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Hello there, and
welcome to Film 2018. | 0:00:24 | 0:00:27 | |
I'm Clara Amfo - long time no see. | 0:00:27 | 0:00:31 | |
You are looking good! | 0:00:31 | 0:00:34 | |
Tonight we're back with
the glitz and glamour, | 0:00:34 | 0:00:36 | |
bells and whistles of the Oscars. | 0:00:36 | 0:00:37 | |
See look... | 0:00:37 | 0:00:39 | |
No trainers tonight, I've made an
effort and I'm feeling good about | 0:00:39 | 0:00:41 | |
that! | 0:00:41 | 0:00:43 | |
We're live, so why not tweet us
with your pick for Best Picture? | 0:00:43 | 0:00:48 | |
Are you a Lady Bird fan? | 0:00:48 | 0:00:50 | |
Or do you prefer your entertainment
wet and watery - sounds wrong - | 0:00:50 | 0:00:53 | |
with Guillermo Del Toro's
"The Shape of Water"? | 0:00:53 | 0:00:55 | |
Let us know - details
on the screen now. | 0:00:55 | 0:00:58 | |
Right, let's kick things off. | 0:00:58 | 0:00:59 | |
Coming up tonight... | 0:00:59 | 0:01:03 | |
Winners, losers, tantrums and
tiaras. Brace yourself... We are | 0:01:03 | 0:01:08 | |
going headlong into the Oscars
2018... Victory at all costs! Going | 0:01:08 | 0:01:15 | |
for gold with Greta Gerwig. Could
she be the second woman to win Best | 0:01:15 | 0:01:20 | |
Director for her debut film Lady
Bebb? Saying it out loud seems like | 0:01:20 | 0:01:28 | |
bad luck. Who are you wearing?
Hollywood calls time on business as | 0:01:28 | 0:01:32 | |
usual after Weinstein. | 0:01:32 | 0:01:39 | |
Well if it's intelligence,
glamour and a slight whiff | 0:01:44 | 0:01:46 | |
of nerdiness you're after look no
further - Hollywood has nothing | 0:01:46 | 0:01:49 | |
on these two excellent specimens
gracing the Film Show sofa tonight. | 0:01:49 | 0:01:51 | |
Say hello to critic
Larushka Ivan Zadeh and new film | 0:01:51 | 0:01:54 | |
show regular the brilliant Ellen E
Jones. | 0:01:54 | 0:01:59 | |
Hello...
| 0:01:59 | 0:02:02 | |
Are you getting at the bookies on
Oscars night? What are you doing? I | 0:02:02 | 0:02:06 | |
tend to stay up but my ritual is you
go to bed and you wake up the next | 0:02:06 | 0:02:11 | |
morning, it is like Christmas! You
look at your phone and it's the best | 0:02:11 | 0:02:14 | |
night of the year. A late night but
an early catch up! I usually don't | 0:02:14 | 0:02:19 | |
stay up, I try and catch at the next
day but this year I am so excited, | 0:02:19 | 0:02:22 | |
it will be so good that I might try
and pull an all nighter! Are we | 0:02:22 | 0:02:27 | |
secretly hoping for a La La Land and
moonlight mishap? Not so is said -- | 0:02:27 | 0:02:33 | |
not so secretly! | 0:02:33 | 0:02:36 | |
On Sunday the Oscars
celebrate their 90th year. | 0:02:36 | 0:02:38 | |
That's 90 years of tearful speeches
and oh so sincere smiles | 0:02:38 | 0:02:41 | |
from bitter and twisted losers. | 0:02:41 | 0:02:42 | |
2018 promises to be quite
the birthday for this golden | 0:02:42 | 0:02:44 | |
nonagenarian so it's time
to get prepped. | 0:02:44 | 0:02:46 | |
Here's your whistle-stop Oscar night
cheat sheet and it includes | 0:02:46 | 0:02:49 | |
some strong language. | 0:02:49 | 0:02:56 | |
Uncle Oscar may be getting old but
he still knows how to surprise us... | 0:02:56 | 0:03:01 | |
I keep saying to myself that there
is an outside chance... The winner | 0:03:01 | 0:03:05 | |
is Robert De Niro! You like me! Is
the first time I've had one of these | 0:03:05 | 0:03:12 | |
in my name. Brace yourself... It is
the 90th Academy Awards. In three, | 0:03:12 | 0:03:18 | |
two, one... | 0:03:18 | 0:03:25 | |
two, one... Jimbo, hit the lights!
This year, the best picture race is | 0:03:25 | 0:03:29 | |
wide open... | 0:03:29 | 0:03:34 | |
wide open... Guillermo Del Toro's
romance The Shape of Water steams | 0:03:34 | 0:03:37 | |
ahead with 13 nominations... Hot on
its slippery heels is Dunkirk with | 0:03:37 | 0:03:42 | |
H... There is no hiding from this.
The BAFTA favourite, Three | 0:03:42 | 0:03:53 | |
Billboards Outside Ebbing, Missouri,
has seven. Including a nod for the | 0:03:53 | 0:03:56 | |
hotly tipped Frances McDormand,
aiming for her second statuette for | 0:03:56 | 0:04:00 | |
Best Actress... But this year it is
out with the old and in with the | 0:04:00 | 0:04:04 | |
new... Sink into the floor... Sink.
Fresh talent dominates the major | 0:04:04 | 0:04:14 | |
categories. First-time director
Jordan Peele owning an Oscar nod for | 0:04:14 | 0:04:17 | |
his horror film, yet out. As does
its British star, Daniel Kaluuya. | 0:04:17 | 0:04:25 | |
22-year-old Timothy shall make and
his first acting not for the | 0:04:25 | 0:04:33 | |
bittersweet -- Timothee Chalamet has
been nominated for his film. The | 0:04:37 | 0:04:43 | |
movie Lady Bird earns young veteran
Saoirse Ronan her third nomination. | 0:04:43 | 0:04:52 | |
Watch out for the new kids. Some of
favourites can miss out. Sorry, you | 0:04:52 | 0:04:57 | |
get nothing for thriller All the
Money in the World. Nobody has been | 0:04:57 | 0:05:01 | |
richer than you are at the moment.
Steven Spielberg is up -- misses out | 0:05:01 | 0:05:11 | |
for The Post but have no fear, some
things never change. We cannot hold | 0:05:11 | 0:05:16 | |
them accountable if we do not have
the newspaper. Oscar Queen Meryl | 0:05:16 | 0:05:21 | |
Streep, other actresses are
available, earns a 21st nomination | 0:05:21 | 0:05:25 | |
and a departing Oscar King, Daniel
Day Lewis, could pick up his fourth | 0:05:25 | 0:05:28 | |
Best Actor award for Phantom Thread.
There is nothing the Academy love | 0:05:28 | 0:05:37 | |
more than transformation. Enter
Churchill biopic, the Darkest Hour. | 0:05:37 | 0:05:41 | |
Hot favourite for Best Actor, Gary
Oldman. | 0:05:41 | 0:05:48 | |
Oldman. With all of this year 's
Hollywood controversy, will the | 0:05:48 | 0:05:52 | |
Academy play it safe? These days
have to be over. Or will they shake | 0:05:52 | 0:05:57 | |
things up and throw in some surprise
twists? If there is one thing 90 | 0:05:57 | 0:06:04 | |
years of Oscar ceremonies have
taught us... The Academy award... Is | 0:06:04 | 0:06:09 | |
that anything is possible. | 0:06:09 | 0:06:13 | |
STUDIO: I still shudder at that but
I secretly live for it! That was the | 0:06:13 | 0:06:17 | |
Oscars last year. What about 2018,
has it been the best year for movies | 0:06:17 | 0:06:22 | |
yet? I think it has been the best
year for the Oscars. A couple of | 0:06:22 | 0:06:26 | |
years ago we thought that we were
moving into irrelevance. There was | 0:06:26 | 0:06:31 | |
the hashtag for "Oscar so white".
Now, they have pulled something out | 0:06:31 | 0:06:35 | |
of the bag. They have fresh voices
and fresh talent and they are | 0:06:35 | 0:06:39 | |
relevant again. | 0:06:39 | 0:06:44 | |
relevant again. This year we will
find out whether it was a really | 0:06:46 | 0:06:49 | |
embarrassing night for Warren Beatty
or something that will go down in | 0:06:49 | 0:06:51 | |
movie history, when Hollywood
changed forever. Was Moonlight a | 0:06:51 | 0:06:53 | |
fluke or does the Academy recognise
movies that are more representative | 0:06:53 | 0:06:55 | |
of where we are in society now. It
feels like a shift is happening. And | 0:06:55 | 0:06:59 | |
you can see it in the nominees for
best picture. You have the old | 0:06:59 | 0:07:04 | |
school movies like Darkest Hour,
with Gary Oldman in his make-up, and | 0:07:04 | 0:07:10 | |
you have writers being noble in The
Post, Hollywood loves that. You have | 0:07:10 | 0:07:16 | |
Lady Bird and between there is Three
Billboards And The Shape of Water. | 0:07:16 | 0:07:21 | |
It is all there. Whether any
pictures that you felt should have | 0:07:21 | 0:07:25 | |
been nominated, what about surprise
snobs? We are a bit disappointed | 0:07:25 | 0:07:32 | |
that Mudbound didn't get more
nominations, it was | 0:07:32 | 0:07:42 | |
nominations, it was directed by an
outstanding director. And Mary J | 0:07:42 | 0:07:45 | |
Blige. Would have liked to have seen
more love for the Florida product. | 0:07:45 | 0:07:51 | |
The lead actress was great, so
funny. What stood out for you? | 0:07:51 | 0:07:58 | |
Christopher Plummer for getting Best
Supporting Actor, not just because | 0:07:58 | 0:08:02 | |
he is Captain Von Trapp in the Sound
of music, but All the Money in the | 0:08:02 | 0:08:06 | |
World, the thriller with Ridley
Scott, the Kevin Spacey scandal hit | 0:08:06 | 0:08:10 | |
weeks before it was to be released.
So Ridley Scott cut him out | 0:08:10 | 0:08:14 | |
completely and replaced him with
Christopher Plummer. It was a sign | 0:08:14 | 0:08:17 | |
of people going, we do not tolerate
this, we will clamp down on this | 0:08:17 | 0:08:22 | |
kind of sexual abuse. It set an
interesting president about what | 0:08:22 | 0:08:24 | |
will happen with other movies
similarly afflicted with other | 0:08:24 | 0:08:28 | |
actors accused of this, that and the
other. Christopher Plummer is almost | 0:08:28 | 0:08:31 | |
as old | 0:08:31 | 0:08:37 | |
as the Oscars at 89, and the Oscars
in its 19th year. | 0:08:37 | 0:08:43 | |
So clearly in any other year we'd
all be sat here talking | 0:08:43 | 0:08:46 | |
about Guillermo Del Toro's
'The Shape Of Water' | 0:08:46 | 0:08:48 | |
with its 13 nominations. | 0:08:48 | 0:08:49 | |
But this year all bets are off
as there's really is only one topic | 0:08:49 | 0:08:52 | |
of awkward conversation. | 0:08:52 | 0:08:53 | |
Seems post Weinstein,
Hollywood and the Oscars | 0:08:53 | 0:08:55 | |
are struggling with
business as usual. | 0:08:55 | 0:08:56 | |
Several allegations of sexual
harassment against movie producer | 0:08:56 | 0:08:58 | |
Harvey Weinstein... The list of
women accusing him is growing. His | 0:08:58 | 0:09:03 | |
employment was terminated... Three
allegations of rape... Being | 0:09:03 | 0:09:08 | |
investigated by police in London and
New York. Was it an open secret? It | 0:09:08 | 0:09:13 | |
was the week that changed Hollywood.
It started with several brave women | 0:09:13 | 0:09:18 | |
talking to the New York Times. My
sister-in-law, Laura, was one of the | 0:09:18 | 0:09:23 | |
first four women who outed him in
the New York Times. She was very | 0:09:23 | 0:09:27 | |
brave, she was his assistant 20
years ago. She never mentioned | 0:09:27 | 0:09:31 | |
anything. I knew nothing about it
even though I'm very close to her. | 0:09:31 | 0:09:35 | |
Harvey Weinstein was probably the
most influential producer working in | 0:09:35 | 0:09:39 | |
Hollywood for the last three
decades. It aspires to him that | 0:09:39 | 0:09:43 | |
people like Matt Damon, Ben Affleck,
Gwyneth Paltrow, Quentin Tarantino, | 0:09:43 | 0:09:47 | |
that they are as famous they are
today. When I came into the film | 0:09:47 | 0:09:52 | |
industry, he was the person to know.
Of course, we had all heard rumours | 0:09:52 | 0:09:56 | |
about him but nothing on the scale
that has come to light. This is the | 0:09:56 | 0:10:01 | |
biggest Hollywood scandal since the
Blacklist when Hollywood | 0:10:01 | 0:10:05 | |
screenwriters and actors were outed
as communists. The reason this will | 0:10:05 | 0:10:08 | |
be so big is because it involved so
many people. When Paltrow, Angelina | 0:10:08 | 0:10:13 | |
Jolie, all of them stood up to say
that they had been harassed or | 0:10:13 | 0:10:17 | |
assaulted by Harvey Weinstein. These
are not women who can be dismissed. | 0:10:17 | 0:10:22 | |
It didn't just stop with Harvey
Weinstein... Fairly soon after | 0:10:22 | 0:10:25 | |
Harvey Weinstein, we heard Kevin
Spacey had been alleged with sexual | 0:10:25 | 0:10:32 | |
misconduct. And Dustin Hoffman... At
the moment there have been 122 | 0:10:32 | 0:10:36 | |
high-profile men accused of
harassment or assault. The link | 0:10:36 | 0:10:39 | |
between these men is obviously
power, wealth and influence. Nobody | 0:10:39 | 0:10:43 | |
could stop these men. They were
simply too powerful to stand up | 0:10:43 | 0:10:47 | |
against anti-big to fail until it
turned out that they were not... | 0:10:47 | 0:10:52 | |
Soon, the hashtag #MeToo became a
rallying cry against sexual assault | 0:10:52 | 0:10:59 | |
and harassment. #MeToo was a
powerful moment for women. A lot of | 0:10:59 | 0:11:02 | |
the men in my life who were
extremely liberal and would call | 0:11:02 | 0:11:06 | |
themselves feminists said that they
did not know. They did not know that | 0:11:06 | 0:11:08 | |
it happened to every woman. The
hashtag absolutely represents a | 0:11:08 | 0:11:13 | |
collective of voices coming together
and saying no more. Meanwhile, the | 0:11:13 | 0:11:19 | |
women of Hollywood were setting up
the Time's Up camping and using | 0:11:19 | 0:11:23 | |
their | 0:11:23 | 0:11:28 | |
their fame to get it noticed --
campaign. Definitely before the | 0:11:28 | 0:11:32 | |
Golden Globes, I got e-mails from
different girlfriends in the | 0:11:32 | 0:11:36 | |
business talking about everyone
wearing black. To the Golden Globes | 0:11:36 | 0:11:40 | |
as a visual sign of solidarity for
all of the women coming forward with | 0:11:40 | 0:11:45 | |
their stories and being very brave.
We wanted to show our support. Men | 0:11:45 | 0:11:50 | |
wearing their little badges, it is
beautiful but it would be more | 0:11:50 | 0:11:55 | |
beautiful if these men stood up and
acknowledged how much they have | 0:11:55 | 0:11:59 | |
benefited from a system of patriarch
year and sexism in the industry. One | 0:11:59 | 0:12:03 | |
of the things that men can do is
listen. Just listen to when women | 0:12:03 | 0:12:07 | |
are talking. Right now, women are
talking. We really need to shut up | 0:12:07 | 0:12:11 | |
and listen for once. However, it was
big or systemic problems like equal | 0:12:11 | 0:12:19 | |
pay and lack of representation that
soon came to dominate the | 0:12:19 | 0:12:22 | |
conversation. Last year only 8% of
the top 100 grossing films in | 0:12:22 | 0:12:27 | |
Hollywood were directed by women,
even though some of the most | 0:12:27 | 0:12:30 | |
successful films last year were
directed by women, like Wonder | 0:12:30 | 0:12:34 | |
Woman. I think what is really
important now is that we see more | 0:12:34 | 0:12:41 | |
women being decision-makers. In the
industry. And being employed on the | 0:12:41 | 0:12:49 | |
crews onset. On a selfish level, it
makes for great films. Lady Bird is | 0:12:52 | 0:12:56 | |
proof of that, it's a woman telling
her own story and because we are not | 0:12:56 | 0:13:01 | |
used to seeing that, it feels very
fresh. My name is Lady Bird. It's | 0:13:01 | 0:13:06 | |
weird, you shake hands. Yes. The
more women we see as barristers and | 0:13:06 | 0:13:13 | |
journalists on screen, that will be
reflected back in the culture. | 0:13:13 | 0:13:17 | |
Audiences are hungry, they are
hungry for female stories. I feel | 0:13:17 | 0:13:20 | |
there is real appetite for change
from the audience and when that | 0:13:20 | 0:13:24 | |
happens and they vote with their
money at the box office, they vote | 0:13:24 | 0:13:27 | |
with their ratings on the
television. That is when change | 0:13:27 | 0:13:30 | |
happens. It is ground shifting. We
are in the middle of an earthquake | 0:13:30 | 0:13:34 | |
and things are changing and I think
it is about time. Come on! | 0:13:34 | 0:13:44 | |
Right on, Allison Janney! Is there a
cultural shift or is it just a | 0:13:46 | 0:13:50 | |
hashtag? It is a gender quake! I
feel it's an exciting time as a | 0:13:50 | 0:13:54 | |
female movie lover as much as a
commentator on film. The ground is | 0:13:54 | 0:13:58 | |
shifting, things are moving so fast
at the moment. I don't believe it is | 0:13:58 | 0:14:02 | |
just the Harvey Weinstein
allegations in October and since | 0:14:02 | 0:14:04 | |
then there has been such a shift.
Every single award ceremony has | 0:14:04 | 0:14:09 | |
acknowledged this in some way,
whether it is the black dress on the | 0:14:09 | 0:14:11 | |
carpet or | 0:14:11 | 0:14:17 | |
carpet or speeches on the night,
everything acknowledging that. I | 0:14:17 | 0:14:18 | |
want to be the voice urging some
caution. All of these stories have | 0:14:18 | 0:14:21 | |
in common the fundamental power
imbalance which is gendered. We see | 0:14:21 | 0:14:23 | |
it outside of Hollywood. #MeToo
started outside of Hollywood. We | 0:14:23 | 0:14:28 | |
know things are really change when
we see more women in positions of | 0:14:28 | 0:14:32 | |
power behind and in front of the
camera. It hasn't happened yet. | 0:14:32 | 0:14:35 | |
Octavia Spencer tells a good story
about how her and Jessica Chastain | 0:14:35 | 0:14:39 | |
work together to get a pay rise. It
is a good example of how talking the | 0:14:39 | 0:14:44 | |
talk leads to walking the walk. Of
course, | 0:14:44 | 0:14:48 | |
Octavia Spencer and Jessica Chastain
are a good example of the | 0:14:48 | 0:14:50 | |
intersexual issue in Hollywood and
between race and gender. Audience | 0:14:50 | 0:14:57 | |
change narrative of what they choose
to go and see at the cinema. With | 0:14:57 | 0:15:00 | |
their money. We saw it with Wonder
Woman and Black Panther. With how | 0:15:00 | 0:15:04 | |
much value there is in being
represented when you are not a white | 0:15:04 | 0:15:09 | |
male, essentially. Yes, it isn't
just representation on screen but | 0:15:09 | 0:15:12 | |
behind the screen. We had
controversy surrounding Buffy, but | 0:15:12 | 0:15:20 | |
standing back and saying, not the
one to tell this story... And you | 0:15:20 | 0:15:23 | |
go, wouldn't it be great if Batgirl
was directed and told by a woman | 0:15:23 | 0:15:27 | |
like Wonder Woman. And the films
being nominated, that nomination | 0:15:27 | 0:15:33 | |
increases the box office, in blunt
terms. With Lady Bird, more men will | 0:15:33 | 0:15:39 | |
be going to see that film because it
is nominated and it's a big deal. | 0:15:39 | 0:15:42 | |
The Oscars can help in | 0:15:42 | 0:15:44 | |
that way as well. The speeches will
be pretty charged this year. | 0:15:44 | 0:15:47 | |
Everyone will be talking about that.
And the red carpet will relate to | 0:15:47 | 0:15:52 | |
that. The Academy is changing. They
are trying to change their | 0:15:52 | 0:15:55 | |
membership up. At the last count
they got a membership of 8247. | 0:15:55 | 0:16:01 | |
That's just my count, I could be
wrong(!) They've really tried in the | 0:16:01 | 0:16:05 | |
last couple of years to get more
mixed members, and we address the | 0:16:05 | 0:16:11 | |
gender and ethnic balance but if you
look at the percentage of Oscar | 0:16:11 | 0:16:15 | |
voters, at 73% male and 83% white,
it is slowly changing and moving in | 0:16:15 | 0:16:22 | |
the right direction. We are getting
there. It is happening! The | 0:16:22 | 0:16:27 | |
earthquake is happening, you can
feel it. | 0:16:27 | 0:16:29 | |
So it's clear if Hollywood really
wants to really embrace change, | 0:16:29 | 0:16:32 | |
it'll have to start offering
the keys to the kingdom to newer, | 0:16:32 | 0:16:35 | |
more diverse talent. | 0:16:35 | 0:16:36 | |
With five nominations
for her first film "Lady Bird" - | 0:16:36 | 0:16:39 | |
Greta Gerwig is one such voice
and if she wins Best Director | 0:16:39 | 0:16:47 | |
on Sunday night, she'll only be
the second woman ever to do so. | 0:16:47 | 0:16:50 | |
No pressure, eh? | 0:16:50 | 0:16:51 | |
There is some strong
language coming up. | 0:16:51 | 0:16:54 | |
Lady Bird, is that you're given
name? Yes. I gave it to myself. It | 0:16:54 | 0:17:01 | |
is given to me, by me. Lady Bird is
about a 17-year-old in her last year | 0:17:01 | 0:17:08 | |
at high school. You were given a
role, you never turned up to claim | 0:17:08 | 0:17:16 | |
it. What role? The Tempest. Her name
is Christine, but she makes | 0:17:16 | 0:17:24 | |
everybody call her Lady Bird. Lady
Bird lives on the wrong side of the | 0:17:24 | 0:17:29 | |
train tracks. I thought it was a
metaphor, but there are actually | 0:17:29 | 0:17:33 | |
train tracks. It is about before she
goes off to college, and her | 0:17:33 | 0:17:39 | |
relationship with her mum. The eggs
are not done. Make your own eggs. I | 0:17:39 | 0:17:47 | |
wanted to. | 0:17:47 | 0:17:53 | |
wanted to. Wildly, crazy really
talented. I knew they were equally | 0:17:53 | 0:17:56 | |
matched. I want to go work culture
is, New York, or at least | 0:17:56 | 0:18:03 | |
Connecticut and New Hampshire. You
will never get into those schools | 0:18:03 | 0:18:06 | |
anyway. They punched the same weight
class. You'll go back to city | 0:18:06 | 0:18:12 | |
College, then to jail and then back
to city College. Then you will pull | 0:18:12 | 0:18:16 | |
yourself up. Watching the two of
them going through these intricate | 0:18:16 | 0:18:22 | |
scenes, these moments of connection
and then the moments of fracture and | 0:18:22 | 0:18:27 | |
where the trigger moment is for an
argument and Harry gets resolved, | 0:18:27 | 0:18:33 | |
these moments we don't generally get
to see. There aren't as many movies | 0:18:33 | 0:18:39 | |
about mothers and daughters because
there aren't as many women making | 0:18:39 | 0:18:41 | |
films. Studios are in the business
of making a profit and this past | 0:18:41 | 0:18:48 | |
year has proved how much we are
hungry for stories from different | 0:18:48 | 0:18:54 | |
storytellers and different
perspectives and we are willing to | 0:18:54 | 0:18:56 | |
put down our money to go and see it.
I wanted you to be the very best | 0:18:56 | 0:19:02 | |
version of yourself, you can be.
What if this is the best version? | 0:19:02 | 0:19:14 | |
Cuts. | 0:19:14 | 0:19:19 | |
I already want to watch it again.
Are we going to get into an argument | 0:19:19 | 0:19:23 | |
as to who loves Lady Bird the most.
Exciting thing is, it is directed by | 0:19:23 | 0:19:32 | |
a woman and Kathryn Bigelow Paul
Hart locker, that was a war film. | 0:19:32 | 0:19:39 | |
This is a tiny coming of age film
reflecting our experience and you | 0:19:39 | 0:19:43 | |
never saw that as an Oscar film
before. Such a modest film. It is an | 0:19:43 | 0:19:50 | |
achievement and it shows us
directing incomes in shapes and | 0:19:50 | 0:19:54 | |
sizes and doesn't have to be big and
bon Baskett to be Oscar worthy. I am | 0:19:54 | 0:20:00 | |
a great fan of Greta. She has been
around for a while and being an | 0:20:00 | 0:20:05 | |
actor for a while and has written
lots of things. You can tell that | 0:20:05 | 0:20:10 | |
experience, she got some lovely
performances out of the actors. How | 0:20:10 | 0:20:15 | |
refreshing to see a coming of age
movie which is in centres about a | 0:20:15 | 0:20:22 | |
happy ending with a guy, it is her
and her mother. You have the Hoops, | 0:20:22 | 0:20:27 | |
losing her virginity and going to
prom. It is about her relationship | 0:20:27 | 0:20:31 | |
with her mother and not been defined
by a boy. Dirty dancing, she ended | 0:20:31 | 0:20:37 | |
up in his arms. This is more
interesting. Can we talk about how | 0:20:37 | 0:20:43 | |
hard it is to watch a period film
set in 2000. I wasn't expecting | 0:20:43 | 0:20:49 | |
that. It was my era, it works for
me, totally. I remember it well. Is | 0:20:49 | 0:20:56 | |
she going to win, is she going to be
named Best Director? She is in a | 0:20:56 | 0:21:02 | |
strong category this year, it is
great for her to be nominated. Great | 0:21:02 | 0:21:07 | |
to see Christopher Nolan, his first
nomination for Best Director. It is | 0:21:07 | 0:21:13 | |
astonishing in the history of the
Academy, Alfred Hitchcock didn't get | 0:21:13 | 0:21:19 | |
nominated for decades. Stephen
Spielberg has been nudged aside in | 0:21:19 | 0:21:23 | |
favour of other people. Martin
McDonald wasn't nominated in that | 0:21:23 | 0:21:28 | |
category around Three Billboards
which I like, but does have some | 0:21:28 | 0:21:34 | |
problems. | 0:21:34 | 0:21:40 | |
problems. So Greta, all eyes are on
you. Before that we'll be looking at | 0:21:40 | 0:21:44 | |
who is up for best actor. | 0:21:44 | 0:21:48 | |
She is more beautiful. I saw her
naked once, great body. Trying to | 0:21:48 | 0:21:57 | |
get me to like her? Where would be
the harm in that. You cannot reason | 0:21:57 | 0:22:03 | |
with a tiger when your head is in
its mouth. Why are you not married? | 0:22:03 | 0:22:11 | |
I make dresses. I was certain I was
never meant to marry. I am a | 0:22:11 | 0:22:17 | |
confirmed bachelor. Sorry, I see two
sister standing. Why can't they | 0:22:17 | 0:22:22 | |
stunning and the brother is sitting?
We want to sit. You ladies have got | 0:22:22 | 0:22:28 | |
to speak up for yourselves. This is
in 40 years ago. There is no statute | 0:22:28 | 0:22:37 | |
of limitations on chivalry. Can you
feel that? I can't move. You are | 0:22:37 | 0:22:51 | |
paralysed now, sinking to the floor.
Wait... | 0:22:51 | 0:23:03 | |
We have had Nicole Kidman and the
nose, Charlies thereon and the face | 0:23:07 | 0:23:11 | |
and the hare. Gary Oldman, great
make-up or great acting? I think it | 0:23:11 | 0:23:17 | |
is both. You are thinking, where is
Gary Oldman underneath that. | 0:23:17 | 0:23:26 | |
Gary Oldman underneath that. This is
the category to watch if you want to | 0:23:27 | 0:23:29 | |
know if Hollywood is changing. We
have Gary Oldman where it is all | 0:23:29 | 0:23:35 | |
about the prosthetics and then
Daniel Day Lewis, favourite of the | 0:23:35 | 0:23:39 | |
Academy, he has won many times. Then
the new generation, Timothee | 0:23:39 | 0:23:47 | |
Chalamet. He is very good. Denzel
Washington. Nominated for the second | 0:23:47 | 0:23:56 | |
year running. Cannot have a year
without him. | 0:23:56 | 0:24:04 | |
without him. We have Daniel
Killingworth for Get Out. Daniel Day | 0:24:06 | 0:24:11 | |
Lewis, who claims it is his last
movie. Do we believe him? I don't | 0:24:11 | 0:24:17 | |
think anybody believes in. It
doesn't feel like his last role. He | 0:24:17 | 0:24:21 | |
puts him through hell and either
kills an animal needs it alive or | 0:24:21 | 0:24:26 | |
does something crazy. This time, he
was learning to sew. Really, is that | 0:24:26 | 0:24:31 | |
enough? He is having too much fun.
He is enjoying this character and I | 0:24:31 | 0:24:38 | |
think in about five or ten years,
there will be another great | 0:24:38 | 0:24:42 | |
character for him and he will be
back. I don't think we have seen the | 0:24:42 | 0:24:46 | |
last of him. Timothee Chalamet, dark
horse? He is in Lady Bird as well. | 0:24:46 | 0:24:54 | |
People looked at him and think he
has years ahead of him and we will | 0:24:54 | 0:24:58 | |
see him a lot in this category in
the future, but I don't think this | 0:24:58 | 0:25:01 | |
is his year. | 0:25:01 | 0:25:07 | |
Who will win, who should win? Let's
take a look at the best actress | 0:25:07 | 0:25:17 | |
race. You know what, if you can come
up with $5,000 for a costume for me, | 0:25:17 | 0:25:26 | |
I won't have to make one. Until
then, just stay out of my face. My | 0:25:26 | 0:25:35 | |
name is Lady Bird. That is weird, do
you shake hands? Yes. | 0:25:35 | 0:25:50 | |
My feelings about that, you cannot
be part of this decision to publish | 0:25:52 | 0:25:59 | |
or not. I am here asking your
advice, Bob. Not your permission. | 0:25:59 | 0:26:06 | |
Hello there. | 0:26:06 | 0:26:11 | |
Hello there. Do you know who threw
that can. What can? How about you, | 0:26:13 | 0:26:21 | |
sleeker, do you know who threw that
can? Frances McDormand, let's talk | 0:26:21 | 0:26:29 | |
about her. I thought The Shape of
Water, it would be Sally Hawkins who | 0:26:29 | 0:26:36 | |
plays this new to cleaning woman who
falls in love. I suppose the Oscar | 0:26:36 | 0:26:41 | |
idea she is playing a mute woman,
she has to that but this is the year | 0:26:41 | 0:26:47 | |
we want women out there and and not
giving a toss. Frances McDormand is | 0:26:47 | 0:27:00 | |
out avenging best horrible rape and
murder against her daughter. I think | 0:27:00 | 0:27:06 | |
all of the criticisms of it are
valid, it ignores race and it is | 0:27:06 | 0:27:12 | |
oblivious to certain issues. That
all makes sense, but the | 0:27:12 | 0:27:16 | |
performances are so powerful, the
script is so witty in places and | 0:27:16 | 0:27:20 | |
entertaining, it earns the place on
the nominee's list. And Frances | 0:27:20 | 0:27:25 | |
McDormand deserves to win. You never
know, this | 0:27:25 | 0:27:39 | |
know, this could be Saoirse Ronan,
she is only 23. We have had some | 0:27:39 | 0:27:47 | |
amazing performances, Octavia
Spencer in The Shape of Water. I am | 0:27:47 | 0:27:53 | |
not a massive fan of that
performance. I tell you who I would | 0:27:53 | 0:27:57 | |
love to be nominated in this
category, Tiffani had each. | 0:27:57 | 0:28:09 | |
category, Tiffani had each. And also
the trans-actress coming up and that | 0:28:09 | 0:28:11 | |
is the next barrier to break.
Everyone is like, is this going to | 0:28:11 | 0:28:19 | |
be the year where there is the first
nomination. Still work to do and all | 0:28:19 | 0:28:24 | |
will be revealed on Sunday. The top
prize of the night is best picture. | 0:28:24 | 0:28:32 | |
Let's take a look at the 1910 is --
nine contenders. | 0:28:32 | 0:28:44 | |
nine contenders. Ten hours until the
deadline, so we dig in. | 0:28:44 | 0:28:53 | |
deadline, so we dig in. Call me by
your name and I'll call you by mine. | 0:28:53 | 0:28:58 | |
You are very fond of her, are you?
Don't pick a fight by me, you won't | 0:28:58 | 0:29:03 | |
come out alive. | 0:29:03 | 0:29:08 | |
come out alive. Documents dealing
with the Vietnam War. Let me see | 0:29:09 | 0:29:13 | |
your true qualities, your courage,
lack of vanity, your sense of | 0:29:13 | 0:29:17 | |
humour. You know your mum's they are
totally fake. She made one bad | 0:29:17 | 0:29:26 | |
decision at 19. Rose... | 0:29:26 | 0:29:39 | |
decision at 19. Rose... Where is the
bloody airborne? | 0:29:39 | 0:29:45 | |
He didn't drill a little hole in the
dentist today, did you? Of course | 0:29:56 | 0:30:00 | |
not. Got to say it again, my kind of
woman. Nine nominations for Best | 0:30:00 | 0:30:07 | |
picture. Will we have a shock this
year? I don't know, it seems like a | 0:30:07 | 0:30:14 | |
3-way race between billboards, shape
of water and Lady Bird. I think you | 0:30:14 | 0:30:18 | |
know who has got my vote. I love
Lady Bird as well but those two | 0:30:18 | 0:30:24 | |
winning all the Best Film prizes at
the moment I live shape of water. It | 0:30:24 | 0:30:29 | |
is polarising the sofa. I don't hate
it by any means, but it is a tough | 0:30:29 | 0:30:37 | |
competition this year. It feels | 0:30:37 | 0:30:43 | |
competition this year. It feels a
bit twee. Maybe I have got in for | 0:30:43 | 0:30:46 | |
Sally Hall Kim since Happy-go-lucky.
Wonderful to look at and I think | 0:30:46 | 0:30:59 | |
perhaps it will swing the Best
Director category but also, the | 0:30:59 | 0:31:06 | |
other Oscar contender, it was
another similar, gorgeous to look at | 0:31:06 | 0:31:10 | |
fantasy. Very rooted in society and
historical context. That was the | 0:31:10 | 0:31:15 | |
civil war, this is the Cold War. It
isn't some little fantasy bubble. | 0:31:15 | 0:31:22 | |
People are getting excited about the
fact fantasies will win. It has | 0:31:22 | 0:31:28 | |
before, unless you count Lord of
rings. But there are so many more | 0:31:28 | 0:31:34 | |
exciting, ground-breaking films and
that isn't as impressive. It is not | 0:31:34 | 0:31:37 | |
working for me on that level. If you
want to fill that challenges, the | 0:31:37 | 0:31:45 | |
body snatching horror, Get Out. I
remember watching in the cinema, | 0:31:45 | 0:31:52 | |
anything like it. Could this be the
film but could it be this year's | 0:31:52 | 0:31:59 | |
Moonlight? Looking across all the
nominations, it has changed the idea | 0:31:59 | 0:32:04 | |
of what an Oscar film is. Partly to
do with the Harvey Weinstein thing. | 0:32:04 | 0:32:08 | |
He was known as the king of the
Oscars and he would push all these | 0:32:08 | 0:32:12 | |
prestige pictures. The King's
speech, you know where you are. You | 0:32:12 | 0:32:21 | |
have the post, Stephen Spielberg,
Tom Hanks, Meryl Streep. When I was | 0:32:21 | 0:32:25 | |
picking my nominations, I was
thinking, that is going to win. I | 0:32:25 | 0:32:29 | |
don't think it is now. I was the
same, I thought it was sure, but now | 0:32:29 | 0:32:36 | |
we're not even talking about it.
Dunkirk, are we over the war movies? | 0:32:36 | 0:32:43 | |
It was fantastic, spectacular and
Hughes should I got everybody into | 0:32:43 | 0:32:48 | |
the cinema. It was bigger than
batsman in the UK. It plunges you | 0:32:48 | 0:32:55 | |
into the horrors of war, the
spectacle of war. It is funny how | 0:32:55 | 0:33:04 | |
British actors are doing exciting
things in these operas, but British | 0:33:04 | 0:33:07 | |
film seems to be stuck in the past.
The church a movie with Gary Oldman, | 0:33:07 | 0:33:13 | |
has the Yanks love the Crown, it has
the Downton and the Crown vote | 0:33:13 | 0:33:17 | |
coming out for it in the economy.
The upper lips are stiff. Should win | 0:33:17 | 0:33:23 | |
or is definitely going to win, best
picture? Three billboards, best | 0:33:23 | 0:33:30 | |
picture. I think it will go to The
Shape of Water. | 0:33:30 | 0:33:43 | |
We have about 100 hours to go before
the decisions on Monday morning. We | 0:33:43 | 0:33:49 | |
are going to play out | 0:33:49 | 0:33:57 | |
are going to play out with The
Greatest Showman. It was slated by | 0:33:58 | 0:34:04 | |
the critics, but it shows the
critics don't know everything. | 0:34:04 | 0:34:17 |