Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:04 | |
two hairy men from the Midlands, and Matthew, the painfully white. | 0:00:04 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:12 | |
cinematic screw-ups and filmic failures. | 0:00:12 | 0:00:16 | |
They travelled as far as Odeon | 0:00:16 | 0:00:19 | |
and through the many caverns of View, but they have returned | 0:00:19 | 0:00:23 | |
with their prey, captured on shiny golden rings, known as DVDs. | 0:00:23 | 0:00:28 | |
Fine, fine. I know they're not gold. | 0:00:28 | 0:00:31 | |
Join them now, as they celebrate Great Movie Mistakes. | 0:00:31 | 0:00:37 | |
Turn it off. | 0:00:39 | 0:00:41 | |
No, I've not watching that. | 0:00:41 | 0:00:44 | |
Come on. | 0:00:44 | 0:00:46 | |
Hello, we're Pappy's and welcome to Great Movie Mistakes. | 0:00:46 | 0:00:49 | |
My greatest movie mistake was messing up my audition to be | 0:00:49 | 0:00:52 | |
Edward in the Twilight films. Should never have got that spray tan. | 0:00:52 | 0:00:56 | |
Mine was being Bella in your audition tape. Did we really have to act out the whole film? | 0:00:56 | 0:01:00 | |
Well, what Tom and Ben have expertly failed to explain is that tonight, | 0:01:00 | 0:01:04 | |
we're going to be going through clip after clip of great movie mistakes. | 0:01:04 | 0:01:07 | |
-I can't wait. -Bella! | 0:01:07 | 0:01:09 | |
It's time! | 0:01:09 | 0:01:11 | |
Stop it! | 0:01:11 | 0:01:12 | |
It is I, Mr Darcy. | 0:01:18 | 0:01:21 | |
I feel such emotion and yet, | 0:01:22 | 0:01:26 | |
I feel none at all. | 0:01:26 | 0:01:28 | |
If my opinions about myself and immigration are to be believed, | 0:01:28 | 0:01:32 | |
I'm both full of pride and a little bit prejudiced. | 0:01:32 | 0:01:36 | |
Oh, my love, no-one understands the power of what we have. | 0:01:36 | 0:01:40 | |
But soon... Soon, we shall be together. | 0:01:43 | 0:01:47 | |
Oh... | 0:01:49 | 0:01:51 | |
Should probably do my audition. | 0:01:51 | 0:01:54 | |
See you later, my love. | 0:01:54 | 0:01:56 | |
Hello. My name's Ben. | 0:02:00 | 0:02:02 | |
Brood, brood, brood. | 0:02:02 | 0:02:04 | |
I'm prone to brooding. | 0:02:04 | 0:02:07 | |
Loins. | 0:02:07 | 0:02:09 | |
Oh, my love, no-one understands the power of what we ha... | 0:02:10 | 0:02:15 | |
Sorry, I can't do this. | 0:02:15 | 0:02:17 | |
This isn't for me. | 0:02:17 | 0:02:19 | |
My sweet love, to be apart from you was to be torn | 0:02:22 | 0:02:26 | |
asunder by a thousand ravenous jackals. | 0:02:26 | 0:02:30 | |
Loins. | 0:02:30 | 0:02:32 | |
Now, here's some dreadful howlers from recent romantic movies. | 0:02:34 | 0:02:39 | |
Oh, I love a thoughtful, beautifully acted romantic | 0:02:39 | 0:02:43 | |
movie like Take This Waltz, don't you, Ben? | 0:02:43 | 0:02:46 | |
I love food. | 0:02:46 | 0:02:48 | |
Oh, look. Sarah Silverman's dish disappears. | 0:02:48 | 0:02:51 | |
Why don't you want Donnie to go...? | 0:02:51 | 0:02:54 | |
Then reappears like magic! | 0:02:54 | 0:02:56 | |
I wish I had a self-filling plate like that. | 0:02:56 | 0:02:59 | |
I think there must have been a shortage of child actors | 0:03:04 | 0:03:08 | |
when they made Take This Waltz. | 0:03:08 | 0:03:10 | |
-Really? -Yeah. That kid's clearly a ventriloquist's dummy. | 0:03:10 | 0:03:14 | |
Her lips don't even move when she speaks. | 0:03:14 | 0:03:16 | |
-I missed you, Auntie Megan. -Oh, I missed you. | 0:03:16 | 0:03:20 | |
You're right! Go on, say "gockle of geer". | 0:03:20 | 0:03:23 | |
-Bye. -OK. | 0:03:23 | 0:03:25 | |
I Give It A Year, | 0:03:27 | 0:03:29 | |
not just the diagnosis Matthew received in the post on Monday. | 0:03:29 | 0:03:32 | |
Hey! I hadn't read that yet! Spoiler alert! | 0:03:32 | 0:03:35 | |
But also a sporadically funny and unusual rom-com. | 0:03:35 | 0:03:39 | |
Tell you what's strange about this film - that pool game. | 0:03:39 | 0:03:42 | |
See that cue being waved all over the place? | 0:03:42 | 0:03:45 | |
And you want to hit on the edge there. | 0:03:45 | 0:03:47 | |
There it is again. | 0:03:47 | 0:03:49 | |
And now, it's down by his side. | 0:03:49 | 0:03:51 | |
Nonsense. | 0:03:51 | 0:03:53 | |
There's no point, is there? | 0:03:53 | 0:03:55 | |
-Shakespeare. -That's a great guess, but no. | 0:03:57 | 0:03:59 | |
Shakespeare didn't write novels. | 0:03:59 | 0:04:02 | |
The Perks Of Being A Wallflower is a deep | 0:04:02 | 0:04:04 | |
and actually rather touching film. | 0:04:04 | 0:04:06 | |
Here's Paul Rudd claiming that Dickens coined the term "cliff-hanger". | 0:04:06 | 0:04:10 | |
It was Charles Dickens. | 0:04:10 | 0:04:12 | |
-Rubbish! -Yep, it was actually Thomas Hardy who invented it. | 0:04:12 | 0:04:16 | |
Sorry, I just meant I'm not a Paul Rudd fan. | 0:04:16 | 0:04:19 | |
We would have put those pennies... | 0:04:19 | 0:04:21 | |
Hang on, there's more. | 0:04:21 | 0:04:23 | |
See that? Yeah, they've spelt Emily Dickinson's name wrong! | 0:04:23 | 0:04:27 | |
There's an E where there should be an I! | 0:04:27 | 0:04:29 | |
Maybe they're just using the Nordic tradition | 0:04:29 | 0:04:32 | |
and this Emily was actually Charles Dickens' son. | 0:04:32 | 0:04:35 | |
You've really veered of course on that one, haven't you? | 0:04:35 | 0:04:38 | |
You should learn to participate. | 0:04:38 | 0:04:40 | |
Eyes up, gang! Charlie's arrived home. See any cars in the driveway? | 0:04:43 | 0:04:47 | |
Bye, Charlie! | 0:04:47 | 0:04:49 | |
-No, sir. -Quite right. There aren't any. | 0:04:49 | 0:04:52 | |
You just stand there like a little bitch... | 0:04:52 | 0:04:55 | |
Now, Candace is rowing with Derek. | 0:04:55 | 0:04:57 | |
Charlie, just go. I can handle it. | 0:04:57 | 0:05:00 | |
Just don't wake up mum and dad. | 0:05:00 | 0:05:02 | |
Derek leaves and, aha, a car has magically appeared! | 0:05:02 | 0:05:07 | |
That's a pretty strong perk of being a wallflower - magic car! | 0:05:08 | 0:05:12 | |
Here's something troubling, the way my feelings towards | 0:05:16 | 0:05:20 | |
Emma Watson developed near the end of the Harry Potter franchise. | 0:05:20 | 0:05:24 | |
No, well, yes. Absolutely, yes. | 0:05:24 | 0:05:26 | |
-But no, look at her dress. -Way ahead of you, buddy. | 0:05:26 | 0:05:29 | |
No, see the straps? | 0:05:29 | 0:05:31 | |
-They've disappeared. -Splendid. | 0:05:32 | 0:05:35 | |
Not splendid editing though, eh? | 0:05:35 | 0:05:37 | |
Now, we all understand the way American SAT scores work, | 0:05:40 | 0:05:43 | |
so here's Sam's results. | 0:05:43 | 0:05:46 | |
Guys, 1210. | 0:05:46 | 0:05:48 | |
What?! | 0:05:48 | 0:05:50 | |
Pause. Rewind. Enhance. | 0:05:50 | 0:05:52 | |
Always wanted to say that! | 0:05:52 | 0:05:54 | |
She got 1210? | 0:05:54 | 0:05:56 | |
Well, it says here that she got 550 in Verbal and 460 in Math. | 0:05:56 | 0:06:00 | |
It's Maths, mate. | 0:06:00 | 0:06:02 | |
That adds up to 1010. | 0:06:02 | 0:06:05 | |
So she must have made an extra 200 points somehow. | 0:06:05 | 0:06:09 | |
And if anyone can send me video footage of this, | 0:06:09 | 0:06:12 | |
I will genuinely pay them £1,210. | 0:06:12 | 0:06:16 | |
I got...multiple pairs of blue jeans! | 0:06:16 | 0:06:19 | |
Playing For Keeps is proof that a rom-com with a cast including | 0:06:21 | 0:06:24 | |
Gerard Butler and Jessica Biel doesn't always guarantee quality. | 0:06:24 | 0:06:29 | |
In these final few moments, Gerard is doing some lovely Scottish | 0:06:29 | 0:06:32 | |
or Irish or whatever soccer style bonding with his son... | 0:06:32 | 0:06:36 | |
..Good enough for them. I've got to be good enough for someone here, right? | 0:06:36 | 0:06:40 | |
..kicking a football covered in these dashes? | 0:06:40 | 0:06:43 | |
But cut to just a few seconds later, the football's now sporting rings. | 0:06:45 | 0:06:49 | |
We don't normally spoilt the ending for you, but with this movie, | 0:06:49 | 0:06:52 | |
we thought no-one would especially care. | 0:06:52 | 0:06:55 | |
Someone very smart once told me you just have to be there. | 0:06:55 | 0:06:58 | |
Playing For Keeps again and earlier in the film, | 0:07:01 | 0:07:04 | |
the lovely Stacy carries in her groceries, | 0:07:04 | 0:07:07 | |
note the baguette... | 0:07:07 | 0:07:09 | |
-Hello? -He doesn't really hate me, right? -No, of course he doesn't. | 0:07:09 | 0:07:14 | |
..which disappears and then reappears. | 0:07:14 | 0:07:16 | |
-Stacy could make my baguette reappear. -Oh! Clarky! | 0:07:16 | 0:07:20 | |
Your son is honest. | 0:07:20 | 0:07:22 | |
-Guys, it's time for GPM. -Gently Petting Matthew? | 0:07:24 | 0:07:29 | |
What? No! | 0:07:29 | 0:07:31 | |
-Graphically Probing Matthew? -Absolutely not! | 0:07:31 | 0:07:35 | |
My really cool acronym can only mean one thing. | 0:07:35 | 0:07:38 | |
-DRAMATIC MUSIC -Great Plothole Mistakes! | 0:07:38 | 0:07:42 | |
Gaffs so massively bad, an entire film falls apart! | 0:07:42 | 0:07:46 | |
Whoa! Hang on a second, guys! Check us out, we're cartoons! | 0:07:46 | 0:07:50 | |
Amazing. I can finally assist Pinky | 0:07:50 | 0:07:53 | |
-and the Brain in their quest for world domination. -No time, Ben. | 0:07:53 | 0:07:56 | |
We've got to explore the miasma of movie mistakes that is.... | 0:07:56 | 0:08:00 | |
Iron Man 3. | 0:08:00 | 0:08:01 | |
In this relentless, pacey and exciting superhero flick, | 0:08:01 | 0:08:04 | |
billionaire genius Tony Stark is terrorised by Sir Ben Kingsley. | 0:08:04 | 0:08:08 | |
He threatens to bring America to its knees with a painful series | 0:08:08 | 0:08:12 | |
of lessons and no-one, especially Stark and the President, is safe. | 0:08:12 | 0:08:17 | |
So Stark sets about saving the day. | 0:08:17 | 0:08:19 | |
-Fair enough? -Fair enough. -No! Not fair enough! Do you know why? | 0:08:19 | 0:08:24 | |
-It interferes with Stark's long-planned golfing weekend? -No! | 0:08:24 | 0:08:28 | |
Because Tony Stark happens to be in an incredibly well-known | 0:08:28 | 0:08:32 | |
superhero group. | 0:08:32 | 0:08:33 | |
He was in a movie with them. Where the hell are they?! | 0:08:33 | 0:08:36 | |
Well, some of them don't live on Earth. | 0:08:36 | 0:08:39 | |
-Thor might have been back in Asgard, sorting out some admin. -Admin?! | 0:08:39 | 0:08:43 | |
Stark's in grave peril. And what about the others? | 0:08:43 | 0:08:46 | |
Big angry Bruce Banner. | 0:08:46 | 0:08:47 | |
That...archer guy. | 0:08:48 | 0:08:50 | |
And if the Captain doesn't leap in to action | 0:08:50 | 0:08:53 | |
when the American President is threatened, what is his function? | 0:08:53 | 0:08:56 | |
-Oh, no! -Maybe they were off on that golfing weekend, | 0:08:56 | 0:08:59 | |
hoping that Stark might pop along at the end? | 0:08:59 | 0:09:02 | |
That's a highly non-valid point. This is one mistake | 0:09:02 | 0:09:05 | |
so deadly that these superheroes couldn't defeat it. | 0:09:05 | 0:09:08 | |
If they'd bothered to turn up, that is. The end! | 0:09:08 | 0:09:11 | |
All right, let the Arnie marathon commence! | 0:09:17 | 0:09:19 | |
-And we're filming. -Oh, yes! -Explain the concept, Tom. | 0:09:19 | 0:09:23 | |
We're going to power through some Arnie classics. | 0:09:23 | 0:09:26 | |
-It's going to be an all-nighter. -Can't wait. -Yup. | 0:09:26 | 0:09:28 | |
And let's try and spot as many movie mistakes as we can along the way. | 0:09:28 | 0:09:32 | |
Best night ever! | 0:09:32 | 0:09:33 | |
Let's start at the very beginning, with the low budget, | 0:09:33 | 0:09:36 | |
creaky but extraordinary, Hercules In New York. | 0:09:36 | 0:09:41 | |
Hey-oh! It's Arnie's first ever scene on film. | 0:09:41 | 0:09:45 | |
Fun fact, he was billed as Arnold Strong when this came out. | 0:09:45 | 0:09:48 | |
Is the movie mistake his acting? | 0:09:48 | 0:09:51 | |
I am tired of the same old faces... | 0:09:51 | 0:09:53 | |
No, but hold on, I think I spotted something. | 0:09:53 | 0:09:56 | |
Flick back to the start and check out the brunette behind the throne. | 0:09:56 | 0:10:00 | |
She somehow ends up next to Zeus. | 0:10:00 | 0:10:02 | |
That Arnie, always getting caught up in mistakes involving women. | 0:10:02 | 0:10:07 | |
-Are you homesick? -I am having too much fun. | 0:10:11 | 0:10:14 | |
This clunker is as clear as night and day. | 0:10:14 | 0:10:16 | |
I know, right? A pastel-blue turtle neck. | 0:10:16 | 0:10:19 | |
No, Ben! The fact that it constantly changes between night and day. | 0:10:19 | 0:10:24 | |
Also, is that a cameraman-shaped | 0:10:24 | 0:10:27 | |
shadow I spot? | 0:10:27 | 0:10:29 | |
I like how the Greek music reminds us Arnie is Greek. | 0:10:29 | 0:10:33 | |
I like how Arnie has the worst on-screen fight | 0:10:33 | 0:10:36 | |
-in cinematic history. -WOMAN SCREAMS | 0:10:36 | 0:10:39 | |
Folks, that's supposed to be a bear. | 0:10:39 | 0:10:43 | |
Time for the thrill-packed Conan The Barbarian - | 0:10:44 | 0:10:47 | |
classic early-'80s action. | 0:10:47 | 0:10:49 | |
If you want to see some classic action with a man in his early 80s, | 0:10:49 | 0:10:52 | |
Arnie's playing Conan in the remake this year. | 0:10:52 | 0:10:55 | |
Arnie's in his 60s, Tom. | 0:10:55 | 0:10:57 | |
Don't spoil the moment. | 0:10:57 | 0:10:58 | |
HE PANTS | 0:11:00 | 0:11:02 | |
-Hah! What a ridiculous scene. -Huh? | 0:11:02 | 0:11:04 | |
Those dogs are German shepherds. | 0:11:04 | 0:11:08 | |
-That breed was not created until the 1890s. -Great point, Matthew. | 0:11:08 | 0:11:11 | |
And in what year did King Ozric from the Snake court rule? | 0:11:11 | 0:11:14 | |
It was the Hyborian Age - | 0:11:14 | 0:11:16 | |
roughly equivalent to the years 40,000 through to 10,000BC - | 0:11:16 | 0:11:19 | |
well before German shepherds. | 0:11:19 | 0:11:22 | |
That lonely childhood | 0:11:22 | 0:11:23 | |
and lonely adulthood hasn't been wasted after all. | 0:11:23 | 0:11:27 | |
Time for Commando - | 0:11:29 | 0:11:31 | |
the greatest, daftest action film ever made! | 0:11:31 | 0:11:35 | |
This just shows you why Arnie is the right man in any crisis. | 0:11:36 | 0:11:40 | |
In order to hide himself, he just rips the seat out. | 0:11:40 | 0:11:43 | |
I spy with my little eye | 0:11:43 | 0:11:45 | |
something beginning with film crew | 0:11:45 | 0:11:48 | |
being reflected on the car. | 0:11:48 | 0:11:49 | |
You never got the rules of I spy did you, Tom? | 0:11:49 | 0:11:51 | |
You're just jealous you don't know what it is. | 0:11:51 | 0:11:54 | |
Hold on! | 0:11:54 | 0:11:55 | |
Arnie went through all the effort of ripping out the car seat to be | 0:11:55 | 0:11:59 | |
lower down, only to now be sitting up normally. | 0:11:59 | 0:12:02 | |
-Great posture though. -The guy I trusted for years wants me dead. | 0:12:02 | 0:12:05 | |
It's understandable. | 0:12:05 | 0:12:06 | |
I've only known you for five minutes and I want you dead too. | 0:12:06 | 0:12:09 | |
Hah! There aren't any cars in the background. | 0:12:09 | 0:12:12 | |
They're back! | 0:12:14 | 0:12:15 | |
This scene's a clunknanza! | 0:12:15 | 0:12:17 | |
Now, look at Arnie's grenades wobbling about. | 0:12:20 | 0:12:23 | |
They're strapped to him by their pins. | 0:12:23 | 0:12:25 | |
That's less of a movie mistake, | 0:12:25 | 0:12:27 | |
more of a life mistake. | 0:12:27 | 0:12:29 | |
As your uncle knows all too well. | 0:12:29 | 0:12:30 | |
Yes! Blow up the factory and the poorly designed dummies. | 0:12:30 | 0:12:36 | |
-Tom, I think the film wants us to think they were people. -Wow! | 0:12:36 | 0:12:39 | |
Now we're talking. | 0:12:42 | 0:12:43 | |
Time to see Arnie's lighter side in the quite frankly hilarious Twins. | 0:12:43 | 0:12:47 | |
Yes, hilarious for all the wrong reasons. | 0:12:47 | 0:12:49 | |
-Those people staring at the camera might as well wave too. -Ridonculous. | 0:12:52 | 0:12:57 | |
You know what's ridonculous? You using that word, Matthew. | 0:12:57 | 0:13:00 | |
Sozzle. | 0:13:00 | 0:13:01 | |
You can be a boxer. I can be your manager. | 0:13:01 | 0:13:04 | |
Oh, I don't think I could fight for money. | 0:13:04 | 0:13:05 | |
We've broken through to the other side. Only three more films left. | 0:13:05 | 0:13:09 | |
When I close my eyes, all I can see is biceps. | 0:13:09 | 0:13:12 | |
What have we got next, Matthew? | 0:13:12 | 0:13:14 | |
It's time for the awesome action-comedy True Lies. | 0:13:14 | 0:13:17 | |
Action-comedy? | 0:13:17 | 0:13:19 | |
-Is that even a genre? -It is now. | 0:13:19 | 0:13:21 | |
I spy with my little eye something beginning with... | 0:13:21 | 0:13:25 | |
Yes, we all saw the camera crane reflected in the windscreen. | 0:13:25 | 0:13:29 | |
Spoilsport. | 0:13:29 | 0:13:31 | |
Slow down, you're going to miss the turn! | 0:13:31 | 0:13:34 | |
Whoa! Whoa, whoa, whoa, whoa! | 0:13:36 | 0:13:38 | |
Look at that! They could afford a disappearing car! | 0:13:38 | 0:13:42 | |
Check it out. The car on the right vanishes halfway through the skid. | 0:13:44 | 0:13:48 | |
Nice! | 0:13:48 | 0:13:49 | |
See? | 0:13:55 | 0:13:56 | |
You and this car were made for each other. | 0:13:56 | 0:13:58 | |
Garh! Two more Arnie films to go. | 0:14:00 | 0:14:04 | |
Come on, boys, we can do this. | 0:14:04 | 0:14:06 | |
Is it bedtime or breakfast time? | 0:14:06 | 0:14:07 | |
-My body clocks shut down. -Neither. | 0:14:07 | 0:14:11 | |
-It's time to watch the high-octane masterpiece Eraser. -Oh... | 0:14:11 | 0:14:15 | |
Now those are offshore banking deposits. UBS, that's... | 0:14:15 | 0:14:19 | |
I love that SHE said what UBS stands for | 0:14:19 | 0:14:22 | |
and the computer screen reads USB. | 0:14:22 | 0:14:25 | |
I love that we've finally found a movie mistake after watching | 0:14:25 | 0:14:29 | |
this for an hour and 20 minutes. | 0:14:29 | 0:14:31 | |
Well, we did also want to watch it to hear Arnie say... | 0:14:31 | 0:14:34 | |
-AS ARNIE: -..You've just been erased. -What a line. | 0:14:34 | 0:14:38 | |
Yeah, we did it! We're at the end of the Arnie marathon. | 0:14:39 | 0:14:42 | |
And we're just about to watch his finest work to date - | 0:14:42 | 0:14:45 | |
the masterful, essential viewing that is... | 0:14:45 | 0:14:48 | |
-ALL: -..Jingle All The Way! | 0:14:48 | 0:14:52 | |
-Here's Howard going down the escalator. -But wait! | 0:14:53 | 0:14:56 | |
There he is again in the crowd before he gets there! | 0:14:56 | 0:15:00 | |
Classic over-achieving Arnie! | 0:15:00 | 0:15:02 | |
Check out that drawing pinned on the wall in the playhouse. | 0:15:05 | 0:15:08 | |
-It's completely changed! -Oh, thank God! I thought I was seeing things. | 0:15:10 | 0:15:15 | |
No, Ben, you've been awake for many hours | 0:15:15 | 0:15:18 | |
and ingested a lot of sugar and alcohol | 0:15:18 | 0:15:20 | |
but, no, you're not seeing things. | 0:15:20 | 0:15:22 | |
Good. | 0:15:22 | 0:15:24 | |
What's with the directorial decision to put black dots | 0:15:24 | 0:15:27 | |
and swirling colours everywhere? | 0:15:27 | 0:15:29 | |
Whoa, Ben, you should probably drink some water. | 0:15:29 | 0:15:32 | |
Thanks Turbo Man, I knew you'd save me. | 0:15:32 | 0:15:36 | |
-You can always count on me. -Those lights reflected in his helmet | 0:15:36 | 0:15:39 | |
show he's actually not outdoors but in a studio. | 0:15:39 | 0:15:42 | |
Also, how have his wife and kid not noticed Turbo Man's | 0:15:42 | 0:15:46 | |
distinctively huge jaw or thick Austrian accent?! | 0:15:46 | 0:15:50 | |
If Arnie managed to become a politician in real life then | 0:15:50 | 0:15:53 | |
I'm afraid I've got to let those slip. | 0:15:53 | 0:15:55 | |
Oh, thank you, sir. I don't think you know how much he means to me. | 0:15:55 | 0:15:58 | |
Oh, I think I have an idea. | 0:15:58 | 0:16:01 | |
Oh, my giddy aunt. | 0:16:02 | 0:16:04 | |
-We've done it! -Oh... -We survived the marathon! -Oh, yes! | 0:16:04 | 0:16:08 | |
Right, next up, Jean-Claude Van Damme. | 0:16:08 | 0:16:12 | |
I'll have a quick toilet break and then...I'll be back. | 0:16:12 | 0:16:15 | |
Who's that supposed to be? | 0:16:16 | 0:16:18 | |
Folks, it's the moment you've all been waiting for, | 0:16:26 | 0:16:28 | |
it's time for Matthew's Minute Movie Mistakes of 2013. | 0:16:28 | 0:16:31 | |
Oh, no! This is literally my least favourite bit. | 0:16:31 | 0:16:35 | |
All three of us love movie mistakes but I have a particular | 0:16:35 | 0:16:38 | |
passion for minute mistakes, mistakes that no-one's noticed. | 0:16:38 | 0:16:41 | |
That's cos they're hardly mistakes. | 0:16:41 | 0:16:44 | |
-They're minor mistakes. -What? Mistakes from films about miners? | 0:16:44 | 0:16:48 | |
What, like Armageddon, or There Will Be Blood or Billy Elliot? | 0:16:48 | 0:16:51 | |
No, tiny mistakes. Mistakes that no-one's noticed. | 0:16:51 | 0:16:54 | |
No-one except for ME! I'm going to be so popular! | 0:16:54 | 0:16:57 | |
I hate that guy. | 0:16:57 | 0:16:59 | |
It's a massive, massive fight | 0:17:04 | 0:17:07 | |
between a giant robot | 0:17:07 | 0:17:08 | |
and an enormous sea monster. | 0:17:08 | 0:17:10 | |
God, I love Pacific Rim. | 0:17:10 | 0:17:12 | |
And I love the mildly obscure mistakes contained within. | 0:17:12 | 0:17:16 | |
Look at this executive toy. | 0:17:16 | 0:17:17 | |
It would not, I assure you, react in this classic manner. | 0:17:17 | 0:17:21 | |
All the balls would swing together. | 0:17:21 | 0:17:23 | |
God, you're so pedantic. | 0:17:23 | 0:17:26 | |
I'd say I'm more fastidious than pedantic. | 0:17:26 | 0:17:28 | |
Now, palaeontology fans, listen to this. | 0:17:33 | 0:17:37 | |
..Their secondary brain. Now, we both know | 0:17:37 | 0:17:40 | |
the Kaiju are so large they need two brains to move around like a dinosaur. | 0:17:40 | 0:17:44 | |
I want to get my hands on that. | 0:17:44 | 0:17:46 | |
Ha, Dr Geiszler, your doctor is worth nothing. | 0:17:46 | 0:17:49 | |
Dinosaurs did not have two brains. | 0:17:49 | 0:17:52 | |
Exactly, everyone knows they had three brains. | 0:17:52 | 0:17:55 | |
Ben, you don't even have one brain. | 0:17:55 | 0:17:58 | |
What is brain? | 0:17:58 | 0:18:00 | |
The brain, too much ammonia. | 0:18:00 | 0:18:03 | |
Arthur Christmas, | 0:18:07 | 0:18:08 | |
brilliant as a cockle-warming, family movie, rubbish at geography. | 0:18:08 | 0:18:12 | |
Well, I didn't know Aarhus was in eastern Denmark. | 0:18:12 | 0:18:16 | |
Exactly everybody knows that Aarhus is in Jutland | 0:18:16 | 0:18:19 | |
which is the western peninsula of Denmark, admittedly on the east coast of Jutland, | 0:18:19 | 0:18:23 | |
but at best that puts Aarhus in the middle of the country. | 0:18:23 | 0:18:26 | |
I thought Aarhus was in the middle of our street. | 0:18:28 | 0:18:30 | |
-Puppies. -They're fine... | 0:18:33 | 0:18:34 | |
Pitch Perfect. | 0:18:34 | 0:18:36 | |
More like Pitch Riddled With Mistakes. | 0:18:36 | 0:18:39 | |
-Ben, you could have Pitch Imperfect. -I hate myself. | 0:18:39 | 0:18:42 | |
..Dead people and Darth Vader... | 0:18:42 | 0:18:44 | |
Hey, that girl walked past twice. | 0:18:44 | 0:18:47 | |
Really? | 0:18:47 | 0:18:49 | |
Yeah. Blonde girl, green top, blue shorts, twice. | 0:18:49 | 0:18:52 | |
"Vader" in German means father. | 0:18:52 | 0:18:55 | |
His name is literally Darth Father. | 0:18:55 | 0:18:57 | |
Well, actually, I was going to point out in this bit | 0:18:57 | 0:19:00 | |
Becka is wrong. | 0:19:00 | 0:19:02 | |
"Vader" actually means father in Dutch, not German. | 0:19:02 | 0:19:06 | |
That was your movie mistake? | 0:19:06 | 0:19:08 | |
Is that not too petty even for you? | 0:19:08 | 0:19:10 | |
Not even close, mate. | 0:19:10 | 0:19:12 | |
-Are you getting ready for the riff-off? -What the hell is a riff off? | 0:19:12 | 0:19:15 | |
Cloud Atlas, difficult but rewarding to read, | 0:19:19 | 0:19:22 | |
difficult to watch. | 0:19:22 | 0:19:25 | |
Are you ready for a clear but tedious error, boys? | 0:19:25 | 0:19:28 | |
-Nope, not for me. -Good. | 0:19:28 | 0:19:30 | |
September 1st, 1973, was a Saturday. | 0:19:30 | 0:19:33 | |
-We all know that, don't we? -Well, you might. | 0:19:33 | 0:19:35 | |
And maybe Rainman. | 0:19:35 | 0:19:37 | |
But the directors certainly don't. | 0:19:37 | 0:19:39 | |
On this barely seen calendar it's listed as a Friday. | 0:19:39 | 0:19:42 | |
Hah! A Friday! | 0:19:42 | 0:19:44 | |
Hah! Jog on, Wachowskis. | 0:19:44 | 0:19:46 | |
Back to the very satisfying Skyfall, perfect Bond. | 0:19:50 | 0:19:54 | |
But check Severine's shoes. | 0:19:54 | 0:19:55 | |
Not only dreadful to walk in on bumpy ground, | 0:19:55 | 0:19:58 | |
but they also keep changing colour. | 0:19:58 | 0:20:00 | |
Fun fact, guys. | 0:20:02 | 0:20:04 | |
In the shots where we just see her head and shoulders | 0:20:04 | 0:20:06 | |
she's actually wearing flippers. | 0:20:06 | 0:20:08 | |
She's a very talented actor. | 0:20:08 | 0:20:10 | |
This looks suitably grim. | 0:20:15 | 0:20:18 | |
It could only be the dark and moody The Paperboy. | 0:20:18 | 0:20:22 | |
Oh, dear, look at that drip. | 0:20:22 | 0:20:24 | |
Oi! Don't talk about Ben like that. | 0:20:24 | 0:20:26 | |
Not that drip, you drips, the drip in the clip. This is set in 1969. | 0:20:26 | 0:20:31 | |
Obviously an IV drip would have been in a glass bottle at that time, | 0:20:31 | 0:20:34 | |
not a plastic bag. | 0:20:34 | 0:20:36 | |
No wonder this movie tanked. | 0:20:36 | 0:20:37 | |
Drip. | 0:20:37 | 0:20:39 | |
Oh! | 0:20:39 | 0:20:40 | |
Over the next few months film franchising will be releasing | 0:20:47 | 0:20:51 | |
sequels and prequels galore. | 0:20:51 | 0:20:53 | |
I'm looking forward to the prequel Django Chained. | 0:20:53 | 0:20:56 | |
Apparently it's going to be two gruelling hours | 0:20:56 | 0:20:58 | |
of Jamie Foxx as a slave. | 0:20:58 | 0:21:00 | |
Yeah, there's a lot of buzz about Star Wars Episode Seven. | 0:21:00 | 0:21:04 | |
I just don't care any more. | 0:21:04 | 0:21:06 | |
They're going to film George Lucas driving around in a gold | 0:21:06 | 0:21:10 | |
pick-up truck full of money | 0:21:10 | 0:21:11 | |
just sneering at his fans. | 0:21:11 | 0:21:15 | |
As great as those two made-up films sound, I thought | 0:21:15 | 0:21:17 | |
we could look at some of the actual film franchises | 0:21:17 | 0:21:20 | |
and some of the gaffes we hoped they won't be making this time round. | 0:21:20 | 0:21:23 | |
Argo Two? | 0:21:23 | 0:21:25 | |
Argos. | 0:21:25 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:32 | |
Turtle power, everyone! | 0:21:32 | 0:21:33 | |
Perhaps the greatest social movement of the 20th century | 0:21:33 | 0:21:37 | |
And now Teenage Mutant Ninja Turtles is being | 0:21:37 | 0:21:39 | |
reimagined for the jaded, terrifying youth of 2014. | 0:21:39 | 0:21:43 | |
But we all remember the original film. Were these clunkers? | 0:21:43 | 0:21:46 | |
Of course. | 0:21:46 | 0:21:47 | |
Like Leonardo leaving April's apartment, his sword | 0:21:47 | 0:21:50 | |
pings off the wall like it was made of rubber. | 0:21:50 | 0:21:52 | |
Looking back, this film does actually seem quite terrifying. | 0:21:52 | 0:21:56 | |
Oh, so that's the plan... | 0:21:59 | 0:22:03 | |
Here's a blinding mistake that we hope won't creep into the remake | 0:22:03 | 0:22:06 | |
as Raphael and Leonardo argue | 0:22:06 | 0:22:08 | |
a crew member fails to hide out of shot. | 0:22:08 | 0:22:11 | |
He hasn't helped his cause by wearing a bright orange cap. | 0:22:11 | 0:22:14 | |
Guys, that's not a crew member. | 0:22:14 | 0:22:16 | |
That's their human slave. | 0:22:16 | 0:22:18 | |
Very dark. | 0:22:18 | 0:22:20 | |
This attitude of yours isn't helping. | 0:22:20 | 0:22:22 | |
I, Frankenstein is out soon, but let's hope the new film doesn't make | 0:22:26 | 0:22:30 | |
the same mistakes as the definitive, dark and still creepy 1931 classic. | 0:22:30 | 0:22:34 | |
Like this "doozie". | 0:22:34 | 0:22:36 | |
In this epic feat of acting we can see Frankenstein's monster | 0:22:36 | 0:22:39 | |
falling unconscious onto his back. | 0:22:39 | 0:22:41 | |
Top work, Boris. | 0:22:41 | 0:22:43 | |
However, here he's somehow rolled over. | 0:22:43 | 0:22:47 | |
Give him another 30 seconds | 0:22:47 | 0:22:49 | |
and I'm sure he'd have started doing "the worm". | 0:22:49 | 0:22:52 | |
You're too late, he must not see that. Quick, give me a hand. | 0:22:52 | 0:22:55 | |
Are you ready to have your minds blown, folks? | 0:22:58 | 0:23:01 | |
Here are some high-end, | 0:23:01 | 0:23:02 | |
special effects that I, Frankenstein will have to match. | 0:23:02 | 0:23:05 | |
The doctor is in grave danger as | 0:23:05 | 0:23:08 | |
he fights his own monster creation. | 0:23:08 | 0:23:11 | |
Or so you'd think. | 0:23:11 | 0:23:13 | |
Luckily the monster spares his life | 0:23:13 | 0:23:15 | |
and instead throws what's clearly a dummy off the ledge. | 0:23:15 | 0:23:17 | |
-Ban, that was supposed to be the real doctor. -What? | 0:23:18 | 0:23:22 | |
With their return to our screens on Muppets Most Wanted next year, | 0:23:25 | 0:23:29 | |
let's point out a couple of great Muppet mistakes. | 0:23:29 | 0:23:31 | |
This first Muppet movie is criminally underrated, comedy genius. | 0:23:33 | 0:23:37 | |
It's spot on. | 0:23:37 | 0:23:38 | |
Well, not so much here. | 0:23:38 | 0:23:40 | |
Miss Piggy proves she's a real diva by insisting that any man who | 0:23:40 | 0:23:44 | |
pushes her of a balcony | 0:23:44 | 0:23:45 | |
wears a luxurious, velvet evening glove. | 0:23:45 | 0:23:48 | |
That's possibly the classiest movie mistake we've ever had. | 0:23:48 | 0:23:52 | |
Next year sees the release of Dawn Of The Planet Of The Apes, | 0:23:55 | 0:23:59 | |
but the original series had its fair share of monkey business. | 0:23:59 | 0:24:02 | |
Here's the reasonably decent, but not amazing, | 0:24:02 | 0:24:05 | |
second film Beneath The Planet Of The Apes. | 0:24:05 | 0:24:06 | |
Now... | 0:24:06 | 0:24:08 | |
It turns out the forbidden zone isn't forbidden to the | 0:24:08 | 0:24:11 | |
onslaught of coffee shops you see on every high street. | 0:24:11 | 0:24:14 | |
Oh, yeah, look, | 0:24:14 | 0:24:15 | |
some primate litterbug has left this coffee cup lying around. | 0:24:15 | 0:24:19 | |
Ruining the picturesque landscape. | 0:24:19 | 0:24:21 | |
Your people, where are they? | 0:24:24 | 0:24:27 | |
Look, there's a key for this coffee. | 0:24:27 | 0:24:30 | |
Nearly, Ben. | 0:24:30 | 0:24:31 | |
There's cue marks showing where James Franciscus should be standing. | 0:24:31 | 0:24:34 | |
Naughty. No-one likes a queue jumper, James. | 0:24:34 | 0:24:37 | |
Were almost at the end, guys. You've stayed with us for the entire show. | 0:24:39 | 0:24:42 | |
-Or alternatively they've just tuned in. -Equally plausible. | 0:24:42 | 0:24:46 | |
We've seen a lot of movies and a lot of mistakes, | 0:24:46 | 0:24:48 | |
but which movie is the "mistakiest"? | 0:24:48 | 0:24:50 | |
When it comes to movie mistakes, which film takes the cake? | 0:24:50 | 0:24:53 | |
Yeah, and then switches the hand that's holding the cake. | 0:24:53 | 0:24:56 | |
And then the cake disappears. | 0:24:56 | 0:24:57 | |
And then when it reappears it's a completely different cake. | 0:24:57 | 0:25:00 | |
Let's find out. | 0:25:00 | 0:25:01 | |
It's Les Mis, both a mesmerising | 0:25:03 | 0:25:05 | |
and tear-jerking adaptation of the musical and a clanger fest. | 0:25:05 | 0:25:10 | |
It's win-win. | 0:25:10 | 0:25:12 | |
Here these officials take off their hats as Valjean | 0:25:12 | 0:25:15 | |
is being captured as ever. | 0:25:15 | 0:25:17 | |
So how come this fellow happens to still be wearing his? | 0:25:18 | 0:25:22 | |
As they once said, hats on, hats off. | 0:25:22 | 0:25:25 | |
Almost. | 0:25:25 | 0:25:27 | |
Ah, the Fantine teleports around a group of disgruntled factory workers scene. | 0:25:31 | 0:25:37 | |
It's rarely performed in the West End. | 0:25:37 | 0:25:39 | |
Look, she's got different neighbours in every shot. | 0:25:39 | 0:25:41 | |
"Jowly Mcscowl" a lot on Anne Hathaway's right. | 0:25:41 | 0:25:45 | |
And then she's at the end of the line. | 0:25:45 | 0:25:47 | |
Poor Fantine has been convinced to be a prostitute. | 0:25:53 | 0:25:56 | |
In order to win some business from this captain, she's hidden | 0:25:56 | 0:25:59 | |
her shawl somewhere about her person and then made it come back again. | 0:25:59 | 0:26:03 | |
I think it's fair to say that Anne Hathaway with continuity errors. | 0:26:03 | 0:26:08 | |
"Incredable". | 0:26:08 | 0:26:09 | |
To have a girl who can't refuse... | 0:26:09 | 0:26:12 | |
# It'll come, it'll come. # | 0:26:14 | 0:26:16 | |
Heck of a blooper now. | 0:26:16 | 0:26:17 | |
Here's Enjolras, | 0:26:17 | 0:26:19 | |
pamphlets in hand, | 0:26:19 | 0:26:20 | |
but wait, pause that. | 0:26:20 | 0:26:22 | |
Where have the pamphlets gone? | 0:26:22 | 0:26:23 | |
No, Matthew, he's clearly thrown them in the air | 0:26:23 | 0:26:26 | |
and a few moments later caught them. | 0:26:26 | 0:26:29 | |
There's no better way to rouse a crowd | 0:26:29 | 0:26:31 | |
than with a bit of juggling. | 0:26:31 | 0:26:33 | |
The boys are up to their old tricks here. | 0:26:36 | 0:26:38 | |
Chivalrous Enjolras | 0:26:38 | 0:26:40 | |
in his splendid redcoat is picking up Eponine. | 0:26:40 | 0:26:43 | |
He's not chivalrous enough to carry her away, though. | 0:26:46 | 0:26:48 | |
-He's clearly chucked her to his mates. -Shut up, that's teamwork. | 0:26:48 | 0:26:52 | |
Implausible, badly edited teamwork. | 0:26:52 | 0:26:55 | |
Ah, young Gavroche, so tragically killed, | 0:26:59 | 0:27:02 | |
such a young talent, what a waste. | 0:27:02 | 0:27:05 | |
-Don't worry, Ben, they didn't really kill him. -Oh. | 0:27:05 | 0:27:09 | |
Look, do you see his wide open eyes? Now they're closed. | 0:27:09 | 0:27:13 | |
-And now they're open. -It's a miracle. | 0:27:16 | 0:27:18 | |
Huzzah! | 0:27:18 | 0:27:19 | |
This scene is great and all, but do you know what it could do with? | 0:27:23 | 0:27:26 | |
A bit of furniture. | 0:27:26 | 0:27:28 | |
What? Like this? | 0:27:28 | 0:27:30 | |
Where did that wardrobe come from? | 0:27:30 | 0:27:33 | |
Much better, thank you, Tom. | 0:27:33 | 0:27:34 | |
Mon plaisir. | 0:27:34 | 0:27:36 | |
With seven classic clangers Les Mis takes the crown for most | 0:27:37 | 0:27:41 | |
mistakes this year. | 0:27:41 | 0:27:43 | |
-And that's your lot. -See you soon for some more... | 0:27:44 | 0:27:47 | |
ALL: Great movie mistakes! | 0:27:47 | 0:27:49 |