Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:04 | |
two hairy men from the Midlands, and Matthew, the painfully wise. | 0:00:04 | 0:00:09 | |
Bravely they sought out motion picture mishaps, | 0:00:09 | 0:00:12 | |
cinematic screw ups and filmic failings. | 0:00:12 | 0:00:16 | |
They travelled as far as Odeon and through the many Caverns of Vue. | 0:00:16 | 0:00:21 | |
But they have returned with their prey, | 0:00:21 | 0:00:24 | |
captured on shiny golden rings known as DVDs. | 0:00:24 | 0:00:28 | |
Fine, fine, I know they are not gold. | 0:00:28 | 0:00:32 | |
Join them now as they celebrate Great Movie Mistakes! | 0:00:32 | 0:00:35 | |
-Matthew, turn on the light! -Right, let's get cracking! | 0:00:41 | 0:00:46 | |
Guys, don't you think you look like characters from that film? | 0:00:46 | 0:00:50 | |
-Top Gear is not a film, Ben. -No, The Lord Of The Rings. | 0:00:50 | 0:00:53 | |
What are you talking about? | 0:00:53 | 0:00:55 | |
I've just been to the rugby with my girlfriend, | 0:00:55 | 0:00:58 | |
who doesn't know that I'm bald. | 0:00:58 | 0:01:00 | |
And I've just come back from my mate's pub crawl. | 0:01:00 | 0:01:02 | |
-The weather was terrible but I did find this broom. -Cool. | 0:01:02 | 0:01:06 | |
I've just come back from the shops, getting supplies for tonight. | 0:01:06 | 0:01:10 | |
-Why are you carrying a sword? -It's a rough neighbourhood. | 0:01:10 | 0:01:14 | |
-Fair enough. -ALL: Movie night! | 0:01:14 | 0:01:16 | |
Hello and welcome to Great Movie Mistakes. | 0:01:19 | 0:01:21 | |
-We are Pappy's. I'm Matthew. -I'm Tom. | 0:01:21 | 0:01:23 | |
-And he's Matthew. -Thanks, Ben. | 0:01:23 | 0:01:25 | |
Tonight in our flat we will be taking you through | 0:01:25 | 0:01:27 | |
some of cinema's biggest howlers. | 0:01:27 | 0:01:30 | |
Coming up on tonight's show: | 0:01:30 | 0:01:32 | |
-Popcorn. -Check. -Nachos. -Check. | 0:01:49 | 0:01:53 | |
-Beers. -Check. -Dimmable lighting. -HE CLAPS | 0:01:53 | 0:01:57 | |
-Checkmate. -Wow, guys! This movie night is shaping up beautifully. | 0:01:57 | 0:02:02 | |
Movie night? These are our supplies for when the Apocalypse happens. | 0:02:02 | 0:02:05 | |
Really? With these provisions, your heart would last about a week. | 0:02:05 | 0:02:08 | |
I think you will find it's sustained us for the last six years. | 0:02:08 | 0:02:12 | |
It's a medical miracle. Technically, we should have triabetes. | 0:02:12 | 0:02:16 | |
-Which reminds me. M&Ms. -Peanut and chocolate. | 0:02:16 | 0:02:20 | |
Checkity check-check. | 0:02:20 | 0:02:22 | |
It's lucky your Apocalypse provisions dovetail so nicely | 0:02:22 | 0:02:25 | |
with my idea for a perfect movie night. | 0:02:25 | 0:02:27 | |
So let's get cracking with our first batch of faulty movie moments. | 0:02:27 | 0:02:31 | |
Who are you talking to? | 0:02:31 | 0:02:33 | |
The brain segment of the frontal lobe... | 0:02:34 | 0:02:37 | |
-It's Pacific Rim! -Fantastic! | 0:02:37 | 0:02:39 | |
Guillermo Del Toro's exciting and spectacular monster film | 0:02:39 | 0:02:43 | |
is surprisingly enjoyable but it's not without a clanger or two. | 0:02:43 | 0:02:46 | |
-Go on. -Check out that headpiece that Newton's wearing. | 0:02:46 | 0:02:51 | |
See it now, fastened around his neck without him touching it. | 0:02:51 | 0:02:55 | |
Shockingly unrealistic! | 0:02:58 | 0:03:01 | |
Unlike that giant floating kaiju brain, which is bang on. | 0:03:01 | 0:03:04 | |
One. HE GASPS | 0:03:06 | 0:03:08 | |
You know them mark ones? Scrape them back... | 0:03:17 | 0:03:19 | |
Mirror, mirror on the wall, what's the most glaring error of them all? | 0:03:19 | 0:03:23 | |
I'd say probably this one. | 0:03:23 | 0:03:25 | |
Watch Idris Elba somehow manage to move from right next to the mirror | 0:03:25 | 0:03:29 | |
to all the way into the middle of the room. | 0:03:29 | 0:03:32 | |
Teleporting near a mirror is seven years bad luck, right? | 0:03:32 | 0:03:35 | |
..under the radar for a while but last time I checked it was Tokyo. | 0:03:35 | 0:03:40 | |
Great! It's Star Trek Into Darkness. | 0:03:43 | 0:03:46 | |
Star Trek into awesomeness, more like. | 0:03:46 | 0:03:49 | |
Kirk's drowning his sorrows, but check out his glass. | 0:03:49 | 0:03:52 | |
The futuristic orb of ice is drowned in whiskey. | 0:03:52 | 0:03:56 | |
But now, where's the whiskey gone? | 0:03:56 | 0:03:58 | |
-Teleported somewhere? -No wonder he's upset! | 0:04:00 | 0:04:03 | |
I will remain behind and divert all power to life support. | 0:04:07 | 0:04:09 | |
Sulu's a renegade. The Enterprise is falling apart | 0:04:09 | 0:04:12 | |
and he's driving without a seat belt! | 0:04:12 | 0:04:15 | |
All due respect, Commander, but we're not going anywhere. | 0:04:15 | 0:04:18 | |
Oh wait, there it is. But wait! | 0:04:19 | 0:04:23 | |
If we look later on, he's taken it off again | 0:04:23 | 0:04:25 | |
and Spock's obviously had a go at him as it's back on. | 0:04:25 | 0:04:29 | |
There's no excuse not to use protection. | 0:04:29 | 0:04:32 | |
I love the way they teleport in this movie! | 0:04:37 | 0:04:39 | |
I love the way Uhura is both fierce and sexy, a true independent woman. | 0:04:43 | 0:04:48 | |
OK. But speaking of Uhura, where is she in this shot? | 0:04:50 | 0:04:54 | |
Teleported into my dreams? | 0:04:54 | 0:04:56 | |
-And back again. That was quick. -I don't need long. | 0:04:56 | 0:05:00 | |
It is time for some slightly above-average | 0:05:04 | 0:05:07 | |
-super-heroics in Man Of Steel. -Here's a good blooper. | 0:05:07 | 0:05:10 | |
A message is being broadcast worldwide | 0:05:10 | 0:05:12 | |
but it's somehow night-time in all these places around the world. | 0:05:12 | 0:05:16 | |
-Ridiculous! -I dunno. | 0:05:16 | 0:05:18 | |
My girlfriend's travelling at the moment and whenever I call her | 0:05:18 | 0:05:21 | |
she doesn't pick up because it's the middle of the night. | 0:05:21 | 0:05:24 | |
I just think it is always night-time in a lot of places. | 0:05:24 | 0:05:27 | |
-Ben, she's in Cornwall. -Let it go, buddy. | 0:05:27 | 0:05:31 | |
It's coming in on the RSS feeds. | 0:05:32 | 0:05:35 | |
Time to shed some light on another Man Of Steel clunker. | 0:05:39 | 0:05:42 | |
Those soldiers are clearly casting a shadow to the side, | 0:05:42 | 0:05:45 | |
despite the sun being very definitely behind Superman. | 0:05:45 | 0:05:49 | |
Massively inconsistent. | 0:05:49 | 0:05:51 | |
What makes you think she's here? | 0:05:51 | 0:05:53 | |
Surely the real inconsistency is why a man with almost | 0:05:53 | 0:05:57 | |
unlimited power and the ability to single-handedly solve | 0:05:57 | 0:06:00 | |
all of the world's problem chooses to spend 40 hours a week | 0:06:00 | 0:06:04 | |
working as a newspaper reporter, essentially neglecting the cries | 0:06:04 | 0:06:07 | |
for help from people worldwide, all of whom he can definitely hear. | 0:06:07 | 0:06:12 | |
That's actually an amazingly good point. | 0:06:12 | 0:06:16 | |
If you take one of the greatest works of literature ever, | 0:06:16 | 0:06:18 | |
get Baz Luhrmann to make an awesome film of it | 0:06:18 | 0:06:20 | |
-starring Leonardo DiCaprio and what do you get? -Romeo and Juliet. | 0:06:20 | 0:06:25 | |
Absolutely. Sadly, The Great Gatsby wasn't half as good | 0:06:25 | 0:06:29 | |
but hats off for their hard efforts. | 0:06:29 | 0:06:32 | |
Hats off, indeed! But wait! Hats on here. | 0:06:32 | 0:06:36 | |
-Oh, and the car they are overtaking vanishes. -Hats all, folks! | 0:06:36 | 0:06:42 | |
Watch out, watch out. | 0:06:45 | 0:06:46 | |
Cliched and clunky White House Down shows there inevitably comes | 0:06:46 | 0:06:49 | |
a time when any president is required to fire a missile launcher | 0:06:49 | 0:06:52 | |
out of the side of his limousine. | 0:06:52 | 0:06:54 | |
If this whole concept wasn't mistake enough, | 0:06:54 | 0:06:57 | |
check out Channing Tatum's arm. | 0:06:57 | 0:06:59 | |
As Jamie Foxx strikes him on the head, | 0:06:59 | 0:07:02 | |
we see either some marks for editing or a really terrible tattoo. | 0:07:02 | 0:07:07 | |
Don't hit me in the head with a rocket when I'm trying to drive! | 0:07:07 | 0:07:10 | |
-Get me to the... -And he's opening the back window. | 0:07:10 | 0:07:12 | |
For security reasons, | 0:07:12 | 0:07:14 | |
you can only open the front window in presidential cars. | 0:07:14 | 0:07:17 | |
As I remember from my affair with Clinton in '95. | 0:07:17 | 0:07:20 | |
-He has a rocket launcher. -That's something you don't see every day! | 0:07:20 | 0:07:24 | |
World War Z now, but you won't be catching any z's | 0:07:26 | 0:07:29 | |
if you watch this hard-edged neo-zombie action thriller. | 0:07:29 | 0:07:32 | |
-It's great. -But listen to Dr Fassbach making a basic medical error. | 0:07:32 | 0:07:37 | |
-..The analogy I keep coming back to is Spanish flu. -Spanish flu? | 0:07:39 | 0:07:42 | |
It didn't exist in 1918 but by 1920, | 0:07:42 | 0:07:44 | |
it killed three percent of the world. | 0:07:44 | 0:07:46 | |
Didn't exist in 1918? | 0:07:46 | 0:07:49 | |
I think you'll find it broke out in 1918, mate! Hah! | 0:07:49 | 0:07:52 | |
The plane's going down! | 0:07:56 | 0:07:58 | |
Let's put on our oxygen masks while we try to stabilise the engines! | 0:07:58 | 0:08:02 | |
It doesn't look promising, there's a massive hole in the plane. | 0:08:03 | 0:08:08 | |
Prepare for impact. | 0:08:08 | 0:08:09 | |
But with certain death looming, the pilots have opted | 0:08:09 | 0:08:12 | |
to take off their oxygen masks and wear normal headsets. | 0:08:12 | 0:08:16 | |
-But why? -It's simple, Ben, so they can kiss. | 0:08:16 | 0:08:18 | |
With the zombie disease causing havoc worldwide, | 0:08:23 | 0:08:25 | |
the population is rapidly decreasing. | 0:08:25 | 0:08:27 | |
Soon the only person left will be a teleporting bearded man. | 0:08:27 | 0:08:31 | |
Sorry, what? Check him out. White beardy hair man. He's everywhere. | 0:08:31 | 0:08:36 | |
Behind Brad... | 0:08:36 | 0:08:38 | |
..and now sorting through papers. | 0:08:41 | 0:08:43 | |
Only he can run fast enough to outrun the zombie hordes. | 0:08:43 | 0:08:46 | |
Sir, there is nowhere to evacuate you to. | 0:08:46 | 0:08:49 | |
Now, the science of movie mistakes is as real | 0:08:53 | 0:08:56 | |
and serious as alchemy, horoscopes and a third example. | 0:08:56 | 0:09:00 | |
But how do you measure a movie mistake? | 0:09:00 | 0:09:04 | |
We had literally hundreds of e-mails and letters, | 0:09:04 | 0:09:07 | |
none of which relate to this subject. | 0:09:07 | 0:09:10 | |
So we thought we would tackle that now. | 0:09:10 | 0:09:12 | |
Basically, a clanger is one below a blooper. | 0:09:12 | 0:09:15 | |
You get two gaffs to a clunker. | 0:09:15 | 0:09:18 | |
Although it should be noted that an American clunker | 0:09:18 | 0:09:21 | |
is worth only two thirds of a British clunker. | 0:09:21 | 0:09:23 | |
In other words, roughly equivalent to a howler. | 0:09:23 | 0:09:26 | |
Five howlers add up to a boob. | 0:09:26 | 0:09:29 | |
Three boobs and you're watching Total Recall. | 0:09:29 | 0:09:32 | |
And if you spot a gaffe, howler and boob happening all at once, | 0:09:32 | 0:09:36 | |
you're probably watching a film by Michael Bay. | 0:09:36 | 0:09:38 | |
Oh, zing! Always going for those tricky targets, Crosby! | 0:09:38 | 0:09:41 | |
I think that's the last we'll be hearing from that guy! | 0:09:41 | 0:09:44 | |
Anyway, here are some impressive examples of premium goofs. | 0:09:44 | 0:09:48 | |
Goofs! I knew we'd missed one. | 0:09:48 | 0:09:50 | |
We must find shelter! | 0:09:52 | 0:09:54 | |
It's the grand but rather long first Hobbit movie. | 0:09:56 | 0:09:59 | |
They could have picked a different day to film it! Awful weather! | 0:09:59 | 0:10:03 | |
They're getting absolutely soaked, | 0:10:03 | 0:10:05 | |
apart from the dwarves, it would seem. | 0:10:05 | 0:10:08 | |
His hair doesn't look wet at all. | 0:10:08 | 0:10:10 | |
And neither does his. | 0:10:10 | 0:10:12 | |
And as soon as they enter the cave, | 0:10:12 | 0:10:15 | |
-the dwarves are completely bone dry. -This is easily explained. | 0:10:15 | 0:10:19 | |
Dwarves are shorter so the rain hits them later. | 0:10:19 | 0:10:22 | |
It doesn't quite work like that, Ben. | 0:10:23 | 0:10:25 | |
More wet spells here in the Hobbit. | 0:10:29 | 0:10:31 | |
The "precious" ring falls onto some dry slate. | 0:10:31 | 0:10:35 | |
Bit dark but with the old lightsaber, | 0:10:39 | 0:10:43 | |
you can see the slate is definitely wet. | 0:10:43 | 0:10:45 | |
You can solve pretty much any problem by waving your lightsaber about. | 0:10:47 | 0:10:51 | |
Good grief! Put it away, boy! | 0:10:51 | 0:10:53 | |
Joseph Kosinsky's visually striking | 0:10:58 | 0:11:00 | |
but a trifle dull Oblivion is up next. | 0:11:00 | 0:11:03 | |
He's clearly a fan of movie mistakes. | 0:11:03 | 0:11:06 | |
He's even plonked one into a slow-mo scene to make it easier for us see. | 0:11:06 | 0:11:10 | |
Check out the gun with its strap flailing about. | 0:11:12 | 0:11:14 | |
But when it falls to the ground, strapless. | 0:11:21 | 0:11:23 | |
GUNSHOTS | 0:11:28 | 0:11:30 | |
In the future, IKEA will be releasing Modeprip a half bed, | 0:11:30 | 0:11:33 | |
half table combo which is great, because if anyone falls on it, | 0:11:33 | 0:11:38 | |
it will simply bend a bit until they're off. | 0:11:38 | 0:11:41 | |
Until then, a padded fake table will have to do. | 0:11:41 | 0:11:44 | |
Time for a clunker from the glittery | 0:11:48 | 0:11:51 | |
but uninvolving mystery thriller that was Now You See Me. | 0:11:51 | 0:11:55 | |
Magicians and elaborate revenge plots galore | 0:11:55 | 0:11:58 | |
but the real mystery is where the extras vanish to | 0:11:58 | 0:12:01 | |
as Interpol agent Alma Dray sits down. | 0:12:01 | 0:12:03 | |
Now you see them... | 0:12:03 | 0:12:06 | |
..now you don't. | 0:12:09 | 0:12:11 | |
Time for some turbo powered excitement with Premium Rush. | 0:12:19 | 0:12:22 | |
I'm sorry, no matter how much synthey music you use, | 0:12:22 | 0:12:26 | |
this scene will never be cool. | 0:12:26 | 0:12:28 | |
Check out the taxi door. | 0:12:28 | 0:12:30 | |
They've taken off the window and half the door frame | 0:12:30 | 0:12:32 | |
so the stuntman could fall over it. | 0:12:32 | 0:12:34 | |
And once Joseph Gordon-Levitt finishes using his weird | 0:12:37 | 0:12:40 | |
-in-built Sat Nav... -Handy for a courier. | 0:12:40 | 0:12:43 | |
..we see it's all back on. | 0:12:45 | 0:12:47 | |
-Check out those great bullhorn handlebars. -Classy! -Indeed. | 0:12:50 | 0:12:54 | |
But in the very same chase scene, | 0:12:54 | 0:12:55 | |
those handlebars suddenly change to risers. | 0:12:55 | 0:12:58 | |
Horns to risers doesn't sound like much of a change to me. | 0:12:58 | 0:13:00 | |
Put it away! | 0:13:00 | 0:13:02 | |
Here Comes The Boom is great. | 0:13:09 | 0:13:10 | |
By great don't you mean mediocre, Ben? | 0:13:10 | 0:13:13 | |
-Stop calling me mediocre Ben! -Sorry! | 0:13:13 | 0:13:15 | |
Here's Mr Voss. | 0:13:18 | 0:13:20 | |
He's late for school, hence he's climbing through a window. | 0:13:20 | 0:13:22 | |
That's all fair enough. | 0:13:22 | 0:13:25 | |
But he clearly had time to change his shoes from boots to trainers. | 0:13:27 | 0:13:31 | |
This is evidence that wayward teacher Mr Voss | 0:13:42 | 0:13:44 | |
may be mentally unhinged. | 0:13:44 | 0:13:46 | |
Here he is, getting crisps out of a jammed vending machine | 0:13:46 | 0:13:49 | |
and two bags fall out. | 0:13:49 | 0:13:52 | |
-Lucky fella! -Bonus! | 0:13:52 | 0:13:54 | |
Immediately he gives one to a pupil but makes him deny it ever happened. | 0:13:59 | 0:14:04 | |
This never happened. Are we clear? | 0:14:04 | 0:14:07 | |
Power games! Very dark! | 0:14:09 | 0:14:11 | |
But wait! He's got two packets of crisps again. | 0:14:14 | 0:14:16 | |
This man is insane! | 0:14:16 | 0:14:19 | |
And now, after having eaten three crisps, | 0:14:19 | 0:14:21 | |
he just throws his one packet away. | 0:14:21 | 0:14:24 | |
What happened to the second packet? | 0:14:24 | 0:14:27 | |
"This never happened. Are we clear?" | 0:14:27 | 0:14:29 | |
It's the powerfully emotional Flight, | 0:14:31 | 0:14:34 | |
featuring Denzel Washington who is, for once, playing someone heroic. | 0:14:34 | 0:14:38 | |
Stretch yourself, Denzel! | 0:14:38 | 0:14:40 | |
SCREAMING | 0:14:40 | 0:14:42 | |
What this film does stretch is reality. | 0:14:42 | 0:14:45 | |
There goes the plane, about 12 feet from ground level. | 0:14:45 | 0:14:48 | |
-BLEEP! -Oh, Lord Jesus... | 0:14:48 | 0:14:50 | |
And there is our view from inside the plane. Miles up in the air! | 0:14:50 | 0:14:55 | |
Get it together, Washington, people are counting on you. | 0:14:55 | 0:14:58 | |
-Are you ready for some mobile phone madness? -Always. | 0:15:01 | 0:15:05 | |
First, he unlocks his phone | 0:15:05 | 0:15:07 | |
and the time is 1:17 on October 20. | 0:15:07 | 0:15:09 | |
Then, blam! He unlocks the phone and it is 8:52 on October 8. | 0:15:10 | 0:15:15 | |
And then, just for good measure, | 0:15:15 | 0:15:17 | |
he somehow zooms right in on his iPhone like | 0:15:17 | 0:15:20 | |
an absolute maverick. | 0:15:20 | 0:15:22 | |
Denzel plays by no-one's rules but his own. | 0:15:22 | 0:15:25 | |
Don't you just hate answerphone greetings? | 0:15:29 | 0:15:31 | |
-Yeah, they are so samey. -Not in Flight, they are not! | 0:15:31 | 0:15:34 | |
Listen to this one. | 0:15:34 | 0:15:36 | |
PHONE RINGS | 0:15:36 | 0:15:37 | |
Right... | 0:15:43 | 0:15:45 | |
-But the second time we hear it, it is shorter. -Stands to reason. | 0:15:46 | 0:15:51 | |
He has had time to practise, so it will be slicker the second time. | 0:15:51 | 0:15:54 | |
PHONE RINGS | 0:15:54 | 0:15:56 | |
He has angered Denzel, there, though. Nasty business. | 0:15:56 | 0:15:59 | |
That is absolutely not how it works. | 0:16:04 | 0:16:06 | |
Hello. My name is Ben. | 0:16:11 | 0:16:13 | |
I'm auditioning for the part of Wolverine. | 0:16:15 | 0:16:17 | |
I'll be reading for the part of Wolverine. | 0:16:19 | 0:16:22 | |
I'll be reading for the part of Rogue. | 0:16:23 | 0:16:26 | |
No, only kidding. | 0:16:26 | 0:16:27 | |
I'm reading for Wolverine. | 0:16:27 | 0:16:29 | |
Or as I like to call him, Wolferine. | 0:16:29 | 0:16:32 | |
Damn this healing factor of mine is just so powerful. | 0:16:32 | 0:16:36 | |
I'm healing all the time. | 0:16:36 | 0:16:39 | |
Even now. | 0:16:39 | 0:16:40 | |
Will I walk you home? | 0:16:40 | 0:16:43 | |
Of CLAWS I'll walk you home. | 0:16:43 | 0:16:46 | |
# Prince Charming, Prince Charming... # | 0:16:46 | 0:16:51 | |
That's right, my bones are laced with Adam Ant-ium. | 0:16:51 | 0:16:54 | |
I'm just a stubborn Canadian here to show you what justice is all aboot. | 0:16:54 | 0:16:58 | |
About. | 0:16:58 | 0:17:00 | |
Aboot. | 0:17:00 | 0:17:02 | |
Justice. | 0:17:02 | 0:17:03 | |
I'm more of an XXX man. | 0:17:03 | 0:17:06 | |
Aargh! | 0:17:07 | 0:17:09 | |
Yeah, just checking, you will CGI the body in afterwards? Right? | 0:17:09 | 0:17:12 | |
That's how Jackman did it, right? | 0:17:12 | 0:17:14 | |
It's time to look at some careless action movie mistakes. | 0:17:15 | 0:17:19 | |
As a fellow mutant, I can only admire the solid | 0:17:19 | 0:17:22 | |
and surprisingly mature action romp The Wolverine. | 0:17:22 | 0:17:26 | |
The ability to burp the national anthem of any Commonwealth country | 0:17:26 | 0:17:30 | |
is not a mutant power, Ben. | 0:17:30 | 0:17:31 | |
It's not unimpressive, though. | 0:17:31 | 0:17:33 | |
Regardless, check out Hugh Jackman's hitherto unknown mutant power, | 0:17:33 | 0:17:36 | |
shifting from lying on his side... | 0:17:36 | 0:17:39 | |
to lying on his back without apparently moving at all. | 0:17:39 | 0:17:42 | |
Never back. | 0:17:42 | 0:17:44 | |
Here is Jackman, tearing up some fools at a funeral whilst | 0:17:49 | 0:17:53 | |
Viper films it all on her phone. | 0:17:53 | 0:17:54 | |
But wait. Look as she lowers it. | 0:18:05 | 0:18:07 | |
The footage on the phone clearly isn't happening live. | 0:18:07 | 0:18:10 | |
Maybe she is simply using the phone to watch the stunning action | 0:18:10 | 0:18:14 | |
film The Wolverine. | 0:18:14 | 0:18:16 | |
It's an extraordinary meta piece of film-making. | 0:18:16 | 0:18:19 | |
Now, TRAIN your eyes, if you will, on those passers-by. | 0:18:22 | 0:18:26 | |
-What? Those passers-by looking directly and the camera? -Yes. | 0:18:26 | 0:18:30 | |
They should probably TRAIN their eyes elsewhere. | 0:18:30 | 0:18:33 | |
Ben, you are aware I made that exact same joke literally seconds before? | 0:18:34 | 0:18:38 | |
-Boys, let's get back on track. -ALL: Eh-oh! | 0:18:38 | 0:18:41 | |
Nothing says "not particularly good action film" like the words | 0:18:46 | 0:18:50 | |
GI Joe: Retaliation. | 0:18:50 | 0:18:51 | |
But it did bring us this error. | 0:18:51 | 0:18:53 | |
-Look at Channing Tatum's ears, everyone. -A bit harsh. | 0:18:53 | 0:18:57 | |
-I don't think they can be classed as a mistake. -No, his headphones. | 0:18:57 | 0:19:01 | |
-'Firstly they're on...' -Contact? | 0:19:01 | 0:19:05 | |
Then they are off. | 0:19:05 | 0:19:06 | |
You got a big head. Come here. | 0:19:06 | 0:19:09 | |
Then they are on again. Just like Ross and Rachel. | 0:19:09 | 0:19:13 | |
-Wow, where did that come from? -I've just got to the end of Friends. -Oh. | 0:19:13 | 0:19:17 | |
It is the awesome Iron Man 3. Tonnes better than the second one. | 0:19:20 | 0:19:24 | |
Now, throughout the film, he has got blood on his left eye and cheek. | 0:19:24 | 0:19:28 | |
But somehow, for this shot, it is on his right side. | 0:19:30 | 0:19:33 | |
And now it's back. EYE know. | 0:19:35 | 0:19:38 | |
Is that a joke? | 0:19:38 | 0:19:40 | |
Aye. | 0:19:41 | 0:19:42 | |
A rare sight of implausibility in the usually highly realistic | 0:19:45 | 0:19:49 | |
Bond franchise. | 0:19:49 | 0:19:51 | |
# It's Skyfall... # | 0:19:51 | 0:19:54 | |
Here is Craig with the old | 0:19:54 | 0:19:56 | |
drive headfirst into the side of a bridge, then land on a train trick. | 0:19:56 | 0:20:00 | |
But what about the motorbike? It's back on its wheels. | 0:20:00 | 0:20:03 | |
But where is it here? | 0:20:05 | 0:20:07 | |
Probably transformed into a Cuban cigar | 0:20:07 | 0:20:09 | |
and landed in Craig's inside pocket! | 0:20:09 | 0:20:11 | |
Sounds about par for the course. | 0:20:11 | 0:20:13 | |
Well, get after them, for God's sake! | 0:20:13 | 0:20:15 | |
Your successor has yet to be appointed so we'll be asking you... | 0:20:17 | 0:20:19 | |
I'm not an idiot, Mallory. | 0:20:19 | 0:20:21 | |
Dame Judi Dench is being tactfully fired by Ralph Fiennes | 0:20:21 | 0:20:24 | |
for losing government secrets. | 0:20:24 | 0:20:26 | |
Keep an eye out for her handbag. | 0:20:26 | 0:20:28 | |
M, you have had a great run. | 0:20:28 | 0:20:31 | |
You should leave with dignity. | 0:20:31 | 0:20:33 | |
To hell with dignity. I'll leave when the job is done. | 0:20:33 | 0:20:36 | |
Yes, she should also leave with her handbag. | 0:20:36 | 0:20:39 | |
Ironically, the handbag contained more government secrets! | 0:20:39 | 0:20:41 | |
Which is why Ralph has had it vaporised! | 0:20:41 | 0:20:45 | |
As anyone who has chased Javier Bardem dressed as a policeman | 0:20:48 | 0:20:51 | |
through a London Underground station knows, | 0:20:51 | 0:20:53 | |
it's impossible to slide down the middle of an escalator. | 0:20:53 | 0:20:57 | |
Yeah, you won't so much slide as bounce off the emergency stop | 0:20:57 | 0:21:00 | |
buttons and raised barriers. | 0:21:00 | 0:21:01 | |
Not to mention the dog-eared copies of free newspapers. | 0:21:01 | 0:21:05 | |
The Oscars always lead to heated debate. | 0:21:11 | 0:21:14 | |
-I'm telling you, this is going to win best picture. -This will win. | 0:21:14 | 0:21:17 | |
-This needs to win. -Guys, what is going on? | 0:21:17 | 0:21:20 | |
Just arguing over who is going to win best picture! | 0:21:20 | 0:21:23 | |
Judging by that, neither of you. | 0:21:23 | 0:21:25 | |
-But you are both frontrunners for worst joke. -Yes! | 0:21:25 | 0:21:28 | |
Speaking of best picture, let's have a look at some shocking | 0:21:29 | 0:21:32 | |
continuity gaffes from this year's Oscar-nominated films. | 0:21:32 | 0:21:36 | |
The jaw-dropping, almost accurate Argo, now. With two mistakes in one. | 0:21:41 | 0:21:46 | |
Like when I got the word "legend" | 0:21:46 | 0:21:47 | |
-tattooed on my... -OK, OK. First things first. Check this out. | 0:21:47 | 0:21:50 | |
Bear in mind Argo is set in 1979. | 0:21:50 | 0:21:54 | |
There is a script called Passion's Requiem, dated 2009. Ha! | 0:21:54 | 0:21:59 | |
I knew Ben Affleck received my autobiographical screenplay! | 0:21:59 | 0:22:03 | |
-Secondly, you see the Argo script's fancy black vinyl cover? -I like it! | 0:22:04 | 0:22:11 | |
-Well, where the hell has it gone? -Affleck has eaten it, has he? | 0:22:11 | 0:22:14 | |
It's very possible, Ben. | 0:22:14 | 0:22:15 | |
-Here is Affleck, writing a postcard. -Show-off. -But now look. | 0:22:20 | 0:22:24 | |
The word "so" has jumped down a line. | 0:22:24 | 0:22:27 | |
In fact, it's an entirely different lot of writing on the card. | 0:22:27 | 0:22:31 | |
So he has magic handwriting AND he is Batman. | 0:22:31 | 0:22:36 | |
What chance do the rest of us have? | 0:22:36 | 0:22:37 | |
-This is a good blunder. Brace yourselves. -OK... | 0:22:42 | 0:22:46 | |
Here is Christoph Waltz, | 0:22:46 | 0:22:48 | |
putting on his braces in the brutal, | 0:22:48 | 0:22:50 | |
-gutsy and fantastic Django Unchained. -That's fair enough. | 0:22:50 | 0:22:55 | |
Found my way. To buy freedom. | 0:22:55 | 0:22:58 | |
-But he does it twice! Do you see? -Sort of. | 0:22:58 | 0:23:02 | |
-He's putting them on when he already did. -Yeah. I guess so. | 0:23:02 | 0:23:07 | |
BRACE yourselves! Because he was putting... | 0:23:07 | 0:23:10 | |
Yeah, yeah, we get it, Tom. | 0:23:10 | 0:23:11 | |
Extras are like buses. | 0:23:14 | 0:23:15 | |
At first there are six of them, and then there are only three, | 0:23:15 | 0:23:20 | |
and then back to six. See? | 0:23:20 | 0:23:23 | |
I wish to purchase... | 0:23:23 | 0:23:25 | |
-How is that like buses, Tom? -Well, you pay £2.40 to enter them. | 0:23:25 | 0:23:30 | |
Buses, that is. Not extras. That simile is lacking, if I'm honest. | 0:23:30 | 0:23:34 | |
No appointment, no nothing. | 0:23:34 | 0:23:35 | |
And whether any of you... | 0:23:39 | 0:23:40 | |
"Lincoln is a thrilling, deeply enjoyable film," | 0:23:40 | 0:23:43 | |
is a sentence that tells me I have nothing in common with my date. | 0:23:43 | 0:23:48 | |
Come on, I can't think of a better way to spend seven hours. | 0:23:48 | 0:23:51 | |
Check out this clonker. See the President's glasses? | 0:23:51 | 0:23:54 | |
The fate of human dignity... | 0:23:54 | 0:23:57 | |
Well, look again. Because they have gone. | 0:23:57 | 0:24:00 | |
-Wait, "clonker"? -Yeah, it's my new word that I made up for blooper. | 0:24:00 | 0:24:05 | |
-Thoughts? -Hmm. Not strong. | 0:24:05 | 0:24:08 | |
Our man proving why he is fit to lead a nation. | 0:24:10 | 0:24:13 | |
His crotch actually generates paperwork. | 0:24:13 | 0:24:16 | |
Actually, this is a blooper. Here he is, putting papers into a folder. | 0:24:17 | 0:24:21 | |
Next shot, they are back in his hand. | 0:24:24 | 0:24:26 | |
So much for the magic crotch theory! | 0:24:26 | 0:24:28 | |
It's the gripping, intense Zero Dark Thirty. | 0:24:33 | 0:24:36 | |
And this is for the geography buffs among you. | 0:24:36 | 0:24:38 | |
Say no more, Matthew. | 0:24:38 | 0:24:39 | |
-Oh, I didn't know you were into geography. -I'm not. | 0:24:39 | 0:24:41 | |
So, please, say no more. | 0:24:41 | 0:24:43 | |
Those street signs are quite clearly not Kuwaiti. | 0:24:44 | 0:24:47 | |
They are Indian. Eh? Madness. | 0:24:47 | 0:24:50 | |
Matthew, really. Say no more. | 0:24:50 | 0:24:53 | |
Look at me! Look at me! | 0:24:58 | 0:24:59 | |
Time for the emotionally walloping Beasts Of The Southern Wild. | 0:24:59 | 0:25:03 | |
And here they are, deep in a storm. | 0:25:03 | 0:25:05 | |
So, the trees closest to us are moving. | 0:25:06 | 0:25:08 | |
But what about those perfectly still ones in the background? | 0:25:08 | 0:25:12 | |
The all-encompassing storm hasn't reached them yet? | 0:25:12 | 0:25:15 | |
I'm chalking this one up as a stormy clanger. | 0:25:15 | 0:25:18 | |
Here's the delightful Hush Puppy popping a Michael Jordan | 0:25:24 | 0:25:27 | |
jersey on her sleeping father. | 0:25:27 | 0:25:29 | |
And that is either a knock-off replica or a reverse shot | 0:25:31 | 0:25:35 | |
because that number 23 is backwards. | 0:25:35 | 0:25:38 | |
Good spot, Ben. How did you see that? | 0:25:38 | 0:25:40 | |
Well, my teachers always said I was a bit backwards. It's a gift. | 0:25:40 | 0:25:44 | |
Drink. | 0:25:47 | 0:25:48 | |
Look at these two cups. | 0:25:48 | 0:25:51 | |
Apart from appalling parenting, there is a massive mistake here. | 0:25:51 | 0:25:55 | |
Hush Puppy grabs the cup with the handle. But now the dad has it. | 0:25:58 | 0:26:03 | |
Now she has got it again. | 0:26:04 | 0:26:08 | |
Nope, it's the dad's again. | 0:26:08 | 0:26:11 | |
-Oh, God. Drinking really does affect your vision. -You're right there. | 0:26:11 | 0:26:16 | |
Which Matthew just said that? | 0:26:16 | 0:26:19 | |
-This will surprise you guys, but I'm actually a bit of a nerd. -Stop it! | 0:26:23 | 0:26:27 | |
-No, all true. All true. -That's all right, Matthew. | 0:26:27 | 0:26:30 | |
It's actually pretty cool nowadays to be a nerd. | 0:26:30 | 0:26:32 | |
Yet, in fact, coming up next, we have got a whole section | 0:26:32 | 0:26:35 | |
dedicated to movie mistakes that happened in the nerdy films. | 0:26:35 | 0:26:38 | |
Oh, fantastic! | 0:26:38 | 0:26:39 | |
Is there anything from the biopic of George de Mestral, | 0:26:39 | 0:26:42 | |
the inventor of Velcro? | 0:26:42 | 0:26:43 | |
Or from the 1970s documentary Velcro Wars, | 0:26:43 | 0:26:46 | |
about the golden age of the Velcro industry? | 0:26:46 | 0:26:49 | |
Um... No. | 0:26:49 | 0:26:52 | |
No. It's like comic book stuff and sci-fi and things. | 0:26:52 | 0:26:56 | |
Oh. | 0:26:59 | 0:27:00 | |
That's actually fairly mainstream these days. | 0:27:00 | 0:27:03 | |
Certainly nothing about Velcro. | 0:27:03 | 0:27:06 | |
You massive nerd. | 0:27:06 | 0:27:08 | |
Yeah, nerd. | 0:27:08 | 0:27:11 | |
It's bloodsucking vampire Bella in the ever rancid | 0:27:13 | 0:27:16 | |
and ghastly Twilight series. | 0:27:16 | 0:27:18 | |
Hey, you're just bitter because you're team Jacob and she picked Edward. | 0:27:18 | 0:27:21 | |
-What? Spoiler alert! -Well, here is a spoiler, boyos. | 0:27:21 | 0:27:25 | |
-Look at the page from the Merchant Of Venice. -I see it. | 0:27:25 | 0:27:29 | |
Just a regular, smudge free page. | 0:27:29 | 0:27:31 | |
But wait! Where did those smudges come from? Smudge-tastic. | 0:27:36 | 0:27:41 | |
This fight scene is the one redeeming feature of all five | 0:27:44 | 0:27:48 | |
Twilight films. Or is it? | 0:27:48 | 0:27:50 | |
-Because even this epic scene has a movie mistake. -No! | 0:27:50 | 0:27:55 | |
Afraid so, Tom. Look. | 0:27:58 | 0:28:00 | |
There she is with high heels just as Edward hurls | 0:28:00 | 0:28:02 | |
her in one of Twilight's many potent feminist moments. | 0:28:02 | 0:28:06 | |
-And now, flat boots. -Oh, I give up. | 0:28:08 | 0:28:12 | |
Spooky things in the mediocre and lacklustre horror Dark Skies. | 0:28:17 | 0:28:21 | |
Daniel has got a new job, | 0:28:21 | 0:28:23 | |
hence the flowers. | 0:28:23 | 0:28:24 | |
We need to celebrate for a change. | 0:28:24 | 0:28:26 | |
Hey... Where did they go? | 0:28:29 | 0:28:30 | |
Either she dropped them, or she tucked them into his jeans so they could snog. | 0:28:30 | 0:28:34 | |
Let's celebrate! | 0:28:34 | 0:28:36 | |
But now he has got them again. Somehow. | 0:28:36 | 0:28:40 | |
Though Mr Ratner is a portly man, he is clearly an elite martial artist. | 0:28:46 | 0:28:51 | |
Few have mastered the Mobius hand punch, in which you start | 0:28:51 | 0:28:54 | |
punching someone with your right hand and finish with your left. | 0:28:54 | 0:28:58 | |
Impressive. | 0:28:58 | 0:29:00 | |
Dredd was a well-made, | 0:29:03 | 0:29:05 | |
violent but fan-pleasing interpretation of the strip. | 0:29:05 | 0:29:07 | |
As mega-fans know, Dredd is never seen without his helmet. | 0:29:07 | 0:29:11 | |
Or without his gun. | 0:29:11 | 0:29:12 | |
Well, helmet is fully intact there. | 0:29:12 | 0:29:15 | |
Stallone take note. Where is his gun? | 0:29:15 | 0:29:19 | |
Phew! There it is. Franchise nearly ruined, there. | 0:29:19 | 0:29:23 | |
Move! | 0:29:28 | 0:29:29 | |
Four mean-looking thugs walking down a hallway. | 0:29:31 | 0:29:34 | |
Hang on, is this a clip from Dredd, or an old music video from Blue? | 0:29:34 | 0:29:38 | |
Cracking reference, Tom. Agreed. | 0:29:40 | 0:29:43 | |
Point is, there are now only three of them. | 0:29:43 | 0:29:45 | |
Lee Ryan probably got confused looking at his reflection | 0:29:45 | 0:29:48 | |
in a broken window. | 0:29:48 | 0:29:49 | |
Handcuffs in the future are brilliant. | 0:29:52 | 0:29:55 | |
Brilliantly accommodating, that is. Wa-hey! | 0:29:55 | 0:29:58 | |
There they go. Becoming invisible | 0:30:01 | 0:30:04 | |
-and moving apart. -Like my parents. | 0:30:04 | 0:30:07 | |
Dredd's not a lawman of the future, but the past. | 0:30:12 | 0:30:15 | |
Pause here and you see this shot of old stony face in action. | 0:30:15 | 0:30:19 | |
But wind back exactly an hour | 0:30:19 | 0:30:21 | |
-and you get exactly the same moment again. -Huh! | 0:30:21 | 0:30:24 | |
-And they complain about there being too many repeats on TV! -Yeah! | 0:30:24 | 0:30:28 | |
I saw this movie four times in one day, in the same cinema! | 0:30:28 | 0:30:33 | |
Unbelievable. | 0:30:33 | 0:30:35 | |
Bilbo. Baggins. | 0:30:38 | 0:30:39 | |
It's Peter Jackson's rather expected return to Middle Earth, | 0:30:39 | 0:30:42 | |
with the far-too-long and eked-out The Hobbit: An Unexpected Journey. | 0:30:42 | 0:30:47 | |
Check it out, guys. Here's Bilbo, with his hand on the door. | 0:30:47 | 0:30:52 | |
-Now it's by his side! -Well, that's not a massive mistake. | 0:30:52 | 0:30:56 | |
Yeah, well, he is tiny. | 0:30:56 | 0:30:59 | |
HE said? Who said? | 0:30:59 | 0:31:01 | |
I'm not afraid. I'm up for it. | 0:31:03 | 0:31:06 | |
I'll give him a taste of Dwarvish iron, right up his jacksie! | 0:31:06 | 0:31:09 | |
James Nesbitt here as Bofur, the cheeky dwarf. | 0:31:09 | 0:31:13 | |
Look at him, leaning forward with his pipe out of his mouth. | 0:31:13 | 0:31:15 | |
And now, leaning against the wall with his pipe IN his mouth. | 0:31:15 | 0:31:19 | |
Classic Murphy's Law. | 0:31:19 | 0:31:21 | |
Rotten Tomatoes... | 0:31:27 | 0:31:28 | |
Oh, yes, please! My favourite. | 0:31:28 | 0:31:31 | |
-Think I'll stick to the popcorn. -It's a movie review site. -Huh! | 0:31:31 | 0:31:34 | |
What, uninformed slobs, | 0:31:34 | 0:31:37 | |
lying around, giving their inexpert opinion on films? | 0:31:37 | 0:31:40 | |
-I hate that. -Yeah(!) Just imagine. | 0:31:40 | 0:31:44 | |
HE BELCHES | 0:31:44 | 0:31:46 | |
Anyway, this section features films that were darlings of the critics | 0:31:46 | 0:31:50 | |
and rated most highly on IMDb, Rotten Tomatoes, that sort of thing. | 0:31:50 | 0:31:53 | |
-I hope it features my favourite film of 2013. -What was that, Ben? | 0:31:53 | 0:31:57 | |
Waterworld. | 0:31:57 | 0:31:59 | |
Well, A, that was made in 1995, and B, it was cobblers, mate! | 0:31:59 | 0:32:04 | |
Actually, Tom, the Waterworld I'm referring to was a 15-minute clip | 0:32:04 | 0:32:08 | |
on a rather niche premium website. | 0:32:08 | 0:32:11 | |
Let's have a look at those mistakes. | 0:32:11 | 0:32:13 | |
Looper is a clever and original time travel film. | 0:32:14 | 0:32:18 | |
I say this because I actually understand it. But look at the gun. | 0:32:18 | 0:32:22 | |
He cocks it... | 0:32:22 | 0:32:24 | |
Now it's uncocked. | 0:32:27 | 0:32:28 | |
Now he's cocked it again! | 0:32:32 | 0:32:34 | |
Sounds like my weekend. | 0:32:34 | 0:32:36 | |
-Was that supposed to be smutty? -No, I bought a gun. -Oh. | 0:32:37 | 0:32:41 | |
What the hell's going on out there? | 0:32:41 | 0:32:43 | |
So, let me get this straight. | 0:32:47 | 0:32:48 | |
Bruce Willis and Joseph Gordon Levitt are the same person?! | 0:32:48 | 0:32:53 | |
If that's the case, why is Bruce left-handed... | 0:32:53 | 0:32:56 | |
..and Joseph right-handed? | 0:32:58 | 0:33:00 | |
That's a damn fine point. | 0:33:00 | 0:33:01 | |
-I think Bruce might just be using a left-handed gun. -Shh, Ben! | 0:33:01 | 0:33:06 | |
-Let's play a game of Who's In The Truck? -The kid and his mum! -If only. | 0:33:12 | 0:33:16 | |
Look again. It's empty! | 0:33:22 | 0:33:25 | |
Apart from a roll cage | 0:33:25 | 0:33:26 | |
to stop the people who aren't even in there getting hurt. | 0:33:26 | 0:33:30 | |
Clearly the director removed the child and actress before the crash, | 0:33:30 | 0:33:33 | |
which, in terms of verisimilitude, is frankly irresponsible. | 0:33:33 | 0:33:37 | |
(I'm sorry.) | 0:33:38 | 0:33:40 | |
You never cared about her and you never cared about us! | 0:33:42 | 0:33:46 | |
Mud, an engrossing, heart-warming modern fairy tale. | 0:33:46 | 0:33:50 | |
What, about the cheesy glam rock group from the '70s? | 0:33:50 | 0:33:53 | |
Nope, it's a film about mud! | 0:33:53 | 0:33:55 | |
The mud in this scene magically disappears from that boy's trousers. | 0:33:55 | 0:33:58 | |
Huh! It must be a fairy tale | 0:33:58 | 0:34:00 | |
when you don't even need to wash your grubby kecks. | 0:34:00 | 0:34:02 | |
End Of Watch is a hard-hitting and intense movie | 0:34:07 | 0:34:09 | |
set on 06-08-2011, which, | 0:34:09 | 0:34:12 | |
being America, means it's 8th June. Nutters! | 0:34:12 | 0:34:16 | |
But look here. | 0:34:16 | 0:34:19 | |
Jake's paperwork says 8-19-12, a whole year in their future, | 0:34:19 | 0:34:23 | |
and either the 19th of August or the 8th of Matthewary, | 0:34:23 | 0:34:26 | |
the 19th month in my invented calendar. | 0:34:26 | 0:34:28 | |
I'm angry you didn't include "Benuary". | 0:34:28 | 0:34:31 | |
"Nobenber" had more of a ring to it, for some reason. | 0:34:32 | 0:34:35 | |
Life Of Pi. Beautiful cinematography, but terrible mistakes. | 0:34:39 | 0:34:45 | |
This is an absolute disgrace! | 0:34:45 | 0:34:47 | |
-Look at the ship. -Choppy waters. | 0:34:47 | 0:34:50 | |
Indeed, Matthew. But has our boy Pi noticed? Somehow, no. | 0:34:50 | 0:34:54 | |
His bedroom is incredibly calm. | 0:34:54 | 0:34:57 | |
-Wait, is that supposed to be on the same ship? -I know! | 0:34:57 | 0:35:01 | |
Look at this girl in the bottom centre. | 0:35:04 | 0:35:08 | |
-Can you see a flower in her hair? -Sir, I tell you, I cannot. | 0:35:08 | 0:35:12 | |
Well, look again! | 0:35:12 | 0:35:14 | |
-Gadzooks! -Ben, are you all right? | 0:35:14 | 0:35:16 | |
Think so. Are you sure that's his teeth? | 0:35:16 | 0:35:19 | |
It's the nostalgically fun and sweet comedy Wreck-It Ralph. | 0:35:24 | 0:35:27 | |
But there's nothing funny about this mistake. | 0:35:27 | 0:35:30 | |
-Nonetheless, we've included it. -Oh, God, yeah. | 0:35:30 | 0:35:33 | |
Her dress is shiny with leaves and flowers on it. | 0:35:33 | 0:35:37 | |
Look again, it's a plain dress. | 0:35:37 | 0:35:40 | |
Whoo! | 0:35:41 | 0:35:43 | |
And seconds later, she's by the door, wearing the original dress. | 0:35:44 | 0:35:48 | |
I don't know what to believe any more! | 0:35:48 | 0:35:50 | |
It's Ralph! | 0:35:51 | 0:35:53 | |
Now, I've got a bone to pick with you, Ralph. | 0:35:55 | 0:35:58 | |
This is that candy go-kart game over by Whack-a-Mole. | 0:35:58 | 0:36:01 | |
I've got to get out of here! | 0:36:01 | 0:36:03 | |
Mole? Whack-a-MOLE, is it, Ralph? | 0:36:03 | 0:36:07 | |
-Hah! It's Whack-a-TROLL! -Wildly inconsistent. | 0:36:07 | 0:36:11 | |
Which is what I shouted when I first watched this film. | 0:36:11 | 0:36:14 | |
Is that why we're banned from the Odeon in Crystal Palace? | 0:36:14 | 0:36:17 | |
Essentially, yes. | 0:36:17 | 0:36:19 | |
Ralph is sticking Sour Bill to a candy tree. | 0:36:21 | 0:36:23 | |
Note the branch pointing downwards. | 0:36:23 | 0:36:26 | |
-Stick around. -It's OK, I will. | 0:36:26 | 0:36:28 | |
But now Sour Bill has freed himself, and in freeing himself | 0:36:28 | 0:36:32 | |
has somehow twisted the branch so it points to his right. | 0:36:32 | 0:36:36 | |
Doubly impressive given that his hands | 0:36:36 | 0:36:38 | |
-and feet float next to his body. -All very sloppy. | 0:36:38 | 0:36:42 | |
Is this Ryan Gosling starring as the Milky Bar Kid? | 0:36:48 | 0:36:51 | |
No, Tom, this is the powerful and intriguing drama | 0:36:51 | 0:36:54 | |
-The Place Beyond The Pines. -Oh, that's a shame. | 0:36:54 | 0:36:56 | |
He could have shared his stash of chocolate with | 0:36:56 | 0:36:58 | |
the lady at the table behind him. | 0:36:58 | 0:37:00 | |
Those plates the waitress just brought over vanished. | 0:37:00 | 0:37:03 | |
Anything you think I might want to know before I leave here? | 0:37:05 | 0:37:08 | |
-Continuity. -What, when you have trouble with your bowels? | 0:37:12 | 0:37:16 | |
-No, that's incontinuity. -When you resume drinking a cup of PG Tips? | 0:37:16 | 0:37:21 | |
No, that's "continue a tea". | 0:37:21 | 0:37:25 | |
Errors, like those two "jokes", | 0:37:25 | 0:37:27 | |
are things that should never have happened, | 0:37:27 | 0:37:29 | |
and continuity errors are the bread and butter of Movie Mistakes. | 0:37:29 | 0:37:32 | |
What, when you move some Eskimos to the Home Counties? | 0:37:32 | 0:37:36 | |
-No, that's "Kent Inuit...y". -Enough! | 0:37:36 | 0:37:40 | |
Some inspired performances in Hitchcock. | 0:37:42 | 0:37:44 | |
And luckily, some brilliant bloopers. | 0:37:44 | 0:37:46 | |
Alfred Hitchcock is in the middle of a chapter of Psycho | 0:37:46 | 0:37:50 | |
when Alma rudely interrupts him. | 0:37:50 | 0:37:51 | |
..Mr Whitfield-Cook. | 0:37:51 | 0:37:53 | |
This could be the one, Hitch. | 0:37:55 | 0:37:58 | |
I'll read it later. | 0:37:58 | 0:38:00 | |
But now, he's reading from the start of the chapter. | 0:38:00 | 0:38:04 | |
-I sometimes have to re-read things if I'm interrupted. -Re-reading, eh? | 0:38:04 | 0:38:07 | |
That's just showing off twice. | 0:38:07 | 0:38:09 | |
Here's Hitch in a napkin, reading a paper | 0:38:12 | 0:38:15 | |
-and displaying terrible table manners. -I can't see anything wrong. | 0:38:15 | 0:38:19 | |
I forgot to tell you... | 0:38:19 | 0:38:21 | |
Well, the paper is gone and he takes off his napkin. | 0:38:21 | 0:38:24 | |
Taxi to... Where was it, dear? | 0:38:24 | 0:38:26 | |
But here they're both back. | 0:38:26 | 0:38:30 | |
And, just to confuse and alienate Alma, they're both gone again! | 0:38:30 | 0:38:33 | |
Well, would you care to hear my opinion? | 0:38:33 | 0:38:36 | |
While the actual mistake here is that he only SIPS at the wine. | 0:38:36 | 0:38:39 | |
He should drink it all before it goes off. | 0:38:39 | 0:38:42 | |
Now, I'd be the last person you'd think would enjoy a high school | 0:38:45 | 0:38:48 | |
-movie about a cappella groups. -No, you wouldn't. | 0:38:48 | 0:38:52 | |
-I'm not shocked. -But check out the smart and sassy Pitch Perfect. | 0:38:52 | 0:38:55 | |
See how there's no-one sat behind the judges... | 0:38:55 | 0:38:59 | |
But now there are two people! | 0:38:59 | 0:39:01 | |
And in just a tick, there's only one of them. And he's moved seats. | 0:39:01 | 0:39:05 | |
Undecided about how to wear your hair in the finals of a | 0:39:08 | 0:39:11 | |
-high school a cappella music competition? -Always. | 0:39:11 | 0:39:14 | |
So, do as Aubrey does. Wear it up... | 0:39:14 | 0:39:18 | |
# As you walk on by... # | 0:39:18 | 0:39:22 | |
..Then down... | 0:39:23 | 0:39:25 | |
CHEERING AND APPLAUSE | 0:39:25 | 0:39:27 | |
-Then up again! -Oh, genius! Thanks, Matthew. | 0:39:27 | 0:39:30 | |
-Tom, you don't have any hair. -Not on my HEAD... | 0:39:30 | 0:39:34 | |
Yes! It's time for action thriller Jack Reacher. | 0:39:38 | 0:39:42 | |
I blooming love this film! | 0:39:42 | 0:39:44 | |
Jack Reacher is my third favourite Jack, | 0:39:44 | 0:39:48 | |
after Daniel's and -ie Collins. | 0:39:48 | 0:39:50 | |
Now, Jack's first concern in any high-speed car chase is safety. | 0:39:50 | 0:39:55 | |
See this Pennsylvania car safety inspection sticker? | 0:39:55 | 0:39:58 | |
The date on it starts off as September 2012. | 0:39:58 | 0:40:01 | |
But that 9 soon changes itself to 6. | 0:40:03 | 0:40:06 | |
And then to a blurry 8. | 0:40:08 | 0:40:09 | |
Then 7. | 0:40:12 | 0:40:13 | |
And then, back to 9! | 0:40:16 | 0:40:18 | |
Meaning he has his car safety-inspected a whopping | 0:40:20 | 0:40:23 | |
five times in just the one - admittedly, far too long - chase. | 0:40:23 | 0:40:26 | |
The great thing about this show is that it can really ruin | 0:40:26 | 0:40:30 | |
action films for you on a more-or-less permanent basis. | 0:40:30 | 0:40:34 | |
You're welcome. | 0:40:34 | 0:40:35 | |
Now, look at this parking meter. At first, it's a 10-hour limit. | 0:40:42 | 0:40:49 | |
Then, it's just 30 minutes. | 0:40:49 | 0:40:50 | |
He really is a law unto himself. | 0:40:50 | 0:40:53 | |
By "he", do you mean the continuity guy? | 0:40:53 | 0:40:56 | |
Sure. | 0:40:56 | 0:40:57 | |
It's you... The guy from the car. | 0:41:01 | 0:41:04 | |
-This bad guy plays by no rules, not even the rules of time. -How's that? | 0:41:04 | 0:41:08 | |
Well, check out his phone. | 0:41:08 | 0:41:10 | |
-Are you hurt? -Well, she's going to be if you're not here in one hour. | 0:41:11 | 0:41:15 | |
The duration of the phone call changes from the mid-20s... | 0:41:15 | 0:41:19 | |
-to the low tens. -It's perverse. | 0:41:19 | 0:41:24 | |
It's time for the awesome Iron Man 3, | 0:41:29 | 0:41:32 | |
-and my lifetime hero, Tony Stark. -Don't get too upset by this, Ben, | 0:41:32 | 0:41:37 | |
but it's not quite an iron-clad addition to the movie franchise. | 0:41:37 | 0:41:40 | |
-What? -See this young lady? | 0:41:40 | 0:41:43 | |
She takes off his glasses and without turning them round, | 0:41:43 | 0:41:47 | |
places them on her face! | 0:41:47 | 0:41:49 | |
No wonder he looks so confused. | 0:41:49 | 0:41:51 | |
The great thing about films is that they can teach us so much. | 0:41:53 | 0:41:57 | |
Yeah, for example, Forrest Gump taught me | 0:41:57 | 0:41:59 | |
that it's wise to invest early in shrimp restaurants. | 0:41:59 | 0:42:02 | |
And Schindler's List taught me | 0:42:02 | 0:42:04 | |
that a splash of red can really make an outfit stand out in the crowd. | 0:42:04 | 0:42:08 | |
What I meant was, even movie mistakes can afford us | 0:42:08 | 0:42:11 | |
-a life lesson or two. Shall we take a look? -Yeah. | 0:42:11 | 0:42:14 | |
I didn't blow my shrimp fortune on a massive telly to not watch it. | 0:42:14 | 0:42:18 | |
Another error, from the gripping Argo. | 0:42:22 | 0:42:25 | |
Have a read of the important stuff here. | 0:42:25 | 0:42:29 | |
I'm presuming you mean the factual epilogue to this quite serious film? | 0:42:29 | 0:42:32 | |
Not at all, Matthew. | 0:42:32 | 0:42:34 | |
That child has wrongly labelled his Star Wars figures! | 0:42:34 | 0:42:37 | |
The Jawa and Sandpeople figurines are under each other's | 0:42:37 | 0:42:40 | |
labels on this display stand! What a moron. | 0:42:40 | 0:42:44 | |
Ah, Skyfall. Properly exciting, but littered with mistakes. | 0:42:52 | 0:42:57 | |
Take a look at this MP in the grey floral dress. | 0:42:57 | 0:43:01 | |
There she goes, scrambling for cover. | 0:43:01 | 0:43:04 | |
But wait, she's sat back down again! | 0:43:04 | 0:43:07 | |
Huh?! | 0:43:07 | 0:43:09 | |
Is that what you want? | 0:43:16 | 0:43:18 | |
Another Iron Man 3 misfire with Downey Jr and some specs. | 0:43:18 | 0:43:22 | |
..I've been wanting to send to the Mandarin. I just didn't know how... | 0:43:22 | 0:43:25 | |
Definitely not wearing any here. And now they're back on. | 0:43:25 | 0:43:29 | |
Stark obeys no rules. | 0:43:29 | 0:43:30 | |
And not exactly a mistake, but that reporter should | 0:43:30 | 0:43:33 | |
hold his phone horizontally, that footage is going to be useless! | 0:43:33 | 0:43:36 | |
I'm going to come and get the body. | 0:43:36 | 0:43:38 | |
There's no politics here, just good, old-fashioned revenge. | 0:43:38 | 0:43:40 | |
Here's something it's perfectly normal to have | 0:43:47 | 0:43:49 | |
noticed in the gut-wrenchingly emotional Flight. Check out his eye. | 0:43:49 | 0:43:54 | |
I see it. Bloodshot, as you might expect. | 0:43:54 | 0:43:57 | |
-But what now, Tom? -Crikey! It's normal! | 0:43:59 | 0:44:02 | |
That's American health care for you. | 0:44:02 | 0:44:04 | |
And all for the mere cost of his family home. | 0:44:04 | 0:44:07 | |
I assure you, Geoffrey, | 0:44:14 | 0:44:15 | |
my murders are always models of taste and discretion. | 0:44:15 | 0:44:18 | |
The decent character piece Hitchcock again. | 0:44:18 | 0:44:22 | |
And this stenographer is padding the keys like nobody's business. | 0:44:22 | 0:44:26 | |
Hah! That's not how stenograph...ising looks. | 0:44:26 | 0:44:29 | |
She should be moving her fingers individually! | 0:44:29 | 0:44:31 | |
Yeah, Ben, that's how YOU type. | 0:44:31 | 0:44:33 | |
Guys, don't you hate photo booths? | 0:44:41 | 0:44:43 | |
They always seem to charge you at least £1.50 more than they say. | 0:44:43 | 0:44:47 | |
What's worse is when they print a different photo to what's | 0:44:47 | 0:44:49 | |
happening in reality! In the totally average On The Road, | 0:44:49 | 0:44:53 | |
the boys are in a different position in the photo that gets printed. | 0:44:53 | 0:44:56 | |
See this expression? No wonder they chopped it up. | 0:44:56 | 0:44:59 | |
Django Unchained - unmistakably Tarantino. | 0:45:07 | 0:45:10 | |
Here, Django earns his freedom via a game of hat-tossing. | 0:45:10 | 0:45:13 | |
-You've not seen this film, have you? -No, I've not, my mum won't let me. | 0:45:13 | 0:45:18 | |
See how the hat is resting at approximately 43 degrees? | 0:45:18 | 0:45:22 | |
43, 44, yeah. | 0:45:22 | 0:45:25 | |
Well, now it's back totally level. | 0:45:25 | 0:45:27 | |
Amazing. Django, claim your freedom. | 0:45:27 | 0:45:31 | |
That's a fancy word for servant. | 0:45:31 | 0:45:33 | |
Every generation of movie mistakers | 0:45:46 | 0:45:50 | |
is defined by one or two individuals, | 0:45:50 | 0:45:54 | |
actors who care not for continuity errors, or brush aside anachronisms. | 0:45:54 | 0:45:59 | |
No, these actors take the bull by the horns... | 0:45:59 | 0:46:03 | |
and hold it the wrong way round. | 0:46:03 | 0:46:05 | |
Inside The Clunkers Studio is proud to welcome a master mistaker. | 0:46:06 | 0:46:12 | |
Ladies, and indeed gentlemen, | 0:46:12 | 0:46:15 | |
please welcome Mr Bruce Willis. | 0:46:15 | 0:46:18 | |
Bruce. | 0:46:18 | 0:46:20 | |
James. | 0:46:20 | 0:46:22 | |
Bruce, could you share with us your memory of your first movie mistake? | 0:46:22 | 0:46:27 | |
I guess that would be Die Hard 2: Die Harder. | 0:46:27 | 0:46:31 | |
CHEERING AND APPLAUSE | 0:46:31 | 0:46:33 | |
What a tour de force, and I'm sure we all know all too well | 0:46:33 | 0:46:38 | |
the scene in question, | 0:46:38 | 0:46:39 | |
but how does one prepare for playing a role | 0:46:39 | 0:46:42 | |
-in the middle of winter when it's actually summer? -It was easy. | 0:46:42 | 0:46:45 | |
-You make it look easy. -No, no, it was easy. | 0:46:45 | 0:46:49 | |
I mean, they just don't bother to hide that it's sunny outside | 0:46:49 | 0:46:52 | |
-and then sprinkle a bit of fake snow on my jacket. -Such skill. | 0:46:52 | 0:46:57 | |
And there are snowless green trees - an allegory for hope, perhaps? | 0:46:57 | 0:47:03 | |
Perhaps. | 0:47:03 | 0:47:04 | |
Now, if I may, I'd like to talk about your comedic exploits | 0:47:04 | 0:47:08 | |
in the sublime and clever Death Becomes Her. | 0:47:08 | 0:47:10 | |
APPLAUSE | 0:47:10 | 0:47:13 | |
How was it performing a comedic role | 0:47:13 | 0:47:17 | |
alongside two of the world's most beloved actresses? | 0:47:17 | 0:47:22 | |
Well, I had a moustache, so I felt funnier. | 0:47:22 | 0:47:26 | |
Filming it was a lot of fun, though. | 0:47:28 | 0:47:30 | |
I mean, there were times when I had to literally just run onto stage | 0:47:30 | 0:47:34 | |
even before the make-up artist had finished with me. | 0:47:34 | 0:47:37 | |
Ah, yes, here we can see the greyish make-up | 0:47:37 | 0:47:40 | |
-ending on your jaw line. Absolutely fabulous. -Yeah. | 0:47:40 | 0:47:43 | |
-And there's me opening a door from the left side. -But on the other side, | 0:47:43 | 0:47:48 | |
the doorknob is still on the left, when it should be on the right. | 0:47:48 | 0:47:51 | |
It's inspirational. | 0:47:51 | 0:47:53 | |
Yeah, I spend a lot of time on set swapping hinges on doors. | 0:47:54 | 0:47:59 | |
I'd like you to share with us | 0:47:59 | 0:48:01 | |
your feelings about the inimitable Last Boy Scout. | 0:48:01 | 0:48:05 | |
CHEERING AND APPLAUSE | 0:48:05 | 0:48:08 | |
Yeah, I had to work really hard to get a blooper in on that one. | 0:48:09 | 0:48:13 | |
There was one scene where I had to be unconscious, | 0:48:13 | 0:48:16 | |
so I thought, "Bruce, how can you do something here?" | 0:48:16 | 0:48:20 | |
So I just tried really hard to not look unconscious. | 0:48:20 | 0:48:24 | |
See, I'm being helped into a car by some thugs and I use my legs. | 0:48:25 | 0:48:30 | |
-That's not the only mistake in the film, is it? -No. | 0:48:31 | 0:48:35 | |
There's a member of the crew in the background | 0:48:35 | 0:48:37 | |
with a ladder. It wasn't me, so I had him fired. | 0:48:37 | 0:48:42 | |
There he is in the background, to the right. | 0:48:42 | 0:48:45 | |
As it wasn't me committing the mistake, | 0:48:45 | 0:48:47 | |
I had it removed off the Blu-ray version. | 0:48:47 | 0:48:50 | |
Oh, Bruce, let's take a question from the audience. | 0:48:51 | 0:48:56 | |
Good evening, Mr Willis. My name's Robert Hoppleby. | 0:48:56 | 0:49:00 | |
-I'm a second-year actor. -So? | 0:49:00 | 0:49:02 | |
In a career riddled with mistakes, | 0:49:02 | 0:49:05 | |
are there any that your public are yet to discover? | 0:49:05 | 0:49:07 | |
I'm very glad you asked that question, | 0:49:07 | 0:49:10 | |
because actually, there is a mistake that nobody's ever seen | 0:49:10 | 0:49:13 | |
that's very dear to my heart, | 0:49:13 | 0:49:15 | |
and I'd like to share it with you this evening. | 0:49:15 | 0:49:18 | |
Ladies and gentlemen, | 0:49:18 | 0:49:19 | |
another first for Inside The Clunkers Studio. | 0:49:19 | 0:49:21 | |
Last year, I was in a little film. Some of you might have seen it. | 0:49:23 | 0:49:28 | |
It was called Looper. | 0:49:28 | 0:49:29 | |
SILENCE | 0:49:29 | 0:49:32 | |
Let's take a look. Here I am in a scene with a lesser actor. | 0:49:32 | 0:49:38 | |
Watch very closely as the waitress brings us things. | 0:49:38 | 0:49:42 | |
I'm having difficulty taking my eyes off your own performance, Bruce. | 0:49:42 | 0:49:47 | |
Yeah, but look there. | 0:49:47 | 0:49:48 | |
-Suddenly, the coffee and water appear out of nowhere. -Brilliant! | 0:49:48 | 0:49:53 | |
Yeah, I had them hidden in my lap | 0:49:53 | 0:49:56 | |
and then I popped them out when they changed shot. | 0:49:56 | 0:50:00 | |
They asked if they could reshoot, but I refused. | 0:50:00 | 0:50:03 | |
-Truly masterful. -Yeah, but there's more. | 0:50:03 | 0:50:07 | |
That so-called... Jason Gordon-Levitt, is that his name? | 0:50:07 | 0:50:12 | |
-Yep. -They tried to make him look like me. -He is a lucky man. | 0:50:12 | 0:50:16 | |
Yeah, the make-up artist tried really hard, | 0:50:16 | 0:50:18 | |
but the thing is, I have lobed ears, whereas he does not. | 0:50:18 | 0:50:24 | |
Yes, but I suppose nothing could be done about that. | 0:50:24 | 0:50:27 | |
That's where you're wrong, James. He used to have lobed ears. | 0:50:27 | 0:50:31 | |
In fact, they were identical to mine, | 0:50:31 | 0:50:33 | |
-but I forced him to have them sewn up. -Such creativity. | 0:50:33 | 0:50:39 | |
Yeah, such a lot of pain for such an inconsequential thing. | 0:50:39 | 0:50:44 | |
Bruce Willis, we thank you. | 0:50:44 | 0:50:46 | |
CHEERING AND APPLAUSE | 0:50:46 | 0:50:48 | |
(Can you pay me in cash?) | 0:50:48 | 0:50:49 | |
Even the sharpest amongst us have experienced moments of idiocy. | 0:50:57 | 0:51:00 | |
Um, I haven't. | 0:51:00 | 0:51:02 | |
Are you still developing that range of asbestos balaclavas, Ben? | 0:51:02 | 0:51:05 | |
Sure am, my man. | 0:51:05 | 0:51:08 | |
HE COUGHS | 0:51:08 | 0:51:09 | |
But even Ben at the peak of his powers | 0:51:09 | 0:51:11 | |
can't compete with these pretty awful clunkers we've got coming up. | 0:51:11 | 0:51:15 | |
Some would argue that remaking Total Recall | 0:51:16 | 0:51:19 | |
-was a moment of idiocy itself. -It's not great. | 0:51:19 | 0:51:22 | |
Colin Farrell, sorting through some passports. | 0:51:22 | 0:51:26 | |
Here's good old Henry Reed. | 0:51:26 | 0:51:28 | |
More like "Henty Reed". | 0:51:28 | 0:51:30 | |
Oh, you're right! | 0:51:30 | 0:51:31 | |
Across the bottom of the passport, his name is misspelled. | 0:51:31 | 0:51:34 | |
-Amazing spot, Tom. -Damn right. | 0:51:34 | 0:51:36 | |
Not just a pretty face and a steady set of calves. | 0:51:36 | 0:51:40 | |
Also, can I just say, | 0:51:40 | 0:51:41 | |
his signature is frankly embarrassing. | 0:51:41 | 0:51:45 | |
Blimey! Argo has more continuity errors than factual errors. | 0:51:51 | 0:51:57 | |
Right, we all know what safety glass being smashed sounds like, yeah? | 0:51:57 | 0:52:01 | |
-The crunch of freedom. -Beg your pardon, Ben? -Nothing. | 0:52:01 | 0:52:05 | |
But listen to this. | 0:52:05 | 0:52:07 | |
That's ordinary glass breaking. | 0:52:07 | 0:52:11 | |
I'd like to talk to you boys about Hit And Run. | 0:52:15 | 0:52:19 | |
-The film we're currently watching? -Oh, yes. Yes, of course, the film. | 0:52:19 | 0:52:24 | |
Good, because there are gaffes galore. | 0:52:24 | 0:52:26 | |
-Really, Ben? -Yep, check this out. | 0:52:26 | 0:52:28 | |
Randy is chatting to Charlie on his iPhone | 0:52:28 | 0:52:31 | |
and he's only gone and held it upside down. | 0:52:31 | 0:52:34 | |
These actors with their challenging jobs(!) | 0:52:34 | 0:52:36 | |
Look, can't even hold the coffee properly. | 0:52:36 | 0:52:39 | |
That doesn't quite class as a movie mistake. | 0:52:39 | 0:52:41 | |
-Hit And Run? More like miss and run. Am I right, boys? -Nicely done, Ben. | 0:52:50 | 0:52:55 | |
-That fist isn't touching him. -No, no, he's a martial artist. | 0:52:55 | 0:52:59 | |
He's mastered the minus-one-inch punch. | 0:52:59 | 0:53:02 | |
He's mainly hitting him with chi. | 0:53:02 | 0:53:05 | |
We're staying here. Let's go. | 0:53:07 | 0:53:10 | |
The smartly character-focused Wolverine again. | 0:53:12 | 0:53:15 | |
Now, notice that it's daytime | 0:53:15 | 0:53:16 | |
-when Logan and Mariko enter the love hotel. -Duly noticed. | 0:53:16 | 0:53:19 | |
Well, by the time they've made it up to their room, | 0:53:19 | 0:53:22 | |
-it's darkest night. What's up with that? -That's just proved | 0:53:22 | 0:53:25 | |
that even the transition from night to day is more efficient in Japan. | 0:53:25 | 0:53:29 | |
-Check out Yukio and that black portfolio she's handed. -Sure. | 0:53:33 | 0:53:38 | |
I can't, Princess. I'm a soldier. | 0:53:39 | 0:53:42 | |
Look again. It's gone. | 0:53:42 | 0:53:45 | |
That's probably just her mutant power, making admin disappear. | 0:53:45 | 0:53:49 | |
Actually, her mutant power is foreseeing people's deaths. | 0:53:49 | 0:53:53 | |
-Thanks for bringing the mood down, Matthew. -You're very welcome, sir. | 0:53:53 | 0:53:56 | |
Intelligent and glossy thriller Jack Reacher here. | 0:54:00 | 0:54:03 | |
Now, we all know Tom Cruise is quite a short man, | 0:54:03 | 0:54:06 | |
-but this looks ridiculous. -He's just reversing down that dirt path. | 0:54:06 | 0:54:11 | |
But listen. You can hear gears changing. | 0:54:11 | 0:54:14 | |
GEARS REV | 0:54:14 | 0:54:17 | |
You can't change gear in reverse! | 0:54:19 | 0:54:21 | |
Unless Cruise has used his millions to pay for multiple reverse gears. | 0:54:21 | 0:54:25 | |
It's the bright and bewildering Looper. Now, what's 7x8? Yes, 56. | 0:54:29 | 0:54:35 | |
So why, when we change shot, has it moved a space on the board? | 0:54:35 | 0:54:39 | |
Possibly because the kid is an evil psychic? | 0:54:39 | 0:54:42 | |
I didn't think you understood Looper that well, Ben, | 0:54:42 | 0:54:45 | |
but that's not a bad shout. | 0:54:45 | 0:54:46 | |
Aha! 56 is back, and now we have 21, too. | 0:54:50 | 0:54:53 | |
Based on his face, definitely evil and psychic. | 0:54:54 | 0:54:57 | |
Now the 21 tile's disappeared and 56 is back in the wrong place. | 0:54:59 | 0:55:04 | |
Do this now, OK? You have 32 there. I know you know this one. | 0:55:05 | 0:55:08 | |
And then the 21 comes back, | 0:55:08 | 0:55:11 | |
with the 56 still misplaced as the kid puts down 32 where 56 should be. | 0:55:11 | 0:55:15 | |
-No, 8x3 is what? -32. | 0:55:16 | 0:55:19 | |
8x3 is what? | 0:55:19 | 0:55:21 | |
Was that in any way worth the agony of rewatching this in such detail? | 0:55:21 | 0:55:26 | |
Not remotely. Oh, hang on. | 0:55:26 | 0:55:28 | |
-I think I've found another. Go back a sec. -Oh! | 0:55:28 | 0:55:32 | |
There, see? He has a fine set of demonic front teeth. | 0:55:32 | 0:55:37 | |
-Now rewind again. -You'll wear the DVD out! Or something. -Look! | 0:55:37 | 0:55:43 | |
-Now he's missing one. -I hate child actors, like Danny DeVito. | 0:55:43 | 0:55:48 | |
-Ben, DeVito's been acting since the '60s. -Great. | 0:55:48 | 0:55:52 | |
So he's a prolific child actor. | 0:55:52 | 0:55:54 | |
She's not my mom. | 0:55:54 | 0:55:56 | |
Jim Broadbent as the very British Timothy Cavendish here | 0:55:59 | 0:56:02 | |
in the not entirely successful adaptation of Cloud Atlas. | 0:56:02 | 0:56:06 | |
He's typing a screenplay... and pause. | 0:56:06 | 0:56:10 | |
"Laboring" without a U? | 0:56:11 | 0:56:12 | |
Not a very British way of spelling the word, is it, Broadbent? | 0:56:12 | 0:56:16 | |
Maybe he was commenting on this mistake, | 0:56:16 | 0:56:19 | |
"la boring", which is French for "It's boring". | 0:56:19 | 0:56:23 | |
And that's your lot. | 0:56:23 | 0:56:25 | |
See you soon for some more great movie mistakes! | 0:56:25 | 0:56:28 | |
Subtitles by Red Bee Media Ltd | 0:56:53 | 0:56:56 |