Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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There was once a noble quest undertaken by Tommo and Ben, | 0:00:03 | 0:00:07 | |
two hairy men from the Midlands, and Matthew the painfully white. | 0:00:07 | 0:00:10 | |
Bravely, they sought out motion picture mishaps, | 0:00:10 | 0:00:15 | |
cinematic screw-ups and filmic failures. | 0:00:15 | 0:00:18 | |
They travelled as far as Odeon and through the many caverns of Vue, | 0:00:19 | 0:00:23 | |
where they have returned with their prey, | 0:00:23 | 0:00:26 | |
captured on shiny golden rings known as DVDs. | 0:00:26 | 0:00:30 | |
Fine, fine, I know they're not gold. | 0:00:30 | 0:00:34 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:34 | 0:00:40 | |
Matthew, turn on the light. | 0:00:42 | 0:00:45 | |
Right, let's get cracking. | 0:00:45 | 0:00:48 | |
Guys, don't you think we look like characters from that film? | 0:00:48 | 0:00:51 | |
Top Gear is not a film, Ben. | 0:00:51 | 0:00:53 | |
No. The Lord Of The Rings. | 0:00:53 | 0:00:55 | |
What are you talking about? I've just been to the rugby | 0:00:55 | 0:00:58 | |
with my girlfriend, who doesn't know that I'm bald. | 0:00:58 | 0:01:01 | |
And I've just come back from my mate's pub crawl. | 0:01:01 | 0:01:04 | |
I mean, the weather was terrible but I did find this broom. | 0:01:04 | 0:01:06 | |
Cool. | 0:01:06 | 0:01:08 | |
Well, I've just come back from the shops, getting supplies for tonight. | 0:01:08 | 0:01:11 | |
Why are you carrying a sword? | 0:01:11 | 0:01:14 | |
It's a rough neighbourhood. | 0:01:14 | 0:01:16 | |
Fair enough. | 0:01:16 | 0:01:17 | |
ALL: Movie night! | 0:01:17 | 0:01:18 | |
Hello and welcome to Great Movie Mistakes. We're Pappy's. | 0:01:20 | 0:01:23 | |
I'm Matthew. I'm Tom. And he's Matthew. Thanks, Ben. | 0:01:23 | 0:01:26 | |
Tonight, in our flat, | 0:01:26 | 0:01:28 | |
we'll be taking you through some of cinema's biggest howlers. | 0:01:28 | 0:01:31 | |
Popcorn. Check. | 0:01:33 | 0:01:35 | |
Nachos. Check. | 0:01:35 | 0:01:37 | |
Beers. Check. | 0:01:37 | 0:01:38 | |
Dimmable lighting? | 0:01:38 | 0:01:40 | |
HE CLAPS Checkmate. | 0:01:40 | 0:01:42 | |
Wow, guys, this movie night is shaping up beautifully. | 0:01:42 | 0:01:45 | |
Movie night? No. These are our supplies for when the apocalypse happens. | 0:01:45 | 0:01:49 | |
Really? With these provisions, your heart would last about a week. | 0:01:49 | 0:01:52 | |
Er, I think you'll find it's sustained us for the last six years. | 0:01:52 | 0:01:55 | |
It's a medical miracle. Technically, we should have tri-abetes. | 0:01:55 | 0:02:00 | |
Oh, which reminds me - M | 0:02:00 | 0:02:02 | |
Peanuts and chocolate. Checkedy-check-check. | 0:02:02 | 0:02:06 | |
Well, it's lucky your apocalypse provisions dovetail | 0:02:06 | 0:02:08 | |
so nicely with my idea for a perfect movie night. | 0:02:08 | 0:02:11 | |
So, let's get cracking with our first batch of faulty movie moments. | 0:02:11 | 0:02:15 | |
Who are you talking to? | 0:02:15 | 0:02:18 | |
The brain segment of the frontal lobe... | 0:02:18 | 0:02:21 | |
It's Pacific Rim. | 0:02:21 | 0:02:22 | |
Fantastic. Guillermo Del Toro's exciting and spectacular | 0:02:22 | 0:02:26 | |
monster film is surprisingly enjoyable, | 0:02:26 | 0:02:28 | |
but it's not without a clanger or two. Go on. | 0:02:28 | 0:02:30 | |
Check out that headpiece that Newton's wearing. I see it. | 0:02:32 | 0:02:36 | |
See it now? Fastened round his neck without him touching it. | 0:02:36 | 0:02:39 | |
Shockingly unrealistic. | 0:02:42 | 0:02:44 | |
Unlike that giant floating Kaiju brain, which is bang on. | 0:02:44 | 0:02:48 | |
What's to tell? | 0:02:56 | 0:02:58 | |
You know them...? | 0:03:01 | 0:03:03 | |
Mirror, mirror, on the wall, | 0:03:03 | 0:03:04 | |
what is the most glaring error of them all? | 0:03:04 | 0:03:07 | |
I'd say probably this one. | 0:03:07 | 0:03:09 | |
Watch Idris Elba somehow manage to move | 0:03:09 | 0:03:11 | |
from right next to the mirror... | 0:03:11 | 0:03:13 | |
to all the way into the middle of the room. | 0:03:13 | 0:03:15 | |
Teleporting near a mirror is seven years' bad luck, right? | 0:03:15 | 0:03:21 | |
The last time I jockeyed was Tokyo. | 0:03:21 | 0:03:23 | |
Great, it's Star Trek Into Darkness. | 0:03:27 | 0:03:30 | |
Star Trek Into Awesomeness, more like. | 0:03:30 | 0:03:32 | |
Kirk's drowning his sorrows, but check out his glass. | 0:03:32 | 0:03:36 | |
The futuristic orb of ice is drowned in whisky, but now... | 0:03:36 | 0:03:40 | |
where's the whisky gone? | 0:03:40 | 0:03:41 | |
Teleported somewhere? No wonder he's upset. | 0:03:44 | 0:03:47 | |
I will remain behind and divert... | 0:03:51 | 0:03:53 | |
Sulu's a renegade, the Enterprise is falling apart | 0:03:53 | 0:03:56 | |
and he's driving without a seat belt! | 0:03:56 | 0:03:58 | |
All due respect, Commander, but we're not going anywhere. | 0:03:58 | 0:04:03 | |
Oh, wait, there it is. | 0:04:03 | 0:04:04 | |
Wait. If we look later on, he's taken it off again. | 0:04:06 | 0:04:09 | |
And Spock's obviously had a go at him, as it's back on. | 0:04:09 | 0:04:13 | |
There's no excuse not to use protection. | 0:04:13 | 0:04:15 | |
Oh, I love the way they teleport in this movie. | 0:04:20 | 0:04:23 | |
I love the way Uhura is both fierce and sexy - | 0:04:27 | 0:04:29 | |
a true independent woman. | 0:04:29 | 0:04:31 | |
Er... OK. | 0:04:31 | 0:04:34 | |
But speaking of Uhura, where is she in this shot? | 0:04:34 | 0:04:37 | |
Teleported into my dreams? | 0:04:37 | 0:04:39 | |
And back again. | 0:04:39 | 0:04:41 | |
That was quick. I don't need long. | 0:04:41 | 0:04:43 | |
It's time for some slightly above average superheroics in Man Of Steel. | 0:04:47 | 0:04:52 | |
Oh, and here's a good blooper. | 0:04:52 | 0:04:53 | |
A message is being broadcast worldwide... | 0:04:53 | 0:04:56 | |
But it's somehow night-time in all these places around the world. | 0:04:56 | 0:05:00 | |
Ridiculous. I dunno. | 0:05:00 | 0:05:02 | |
My girlfriend's travelling at the moment and whenever I call her, | 0:05:02 | 0:05:05 | |
she doesn't pick up because it's the middle of the night. | 0:05:05 | 0:05:08 | |
I just think it's always night-time in a lot of places. | 0:05:08 | 0:05:12 | |
Ben, she's in Cornwall. Let her go, buddy. | 0:05:12 | 0:05:16 | |
It's coming in on the RSS feeds. 'You are not alone.' | 0:05:16 | 0:05:19 | |
Time to shed light on another Man Of Steel clunker. | 0:05:23 | 0:05:26 | |
Those soldiers are clearly casting a shadow to the side | 0:05:26 | 0:05:29 | |
despite the sun being very definitely behind Superman. | 0:05:29 | 0:05:32 | |
Massively inconsistent. | 0:05:33 | 0:05:34 | |
What makes you think she's here? | 0:05:34 | 0:05:37 | |
Surely the real inconsistency is why a man with unlimited power | 0:05:37 | 0:05:41 | |
and the ability to single-handedly solve all the world's problems | 0:05:41 | 0:05:45 | |
chooses to spend 40 hours a week working as a newspaper reporter, | 0:05:45 | 0:05:49 | |
essentially neglecting the cries for help from people worldwide? | 0:05:49 | 0:05:53 | |
All of whom he can definitely hear. | 0:05:53 | 0:05:56 | |
That's actually an amazingly good point. | 0:05:56 | 0:05:58 | |
Take one of the greatest works of literature ever, | 0:05:59 | 0:06:02 | |
get Baz Luhrmann to make an awesome film of it starring | 0:06:02 | 0:06:04 | |
Leonardo DiCaprio and what do you get? | 0:06:04 | 0:06:07 | |
Romeo + Juliet. | 0:06:07 | 0:06:09 | |
Absolutely. | 0:06:09 | 0:06:10 | |
Sadly, The Great Gatsby wasn't half as good, | 0:06:10 | 0:06:13 | |
but hats off for their hard efforts. | 0:06:13 | 0:06:15 | |
Hats off indeed, but wait. | 0:06:15 | 0:06:18 | |
Hat's on here. | 0:06:18 | 0:06:20 | |
Oh, and the car they're overtaking vanishes. | 0:06:20 | 0:06:23 | |
Hat's all, folks. | 0:06:24 | 0:06:26 | |
Watch out! Watch out! | 0:06:28 | 0:06:30 | |
Cliched and clunky, White House Down shows there inevitably comes | 0:06:30 | 0:06:33 | |
a time when any President is required to fire a missile launcher | 0:06:33 | 0:06:36 | |
out of the side of his limousine. | 0:06:36 | 0:06:38 | |
If this whole concept wasn't mistake enough, | 0:06:38 | 0:06:41 | |
check out Channing Tatum's arm. | 0:06:41 | 0:06:43 | |
As Jamie Foxx strikes him on the head, | 0:06:43 | 0:06:45 | |
we see either some marks for editing or a really terrible tattoo. | 0:06:45 | 0:06:50 | |
Hit me in the head with a rocket while I'm trying to drive! | 0:06:50 | 0:06:54 | |
And he's opening the back window. | 0:06:54 | 0:06:56 | |
For security reasons, you can | 0:06:56 | 0:06:58 | |
only open the front window in presidential cars. | 0:06:58 | 0:07:01 | |
As I remember from my affair with Clinton in '95. | 0:07:01 | 0:07:04 | |
There's something you don't see every day. | 0:07:05 | 0:07:07 | |
World War Z now, but you won't be catching any Zs | 0:07:10 | 0:07:13 | |
if you watch this hard-edged | 0:07:13 | 0:07:14 | |
neo-Zombie action thriller - it's great. | 0:07:14 | 0:07:17 | |
But listen to Dr Fassbach making a basic medical error. | 0:07:17 | 0:07:21 | |
The analogy I keep coming back to is Spanish flu. Spanish flu? | 0:07:21 | 0:07:26 | |
It didn't exist in 1918, but by 1920 it killed 3% of the world. | 0:07:26 | 0:07:30 | |
Didn't exist in 1918? I think you'll find it broke out in 1918, mate. Ha! | 0:07:30 | 0:07:36 | |
The plane's going down! | 0:07:40 | 0:07:42 | |
Let's put on our oxygen masks while we try to stabilise the engines! | 0:07:42 | 0:07:48 | |
It doesn't look promising. There's a massive hole in the plane. | 0:07:48 | 0:07:50 | |
But with certain death looming, the pilots have opted to | 0:07:52 | 0:07:55 | |
take off their oxygen masks and wear normal headsets. | 0:07:55 | 0:07:59 | |
But why? It's simple, Ben. So they can kiss. | 0:07:59 | 0:08:03 | |
With the zombie disease causing havoc worldwide, | 0:08:06 | 0:08:09 | |
the population's rapidly decreasing. | 0:08:09 | 0:08:11 | |
Soon the only person left will be a teleporting man. | 0:08:11 | 0:08:15 | |
Sorry, what? | 0:08:15 | 0:08:16 | |
Check him out. White beardy hair man, he's everywhere. | 0:08:16 | 0:08:20 | |
Behind Brad... | 0:08:20 | 0:08:21 | |
..and now sorting through papers. | 0:08:24 | 0:08:26 | |
Only he can move fast enough to outrun the zombie hordes. | 0:08:26 | 0:08:30 | |
Sir, there is nowhere to evacuate you to. | 0:08:30 | 0:08:32 | |
Now, the science of movie mistakes is as real and serious as alchemy, | 0:08:36 | 0:08:41 | |
horoscopes and a third example. | 0:08:41 | 0:08:44 | |
But how do you measure a movie mistake? | 0:08:44 | 0:08:47 | |
We've had literally hundreds of e-mails and letters, | 0:08:47 | 0:08:51 | |
none of which relate to this subject. | 0:08:51 | 0:08:54 | |
So we thought we'd tackle that now. | 0:08:54 | 0:08:55 | |
Basically, a clanger is one below a blooper. | 0:08:55 | 0:08:59 | |
You get two gaffes to a clunker. | 0:08:59 | 0:09:01 | |
Although it should be noted than an American clunker is worth | 0:09:01 | 0:09:04 | |
only two-thirds of a British clunker. | 0:09:04 | 0:09:07 | |
In other words, roughly equivalent to a howler. | 0:09:07 | 0:09:10 | |
Five howlers add up to a boob. | 0:09:10 | 0:09:13 | |
Three boobs and you're watching Total Recall. | 0:09:13 | 0:09:16 | |
And if you spot a gaffe, howler and boob happening all at once, | 0:09:16 | 0:09:19 | |
you're probably watching a film by Michael Bay. | 0:09:19 | 0:09:22 | |
Oh, zing! Always going for those tricky targets, Crosby. | 0:09:22 | 0:09:25 | |
Yep. I think that's the last we'll be hearing from that guy. | 0:09:25 | 0:09:28 | |
Anyway, here are some impressive examples of premium goofs. | 0:09:28 | 0:09:31 | |
Goofs. I knew we missed one. | 0:09:31 | 0:09:33 | |
We must find shelter! | 0:09:35 | 0:09:37 | |
It's the grand but rather long first Hobbit movie. | 0:09:39 | 0:09:42 | |
And they could have picked a different day to film it - | 0:09:42 | 0:09:45 | |
awful weather. Yeah. | 0:09:45 | 0:09:47 | |
They're getting absolutely soaked, apart from the dwarves it would seem. | 0:09:47 | 0:09:52 | |
His hair doesn't look wet at all, and neither does his. | 0:09:52 | 0:09:56 | |
And as soon as they enter the cave, the dwarves are completely bone dry. | 0:09:56 | 0:10:01 | |
This is easily explained. | 0:10:01 | 0:10:02 | |
Dwarves are shorter, so the rain hits them later. | 0:10:02 | 0:10:06 | |
Yeah. It doesn't quite work like that, Ben. | 0:10:06 | 0:10:08 | |
More wet spells here in The Hobbit. | 0:10:12 | 0:10:15 | |
The precious ring falls onto some dry slate. | 0:10:15 | 0:10:18 | |
Hmm. Bit dark, but with the old lightsaber | 0:10:23 | 0:10:26 | |
you can see the slate is definitely wet. | 0:10:26 | 0:10:28 | |
You can solve pretty much any problem by waving your | 0:10:31 | 0:10:33 | |
lightsaber about. Good grief. Put it away, boy. | 0:10:33 | 0:10:36 | |
Joseph Kosinsky's visually striking but a trifle dull | 0:10:42 | 0:10:45 | |
Oblivion is up next. | 0:10:45 | 0:10:46 | |
He's clearly a fan of movie mistakes. | 0:10:47 | 0:10:49 | |
He's even plonked one into a slow-mo scene | 0:10:49 | 0:10:51 | |
to make it easier for us to see. | 0:10:51 | 0:10:53 | |
Check out the gun with its strap flailing about. | 0:10:55 | 0:10:58 | |
But, when it falls to the ground, strapless! | 0:11:04 | 0:11:07 | |
In the future, IKEA will be releasing Modprip, | 0:11:13 | 0:11:17 | |
a half bed/half table combo, which is great | 0:11:17 | 0:11:19 | |
because if anyone falls on it it will simply bend a bit until they're off. | 0:11:19 | 0:11:24 | |
Until then, a padded fake table will have to do. | 0:11:24 | 0:11:27 | |
Time for a clunker from the glittery | 0:11:32 | 0:11:34 | |
but uninvolving mystery thriller that was Now You See Me. | 0:11:34 | 0:11:37 | |
Magicians and elaborate revenge plots galore, | 0:11:38 | 0:11:41 | |
but the real mystery is - | 0:11:41 | 0:11:42 | |
where have the extras vanished to as Interpol agent Alma Dray sits down? | 0:11:42 | 0:11:46 | |
Now you see them... | 0:11:46 | 0:11:47 | |
Now you don't. | 0:11:51 | 0:11:52 | |
Time for some turbo-powered excitement with Premium Rush. | 0:12:02 | 0:12:05 | |
I'm sorry, but no matter how much synthy music you use | 0:12:05 | 0:12:08 | |
this scene will never be cool. | 0:12:08 | 0:12:10 | |
Check out the taxi door. | 0:12:11 | 0:12:12 | |
They've clearly taken out the window and halved the door frame, | 0:12:12 | 0:12:15 | |
so the stuntman can fall over it. | 0:12:15 | 0:12:16 | |
And once Joseph Gordon-Levitt finishes using his weird | 0:12:19 | 0:12:22 | |
in-built sat nav... Handy for a courier. | 0:12:22 | 0:12:25 | |
..we see it's all back on. | 0:12:27 | 0:12:30 | |
Check out those great bullhorn handlebars. Classy. Indeed. | 0:12:32 | 0:12:36 | |
But in the very same chase scene, | 0:12:36 | 0:12:38 | |
those handlebars suddenly change to risers. | 0:12:38 | 0:12:40 | |
Horns to risers doesn't sound like much of a change to me. | 0:12:40 | 0:12:43 | |
Put it away. | 0:12:43 | 0:12:45 | |
Here Comes The Boom is great. | 0:12:51 | 0:12:53 | |
By great, don't you mean mediocre, Ben? | 0:12:53 | 0:12:55 | |
Stop calling me Mediocre Ben. Sorry. | 0:12:55 | 0:12:58 | |
Here's Mr Voss. He's late for school, | 0:13:01 | 0:13:03 | |
hence he's climbing through a window. That's all fair enough. | 0:13:03 | 0:13:06 | |
But he clearly had time to change his shoes from boots to trainers. | 0:13:10 | 0:13:13 | |
This is evidence that wayward teacher Mr Voss | 0:13:25 | 0:13:27 | |
may be mentally unhinged. | 0:13:27 | 0:13:29 | |
Here he is getting crisps out of a jammed vending machine | 0:13:29 | 0:13:32 | |
and two bags fall out. | 0:13:32 | 0:13:33 | |
Oh! Lucky fella. | 0:13:33 | 0:13:36 | |
Ho-ho-ho! Bonus! | 0:13:36 | 0:13:38 | |
Immediately he gives one to a pupil, but makes him deny it ever happened. | 0:13:42 | 0:13:46 | |
This never happened. We clear? | 0:13:47 | 0:13:49 | |
Power games. Very dark. | 0:13:51 | 0:13:54 | |
But wait, he's got two packets of crisps again. | 0:13:56 | 0:13:59 | |
This man is insane! | 0:13:59 | 0:14:01 | |
And now, after having three crisps, he just throws his one packet away. | 0:14:01 | 0:14:07 | |
What happened to the second packet?! | 0:14:07 | 0:14:10 | |
This never happened. We clear? | 0:14:10 | 0:14:12 | |
It's the powerfully emotional Flight, | 0:14:14 | 0:14:16 | |
featuring Denzel Washington who is, for once, playing someone heroic. | 0:14:16 | 0:14:21 | |
Stretch yourself, Denzel. | 0:14:21 | 0:14:22 | |
SCREAMING | 0:14:22 | 0:14:25 | |
What this film does stretch is reality. | 0:14:25 | 0:14:27 | |
There goes the plane about 12 feet from ground level. | 0:14:27 | 0:14:30 | |
And there is our view from inside the plane, miles up in the air. | 0:14:33 | 0:14:38 | |
Get it together, Washington. People are counting on you. | 0:14:38 | 0:14:40 | |
Are you ready for some mobile phone madness? Always. | 0:14:43 | 0:14:47 | |
First, he unlocks his phone and the time is 1:17 on October 20th. | 0:14:47 | 0:14:51 | |
Then, blam! He unlocks the phone and it's 8:52 on October 8th. | 0:14:53 | 0:14:58 | |
And then, just for good measure, | 0:14:58 | 0:15:00 | |
he somehow zooms right in on his iPhone like an absolute maverick! | 0:15:00 | 0:15:05 | |
Denzel plays by no-one's rules but his own. | 0:15:05 | 0:15:07 | |
Don't you just hate answerphone greetings? | 0:15:12 | 0:15:14 | |
Yeah, they're so samey. | 0:15:14 | 0:15:16 | |
Not in Flight, they're not. Listen to this one. | 0:15:16 | 0:15:18 | |
Right... | 0:15:26 | 0:15:28 | |
But the second time we hear it, it's shorter. | 0:15:29 | 0:15:32 | |
Stands to reason. He's had time to practise, | 0:15:32 | 0:15:34 | |
so it will be slicker the second time. | 0:15:34 | 0:15:37 | |
PHONE RINGS | 0:15:37 | 0:15:39 | |
He's angered Denzel there though. Nasty business. | 0:15:39 | 0:15:41 | |
That's absolutely not how it works. | 0:15:47 | 0:15:49 | |
Hello. My name is Ben. | 0:15:54 | 0:15:56 | |
I'm auditioning for the part of Wolverine. | 0:15:57 | 0:16:00 | |
I'll be reading for the part of Wolverine. | 0:16:02 | 0:16:05 | |
I'll be reading for the part of Rogue. | 0:16:05 | 0:16:07 | |
No, only kidding. | 0:16:07 | 0:16:09 | |
I'm reading for Wolverine or, as I like to call him, Wolferine. | 0:16:09 | 0:16:15 | |
Damn! This healing factor of mine is just so powerful. | 0:16:15 | 0:16:19 | |
I'm healing all the time... | 0:16:19 | 0:16:21 | |
even now. | 0:16:21 | 0:16:23 | |
Will I walk you home? Of "claws" I'll walk you home. | 0:16:23 | 0:16:30 | |
# Prince Charming | 0:16:30 | 0:16:31 | |
# Prince Charming. # | 0:16:31 | 0:16:33 | |
That's right, my bones are laced with adamant-ium. | 0:16:33 | 0:16:37 | |
I'm just a stubborn Canadian, here to show you what justice is all aboot. | 0:16:37 | 0:16:41 | |
About. Aboot. | 0:16:41 | 0:16:44 | |
Justice. | 0:16:44 | 0:16:45 | |
I'm more of an XXX man. | 0:16:45 | 0:16:50 | |
HE GROANS | 0:16:50 | 0:16:52 | |
Yeah. Just checking, you're CGI-ing the body afterwards, right? | 0:16:52 | 0:16:55 | |
That's how Jackman did it, right? | 0:16:55 | 0:16:56 | |
It's time to look at some careless action movie mistakes. | 0:16:58 | 0:17:02 | |
As a fellow mutant, I can only admire the solid and surprisingly mature | 0:17:02 | 0:17:06 | |
action romp The Wolverine. | 0:17:06 | 0:17:08 | |
The ability to burp the national anthem of any | 0:17:08 | 0:17:11 | |
Commonwealth country is now a mutant power, Ben. | 0:17:11 | 0:17:13 | |
It's not unimpressive though. | 0:17:13 | 0:17:16 | |
Regardless, check out Hugh Jackman's hitherto un-mutant power, | 0:17:16 | 0:17:19 | |
shifting from lying on his side... | 0:17:19 | 0:17:22 | |
to lying on his back without apparently moving at all. | 0:17:22 | 0:17:24 | |
Here's Jackman tearing up some fools at a funeral, | 0:17:32 | 0:17:35 | |
whilst Viper films it all on her phone. | 0:17:35 | 0:17:37 | |
GUNSHOTS | 0:17:40 | 0:17:43 | |
But wait. Look as she lowers it. | 0:17:48 | 0:17:50 | |
The footage on the phone clearly isn't happening live. | 0:17:50 | 0:17:53 | |
Maybe she's simply using her phone to watch the stunning | 0:17:53 | 0:17:56 | |
action film, The Wolverine. | 0:17:56 | 0:17:58 | |
It's an extraordinary meta piece of filmmaking. | 0:17:58 | 0:18:01 | |
Now, TRAIN your eyes, if you will, on those passers by. | 0:18:04 | 0:18:08 | |
What? Those passers-by are looking directly at the camera. Yup. | 0:18:08 | 0:18:12 | |
Ha! They should probably TRAIN their eyes elsewhere. | 0:18:12 | 0:18:15 | |
Ben, you're aware I made that exact same joke literally seconds before? | 0:18:17 | 0:18:21 | |
Boys, let's get back on track. ALL: Hey-o! | 0:18:21 | 0:18:24 | |
Nothing says not "particularly good action film" like the words | 0:18:28 | 0:18:32 | |
GI Joe: Retaliation. | 0:18:32 | 0:18:34 | |
But it did bring us this error. | 0:18:34 | 0:18:36 | |
Look at Channing Tatum's ears, everyone. | 0:18:36 | 0:18:38 | |
Bit harsh. I don't think they can be classed as a mistake. | 0:18:38 | 0:18:42 | |
No. His headphones. Firstly, they're on. | 0:18:42 | 0:18:44 | |
Then they're off. | 0:18:48 | 0:18:50 | |
You've got a big head. Come here. | 0:18:50 | 0:18:52 | |
Then they're on again. | 0:18:52 | 0:18:54 | |
Just like Ross and Rachel. Wow. Where did that come from? | 0:18:54 | 0:18:57 | |
I've only just got to the end of Friends. Oh. | 0:18:57 | 0:18:59 | |
It's the awesome Iron Man 3, tons better than the second one. | 0:19:02 | 0:19:07 | |
Now, throughout the film, he's got blood on his left eye and cheek. | 0:19:07 | 0:19:10 | |
But somehow, for this shot, it's on his right side. | 0:19:12 | 0:19:16 | |
And now it's back. | 0:19:17 | 0:19:20 | |
EYE know. | 0:19:20 | 0:19:21 | |
Was that a joke? | 0:19:21 | 0:19:22 | |
Aye. | 0:19:24 | 0:19:25 | |
A rare sign of implausibility | 0:19:28 | 0:19:29 | |
in the usually highly realistic Bond franchise. | 0:19:29 | 0:19:32 | |
# It's Skyfall. # | 0:19:34 | 0:19:37 | |
Here's Craig with the old "drive head-first into the side | 0:19:37 | 0:19:40 | |
"of a bridge then land on a train" trick. | 0:19:40 | 0:19:43 | |
But what about the motorbike? It's back on its wheels. | 0:19:43 | 0:19:46 | |
But where is it here? | 0:19:48 | 0:19:50 | |
Probably transformed into a Cuban cigar | 0:19:50 | 0:19:52 | |
and landed in Craig's inside pocket. | 0:19:52 | 0:19:54 | |
Sounds about par for the course. | 0:19:54 | 0:19:56 | |
Well, get after them, for God's sake. | 0:19:56 | 0:19:57 | |
Your successor has yet to be appointed, so we'll be asking you... | 0:19:59 | 0:20:02 | |
I'm not an idiot, Mallory. | 0:20:02 | 0:20:04 | |
Dame Judi Dench is being tactfully fired by Ralph Fiennes for losing | 0:20:04 | 0:20:07 | |
government secrets. | 0:20:07 | 0:20:09 | |
Keep an eye out for her handbag. | 0:20:09 | 0:20:11 | |
M...you've had a great run. | 0:20:11 | 0:20:14 | |
You should leave with dignity. | 0:20:14 | 0:20:15 | |
Oh, to hell with dignity. | 0:20:15 | 0:20:17 | |
I'll leave when the job's done. | 0:20:17 | 0:20:19 | |
Yes. She should also leave with her handbag. | 0:20:19 | 0:20:21 | |
Ironically, the handbag contained more government secrets, | 0:20:21 | 0:20:24 | |
which is why Ralph has had it vaporized. | 0:20:24 | 0:20:27 | |
As anyone who has chased Javier Bardem | 0:20:31 | 0:20:33 | |
as a policeman through a London Underground station knows, | 0:20:33 | 0:20:36 | |
it's impossible to slide down the middle of an escalator. | 0:20:36 | 0:20:39 | |
Yeah. You won't so much slide as bounce off the emergency stop buttons | 0:20:39 | 0:20:42 | |
and raised barriers. | 0:20:42 | 0:20:44 | |
Not to mention the dog-eared copies of free newspapers. | 0:20:44 | 0:20:47 | |
The Oscars always leads to heated debate. | 0:20:54 | 0:20:56 | |
I'm telling you, this is going to win Best Picture. | 0:20:56 | 0:20:58 | |
This will win. This needs to win! Guys, what's going on? | 0:20:58 | 0:21:02 | |
We're just arguing over who's going to win Best Picture. | 0:21:02 | 0:21:05 | |
Well, judging by that, neither of you, | 0:21:05 | 0:21:07 | |
although you're both frontrunners for Worst Joke. | 0:21:07 | 0:21:09 | |
BOTH: Yes! | 0:21:09 | 0:21:11 | |
Speaking of Best Picture, let's have a look at some shocking | 0:21:13 | 0:21:15 | |
continuity gaps from this year's Oscar-nominated films. | 0:21:15 | 0:21:18 | |
The jaw-dropping almost accurate Argo now, | 0:21:23 | 0:21:26 | |
with two mistakes in one. | 0:21:26 | 0:21:28 | |
Like when I got the word "legend" tattooed on my... | 0:21:28 | 0:21:31 | |
OK. OK. First things first. Check this out. | 0:21:31 | 0:21:33 | |
Bear in mind, Argo is set in 1979. | 0:21:33 | 0:21:36 | |
There's a script for Passions Requiem dated 2009. | 0:21:36 | 0:21:41 | |
Ha! I knew Ben Affleck received my autobiographical screenplay. | 0:21:41 | 0:21:45 | |
Secondly, you see the Argo script's fancy black vinyl cover? | 0:21:47 | 0:21:52 | |
I like it. | 0:21:52 | 0:21:53 | |
Well, where the hell has it gone? | 0:21:53 | 0:21:55 | |
Affleck's eaten it, hasn't he? | 0:21:55 | 0:21:56 | |
It's very possible, Ben. | 0:21:56 | 0:21:58 | |
Here's Affleck writing a postcard. Show off. | 0:22:03 | 0:22:06 | |
But now look. The word "so" has jumped down a line. | 0:22:06 | 0:22:10 | |
In fact, it's an entirely different lot of writing on the card. | 0:22:10 | 0:22:14 | |
So he has magic writing AND he's Batman. | 0:22:14 | 0:22:18 | |
What chance do the rest of us have? | 0:22:18 | 0:22:20 | |
This is a good blunder. Brace yourselves. OK. | 0:22:25 | 0:22:29 | |
Here's Christoph Waltz putting on his braces in the brutal, gutsy | 0:22:29 | 0:22:33 | |
and fantastic Django Unchained. | 0:22:33 | 0:22:37 | |
Find my wife... | 0:22:37 | 0:22:39 | |
buy her freedom. | 0:22:39 | 0:22:41 | |
But he does it twice. | 0:22:41 | 0:22:43 | |
Do you see? Sort of. | 0:22:43 | 0:22:45 | |
He's putting them on when he already did. | 0:22:45 | 0:22:48 | |
Yeah, I guess so. | 0:22:48 | 0:22:49 | |
BRACE yourselves. | 0:22:49 | 0:22:51 | |
Because he was putting... Yeah, yeah, we get it, Tom. | 0:22:51 | 0:22:54 | |
Extras are like buses. At first there are six of them... | 0:22:56 | 0:23:00 | |
and then there are only three... | 0:23:00 | 0:23:02 | |
..and then back to six. | 0:23:03 | 0:23:05 | |
See? | 0:23:05 | 0:23:08 | |
How is that like buses, Tom? | 0:23:08 | 0:23:10 | |
Well, you pay ?2.40 to enter them - buses, that is, not extras. | 0:23:10 | 0:23:15 | |
That simile is lacking, if I'm honest. | 0:23:15 | 0:23:18 | |
"Lincoln is a thrilling, deeply enjoyable film" is a sentence | 0:23:22 | 0:23:26 | |
that tells me I have nothing in common with my date. | 0:23:26 | 0:23:30 | |
Come on! I can't think of a better way to spend seven hours. | 0:23:31 | 0:23:34 | |
Check out this clonker. See the President's glasses? | 0:23:34 | 0:23:37 | |
Well, look again because they've gone! Wait, "clonker"? | 0:23:40 | 0:23:44 | |
Yeah, it's my new word that I've made up for "blooper". Thoughts? | 0:23:44 | 0:23:48 | |
Hmm, not strong. | 0:23:48 | 0:23:50 | |
Our man proving why he's fit to lead a nation. | 0:23:53 | 0:23:56 | |
His crotch actually generates paperwork. | 0:23:56 | 0:23:58 | |
Actually, this is a blooper. Here he is putting papers into a folder. | 0:24:00 | 0:24:04 | |
Next shot, they're back in his hand! | 0:24:07 | 0:24:09 | |
So much for the "magic crotch" theory. | 0:24:09 | 0:24:11 | |
It's the gripping, intense Zero Dark Thirty | 0:24:15 | 0:24:18 | |
and this is for the geography buffs amongst you. Say no more, Matthew. | 0:24:18 | 0:24:21 | |
Oh, I didn't know you were into geography. | 0:24:21 | 0:24:23 | |
I'm not, so, please, say no more. | 0:24:23 | 0:24:25 | |
Those street signs are quite clearly not Kuwaiti. | 0:24:27 | 0:24:30 | |
They're Indian. Eh? | 0:24:30 | 0:24:32 | |
Madness. Matthew, really, say no more. | 0:24:32 | 0:24:35 | |
Look at me! Look at me! | 0:24:37 | 0:24:39 | |
Time for the emotionally walloping Beasts Of The Southern Wild | 0:24:42 | 0:24:45 | |
and here they are deep in a storm. | 0:24:45 | 0:24:47 | |
So, the trees closest to us are moving | 0:24:48 | 0:24:50 | |
but what about those perfectly still ones in the background? | 0:24:50 | 0:24:55 | |
The all-encompassing storm hasn't reached them yet? | 0:24:55 | 0:24:58 | |
I'm chalking this one up as a stormy clanger. | 0:24:58 | 0:25:00 | |
Here's the delightful Hushpuppy popping a Michael Jordan | 0:25:07 | 0:25:09 | |
jersey on her sleeping father. | 0:25:09 | 0:25:11 | |
And that's either a knock-off replica or a reverse shot, | 0:25:13 | 0:25:17 | |
because that number 23 is backwards. | 0:25:17 | 0:25:20 | |
Good spot, Ben. How did you see that? | 0:25:20 | 0:25:23 | |
Well, my teachers always said I was a bit backwards. It's a gift. | 0:25:23 | 0:25:27 | |
Look at these two cups. | 0:25:31 | 0:25:32 | |
Apart from appalling parenting, there's a massive mistake here. | 0:25:34 | 0:25:38 | |
Hushpuppy grabs the cup with the handle. | 0:25:41 | 0:25:44 | |
But now the dad has it. | 0:25:44 | 0:25:47 | |
Now she's got it again! | 0:25:47 | 0:25:48 | |
Nope, it's the dad's again. | 0:25:51 | 0:25:53 | |
Oh, God, drinking really does affect your vision. Ha, you're right there. | 0:25:54 | 0:25:59 | |
Which Matthew just said that? | 0:25:59 | 0:26:01 | |
Guys, it's time for GPM. | 0:26:06 | 0:26:09 | |
Gently Petting Matthew? | 0:26:09 | 0:26:12 | |
What? No! | 0:26:12 | 0:26:13 | |
Graphically Probing Matthew? | 0:26:13 | 0:26:16 | |
Absolutely not! My really cool acronym can only mean one thing! | 0:26:16 | 0:26:20 | |
Great Plot-hole Mistakes! | 0:26:22 | 0:26:25 | |
Gaffes so massively bad, an entire film falls apart. | 0:26:25 | 0:26:28 | |
Whoa! Hold on a second, guys! Check us out, we're cartoons! | 0:26:28 | 0:26:32 | |
Amazing. I can finally assist | 0:26:32 | 0:26:34 | |
Pinky and the Brain in their quest for world domination! | 0:26:34 | 0:26:38 | |
No time, Ben. We've got to explore | 0:26:38 | 0:26:40 | |
the miasma of movie mistakes that is... | 0:26:40 | 0:26:42 | |
In this relentless, pacey | 0:26:44 | 0:26:45 | |
and exciting superhero flick, | 0:26:45 | 0:26:47 | |
billionaire genius Tony Stark is | 0:26:47 | 0:26:49 | |
terrorised by Sir Ben Kingsley. | 0:26:49 | 0:26:51 | |
He threatens to bring America to its knees with a painful series | 0:26:51 | 0:26:54 | |
of lessons and no-one, especially Stark and the President, is safe. | 0:26:54 | 0:26:59 | |
So, Stark sets about saving the day. | 0:26:59 | 0:27:01 | |
Fair enough? Fair enough. No! | 0:27:01 | 0:27:03 | |
Not fair enough! Do you know why? | 0:27:03 | 0:27:06 | |
It interferes with Stark's long-planned golfing weekend? | 0:27:06 | 0:27:10 | |
No! Because Tony Stark happens to be in | 0:27:10 | 0:27:13 | |
an incredibly well-known superhero group. | 0:27:13 | 0:27:15 | |
He was in a movie with them. | 0:27:15 | 0:27:17 | |
Where the hell are they?! | 0:27:17 | 0:27:18 | |
Well, some of them don't live on Earth. | 0:27:18 | 0:27:21 | |
Thor might have been back in | 0:27:21 | 0:27:23 | |
Asgard, sorting out some admin. | 0:27:23 | 0:27:24 | |
Admin?! Stark's in grave peril. | 0:27:24 | 0:27:26 | |
And what about the others? | 0:27:26 | 0:27:28 | |
Big, angry Bruce Banner? | 0:27:28 | 0:27:30 | |
That archer guy. | 0:27:30 | 0:27:32 | |
And if the Captain doesn't leap into action | 0:27:32 | 0:27:34 | |
when the American President is threatened, what is his function? | 0:27:34 | 0:27:37 | |
Oh, no! | 0:27:37 | 0:27:39 | |
Maybe they were off on that golfing weekend, | 0:27:39 | 0:27:41 | |
hoping that Stark might pop along at the end? | 0:27:41 | 0:27:44 | |
That's a highly non-valid point! | 0:27:44 | 0:27:46 | |
This is one mistake so deadly that these superheroes couldn't | 0:27:46 | 0:27:49 | |
defeat it, if they bothered to turn up, that is. | 0:27:49 | 0:27:52 | |
And that's your lot. | 0:27:55 | 0:27:56 | |
See you soon for some more... ALL: Great Movie Mistakes! | 0:27:56 | 0:28:00 |