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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:05 | |
two hairy men from the Midlands, and Matthew the painfully white. | 0:00:05 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:13 | |
cinematic screw-ups and filmic failures. | 0:00:13 | 0:00:16 | |
They travelled as far as Odeon and through the many caverns of Vue, | 0:00:18 | 0:00:22 | |
where they have returned with their pray, | 0:00:22 | 0:00:25 | |
captured on shiny golden rings known as DVDs. | 0:00:25 | 0:00:29 | |
Fine, fine, I know they're not gold. | 0:00:29 | 0:00:33 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:33 | 0:00:38 | |
-Turn that off. -Not watching that. | 0:00:41 | 0:00:44 | |
Hello, we're Pappy's and welcome to Great Movie Mistakes. | 0:00:44 | 0:00:49 | |
My Greatest Movie Mistake was messing up my audition to play Edward in the Twilight films. | 0:00:49 | 0:00:54 | |
Should never have got that spray tan. | 0:00:54 | 0:00:56 | |
Mine was being Bella in your audition tape. | 0:00:56 | 0:00:58 | |
Did we really have to act out the whole film? | 0:00:58 | 0:01:01 | |
What Tom and Ben have expertly failed to explain | 0:01:01 | 0:01:03 | |
is that tonight we're going to be going through clip after clip | 0:01:03 | 0:01:06 | |
of Great Movie Mistakes. I can't wait. | 0:01:06 | 0:01:08 | |
Bella. It's time. | 0:01:08 | 0:01:11 | |
Stop it. | 0:01:11 | 0:01:13 | |
And which of this year's movies features the most mistakes? | 0:01:27 | 0:01:30 | |
Find out soon. | 0:01:30 | 0:01:33 | |
Hi, guys. Ben here. | 0:01:35 | 0:01:37 | |
I'd just like to remind everyone | 0:01:37 | 0:01:40 | |
that not all films have to be intellectual. | 0:01:40 | 0:01:43 | |
They don't all need a plot or a script. | 0:01:43 | 0:01:47 | |
Sometimes all you need to have a good time is to watch a man | 0:01:47 | 0:01:51 | |
get hit in the crotch. | 0:01:51 | 0:01:53 | |
Awww! | 0:01:53 | 0:01:54 | |
Ben makes a valid point. | 0:01:55 | 0:01:57 | |
Sometimes you just can't beat a bit of lowbrow comedy. | 0:01:57 | 0:02:02 | |
Urgh! I've changed my mind, this isn't funny at all! | 0:02:02 | 0:02:07 | |
Here's a selection of lowbrow clunkers. Enjoy! | 0:02:07 | 0:02:10 | |
CLANK | 0:02:10 | 0:02:12 | |
You OK, Chow? | 0:02:13 | 0:02:15 | |
I don't know, you tell me. | 0:02:15 | 0:02:17 | |
Ah, The Hangover III, an utter movie mistake | 0:02:17 | 0:02:20 | |
distilling all the worst bits of | 0:02:20 | 0:02:22 | |
the brilliant Hangover I and the middling Hangover II. | 0:02:22 | 0:02:26 | |
Mr Chow here is going mental with a knife to Stu's neck. | 0:02:28 | 0:02:32 | |
The right side of Stu's neck, that is. | 0:02:32 | 0:02:34 | |
So how come the cut's on his left side for the rest of the film? | 0:02:34 | 0:02:38 | |
And more to the point, why was this awful film made? | 0:02:38 | 0:02:41 | |
HE SINGS: # Money! # | 0:02:41 | 0:02:43 | |
Quick, guys, it's Zach Galifianakis, | 0:02:53 | 0:02:55 | |
the best thing about The Hangover III. | 0:02:55 | 0:02:57 | |
Sorry, Matthew, the sound editors have ruined this scene for me. | 0:02:57 | 0:03:00 | |
You see this saucy exchange of a lollipop? | 0:03:00 | 0:03:03 | |
Cor, do I?! | 0:03:03 | 0:03:05 | |
SHE SUCKS AND RATTLES LOLLIPOP | 0:03:05 | 0:03:07 | |
LOLLIPOP CRUNCHES | 0:03:09 | 0:03:11 | |
Clearly she's crunching and chewing on the lollipop. | 0:03:11 | 0:03:14 | |
-There it is, whole again. -Thanks a bunch, sound effects people(!) | 0:03:17 | 0:03:22 | |
'Are you in a library?' | 0:03:26 | 0:03:28 | |
It's the cast of the Wedding Crashers | 0:03:28 | 0:03:30 | |
doing a not-as-good film. | 0:03:30 | 0:03:32 | |
Yeah, The Internship wasn't exactly laugh-out-loud. | 0:03:32 | 0:03:35 | |
This scene's funny, though. But not the way they intended. | 0:03:35 | 0:03:38 | |
Check out the books behind them. They keep changing! | 0:03:38 | 0:03:41 | |
And the red trolley | 0:03:41 | 0:03:44 | |
disappears constantly! | 0:03:44 | 0:03:46 | |
Much like my will to live whilst watching this film. | 0:03:46 | 0:03:49 | |
Now, there's a lot of hate for Movie 43. | 0:03:50 | 0:03:54 | |
That's because it's absolutely | 0:03:54 | 0:03:55 | |
one of the worst films in the history of cinema. | 0:03:55 | 0:03:58 | |
Oh, come on, it's got a great cast! | 0:04:00 | 0:04:01 | |
Who were all essentially blackmailed into doing the film | 0:04:01 | 0:04:04 | |
by the directors. Here's the actually very talented | 0:04:04 | 0:04:07 | |
Anna Faris and Chris Pratt. | 0:04:07 | 0:04:09 | |
-This is perfect. -Julie, we've been together for over a year. | 0:04:09 | 0:04:14 | |
16 months and two weeks. | 0:04:14 | 0:04:16 | |
THEY LAUGH | 0:04:16 | 0:04:18 | |
And in that time, I've come to realise that... | 0:04:18 | 0:04:20 | |
..you mean everything to me. | 0:04:21 | 0:04:23 | |
Oh, Doug, you too! | 0:04:23 | 0:04:26 | |
-Ahh, Julie and Doug. -No, no, Ben! | 0:04:26 | 0:04:28 | |
They call themselves that here, but on the credits, see, | 0:04:28 | 0:04:31 | |
they're listed as "Vanessa" and "Jason!" | 0:04:31 | 0:04:34 | |
I'd argue that's another great gag in a great film! | 0:04:34 | 0:04:38 | |
I'd argue it's another misfire in a film that should have | 0:04:38 | 0:04:41 | |
genuinely never been made. | 0:04:41 | 0:04:43 | |
It's the unashamedly crude Ted. | 0:04:46 | 0:04:49 | |
Marky Mark wants to prove he's all grown up | 0:04:49 | 0:04:52 | |
since his time with the so-called Funky Bunch in the early '90s. | 0:04:52 | 0:04:56 | |
But look, he can do up his tie and everything! | 0:04:56 | 0:05:00 | |
And for further emphasis, he does it up again. | 0:05:00 | 0:05:03 | |
Hanging around with a teddy bear isn't terribly adult. | 0:05:03 | 0:05:06 | |
It's just a movie, Ben. | 0:05:06 | 0:05:08 | |
And, OK, this is ridiculous. When Mila Kunis comes out of the shower, | 0:05:12 | 0:05:16 | |
she has full make-up on! | 0:05:16 | 0:05:18 | |
Down here. Not looking up your towel, swear to God. | 0:05:18 | 0:05:21 | |
Not looking up your towel, not looking at your funny business. | 0:05:21 | 0:05:23 | |
Hang on, Ben. There is a chance that she actually is that beautiful. | 0:05:23 | 0:05:27 | |
Or that she's wearing waterproof mascara? | 0:05:27 | 0:05:29 | |
Let me talk first, all right? And then you can say whatever you want. | 0:05:29 | 0:05:33 | |
Well, I'm marking it up as a mistake. | 0:05:33 | 0:05:36 | |
It's time for Donny, aka Giovanni Ribisi, to show us his dance moves. | 0:05:41 | 0:05:46 | |
Some pretty decent hip work there. | 0:05:46 | 0:05:48 | |
And now, thanks to his disappearing drink, he can use his arms. | 0:05:53 | 0:05:57 | |
Beautiful! | 0:05:57 | 0:05:59 | |
How many continuity guys does it take to change a light bulb? | 0:06:02 | 0:06:05 | |
-I don't know. -Well, look at this Christian Science reading room. | 0:06:05 | 0:06:08 | |
The lights are on. | 0:06:08 | 0:06:09 | |
But once we're here with Mila in her car... | 0:06:09 | 0:06:13 | |
Hey! | 0:06:13 | 0:06:14 | |
..they're off. | 0:06:14 | 0:06:16 | |
However, spin forward just a few seconds and... | 0:06:19 | 0:06:23 | |
I've seen the light! | 0:06:23 | 0:06:25 | |
MOBILE RINGTONE CHIMES | 0:06:25 | 0:06:28 | |
OK, so... | 0:06:31 | 0:06:34 | |
It's mirth-filled fun action comedy The Heat starring Sandra Bullock | 0:06:34 | 0:06:38 | |
and Melissa McCarthy. | 0:06:38 | 0:06:39 | |
Whoa, Bullock's put on a lot of weight for this role. Respect. | 0:06:39 | 0:06:43 | |
When hiring extras in your next feature film, | 0:06:43 | 0:06:46 | |
try to make sure they're not identical triplets wearing | 0:06:46 | 0:06:49 | |
the same costume, as can be seen in the background of this scene. | 0:06:49 | 0:06:53 | |
Look at this guy! | 0:06:53 | 0:06:56 | |
And now this fellow, same shirt and bag. | 0:06:58 | 0:07:00 | |
-And now this chap. -Guys, I'm pretty sure they're the same person. | 0:07:03 | 0:07:07 | |
Wow, Matthew, wow! | 0:07:07 | 0:07:09 | |
Now, Shannon here hurls a watermelon at a criminal. | 0:07:12 | 0:07:15 | |
Notice how it doesn't break. | 0:07:15 | 0:07:17 | |
He, Matthew. Criminals are people too. | 0:07:18 | 0:07:21 | |
I meant the watermelon, which is now broken up all over the place! | 0:07:21 | 0:07:25 | |
A watermelon! Oh, hell, no! See, I told you you was a racist! | 0:07:25 | 0:07:29 | |
But not here. | 0:07:29 | 0:07:31 | |
The bad thing about movies is if you watch a terrible one you can't get the time back. | 0:07:33 | 0:07:37 | |
True, that. | 0:07:37 | 0:07:38 | |
I wrote to Ben Affleck after I watched Pearl Harbor | 0:07:38 | 0:07:41 | |
demanding that he send me back three hours plus interest. | 0:07:41 | 0:07:46 | |
-He never replied! -What were you expecting he'd send? | 0:07:46 | 0:07:49 | |
Three and a half hours. | 0:07:49 | 0:07:51 | |
Maybe a bit more, according to the exchange rate. | 0:07:51 | 0:07:54 | |
I was very disappointed by Gone In 60 Seconds. | 0:07:54 | 0:07:57 | |
Way longer than advertised. | 0:07:57 | 0:07:59 | |
I think that's the time it took them to write the script. | 0:07:59 | 0:08:01 | |
ALL: Hey-o! | 0:08:01 | 0:08:03 | |
Actually, I was pleasantly surprised by The NeverEnding Story. | 0:08:03 | 0:08:07 | |
Slightly alarmist title, that one. | 0:08:07 | 0:08:09 | |
So, as a public service, we've trawled through the world's | 0:08:09 | 0:08:12 | |
worst films and highlighted the mistakes so you don't have to. | 0:08:12 | 0:08:16 | |
Yippie-ki-yay, Mother Hubbard. | 0:08:16 | 0:08:19 | |
-Good old Brucie as John McClane, can't go wrong. -I beg to differ. | 0:08:20 | 0:08:25 | |
Look at the car window - open. | 0:08:25 | 0:08:28 | |
Then closed. | 0:08:28 | 0:08:29 | |
That's about as wrong as it gets, mate. | 0:08:29 | 0:08:32 | |
Check out this packed courtroom. | 0:08:35 | 0:08:37 | |
I had a similar turn out when I was in court for my naked rambling. | 0:08:37 | 0:08:40 | |
Yeah, you really shouldn't have rambled nude | 0:08:40 | 0:08:43 | |
-through the packed courtroom, Ben. -So it transpired. | 0:08:43 | 0:08:46 | |
Oh, my days, it's a triple car bomb! Pe-eow, pe-eow, pe-eow! | 0:08:46 | 0:08:50 | |
Don't worry, through the medium of continuity errors, | 0:08:50 | 0:08:53 | |
everyone in the courtroom has miraculously escaped. | 0:08:53 | 0:08:56 | |
-Except for that guard. -Don't worry, he gets shot. -Yay. | 0:08:56 | 0:09:00 | |
Pay close attention and you'll see it. | 0:09:05 | 0:09:08 | |
There it is, proof that A Good Day To Die Hard was in fact | 0:09:09 | 0:09:13 | |
a film filmed by a crew. | 0:09:13 | 0:09:15 | |
Cor, you've really lifted the lid on that one(!) | 0:09:15 | 0:09:18 | |
You're welcome. | 0:09:18 | 0:09:19 | |
What is it with old people and phones? | 0:09:22 | 0:09:24 | |
They just can't work them properly. | 0:09:24 | 0:09:26 | |
I'd argue this old lad is actually quite impressive. | 0:09:26 | 0:09:28 | |
He successfully made an outgoing call while still on the dialling screen. | 0:09:28 | 0:09:33 | |
Either that, or he's having | 0:09:33 | 0:09:35 | |
a full-blown discussion with the voices in his head - | 0:09:35 | 0:09:37 | |
in which case, that whole scene is just really upsetting. | 0:09:37 | 0:09:40 | |
Wait for my command to execute... | 0:09:43 | 0:09:45 | |
An all-star cast doesn't make a great film, | 0:09:45 | 0:09:47 | |
as Olympus Has Fallen shows. | 0:09:47 | 0:09:49 | |
What ruins it for me is this. | 0:09:49 | 0:09:51 | |
Even I know the plural of terrorist isn't terrorist! | 0:09:52 | 0:09:56 | |
Go on, then. What is it, then? | 0:09:56 | 0:09:58 | |
Terrori? | 0:09:58 | 0:10:00 | |
The most protected building on earth. | 0:10:00 | 0:10:02 | |
In After Earth, our planet's now host to giant creatures. | 0:10:05 | 0:10:09 | |
And camera cranes. | 0:10:09 | 0:10:10 | |
Ah, yes, and camera cranes, | 0:10:10 | 0:10:12 | |
one of which reveals itself with its shadow. | 0:10:12 | 0:10:14 | |
This really is a slow and tedious film. Let's move on. Quick! | 0:10:14 | 0:10:18 | |
Judd Apatow goes grown-up at the request of absolutely | 0:10:23 | 0:10:26 | |
no-one, in the coarse and plot-less This Is 40. | 0:10:26 | 0:10:28 | |
-It's just a bunch of guys that get together and ride. -I know, I know. | 0:10:28 | 0:10:32 | |
But watch, as Barry heckles the dangerous driver. | 0:10:32 | 0:10:36 | |
The car disappears! | 0:10:36 | 0:10:38 | |
-You want to see pictures of the kids? -Oh, yeah! | 0:10:41 | 0:10:44 | |
Hooray! 3rd Rock From The Sun! | 0:10:45 | 0:10:47 | |
John Lithgow's done much more than that, Ben. | 0:10:47 | 0:10:50 | |
-He's a Shakespearean actor. -Yes, but that mobile is clearly upside-down. | 0:10:50 | 0:10:54 | |
Is he playing "Man Who Can't Use an iPhone Properly" from Hamlet? | 0:10:57 | 0:11:00 | |
That sixth form update of Hamlet you did was NOT the definitive version! | 0:11:00 | 0:11:05 | |
As we all know, Americans are only capable | 0:11:07 | 0:11:10 | |
of driving automatic vehicles. | 0:11:10 | 0:11:12 | |
They also can't handle roundabouts. | 0:11:12 | 0:11:15 | |
But to make things tricky, Pete and Debbie are driving whilst their | 0:11:15 | 0:11:18 | |
car is in park mode, when the thing shouldn't be able to move at all! | 0:11:18 | 0:11:22 | |
-Bit of a nonstarter all round, this movie. -Boring. | 0:11:22 | 0:11:26 | |
-What does he have you doing? -Nothin', baby... | 0:11:29 | 0:11:32 | |
If you're one of the 11 people who have seen Stolen, I can only | 0:11:32 | 0:11:35 | |
offer you my condolences. | 0:11:35 | 0:11:36 | |
It is not strong, though it does mark a milestone | 0:11:36 | 0:11:40 | |
in that it is Nicolas Cage's ten millionth film! | 0:11:40 | 0:11:44 | |
But it does have this blunder. Here, Cage knocks this guy off his stool... | 0:11:44 | 0:11:48 | |
MAN GROANS | 0:11:50 | 0:11:51 | |
And now, somehow, the stool is back upright. | 0:11:51 | 0:11:55 | |
You tell me where she is | 0:11:55 | 0:11:56 | |
or I'll blow your lunch all over this carpet. | 0:11:56 | 0:11:59 | |
Yeah, honestly, don't see this film. | 0:11:59 | 0:12:01 | |
Here's where Stolen goes from savagely mediocre to really gross. | 0:12:05 | 0:12:09 | |
Nicolas Cage escapes from his handcuffs using | 0:12:09 | 0:12:11 | |
the time-honoured method of dislocating his left thumb. | 0:12:11 | 0:12:15 | |
Oi, nasty! | 0:12:15 | 0:12:16 | |
Hello. I'm here... | 0:12:22 | 0:12:25 | |
Then, after a preposterous double car crash, | 0:12:25 | 0:12:27 | |
he gets out of the car and resets his RIGHT thumb. | 0:12:27 | 0:12:30 | |
Or possibly also dislocates it for fun. Who knows? | 0:12:30 | 0:12:33 | |
Really comin' down to the wire on this one. | 0:12:33 | 0:12:36 | |
It's the ghastly and unwanted Sweeney movie. | 0:12:38 | 0:12:42 | |
Now, we've seen over-keen extras in films, | 0:12:42 | 0:12:44 | |
but it's a bit much when the extra is St Paul's Cathedral. | 0:12:44 | 0:12:48 | |
-See it here? -Yep. | 0:12:48 | 0:12:50 | |
Ah, yes, it also pops up later on the other side of the car here. | 0:12:50 | 0:12:54 | |
They also seem to be driving along the same bridge for absolutely ages. | 0:12:55 | 0:13:00 | |
What secret massive bridge are they using? | 0:13:00 | 0:13:02 | |
The one next to the two St Paul's Cathedrals, I guess. | 0:13:02 | 0:13:05 | |
Sharknado, a concept so daft Ben could have come up with it. | 0:13:08 | 0:13:11 | |
You say that, but I still haven't attracted any funding | 0:13:11 | 0:13:14 | |
for Goatpocalypse Now. | 0:13:14 | 0:13:15 | |
Thank God for that. | 0:13:15 | 0:13:17 | |
Now, searching for mistakes in this is like shooting fish in a barrel, | 0:13:17 | 0:13:20 | |
which is probably the way the special effects were filmed. | 0:13:20 | 0:13:23 | |
Here we see a house clearly massively flooded | 0:13:23 | 0:13:26 | |
and sharks are swimming all over the place, | 0:13:26 | 0:13:28 | |
which really begs the question of how they opened the door! | 0:13:28 | 0:13:31 | |
And why the water level outside is almost nonexistent. | 0:13:31 | 0:13:35 | |
And how they managed to close the door again. | 0:13:35 | 0:13:38 | |
And why there are sharks in tornadoes! | 0:13:38 | 0:13:40 | |
And what Tara Reid did to her once promising career. | 0:13:41 | 0:13:45 | |
Great news, guys! | 0:13:45 | 0:13:46 | |
She's just signed up for Goatpocalypse Now! | 0:13:46 | 0:13:48 | |
Everybody out of the pool! | 0:13:51 | 0:13:53 | |
In a film with amazingly ropey special effects, | 0:13:53 | 0:13:55 | |
it's remarkable that they wasted money on this effect | 0:13:55 | 0:13:58 | |
that makes absolutely no sense. | 0:13:58 | 0:14:00 | |
Specifically, that Connect Four game. | 0:14:00 | 0:14:03 | |
-Is one of the reds actually floating in mid-air? -Yes, Tom, it is. | 0:14:03 | 0:14:08 | |
Great work, art department(!) | 0:14:08 | 0:14:10 | |
Anachronisms. | 0:14:13 | 0:14:14 | |
-The fear of spiders. -No! | 0:14:14 | 0:14:16 | |
Anachrophobia is the fear of spiders. | 0:14:16 | 0:14:19 | |
Anachronisms are when you have the political beliefs of a spider. | 0:14:19 | 0:14:24 | |
Actually, it's when something from the wrong time period | 0:14:24 | 0:14:27 | |
appears in a film. | 0:14:27 | 0:14:28 | |
Ever since the digital watch in Ben-Hur, | 0:14:28 | 0:14:30 | |
eagle-eyed movie mistakes legends, such as ourselves... | 0:14:30 | 0:14:33 | |
Guilty as charged. | 0:14:33 | 0:14:35 | |
..have been spotting anachronisms, circling them in red pen, | 0:14:35 | 0:14:38 | |
pointing at them, laughing at them and high-fiving. | 0:14:38 | 0:14:41 | |
More mistakes from the brilliant Argo. | 0:14:44 | 0:14:47 | |
We're virtually Argonauts! | 0:14:47 | 0:14:49 | |
Now, check out that broken Hollywood sign. | 0:14:49 | 0:14:52 | |
Factually accurate. | 0:14:52 | 0:14:53 | |
Oh! You're wrong, Matthew. | 0:14:53 | 0:14:55 | |
Sure, it fell into disrepair in the '70s, | 0:14:55 | 0:14:57 | |
but, it was famously refurbished in 1978, | 0:14:57 | 0:15:01 | |
a full year before the Iranian hostage crisis began. | 0:15:01 | 0:15:04 | |
Amateurs. | 0:15:04 | 0:15:06 | |
The long and serious Lincoln again | 0:15:08 | 0:15:11 | |
and here's proof they had electrical sockets in the 19th century. | 0:15:11 | 0:15:14 | |
They did? | 0:15:14 | 0:15:16 | |
Well, they must have done, see? There it is. | 0:15:16 | 0:15:18 | |
As we all know, Spielberg is a details man. | 0:15:18 | 0:15:22 | |
OK, boys. What's wrong with | 0:15:26 | 0:15:28 | |
this scene? Listen close. | 0:15:28 | 0:15:30 | |
The war will take our son. | 0:15:30 | 0:15:32 | |
A sniper or a shrapnel shell, or typhus. | 0:15:32 | 0:15:34 | |
Same as it took Willie, it takes hundreds of boys a day. | 0:15:34 | 0:15:37 | |
He'll die uselessly... | 0:15:37 | 0:15:39 | |
-Something about Willie taking hundreds of boys a day? -No, no, no. | 0:15:39 | 0:15:42 | |
She used the term sniper. | 0:15:42 | 0:15:43 | |
As we all know, this term wasn't used in the US | 0:15:43 | 0:15:45 | |
until well after the Civil War. | 0:15:45 | 0:15:47 | |
She would have meant sharpshooter. | 0:15:47 | 0:15:50 | |
-I didn't know that. -Nor did I. | 0:15:50 | 0:15:52 | |
Well, that fact brought the house down at my | 0:15:52 | 0:15:54 | |
live action role-playing club! | 0:15:54 | 0:15:56 | |
Guys? | 0:15:57 | 0:15:59 | |
Who's up for a very petty anachronism from | 0:16:01 | 0:16:04 | |
the powerful, violent but underwhelming Lawless? | 0:16:04 | 0:16:07 | |
-Not me. -Please, no. | 0:16:07 | 0:16:09 | |
Yes, ladies and gentlemen, as you can see, that camera is | 0:16:09 | 0:16:12 | |
a Kodak Brownie Target Six-20, | 0:16:12 | 0:16:14 | |
which wasn't in production until 1946, | 0:16:14 | 0:16:17 | |
nine years after he used it! | 0:16:17 | 0:16:20 | |
-Is it over? -Yes. Thank God. | 0:16:20 | 0:16:23 | |
You've got to keep steady... | 0:16:25 | 0:16:27 | |
We weren't talking business yet. | 0:16:29 | 0:16:32 | |
We were discussing my curiosity. | 0:16:32 | 0:16:34 | |
Cor, Django Unchained! | 0:16:34 | 0:16:36 | |
I love an explosive, bloodthirsty tour de force! | 0:16:36 | 0:16:39 | |
I love how Quentin Tarantino plays fast and loose | 0:16:39 | 0:16:41 | |
with the rules of film-making. | 0:16:41 | 0:16:44 | |
You mean how he subverts the conventional | 0:16:44 | 0:16:46 | |
tropes of the Western genre? | 0:16:46 | 0:16:48 | |
No, how he gives DiCaprio a straw for his drink. | 0:16:48 | 0:16:51 | |
They weren't commercially available until 1888. | 0:16:51 | 0:16:53 | |
This is set in 1858! | 0:16:53 | 0:16:55 | |
-People used hollow reeds back then. -Wow. | 0:16:55 | 0:16:58 | |
What a maverick. | 0:16:58 | 0:17:01 | |
You don't make it sound too flattering, but more or less, yes. | 0:17:01 | 0:17:04 | |
Here's Charlie Sheen in the whimsical '70s clunker | 0:17:06 | 0:17:09 | |
A Glimpse Into the Mind of Charles Swan III. | 0:17:09 | 0:17:12 | |
-Catchy title. -Set in the '70s, you say? -Yes. | 0:17:12 | 0:17:16 | |
Well, I'm sure Galaga and Ms Pac-Man weren't around till 1981! | 0:17:16 | 0:17:19 | |
They should've shown a space hopper and an Etch A Sketch instead! Ha! | 0:17:19 | 0:17:22 | |
-I'm not into this modern metrosexual stuff. -You surprise me, Ben. | 0:17:26 | 0:17:31 | |
The last time you washed this dressing gown, it was pre-Avatar. | 0:17:31 | 0:17:34 | |
I'm talking about blokey films, Matthew! Macho stuff. | 0:17:34 | 0:17:38 | |
I don't like these girly films with things like feelings, | 0:17:38 | 0:17:41 | |
and love, and three-dimensional female characterisation. | 0:17:41 | 0:17:46 | |
A shining example of modern manhood. | 0:17:46 | 0:17:49 | |
Speaking of which, close your dressing gown. | 0:17:49 | 0:17:51 | |
Look! I want films with explosions, cars, blood! | 0:17:51 | 0:17:57 | |
My ideal film would be about an exploding car made of blood. | 0:17:57 | 0:18:02 | |
Contribute to the Kickstarter, guys! | 0:18:02 | 0:18:04 | |
Here, for Ben's enjoyment | 0:18:04 | 0:18:06 | |
and for your viewing pleasure are some macho movie mistakes. | 0:18:06 | 0:18:09 | |
Eurgh! | 0:18:10 | 0:18:11 | |
Oh! That was harsh. | 0:18:11 | 0:18:14 | |
It's my day off. | 0:18:14 | 0:18:15 | |
Should be quite a weekend. | 0:18:15 | 0:18:17 | |
What The Last Stand lacks in plot, acting and script, | 0:18:17 | 0:18:20 | |
it makes up for in movie mistakes. | 0:18:20 | 0:18:23 | |
Here's Arnie with a bit of a drink problem. | 0:18:23 | 0:18:25 | |
Look at the way he's holding the cup with the handle to the side. | 0:18:25 | 0:18:28 | |
-But now he's holding it with a handle! -What a mug. | 0:18:31 | 0:18:34 | |
This bearded baddie's a talented driver! | 0:18:37 | 0:18:40 | |
Yeah, he can somehow speed along, | 0:18:40 | 0:18:42 | |
despite the handbrake clearly being up! | 0:18:42 | 0:18:44 | |
Death is waiting in the kitchen | 0:18:44 | 0:18:46 | |
when you get up at night for a glass of milk. | 0:18:46 | 0:18:48 | |
-WOMAN: -BLEEP. | 0:18:51 | 0:18:53 | |
And there he goes, turning his car into a ramp. | 0:18:53 | 0:18:56 | |
The man's amazing. | 0:18:56 | 0:18:57 | |
The boys must be making a crop circle in a corn field. | 0:19:06 | 0:19:09 | |
Check out Arnie, | 0:19:09 | 0:19:11 | |
shooting out from his open window like a boss. | 0:19:11 | 0:19:14 | |
BLEEP. | 0:19:14 | 0:19:16 | |
But wait! That window is definitely closed. | 0:19:18 | 0:19:21 | |
And either they're tinted, or there's no-one inside. | 0:19:21 | 0:19:24 | |
Crop circles are mysterious things. | 0:19:25 | 0:19:28 | |
It's the other fork, darling. | 0:19:31 | 0:19:33 | |
Sean Penn, Ryan Gosling and Emma Stone? | 0:19:35 | 0:19:38 | |
What could go wrong! | 0:19:38 | 0:19:40 | |
Quite a lot, sadly. | 0:19:40 | 0:19:41 | |
Gangster Squad is a bit undercooked. | 0:19:41 | 0:19:43 | |
There's even an uninspiring performance from Sean Penn's | 0:19:43 | 0:19:47 | |
napkin, which goes off for a Screen Actor's Guild-mandated break | 0:19:47 | 0:19:50 | |
halfway through the scene. | 0:19:50 | 0:19:52 | |
-I heard it was having an affair with Emma Stone's fork. -Get out! | 0:19:52 | 0:19:55 | |
I think I'll just have a cigarette. | 0:19:55 | 0:19:57 | |
In the cheesy and juvenile The Man With The Iron Fists, MMA | 0:19:59 | 0:20:03 | |
no longer stands for Mixed Martial Arts, | 0:20:03 | 0:20:05 | |
but Movie Mistake Alert. | 0:20:05 | 0:20:07 | |
Ah yes, here's former pro-wrestler Batista off to the Lion's Temple. | 0:20:07 | 0:20:12 | |
But somehow his chin facial hair doesn't go with him. | 0:20:12 | 0:20:16 | |
That's a heavy-weight clanger. | 0:20:16 | 0:20:18 | |
Aaargh! | 0:20:21 | 0:20:23 | |
Action heroes never die! | 0:20:23 | 0:20:25 | |
Their sagging cadavers just | 0:20:25 | 0:20:27 | |
limp along into the increasingly silly The Expendables franchise. | 0:20:27 | 0:20:31 | |
Now, check the level of sloppiness on this dub. Watch this! | 0:20:35 | 0:20:38 | |
Watch your head! | 0:20:38 | 0:20:41 | |
Literally no idea what Lundgren is mouthing, but then I rarely do. | 0:20:41 | 0:20:45 | |
Hold on, wasn't that battering ram down a second ago? | 0:20:45 | 0:20:48 | |
Yes! Good spot. As the saying goes, | 0:20:48 | 0:20:51 | |
"It's up and down more than a battering ram in The Expendables 2." | 0:20:51 | 0:20:55 | |
Ah, so that's where that saying comes from! | 0:20:55 | 0:20:58 | |
Arnie's reportedly accused | 0:21:04 | 0:21:06 | |
of having wandering hands. | 0:21:06 | 0:21:08 | |
So much so, that even when they're tied to a chair, they come free. | 0:21:08 | 0:21:11 | |
Look at that. | 0:21:11 | 0:21:14 | |
Get him up! | 0:21:14 | 0:21:15 | |
They're back, though, in time for Stallone | 0:21:15 | 0:21:18 | |
to slur something incomprehensible. | 0:21:18 | 0:21:21 | |
-Trench? -TRENCH: -Oh, this is embarrassing. | 0:21:22 | 0:21:25 | |
Nice meeting you. | 0:21:28 | 0:21:29 | |
Explain this, my fellow movie mistakers. | 0:21:32 | 0:21:35 | |
Sly's bike makes a revving noise before he even lays | 0:21:35 | 0:21:37 | |
a hand on the throttle. | 0:21:37 | 0:21:39 | |
ENGINE REVS | 0:21:40 | 0:21:42 | |
Maybe the bike, just like I feel compelled to do right now, | 0:21:42 | 0:21:45 | |
is throttling itself? | 0:21:45 | 0:21:46 | |
Like this? | 0:21:46 | 0:21:48 | |
-Aargh! Aargh! -Oh, my God! Oh! | 0:21:48 | 0:21:51 | |
This scene focuses on helicopter number 711, | 0:21:53 | 0:21:56 | |
named after the popular chain of American shops. | 0:21:56 | 0:21:59 | |
They're an old favourite. | 0:21:59 | 0:22:01 | |
What are you doing here? | 0:22:01 | 0:22:03 | |
-MAN: -Moving on. You killed all my business. | 0:22:03 | 0:22:06 | |
But here, it's been replaced by helicopter number 712, | 0:22:11 | 0:22:14 | |
named after the combined age of the lead cast. | 0:22:14 | 0:22:17 | |
It is I, Mr Darcy. | 0:22:21 | 0:22:25 | |
I feel such emotion | 0:22:25 | 0:22:28 | |
and yet I feel none at all! | 0:22:28 | 0:22:32 | |
If my opinions about myself and immigration are to be believed, | 0:22:32 | 0:22:35 | |
I am both full of pride | 0:22:35 | 0:22:37 | |
and a little bit prejudiced. | 0:22:37 | 0:22:39 | |
Oh, my love, | 0:22:39 | 0:22:41 | |
no-one understands the power of what we have. | 0:22:41 | 0:22:44 | |
But soon, soon, | 0:22:46 | 0:22:49 | |
we shall be together. | 0:22:49 | 0:22:51 | |
Oh. I should probably do my audition. | 0:22:53 | 0:22:58 | |
See you later, my love. | 0:22:58 | 0:23:00 | |
Hello. My name's Ben. | 0:23:03 | 0:23:05 | |
Brood, brood, brood. | 0:23:05 | 0:23:08 | |
I am prone to brooding. | 0:23:08 | 0:23:10 | |
Loins. | 0:23:11 | 0:23:12 | |
Oh, my love, | 0:23:14 | 0:23:15 | |
no-one understands the power of what we... | 0:23:15 | 0:23:20 | |
Sorry, I can't do this. | 0:23:20 | 0:23:21 | |
This isn't for me. | 0:23:21 | 0:23:23 | |
My sweet love, | 0:23:25 | 0:23:27 | |
to be apart from you | 0:23:27 | 0:23:29 | |
was to be torn asunder by 1,000 ravenous jackals. | 0:23:29 | 0:23:34 | |
Loins! | 0:23:34 | 0:23:36 | |
Now, here's some dreadful howlers from recent romantic movies. | 0:23:39 | 0:23:43 | |
Did you get it? | 0:23:43 | 0:23:44 | |
I love a thoughtful, beautifully acted, | 0:23:44 | 0:23:46 | |
romantic movie like Take This Waltz, don't you, Ben? | 0:23:46 | 0:23:49 | |
I love food. | 0:23:49 | 0:23:51 | |
No, look, Sarah Silverman's dish disappears... | 0:23:51 | 0:23:54 | |
-What? -WOMAN: Why don't you want Jordan to go? | 0:23:54 | 0:23:58 | |
..then reappears, like magic! | 0:23:58 | 0:24:00 | |
I wish I had a self-filling plate like that. | 0:24:00 | 0:24:02 | |
I think there must've been a shortage | 0:24:08 | 0:24:10 | |
of child actors in Hollywood | 0:24:10 | 0:24:11 | |
when they made Take This Waltz. | 0:24:11 | 0:24:13 | |
-Really? -Yeah. | 0:24:13 | 0:24:15 | |
That kid's clearly a ventriloquist's dummy. | 0:24:15 | 0:24:17 | |
Her lips don't even move when she speaks. | 0:24:17 | 0:24:20 | |
I missed you, Auntie Margot. | 0:24:20 | 0:24:22 | |
-MARGOT: -Oh, I missed you. | 0:24:22 | 0:24:24 | |
You're right! Go on, say "Gottle o' gear"! | 0:24:24 | 0:24:27 | |
I Give It a Year. | 0:24:31 | 0:24:32 | |
Not just the diagnosis Matthew received in the post on Monday. | 0:24:32 | 0:24:36 | |
Hey, I hadn't read that yet. Spoiler alert! | 0:24:36 | 0:24:39 | |
But also a sporadically funny and unusual romcom. | 0:24:39 | 0:24:42 | |
Tell you what's strange about this film, that pool game. | 0:24:42 | 0:24:45 | |
Now see that cue being waved all over the place... | 0:24:45 | 0:24:49 | |
You want to hit it on the edge there. | 0:24:49 | 0:24:51 | |
There it is again. | 0:24:51 | 0:24:52 | |
And now it's down by his side! Nonsense. | 0:24:52 | 0:24:56 | |
There's no point, is there? | 0:24:56 | 0:24:58 | |
-GIRL: -Shakespeare. | 0:25:00 | 0:25:02 | |
That's a great guess, but no. | 0:25:02 | 0:25:04 | |
Shakespeare didn't write novels. | 0:25:04 | 0:25:05 | |
The Perks of Being a Wallflower is a deep | 0:25:05 | 0:25:08 | |
and actually rather touching film. | 0:25:08 | 0:25:10 | |
Here's Paul Rudd, claiming that | 0:25:10 | 0:25:11 | |
Dickens coined the term cliffhanger. | 0:25:11 | 0:25:14 | |
It was Charles Dickens. | 0:25:14 | 0:25:15 | |
Rubbish. | 0:25:15 | 0:25:16 | |
Yep, it was actually Thomas Hardy who invented it. | 0:25:16 | 0:25:20 | |
Sorry, I just meant I'm not a Paul Rudd fan. | 0:25:20 | 0:25:22 | |
But hang on, there's more! See that? | 0:25:24 | 0:25:27 | |
Yeah, they've spelt Emily Dickinson's name wrong! | 0:25:27 | 0:25:30 | |
There's an 'E' where there should be an 'I'! | 0:25:30 | 0:25:33 | |
Maybe they're using the Nordic tradition, | 0:25:33 | 0:25:35 | |
and this Emily was actually Charles Dickens' son? | 0:25:35 | 0:25:39 | |
You've really veered off course on that one, haven't you, Ben? | 0:25:39 | 0:25:42 | |
You should learn to participate. | 0:25:42 | 0:25:44 | |
Eyes up, gang. Charlie's arrived home. | 0:25:46 | 0:25:48 | |
See any cars in the driveway? | 0:25:48 | 0:25:50 | |
Bye, Charlie! | 0:25:51 | 0:25:53 | |
-No, sir. -Quite right, there aren't any! | 0:25:53 | 0:25:55 | |
-MAN: -Shut up, Candace! | 0:25:55 | 0:25:57 | |
You just stand there like a little bitch dog... | 0:25:57 | 0:25:59 | |
Now, Candace is rowing with Derek. | 0:25:59 | 0:26:01 | |
Charlie, just go! I can handle it! | 0:26:01 | 0:26:03 | |
Just don't wake up Mom and Dad. | 0:26:03 | 0:26:06 | |
Derek leaves and, aha! | 0:26:07 | 0:26:09 | |
A car has magically appeared! | 0:26:09 | 0:26:12 | |
That's a pretty strong perk of being a wallflower. Magic car. | 0:26:12 | 0:26:16 | |
Here's something troubling. | 0:26:20 | 0:26:21 | |
The way my feelings towards Emma Watson | 0:26:21 | 0:26:24 | |
developed near the end of the Harry Potter franchise? | 0:26:24 | 0:26:27 | |
No! Well, yes, absolutely yes, but no. | 0:26:27 | 0:26:30 | |
Look at her dress. | 0:26:30 | 0:26:32 | |
Way ahead of you, buddy. | 0:26:32 | 0:26:33 | |
No, see the straps? | 0:26:33 | 0:26:35 | |
They've disappeared. | 0:26:36 | 0:26:38 | |
-Splendid. -Not splendid editing, though, eh? | 0:26:38 | 0:26:41 | |
Now, we all understand | 0:26:44 | 0:26:45 | |
the way American SAT scores work. | 0:26:45 | 0:26:47 | |
So here's Sam's results. | 0:26:47 | 0:26:50 | |
-1210. -BOY: -What? | 0:26:50 | 0:26:52 | |
Whaaat?! | 0:26:52 | 0:26:54 | |
Pause! Rewind! Enhance! | 0:26:54 | 0:26:55 | |
Always wanted to say that. | 0:26:55 | 0:26:57 | |
She got 1210? | 0:26:57 | 0:26:59 | |
Well, it says here she got | 0:26:59 | 0:27:02 | |
550 in Verbal and 460 in Math. | 0:27:02 | 0:27:04 | |
It's Maths, mate. | 0:27:04 | 0:27:06 | |
That adds up to 1010. | 0:27:06 | 0:27:09 | |
So she must have made an extra 200 points somehow. | 0:27:09 | 0:27:12 | |
And if anyone can send me video footage of this, | 0:27:12 | 0:27:15 | |
I will genuinely pay them £1210. | 0:27:15 | 0:27:19 | |
I've got multiple pairs of blue jeans! | 0:27:19 | 0:27:22 | |
Playing for Keeps is proof that | 0:27:25 | 0:27:26 | |
a romcom with a cast including | 0:27:26 | 0:27:28 | |
Gerard Butler and Jessica Biel | 0:27:28 | 0:27:30 | |
doesn't always guarantee quality. | 0:27:30 | 0:27:32 | |
In these final few moments, Gerard is doing some lovely Scottish or | 0:27:32 | 0:27:36 | |
Irish or whatever soccer-style bonding with his son. | 0:27:36 | 0:27:40 | |
If I'm good enough for them, | 0:27:40 | 0:27:41 | |
I may be good enough for someone here, right? | 0:27:41 | 0:27:44 | |
Kicking a football covered in these dashes. | 0:27:44 | 0:27:47 | |
But cut to just a few seconds later, | 0:27:48 | 0:27:51 | |
the football's now sporting rings! | 0:27:51 | 0:27:53 | |
We don't normally spoil the ending for you, | 0:27:53 | 0:27:55 | |
but with this movie we thought no-one would especially care. | 0:27:55 | 0:27:58 | |
Someone very smart once told me you just have to be there. | 0:27:58 | 0:28:02 | |
Playing For Keeps again | 0:28:05 | 0:28:07 | |
and earlier in the film the lovely | 0:28:07 | 0:28:09 | |
Stacie carries in her groceries. | 0:28:09 | 0:28:10 | |
Note the baguette... | 0:28:10 | 0:28:12 | |
PHONE RINGS | 0:28:12 | 0:28:13 | |
-STACIE: -Hello. -He doesn't really hate me? | 0:28:13 | 0:28:15 | |
No, of course he doesn't... | 0:28:15 | 0:28:17 | |
..which disappears... | 0:28:17 | 0:28:18 | |
..and then reappears! | 0:28:19 | 0:28:21 | |
-Stacie could make my baguette re-appear. -Oh, Clarky! | 0:28:21 | 0:28:23 | |
-STACIE: -Your son is honest. | 0:28:23 | 0:28:25 | |
Stale, uninspired, | 0:28:27 | 0:28:29 | |
cheap, tacky, and a little bit sickly. | 0:28:29 | 0:28:32 | |
No stars. | 0:28:32 | 0:28:34 | |
Wow, Tom, you're really getting into this film criticism thing. | 0:28:34 | 0:28:37 | |
No, I'm reviewing a Chinese take away I had on Just Eat. | 0:28:37 | 0:28:40 | |
Fantastic chemistry, four stars. | 0:28:40 | 0:28:43 | |
Are you reviewing a film, Ben? | 0:28:43 | 0:28:45 | |
No! I'm reviewing my old chemistry teacher. | 0:28:45 | 0:28:48 | |
He's opened a Chinese restaurant on Just Eat. | 0:28:48 | 0:28:52 | |
Thanks for that, both. | 0:28:52 | 0:28:53 | |
Some films are so terrible that continuity errors even improve them. | 0:28:53 | 0:28:57 | |
Slightly. | 0:28:57 | 0:28:58 | |
Let's have a look at the best of the worst. | 0:28:58 | 0:29:00 | |
A proper clunker here from un-special, | 0:29:00 | 0:29:03 | |
poorly scripted Total Recall. | 0:29:03 | 0:29:07 | |
Yeah, Colin Farrell's stunt double is clearly a woman. | 0:29:07 | 0:29:10 | |
Not quite, Benedict. | 0:29:10 | 0:29:11 | |
That's Lori and look at her hair! | 0:29:11 | 0:29:13 | |
Midway through the fight, her hair-band mysteriously disappears... | 0:29:13 | 0:29:17 | |
..a fact that's totally ruined Total Recall for me. | 0:29:19 | 0:29:23 | |
Colin Farrell is strapped into the futuristic | 0:29:26 | 0:29:28 | |
equivalent of the Central Line, and... aha! | 0:29:28 | 0:29:32 | |
That is not how you spell 'forecast'. It's not! It just isn't! | 0:29:32 | 0:29:37 | |
How's your relationship forecast, Matthew? | 0:29:37 | 0:29:39 | |
Patchy and cold. | 0:29:39 | 0:29:41 | |
OK, look at what new guy Marek's doing here, | 0:29:45 | 0:29:49 | |
and listen to Colin's advice... | 0:29:49 | 0:29:51 | |
Whoa, whoa! Don't hold it like that. | 0:29:51 | 0:29:53 | |
Hold it here. | 0:29:53 | 0:29:55 | |
If you hold it there and it shorts, | 0:29:55 | 0:29:57 | |
one of those bulbs will shoot straight through your hand. | 0:29:57 | 0:30:00 | |
But he flat out doesn't listen to him. | 0:30:00 | 0:30:02 | |
He's carried on doing exactly what he was doing! | 0:30:02 | 0:30:05 | |
God's sake, Marek. | 0:30:05 | 0:30:06 | |
Yeah, get it together, Marek. | 0:30:06 | 0:30:08 | |
I despair of Marek, sometimes. I really do. | 0:30:08 | 0:30:11 | |
What's truly scary about the Scary Movie franchise is that | 0:30:16 | 0:30:20 | |
they've made it to five. | 0:30:20 | 0:30:21 | |
Enough is enough. | 0:30:21 | 0:30:23 | |
OK, now look. Snoop is on Mac Miller's right | 0:30:23 | 0:30:26 | |
throughout the conversation. | 0:30:26 | 0:30:28 | |
-Crazy got to have been there. -BLEEP. | 0:30:28 | 0:30:30 | |
Except now he's on his left! | 0:30:30 | 0:30:32 | |
I'm surprised they managed to get Snoop to say the sentences in order. | 0:30:32 | 0:30:36 | |
I don't think he was supposed to be in the film, he just turned up. | 0:30:36 | 0:30:39 | |
-SNOOP: -I don't understand why the shampoo company can't fix that, man. | 0:30:39 | 0:30:42 | |
-Are you going to try out? -Me? | 0:30:45 | 0:30:47 | |
Kendra's about to show off some of her dancing skills. | 0:30:47 | 0:30:50 | |
But, before that, it's a ventriloquism act. | 0:30:50 | 0:30:52 | |
-Look at her mouth as she says "Oh, food." -Oh, food! | 0:30:52 | 0:30:55 | |
She's clearly not saying that. | 0:30:55 | 0:30:57 | |
In fact, I'm a certified lip reader. | 0:30:57 | 0:31:00 | |
She's saying, "Oh, gosh, why am I in this terrible, terrible film." | 0:31:00 | 0:31:04 | |
Let me see that certificate. | 0:31:04 | 0:31:06 | |
It's Joe Wright's lacklustre | 0:31:10 | 0:31:12 | |
recent adaptation of Anna Karenina. | 0:31:12 | 0:31:14 | |
Morphine, anyone? | 0:31:14 | 0:31:16 | |
I know this is awful, but that is not the solution. | 0:31:16 | 0:31:18 | |
No, what I meant was, look at the label | 0:31:18 | 0:31:20 | |
on the morphine bottle. | 0:31:20 | 0:31:22 | |
See how it changes? | 0:31:22 | 0:31:23 | |
Here it's 'la morphine', and later it's just 'morphine'! | 0:31:23 | 0:31:26 | |
Why didn't you tell me, for God's sake? | 0:31:33 | 0:31:35 | |
It's the almost laughably bad, must-avoid Taken 2. | 0:31:35 | 0:31:39 | |
Time for a glass of wine! | 0:31:39 | 0:31:41 | |
Here's a bottle and two empty glasses. | 0:31:41 | 0:31:43 | |
-But she's OK, right? -WOMAN: -Yeah, she's OK. | 0:31:43 | 0:31:46 | |
Aaand without anyone touching them, | 0:31:46 | 0:31:49 | |
they're now drinking from them. | 0:31:49 | 0:31:51 | |
Scientific proof that Neeson is a boss. | 0:31:51 | 0:31:54 | |
Are you OK? | 0:31:54 | 0:31:56 | |
Domestic issues in the Mills household. | 0:31:59 | 0:32:01 | |
They can't even decide on what time of year it is. | 0:32:01 | 0:32:05 | |
Here Bryan talks of the upcoming fall break. | 0:32:05 | 0:32:07 | |
You're leaving on fall break next week. | 0:32:07 | 0:32:09 | |
This is the only time I can get to do this before I go to Istanbul. | 0:32:09 | 0:32:13 | |
But, a few days later, | 0:32:13 | 0:32:14 | |
Lenore's imminent spring break plans are cancelled. | 0:32:14 | 0:32:17 | |
We had this trip planned to China | 0:32:17 | 0:32:20 | |
for Kim's spring break as a family, | 0:32:20 | 0:32:22 | |
you know, to try and work things out. | 0:32:22 | 0:32:24 | |
I've been banned from attending either break. | 0:32:24 | 0:32:27 | |
In the whole of America? | 0:32:27 | 0:32:29 | |
Very much so. | 0:32:29 | 0:32:31 | |
Come on. | 0:32:33 | 0:32:35 | |
In this car chase, Neeson's got his car all dirty with food. | 0:32:35 | 0:32:38 | |
See the windscreen? | 0:32:38 | 0:32:40 | |
But look! Here - bang! | 0:32:41 | 0:32:44 | |
The dirt's gone. | 0:32:44 | 0:32:45 | |
Go a bit further, | 0:32:45 | 0:32:47 | |
and it's grubby again. | 0:32:47 | 0:32:49 | |
But also, rewind. | 0:32:49 | 0:32:51 | |
If there's one thing that can ruin a high-octane car chase, it's a | 0:32:53 | 0:32:56 | |
middle-aged woman ambling along at the same speed as the car. | 0:32:56 | 0:32:59 | |
This is great. | 0:33:02 | 0:33:04 | |
Here's Neeson, summoning the US Embassy on his sat-nav. | 0:33:04 | 0:33:07 | |
It's a remarkable feat, | 0:33:07 | 0:33:08 | |
given that he arbitrarily hammers away on entirely the wrong keys. | 0:33:08 | 0:33:12 | |
And look, it isn't even a British alphabet! | 0:33:12 | 0:33:15 | |
Never doubt the Neeson. | 0:33:15 | 0:33:18 | |
He does have a very specific set of skills. | 0:33:18 | 0:33:20 | |
You understand me? | 0:33:20 | 0:33:22 | |
Strap yourselves in, folks. | 0:33:24 | 0:33:26 | |
Another classic car chase. | 0:33:26 | 0:33:29 | |
But the taxi they're driving appears to be invincible. | 0:33:29 | 0:33:32 | |
The police car forces it to drive into some corrugated iron. | 0:33:33 | 0:33:37 | |
And we see, later on, some definite damage to the left side. | 0:33:39 | 0:33:43 | |
Move on a few moments, the damage has completely gone! | 0:33:46 | 0:33:49 | |
But wait! | 0:33:49 | 0:33:50 | |
Here's the rear window getting shot out. | 0:33:52 | 0:33:54 | |
-WOMAN: -Dad! | 0:33:56 | 0:33:57 | |
It's back in the very next shot! | 0:33:57 | 0:34:00 | |
Yep, the car possesses a healing factor, | 0:34:03 | 0:34:05 | |
making some believe it's the love child | 0:34:05 | 0:34:07 | |
of Liam Neeson and Wolverine. | 0:34:07 | 0:34:10 | |
Guys, it's time for GPM. | 0:34:15 | 0:34:18 | |
Gently Petting Matthew? | 0:34:18 | 0:34:21 | |
What? No! | 0:34:21 | 0:34:22 | |
Graphically Probing Matthew? | 0:34:22 | 0:34:25 | |
Absolutely not! My really cool acronym can only mean one thing! | 0:34:25 | 0:34:29 | |
Great Plot-hole Mistakes! | 0:34:31 | 0:34:34 | |
Gaffes so massively bad, an entire film falls apart. | 0:34:34 | 0:34:37 | |
Whoa! Hold on a second, guys! Check us out, we're cartoons! | 0:34:37 | 0:34:41 | |
Amazing. I can finally assist | 0:34:41 | 0:34:43 | |
Pinky and the Brain in their quest for world domination! | 0:34:43 | 0:34:47 | |
No time, Ben. We've got to explore | 0:34:47 | 0:34:49 | |
the miasma of movie mistakes that is... | 0:34:49 | 0:34:51 | |
In this relentless, pacey | 0:34:52 | 0:34:54 | |
and exciting superhero flick, | 0:34:54 | 0:34:56 | |
billionaire genius Tony Stark is | 0:34:56 | 0:34:58 | |
terrorised by Sir Ben Kingsley. | 0:34:58 | 0:35:00 | |
He threatens to bring America to its knees with a painful series | 0:35:00 | 0:35:03 | |
of lessons and no-one, especially Stark and the President, is safe. | 0:35:03 | 0:35:08 | |
So, Stark sets about saving the day. | 0:35:08 | 0:35:10 | |
Fair enough? Fair enough. No! | 0:35:10 | 0:35:12 | |
Not fair enough! Do you know why? | 0:35:12 | 0:35:15 | |
It interferes with Stark's long-planned golfing weekend? | 0:35:15 | 0:35:19 | |
No! Because Tony Stark happens to be in | 0:35:19 | 0:35:21 | |
an incredibly well-known superhero group. | 0:35:21 | 0:35:24 | |
He was in a movie with them. | 0:35:24 | 0:35:26 | |
Where the hell are they?! | 0:35:26 | 0:35:27 | |
Well, some of them don't live on Earth. | 0:35:27 | 0:35:30 | |
Thor might have been back in | 0:35:30 | 0:35:32 | |
Asgard, sorting out some admin. | 0:35:32 | 0:35:33 | |
Admin?! Stark's in grave peril. | 0:35:33 | 0:35:35 | |
And what about the others? | 0:35:35 | 0:35:37 | |
Big, angry Bruce Banner? | 0:35:37 | 0:35:39 | |
That archer guy. | 0:35:39 | 0:35:41 | |
And if the Captain doesn't leap into action | 0:35:41 | 0:35:43 | |
when the American President is threatened, what is his function? | 0:35:43 | 0:35:46 | |
Oh, no! | 0:35:46 | 0:35:48 | |
Maybe they were off on that golfing weekend, | 0:35:48 | 0:35:50 | |
hoping that Stark might pop along at the end? | 0:35:50 | 0:35:53 | |
That's a highly non-valid point! | 0:35:53 | 0:35:55 | |
This is one mistake so deadly that these superheroes couldn't | 0:35:55 | 0:35:58 | |
defeat it, if they bothered to turn up, that is. | 0:35:58 | 0:36:01 | |
All right! Let the Arnie marathon commence! | 0:36:07 | 0:36:10 | |
-And we're filming. -Oh, yes. | 0:36:10 | 0:36:13 | |
Explain the concept, Tom. | 0:36:13 | 0:36:15 | |
We're going to power through some Arnie classics. | 0:36:15 | 0:36:17 | |
-It's going to be an all-nighter. -Can't wait. | 0:36:17 | 0:36:19 | |
Yep. And let's try and spot | 0:36:19 | 0:36:21 | |
as many movie mistakes as we can along the way. | 0:36:21 | 0:36:23 | |
-Best night ever! -Let's start at the very beginning with the low-budget, | 0:36:23 | 0:36:27 | |
creaky but extraordinary Hercules In New York. | 0:36:27 | 0:36:31 | |
Hey-o! It's Arnie's first ever scene on film. | 0:36:31 | 0:36:36 | |
Fun fact - he was billed as Arnold Strong when this came out. | 0:36:36 | 0:36:39 | |
Is the movie mistake his acting? | 0:36:39 | 0:36:41 | |
-WOODENLY: -I am tired of the same old faces... | 0:36:41 | 0:36:45 | |
No. But hold on, I think I spotted something. | 0:36:45 | 0:36:47 | |
Flick back to the start and check out the brunette behind the throne. | 0:36:47 | 0:36:50 | |
She somehow ends up next to Zeus! | 0:36:50 | 0:36:53 | |
That Arnie. Always getting caught up in mistakes involving women. | 0:36:53 | 0:36:58 | |
-Are you homesick? -I am having too much fun. | 0:37:01 | 0:37:05 | |
This clunker is as clear as night and day. | 0:37:05 | 0:37:08 | |
I know, right. A pastel blue turtleneck?! | 0:37:08 | 0:37:10 | |
No, Ben. The fact that it constantly changes between night and day. | 0:37:10 | 0:37:15 | |
Also, is that a cameraman-shaped shadow I spot? | 0:37:15 | 0:37:20 | |
I like how the Greek music reminds us Arnie is Greek. | 0:37:20 | 0:37:24 | |
I like how Arnie has the worst on-screen fight | 0:37:24 | 0:37:27 | |
in cinematic history. | 0:37:27 | 0:37:30 | |
Folks... | 0:37:30 | 0:37:32 | |
that's supposed to be a bear. | 0:37:32 | 0:37:34 | |
Time for the thrill-packed Conan The Barbarian. | 0:37:35 | 0:37:38 | |
Classic early '80s action. | 0:37:38 | 0:37:40 | |
If you want to see some classic action with a man in his early '80s, | 0:37:40 | 0:37:44 | |
Arnie's playing Conan in the remake this year. | 0:37:44 | 0:37:46 | |
-Arnie's in his 60's, Tom. -Don't spoil the moment. | 0:37:46 | 0:37:49 | |
Ha! What a ridiculous scene! | 0:37:52 | 0:37:56 | |
-Huh? -Those dogs are German shepherds. | 0:37:56 | 0:37:58 | |
-That breed was not created until the 1890s. -Great point, Matthew. | 0:37:58 | 0:38:02 | |
And in what year did King Osric from the snake cult rule? | 0:38:02 | 0:38:05 | |
It was the Hyborian age, | 0:38:05 | 0:38:07 | |
roughly equivalent to the years 40,000 through to 10,000 BC. | 0:38:07 | 0:38:11 | |
Well before German shepherds. | 0:38:11 | 0:38:13 | |
That lonely childhood and lonely adulthood | 0:38:13 | 0:38:16 | |
hasn't been wasted after all. | 0:38:16 | 0:38:18 | |
Time for Commando! | 0:38:20 | 0:38:22 | |
The greatest, daftest action film ever made. | 0:38:22 | 0:38:26 | |
This just shows you why Arnie's the right man in any crisis. | 0:38:27 | 0:38:31 | |
In order to hide himself, he just rips the seat out. | 0:38:31 | 0:38:34 | |
I spy with my little eye | 0:38:34 | 0:38:36 | |
something beginning with "film crew being reflected on the car". | 0:38:36 | 0:38:40 | |
You never got the rules of I-spy, did you, Tom? | 0:38:40 | 0:38:42 | |
-You're just jealous you don't know what it is. -Hold on! | 0:38:42 | 0:38:46 | |
Arnie went through all the effort of ripping out the car seat | 0:38:46 | 0:38:49 | |
to be lower down, only to now be sitting up normally. | 0:38:49 | 0:38:53 | |
Great posture, though. | 0:38:53 | 0:38:55 | |
A guy I trusted for years wants me dead. | 0:38:55 | 0:38:57 | |
Understandable. I've known you for five minutes and I want you dead too. | 0:38:57 | 0:39:00 | |
Ha! There aren't any cars in the background. | 0:39:00 | 0:39:03 | |
-They're back! -This scene's a clunknanza. | 0:39:05 | 0:39:08 | |
Now. Look at Arnie's grenades wobbling about. | 0:39:12 | 0:39:15 | |
They're strapped to him by their pins. | 0:39:15 | 0:39:17 | |
That's less of a movie mistake, more of a life mistake. | 0:39:17 | 0:39:19 | |
As your uncle knows all too well. | 0:39:19 | 0:39:22 | |
Yes! Blow up the factory and the poorly designed dummies! | 0:39:22 | 0:39:27 | |
-Tom, I think the film wanted us to think they were people. -Wow. | 0:39:27 | 0:39:30 | |
Now we're talking! Time to see Arnie's lighter side | 0:39:33 | 0:39:35 | |
in the quite frankly hilarious Twins! | 0:39:35 | 0:39:37 | |
Yeah. Hilarious for all the wrong reasons. | 0:39:37 | 0:39:40 | |
Those people staring at the camera might as well just wave too. | 0:39:43 | 0:39:47 | |
-Ridonculous. -No, what's ridonculous is you using that word, Matthew. | 0:39:47 | 0:39:51 | |
Sozzle! | 0:39:51 | 0:39:53 | |
You could be a boxer, I could be your manager. | 0:39:53 | 0:39:55 | |
I don't think I could fight for money... | 0:39:55 | 0:39:57 | |
We've broken through to the other side. Only three more films left! | 0:39:57 | 0:40:00 | |
When I close my eyes all I can see is biceps. | 0:40:00 | 0:40:03 | |
What have we got next, Matthew? | 0:40:03 | 0:40:05 | |
It's time for the awesome action comedy True Lies. | 0:40:05 | 0:40:08 | |
-Action comedy? Is that even a genre? -It is now. | 0:40:08 | 0:40:13 | |
I spy with my little eye something beginning with... | 0:40:13 | 0:40:17 | |
Yes, we all saw the camera crane reflected in the windscreen. | 0:40:17 | 0:40:21 | |
Spoilsport. | 0:40:21 | 0:40:23 | |
Look at that! They could afford a disappearing car. | 0:40:30 | 0:40:34 | |
Check it out. The car on the right vanishes halfway through the skid. | 0:40:35 | 0:40:39 | |
Nice! | 0:40:39 | 0:40:40 | |
See? You and this car were made for each other. | 0:40:46 | 0:40:49 | |
HE GROANS: Two more Arnie films to go. Come on, boys. We can do this. | 0:40:51 | 0:40:57 | |
Is it bedtime or breakfast time? My body clock's shut down. | 0:40:57 | 0:41:01 | |
Neither. It's time to watch the high-octane masterpiece, Eraser! | 0:41:01 | 0:41:07 | |
Now, those are offshore banking deposits. UBS... | 0:41:08 | 0:41:11 | |
I love that SHE said what UBS stands for, | 0:41:11 | 0:41:13 | |
and the computer screen reads USB. | 0:41:13 | 0:41:16 | |
That's a major one. | 0:41:16 | 0:41:18 | |
I love that we've finally found a movie mistake after watching this | 0:41:18 | 0:41:21 | |
for an hour and 20 minutes. | 0:41:21 | 0:41:22 | |
Well, we did also want to watch it to hear Arnie say, | 0:41:22 | 0:41:25 | |
"You've just been erased." | 0:41:25 | 0:41:27 | |
What a line. | 0:41:27 | 0:41:29 | |
Yeah. We did it! We're at the end of the Arnie marathon, | 0:41:30 | 0:41:34 | |
and we're just about to watch his finest work to date. | 0:41:34 | 0:41:36 | |
The masterful, essential viewing that is... | 0:41:36 | 0:41:39 | |
ALL: Jingle All The Way! | 0:41:39 | 0:41:42 | |
Here's Howard going down the escalator... | 0:41:44 | 0:41:46 | |
But wait! There he is again in the crowd before he gets there! | 0:41:46 | 0:41:50 | |
Classic overachieving Arnie. | 0:41:50 | 0:41:53 | |
Check out that drawing pinned on the wall in the playhouse. | 0:41:56 | 0:42:00 | |
It's completely changed! | 0:42:01 | 0:42:03 | |
-Oh, thank God. I thought I was seeing things. -Ha-ha. | 0:42:03 | 0:42:06 | |
No, Ben. You've been awake for many hours | 0:42:06 | 0:42:09 | |
and ingested a lot of sugar and alcohol, | 0:42:09 | 0:42:11 | |
but no, you're not seeing things. | 0:42:11 | 0:42:13 | |
Good. Although what's with the directorial decision | 0:42:13 | 0:42:17 | |
to put black dots and swirling colours everywhere? | 0:42:17 | 0:42:20 | |
Whoa, Ben... you should probably drink some water. | 0:42:20 | 0:42:24 | |
Thanks, Turbo Man. I knew you'd save me. | 0:42:24 | 0:42:27 | |
You can always count on me. | 0:42:27 | 0:42:29 | |
Those lights reflected in his helmet show he's actually not outdoors | 0:42:29 | 0:42:32 | |
but in a studio. | 0:42:32 | 0:42:33 | |
Also, how have his wife and kid not noticed | 0:42:33 | 0:42:36 | |
Turbo Man's distinctively huge jaw, or thick Austrian accent? | 0:42:36 | 0:42:41 | |
If Arnie managed to become a politician in real life | 0:42:41 | 0:42:44 | |
then I'm afraid I've got to let those slip. | 0:42:44 | 0:42:46 | |
Oh... Thank you, sir. I don't think you know how much he means to me. | 0:42:46 | 0:42:50 | |
Oh! I think I have an idea. | 0:42:50 | 0:42:53 | |
Oh, my giddy aunt. | 0:42:53 | 0:42:54 | |
We've done it. We survived the marathon! | 0:42:54 | 0:42:57 | |
Oh...! Yes. | 0:42:57 | 0:42:59 | |
Right. Next up, Jean-Claude Van Damme. | 0:42:59 | 0:43:03 | |
I'll have a quick toilet break, and then... "I'll be back." | 0:43:03 | 0:43:07 | |
Who's that supposed to be? | 0:43:08 | 0:43:09 | |
Folks, it's the moment you've all been waiting for! | 0:43:17 | 0:43:20 | |
-It's time for Matthew's Minute Movie Mistakes of 2013. -Oh, no! | 0:43:20 | 0:43:23 | |
This is literally my least favourite bit. | 0:43:23 | 0:43:27 | |
All three of us love movie mistakes, but I have a particular passion | 0:43:27 | 0:43:29 | |
for minute mistakes - mistakes that's no-one's noticed. | 0:43:29 | 0:43:32 | |
That's cos they're hardly mistakes! | 0:43:32 | 0:43:34 | |
-They're minor mistakes. -What, mistakes from films about miners? | 0:43:34 | 0:43:38 | |
What, like Armageddon or There Will Be Blood or Billy Elliot? | 0:43:38 | 0:43:42 | |
No! Tiny mistakes. Mistakes that no-one's noticed. | 0:43:42 | 0:43:45 | |
No-one except for me. I'm going to be so popular! | 0:43:45 | 0:43:48 | |
I hate that guy. | 0:43:48 | 0:43:50 | |
It's a massive, massive fight, between a giant robot | 0:43:56 | 0:43:59 | |
and an enormous sea monster. God, I love Pacific Rim. | 0:43:59 | 0:44:04 | |
And I love the mildly obscure mistakes contained within. | 0:44:04 | 0:44:07 | |
Look at this executive toy. | 0:44:07 | 0:44:08 | |
It would not, I assure you, react in this classic manner. | 0:44:08 | 0:44:12 | |
All the balls would swing together. | 0:44:12 | 0:44:15 | |
Gah, you're so pedantic! | 0:44:15 | 0:44:17 | |
I'd say I'm more fastidious than pedantic. | 0:44:17 | 0:44:19 | |
Now, palaeontology fans, listen to this. | 0:44:24 | 0:44:28 | |
..their secondary brain. Now, we both know the Kaiju are so large | 0:44:28 | 0:44:32 | |
they need two brains to move around, like a dinosaur. | 0:44:32 | 0:44:35 | |
I want to get my hands on that. | 0:44:35 | 0:44:37 | |
Ha! Dr Geiszler, your doctorate is worth nothing. | 0:44:37 | 0:44:40 | |
Dinosaurs did not have two brains. | 0:44:40 | 0:44:42 | |
Exactly. Everyone knows they had three brains. | 0:44:42 | 0:44:46 | |
Ben... you don't even have one brain. | 0:44:46 | 0:44:49 | |
What is brain? | 0:44:49 | 0:44:51 | |
But the brain... too much ammonia. | 0:44:51 | 0:44:54 | |
Arthur Christmas. | 0:44:58 | 0:44:59 | |
Brilliant as a cockle-warming family movie, rubbish at geography. | 0:44:59 | 0:45:04 | |
Well, I didn't know Aarhus was in Eastern Denmark. | 0:45:04 | 0:45:07 | |
Exactly. Everybody knows that Aarhus is in Jutland, | 0:45:07 | 0:45:10 | |
which is the western peninsula of Denmark. Admittedly on the east | 0:45:10 | 0:45:13 | |
coast of Jutland, | 0:45:13 | 0:45:14 | |
but at best that puts Aarhus in the middle of the country. | 0:45:14 | 0:45:17 | |
I thought Aarhus was in the middle of our street. | 0:45:19 | 0:45:21 | |
Pitch Perfect? More like Pitch Riddled With Mistakes! | 0:45:25 | 0:45:29 | |
-Ben, you could have had Pitch Imperfect. -I hate myself. | 0:45:29 | 0:45:33 | |
..Darth Vader's Luke's father... | 0:45:33 | 0:45:35 | |
-Hey. Hey, that girl walked past twice! -Really? | 0:45:35 | 0:45:40 | |
Yeah. Blonde girl, green top, and blue shorts. Twice. | 0:45:40 | 0:45:44 | |
"Vader" in German MEANS "father". His name is literally Darth Father. | 0:45:44 | 0:45:48 | |
Well, actually I was going to point out in this bit | 0:45:48 | 0:45:51 | |
Beca's wrong. | 0:45:51 | 0:45:53 | |
"Vader" actually means father in Dutch, not German. | 0:45:53 | 0:45:56 | |
That was your movie mistake? Was that not too petty even for you? | 0:45:56 | 0:46:01 | |
Not even close, mate. | 0:46:01 | 0:46:02 | |
Are you guys getting ready for the riff-off? | 0:46:02 | 0:46:05 | |
What the hell is a riff-off? | 0:46:05 | 0:46:06 | |
Cloud Atlas! | 0:46:09 | 0:46:11 | |
Difficult, but rewarding to read - difficult to watch. | 0:46:11 | 0:46:16 | |
Are you ready for a clear but tedious error, boys? | 0:46:16 | 0:46:19 | |
-Nope. -Not for me. | 0:46:19 | 0:46:20 | |
Good! September the 1st, 1973 | 0:46:20 | 0:46:23 | |
was a Saturday. We all know that, don't we? | 0:46:23 | 0:46:25 | |
-Well, you might. -And maybe Rain Man. -But the directors certainly don't. | 0:46:25 | 0:46:29 | |
On this barely-seen calendar it's listed as a Friday! Ha! A Friday. | 0:46:29 | 0:46:35 | |
Jog on, Wachowskis! | 0:46:35 | 0:46:37 | |
Back to the very satisfying Skyfall. Perfect Bond. | 0:46:41 | 0:46:44 | |
But check Severine's shoes. | 0:46:44 | 0:46:46 | |
Not only dreadful to walk in on bumpy ground, | 0:46:46 | 0:46:49 | |
they also keep changing colour. | 0:46:49 | 0:46:51 | |
Fun fact, guys. In the shots where we just see her head and shoulders, | 0:46:53 | 0:46:57 | |
-she's actually wearing flippers. -She's a very talented actor. | 0:46:57 | 0:47:01 | |
This looks suitably grim. | 0:47:07 | 0:47:09 | |
It could only be the dark and moody The Paperboy. | 0:47:09 | 0:47:13 | |
-Oh, dear, look at that drip. -Oi! Don't talk about Ben like that. | 0:47:13 | 0:47:17 | |
Not that drip, you drips. The drip in the clip! This is set in 1969. | 0:47:17 | 0:47:22 | |
Obviously an IV drip would have been in a glass bottle at that time, | 0:47:22 | 0:47:25 | |
not a plastic bag. | 0:47:25 | 0:47:27 | |
-No wonder this movie tanked. -Drip. | 0:47:27 | 0:47:30 | |
Seen... | 0:47:35 | 0:47:37 | |
No... | 0:47:37 | 0:47:38 | |
Over the next months | 0:47:39 | 0:47:40 | |
film franchises will be releasing sequels and prequels galore. | 0:47:40 | 0:47:44 | |
I'm looking forward to the prequel Django Chained. | 0:47:44 | 0:47:47 | |
Apparently it's just going to be two gruelling hours | 0:47:47 | 0:47:50 | |
of Jamie Foxx as a slave. | 0:47:50 | 0:47:52 | |
Yeah, there's a lot of buzz about Star Wars Episode VII: | 0:47:52 | 0:47:55 | |
I Just Don't Care Any More. | 0:47:55 | 0:47:58 | |
They're going to film George Lucas | 0:47:58 | 0:47:59 | |
driving around in a gold pick-up truck | 0:47:59 | 0:48:01 | |
full of money, just sneering at his fans. | 0:48:01 | 0:48:06 | |
Well, as great as those two made-up films sound, | 0:48:06 | 0:48:08 | |
I thought we could look at some of the actual film franchises, | 0:48:08 | 0:48:11 | |
and some of the gaffes we hope they won't be making this time round. | 0:48:11 | 0:48:15 | |
Argo II... Argos? | 0:48:15 | 0:48:17 | |
Turtle Power, everyone! | 0:48:22 | 0:48:24 | |
Perhaps the greatest social movement of the 20th century. | 0:48:24 | 0:48:28 | |
And now, Teenage Mutant Ninja Turtles is being | 0:48:28 | 0:48:30 | |
reimagined for the jaded, terrifying youth of 2014. | 0:48:30 | 0:48:34 | |
But we all remember the original film, right? With these clunkers? | 0:48:34 | 0:48:37 | |
Of course! Like Leonardo leaving April's apartment. | 0:48:37 | 0:48:40 | |
His sword pings off the wall like it was made of rubber. | 0:48:40 | 0:48:43 | |
Looking back, this film does actually seem quite terrifying. | 0:48:43 | 0:48:47 | |
Ohhh! So, that's the plan... | 0:48:50 | 0:48:53 | |
Here's a blinding mistake that we hope won't creep into the remake. | 0:48:53 | 0:48:57 | |
As Raphael and Leonardo argue, | 0:48:57 | 0:48:59 | |
a crew member fails to hide out of shot. | 0:48:59 | 0:49:02 | |
He hasn't helped his cause by wearing a bright orange cap. | 0:49:02 | 0:49:05 | |
Guys... that's not a crew member. That's their human slave. | 0:49:05 | 0:49:09 | |
Very dark. | 0:49:09 | 0:49:11 | |
I, Frankenstein's out soon, but let's hope the new film doesn't make | 0:49:18 | 0:49:21 | |
the same mistakes as the definitive dark and still creepy 1931 classic. | 0:49:21 | 0:49:25 | |
Like this doozy! In this epic feat of acting | 0:49:25 | 0:49:28 | |
we can see Frankenstein's monster falling unconscious onto his back. | 0:49:28 | 0:49:33 | |
Top work, Boris. | 0:49:33 | 0:49:35 | |
However, here, he's somehow rolled over! | 0:49:35 | 0:49:39 | |
Give it another 30 seconds I'm sure he'd have started doing the worm. | 0:49:39 | 0:49:42 | |
-..Too late! -Here, quick. Give me a hand... | 0:49:42 | 0:49:46 | |
Are you ready to have your minds blown, folks? | 0:49:48 | 0:49:53 | |
Here are some high-end special effects | 0:49:53 | 0:49:54 | |
that I, Frankenstein will have to match. | 0:49:54 | 0:49:57 | |
The doctor is in grave danger as he fights his own monster creation. | 0:49:57 | 0:50:02 | |
Or so you'd think. Luckily, the monster spares his life, | 0:50:02 | 0:50:05 | |
and instead throws what is clearly a dummy off the ledge. | 0:50:05 | 0:50:09 | |
-Ben, that was supposed to be the real doctor. -What? | 0:50:09 | 0:50:13 | |
With their return to our screens in Muppets Most Wanted next year | 0:50:17 | 0:50:20 | |
let's point out a couple of Great Muppet Mistakes. | 0:50:20 | 0:50:23 | |
This first Muppet movie | 0:50:24 | 0:50:25 | |
is criminally underrated comedy genius. It's spot on. | 0:50:25 | 0:50:29 | |
Well, not so much here. | 0:50:29 | 0:50:31 | |
Miss Piggy proves she's a real diva by insisting that any man | 0:50:31 | 0:50:35 | |
who pushes her off a balcony wears a luxurious velvet evening glove. | 0:50:35 | 0:50:40 | |
That's possibly the classiest movie mistake we've ever had. | 0:50:40 | 0:50:43 | |
Afternoon, all... | 0:50:46 | 0:50:48 | |
Now, over here in the still exceptionally funny | 0:50:50 | 0:50:53 | |
The Muppets Take Manhattan, creator Jim Henson makes | 0:50:53 | 0:50:55 | |
a Hitchcock-style cameo, crouching awkwardly under some tables. | 0:50:55 | 0:51:00 | |
Look, there's the top of his head. | 0:51:00 | 0:51:02 | |
Ah. He's just trying to avoid paying the bill. | 0:51:02 | 0:51:05 | |
Textbook evasion technique. | 0:51:05 | 0:51:07 | |
Next year sees the release of Dawn of the Planet of the Apes, | 0:51:11 | 0:51:14 | |
but the original series had its fair share of monkey business. | 0:51:14 | 0:51:18 | |
Here's the reasonably decent but not amazing second film | 0:51:18 | 0:51:21 | |
Beneath the Planet of the Apes. | 0:51:21 | 0:51:24 | |
Turns out the Forbidden Zone isn't forbidden to the | 0:51:24 | 0:51:26 | |
onslaught of coffee shops we see on every high street. | 0:51:26 | 0:51:29 | |
Oh, yeah, look! | 0:51:29 | 0:51:31 | |
Some primate litterbug's left this coffee cup lying around. | 0:51:31 | 0:51:34 | |
Ruining the picturesque landscape. | 0:51:34 | 0:51:37 | |
-Look. There's a queue for this coffee. -Nearly, Ben. | 0:51:43 | 0:51:46 | |
Look, there's cue marks | 0:51:46 | 0:51:47 | |
showing where James Franciscus should be standing. | 0:51:47 | 0:51:50 | |
Naughty. No-one likes a cue jumper, James. | 0:51:50 | 0:51:53 | |
We're almost at the end, guys. | 0:51:54 | 0:51:56 | |
You've stayed with us for the entire show! | 0:51:56 | 0:51:58 | |
-Or alternatively, they've just tuned in. -Equally plausible. | 0:51:58 | 0:52:01 | |
We've seen a lot of movies, and a lot of mistakes, | 0:52:01 | 0:52:04 | |
but which movie is the mistakiest? | 0:52:04 | 0:52:06 | |
When it comes to movie mistakes, which film takes the cake? | 0:52:06 | 0:52:09 | |
Yeah. And then switches the hand that's holding the cake... | 0:52:09 | 0:52:12 | |
And then the cake disappears... | 0:52:12 | 0:52:13 | |
And then when it reappears it's a completely different cake? | 0:52:13 | 0:52:16 | |
Let's find out! | 0:52:16 | 0:52:18 | |
It's Les Mis, both a mesmerising and tear-jerking adaptation | 0:52:18 | 0:52:22 | |
of the musical, and a clanger-fest. | 0:52:22 | 0:52:25 | |
# It's win-win! # | 0:52:25 | 0:52:29 | |
Here these officials take off their hats | 0:52:29 | 0:52:31 | |
as Valjean is being captured, as ever. | 0:52:31 | 0:52:33 | |
So how come THIS fellow happens to still be wearing his? | 0:52:33 | 0:52:37 | |
As Mr Miyagi once said, "Hats on, hats off." Almost. | 0:52:37 | 0:52:42 | |
Ah, the "Fantine teleports around | 0:52:46 | 0:52:49 | |
"a group of disgruntled factory workers" scene. | 0:52:49 | 0:52:52 | |
That's rarely performed in the West End. | 0:52:52 | 0:52:54 | |
Look! She's got different neighbours in every shot. | 0:52:54 | 0:52:57 | |
Jowly Mc-Scowl-a-Lot's on Hathaway's right... | 0:52:57 | 0:53:00 | |
and then she's at the end of the line! | 0:53:00 | 0:53:03 | |
Poor Fantine has been convinced to be a prostitute. | 0:53:08 | 0:53:12 | |
In order to win some business from this captain, | 0:53:12 | 0:53:14 | |
she's hidden her shawl somewhere about her person | 0:53:14 | 0:53:16 | |
and then made it... come back again. | 0:53:16 | 0:53:19 | |
I think it's fair to say Anne "Hathaway" with continuity errors. | 0:53:19 | 0:53:23 | |
Incredible. | 0:53:23 | 0:53:25 | |
Heck of a blooper now. Here's Enjolras, pamphlets in hand. | 0:53:31 | 0:53:36 | |
-But wait, pause that! Where have the pamphlets gone? -No, Matthew! | 0:53:36 | 0:53:40 | |
He's clearly thrown them in the air, and a few moments later | 0:53:40 | 0:53:44 | |
-caught them. -There's no better way to rouse a crowd | 0:53:44 | 0:53:47 | |
than with a bit of juggling. | 0:53:47 | 0:53:48 | |
The boys are up to their old tricks here. | 0:53:51 | 0:53:53 | |
Chivalrous Enjorlas, in his splendid red coat, is picking up Eponine. | 0:53:53 | 0:53:59 | |
He's not chivalrous enough to carry her away, though. | 0:54:01 | 0:54:04 | |
he's clearly chucked her to his mate. | 0:54:04 | 0:54:06 | |
-Shut up, that's teamwork. -Implausible, badly-edited teamwork. | 0:54:06 | 0:54:11 | |
Ah, young Gavroche. So tragically killed. | 0:54:14 | 0:54:18 | |
Such a young talent. What a waste. | 0:54:18 | 0:54:21 | |
Don't worry, Ben, they didn't really kill him. | 0:54:21 | 0:54:23 | |
-Oh. -Look. Do you see his wide-open eyes? | 0:54:23 | 0:54:27 | |
Now they're closed. | 0:54:27 | 0:54:28 | |
-And now they're open. -It's a miracle. -Huzzah! | 0:54:31 | 0:54:35 | |
This scene is great and all, but you know what it could do with? | 0:54:39 | 0:54:42 | |
A bit of furniture. | 0:54:42 | 0:54:44 | |
What? Like this? | 0:54:44 | 0:54:45 | |
Where did that wardrobe come from? | 0:54:46 | 0:54:48 | |
-Much better. Thank you, Tom. -"Mon pleasure." | 0:54:48 | 0:54:51 | |
With seven classic clangers, | 0:54:53 | 0:54:55 | |
Les Mis takes the crown for most mistakes this year! | 0:54:55 | 0:54:58 | |
So we've come to the end of our movie mistakes marathon. | 0:55:01 | 0:55:03 | |
It's been less physically challenging than a real marathon | 0:55:03 | 0:55:06 | |
but in many ways a lot more gruelling. | 0:55:06 | 0:55:08 | |
If you've made it to the end, we salute you. | 0:55:08 | 0:55:10 | |
And if you've just tuned in, | 0:55:10 | 0:55:11 | |
don't worry, this gets repeated all the time. | 0:55:11 | 0:55:14 | |
Yeah, seriously! All the time. | 0:55:14 | 0:55:16 | |
It's basically this and Family Guy. | 0:55:16 | 0:55:19 | |
But the movie industry waits for no man. Even as we speak | 0:55:19 | 0:55:21 | |
more films are being made, with more calamitous clunkers. | 0:55:21 | 0:55:24 | |
-Does that mean...? -Yes, Ben. | 0:55:24 | 0:55:26 | |
It's time to start researching next year's Movie Mistakes. | 0:55:26 | 0:55:29 | |
ALL: To the cinema! | 0:55:29 | 0:55:31 | |
MUSIC: "Don't You Forget About Me" by Simple Minds | 0:55:31 | 0:55:34 | |
# Hey, hey, hey, hey | 0:55:34 | 0:55:35 | |
# Ooh ooh-ooh-ooh-ooh whoa | 0:55:37 | 0:55:43 | |
# Don't you | 0:55:49 | 0:55:52 | |
# Forget about me | 0:55:52 | 0:55:54 | |
# Don't, don't, don't, don't | 0:55:55 | 0:55:58 | |
# Don't you | 0:55:58 | 0:56:00 | |
# Forget about me | 0:56:00 | 0:56:02 | |
# La, la-la-la-laa... # | 0:56:06 | 0:56:07 | |
Subtitles by Red Bee Media Ltd | 0:56:07 | 0:56:10 |