, The Founder Film 2017


Moonlight, Fences, The Founder

Similar Content

Browse content similar to Moonlight, Fences, The Founder. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello there, this is Film 2017 and I'm Nihal Arthanayake.

:00:28.:00:32.

I'm here because of diversity, perhaps you've noticed that so far

:00:33.:00:35.

this year not a single presenter of this show was born

:00:36.:00:37.

LAUGHTER I was!

:00:38.:00:45.

So now that that box is ticked, let's carry on.

:00:46.:00:47.

No matter which county you hail from, though,

:00:48.:00:49.

Tonight we're talking the wonder of Denzel,

:00:50.:00:52.

Tweet us - details on the screen now.

:00:53.:00:57.

Right, coming up on the show tonight...

:00:58.:01:03.

One life in three acts. Who is you? Mahershala Ali and Naomie Harris

:01:04.:01:12.

shine in coming-of-age drama Moonlight.

:01:13.:01:20.

Ladies who launch. Taraji Henson, Octavia Spencer and are now Mornay

:01:21.:01:28.

star as three figures. There should be McDonald's everywhere,

:01:29.:01:33.

franchisor. Michael Keaton stands in the cap next founder.

:01:34.:01:38.

Plus Denzel Washington puts the Pitts in Pittsburgh while directing

:01:39.:01:48.

himself in Fences. Joining me on the Arsenal coloured sofa which is

:01:49.:01:54.

putting me in a rash, trying to separate the Leicester of last

:01:55.:01:58.

season from this season, our critics Rihanna and Danny.

:01:59.:02:02.

2017 is only two months deep, but director

:02:03.:02:09.

Barry Jenkins' intimate drama, Moonlight is already being hailed

:02:10.:02:11.

Nominated for eight Oscars, yeah, I said it - eight Oscars -

:02:12.:02:16.

it's the story of a Miami boy's sexual awakening, told at three very

:02:17.:02:19.

I found him yesterday. Moonlight is the story of this character Chiron.

:02:20.:02:42.

It's a coming-of-age story but told in three chapters. Basically, we're

:02:43.:02:45.

kind of just watching this guy figure out who he is.

:02:46.:02:48.

At some point you have to decide for yourself. You can't let nobody make

:02:49.:02:57.

that decision for you. He's coming to terms with this

:02:58.:03:01.

aspect of his identity, but as he is he's realising very quickly the

:03:02.:03:06.

world does not accept this aspect of his identity, so he starts to crawl

:03:07.:03:11.

within himself. What's wrong? Nothing.

:03:12.:03:17.

It's a beautiful story. It's a story about the others, the ones who are

:03:18.:03:22.

outside of the tribe, who are not totally embraced for who they are

:03:23.:03:27.

and made to feel ashamed. Why you didn't, like you were supposed to?

:03:28.:03:32.

All these kind of stereotypes and identity issues are being explored

:03:33.:03:35.

and broken down, and the beautiful thing about this film in particular,

:03:36.:03:39.

I think, is it just says ultimately where all the same, which all

:03:40.:03:43.

struggling with the same issues. We have a universal desire for love and

:03:44.:03:46.

connection and for that we have to be vulnerable, to let someone else

:03:47.:03:50.

in. You're my only and I'm your own way.

:03:51.:03:54.

This is a story about love in its purest sense.

:03:55.:04:02.

What you're looking at me like that for?

:04:03.:04:08.

I think the film is therapeutic in some eyes. Sometimes you don't know

:04:09.:04:11.

that you need to release something, that you need to connect to someone

:04:12.:04:16.

else's journey, so you can be informed and educated on what other

:04:17.:04:21.

people process and deal with. And it gives you energy and life.

:04:22.:04:29.

You can always see yourself in these characters. I've been one of the

:04:30.:04:34.

others, I've been one of those on the outside, not totally embraced,

:04:35.:04:39.

as so many other people have. So I think in that way, the film is

:04:40.:04:40.

universal. So, everybody I spoke to has been

:04:41.:04:54.

utterly enchanted by this film. Does it warrant all the hype and the

:04:55.:05:01.

eight Oscar nominations, Danny? It absolutely does. Masterpieces is a

:05:02.:05:04.

word that's used altogether too much but sometimes it's the only word

:05:05.:05:08.

that fits. Moonlight is a masterpiece. It's a small film,

:05:09.:05:14.

because $1.5 million, and that is some people's dog grooming money!

:05:15.:05:18.

It's a simple film and lots of ways because lets a few scenes about

:05:19.:05:21.

three different phases in the life of a boy who then becomes a

:05:22.:05:25.

teenager, who then becomes a man but it's so alive and it says so much

:05:26.:05:30.

and it says it cinematically. Movies are always trying to reinvent

:05:31.:05:33.

themselves. James Cameron is in Dracula's Castle working out how to

:05:34.:05:38.

engage people technologically. Moonlight does it with a camera and

:05:39.:05:42.

a face. And a small budget as you said. Rihanna, can I get you to

:05:43.:05:46.

disagree with Danny about Moonlight? I would love to disagree with Danny

:05:47.:05:50.

because I think maybe he would implode! But I have to agree. This

:05:51.:05:55.

is a stunning piece of cinema. This is a film that's got, I think, an

:05:56.:06:01.

all-black cast. It's about a boy that's gay, but it never feels like

:06:02.:06:05.

an issues movie. Does it not? Does it really not? In the current

:06:06.:06:15.

political climate, a year on from Oscars Too White, you see this

:06:16.:06:18.

African-American ensemble cast. This is in production before. I think

:06:19.:06:23.

this was originally a play that never got produced. I think we can

:06:24.:06:27.

say it's the most original film in our line-up tonight of them and it

:06:28.:06:30.

does feel like that, and it doesn't feel like you can really define it

:06:31.:06:34.

or put in a box and I think that's really cool. What do you think of

:06:35.:06:38.

the three stages of his life and the three actors that playback? The lack

:06:39.:06:41.

of physical resemblance? The movie is filled with these big,

:06:42.:06:45.

fearless decisions that is the biggest and most famous of all.

:06:46.:06:49.

Three actors, all quite inexperienced. There's not much

:06:50.:06:52.

physical resemblance, but I think that's beautiful, it's a classic

:06:53.:06:56.

example of show, don't tell. Instead of saying we go through changes in

:06:57.:07:00.

life, you have a visual illustration, lots of us, we make

:07:01.:07:03.

all kinds of changes to ourselves and the worlds we put ourselves in

:07:04.:07:06.

but we're still made of the same stuff. Barry Jenkins has said this

:07:07.:07:10.

about that casting choice, that it was all about the eyes, the eyes of

:07:11.:07:13.

the windows to the soul and he sees that. There is a kind of coldness in

:07:14.:07:19.

those eyes, because the vulnerability and the coldness, and

:07:20.:07:23.

it's really, really fascinating. The camera is always moving in Moonlight

:07:24.:07:26.

but it always ends up on someone's face. It's like that line in Sunset

:07:27.:07:30.

Boulevard, in the days of silent movies you had faces, and you have

:07:31.:07:34.

in Moonlight. That's why people are making such a connection with this

:07:35.:07:38.

movie. The thing to say about Moonlight, it's not critics movie.

:07:39.:07:41.

We're talking about it very excitedly but I've been previews of

:07:42.:07:45.

this film the last couple weeks, and people are sitting there are very

:07:46.:07:48.

sincerely, spontaneously in floods of tears. It does two things at

:07:49.:07:52.

once, delicate and power. White Rihanna, what about that opening

:07:53.:07:59.

scene? Where he is Little before he becomes Chiron and then Black. Did

:08:00.:08:06.

he feel real to you? Did it feel genuine, did you think a drug

:08:07.:08:11.

dealer, someone who is a crack cocaine dealer would have that and

:08:12.:08:15.

they question up absolutely. I think the reason is because of Mahershala

:08:16.:08:20.

Ali's performance. But he's not very in it very much. On paper you could

:08:21.:08:24.

say this is a boy growing up in an all-black neighbourhood, his mum is

:08:25.:08:26.

a drug addict and the only father figure he has is a drug dealer. Yet,

:08:27.:08:31.

there is something so much more real and human about this than so many

:08:32.:08:35.

other films. This is an social realism or gritty, this is so

:08:36.:08:39.

beautiful to look at. The cinematography. The sound, the music

:08:40.:08:44.

is extraordinary. That use of the chamber orchestra, but then going to

:08:45.:08:47.

the people who wrote the score and saying, can you make something that

:08:48.:08:52.

is very, very different? It's almost as if someone producing track beat

:08:53.:08:55.

that using a chamber orchestra and reinventing it that way. It's not

:08:56.:08:59.

what you expect from this kind of film. OK, we need to move on.

:09:00.:09:01.

Next is Hidden Figures, the real life story of three

:09:02.:09:04.

African American female mathematicians who helped Nasa shoot

:09:05.:09:06.

Taraji P Henson, Janelle Monae and Oscar nominee Octavia Spencer

:09:07.:09:10.

play the human computers dealing with prejudice.

:09:11.:09:12.

Bringing a whole different meaning to the term Space race.

:09:13.:09:19.

You have a identification only customer Nasser. I had no idea...

:09:20.:09:29.

Quite a few women working at the space programme. She can handle any

:09:30.:09:37.

number you throw at her. This was an empty glass like. I'm sorry, I'm not

:09:38.:09:43.

feed... She should be an engineer. I'm a black woman, I'm not going to

:09:44.:09:48.

entertain the impossible. We need a spaceship, we are living the

:09:49.:09:51.

impossible. The IBM data processing system. Hit it, girl. Nasa doesn't

:09:52.:09:59.

commission females that the space programme to stop every time we have

:10:00.:10:04.

a chance to get ahead... There's no protocol for women attending. You

:10:05.:10:07.

should all be thankful for your jobs at all. I don't even know if I can

:10:08.:10:14.

keep up. You're better with the numbers than anyone in that cabinet.

:10:15.:10:23.

You've been gone for 300 hours. You're not where I needed to be,

:10:24.:10:26.

where'd you every day? The coloured bathroom is a mile away. It's good

:10:27.:10:31.

to know Nasser hasn't given up on good old-fashioned brainpower.

:10:32.:10:36.

Friendship seven has experienced some sort of malfunction. It's

:10:37.:10:41.

getting a little hot in here. We are in the fight of our lives, people.

:10:42.:10:45.

Hidden Figures, made for some $25 million. Took that in its opening

:10:46.:10:51.

weekend at US box office and has gone on to take more money than La

:10:52.:10:55.

La Land so far. Why do you think a film about three African-American

:10:56.:11:00.

mathematicians, female African-American mathematicians, has

:11:01.:11:04.

done so well and connected with such a big audience? I think that's

:11:05.:11:07.

precisely why it's done so well for all the reasons you said. Didn't you

:11:08.:11:11.

all know about this? Without anyone didn't know the story? It's talking

:11:12.:11:15.

about these incredibly smart women and bringing them to the fore. They

:11:16.:11:19.

become role models for young people growing up, not just in America and

:11:20.:11:23.

not just black little girls who I'd seen dressing up as their heroines.

:11:24.:11:25.

These women, although that is so lovely and sweet

:11:26.:11:46.

to see... This is telling a story that we should have heard about a

:11:47.:11:49.

long, long time ago. I think it's really important this is being told,

:11:50.:11:51.

but it's being told in a very Hollywood kind of style. That's

:11:52.:11:54.

important. The form and structure is very Hollywood and I think that is

:11:55.:11:56.

possibly why it's being accessible for so that's a great thing. What

:11:57.:11:58.

about the schmaltz stopped writing that's the great thing. What about

:11:59.:12:01.

the best to mug you mention that term Hollywood, I was watching it,

:12:02.:12:04.

of feel Theodore Melfi said in those blank spaces, where you have do kind

:12:05.:12:06.

of Hollywood. But there are parts of this very schmaltzy. Identified so

:12:07.:12:10.

that, I think it's a deft, in the narrative, he didn't want to make it

:12:11.:12:13.

to Hollywood. But there are parts of this very schmaltzy. Identified by

:12:14.:12:15.

that, I think it's a deft, clever, crowd movie. I think you could have

:12:16.:12:18.

a documentary version and I would happily watch that but what you

:12:19.:12:20.

won't have is the joy of the performances. Actually, what is

:12:21.:12:22.

admirable about the movie is the fact this isn't just the story of

:12:23.:12:26.

one black woman who has to represent all black movie. I think you could

:12:27.:12:29.

have a documentary version and I would happily watch that but what

:12:30.:12:32.

you won't have is the joy of the performances. Actually, what's

:12:33.:12:34.

admirable about the movie is that this isn't just the story of one

:12:35.:12:36.

black woman who has to represent all. What is a joy on the practice

:12:37.:12:39.

of that is seeing Taraji Henson do you have a crush on do you have a

:12:40.:12:42.

crush on her? A the dynamic between the three of them, with Octavia

:12:43.:12:45.

Spencer and the dynamic between the three of them, with Octavia Spencer

:12:46.:12:49.

and. I think an element of. I'm fine. I'm fine with incredible

:12:50.:12:53.

business. Because it has done incredible business. It is

:12:54.:13:00.

ultimately a universal story. It's a story about people going up against

:13:01.:13:03.

the odds and quite outrageous pods. Just having to walk a mile, for

:13:04.:13:07.

instance, to go to the coloured bathroom. Couldn't even go and, it's

:13:08.:13:14.

clearly resonated with people because it is ultimately a universal

:13:15.:13:16.

story. It's a story about people going up against the odds and quite

:13:17.:13:19.

outrageous pods. Just having to walk a mile, for instance, to go to the

:13:20.:13:21.

coloured bathroom. Couldn't even go and Kevin Nasa wheel pit the same

:13:22.:13:29.

colour. You don't lose any of the heft and urgency of the human rights

:13:30.:13:32.

issue. You have it colliding with this interesting moment in history,

:13:33.:13:34.

the space race and America being terrified of Russia. Simultaneously

:13:35.:13:36.

with advancements in the civil rights movement. You say that but a

:13:37.:13:39.

lot of this film is about the was encroaching on the space of these

:13:40.:13:45.

incredible black actresses. That was times? Yes yes and yes. Yes and yes,

:13:46.:13:49.

they couldn't even go in the toilet. We keep talking about this toilet

:13:50.:13:52.

scene because everyone must've seen that in the trailer. The whole point

:13:53.:13:55.

was she couldn't go to the toilet. In real life she stood up to them

:13:56.:14:02.

and said yes, I'm going to this white, in the form of someone like

:14:03.:14:04.

Kevin Costner. That was frustrating a little bit because it felt like he

:14:05.:14:07.

was encroaching on the space of these incredible black actresses.

:14:08.:14:09.

That was the reality of the times? Yes and yes. Yes and yes, they

:14:10.:14:12.

couldn't even go in the toilet. We keep talking about this toilet scene

:14:13.:14:14.

because everyone must have seen that in the trailer. The whole point was

:14:15.:14:17.

she couldn't go to the toilet. In real life she stood up to them and

:14:18.:14:20.

said yes, I'm going to this white toilet. I think that so much more

:14:21.:14:23.

exciting. When the is wealthy enough with this fantastic experience, I

:14:24.:14:25.

think they should have used that. It's to be in the middle. I think

:14:26.:14:28.

there is some charm and spark to this thing, so much wit point. I'm

:14:29.:14:31.

going to be in the middle. I think there is some charm and spark to

:14:32.:14:32.

this thing, so much Next up is Fences, based

:14:33.:14:33.

on August Wilson's Pulitzer It's directed by and stars

:14:34.:14:35.

Denzel Washington. He's Troy, a garbage

:14:36.:14:38.

man in 50s Pittsburgh, coming to terms with a life

:14:39.:14:40.

unfulfilled, and how the ramifications of that

:14:41.:14:42.

frustration poisons nearly Viola Davis co-stars

:14:43.:14:44.

as his long suffering wife. I wish Taraji Henson has got the

:14:45.:14:50.

Oscar nomination. We need to move I go out of here every morning and I

:14:51.:14:54.

butt, a man is supposed to Fences is about a story in care of his family.

:14:55.:15:00.

Fences is about a Pittsburgh, and at the centre is Troy, a basketball

:15:01.:15:06.

player, but he missed out basketball player, but he missed out because

:15:07.:15:11.

they didn't want black about how he basically affect his family, his

:15:12.:15:15.

wife it's about how he basically affect his family, his wife, his

:15:16.:15:16.

son. Can I ask you a question? It's about the relationships, father

:15:17.:15:27.

and sons, a tight-knit family that falls apart. As long as you're in

:15:28.:16:38.

I've been right here with you. I've got a life too. 18 years of my life

:16:39.:16:48.

to stand in the same spot as you. Don't you think I've wanted other

:16:49.:16:52.

things, don't you think I had dreams and hopes? What about my life? Wow.

:16:53.:17:03.

Denzel and Viola and the top of their game. You have a son and I

:17:04.:17:12.

have a son. Tell me what you thought of Fences. Before that, I want to

:17:13.:17:16.

talk about Denzel. People have been talking about their favourite films

:17:17.:17:20.

of his. Luke says that his favourite is Glory, saying he deserved his

:17:21.:17:27.

Academy Awards. David says, anything where he kicks butt. He says that

:17:28.:17:38.

Flight is amazing. What did you think of Fences? Did it transferred

:17:39.:17:42.

to the screen from the stage? That's the thing, there is no one I would

:17:43.:17:48.

rather see performing plan Denzel Washington and Viola Davis. Every

:17:49.:17:55.

information is exactly right, every pause is the right pause. It feels

:17:56.:18:01.

to me like Denzel has taken the camera and film the play. I think a

:18:02.:18:04.

film and they play should be different things. Such power and

:18:05.:18:08.

grace, it is like watching a trapeze artist. I want to see the film.

:18:09.:18:14.

People will say that it is great performances and writing and that

:18:15.:18:18.

should be enough but when you go to the RSC, they don't show a movie and

:18:19.:18:23.

say it is a great performance. Why shouldn't you be able to take that

:18:24.:18:27.

amazing writing, comparing it to the other films we've seen is, the power

:18:28.:18:34.

of language, the force and beauty, like scores of paratroopers coming

:18:35.:18:38.

out of a plane at once, it was amazing. Why should that not be an

:18:39.:18:43.

ace cinema screen? Theatre is a much smaller audience. Bringing the power

:18:44.:18:49.

of words into people's lives. You need to break it out more. You turn

:18:50.:18:55.

it into cinema. Moonlight, there are lines which are every bit as

:18:56.:18:59.

graceful and powerful as there are in Fences and Moonlight has the

:19:00.:19:04.

image. Not with the Cirque du Soleil, the words you see in Fences.

:19:05.:19:08.

It is an extraordinary performance. What do you think? When you get over

:19:09.:19:14.

the play thing, you are watching a play it's all about the... I know,

:19:15.:19:22.

my God, it is about the fragile male ego and that is all Denzel

:19:23.:19:27.

Washington. That can be quite preachy in anybody is's hands but

:19:28.:19:31.

seeing him at the beginning, you want to be in his company, he seems

:19:32.:19:35.

like so much fun. It is as much about her. She brings out the light

:19:36.:19:41.

in him and when he starts to back away you see the darkness creeping

:19:42.:19:45.

into him and I think that's fascinating, seeing them playing off

:19:46.:19:49.

each other. It is so multilayered, more so than Moonlight in what it

:19:50.:19:54.

says. Not going to get into that! We can do that later! Round the back of

:19:55.:20:02.

the sofa. Denzel's performance is extraordinary, he has this

:20:03.:20:07.

physicality. The thing with Washington, such a movie star and it

:20:08.:20:10.

is rare for movie stars to disappear into roles because even when they

:20:11.:20:14.

are great actors you are aware that they are movie stars. Violet Davis

:20:15.:20:22.

-- Viola Davis, there are moments when it is almost like it is a real

:20:23.:20:29.

person, you forget she is an actress. The writing is fantastic

:20:30.:20:35.

but it is Theatre. Moonlight is so self-consciously cinema, this is

:20:36.:20:39.

just a great human story. So are surely has to have room to project

:20:40.:20:44.

great human stories. Denzel made the point, he did not want the

:20:45.:20:49.

directorial flourishes. I think that's right, he concentrated on the

:20:50.:20:54.

right things because you walk away from the cinema thinking, I want to

:20:55.:20:57.

see more of those two, they deserve Oscars for that. In that case, don't

:20:58.:21:03.

open it up at all, genuinely film the play and have it live on

:21:04.:21:08.

Broadway and have cinema screenings and then you have the spontaneity,

:21:09.:21:11.

the actors being in front of you, even in the cinema. You don't get

:21:12.:21:17.

the sense of 1951 Pittsburgh in quite the same way. You are in

:21:18.:21:19.

someone's backyard. Michael Keaton stars as Ray Kroc,

:21:20.:21:21.

the man who supersized a small Californian family-run restaurant

:21:22.:21:28.

into the burger building, shake sucking, happy meal touting

:21:29.:21:30.

empire that is McDonalds today. McDonald. Care for a tour? We wanted

:21:31.:21:44.

something different and that is where my brother comes up with one

:21:45.:21:48.

of his brilliant ideas. The order is ready in 30 seconds. There was no

:21:49.:21:56.

McDonald's before Ray Brock -- Ray Kroc turned it into McDonald's as we

:21:57.:22:01.

know it. A new American church, and it isn't just open on Sundays, boys.

:22:02.:22:10.

We don't make McDonald's look like a bad thing, if anything it looks like

:22:11.:22:15.

an amazing thing. Revolutionary? That's exactly what it is. Nothing

:22:16.:22:18.

to do with whether the hamburgers are any good, it is to do with this

:22:19.:22:22.

thing that occurred. There should be a McDonald's everywhere, franchise

:22:23.:22:27.

the thing. Franchise, franchise, franchise. Ray, no! I had no

:22:28.:22:37.

interest in trying to make him likeable. I didn't try to go out of

:22:38.:22:44.

my way to make him an likeable, I just read the script and help to

:22:45.:22:48.

tell the story. Did you mortgage our home? He works hard, he saw what

:22:49.:22:57.

someone could be and he put in the time and the sweat to be successful

:22:58.:23:02.

and that I really admire. You want to be owning the land upon which the

:23:03.:23:07.

burger is cooked. What I don't admire is how he then took it and

:23:08.:23:13.

almost sadistically empowered himself not just for the money but

:23:14.:23:17.

for the power is off. There is a wolf in the hen house and we let him

:23:18.:23:24.

in. -- empower himself. Contracts are made to be broken. So, why

:23:25.:23:30.

should any of these lovely people watching Film 2017 go and see a film

:23:31.:23:40.

about McDonald's? Because it's a corporation and, you know, people

:23:41.:23:45.

didn't do that for the Social Network, although they did and

:23:46.:23:48.

that's what's brilliant about this film, following a similar path, two

:23:49.:23:57.

brothers, Mac and Dick McDonald. And he is a Big Mac, that brother. He

:23:58.:24:05.

has a similar thing of somebody coming and stealing the idea. Pretty

:24:06.:24:10.

much word for word and Michael Keaton is the perfect guy to do

:24:11.:24:15.

that. It is equally funny, very witty, fast paced editing and it's

:24:16.:24:20.

entertaining. And it's nasty. You look at him and you think, you are

:24:21.:24:26.

despicable but there is something I admire about what you managed to do.

:24:27.:24:32.

What does your attitude towards Ray Kroc say about your politics?

:24:33.:24:36.

Interesting question, are you mentioning the keyword? -- the T

:24:37.:24:46.

word? Is Ray Kroc a Donald Trump like character? Whether you see him

:24:47.:24:50.

as a narcissist, someone who is willing to do over those lovely

:24:51.:24:54.

wholesome American brothers, or whether he is an innovator, living

:24:55.:25:00.

the American dream, someone with the purpose and focus to make it big? He

:25:01.:25:05.

is a kind of American genius, a conman who can see the perfect way

:25:06.:25:09.

to tap into people's psychology. Michael Keaton is great casting, you

:25:10.:25:16.

think of Bird man, these splashy performances, it's always about

:25:17.:25:22.

Michael Keaton. Early in the movie you see him as this slightly sweaty,

:25:23.:25:28.

seedy salesman who isn't quite dead yet stop he lifts somebody else's

:25:29.:25:35.

idea and starts an empire and there is a fascinating American story. He

:25:36.:25:42.

can see what the brothers don't, how to transfer it into millions and

:25:43.:25:49.

millions of identical burgers. There is a point when Dick says, why don't

:25:50.:25:53.

you steal my idea, and he said he could of done that but it is about

:25:54.:25:57.

the name, McDonald's, it can mean anything. You see the real-life

:25:58.:26:03.

footage of him saying it towards the end and it is chilling. Startling

:26:04.:26:08.

that he got away with this. Similar to Hidden Figures, amazing that we

:26:09.:26:15.

don't know this story. Do we want to know? No one is particularly

:26:16.:26:22.

likeable? It's interesting because the brothers are very likeable,

:26:23.:26:26.

that's a bit dishonest. A bit boring. But they are wholesome,

:26:27.:26:32.

those wholesome milkshakes. They are the guys who come up with the

:26:33.:26:36.

automation and when they are explaining the business model, the

:26:37.:26:41.

first thing that comes up, they sack the waitresses and you see them

:26:42.:26:48.

vanishing. UCB wholesome diet sacking them. If you think, if you

:26:49.:26:54.

are Mike Ashley you are seeing him thinking, they are geniuses. We are

:26:55.:26:59.

running out of time and I need your film of the week. No prizes for

:27:00.:27:05.

guessing. It must be Moonlight, everyone's favourite. Hidden

:27:06.:27:11.

Figures, but Moonlight is a masterpiece. Big enough to see from

:27:12.:27:17.

space. May your eyes ever be shrouded in sweating because Fences.

:27:18.:27:22.

It isn't bold. I'm going to ask if I can be in a

:27:23.:27:35.

Colonel Sanders biopic. Next week, Edith Bowman.

:27:36.:27:38.

That's it from me, but I'll leave you with an early look at the much

:27:39.:27:41.

Scarlett Johansson stars as a cyborg cop in this live action remake

:27:42.:27:46.

I saw someone down there. He wasn't human. He's a known terrorist and

:27:47.:28:03.

killed again. He didn't just kill them, he hacked into their brains. I

:28:04.:28:14.

will find him. And I will kill him. You never talked about your past. I

:28:15.:28:22.

don't remember much, just fragments. There was an attack, you were dying

:28:23.:28:28.

and we save you. And now, you save others. Everything they told you was

:28:29.:28:36.

a lie. You had a family. What are you? What a beauty you are. They

:28:37.:28:48.

didn't save your life. They stole it. How many were there before me?

:28:49.:29:00.

She was supposed to have a clean brain. I order you to terminate.

:29:01.:29:07.

They created me but they cannot Are you ready for the next

:29:08.:29:12.

ten years? I'm pregnant. You won't notice I'm gone.

:29:13.:29:17.

We've already started interviewing. People are always looking

:29:18.:29:19.

for the next hot young thing. I'm ready.

:29:20.:29:23.

It's only for a couple of months. She thinks you'll be away

:29:24.:29:26.

a lot longer than that. I want you to stop cuttingly me out

:29:27.:29:28.

of conversations with my client. She's moving in on everyone.

:29:29.:29:34.

I'm trying to look out for you.

:29:35.:29:37.

Download Subtitles

SRT

ASS