Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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Ah, the car chase, that old movie chestnut. | 0:00:23 | 0:00:28 | |
You never see them in real life, do you? | 0:00:28 | 0:00:30 | |
The closest I've ever come is desperately needing the loo | 0:00:30 | 0:00:33 | |
and being 15 miles away from Toddington services. | 0:00:33 | 0:00:35 | |
And if you think movie chases end messily, | 0:00:35 | 0:00:37 | |
you should have seen what I left on the hard shoulder of the M1! | 0:00:37 | 0:00:41 | |
Well, let's have a look at some car-based clunkers | 0:00:41 | 0:00:43 | |
in a section I'm calling The Steering Wheel of Misfortune. | 0:00:43 | 0:00:48 | |
What? Oh. | 0:00:48 | 0:00:50 | |
Apparently I'm not calling it that, | 0:00:50 | 0:00:52 | |
I'm calling it Great Car Chase Mistakes. | 0:00:52 | 0:00:54 | |
Would it kill them to listen to my ideas just once in a while? | 0:00:54 | 0:00:57 | |
Jamie Foxx and Tom Cruise in Collateral here, | 0:00:58 | 0:01:01 | |
about to have an almighty car crash. | 0:01:01 | 0:01:03 | |
But don't get too distracted by the taxi flipping over... | 0:01:05 | 0:01:08 | |
..because what's this? | 0:01:10 | 0:01:11 | |
Has someone left a bag on the road? | 0:01:11 | 0:01:14 | |
No, that'll be a badly hidden camera filming the close-up shot. | 0:01:14 | 0:01:18 | |
There it is. | 0:01:18 | 0:01:19 | |
Maybe it was left there by someone who gets a kick out of filming car crashes. | 0:01:19 | 0:01:24 | |
Probably waiting for George Michael. | 0:01:24 | 0:01:26 | |
A classic car chase from Mission: Impossible II. | 0:01:29 | 0:01:33 | |
Even Ethan Hunt knows that | 0:01:33 | 0:01:34 | |
it's good health and safety practice to buckle up, | 0:01:34 | 0:01:38 | |
especially when you're driving like a maniac. | 0:01:38 | 0:01:41 | |
Hang on, the safety belt's gone again. | 0:01:41 | 0:01:43 | |
No, you're definitely not wearing it, Tom, you fibber. | 0:01:47 | 0:01:49 | |
Who would've thought that Tom Cruise was capable of telling the world a massive lie? | 0:01:52 | 0:01:56 | |
Oh, no, hang on, it's back on again. | 0:02:03 | 0:02:05 | |
Much better. Tom, I take it all back and apologise. | 0:02:05 | 0:02:09 | |
No! | 0:02:09 | 0:02:10 | |
If the world does end in 2012, at least it'd stop John Cusack | 0:02:13 | 0:02:17 | |
making any more shocking disaster movies. | 0:02:17 | 0:02:20 | |
Here he is, saving his family and his wife's new husband, | 0:02:20 | 0:02:23 | |
who appears to be played by me. | 0:02:23 | 0:02:25 | |
I don't remember doing that. | 0:02:25 | 0:02:27 | |
First, he knocks my Porsche into a hole in the ground. | 0:02:28 | 0:02:31 | |
Ooh, look how annoyed I am. | 0:02:31 | 0:02:34 | |
Sorry. | 0:02:34 | 0:02:35 | |
But then, as he drives away, the hole and my lovely Porsche | 0:02:35 | 0:02:38 | |
have completely disappeared. Cusack! | 0:02:38 | 0:02:42 | |
This film is called Race To Witch Mountain. | 0:02:45 | 0:02:48 | |
To me, that sounds like the sort of question a confused hiker might ask. | 0:02:48 | 0:02:51 | |
"Which mountain?" | 0:02:51 | 0:02:53 | |
Just look at that bumper. Ooh, it's all smashed up. | 0:02:53 | 0:02:56 | |
But don't worry, this is Dwayne "The Rock" Johnson driving, | 0:02:56 | 0:03:00 | |
so suddenly it's all fixed! | 0:03:00 | 0:03:02 | |
So the big question is not "Which mountain?" | 0:03:02 | 0:03:05 | |
but "Why am I watching this nonsense?" | 0:03:05 | 0:03:08 | |
Take the wheel. | 0:03:10 | 0:03:11 | |
Now another spot of movie magic, this time from Swordfish. | 0:03:13 | 0:03:17 | |
And I really mean magic. | 0:03:17 | 0:03:20 | |
Look closely as this car literally takes off. | 0:03:20 | 0:03:23 | |
The ramp it drove up has been removed in the edit. | 0:03:23 | 0:03:26 | |
Prepare for lift-off. | 0:03:28 | 0:03:31 | |
And crash. | 0:03:31 | 0:03:32 | |
More movie nonsense now with The Taking of Pelham 123. | 0:03:35 | 0:03:39 | |
Check out this police car's lights | 0:03:39 | 0:03:41 | |
getting smashed off as it rolls over. | 0:03:41 | 0:03:44 | |
Look out! | 0:03:44 | 0:03:46 | |
Yeah, definitely gone. | 0:03:46 | 0:03:48 | |
And now, all of a sudden, | 0:03:52 | 0:03:54 | |
they're back again. | 0:03:54 | 0:03:56 | |
How convenient. Actually, nothing about that is convenient. | 0:03:56 | 0:04:00 | |
(CAMP) Bond! James Bond! | 0:04:02 | 0:04:04 | |
His appeal is the exotic locations, the beautiful women | 0:04:04 | 0:04:07 | |
and the fancy cars, but he is after all a civil servant, | 0:04:07 | 0:04:10 | |
and even Bond's style is bound to be cramped in this age of Government spending cuts. | 0:04:10 | 0:04:14 | |
"How do you like your martini, Mr Bond?" | 0:04:14 | 0:04:17 | |
"Er, buy one, get one free? | 0:04:17 | 0:04:19 | |
"I haven't got much money, Penny..." | 0:04:19 | 0:04:21 | |
I am, of course, joking. | 0:04:21 | 0:04:23 | |
The Bond films are based on a series of books by Ian Fleming. What a guy. | 0:04:23 | 0:04:28 | |
Yeah, writing spy novels AND discovering penicillin. | 0:04:28 | 0:04:31 | |
Unfortunately, he is also responsible for 22 films' worth of movie mistakes. | 0:04:31 | 0:04:36 | |
Let's start at the beginning - Sean Connery in Dr No. | 0:04:36 | 0:04:41 | |
Bond is waiting to knock someone off with his silenced weapon. | 0:04:41 | 0:04:45 | |
Notice he's wearing a tie. Did I say tie? No tie. | 0:04:45 | 0:04:49 | |
You can't be sherioush. | 0:04:49 | 0:04:51 | |
Another classic scene, Connery and Ursula Andress on the beach | 0:04:54 | 0:04:57 | |
being shot at and shouted at by a man with a megaphone. | 0:04:57 | 0:05:01 | |
Are you coming out? | 0:05:01 | 0:05:02 | |
But here's the gaffe. When the shouty man removes the megaphone, | 0:05:02 | 0:05:06 | |
he still has a megaphone voice. | 0:05:06 | 0:05:08 | |
..be back with the dogs! | 0:05:08 | 0:05:10 | |
-Full speed ahead. -MEGAPHONE: No need to shout, mate. | 0:05:10 | 0:05:13 | |
Say what you like about Roger Moore, | 0:05:15 | 0:05:17 | |
he could take a kick in the face like no other Bond... | 0:05:17 | 0:05:20 | |
..probably because when it was face-kicking time, | 0:05:23 | 0:05:25 | |
he had a very unconvincing stuntman take his place. | 0:05:25 | 0:05:29 | |
Right in the kisser. | 0:05:29 | 0:05:32 | |
Here's the iconic opening | 0:05:37 | 0:05:39 | |
from Brosnan's first Bond outing, GoldenEye, | 0:05:39 | 0:05:42 | |
with some freestyle dam-diving. | 0:05:42 | 0:05:45 | |
Notice how there's no snow anywhere to be seen. | 0:05:47 | 0:05:50 | |
It actually looks quite warm and sunny. | 0:05:50 | 0:05:52 | |
He's covertly breaking into an army base at the bottom, by the way. | 0:05:53 | 0:05:58 | |
But a little later, when Bond emerges from the base, | 0:06:01 | 0:06:05 | |
it's suddenly the middle of winter, with snow all over the ground. | 0:06:05 | 0:06:09 | |
Oh, and he's right at the top of a mountain, | 0:06:10 | 0:06:13 | |
not at the bottom of a dam. Dam it, Bond! | 0:06:13 | 0:06:16 | |
Here's Alan Cumming as supergeek Boris Grishenko. | 0:06:20 | 0:06:25 | |
He's such a lovely man. Butter wouldn't melt in his mouth. | 0:06:25 | 0:06:28 | |
Or snow. | 0:06:28 | 0:06:30 | |
That's because it isn't real snow, it's very non-melty fake snow. | 0:06:30 | 0:06:34 | |
Come on, Cumming... | 0:06:34 | 0:06:36 | |
Bond's in a bit of a pickle here - | 0:06:41 | 0:06:43 | |
well, a helicopter ejector seat, to be precise. | 0:06:43 | 0:06:46 | |
Luckily, he's got those two lovely white parachutes | 0:06:50 | 0:06:53 | |
to bring him down to safety. | 0:06:53 | 0:06:55 | |
Did I say white? Sorry, I meant red and white. | 0:06:59 | 0:07:03 | |
The things we do for frequent-flyer mileage. | 0:07:03 | 0:07:07 | |
Oh, Pierce, you joker! | 0:07:07 | 0:07:08 | |
My side is literally splitting. | 0:07:08 | 0:07:11 | |
Movie folk aren't always the smartest tools in the box, | 0:07:11 | 0:07:14 | |
and this is apparent when they're asked to write something. | 0:07:14 | 0:07:17 | |
If the clips we're about to see are to be believed, then apparently, it is impossible | 0:07:17 | 0:07:22 | |
to put pen to paper on screen without making some massive error. | 0:07:22 | 0:07:25 | |
Well, if that really is true, then I've got a word for you. | 0:07:25 | 0:07:28 | |
Ooh, hang on. No, that's right. Roll the clips. | 0:07:30 | 0:07:33 | |
St Trinian's, and no, the mistake here isn't the whole movie. | 0:07:33 | 0:07:36 | |
Keep an eye on the blackboard behind Russell Brand. | 0:07:36 | 0:07:39 | |
Nothing written next to number five. | 0:07:39 | 0:07:41 | |
Search for the criminal inside yourself. Yes? | 0:07:41 | 0:07:44 | |
-BOTH: -Theft. | 0:07:46 | 0:07:48 | |
Then suddenly, writing has appeared on Russell's blackboardy-woardy. | 0:07:48 | 0:07:52 | |
Good work. | 0:07:52 | 0:07:54 | |
Here's a newspaper that clearly says it's from the year 1980. | 0:07:55 | 0:08:00 | |
But hold the press, what's this? | 0:08:00 | 0:08:03 | |
TheEmbreyStar.com?! | 0:08:04 | 0:08:07 | |
A web address in 1980? | 0:08:07 | 0:08:08 | |
The World Wide Web didn't exist until the 1990s. | 0:08:08 | 0:08:12 | |
Another Oscar winner now. | 0:08:14 | 0:08:17 | |
Look at the word "direktor" being written on Oskar Schindler's door. | 0:08:17 | 0:08:21 | |
But later in the film, the letters look completely different - | 0:08:21 | 0:08:25 | |
much bigger and in a different font. | 0:08:25 | 0:08:28 | |
I'm sorry, you can't blame this one on the Nazis. | 0:08:28 | 0:08:30 | |
I imagine you sitting in a dark basement room | 0:08:32 | 0:08:35 | |
bent over papers and computer screens. | 0:08:35 | 0:08:37 | |
And finally, a chilling scene from Hannibal. | 0:08:37 | 0:08:41 | |
When crazy old Dr Lecter signs his letter to Clarice Starling, | 0:08:41 | 0:08:44 | |
there is no hyphen between "Hannibal Lecter" | 0:08:44 | 0:08:47 | |
and "MD". | 0:08:47 | 0:08:49 | |
'PS: Clearly...' | 0:08:51 | 0:08:52 | |
But when Starling reads the letter, there's a hyphen. | 0:08:52 | 0:08:56 | |
Someone's head should be served on a platter for this mistake. | 0:08:56 | 0:08:59 | |
Maybe with some minted peas and a nice cabernet sauvignon. | 0:08:59 | 0:09:02 | |
HE SLURPS | 0:09:02 | 0:09:04 |