Browse content similar to The Lego Batman Movie, 20th Century Women and Billy Lynn's Long Halftime Walk. Check below for episodes and series from the same categories and more!
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Hello. This is Film 2017. I am Clara Amfo. We are raring to go. With us | :00:28. | :00:39. | |
tonight, we are turning down the lights, putting on some sweet music | :00:40. | :00:43. | |
and getting all romantic. We want to know some great movies for | :00:44. | :00:49. | |
Valentine's Day, so get in touch with us about that. Coming up on the | :00:50. | :01:03. | |
show tonight... The Lego Batman Movie, returns to Gotham city. | :01:04. | :01:12. | |
Growing up and freaking out. Annette Bening and Elle Fanning star in 20th | :01:13. | :01:18. | |
Century Women. And nobody puts this film in the corner. We celebrate the | :01:19. | :01:31. | |
wonder of Dirty Dancing 30 years on. Plus, we'll take a look at Billy | :01:32. | :01:40. | |
Lynn's Long Halftime Walk. Joining me tonight, Chris Hewitt, full of | :01:41. | :01:46. | |
germs, but soldiering on! And Danny Leigh! I'm freelance, this is not | :01:47. | :01:59. | |
good! Chris, we need to talk about these socks? Yes, these are my shiny | :02:00. | :02:09. | |
socks. You can get anything in this pattern, except, weirdly enough, | :02:10. | :02:15. | |
carpet. Do you have boxer shorts to match? I can't say. Later! Now, it | :02:16. | :02:26. | |
is the term of the gravelly voiced Will Arnett to bring the caped | :02:27. | :02:34. | |
Crusader back to the screen. This is The Lego Batman Movie. I'm home! You | :02:35. | :02:47. | |
come in with a big bang and there's some great action. And then it | :02:48. | :02:57. | |
shifts a bit and it becomes... Almost like a character movie. He's | :02:58. | :03:04. | |
a lonely guy, someone you think has everything. He's got great gadgets | :03:05. | :03:14. | |
and vehicles, women love him, but he doesn't have the most important | :03:15. | :03:23. | |
thing, which is family. You can't spend the rest of your life alone, | :03:24. | :03:27. | |
dressed in black and staying up all night. You need to take | :03:28. | :03:30. | |
responsibility for your life, and it starts by raising your son. This is | :03:31. | :03:35. | |
the batsman Ravi where he finds family. He actually adopts a child. | :03:36. | :03:43. | |
He puts together his own version of family during the course of the | :03:44. | :03:48. | |
movie. Wait, does but man live in Bruce Wayne's basement? I have seen | :03:49. | :03:59. | |
him in many different years. And that we had one in 1966. I have aged | :04:00. | :04:06. | |
phenomenally. You've got absurd Adam west versions of it, you've got | :04:07. | :04:11. | |
extremely serious versions of it. So, being able to have our take on | :04:12. | :04:15. | |
it was really important. Oh, my goodness, I am so sorry! I had the | :04:16. | :04:20. | |
luxury of taking pieces of all of them. Because they all exist, and I | :04:21. | :04:26. | |
tried to make him my own. I'm sorry, I literally have no idea what you're | :04:27. | :04:33. | |
talking about. Trying to go back to what was the thing that made that | :04:34. | :04:36. | |
first television series so successful back in the day. There | :04:37. | :04:41. | |
was always an element of tongue in cheek. It was able to not take | :04:42. | :04:46. | |
itself too seriously at the end of the day. Hate, but man! We're going | :04:47. | :04:55. | |
to have to rename this the Buttmobile! There is something in | :04:56. | :05:06. | |
this for everybody. The Lego Batman Movie, selfishly, I took my niece | :05:07. | :05:09. | |
and nephew to go and see this film. But it was all about me, not them! | :05:10. | :05:16. | |
Is everything still awesome? I think it is, it is just fractionally less | :05:17. | :05:21. | |
awesome. A lot of that was because the Lego movie had the huge element | :05:22. | :05:29. | |
of surprise. Having seen this pure, joyful and weirdly subversive | :05:30. | :05:32. | |
experience, The Lego Batman Movie does not have that element of | :05:33. | :05:36. | |
surprise. Instead, it has a barrage of gags. I have never seen a film | :05:37. | :05:40. | |
before, where there is a pre-pre- credit sequence. A lot of it is very | :05:41. | :05:48. | |
funny. Whether you're a ten-year-old kid, or whatever, it's funny the | :05:49. | :05:53. | |
whole way through. I can run the risk of sounding like a film critic | :05:54. | :05:58. | |
for a second, I'm sorry! But it is fractionally less awesome and it | :05:59. | :06:01. | |
just feels fractionally like a missed opportunity. Do you think | :06:02. | :06:06. | |
they tried to pack too many jokes in? I thought, I would rather go and | :06:07. | :06:09. | |
see this with my friends then whizz my knee for nephew, it just felt | :06:10. | :06:16. | |
like there were too many jokes. -- than with my niece and nephew. I | :06:17. | :06:21. | |
like the fact, if you don't like one bad joke, don't worry, another one | :06:22. | :06:24. | |
is along in a second. I like the healthy reference for the batsman | :06:25. | :06:30. | |
Ravi is, even the rubbish ones! How do you! In that movie, there is no | :06:31. | :06:40. | |
doubt about it. The Adam west but man, it goes really deep as well. | :06:41. | :06:47. | |
There is mention made of a whole litany of dreadful but man villains. | :06:48. | :06:53. | |
At one point he says, it is worth a Google, edited! The cynic in you | :06:54. | :06:57. | |
thinks, what could be better than to shift an awful lot of plastic | :06:58. | :07:03. | |
bricks, the corporate synergy! But I think there is more than that going | :07:04. | :07:06. | |
on. Actually The Lego Movie John Lowe Was Up Perfect Stroke Of | :07:07. | :07:13. | |
Genius, To Take This Character. Christian Bale can never play | :07:14. | :07:18. | |
batsman ever again. That ship has now sailed. The body of jokes... I | :07:19. | :07:25. | |
just kept thinking, somewhere, Christopher Nolan is having every | :07:26. | :07:30. | |
joke explained to him. I felt like this film was a bit of a joke take | :07:31. | :07:36. | |
on the typical macho batsman that we have come to love from Christian | :07:37. | :07:40. | |
Bale's portrayal? I do not want to pick holes in this because it is a | :07:41. | :07:44. | |
wonderful experience in many ways, but it cannot help becoming a bit of | :07:45. | :07:49. | |
a superhero movie, after a while. It is having fun with that idea, but in | :07:50. | :07:53. | |
the end it just becomes another batsman film. I think the problem is | :07:54. | :08:00. | |
with but man himself. He's great in small doses, but when he has to | :08:01. | :08:02. | |
carry a whole movie on his very small shoulders, it does greater | :08:03. | :08:08. | |
bit, after a while. Is a bit swaggering. He is great at stealing | :08:09. | :08:14. | |
the scene. They try to impart an emotional back story on him and give | :08:15. | :08:18. | |
him some depth - it doesn't really work. It's a little bit like if you | :08:19. | :08:30. | |
took his character from Arrested Development and you gave him his own | :08:31. | :08:34. | |
90 minute movie, you would be going after a while, I'm not sure about | :08:35. | :08:39. | |
this guy. We have to give a bit of love to Michael Cera. It is amazing | :08:40. | :08:43. | |
how many people give their best performances, at three inches high. | :08:44. | :08:48. | |
I have never been able to stand Michael Cera, but this is great, | :08:49. | :08:51. | |
once he's reduced down to that level. The whole cast, Rosario | :08:52. | :08:56. | |
Dawson and Ralph Fiennes as well. I think we all got to know Rosario | :08:57. | :09:02. | |
Dawson as a promiscuous teenager, not in real life, can we stress?! | :09:03. | :09:09. | |
For fantastic. There is a huge amount of funny going on in this, I | :09:10. | :09:14. | |
realise that I have been nit-picking. That's the batsman will | :09:15. | :09:22. | |
in you! Next up, 20th Century Women. This is a new film from director | :09:23. | :09:27. | |
Mike Mills. His last film, Beginners, was inspired by the life | :09:28. | :09:31. | |
of his father. This time it is the turn of his mum, and it stars the | :09:32. | :09:38. | |
fabulous Annette Bening, in what has been called a love letter to mothers | :09:39. | :09:42. | |
everywhere. We are at a turning point in our history. As you know, | :09:43. | :09:46. | |
there is a growing disrespect for government. It is a crisis of | :09:47. | :09:56. | |
confidence. It's America in 1979, and it's about a mother | :09:57. | :10:00. | |
coming-of-age, trying to figure out her son. And a son coming-of-age | :10:01. | :10:06. | |
were trying to figure out his mother. Inking you know everything | :10:07. | :10:11. | |
that's going on. No, I just held that having your heart broken is a | :10:12. | :10:14. | |
tremendous way to learn about the world. Mike Mills wrote and directed | :10:15. | :10:20. | |
the movie. He was very much intrigued by both of his parents. It | :10:21. | :10:25. | |
is always about the mother. This is about the mother. She was the | :10:26. | :10:28. | |
catalyst, but it became really another character to play. Do you | :10:29. | :10:36. | |
think you're happy? Seriously? You don't ask people questions like | :10:37. | :10:40. | |
that. She is a very context woman in her own right. And of course, all | :10:41. | :10:45. | |
real mothers are, it's just that we've spent so much time either | :10:46. | :10:49. | |
idealising mothers or on the other hand making them into the bad | :10:50. | :10:55. | |
mother. Whereas Dorothea is just a human mother who makes some | :10:56. | :11:00. | |
mistakes, and then also she gets a lot right. Jamie, would you please | :11:01. | :11:07. | |
wait for Abbie? Hold on, I'm menstruating. When we were actually | :11:08. | :11:12. | |
shooting, we mostly used the dialogue, but then we would have a | :11:13. | :11:15. | |
chance to do a scene, and he would say, say whatever you want. Your | :11:16. | :11:21. | |
menstruating, OK, but do you have to say it? And some of the best moments | :11:22. | :11:25. | |
came from those times when we were able to speak from the heart. Just | :11:26. | :11:31. | |
say menstruation, it's not a big deal, start saying it now. | :11:32. | :11:36. | |
Menstruation. Not bad. Let's say it together! Menstruation. I can't say | :11:37. | :11:47. | |
it. So, 20th Century Women, Chris, would you say this film shows you | :11:48. | :11:50. | |
don't have to be a teenager to come of age? Absolutely, I went into this | :11:51. | :11:54. | |
one, I must confess, with slight trepidation. I love character | :11:55. | :12:01. | |
studies, I'm love movies which are slightly plotless, but I was a bit | :12:02. | :12:06. | |
concerned that this might be a bit too twee. And it is that, but it is | :12:07. | :12:09. | |
a movie that has tonnes of compassion for its characters. It is | :12:10. | :12:14. | |
full of wit and warmth and wisdom. It only has one Oscar nomination, | :12:15. | :12:19. | |
which is for Best Original Screenplay, for Mike Mills. And it | :12:20. | :12:23. | |
deserves it, it is fantastic. It is a bit like a bat man movie, in that | :12:24. | :12:29. | |
every minute or so brings a new one minor, but this time, they are | :12:30. | :12:37. | |
covered in emotional depth. It is a wonderful movie, and it's built on | :12:38. | :12:42. | |
these incredible performances. Annette Bening, for me, she is the | :12:43. | :12:47. | |
star of the film, but I love her stance because she is the most | :12:48. | :12:52. | |
reluctant feminist icon, I guess! She is a woman bringing up this | :12:53. | :12:55. | |
child by herself, she talks to him as if he's an adult. It seems in the | :12:56. | :13:00. | |
film as if he almost wants more parental control? That's one of the | :13:01. | :13:06. | |
things I love about it. The period detail is so good, the sense of time | :13:07. | :13:12. | |
and place. In 1979 in California, you realise what it means to like | :13:13. | :13:20. | |
Talking Heads. And also Black Flak. It is about mothers and sons, being | :13:21. | :13:26. | |
a boy or a girl, a man or a woman. It could be a coming-of-age story, | :13:27. | :13:31. | |
it is the kind of story that a lot of directors of a certain age end up | :13:32. | :13:37. | |
producing, sensitive, slightly weird. It says, OK, so this | :13:38. | :13:43. | |
15-year-old's life is important, but also, he has got this mother. In | :13:44. | :13:48. | |
another film, she would be standing there with a cake at the doorway | :13:49. | :13:52. | |
being supportive, or she would be conspicuous by her absence. | :13:53. | :13:56. | |
Actually, this film gets half the film at least two Annette Bening. | :13:57. | :14:00. | |
There's such richness of character. It's all about her childhood and | :14:01. | :14:03. | |
oppression, she's bohemian but she's also so good with money. So there is | :14:04. | :14:09. | |
a real richness, which is very, very unusual. And there is a warmth I | :14:10. | :14:15. | |
think without being sentimental. And there is a cleverness, without being | :14:16. | :14:20. | |
precious. It is like Wes Anderson if everything was not in quote marks. | :14:21. | :14:25. | |
It is a very democratic movie as well. | :14:26. | :14:31. | |
Seeing what Greta Gerwig goes through, it is played beautifully. | :14:32. | :14:41. | |
The film likes all its characters. Any film will get bored with at | :14:42. | :14:46. | |
least one of its characters but here, there are great scenes of | :14:47. | :14:50. | |
people dancing in their bedrooms and it is as if the movie wants to | :14:51. | :14:55. | |
invite us in. There is a real charm to it. Can we try and say it | :14:56. | :15:02. | |
together? Menstruation. There we go. Moving on, it made a star of Patrick | :15:03. | :15:11. | |
Swayze and it made putting Baby in the corner unacceptable. Dirty | :15:12. | :15:15. | |
Dancing is 30 years old. There is a rumour that someone in this room has | :15:16. | :15:21. | |
not seen it. Its mix of sex and sound made it a head for me and I | :15:22. | :15:26. | |
even liked the sequel. I know I am not alone. | :15:27. | :15:37. | |
# Now I've had the time of my life. You know how when you watch a film | :15:38. | :15:41. | |
for the first time and it has an amazing cult following and you think | :15:42. | :15:45. | |
it cannot live up to those expectations and this was one of the | :15:46. | :15:51. | |
few films that really did. My mother really did not want me to see it | :15:52. | :15:55. | |
because it had the word dirty and the title. It's not illegal is it? | :15:56. | :16:01. | |
It was the first movie I saw in which people had sex. That was the | :16:02. | :16:07. | |
summer of 1963 when everyone called me Baby. It is the moment when he | :16:08. | :16:11. | |
jumps off the stage and moves down the aisle. It is like a magnet, it | :16:12. | :16:18. | |
pulls me in. I cannot think of a single girl that I know who has not | :16:19. | :16:24. | |
tried to recreate those Dirty Dancing moves. I think I sprained my | :16:25. | :16:29. | |
wrists trying to lift someone at a wedding once. The dams in the film | :16:30. | :16:37. | |
is not easy. It is technical. This is my dance face and this is your | :16:38. | :16:41. | |
dance space. It is beautifully choreographed. Turner, Turner... My | :16:42. | :16:49. | |
favourite scene is the montage to Hungry Eyes. | :16:50. | :17:05. | |
# Hungry eyes. Twist. It is so 1980s and so lovely and heartfelt. I like | :17:06. | :17:11. | |
that you can see how much Patrick Swayze does not like Jennifer Grey. | :17:12. | :17:16. | |
He found her annoying. Those are real outtakes. You have to | :17:17. | :17:21. | |
concentrate! Is this your idea of fun! He was a sensational dancer. So | :17:22. | :17:29. | |
when he was given someone like Jennifer Grey, his heart must have | :17:30. | :17:41. | |
gone, oh please! He uses dancing as sex. I mean it is body to body, | :17:42. | :17:48. | |
touch, feel, hold, grab, it is like making love. It is just a massive | :17:49. | :18:00. | |
sweatbox of self. The movie uses dancing as a metaphor for the sexual | :18:01. | :18:08. | |
awakening of Baby. The better dancer she is, the more sexually has and | :18:09. | :18:12. | |
the better dancer she becomes. Patrick Swayze did not have a bone | :18:13. | :18:18. | |
in his body that was not sexy. It started in his little toe and | :18:19. | :18:24. | |
finished at the hair on his head. His ads are incredible. This is peak | :18:25. | :18:29. | |
Patrick Swayze. Look at him. Oh my god! Boys and men are grossed out | :18:30. | :18:36. | |
when they see the camera going all over Patrick Swayze and I say, this | :18:37. | :18:41. | |
is what it is like being a woman in the cinema all the time! Enjoy! O | :18:42. | :18:50. | |
God, it is hopeless. Don't say that. I think there are so many things | :18:51. | :18:55. | |
going on in Dirty Dancing. It gets quite dark and serious with the | :18:56. | :19:00. | |
abortion theme with penny. He did not use either or nothing. The guy | :19:01. | :19:05. | |
had a dirty knife and a folding table. It is a movie that has real | :19:06. | :19:11. | |
smarts, not just a movie with a funny soundtrack. It will be fine. | :19:12. | :19:17. | |
It is a movie about the importance of pro-choice, a movie that | :19:18. | :19:21. | |
celebrates female sexuality, and movie that celebrates her | :19:22. | :19:25. | |
objectification of men. This is not a tragedy. It is one of the greatest | :19:26. | :19:30. | |
Amadis movies of all time. It is one of these films that is referenced by | :19:31. | :19:36. | |
people all the time. You will note those quotable lines. Carry a | :19:37. | :19:42. | |
watermelon! I think everyone knows the phrase spaghetti arms and it is | :19:43. | :19:50. | |
not complimentary. Where is my beige lipstick? Baby, stand up straight. I | :19:51. | :19:58. | |
love to watch your hair blowing in the breeze. There is one line in | :19:59. | :20:05. | |
this film which everyone says. Nobody puts Baby in the corner! What | :20:06. | :20:12. | |
does that even mean? What? There is a reason everyone still quote said. | :20:13. | :20:18. | |
Lines do not last for 30 years without good reason. It is not easy | :20:19. | :20:23. | |
to write a fun, funny teen movie with a smart script. And if you want | :20:24. | :20:35. | |
the time of your life, you can catch Dirty Dancing in cinemas nationwide | :20:36. | :20:40. | |
on February the 14th. I have got some of your tweets for your | :20:41. | :20:44. | |
favourite Valentine's Day movies. He says you cannot beat Some Like It | :20:45. | :20:55. | |
Hot. Some people said My Bloody Valentine. One guy says Star Wars, | :20:56. | :21:01. | |
if the guy does not like them, she is not a keeper. It is everything. | :21:02. | :21:12. | |
If you sit through the Phantom Menace, you're a keeper. Jonathan | :21:13. | :21:19. | |
Harvey has spoken. Next up is Billy Lynn's Long Halftime Walk from the | :21:20. | :21:22. | |
Oscar-winning director Ang Lee. Joe Alwyn stars as Billy home from the | :21:23. | :21:28. | |
Iraq war and reluctantly held as a military hero. It is going down. | :21:29. | :21:42. | |
What? I play Billy and he is a soldier and he finds himself thrown | :21:43. | :21:46. | |
into this extraordinary situation. He is caught on camera in this | :21:47. | :21:50. | |
suppose it act of heroism and the footage goes viral back home and | :21:51. | :21:55. | |
they are brought back to America for this victory tour. It is weird being | :21:56. | :21:58. | |
honoured for the worst day of your life. And the film takes place over | :21:59. | :22:04. | |
the course of the day as he is trying to figure out the kind of | :22:05. | :22:07. | |
madness and the circumstances around him and figure out who he is and | :22:08. | :22:11. | |
where he belongs in all of that. I cannot imagine what you went through | :22:12. | :22:17. | |
personally. I think it is the human drama about the growth of the young | :22:18. | :22:21. | |
person. It is really good to have you back, Little Brother. It is | :22:22. | :22:26. | |
about war and how to do with it, how they go through that. How they grow | :22:27. | :22:35. | |
and mature. When you are decorated hero, you have done your part. There | :22:36. | :22:39. | |
is no shame in it. I did my research. I made a commitment. To | :22:40. | :22:46. | |
what? We know why you signed up. What to say? I'm going back. The | :22:47. | :22:56. | |
book is a reflection of that time. It is also very timely and when I | :22:57. | :23:02. | |
was cutting the movie after I shot it, the election started. So I was | :23:03. | :23:06. | |
watching how the movie had fashioned and how the reality, was passing | :23:07. | :23:14. | |
out. Your story Billy, no longer belongs to you. It is the irony and | :23:15. | :23:24. | |
the contrast between what really happened and the public perception | :23:25. | :23:28. | |
of them. What really happened over there? The latest bomb Ang Lee, | :23:29. | :23:39. | |
Billy Lynn's Long Halftime Walk. A film that I found quite conflicting | :23:40. | :23:45. | |
to watch. The way it was shot, I found I was watching a really well | :23:46. | :23:51. | |
made for television movie. Most movies are shot in 24 frames per | :23:52. | :24:00. | |
second and this is shot in 120 frames per second. It produces a new | :24:01. | :24:06. | |
clarity of image and it effectively removes the barrier. It removes the | :24:07. | :24:11. | |
barrier between the viewer and the screen and it doesn't quite work. It | :24:12. | :24:15. | |
is a little bit too hyper real and it does not have the motion blur | :24:16. | :24:25. | |
that the Hobbit had. It is a little bit off-putting and visually bland | :24:26. | :24:30. | |
as well, which surprised me given the technology behind it and the | :24:31. | :24:34. | |
cinematographer. Too many frames per second. It is impossible to get | :24:35. | :24:40. | |
beyond. It is a shame, some were buried in their is a provocative | :24:41. | :24:45. | |
film about America and war. I could not make eye contact with this | :24:46. | :24:52. | |
movie. It looks so slick and jarring, like having a conversation | :24:53. | :24:55. | |
with someone who takes all the clothes off. You're not attracted to | :24:56. | :25:01. | |
them. You cannot focus, it is not happening. You think it is unsightly | :25:02. | :25:05. | |
and you do not want to carry on the conversation. Ang Lee is a gifted | :25:06. | :25:12. | |
director, but he makes these strange mistakes of judgment. I do not know | :25:13. | :25:17. | |
why he would have made the film like that because the hobbit was hard | :25:18. | :25:22. | |
work as well. There was a rational behind it, but a lot of this film is | :25:23. | :25:26. | |
made up of characters on concrete steps and there is no reason for | :25:27. | :25:32. | |
this to be in 3-D. Even though the film did slide in parts, it was | :25:33. | :25:38. | |
really ambitious for Joe Alwyn, his first movie ever, young British guy, | :25:39. | :25:44. | |
addition for Ang Lee a few times and he really stood out. He is the | :25:45. | :25:48. | |
start. I found he played the role quite tenderly. It did not seem like | :25:49. | :25:54. | |
he had become ruined by what he saw. He could have been a lung in the | :25:55. | :25:58. | |
wrong hands but he brings a tenderness and sensitivity to him | :25:59. | :26:03. | |
which is refreshing. Everyone is solid in this movie, including | :26:04. | :26:09. | |
Garrett Hedlund. It is difficult, there is an amazing set piece, a | :26:10. | :26:12. | |
moment where everything comes together, the half-time walk and the | :26:13. | :26:15. | |
look of the film makes sense, you can see the soldiers are there with | :26:16. | :26:25. | |
Destiny 'S Child. They are teetering on the brink of freaking out and you | :26:26. | :26:28. | |
can see why it is suddenly all connecting. In terms of the | :26:29. | :26:32. | |
performances, they get lost and buried. That is unfortunate, the | :26:33. | :26:37. | |
performances outweighed the film for me. The best performance is | :26:38. | :26:42. | |
Christian Stewart. Every time she is on screen, you notice. I'm just | :26:43. | :26:51. | |
happy to see her not playing Bella and I think she is happy. We will | :26:52. | :26:59. | |
move onto the film the week. 20th Century Women. I really liked The | :27:00. | :27:07. | |
Lego Batman Movie. You are taking me to 20th Century Women. That is | :27:08. | :27:13. | |
almost dead. Right here on the sofa next week will be my friend and the | :27:14. | :27:19. | |
sofa is not quite as uncomfortable as it looks. I will leave you with | :27:20. | :27:29. | |
something exciting, a first look at The Beguiled. Its star as Elle | :27:30. | :27:34. | |
Fanning and Nicole Kidman as the inhabitants of a girl skilfully | :27:35. | :27:38. | |
taken an injured soldier pled by: Farrell. Good night. -- a girls | :27:39. | :27:43. | |
school. Girls, we all need to help. Quickly, | :27:44. | :28:01. | |
he is losing blood. I prayed that the Lord see fit to restore the | :28:02. | :28:06. | |
health of the wounded soldier. We asked for protection over our school | :28:07. | :28:08. | |
and we pray that we will be kept from harm throughout the night. | :28:09. | :28:18. | |
Amen. Seems like the soldier being here is having an effect. If you | :28:19. | :28:21. | |
could have anything in the world, what would be? To be taken far from | :28:22. | :28:26. | |
here. We can show him some real Southern hospitality. This has | :28:27. | :28:31. | |
taught us all a very important lesson. Can I get you anything? The | :28:32. | :28:33. | |
enemy is not what we believe. | :28:34. | :28:45. |