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Hello, everybody. And welcome along to Great Movie Mistakes. | 0:00:25 | 0:00:29 | |
This is the show that shines a light at the immaculately dressed Hollywood film industry | 0:00:29 | 0:00:34 | |
and reveals that it is actually flying low with its tackle rudely exposed. | 0:00:34 | 0:00:38 | |
Because our team of continuity error identification specialists | 0:00:38 | 0:00:42 | |
or "geeks", as you may call them, | 0:00:42 | 0:00:43 | |
have watched and re-watched hundreds of the greatest films ever made | 0:00:43 | 0:00:47 | |
to bring you the cock-ups that the studios hoped you would never see. | 0:00:47 | 0:00:51 | |
So, here are those mistakes - | 0:00:51 | 0:00:53 | |
the ones that have made all that hard work ALMOST worthwhile. | 0:00:53 | 0:00:58 | |
On tonight's show, mistakes from - | 0:00:58 | 0:01:00 | |
The Star Wars franchise really is a minor masterpiece. | 0:01:10 | 0:01:13 | |
How do you make a minor masterpiece? | 0:01:13 | 0:01:15 | |
Well, start with a major masterpiece and then ruin it 20 years later | 0:01:15 | 0:01:18 | |
with three rubbish prequels. | 0:01:18 | 0:01:21 | |
Apart from that cataclysmic movie mistake, | 0:01:21 | 0:01:23 | |
there are several little 'uns in the movies themselves. | 0:01:23 | 0:01:26 | |
And I'm not talking about the actors playing Ewoks! | 0:01:26 | 0:01:29 | |
We start at the very beginning, with the seminal Star Wars, | 0:01:31 | 0:01:35 | |
and one of the most famous cock-ups of all time. | 0:01:35 | 0:01:37 | |
A cosmic moment for movie mistake spotters. | 0:01:37 | 0:01:40 | |
Watch the stormtrooper on the right bang his head. Smashing, isn't it? | 0:01:43 | 0:01:48 | |
On to the follow up, Empire Strikes Back. | 0:01:51 | 0:01:54 | |
Look carefully and you can see the soles of Chewie's trainers. | 0:01:54 | 0:01:58 | |
By the way, just a small thing, but given Chewbacca has no clothes on, | 0:01:58 | 0:02:02 | |
why can't we see his sex organs? | 0:02:02 | 0:02:04 | |
This man has just been murdered by the fearsome Darth Vader. | 0:02:06 | 0:02:10 | |
A man so scary, people even obey him when they're dead. | 0:02:10 | 0:02:13 | |
Apology accepted, Captain Needa. | 0:02:13 | 0:02:16 | |
There he is, doing the murder. | 0:02:16 | 0:02:18 | |
But when Darthy-Baby asks for the victim to be removed, like so, | 0:02:18 | 0:02:22 | |
watch how helpful the corpse is. | 0:02:22 | 0:02:24 | |
"Let me, lads, you'll do your backs in!" | 0:02:28 | 0:02:30 | |
Oh, my head! | 0:02:32 | 0:02:35 | |
Jawas, R2-D2, | 0:02:36 | 0:02:38 | |
the Ewoks, where would Star Wars have been without midgets prepared to dress up? | 0:02:38 | 0:02:42 | |
But check this out. You can see the wee fella's eyes through his costume. | 0:02:46 | 0:02:50 | |
20 years after the Star Wars films came out, | 0:02:52 | 0:02:55 | |
George Lucas decided to hit us with another three. | 0:02:55 | 0:02:58 | |
Why he took this decision, nobody knows. | 0:02:58 | 0:03:01 | |
Yet, if there is a reason to be happy, it's that the new films are as littered with clangers | 0:03:01 | 0:03:06 | |
as the old ones. | 0:03:06 | 0:03:07 | |
I think Jar Jar Binks is an utter git | 0:03:09 | 0:03:12 | |
and so does Anakin's mum. | 0:03:12 | 0:03:13 | |
In this clip she pours water for the humans, | 0:03:13 | 0:03:16 | |
but look closely, because when she pours for the alien, | 0:03:16 | 0:03:19 | |
she makes sure nothing comes out. | 0:03:19 | 0:03:21 | |
In anyone's book that must be racism. | 0:03:22 | 0:03:24 | |
And if not racism, a great movie mistake. | 0:03:24 | 0:03:27 | |
The Phantom Menace is a swashbuckling tale in which | 0:03:31 | 0:03:33 | |
the Republic has an overly bureaucratic infrastructure, | 0:03:33 | 0:03:36 | |
and levies a taxation on galactic trade routes. | 0:03:36 | 0:03:39 | |
-Any other choice... -My God, it's boring! | 0:03:39 | 0:03:42 | |
So boring, the film-makers had to amuse themselves by inserting wardrobe mistakes. | 0:03:42 | 0:03:47 | |
Watch as Senator Palpatine's collar changes from dark blue to dark green. | 0:03:47 | 0:03:52 | |
Round about... | 0:03:52 | 0:03:54 | |
now! | 0:03:54 | 0:03:55 | |
Ah. | 0:03:55 | 0:03:57 | |
A sensational scene here from the final prequel, Revenge Of The Sith. | 0:04:01 | 0:04:05 | |
Anakin is about to join the Dark Side, and become evil Darth Vader. | 0:04:05 | 0:04:09 | |
Heart-in-mouth stuff. | 0:04:19 | 0:04:21 | |
But this magical moment is ruined by an unforgivable gaffe. | 0:04:21 | 0:04:25 | |
So, look, there's nothing round his neck and chin. | 0:04:25 | 0:04:29 | |
But in this shot, a bloomin' great neck brace is there. | 0:04:32 | 0:04:35 | |
Vader, you're a disgrace. | 0:04:35 | 0:04:37 | |
Suspension | 0:04:39 | 0:04:42 | |
of disbelief | 0:04:42 | 0:04:46 | |
is essential in the world of storytelling. | 0:04:46 | 0:04:49 | |
Without it, the whole facade comes crashing down. | 0:04:49 | 0:04:52 | |
However, the mistakes you're about to see trounce our disbelief | 0:04:52 | 0:04:55 | |
as soundly as Tinky Winky from the Teletubbies | 0:04:55 | 0:04:59 | |
taking the head of his suit off and announcing, | 0:04:59 | 0:05:01 | |
"I'm just an actor in a felt suit, we all are, and we hate children." | 0:05:01 | 0:05:05 | |
Watch these. | 0:05:05 | 0:05:07 | |
This is Mamma Mia. | 0:05:09 | 0:05:12 | |
And mamma mia, this is a cowardly stuntman. | 0:05:13 | 0:05:16 | |
You can see the cable holding him to the building, there. | 0:05:17 | 0:05:22 | |
Honestly, mate. Does your mother know? | 0:05:22 | 0:05:24 | |
Now, Pirates Of The Caribbean, Curse Of The Black Pearl. | 0:05:29 | 0:05:31 | |
That well-known Western. | 0:05:31 | 0:05:34 | |
At least, that's what this guy thinks it is. | 0:05:38 | 0:05:40 | |
He's wearing a white shirt and a Stetson. | 0:05:40 | 0:05:42 | |
Same film now. And... | 0:05:44 | 0:05:47 | |
Ooh, steady, Keira. | 0:05:47 | 0:05:49 | |
But what's this? It's a cameraman's watch. | 0:05:50 | 0:05:54 | |
And, embarrassingly for him, it's not even digital. | 0:05:54 | 0:05:56 | |
Troy, a film that was panned by the critics. | 0:05:59 | 0:06:02 | |
Although, while they were concerned with the acting and the script, | 0:06:02 | 0:06:06 | |
my beef is with the treads on this man's sandals. | 0:06:06 | 0:06:09 | |
Yes, not the kind of modern design you'd expect in ancient Greece. | 0:06:09 | 0:06:12 | |
That's why I only gave the film two stars. | 0:06:12 | 0:06:14 | |
X-Men Origins. Feast your eyes on all these meaty mutton chops. | 0:06:16 | 0:06:22 | |
Tasty! | 0:06:22 | 0:06:24 | |
But don't let these scene-stealers distract you from this great movie mistake. | 0:06:24 | 0:06:30 | |
Now, you may ask, what's a blue light doing in the middle of a jungle? | 0:06:30 | 0:06:35 | |
Well, let me tell you. | 0:06:35 | 0:06:37 | |
It's for the mock lightning, of course. | 0:06:37 | 0:06:40 | |
Frauds! | 0:06:40 | 0:06:41 | |
Transporter 3. That's right, they made three of them. | 0:06:43 | 0:06:49 | |
Here goes Jason Statham, pelting after an ambulance. | 0:06:49 | 0:06:53 | |
Ah! Think we're going to need an ambulance. | 0:06:55 | 0:06:57 | |
But what's this? | 0:07:01 | 0:07:02 | |
Either Jason has forgotten to remove one of his flesh-coloured earplugs, | 0:07:02 | 0:07:06 | |
or that is a flesh-coloured piece of...flesh | 0:07:06 | 0:07:09 | |
from one of the people in that ambulance. | 0:07:09 | 0:07:11 | |
Oh, please, God, let it be the first. | 0:07:11 | 0:07:13 | |
Independence Day now, and Jeff Goldblum is throwing a tantrum. | 0:07:17 | 0:07:21 | |
Don't worry, he's probably just seen the reviews. | 0:07:21 | 0:07:24 | |
But, no, come on. Let's immerse ourselves in the story. | 0:07:24 | 0:07:27 | |
Forget it's a film, go with it. | 0:07:27 | 0:07:29 | |
So, he's not Jeff Goldblum, he's David Levinson, | 0:07:29 | 0:07:32 | |
confined in a top-secret underground military bunker. | 0:07:32 | 0:07:35 | |
The aliens are trying to take over the world | 0:07:35 | 0:07:37 | |
and, what does that say? | 0:07:37 | 0:07:40 | |
"Art department"? | 0:07:40 | 0:07:41 | |
So, is this all taking place on a movie set, | 0:07:41 | 0:07:44 | |
and none of it's true? Oh, boo! | 0:07:44 | 0:07:47 | |
Walt Disney once said it's kind of fun to do the impossible. | 0:07:48 | 0:07:53 | |
Walt is sadly no longer with us. Clearly he didn't find resurrecting himself much fun. | 0:07:53 | 0:07:58 | |
But his sentiment still holds true in Hollywood today. | 0:07:58 | 0:08:02 | |
Films often contain little moments that could never happen. | 0:08:02 | 0:08:05 | |
If these impossible events are such fun, presumably the big film studios won't mind me pointing them out | 0:08:05 | 0:08:11 | |
over the course of the next few minutes, and rubbing their nose in our nerdy genius. | 0:08:11 | 0:08:16 | |
Take that, Hollywood! | 0:08:16 | 0:08:18 | |
Take that! | 0:08:18 | 0:08:19 | |
War Of The Worlds, starring pocket-sized Tom Cruise. | 0:08:21 | 0:08:25 | |
Cruise may be one of the most powerful men in Hollywood, | 0:08:25 | 0:08:28 | |
but that doesn't make him immune to daft boo-boos. | 0:08:28 | 0:08:31 | |
As he throws the ball to his son, there's a clanger to be spotted. | 0:08:32 | 0:08:36 | |
Cruise throws the ball that smashes the window, except he can't, | 0:08:38 | 0:08:41 | |
because his hand's empty. | 0:08:41 | 0:08:44 | |
Little Tom again, but this time in Minority Report. | 0:08:46 | 0:08:49 | |
Here, he kicks out the window of his car which | 0:08:50 | 0:08:52 | |
is not a bright thing to do, bearing in mind that the car flies off the side of a building. | 0:08:52 | 0:08:57 | |
But, look! The window is miraculously back. | 0:09:01 | 0:09:03 | |
Then again, maybe self-repairing glazing will be the norm in the future. | 0:09:03 | 0:09:07 | |
I really hope so! | 0:09:07 | 0:09:09 | |
Next up, The Incredible Hulk and incredible is right. | 0:09:12 | 0:09:15 | |
Bruce Banner is ringing his bell to announce that he's coming through. | 0:09:15 | 0:09:20 | |
But look - there's no bell on the bike. | 0:09:21 | 0:09:25 | |
It's not hairspray Tracy Turnblad deserves for this error, | 0:09:30 | 0:09:33 | |
-it's pepper spray. Right in the eyes. -Take the whole lot in. -No! | 0:09:33 | 0:09:39 | |
Here, we see her evade the police and emerge from the angry mob. | 0:09:39 | 0:09:43 | |
Yet, when we see her again, she's still in the midst of the crowd. | 0:09:45 | 0:09:49 | |
Pepper spray Turnblad now! | 0:09:49 | 0:09:50 | |
As the tomb raiders raid a tomb in a scene from Tomb Raider, | 0:09:53 | 0:09:58 | |
Daniel Craig is in two places at once. | 0:09:58 | 0:10:01 | |
He was pulling on the rope a second ago. | 0:10:01 | 0:10:04 | |
But look at him now. | 0:10:04 | 0:10:06 | |
He's standing by the tomb entrance, the little tinker. | 0:10:06 | 0:10:09 | |
Jurassic Park. | 0:10:13 | 0:10:16 | |
Incredible. Awe-inspiring. | 0:10:18 | 0:10:20 | |
I don't mean the dinosaurs - if they were any good, they wouldn't have snuffed it, would they? | 0:10:20 | 0:10:25 | |
No. I mean this mistake. | 0:10:25 | 0:10:28 | |
And rewind. | 0:10:28 | 0:10:29 | |
See Ellie stood in front of the sat-down Alan? | 0:10:29 | 0:10:32 | |
But now watch. She walks forwards, | 0:10:32 | 0:10:34 | |
and comes up behind him. Boo! | 0:10:34 | 0:10:38 | |
Confessions Of A Teenage Drama Queen. | 0:10:40 | 0:10:43 | |
This scene is part teen movie, part Benny Hill sketch. | 0:10:43 | 0:10:47 | |
As Lindsay Lohan knocks these tapes on the floor, we've got issues. | 0:10:47 | 0:10:52 | |
She knocks them all behind her, but then she slips on one in front of her. | 0:10:52 | 0:10:55 | |
Take another look. | 0:10:55 | 0:10:58 | |
Just as well she did. That ladder could have taken her face off. | 0:10:59 | 0:11:04 | |
Out and out violence now, and He's Just Not That Into You. | 0:11:06 | 0:11:11 | |
Janine has just found Ben's cigarettes in his pocket. | 0:11:11 | 0:11:15 | |
And she's not best pleased. | 0:11:15 | 0:11:16 | |
But wait for this boo-boo. | 0:11:16 | 0:11:18 | |
When she grabs the mirror, the glass is facing her. | 0:11:18 | 0:11:22 | |
But in the next shot, it's magically flipped over. | 0:11:22 | 0:11:26 | |
You know what will make everything better? A nice cup of tea. | 0:11:26 | 0:11:29 | |
Run along now, love, and get the kettle on. | 0:11:29 | 0:11:32 | |
Now, Forgetting Sarah Marshall. | 0:11:34 | 0:11:37 | |
Something which anyone who's seen the film might want to do! | 0:11:37 | 0:11:40 | |
Judging by the mistakes, I can only think the director was taking | 0:11:40 | 0:11:43 | |
a leaf out of Russell Brand's book, and dreaming about girls instead of keeping his mind on the job. Tut! | 0:11:43 | 0:11:50 | |
It's no problem, honestly. | 0:11:52 | 0:11:53 | |
Forgetting Sarah Marshall was, of course, | 0:11:53 | 0:11:55 | |
Russell Brand's cinematic debut. | 0:11:55 | 0:11:58 | |
But they should have called it forgetting Sarah Marshall is 5'1". | 0:11:58 | 0:12:02 | |
In this shot, Sarah is way above his shoulder. | 0:12:02 | 0:12:05 | |
-Oh, OK. -OK. | 0:12:06 | 0:12:09 | |
But cut to the reverse, and she's much closer to groin height. | 0:12:09 | 0:12:12 | |
Just as Russell likes it. | 0:12:12 | 0:12:14 | |
-So this is... -In this shot, she is stood on steps. | 0:12:14 | 0:12:16 | |
How do I know? Because you're about to see her walk down them. | 0:12:16 | 0:12:20 | |
Steady. | 0:12:20 | 0:12:22 | |
Yes, got it. | 0:12:22 | 0:12:23 | |
Wondering why these guys are looking so awkward? | 0:12:25 | 0:12:28 | |
Perhaps it's because they know | 0:12:28 | 0:12:30 | |
a continuity error is about to stink the scene out. | 0:12:30 | 0:12:32 | |
Watch as Sarah drains her glass of Ribena. Mmm! | 0:12:32 | 0:12:36 | |
Well, this is awkward. | 0:12:38 | 0:12:40 | |
But a second later, it's half full again. | 0:12:42 | 0:12:46 | |
There we go. We've just witnessed a modern-day miracle. | 0:12:46 | 0:12:50 | |
High School Musical now. | 0:12:55 | 0:12:57 | |
As well as being strewn with errors, these films are also full | 0:12:57 | 0:13:00 | |
of those annoying performers who dress up in Lycra, and frolic around as if to say, | 0:13:00 | 0:13:04 | |
"Oh, look at me, look how good I am at dancing! | 0:13:04 | 0:13:06 | |
"Look at me dancing, I'm cool!" | 0:13:06 | 0:13:09 | |
It was different when I did it for Comic Relief. That was for charity. | 0:13:09 | 0:13:13 | |
Which makes it different, OK? | 0:13:13 | 0:13:16 | |
Anyway, cast your peepers across these schoolboy and schoolgirl errors. | 0:13:16 | 0:13:21 | |
You watch High School Musical | 0:13:24 | 0:13:25 | |
dozens and dozens of times in your bedroom, and think, | 0:13:25 | 0:13:28 | |
"How come all those girls are so mouth-wateringly slender?" | 0:13:28 | 0:13:32 | |
Well, here's how. They're not eating their dinners. | 0:13:32 | 0:13:35 | |
The lovely Gabriella gazes listlessly at her grub. | 0:13:35 | 0:13:39 | |
Troy, hey! | 0:13:40 | 0:13:42 | |
And switches her attentions to Troy, and look - it's gone! | 0:13:43 | 0:13:48 | |
Here's Troy again. And he's realised that he's late | 0:13:52 | 0:13:55 | |
for a much-needed music lesson with Gabriella. | 0:13:55 | 0:13:58 | |
Troy, of course, is a schoolboy. And he's about to make an error. | 0:13:58 | 0:14:01 | |
It's quite literally a massive cock-up. | 0:14:01 | 0:14:04 | |
He's doing a scene where he has to check the time so what's the one prop you don't want to forget? | 0:14:04 | 0:14:10 | |
Your watch. | 0:14:10 | 0:14:12 | |
Yeah, go on. Run off. | 0:14:13 | 0:14:15 | |
This performance suggests that the music lesson | 0:14:20 | 0:14:22 | |
was a pathetic waste of everyone's time. | 0:14:22 | 0:14:25 | |
Gabriella's bottled it beyond belief, missing her cue and then just standing there looking stupid. | 0:14:25 | 0:14:29 | |
-I can't do it, Troy. Not with all these people staring at me. -Hey. | 0:14:33 | 0:14:36 | |
-Look at me. -Quick pep talk from Troy who puts her at her ease by showing her his ridiculous haircut. | 0:14:36 | 0:14:42 | |
And she's ready to go again. | 0:14:42 | 0:14:43 | |
Like kindergarten. | 0:14:43 | 0:14:45 | |
Here's the intro from Charlie Chaplin on piano. | 0:14:50 | 0:14:53 | |
# We're soaring... # | 0:14:57 | 0:14:59 | |
But now it turns out that it wasn't even her cue, it was Troy's. | 0:14:59 | 0:15:03 | |
HE was the one who was supposed to start. | 0:15:03 | 0:15:05 | |
Oh, amateurs. | 0:15:05 | 0:15:08 | |
# It's the trying... # | 0:15:08 | 0:15:09 | |
Would you trust Gabriella with your life? | 0:15:11 | 0:15:14 | |
-Not! -Me neither. | 0:15:14 | 0:15:15 | |
But here she is in Baywatch mode. | 0:15:15 | 0:15:18 | |
Watch carefully because when she's called into action, a stunt double | 0:15:21 | 0:15:25 | |
with a different build, age and ethnicity, is used for her dive. | 0:15:25 | 0:15:30 | |
Why that even needs a stunt double, I do not know. | 0:15:30 | 0:15:33 | |
Check her out, she's nothing like Gabriella. | 0:15:35 | 0:15:37 | |
I got you, I got you, it's OK. | 0:15:40 | 0:15:43 | |
Actually, no, Gabriella, it's NOT OK. | 0:15:43 | 0:15:45 | |
Good old Kelsi, she's so kooky. | 0:15:47 | 0:15:51 | |
She wears glasses and everything. | 0:15:51 | 0:15:53 | |
And she manages to DJ and be on the dance floor at the same time. | 0:15:53 | 0:15:57 | |
So there she is on the decks, | 0:15:59 | 0:16:02 | |
and yet now she's throwing shapes on the dance floor | 0:16:02 | 0:16:04 | |
that suggest she's been getting stuck into the White Lightning. | 0:16:04 | 0:16:08 | |
Teenagers, eh? | 0:16:08 | 0:16:09 | |
SCHOOL BELL RINGS | 0:16:11 | 0:16:13 | |
Yo, yo, yo, it's lunchtime. | 0:16:13 | 0:16:15 | |
It's lunchtime at East High | 0:16:15 | 0:16:17 | |
and everyone's heading to the canteen to stuff their faces. | 0:16:17 | 0:16:20 | |
Everyone that is, except for Chad, he's clutching his basketball ready to "shoot some hoops". | 0:16:21 | 0:16:27 | |
But rewind again and there's no sign of him on the wide shot. Explain that. | 0:16:29 | 0:16:34 | |
Brad Pitt and Angelina Jolie seem to be the perfect couple | 0:16:36 | 0:16:40 | |
and I for one am very happy for these beautiful multi-millionaire superstars. | 0:16:40 | 0:16:46 | |
Yet even these paragons of utter perfection | 0:16:46 | 0:16:49 | |
have been known to let errors slip through into their movies. | 0:16:49 | 0:16:52 | |
In this section, Angelina in particular | 0:16:52 | 0:16:54 | |
makes some of her silliest errors since picking Brad instead of me. | 0:16:54 | 0:16:58 | |
I can only assume she never received my letters. | 0:16:58 | 0:17:03 | |
Yeah? | 0:17:05 | 0:17:06 | |
This is the film Mr And Mrs Smith, | 0:17:06 | 0:17:08 | |
in which Brad and Angelina play your typical bored, married couple | 0:17:08 | 0:17:12 | |
who spice their lives up by killing people for money. | 0:17:12 | 0:17:15 | |
When the door's opened, Angelina is on Brad's right. | 0:17:15 | 0:17:18 | |
-Nice. You guys are... -But now, she's on his left. | 0:17:18 | 0:17:24 | |
Doh! | 0:17:24 | 0:17:25 | |
Same film and here, as we admire Angelina's dancing | 0:17:33 | 0:17:35 | |
without having to position ourselves at the end of her driveway with a telephoto lens, | 0:17:35 | 0:17:40 | |
we can see that she clearly has no tattoos. | 0:17:40 | 0:17:43 | |
She does here, though. Or is that an ornate bruise? | 0:17:45 | 0:17:49 | |
You decide. | 0:17:49 | 0:17:51 | |
This one looks painful, but can you see the boo-boo? | 0:17:55 | 0:17:58 | |
Ah! | 0:17:59 | 0:18:00 | |
Angie's car hit Brad's so hard, his jacket comes off. | 0:18:03 | 0:18:08 | |
-Oof! -Ah! | 0:18:09 | 0:18:10 | |
I once had a similar crash but rather than losing my jacket, I lost the use of my right arm for a year. | 0:18:10 | 0:18:15 | |
Never mind. | 0:18:15 | 0:18:16 | |
This time, the gorgeous couple are in a lift, sorry, "elevator", | 0:18:18 | 0:18:22 | |
both packing machine guns. | 0:18:22 | 0:18:24 | |
The doors open and they let rip. | 0:18:26 | 0:18:28 | |
And if you absolutely had to take a dozen bullets in the chest, | 0:18:32 | 0:18:35 | |
who better to riddle your torso with lead than the lovely Angelina? | 0:18:35 | 0:18:39 | |
Ah. Anyway, when the doors open a second time, she's holding a pistol. | 0:18:39 | 0:18:44 | |
They've swapped sides and the elevator light's gone off. | 0:18:44 | 0:18:48 | |
Is this shot even from the same film? | 0:18:48 | 0:18:51 | |
In this clip, Brad dumps this body in the back of a van. | 0:18:54 | 0:18:58 | |
He's struggling to shut the van doors, | 0:19:00 | 0:19:02 | |
but don't worry, this van comes with a sweaty man as an optional extra. | 0:19:02 | 0:19:07 | |
Let's take another look. | 0:19:07 | 0:19:09 | |
Brad shuts the doors of the van | 0:19:09 | 0:19:11 | |
but, oh, look, there's the hired muscle | 0:19:11 | 0:19:13 | |
keeping the doors closed. What a vehicle! | 0:19:13 | 0:19:16 | |
-I want everybody out of here right now. -Hey. | 0:19:18 | 0:19:22 | |
Sticking with Brad, this is one of the many, many fights in Fight Club. | 0:19:22 | 0:19:27 | |
I suppose the name's a bit of a giveaway. As well as Brad's face, rhyme and reason also get a pasting. | 0:19:27 | 0:19:33 | |
No, I didn't quite catch that, Lou. | 0:19:33 | 0:19:35 | |
Because there's no sense in Brad's mouth bleeding after this first punch, | 0:19:35 | 0:19:40 | |
-like so. -Still not getting it. | 0:19:40 | 0:19:43 | |
But then not bleeding after the second punch. | 0:19:43 | 0:19:47 | |
Ah, go on, hit him again. | 0:19:47 | 0:19:49 | |
This is Angelina in Changeling. | 0:19:53 | 0:19:55 | |
In the film, Angelina plays your normal, 1950s run-of-the-mill mum. | 0:19:55 | 0:20:00 | |
In real life, she's a 21st-century style icon with tattoos. | 0:20:00 | 0:20:03 | |
How will they hide them in the shower scene? Answer - they don't. | 0:20:03 | 0:20:08 | |
Whoops! | 0:20:08 | 0:20:09 | |
Mmm. | 0:20:12 | 0:20:14 | |
Wanted now, and here's one not to do. | 0:20:17 | 0:20:20 | |
Don't make a basic continuity error like this, | 0:20:20 | 0:20:24 | |
changing your hair from down... | 0:20:24 | 0:20:27 | |
into a ponytail. | 0:20:27 | 0:20:30 | |
Oh, and don't go jumping onto moving trains. | 0:20:30 | 0:20:35 | |
So, two things not to do. In fact, concentrate more on the second one. | 0:20:35 | 0:20:40 | |
As we all know, the phrase "chick flicks" refers to films or "flicks" aimed primarily at women. | 0:20:42 | 0:20:47 | |
In no way does it refer to movies that were written and directed by baby chickens. | 0:20:47 | 0:20:51 | |
Although given how stupid some of these mistakes are, I wouldn't be so sure. | 0:20:51 | 0:20:55 | |
These clips truly are bird-brained! | 0:20:55 | 0:20:58 | |
This is Confessions Of A Shopaholic, | 0:21:03 | 0:21:05 | |
which stars Isla Fisher | 0:21:05 | 0:21:06 | |
and which I've genuinely never heard of before today. | 0:21:06 | 0:21:09 | |
Now, you know those middle-aged women with ponytails that disappear when you say the word "Miami"? | 0:21:09 | 0:21:15 | |
-In Miami? -Oh, Luke. I think I should definitely be there. | 0:21:15 | 0:21:19 | |
Let's watch that again. | 0:21:19 | 0:21:23 | |
-(Biggest magazine event of the year.) -In Miami? | 0:21:23 | 0:21:26 | |
-And the woman's gone. -I think I should definitely be there. | 0:21:26 | 0:21:29 | |
I can only assume I must have said "Miami" to my girlfriend last year. | 0:21:29 | 0:21:32 | |
Oh, well. | 0:21:32 | 0:21:34 | |
Now, seven-inch tall Isla Fisher | 0:21:36 | 0:21:38 | |
is having sunglasses problems. | 0:21:38 | 0:21:40 | |
Here, her shades are white. | 0:21:40 | 0:21:41 | |
..consider taking your own advice? Mom, calm. | 0:21:41 | 0:21:45 | |
-What would the girl in the green scarf say about hiding Visa bills under your bed? -Still white. | 0:21:45 | 0:21:50 | |
And then a woman dressed as a blancmange lands on top of her. | 0:21:50 | 0:21:53 | |
And they're a wonderful... chestnut brown. | 0:21:53 | 0:21:56 | |
-No! -Maybe it rhymes with fluke. -Luke. -Note that the price tag is still on these brown ones | 0:21:56 | 0:22:01 | |
from whichever shop she lifted them from. | 0:22:01 | 0:22:03 | |
Yet, call the police and tell them this and they just don't want to know. | 0:22:03 | 0:22:07 | |
-Unbelievable. -No, no. | 0:22:07 | 0:22:09 | |
Next, The Devil Wears Prada. | 0:22:11 | 0:22:14 | |
And that's Anne Hathaway picking up her early morning bagel. | 0:22:14 | 0:22:18 | |
And as we now enjoy some shots of ladies in swish outfits, something very odd is happening to that bagel. | 0:22:18 | 0:22:24 | |
# She's got the power to be, the power to give, the power to see | 0:22:24 | 0:22:27 | |
# Yeah, yeah... # | 0:22:27 | 0:22:29 | |
Yes, it's turned into a pair of brown leather gloves. | 0:22:29 | 0:22:32 | |
Or was I dreaming that? | 0:22:32 | 0:22:34 | |
Because the bagel's back again. | 0:22:34 | 0:22:36 | |
The moral here, never fully trust a bagel. | 0:22:36 | 0:22:40 | |
This is How To Lose A Guy In 10 Days. | 0:22:42 | 0:22:44 | |
Something you can do in ten minutes | 0:22:44 | 0:22:47 | |
just by leaving him to browse in Dixons. | 0:22:47 | 0:22:49 | |
Oh, this is a good day. | 0:22:49 | 0:22:50 | |
-Guys... -See how these three disturbed women openly ogle | 0:22:50 | 0:22:54 | |
Matthew McConaughey, like he's some kind of piece of meat. | 0:22:54 | 0:22:58 | |
Urgh. | 0:22:58 | 0:23:00 | |
Stripes. And allow... | 0:23:00 | 0:23:02 | |
Just have to watch a bit of Matthew McConaughey acting. | 0:23:02 | 0:23:05 | |
I represent the entire industry. | 0:23:05 | 0:23:07 | |
Now the women walk back to their desks. | 0:23:07 | 0:23:10 | |
There's the one in the black top, there she is. Yep, she's gone. | 0:23:10 | 0:23:14 | |
And they magically reappear where they were. They just can't get enough. | 0:23:15 | 0:23:19 | |
The film also stars Kate Hudson, a woman whose beauty can make knees | 0:23:22 | 0:23:26 | |
go weak, heads turn and mugs change colour. | 0:23:26 | 0:23:30 | |
Keep an eye on Matt's black mug. | 0:23:30 | 0:23:33 | |
-Muffin? -It turns into a sort of beige-y colour. | 0:23:33 | 0:23:36 | |
Weird. | 0:23:37 | 0:23:39 | |
Oh, good. This is the wildly popular American sport of netball. | 0:23:41 | 0:23:45 | |
Or is it gridiron? | 0:23:45 | 0:23:47 | |
Whatever. By the way, the timings are all over the shop. | 0:23:47 | 0:23:50 | |
At the start of the clip, the scoreboard says there's 1:09 to go. | 0:23:50 | 0:23:54 | |
-..I'll go up and get it. -I'm really thirsty. | 0:23:54 | 0:23:57 | |
-I'll go get it. -Right now? -Yes. | 0:23:57 | 0:24:01 | |
But what's this? Now the scoreboard says there's seven minutes to go. | 0:24:01 | 0:24:06 | |
-And now five seconds. -Shoot it! | 0:24:10 | 0:24:14 | |
And as the game ends, 2:45. | 0:24:16 | 0:24:19 | |
Oh, yes? Lucy has tennis forehead. | 0:24:23 | 0:24:25 | |
Here's the bumbling Hugh Grant in Two Weeks Notice. | 0:24:25 | 0:24:28 | |
And "bumbling" is the word | 0:24:28 | 0:24:29 | |
because he can't decide what's in his right hand. | 0:24:29 | 0:24:32 | |
First he's got a coffee pot, nothing unusual about that. | 0:24:32 | 0:24:35 | |
-What was it again? -And then what? Oh, a plastic spoon. | 0:24:35 | 0:24:38 | |
For the New York Children's League... | 0:24:38 | 0:24:41 | |
Now his hand's empty. Oh, plastic spoon again. | 0:24:41 | 0:24:45 | |
-Sounds exciting. -Coffee pot. | 0:24:45 | 0:24:47 | |
What's it going to be next? | 0:24:47 | 0:24:50 | |
Mm... | 0:24:50 | 0:24:52 | |
Oh, that's a new one, milk. | 0:24:54 | 0:24:56 | |
-See you later. -Looks like he's settled on the milk. | 0:24:56 | 0:25:00 | |
Yeah. Oh, it's the coffee pot again. | 0:25:00 | 0:25:03 | |
Sloppy. Very, very sloppy. | 0:25:04 | 0:25:06 | |
Karaoke, you either love it or you hate it. | 0:25:10 | 0:25:14 | |
Or you're somewhere in between the two. | 0:25:14 | 0:25:16 | |
In this clip from PS I Love You, we're concerned with the shot glass in Gerard Butler's right hand. | 0:25:16 | 0:25:21 | |
-It's in his hand. -Who wants a shot? | 0:25:21 | 0:25:23 | |
And it's gone. | 0:25:23 | 0:25:26 | |
It's gone. | 0:25:26 | 0:25:27 | |
There is no shot glass in his... And it's back, it's back again! | 0:25:27 | 0:25:31 | |
PS I Love You? PS Sack The Props Guy, more like. | 0:25:31 | 0:25:35 | |
Or at the very least, suspend him without pay pending a full investigation. | 0:25:35 | 0:25:41 | |
I love Holly, I do. | 0:25:41 | 0:25:42 | |
Same film for this, and as Gerard performs | 0:25:45 | 0:25:47 | |
a traditional American sex dance, see if you can spot the gaffe. | 0:25:47 | 0:25:51 | |
Ow! | 0:25:52 | 0:25:54 | |
Spot it? | 0:25:55 | 0:25:57 | |
No? | 0:25:57 | 0:25:58 | |
Well, check this out. | 0:26:01 | 0:26:03 | |
Clip falls under the table | 0:26:05 | 0:26:07 | |
but then it's miraculously reattached itself | 0:26:07 | 0:26:10 | |
to the end of his braces. | 0:26:10 | 0:26:11 | |
Now, some would say that we went to quite a lot of effort for what was a fairly minor movie mistake. | 0:26:11 | 0:26:16 | |
And for what it's worth, I'd agree. | 0:26:16 | 0:26:19 | |
Hello, my name is Joy's Bitch. | 0:26:21 | 0:26:24 | |
So this is What Happens In Vegas. | 0:26:24 | 0:26:26 | |
Watch what happens to the sticker that Cameron Diaz | 0:26:26 | 0:26:29 | |
has just stuck to the top of that dress. | 0:26:29 | 0:26:32 | |
I'd no idea you were so much fun. She's very serious at work. | 0:26:32 | 0:26:35 | |
Next time we see it, it's dropped several inches. | 0:26:35 | 0:26:38 | |
If you did, I'd have to kill you. | 0:26:38 | 0:26:41 | |
Seriously. | 0:26:41 | 0:26:44 | |
And now it's askew. | 0:26:44 | 0:26:46 | |
If that's What Happens In Vegas, I don't think I'll bother going. | 0:26:46 | 0:26:50 | |
Children have always been by some distance | 0:26:54 | 0:26:57 | |
the dimmest idiots in society. | 0:26:57 | 0:26:59 | |
The littler ones can't even walk or talk. | 0:26:59 | 0:27:03 | |
And yet we put them in films and expect them not to make childish errors like these. | 0:27:03 | 0:27:07 | |
Who are the real fools, them or us? | 0:27:07 | 0:27:11 | |
It's them. | 0:27:11 | 0:27:13 | |
This is School Of Rock in which Jack Black plays Dewey Finn, | 0:27:15 | 0:27:19 | |
a loser who pretends to be a teacher. | 0:27:19 | 0:27:21 | |
You really do get swept along in Dewey's touching journey of self-discovery | 0:27:21 | 0:27:25 | |
and forget that it's just Jack Black acting. | 0:27:25 | 0:27:29 | |
That is, until a girl breaks the illusion by calling him Jack. | 0:27:29 | 0:27:33 | |
-Listen. -Jack! | 0:27:33 | 0:27:36 | |
Love it. That's worth hearing again. | 0:27:36 | 0:27:38 | |
Ears at the ready. | 0:27:38 | 0:27:41 | |
Jack! | 0:27:41 | 0:27:42 | |
If you want to know what the Scottish town of Falkirk | 0:27:46 | 0:27:49 | |
looked like 800 years ago, | 0:27:49 | 0:27:51 | |
either watch this film, Braveheart, or just go there now. | 0:27:51 | 0:27:54 | |
What, you found that funny, did you? | 0:27:56 | 0:27:59 | |
Robert the Bruce is looking over a rotting corpse and two kids have lost their father | 0:27:59 | 0:28:03 | |
and you're laughing? | 0:28:03 | 0:28:05 | |
No? Well, she is. | 0:28:10 | 0:28:12 | |
Look, she's laughing at the death of her own dad. | 0:28:12 | 0:28:16 | |
Probably drunk. | 0:28:16 | 0:28:18 | |
For God's sake, man. There are women and children down here. | 0:28:21 | 0:28:24 | |
The sinking of the Titanic, heart-in-mouth stuff. | 0:28:24 | 0:28:27 | |
Get back. | 0:28:27 | 0:28:29 | |
As someone whose pedalo once capsized in a boating lake in Devon, | 0:28:29 | 0:28:33 | |
I can tell it must have been a truly terrifying ordeal. | 0:28:33 | 0:28:36 | |
But this cool customer doesn't think so. | 0:28:36 | 0:28:38 | |
While everyone else is panicking, he's looking right down the lens and not giving a tinker's cuss. | 0:28:41 | 0:28:46 | |
-Jack! -Fabrizio! | 0:28:46 | 0:28:49 | |
Mmm, that ruined the film for me. That and everything else about it. | 0:28:49 | 0:28:52 | |
All-time classic North By Northwest now, in which | 0:28:57 | 0:29:01 | |
director Alfred Hitchcock proves that he's a master of suspense. | 0:29:01 | 0:29:05 | |
He always kept audiences guessing, | 0:29:05 | 0:29:07 | |
you never knew what was going to happen next. | 0:29:07 | 0:29:10 | |
Except here, where the boy putting his fingers in his ears | 0:29:10 | 0:29:13 | |
suggests there's probably going to be a loud bang. | 0:29:13 | 0:29:16 | |
GUNSHOT RINGS OUT | 0:29:16 | 0:29:18 | |
Sure enough, how good is that? | 0:29:18 | 0:29:21 | |
Film directors employ people to work on continuity. | 0:29:23 | 0:29:27 | |
These highly-paid specialists are on set with Hollywood A-listers | 0:29:27 | 0:29:30 | |
to make sure there are no obvious flaws between scenes. | 0:29:30 | 0:29:33 | |
That's their job, to hang out with the most famous people on the planet and spot the odd mistake. | 0:29:33 | 0:29:37 | |
And yet they can't even get that right. | 0:29:37 | 0:29:40 | |
Yes, these imbeciles have left mistakes | 0:29:40 | 0:29:42 | |
smeared all over these movies like it's some kind of celluloid dirty protest. Urgh. | 0:29:42 | 0:29:47 | |
Don't remember me, do you? | 0:29:49 | 0:29:52 | |
Have a look at this scene from Gangs Of New York. | 0:29:52 | 0:29:54 | |
One word - bag. | 0:29:54 | 0:29:57 | |
Two words - watch it. | 0:29:57 | 0:29:59 | |
When the natives took you. | 0:29:59 | 0:30:02 | |
-Eight words - because it keeps changing position throughout the scene. -That was you? | 0:30:02 | 0:30:06 | |
-Mmm. -I thought you was killed. | 0:30:06 | 0:30:09 | |
Mmm. Ah. Yeah. | 0:30:09 | 0:30:12 | |
They just locked me up, you know that? | 0:30:12 | 0:30:14 | |
And that's not the only glaring continuity error | 0:30:16 | 0:30:20 | |
that Leo makes. Bless him. | 0:30:20 | 0:30:22 | |
Keep an eye on this bit of paper. | 0:30:22 | 0:30:24 | |
Watch how he hands it over unfolded, and cut to this shot of it folded. | 0:30:24 | 0:30:29 | |
I love origami. | 0:30:29 | 0:30:31 | |
And for those that can't get enough of Leo, | 0:30:34 | 0:30:37 | |
the film-makers here have littered him all over this scene. | 0:30:37 | 0:30:41 | |
-He's here with his buddies. -That's right! | 0:30:41 | 0:30:44 | |
But he's also here in front of the crowd. | 0:30:44 | 0:30:46 | |
I wonder where we'll see him next. | 0:30:47 | 0:30:50 | |
Mmm. | 0:30:50 | 0:30:52 | |
Oh, here he is 150 years later in The Departed. | 0:30:54 | 0:30:58 | |
Getting violently assaulted by Jack Nicholson. | 0:30:58 | 0:31:01 | |
But who needs injurylawyers4u, | 0:31:01 | 0:31:03 | |
because Jack also provides on-the-spot compensation. | 0:31:03 | 0:31:06 | |
And did you see the error? | 0:31:06 | 0:31:09 | |
The money's swapped from his left to right hand. | 0:31:09 | 0:31:11 | |
There, he's firm but fair enough. | 0:31:11 | 0:31:14 | |
And if I'm honest, I wish Jack Nicholson was my dad. | 0:31:14 | 0:31:18 | |
I'm going to get you. | 0:31:20 | 0:31:22 | |
Same film, same lack of continuity checking. It's appalling. | 0:31:22 | 0:31:26 | |
See how this line of angels walk behind the woman in the colourful dress, | 0:31:26 | 0:31:29 | |
but from this angle there's no sign of them. | 0:31:29 | 0:31:33 | |
Maybe they went up to heaven. | 0:31:33 | 0:31:36 | |
No, there they are. | 0:31:36 | 0:31:38 | |
Saving Private Ryan now, the story of a haunted helmet. | 0:31:41 | 0:31:45 | |
And also the small matter of the Second World War. | 0:31:45 | 0:31:48 | |
But let's focus on the helmets. | 0:31:48 | 0:31:50 | |
He knocks them off the shelf. | 0:31:55 | 0:31:57 | |
Can I bring my typewriter, sir? | 0:31:59 | 0:32:02 | |
But in a rare example of wartime poltergeist activity, | 0:32:02 | 0:32:05 | |
one of them's popped itself back up there again. Spooky. | 0:32:05 | 0:32:08 | |
Here's another continuity error, The Holiday, | 0:32:10 | 0:32:14 | |
and Cameron Diaz is going mental in someone else's house. | 0:32:14 | 0:32:18 | |
Ooh, don't spill that red wine on the carpet, it stains. | 0:32:18 | 0:32:21 | |
I think you should just put it down. | 0:32:21 | 0:32:23 | |
Well done. As you were. | 0:32:23 | 0:32:26 | |
# Open up my eager eyes... # | 0:32:26 | 0:32:31 | |
What do you love...? | 0:32:33 | 0:32:35 | |
Almost Famous now and watch how Stillwater lead guitarist | 0:32:35 | 0:32:38 | |
Russell Hammond chucks the clothes from his chair onto the floor. | 0:32:38 | 0:32:42 | |
There. | 0:32:42 | 0:32:43 | |
But hang on, kiddo, they're back again. Nice tache, though. | 0:32:43 | 0:32:47 | |
Look at it, perched proudly on the top of Russell's lip. | 0:32:47 | 0:32:50 | |
Here, as the beautiful Penny Lane prepares to take a dump, | 0:32:53 | 0:32:57 | |
a shocked William Miller knocks his Post-its onto the floor. | 0:32:57 | 0:33:00 | |
But look - the Post-its are back again! | 0:33:00 | 0:33:05 | |
Get out of there, William, and shut the door behind you. | 0:33:06 | 0:33:10 | |
Sweat-stained comic book nerds won't want to hear it, | 0:33:12 | 0:33:15 | |
but there are even movie mistakes in the brilliant X-Men films. | 0:33:15 | 0:33:19 | |
That's X-Men, not any other film with X in the title because, believe me, adult interest videos | 0:33:19 | 0:33:24 | |
can sour a family's evening entertainment if you mistakenly leave one in the DVD player. | 0:33:24 | 0:33:30 | |
Sorry, Mum. | 0:33:30 | 0:33:31 | |
This is X-Men 3, and the character Magneto, | 0:33:33 | 0:33:37 | |
a cross between a magnet and a Cornetto. | 0:33:37 | 0:33:40 | |
Watch, as Magneto descends from the sky, it's daylight... | 0:33:40 | 0:33:45 | |
But he knows that if he can just lock this woman's car door, | 0:33:45 | 0:33:50 | |
that the world will be plunged into darkness. | 0:33:50 | 0:33:53 | |
Nice feature, isn't it? That model also comes with airbags and AVS brakes. | 0:33:53 | 0:33:57 | |
0% finance until spring 2011. | 0:33:57 | 0:34:00 | |
In this clip from X-Men 2, | 0:34:04 | 0:34:06 | |
Billy saves Wolverine from the evil Stryker by creating a wall of ice. | 0:34:06 | 0:34:11 | |
But watch how the ice on this wood panel suddenly disappears. | 0:34:11 | 0:34:14 | |
But we won't. | 0:34:14 | 0:34:16 | |
-Go! -And it's gone. -Go! | 0:34:24 | 0:34:27 | |
But is it a movie mistake, or has it defrosted? | 0:34:27 | 0:34:32 | |
I don't know. And to be honest, I don't care. | 0:34:32 | 0:34:35 | |
This is the start of X-Men, and a young Magneto and his father | 0:34:39 | 0:34:43 | |
are being herded into a concentration camp. | 0:34:43 | 0:34:45 | |
Not a chirpy start, but watch for the Star of David. | 0:34:47 | 0:34:50 | |
See how it goes from the left-hand side of his father's coat... | 0:34:50 | 0:34:53 | |
..to the right side! | 0:34:58 | 0:35:01 | |
But we should probably give the guy a break - he is in a concentration camp. | 0:35:01 | 0:35:05 | |
In this scene, cigar-chomping Wolverine has a window problem. | 0:35:08 | 0:35:12 | |
Watch closely, because the window next to him is shut. | 0:35:12 | 0:35:16 | |
But all of a sudden it's all the way down. | 0:35:16 | 0:35:19 | |
And now it's gone up a bit. | 0:35:22 | 0:35:25 | |
But however open or closed this window may be, Wolverine should | 0:35:25 | 0:35:28 | |
remember that even superheroes can get mouth cancer. | 0:35:28 | 0:35:31 | |
But then when you watch this clip, | 0:35:33 | 0:35:35 | |
the mouth cancer looks like it's the least of Wolverine's worries. | 0:35:35 | 0:35:39 | |
See what I mean? | 0:35:45 | 0:35:46 | |
But hang on, didn't he just fly through that windscreen? | 0:35:46 | 0:35:49 | |
It's miraculously repaired itself. | 0:35:52 | 0:35:54 | |
Maybe that's why she's looking so confused. | 0:35:54 | 0:35:57 | |
Yes, mm. | 0:36:01 | 0:36:03 | |
Sorry, just catching up on a bit of reading. | 0:36:03 | 0:36:06 | |
Notice anything odd there? | 0:36:07 | 0:36:09 | |
Of course you did - I can't read. | 0:36:09 | 0:36:12 | |
So what use would I have with a book? | 0:36:12 | 0:36:15 | |
But what you won't have spotted is that I took my glasses off twice, | 0:36:15 | 0:36:19 | |
which is the kind of blunder we'll be seeing a lot more of in this next section. | 0:36:19 | 0:36:23 | |
Yet, whereas I did it on purpose, stupider and worse actors than me frequently do it without realising. | 0:36:23 | 0:36:28 | |
And for that, my dear viewers, they have earned my eternal contempt. | 0:36:28 | 0:36:32 | |
Here's another scene from Gangs Of New York. | 0:36:38 | 0:36:40 | |
Here's one of the few errors more off-putting | 0:36:40 | 0:36:43 | |
than Cameron Diaz trying to pass herself off as a ginger. | 0:36:43 | 0:36:46 | |
..lying off the foot of Wall Street. They are ready to open fire... | 0:36:46 | 0:36:49 | |
Let's look at that once more. | 0:36:49 | 0:36:52 | |
See how she clambers up the side of this box? | 0:36:52 | 0:36:56 | |
On the following wide shot she's a good three yards away. | 0:36:56 | 0:36:59 | |
Boo! | 0:36:59 | 0:37:01 | |
Fans of sand will already know that this is the film The Mummy. | 0:37:05 | 0:37:08 | |
And then there was light! | 0:37:08 | 0:37:10 | |
But don't let all that lovely, lovely sand distract you from this howler. | 0:37:10 | 0:37:14 | |
Oh, my God... | 0:37:14 | 0:37:16 | |
The guy in the braces here picks up the bag of tools. | 0:37:16 | 0:37:19 | |
And then, for reasons only known to himself, does it again. | 0:37:19 | 0:37:23 | |
What a tool! | 0:37:23 | 0:37:26 | |
This is The Mummy: Tomb Of The Dragon Emperor, | 0:37:30 | 0:37:32 | |
or Mummy 3 as it's better known. | 0:37:32 | 0:37:34 | |
Watch for the gaffe. | 0:37:35 | 0:37:37 | |
Did you spot it? Of course you did. | 0:37:37 | 0:37:39 | |
This unlucky bleeder falls into the gaping chasm, not once | 0:37:41 | 0:37:46 | |
but twice in the space of one second. | 0:37:46 | 0:37:49 | |
I probably don't even fall into a gaping chasm twice an hour. | 0:37:49 | 0:37:53 | |
-I wrote those e-mails. -Now then, the devil may wear Prada, | 0:37:55 | 0:37:58 | |
but does Anne Hathaway's father wear spectacles? | 0:37:58 | 0:38:01 | |
Because he's not wearing any here. | 0:38:01 | 0:38:03 | |
But all of a sudden, he is! | 0:38:03 | 0:38:06 | |
Wait for it, because he's about to take them off twice. | 0:38:06 | 0:38:09 | |
Here, and here. | 0:38:09 | 0:38:12 | |
By the way, if you've never seen The Devil Wears Prada, | 0:38:12 | 0:38:15 | |
it's sort of halfway between a chick flick and an anti-Christ movie, essentially. | 0:38:15 | 0:38:19 | |
If... If you like Bond movies, you'll love the Jason Bourne films. | 0:38:23 | 0:38:28 | |
Because they're the same. No, I'm joking! | 0:38:28 | 0:38:30 | |
In fact, I've been legally instructed to point out that these | 0:38:30 | 0:38:33 | |
action-packed stories of maverick secret agents with the initials JB | 0:38:33 | 0:38:37 | |
are, in fact, entirely different. | 0:38:37 | 0:38:39 | |
Maybe Jason Bourne likes his Martinis stirred not shaken. | 0:38:39 | 0:38:42 | |
Anyway, like the Bond movies, the Bourne films have some silly errors in them. | 0:38:42 | 0:38:47 | |
This is The Bourne Identity, the first film in the series. | 0:38:52 | 0:38:55 | |
Note how a steel platform Bourne's hiding under has hardly any snow on it. | 0:38:55 | 0:38:59 | |
But 15 seconds later... | 0:38:59 | 0:39:03 | |
One, two, three, four, five, six, seven, eight, nine... | 0:39:03 | 0:39:07 | |
Are we really going to make them wait? Seriously? | 0:39:07 | 0:39:09 | |
Yes, 15 seconds later... | 0:39:11 | 0:39:12 | |
it's covered in the stuff! | 0:39:12 | 0:39:15 | |
That was worth the wait, wasn't it? | 0:39:15 | 0:39:17 | |
Now, can someone shut that door, you're letting a draught in. Cheers. | 0:39:17 | 0:39:20 | |
You need to pay me back... | 0:39:22 | 0:39:24 | |
In this scene a man actually dies, | 0:39:24 | 0:39:26 | |
and here I am about to take the mickey out of it. Oh, well! | 0:39:26 | 0:39:29 | |
So, where's the clanger? | 0:39:32 | 0:39:35 | |
See how the first two bullets clearly come through the bottom pane. | 0:39:35 | 0:39:38 | |
But on the external shot, those bullet holes are in the top pane. | 0:39:38 | 0:39:42 | |
It's the continuity man, or even lady, that deserves a bullet for this one. | 0:39:42 | 0:39:46 | |
'Jason Bourne is armed and extremely dangerous.' | 0:39:48 | 0:39:51 | |
The Bourne Supremacy now. | 0:39:51 | 0:39:52 | |
Listen to Landy's words here. | 0:39:52 | 0:39:54 | |
-I want you to secure that area. -"I want YOU to secure that area." | 0:39:54 | 0:39:59 | |
Yet later in the film when Bourne plays back that recording... | 0:39:59 | 0:40:02 | |
The line has become... | 0:40:05 | 0:40:06 | |
-'I want that area secured.' -"I want that area secured." -'I want it done right now.' | 0:40:06 | 0:40:11 | |
I want you to secure that area. 'I want that area secured.' | 0:40:11 | 0:40:13 | |
How do you like them apples? They're nice, aren't they? Juicy and that. | 0:40:13 | 0:40:17 | |
Now The Bourne Ultimatum. | 0:40:20 | 0:40:22 | |
And I have a Bourne Ultimatum of my own. | 0:40:22 | 0:40:24 | |
Stop making silly errors in these films or I'll stop watching them. | 0:40:24 | 0:40:28 | |
I mean, just watch this clip. | 0:40:28 | 0:40:30 | |
Is Bourne's jacket done up, or undone? | 0:40:30 | 0:40:33 | |
It's done up. | 0:40:35 | 0:40:37 | |
Now it's undone. | 0:40:39 | 0:40:40 | |
What's it going to be next? | 0:40:40 | 0:40:43 | |
Come on, Bourne, what's it going to be? I reckon undone. | 0:40:43 | 0:40:46 | |
Yeah, it's definitely going to be undone. | 0:40:46 | 0:40:49 | |
I'm sure of it. | 0:40:49 | 0:40:50 | |
Oh, dammit, it's done up! What next? | 0:40:50 | 0:40:53 | |
I'm going with done up. Oh, undone! | 0:40:53 | 0:40:55 | |
He's just messing with me now. | 0:40:55 | 0:40:58 | |
OK, third time lucky. | 0:40:58 | 0:41:00 | |
I'm going to go for undone. | 0:41:00 | 0:41:02 | |
Oh, for crying out loud! | 0:41:03 | 0:41:05 | |
A scrap from the same film now. | 0:41:10 | 0:41:12 | |
Note that the sink is dislodged from the wall, now. | 0:41:12 | 0:41:15 | |
But after a second period of some of the quietest fighting I've ever seen... | 0:41:15 | 0:41:20 | |
the sink's back! | 0:41:20 | 0:41:22 | |
The irony of that, if you can call it irony, is that while this | 0:41:22 | 0:41:25 | |
sink was fixed in seconds, my toilet has now been blocked for eight days. | 0:41:25 | 0:41:29 | |
For poor Jason Bourne it's quite literally one thing after another. | 0:41:32 | 0:41:36 | |
A spot of hotwiring here, is followed by two head-on collisions. | 0:41:36 | 0:41:40 | |
Oh, ah! And a hit-and-run. Ooph! | 0:41:41 | 0:41:45 | |
But what's this? Somehow the front of his car is totally unmarked, | 0:41:48 | 0:41:51 | |
which you have to say is just... | 0:41:51 | 0:41:52 | |
Watch out, Jason, they've got guns! | 0:41:52 | 0:41:54 | |
Oh, poor lamb. | 0:41:56 | 0:41:58 | |
Many of you won't have been around in the 1970s, so let me give you the headlines. | 0:42:00 | 0:42:05 | |
It was the decade when fashion, music and politics stood still. | 0:42:05 | 0:42:08 | |
Pretty much every area of life went into a sort of coma. | 0:42:08 | 0:42:11 | |
My birth, in 1972, perked things up for the world quite a bit, | 0:42:11 | 0:42:15 | |
but generally it was the worst decade since decades were invented. | 0:42:15 | 0:42:18 | |
But there was one exception. | 0:42:18 | 0:42:20 | |
For movie mistakes, it was a bumper time. | 0:42:20 | 0:42:23 | |
This is The Godfather - | 0:42:28 | 0:42:29 | |
amazing cinematography, world class acting, sensational script, | 0:42:29 | 0:42:34 | |
rubbish fighting. | 0:42:34 | 0:42:36 | |
Just watch how far away the punches are going from making contact. | 0:42:36 | 0:42:40 | |
They're still making a noise. | 0:42:41 | 0:42:43 | |
Maybe it's some elaborate form of street theatre. It's certainly drawn a crowd. | 0:42:44 | 0:42:48 | |
This is a terrific one from the very end of Stephen King's Carrie. | 0:42:53 | 0:42:56 | |
A lot of people who saw this | 0:42:56 | 0:42:58 | |
commented on what an eerie walk this girl does. | 0:42:58 | 0:43:00 | |
Well, to get this effect they're actually just playing the film in reverse. | 0:43:00 | 0:43:05 | |
So, when it was recorded, she was walking backwards. | 0:43:05 | 0:43:08 | |
What they forgot about was the traffic. | 0:43:08 | 0:43:11 | |
If you watch again, you'll see a red VW Beetle that looks like it's reversing up the road. | 0:43:13 | 0:43:18 | |
Then, there's another car that appears to be reversing right across the junction. | 0:43:23 | 0:43:27 | |
See it? That's a classic. | 0:43:27 | 0:43:30 | |
This is Jaws, and special credit has to go to the film's incredibly | 0:43:33 | 0:43:36 | |
talented shark trainer, Buddy McGhee. | 0:43:36 | 0:43:38 | |
Or Buddy "No Arms" McGhee, as he's now called for some reason. | 0:43:38 | 0:43:41 | |
Watch this poor guy. His right foot clearly has no shoe on. | 0:43:41 | 0:43:45 | |
Yet when the shark, let's call him Jaws, takes a bite out of him, | 0:43:52 | 0:43:55 | |
his right leg falls into the sea bed with a trainer on. | 0:43:55 | 0:43:59 | |
This is The Boys From Brazil, | 0:44:04 | 0:44:06 | |
and proof that even the dead don't like dust in their eye. | 0:44:06 | 0:44:09 | |
It stars Gregory Peck, Laurence Olivier, and in a moment you'll see young Steve Guttenberg | 0:44:09 | 0:44:13 | |
during his finest work outside of Police Academy 6. | 0:44:13 | 0:44:18 | |
Watch as the freshly-murdered Guttenberg slides down the wall. | 0:44:18 | 0:44:22 | |
And then his eyes slightly give him away. | 0:44:22 | 0:44:25 | |
Ah, he's not dead, he's only acting. | 0:44:27 | 0:44:29 | |
The little winker. | 0:44:29 | 0:44:31 | |
Whoops, Steve! | 0:44:31 | 0:44:34 | |
The Oscar-winning Rocky, a silver screen classic | 0:44:37 | 0:44:40 | |
written by Stallone, who cast himself | 0:44:40 | 0:44:42 | |
as the heavyweight champion of the world. | 0:44:42 | 0:44:45 | |
The film is to believability what Stallone is to clear enunciation. | 0:44:45 | 0:44:50 | |
I sometimes think he's not even trying to suspend our disbelief. | 0:44:50 | 0:44:53 | |
Watch this. | 0:44:53 | 0:44:55 | |
When the corner man goes to cut Rocky's eye, he's not even holding a knife, | 0:44:58 | 0:45:02 | |
it's just a squirty tube of blood, right there in front of us. | 0:45:02 | 0:45:05 | |
Oh, please! | 0:45:07 | 0:45:08 | |
Mmm. | 0:45:14 | 0:45:16 | |
Movie stars adore their food. | 0:45:16 | 0:45:18 | |
There's nothing these Hollywood A-listers love more than wolfing down a posh three-course meal, | 0:45:19 | 0:45:24 | |
before excusing themselves and spattering it all over | 0:45:24 | 0:45:27 | |
the back of the restaurant's porcelain toilet bowl. | 0:45:27 | 0:45:30 | |
That desperation to keep themselves thin might explain why they go | 0:45:30 | 0:45:34 | |
to pieces whenever a scene asks them to interact with grub. | 0:45:34 | 0:45:37 | |
Just look at these baffling attempts. | 0:45:37 | 0:45:39 | |
This is Kazakhstan's answer to Phillip Schofield, | 0:45:43 | 0:45:46 | |
a dashing TV presenter called Borat. | 0:45:46 | 0:45:49 | |
The error here concerns the tray of food you're about to see. | 0:45:49 | 0:45:53 | |
The old guy brings it up the stairs, and the blue cups are quite clearly on his left. There we are. | 0:45:53 | 0:45:58 | |
I wonder what might happen? | 0:46:00 | 0:46:02 | |
Oh, look, now they're on his right. | 0:46:04 | 0:46:07 | |
Now his left again. | 0:46:09 | 0:46:10 | |
-How are you? -Great! | 0:46:10 | 0:46:13 | |
Getting settled in? | 0:46:13 | 0:46:15 | |
And now they're on his right. | 0:46:17 | 0:46:19 | |
Is nice! No, it's not, it's deceitful. | 0:46:19 | 0:46:22 | |
The Sweeney was a '70s cop show | 0:46:25 | 0:46:28 | |
in which civilians were routinely given a good slap. | 0:46:28 | 0:46:30 | |
Sweeney Todd is completely different. | 0:46:30 | 0:46:33 | |
But the boy here clearly needs a good wallop too, for this glaring continuity error. | 0:46:33 | 0:46:39 | |
One minute he's wolfed down half his pie. There. | 0:46:39 | 0:46:44 | |
The next, it's almost untouched. | 0:46:44 | 0:46:46 | |
What, is he spitting out mouthfuls of food and packing the mush back into the side of the pie? | 0:46:48 | 0:46:52 | |
Oh, he is? Oh, right. Well, in that case, do him no harm. | 0:46:53 | 0:46:56 | |
Who likes watching films? Yeah! | 0:46:58 | 0:47:01 | |
Who likes reading books? | 0:47:01 | 0:47:03 | |
Boo! As we all know, reading books is rubbish. | 0:47:03 | 0:47:07 | |
So, three cheers for Peter Jackson, the director of the Lord Of The Rings trilogy. | 0:47:07 | 0:47:11 | |
He saved us all the bother by putting every last bit of the books | 0:47:11 | 0:47:15 | |
into three butt-numbingly long films. | 0:47:15 | 0:47:17 | |
He really didn't leave anything out. | 0:47:17 | 0:47:19 | |
Needless to say, the movies, which back-to-back are almost 7 billion hours long, | 0:47:19 | 0:47:24 | |
do contain the odd mistake. | 0:47:24 | 0:47:26 | |
Here, big-eared idiots Merry and Pippin | 0:47:29 | 0:47:31 | |
set off an enormous firework indoors | 0:47:31 | 0:47:34 | |
in the first film, Fellowship Of The Ring. | 0:47:34 | 0:47:37 | |
But setting off a firework indoors wasn't the biggest gaffe in this scene. | 0:47:38 | 0:47:42 | |
Notice that the tent is full of bread rolls, candles, barrels and all manner of things. But watch. | 0:47:44 | 0:47:49 | |
When the firework launches, taking the tent with it, you can see all of the things inside the tent, | 0:47:49 | 0:47:54 | |
with the exception of Merry and Pippin, have disappeared. See? | 0:47:54 | 0:47:59 | |
Now that's magic! | 0:47:59 | 0:48:01 | |
This is from the next film, The Two Towers. And more hobbit horrors. | 0:48:04 | 0:48:08 | |
Look at the hobbit on Gandalf's lap. | 0:48:08 | 0:48:10 | |
He's a fully-grown adult who happens to be short. | 0:48:10 | 0:48:13 | |
I believe they're called midgets. | 0:48:13 | 0:48:15 | |
But keep your eyes peeled. | 0:48:17 | 0:48:19 | |
Look, suddenly he's not a midget, it is a child. | 0:48:19 | 0:48:23 | |
Your helmet doesn't fool me, short stuff. | 0:48:23 | 0:48:25 | |
For Frodo. | 0:48:27 | 0:48:29 | |
Same in this one. The hobbits charge at the enemy. | 0:48:29 | 0:48:32 | |
It's always the little ones, isn't it? Watch them run. | 0:48:32 | 0:48:35 | |
They're children, clear as day. | 0:48:35 | 0:48:37 | |
Looks like they've spotted an ice-cream van. | 0:48:41 | 0:48:45 | |
Children are rubbish in battle, this could get messy. | 0:48:45 | 0:48:48 | |
The Mummy films, starring Brendan Fraser, are about the lost civilisation of ancient Egypt. | 0:48:53 | 0:48:59 | |
Although they existed around 3,000 years BC, the Egyptians | 0:48:59 | 0:49:02 | |
invented astronomy, were the fathers of modern medicine and were able to design and build the pyramids. | 0:49:02 | 0:49:08 | |
Fast-forward 5,000 years, and we can't even make a two-hour movie that isn't jam-packed with cock-ups. | 0:49:08 | 0:49:13 | |
Here's Brendan in the third instalment having a scrap | 0:49:16 | 0:49:19 | |
with people made out of pottery. | 0:49:19 | 0:49:21 | |
Weird. But not as weird as his magic gun. | 0:49:21 | 0:49:25 | |
Watch how it changes from a machine gun...to a pistol. | 0:49:25 | 0:49:29 | |
There! | 0:49:29 | 0:49:31 | |
Here is dreamboat Brendan again in The Mummy Returns. | 0:49:33 | 0:49:35 | |
And bear in mind that he's 6'4". | 0:49:35 | 0:49:39 | |
Wait until he comes face to face with this child. | 0:49:39 | 0:49:42 | |
Ah! Terrifying. | 0:49:48 | 0:49:49 | |
-That kid has to be six foot. I mean, he has to be. -Alex? | 0:49:49 | 0:49:55 | |
What were you thinking? The Mummy had come back to life? | 0:49:55 | 0:49:58 | |
But when he stands up again, he's titchy. | 0:49:58 | 0:50:00 | |
And there's nothing he could have been standing on. What a boo-boo. | 0:50:00 | 0:50:05 | |
The Mummy returns again, and proof that film stars use stuntmen | 0:50:07 | 0:50:10 | |
and women for absolutely anything. | 0:50:10 | 0:50:13 | |
They're about to get slightly wet. Oh, dear! | 0:50:13 | 0:50:15 | |
And apparently that requires trained experts. | 0:50:15 | 0:50:19 | |
Even though they look nothing like Brendan or Rachel. | 0:50:23 | 0:50:26 | |
Big babies! | 0:50:26 | 0:50:28 | |
Here is a tip for anyone who wants to get rid of soap suds. | 0:50:31 | 0:50:34 | |
John Hannah will demonstrate. | 0:50:34 | 0:50:37 | |
Here he is, covered in suds. Thanks, John. | 0:50:37 | 0:50:39 | |
All you do is find a nearby window or pane of glass and hurl yourself through it, like so. | 0:50:40 | 0:50:45 | |
Cheers, John. | 0:50:47 | 0:50:48 | |
And bingo! No suds. | 0:50:50 | 0:50:52 | |
That really is simple. | 0:50:52 | 0:50:54 | |
Thanks again, John. | 0:50:54 | 0:50:56 | |
Another clanger from The Mummy Returns. | 0:50:58 | 0:51:01 | |
Here is the delectable Evie, | 0:51:01 | 0:51:03 | |
and it seems I'm not the only one who enjoys peeping at her. | 0:51:03 | 0:51:06 | |
There's someone else doing that in this scene. | 0:51:06 | 0:51:08 | |
Eagle-eyed viewers, that is, people with good eyesight or actual eagles, | 0:51:08 | 0:51:13 | |
might have spotted this. Did you see him? | 0:51:13 | 0:51:15 | |
Rewind. | 0:51:15 | 0:51:17 | |
Hoop-la! Hands off, pervert, she's mine! | 0:51:21 | 0:51:24 | |
This is a clip from the first film, The Mummy. | 0:51:27 | 0:51:29 | |
As well as almost breaking her neck here - easy girl! - | 0:51:29 | 0:51:32 | |
Evie drops the book on the floor. | 0:51:32 | 0:51:36 | |
Whoops! Butterfingers! | 0:51:36 | 0:51:37 | |
But where has it gone? Probably rubbish, anyway. | 0:51:37 | 0:51:40 | |
Hollywood likes to think of itself as the dream factory, | 0:51:42 | 0:51:45 | |
a place where they can make anything possible, | 0:51:45 | 0:51:47 | |
a maverick home of rule breakers and fantasy makers | 0:51:47 | 0:51:51 | |
who create pieces of work that will transport you away from reality. | 0:51:51 | 0:51:54 | |
Tosh! Really, it's just a cover for their woeful misunderstanding of basic science! | 0:51:54 | 0:51:59 | |
They're not coming up with imaginative, fantastical stories because they dare to dream. | 0:51:59 | 0:52:03 | |
They're doing it, because they're so cack-handedly thick, they don't know any better. | 0:52:03 | 0:52:08 | |
Allow us to demonstrate. Allow us. Allow this. Allow it. | 0:52:08 | 0:52:12 | |
Tango and Cash, Dempsey and Makepeace, | 0:52:14 | 0:52:17 | |
Dalziel and Pascoe, Cagney and Lacey, | 0:52:17 | 0:52:20 | |
Turner and Hooch and Starsky and Hutch. | 0:52:20 | 0:52:22 | |
Yes, we love detective shows with two surnames in the title. | 0:52:22 | 0:52:25 | |
But you don't have to work in CID to have spotted the error in this movie. | 0:52:26 | 0:52:30 | |
See, when Starsky trips on the beach and his headphones fall off, | 0:52:32 | 0:52:36 | |
the batteries pop out onto the sand. | 0:52:36 | 0:52:38 | |
There. | 0:52:38 | 0:52:39 | |
But when he puts them back on, the music's still playing. | 0:52:41 | 0:52:44 | |
Stiller, you're a disgrace. | 0:52:44 | 0:52:47 | |
When you first watch this clip from Harrison Ford in Presumed Innocent, | 0:52:49 | 0:52:53 | |
you think they've made a mistake. | 0:52:53 | 0:52:56 | |
That there's no tape in that tape recorder, | 0:52:56 | 0:52:58 | |
and it's not even switched on. Ah. | 0:52:58 | 0:53:01 | |
In fact, it's not a mistake. | 0:53:02 | 0:53:04 | |
His wife just loves the smell of Dictaphones. | 0:53:04 | 0:53:07 | |
How thoughtful. | 0:53:07 | 0:53:09 | |
Here's one from The Fugitive. | 0:53:11 | 0:53:14 | |
Tommy Lee Jones makes an absolute hash of pretending to drive. | 0:53:14 | 0:53:17 | |
Turns the steering wheel one way and the car goes the other. | 0:53:17 | 0:53:22 | |
Oh, Tommy! | 0:53:22 | 0:53:24 | |
This is Bruce Almighty, one of the worst sequels of all time. | 0:53:27 | 0:53:30 | |
Look at the name of the cafe | 0:53:30 | 0:53:31 | |
behind this tramp. It's clearly called Frankie's. | 0:53:31 | 0:53:34 | |
But when the tramp morphs into Morgan Freeman, | 0:53:37 | 0:53:40 | |
as they sometimes do, the shop is called... | 0:53:40 | 0:53:44 | |
Er, what? N-K-I-N-K-I-E's? What is that? | 0:53:44 | 0:53:51 | |
Charlie And The Chocolate Factory. Tim Burton loves a bit of fantasy. | 0:53:54 | 0:53:59 | |
Except what he calls fantasy, others call lies. | 0:53:59 | 0:54:03 | |
Watch here. They should get thrown backwards, not forwards. | 0:54:03 | 0:54:07 | |
Yeah, let's see that again. | 0:54:09 | 0:54:11 | |
Get your actors to dress up in funny clothes and make-up by all means, | 0:54:13 | 0:54:17 | |
Mr Burton, but please don't tinker with the basic laws of inertia. | 0:54:17 | 0:54:21 | |
A clip from feel-good movie, Coyote Ugly, in which | 0:54:23 | 0:54:26 | |
light as we know it is monkeyed around with. | 0:54:26 | 0:54:30 | |
Of course, you and I think of light as just ungovernable photons of electromagnetic radiation. | 0:54:30 | 0:54:35 | |
The makers of this film think they know better. | 0:54:35 | 0:54:38 | |
See what happens when this light's turned out. | 0:54:41 | 0:54:44 | |
Room gets slightly darker. But when this tiny candle is extinguished, | 0:54:44 | 0:54:48 | |
the room is plunged into darkness. | 0:54:48 | 0:54:50 | |
Let's see that again. Candle defeats light bulb | 0:54:53 | 0:54:57 | |
and movies defeat logic, again. | 0:54:57 | 0:54:59 | |
And finally, The Lion, The Witch And The Wardrobe, | 0:55:01 | 0:55:05 | |
or TLTWATW as I like to call it. | 0:55:05 | 0:55:09 | |
Here's Mr Tumnus, famous for having hooves where his feet should be. | 0:55:09 | 0:55:13 | |
But look, those hooves are leaving great big man-shaped footprints in the snow. | 0:55:13 | 0:55:17 | |
Just look at 'em. | 0:55:17 | 0:55:19 | |
Tumnus' footprints are even more dodgy than him | 0:55:23 | 0:55:26 | |
inviting a defenceless young girl into his home for dinner. | 0:55:26 | 0:55:29 | |
Honestly, Mr Tumnus. | 0:55:29 | 0:55:31 | |
Subtitles by Red Bee Media Ltd | 0:55:38 | 0:55:41 |