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An anachronism is when something stands out | 0:00:23 | 0:00:26 | |
from everything around it as just being from the wrong era in time. | 0:00:26 | 0:00:30 | |
Think Prince Philip at a Justin Bieber concert. | 0:00:30 | 0:00:33 | |
A glaring anachronism can immediately ruin any good period movie. | 0:00:33 | 0:00:37 | |
I mean, Pride and Prejudice would have been rubbish if Darcy and Bennett had met via online dating. | 0:00:37 | 0:00:42 | |
Or if the soldiers in 300 had got together at a flash mob. | 0:00:42 | 0:00:46 | |
"Spartans, tonight we meet on Twitter!" | 0:00:46 | 0:00:50 | |
Doesn't really work, does it? | 0:00:50 | 0:00:53 | |
Just what we needed, yet another Robin Hood movie. | 0:00:53 | 0:00:57 | |
But this one is going to be perfect, right down to every last detail. | 0:00:57 | 0:01:01 | |
Like this smoothly cut tree stump that has blatantly been cut with a modern machine. | 0:01:01 | 0:01:06 | |
Because they didn't use axes back then, they used ye olde chainsaw. | 0:01:06 | 0:01:11 | |
In Robin Hood's day, they also used modern war equipment, just like | 0:01:17 | 0:01:20 | |
these World War Two landing craft straight out of Saving Private Ryan. | 0:01:20 | 0:01:24 | |
Despite the fact that they weren't invented until the 1920s. | 0:01:24 | 0:01:28 | |
Only 700 years out. Yaar! | 0:01:28 | 0:01:31 | |
Might as well go the whole hog, Robin. | 0:01:36 | 0:01:39 | |
What's that up in the sky in this shot? | 0:01:39 | 0:01:41 | |
That's right, the vapour trail from an aircraft. | 0:01:41 | 0:01:45 | |
In the year 1200. | 0:01:45 | 0:01:46 | |
The high seas, 1589, and a couple of clips from St Trinian's 2. | 0:01:51 | 0:01:56 | |
This film is full of anachronisms, not least casting Girls Aloud's | 0:01:56 | 0:02:01 | |
Sarah Harding as a 16-year-old schoolgirl. | 0:02:01 | 0:02:03 | |
But in this scene, the clanger is a view through a telescope. | 0:02:09 | 0:02:12 | |
I don't need to tell you that the telescope wasn't invented until 1608. | 0:02:12 | 0:02:18 | |
He doesn't care. | 0:02:18 | 0:02:20 | |
In the improbably titled Hot Tub Time Machine, | 0:02:22 | 0:02:24 | |
a group of modern-day losers go back to the year 1986 | 0:02:24 | 0:02:27 | |
in a hot tub that's also a...time machine. | 0:02:27 | 0:02:31 | |
No foreign army has ever occupied American soil until now. | 0:02:31 | 0:02:36 | |
Well, I'll believe that, but not this. | 0:02:36 | 0:02:38 | |
A poster for Rambo 3. | 0:02:38 | 0:02:40 | |
It wasn't released until 1988, two years later. | 0:02:40 | 0:02:44 | |
Who's responsible for this mistake? | 0:02:44 | 0:02:47 | |
-The Ruskies. -Yeah, I might have guessed. | 0:02:47 | 0:02:50 | |
Accident blackspot? These aren't accidents. | 0:02:52 | 0:02:55 | |
A cinema classic that struggles to stay in the '60s. | 0:02:55 | 0:02:59 | |
They're throwing themselves into the road to escape all this hideousness. | 0:02:59 | 0:03:02 | |
Throw yourselves into the road, darling! | 0:03:02 | 0:03:04 | |
Tearing down a '60s road in their '60s car with a bottle of '60s booze. | 0:03:04 | 0:03:09 | |
But they seem to have taken a wrong turn and ended up in the 1980s. | 0:03:09 | 0:03:14 | |
See those? Loads of '80s cars. | 0:03:14 | 0:03:18 | |
Well, that's what drink-driving will do for you. | 0:03:18 | 0:03:21 | |
Are you out of your mind? | 0:03:21 | 0:03:22 | |
Pull over, you haven't got a licence. | 0:03:22 | 0:03:24 | |
They also pass a modern motorway sign. | 0:03:24 | 0:03:26 | |
In fact, the M25 didn't exist until 1975, and that's not in the 1960s. | 0:03:26 | 0:03:33 | |
Here's a clip from the smash hit, The Girl With The Dragon Tattoo. | 0:03:38 | 0:03:42 | |
When our hero, Mikael Blomkvist, goes for a jog, he has a flashback to his childhood in the '60s. | 0:03:42 | 0:03:47 | |
Spot the problem? Yeah, this was a childhood in which he wore modern trainers from the future. | 0:03:50 | 0:03:57 | |
Next up is Avatar, the worldwide blockbuster that asks an age-old question - | 0:03:59 | 0:04:04 | |
what if giant Smurfs with pointy ears could control flying dragons with their tails | 0:04:04 | 0:04:08 | |
and make a tree go all glowy and... Yeah, I didn't understand it either. | 0:04:08 | 0:04:12 | |
And it was SO long. | 0:04:12 | 0:04:13 | |
James Cameron, take a leaf out of your brother David's book and make some harsh cuts! | 0:04:13 | 0:04:18 | |
If I want to spend three hours in a darkened room wearing a pair of cheap plastic glasses, | 0:04:18 | 0:04:23 | |
I'll go to a tanning salon. | 0:04:23 | 0:04:24 | |
Avatar is set in the mythical world of Pandora | 0:04:27 | 0:04:30 | |
and features a Pandora's Box full of movie mistakes... | 0:04:30 | 0:04:33 | |
such as combining the plots of FernGully and Pocahontas. | 0:04:33 | 0:04:36 | |
In this scene, Neytiri's ponytail is out of sight, over her shoulder. | 0:04:38 | 0:04:43 | |
Then it's on her back. | 0:04:44 | 0:04:46 | |
Seze. | 0:04:47 | 0:04:49 | |
And when she goes to plug it into her dragon/horse, | 0:04:51 | 0:04:54 | |
it's around her front again. | 0:04:54 | 0:04:57 | |
Ikran is not a horse. | 0:04:57 | 0:04:58 | |
Ooh, well excuse me! | 0:04:58 | 0:05:00 | |
This guy may be the corporate baddy of the film, | 0:05:01 | 0:05:05 | |
but he's got incredible golf skills. | 0:05:05 | 0:05:07 | |
He can move balls without touching them. | 0:05:07 | 0:05:09 | |
First the two balls are close together. | 0:05:09 | 0:05:12 | |
You were looking at the monitor. | 0:05:12 | 0:05:14 | |
I love this putter, Ronnie! | 0:05:14 | 0:05:16 | |
I love this putter! | 0:05:16 | 0:05:18 | |
Next, they're far apart. | 0:05:18 | 0:05:20 | |
Parker. You know, I used to think it was benign neglect, | 0:05:20 | 0:05:24 | |
but now I see that you're intentionally screwing me. | 0:05:24 | 0:05:27 | |
Grace, you know, I enjoy our little talks. | 0:05:27 | 0:05:31 | |
Then they're back together. | 0:05:31 | 0:05:33 | |
Oops. | 0:05:33 | 0:05:34 | |
This is wrong in all three dimensions. | 0:05:34 | 0:05:38 | |
Here we see Jake return from his Avatar to the real world. | 0:05:40 | 0:05:45 | |
The boring old real world where mystical things don't exist. | 0:05:45 | 0:05:48 | |
Like Sigourney's hand magically moving from his arm... | 0:05:48 | 0:05:52 | |
to his shoulder... | 0:05:52 | 0:05:54 | |
back to his arm. | 0:05:54 | 0:05:56 | |
Avatar? Ava-word with yourself, Mr Cameron! | 0:05:56 | 0:05:59 | |
And it happens again. | 0:06:01 | 0:06:03 | |
Watch Jake's arms start on the table. | 0:06:03 | 0:06:06 | |
Now they're on his wheelchair. | 0:06:06 | 0:06:08 | |
Now they're out straight. | 0:06:11 | 0:06:12 | |
Now bent. | 0:06:12 | 0:06:14 | |
Now straight again. | 0:06:14 | 0:06:17 | |
Honestly. It makes me turn blue with rage! | 0:06:17 | 0:06:20 | |
Here's a big fight from the end of the film. | 0:06:22 | 0:06:26 | |
Have a look at Col Quaritch in his cockpit. | 0:06:27 | 0:06:31 | |
There's a wing mirror right at the back, behind his head. | 0:06:31 | 0:06:34 | |
Notice how the front strut is completely mirrorless. | 0:06:34 | 0:06:38 | |
But then, suddenly... | 0:06:38 | 0:06:42 | |
Hello! A mirror right by that strut, and clearly in front of his head. | 0:06:42 | 0:06:46 | |
A bit of high tension in the jungle... | 0:06:46 | 0:06:49 | |
No mirror in front of him here. | 0:06:49 | 0:06:52 | |
Still no mirror in front of him. | 0:06:52 | 0:06:54 | |
And, hello! | 0:06:54 | 0:06:55 | |
A handy mirror to see a horsey dragon attacking his giant robot. | 0:06:55 | 0:07:00 | |
You know what I hate? | 0:07:05 | 0:07:06 | |
-(OUT OF SYNCH) -Those moments in films where the actor's mouth isn't synched up with what they're saying. | 0:07:06 | 0:07:12 | |
Sometimes, their mouth isn't moving, | 0:07:12 | 0:07:14 | |
sometimes it's moving but nothing's coming out. | 0:07:14 | 0:07:16 | |
Still, it's better than watching Twilight, where you CAN see Robert Pattinson's mouth moving | 0:07:16 | 0:07:21 | |
but what you hear is absolute drivel. | 0:07:21 | 0:07:23 | |
We found our hideout... | 0:07:23 | 0:07:25 | |
Let's start with The Goonies and a man driving the car, | 0:07:25 | 0:07:27 | |
trying to pull off an Amy Winehouse - | 0:07:27 | 0:07:30 | |
singing and smoking at the same time. | 0:07:30 | 0:07:33 | |
Look in the car mirror. | 0:07:33 | 0:07:34 | |
MAN SINGS | 0:07:34 | 0:07:37 | |
We can hear his voice, but his mouth isn't moving. | 0:07:37 | 0:07:39 | |
MAN SINGS | 0:07:39 | 0:07:41 | |
Watch and learn, Winehouse. | 0:07:41 | 0:07:43 | |
In the movie Collateral, Tom Cruise and Jamie Foxx | 0:07:45 | 0:07:48 | |
go to a jazz club that's so groovy, it ignores the rules of physics. | 0:07:48 | 0:07:52 | |
Behind the notes. Not what's expected. | 0:07:52 | 0:07:55 | |
Listen as the trumpet note continues, even though the trumpeter's stopped blowing. | 0:07:55 | 0:08:00 | |
NOTE CONTINUES | 0:08:01 | 0:08:02 | |
Nice. | 0:08:02 | 0:08:03 | |
-Have I told you about Sammy Jankis? -Mm, yeah. | 0:08:06 | 0:08:09 | |
Memento now, and watch the guy on the right's mouth. | 0:08:09 | 0:08:12 | |
You think he's still here? | 0:08:12 | 0:08:13 | |
Another one talking without actually moving his lips. | 0:08:13 | 0:08:16 | |
-What about John G? You think he's still here? -Who? | 0:08:16 | 0:08:19 | |
Johnny G, the guy you're looking for. | 0:08:19 | 0:08:20 | |
I was exceedingly cruel... | 0:08:22 | 0:08:24 | |
Now, this woman is talking so much, | 0:08:24 | 0:08:27 | |
you can still hear her when her mouth isn't moving. | 0:08:27 | 0:08:30 | |
Watch closely as she's put down on the sofa. | 0:08:30 | 0:08:34 | |
Not that I'd trade a day, and hour or a moment of it for anything. I don't know what came over me. | 0:08:34 | 0:08:39 | |
And here is a classic mouth-wrong from The Notebook. | 0:08:41 | 0:08:47 | |
Take note! Just because a scene is dimly lit does not mean | 0:08:47 | 0:08:51 | |
you can dub over completely different words. | 0:08:51 | 0:08:54 | |
-Ohh! This place is gigantic! -Yeah, gigantic piece of... | 0:08:57 | 0:09:01 | |
Subtitles by Red Bee Media Ltd | 0:09:01 | 0:09:03 | |
E-mail [email protected] | 0:09:03 | 0:09:05 |