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There are a lot of things that are just wrong about Hollywood. | 0:00:23 | 0:00:26 | |
Why do the actors get paid so much? | 0:00:26 | 0:00:28 | |
Why does Jennifer Aniston make so many dodgy rom-coms? | 0:00:28 | 0:00:31 | |
And why, Mel Gibson, why? | 0:00:31 | 0:00:34 | |
But we're here to right some movie wrongs, or at least point them out and be sarcastic about them. | 0:00:34 | 0:00:40 | |
Enjoy! | 0:00:40 | 0:00:41 | |
Get Him To The Greek now, and we join the party in full swing. | 0:00:41 | 0:00:46 | |
With Russell Brand, some sexy girls, | 0:00:46 | 0:00:48 | |
Puff Diddy Daddy Combs and something on fire. | 0:00:48 | 0:00:52 | |
-Sergio's gone crazy! -I love this game! | 0:00:52 | 0:00:54 | |
And note the night-time cityscape in the windows. | 0:00:54 | 0:00:57 | |
A real night to remember. | 0:00:57 | 0:00:59 | |
I don't think so! | 0:00:59 | 0:01:01 | |
Only when they get outside it's not night at all, | 0:01:01 | 0:01:04 | |
it's the middle of the day. | 0:01:04 | 0:01:05 | |
Exactly how long is that walk from the room to the exit? | 0:01:07 | 0:01:11 | |
Look carefully at this clip from Ronin. | 0:01:14 | 0:01:17 | |
Someone's spying on some tough guys from a window through a camera. | 0:01:17 | 0:01:21 | |
But the next camera shot is clearly from someone standing | 0:01:23 | 0:01:26 | |
right in front of them on the street. Very undercover. | 0:01:26 | 0:01:29 | |
Here's a newspaper that clearly says it's from the year 1980. | 0:01:32 | 0:01:37 | |
But hold the press, what's this? | 0:01:37 | 0:01:40 | |
TheEmbreyStar.com?! | 0:01:41 | 0:01:43 | |
A web address in 1980? | 0:01:43 | 0:01:45 | |
The World Wide Web didn't exist until the 1990s. | 0:01:45 | 0:01:49 | |
Ah, legs crossed left over right, the classic relaxation position. | 0:01:51 | 0:01:56 | |
-I will never become an Omega... -I mean, right over left. | 0:01:56 | 0:02:00 | |
That's it, right over left. | 0:02:00 | 0:02:02 | |
Left over right? | 0:02:02 | 0:02:04 | |
Please. | 0:02:04 | 0:02:05 | |
Right over left? | 0:02:05 | 0:02:07 | |
I cannot keep up with the Joneses. | 0:02:07 | 0:02:10 | |
This isn't about me selling my products, | 0:02:12 | 0:02:14 | |
I have to ensure my unit is selling their products. | 0:02:14 | 0:02:17 | |
There's that guy Mulder, from The X Files, | 0:02:17 | 0:02:19 | |
with some paranormal activity. | 0:02:19 | 0:02:21 | |
Keep an eye on his arm. It's up by his head. | 0:02:21 | 0:02:25 | |
Separate bedrooms perhaps? | 0:02:25 | 0:02:27 | |
Down again. | 0:02:27 | 0:02:29 | |
You're not a great salesman. | 0:02:29 | 0:02:32 | |
Touching his ear. | 0:02:32 | 0:02:34 | |
Touching the table. Spooky. | 0:02:34 | 0:02:37 | |
Harry Potter's full of all kinds of magical nonsense. | 0:02:39 | 0:02:42 | |
That's it, all I need's a bit of luck. | 0:02:42 | 0:02:45 | |
He's got an invisibility cloak, but in this scene he's also got invisibility glasses. | 0:02:45 | 0:02:49 | |
Look, no lenses. | 0:02:49 | 0:02:51 | |
It's a miracle. | 0:02:53 | 0:02:55 | |
In Final Destination we see a young lady striking a tiny match | 0:02:58 | 0:03:03 | |
that suddenly becomes absolutely massive. | 0:03:03 | 0:03:06 | |
You could say... the match doesn't match. | 0:03:06 | 0:03:08 | |
Look, it's all completely chicken soup. | 0:03:10 | 0:03:12 | |
-It's what? -It's kosher. MECHANICAL WHIRRING | 0:03:12 | 0:03:15 | |
As Christmas. | 0:03:15 | 0:03:16 | |
Lock Stock may have Two Smoking Barrels, but in this scene there's one massive clunker. | 0:03:16 | 0:03:20 | |
-I need some artillery, too. -The fruit machine sounds like it's working. | 0:03:20 | 0:03:23 | |
This is London, not the Lebanon. | 0:03:23 | 0:03:25 | |
But no reels move at any point. | 0:03:25 | 0:03:28 | |
Oi, Guy Ritchie, back up the apples and pears and sort your movie out. | 0:03:28 | 0:03:32 | |
I don't like you. | 0:03:34 | 0:03:36 | |
Dustin Hoffman about to reveal a revolutionary new product. | 0:03:36 | 0:03:40 | |
Shaving foam that shaves for you. | 0:03:40 | 0:03:42 | |
Leave on for a bit during a dramatic scene. | 0:03:43 | 0:03:46 | |
Wipe foam off... | 0:03:46 | 0:03:48 | |
and you're clean-shaven. | 0:03:48 | 0:03:50 | |
Mrs Robinson, get that boy to the Dragon's Den. | 0:03:50 | 0:03:53 | |
PHONE RINGS Pick it up. | 0:03:55 | 0:03:57 | |
A dark, atmospheric thriller from the Coen brothers and what could be more creepy than a haunted phone? | 0:03:57 | 0:04:02 | |
-It's still ringing after she picks it up. -RINGING PERSISTS | 0:04:02 | 0:04:06 | |
Let's see that again. | 0:04:06 | 0:04:07 | |
RINGING PERSISTS | 0:04:11 | 0:04:13 | |
Oh, hi, it's Robert from Movie Mistakes. | 0:04:13 | 0:04:15 | |
I'd like my money back, please. | 0:04:15 | 0:04:17 | |
Fans of Star Trek prefer to be called Trekkers, because the term "Trekkie" is deemed offensive. | 0:04:19 | 0:04:24 | |
A bit like "tragic, lonely geek-face". | 0:04:24 | 0:04:27 | |
Some fans have even gone to the trouble of learning the entire language of Klingon. | 0:04:27 | 0:04:31 | |
To those people I say, "Brak nik toff jah bak mak," | 0:04:31 | 0:04:34 | |
which doesn't mean anything as I've got better things to do with my life. | 0:04:34 | 0:04:39 | |
As it happens, Bones McCoy was a nickname of a kid I went to school with, | 0:04:39 | 0:04:43 | |
after he was caught in an uncompromising situation with a bag of crinkle-cut crisps. | 0:04:43 | 0:04:48 | |
Stand by for some hi-tech, high-action sky-diving | 0:04:48 | 0:04:52 | |
from the recent Star Trek reboot. | 0:04:52 | 0:04:54 | |
We can see the order of the sky-divers on the display screen. | 0:04:54 | 0:04:57 | |
Red first, then blue, then yellow. | 0:04:57 | 0:05:00 | |
5,800 metres. | 0:05:00 | 0:05:03 | |
Distance to target, 5,000 metres. | 0:05:03 | 0:05:05 | |
When we see them outside, they're in a completely different order. | 0:05:05 | 0:05:08 | |
Blue, yellow, red. | 0:05:08 | 0:05:09 | |
Obviously, the guy in red dies horribly, as required by Star Trek law. | 0:05:11 | 0:05:15 | |
Don't people ever learn? | 0:05:17 | 0:05:19 | |
Here's Nero, the villain, throttling some poor bloke. | 0:05:23 | 0:05:26 | |
But, looking at his missing right ear tip, | 0:05:26 | 0:05:29 | |
I'd guess he's already been in a fight, possibly with Mike Tyson. | 0:05:29 | 0:05:33 | |
-Spock! -But now it's his left ear that's all chewed up. | 0:05:33 | 0:05:37 | |
-And his right ear is all pointy. -Spock! | 0:05:37 | 0:05:40 | |
You leave that Spock alone, it's not his fault. | 0:05:40 | 0:05:42 | |
-Stop the ship. -Kirk, how the hell did you get on board the Enterprise? | 0:05:44 | 0:05:47 | |
Here's Uhura standing right by her man, Mr Spock. | 0:05:47 | 0:05:50 | |
Only, in this shot, she's standing quite far away. | 0:05:50 | 0:05:54 | |
Women! | 0:05:54 | 0:05:55 | |
Some old-school Trek now, | 0:05:59 | 0:06:01 | |
back when they knew how to dress for every occasion. | 0:06:01 | 0:06:05 | |
Falling to your certain death, only a black outfit will do. | 0:06:05 | 0:06:08 | |
Being saved just before certain death, maybe a blue top would be more suitable. | 0:06:12 | 0:06:18 | |
I suspect his trousers are brown though. | 0:06:18 | 0:06:20 | |
Some people complained that William Shatner's acting was a bit wooden, like a puppet. | 0:06:22 | 0:06:27 | |
Well, I think that's a bit unfair. He's nothing like a puppet. | 0:06:27 | 0:06:31 | |
You know, with strings attached, holding him up in the air. | 0:06:31 | 0:06:35 | |
Or people just off-screen pushing him about, controlling his every move during fight scenes. | 0:06:35 | 0:06:41 | |
No, nothing like a puppet. | 0:06:41 | 0:06:43 | |
Ambassador... | 0:06:45 | 0:06:46 | |
Ambassador, with this next movie mistake you are really spoiling us. | 0:06:46 | 0:06:51 | |
Spare me your human platitudes, Kirk. | 0:06:51 | 0:06:53 | |
Look at the display of guns on the wall. | 0:06:53 | 0:06:55 | |
Your son meant more to me than you can know. | 0:06:55 | 0:06:58 | |
And now look. | 0:06:58 | 0:07:00 | |
Can you spot the difference? | 0:07:00 | 0:07:01 | |
Yes, of course you can! | 0:07:01 | 0:07:03 | |
Ah, there's the moustachioed Scotty, standing behind Kirk, | 0:07:06 | 0:07:09 | |
his right-hand man there to comfort him in his time of need. | 0:07:09 | 0:07:12 | |
This death takes place in the shadow of new life. | 0:07:12 | 0:07:15 | |
The sunrise of a new world. | 0:07:15 | 0:07:18 | |
A world that our beloved comrade gave his life to protect and nourish. | 0:07:18 | 0:07:22 | |
Hang on, where's Scotty? | 0:07:22 | 0:07:24 | |
-BAGPIPES -Who's playing those blooming bagpipes? Oh, Scotty's back. | 0:07:26 | 0:07:31 | |
Turns out he CAN change the laws of physics. | 0:07:31 | 0:07:34 | |
Keep an eye on the injured actor in this scene from The Wrath Of Khan. | 0:07:38 | 0:07:42 | |
He's making the most of his big moment by dying not once... | 0:07:42 | 0:07:46 | |
..but twice. | 0:07:48 | 0:07:49 | |
Let's see that again. | 0:07:51 | 0:07:52 | |
He dies | 0:07:52 | 0:07:54 | |
and then decides to close his eyes. | 0:07:54 | 0:07:56 | |
Talk about overplaying your part. | 0:07:56 | 0:07:58 | |
More vintage Star Trek now. Look at that lovely jumper. | 0:08:00 | 0:08:04 | |
But it's the whales we're looking for here. | 0:08:04 | 0:08:07 | |
There they are. Big remote-controlled whales. | 0:08:07 | 0:08:10 | |
How do we know they're remote-controlled? | 0:08:10 | 0:08:13 | |
Because that's the special-effects diver releasing them. | 0:08:14 | 0:08:18 | |
I feel cheated. Next you'll be telling me there's no such thing as transparent aluminium. | 0:08:18 | 0:08:23 | |
Look at the big Klingon spaceship | 0:08:26 | 0:08:29 | |
casting a huge shadow over the fishing boat. | 0:08:29 | 0:08:31 | |
It's no good just turning the boat around, you won't get away from it that easily. Or will you? | 0:08:31 | 0:08:37 | |
Well, the shadow's gone. | 0:08:38 | 0:08:39 | |
That must mean the spaceship has too. Yay! | 0:08:39 | 0:08:42 | |
Oh, no, there it is. | 0:08:42 | 0:08:45 |