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-I'm not into this modern metrosexual stuff. -You surprise me, Ben. | 0:00:07 | 0:00:11 | |
The last time you washed this dressing gown, it was pre-Avatar. | 0:00:11 | 0:00:14 | |
I'm talking about blokey films, Matthew! Macho stuff. | 0:00:14 | 0:00:19 | |
I don't like these girly films with things like feelings, | 0:00:19 | 0:00:22 | |
and love, and three-dimensional female characterisation. | 0:00:22 | 0:00:27 | |
A shining example of modern manhood. | 0:00:27 | 0:00:29 | |
Speaking of which, close your dressing gown. | 0:00:29 | 0:00:32 | |
Look! I want films with explosions, cars, blood! | 0:00:32 | 0:00:37 | |
My ideal film would be about an exploding car made of blood. | 0:00:37 | 0:00:43 | |
Contribute to the Kickstarter, guys! | 0:00:43 | 0:00:45 | |
Here, for Ben's enjoyment | 0:00:45 | 0:00:46 | |
and for your viewing pleasure are some macho movie mistakes. | 0:00:46 | 0:00:49 | |
Eurgh! | 0:00:50 | 0:00:52 | |
Oh! That was harsh. | 0:00:52 | 0:00:55 | |
It's my day off. | 0:00:55 | 0:00:56 | |
Should be quite a weekend. | 0:00:56 | 0:00:58 | |
What The Last Stand lacks in plot, acting and script, | 0:00:58 | 0:01:01 | |
it makes up for in movie mistakes. | 0:01:01 | 0:01:03 | |
Here's Arnie with a bit of a drink problem. | 0:01:03 | 0:01:05 | |
Look at the way he's holding the cup with the handle to the side. | 0:01:05 | 0:01:09 | |
-But now he's holding it with a handle! -What a mug. | 0:01:11 | 0:01:14 | |
This bearded baddie's a talented driver! | 0:01:18 | 0:01:20 | |
Yeah, he can somehow speed along, | 0:01:20 | 0:01:22 | |
despite the handbrake clearly being up! | 0:01:22 | 0:01:25 | |
Death is waiting in the kitchen | 0:01:25 | 0:01:27 | |
when you get up at night for a glass of milk. | 0:01:27 | 0:01:29 | |
-WOMAN: -BLEEP. | 0:01:32 | 0:01:34 | |
And there he goes, turning his car into a ramp. | 0:01:34 | 0:01:37 | |
The man's amazing. | 0:01:37 | 0:01:38 | |
The boys must be making a crop circle in a corn field. | 0:01:47 | 0:01:50 | |
Check out Arnie, | 0:01:50 | 0:01:51 | |
shooting out from his open window like a boss. | 0:01:51 | 0:01:54 | |
BLEEP. | 0:01:54 | 0:01:56 | |
But wait! That window is definitely closed. | 0:01:59 | 0:02:01 | |
And either they're tinted, or there's no-one inside. | 0:02:01 | 0:02:04 | |
Crop circles are mysterious things. | 0:02:05 | 0:02:08 | |
It's the other fork, darling. | 0:02:12 | 0:02:14 | |
Sean Penn, Ryan Gosling and Emma Stone? | 0:02:15 | 0:02:18 | |
What could go wrong! | 0:02:18 | 0:02:20 | |
Quite a lot, sadly. | 0:02:20 | 0:02:22 | |
Gangster Squad is a bit undercooked. | 0:02:22 | 0:02:24 | |
There's even an uninspiring performance from Sean Penn's | 0:02:24 | 0:02:27 | |
napkin, which goes off for a Screen Actor's Guild-mandated break | 0:02:27 | 0:02:31 | |
halfway through the scene. | 0:02:31 | 0:02:32 | |
-I heard it was having an affair with Emma Stone's fork. -Get out! | 0:02:32 | 0:02:35 | |
I think I'll just have a cigarette. | 0:02:35 | 0:02:37 | |
In the cheesy and juvenile The Man With The Iron Fists, MMA | 0:02:40 | 0:02:43 | |
no longer stands for Mixed Martial Arts, | 0:02:43 | 0:02:45 | |
but Movie Mistake Alert. | 0:02:45 | 0:02:48 | |
Ah yes, here's former pro-wrestler Batista off to the Lion's Temple. | 0:02:48 | 0:02:53 | |
But somehow his chin facial hair doesn't go with him. | 0:02:53 | 0:02:56 | |
That's a heavy-weight clanger. | 0:02:56 | 0:02:58 | |
Aaargh! | 0:03:02 | 0:03:03 | |
Action heroes never die! | 0:03:03 | 0:03:06 | |
Their sagging cadavers just | 0:03:06 | 0:03:07 | |
limp along into the increasingly silly The Expendables franchise. | 0:03:07 | 0:03:12 | |
Now, check the level of sloppiness on this dub. Watch this! | 0:03:16 | 0:03:19 | |
Watch your head! | 0:03:19 | 0:03:21 | |
Literally no idea what Lundgren is mouthing, but then I rarely do. | 0:03:21 | 0:03:26 | |
Hold on, wasn't that battering ram down a second ago? | 0:03:26 | 0:03:29 | |
Yes! Good spot. As the saying goes, | 0:03:29 | 0:03:31 | |
"It's up and down more than a battering ram in The Expendables 2." | 0:03:31 | 0:03:35 | |
Ah, so that's where that saying comes from! | 0:03:35 | 0:03:39 | |
Arnie's reportedly accused | 0:03:45 | 0:03:46 | |
of having wandering hands. | 0:03:46 | 0:03:49 | |
So much so, that even when they're tied to a chair, they come free. | 0:03:49 | 0:03:52 | |
Look at that. | 0:03:52 | 0:03:54 | |
Get him up! | 0:03:54 | 0:03:56 | |
They're back, though, in time for Stallone | 0:03:56 | 0:03:59 | |
to slur something incomprehensible. | 0:03:59 | 0:04:01 | |
-Trench? -TRENCH: -Oh, this is embarrassing. | 0:04:03 | 0:04:06 | |
Nice meeting you. | 0:04:08 | 0:04:10 | |
Explain this, my fellow movie mistakers. | 0:04:13 | 0:04:15 | |
Sly's bike makes a revving noise before he even lays | 0:04:15 | 0:04:18 | |
a hand on the throttle. | 0:04:18 | 0:04:19 | |
ENGINE REVS | 0:04:21 | 0:04:22 | |
Maybe the bike, just like I feel compelled to do right now, | 0:04:22 | 0:04:25 | |
is throttling itself? | 0:04:25 | 0:04:27 | |
Like this? | 0:04:27 | 0:04:28 | |
-Aargh! Aargh! -Oh, my God! Oh! | 0:04:28 | 0:04:32 | |
This scene focuses on helicopter number 711, | 0:04:34 | 0:04:37 | |
named after the popular chain of American shops. | 0:04:37 | 0:04:40 | |
They're an old favourite. | 0:04:40 | 0:04:42 | |
What are you doing here? | 0:04:42 | 0:04:44 | |
-MAN: -Moving on. You killed all my business. | 0:04:44 | 0:04:46 | |
But here, it's been replaced by helicopter number 712, | 0:04:51 | 0:04:55 | |
named after the combined age of the lead cast. | 0:04:55 | 0:04:58 | |
We're almost at the end, guys. | 0:05:02 | 0:05:03 | |
You've stayed with us for the entire show! | 0:05:03 | 0:05:06 | |
-Or alternatively, they've just tuned in. -Equally plausible. | 0:05:06 | 0:05:09 | |
We've seen a lot of movies, and a lot of mistakes, | 0:05:09 | 0:05:11 | |
but which movie is the mistakiest? | 0:05:11 | 0:05:13 | |
When it comes to movie mistakes, which film takes the cake? | 0:05:13 | 0:05:16 | |
Yeah. And then switches the hand that's holding the cake... | 0:05:16 | 0:05:19 | |
And then the cake disappears... | 0:05:19 | 0:05:21 | |
And then when it reappears it's a completely different cake? | 0:05:21 | 0:05:23 | |
Let's find out! | 0:05:23 | 0:05:26 | |
It's Les Mis, both a mesmerising and tear-jerking adaptation | 0:05:26 | 0:05:30 | |
of the musical, and a clanger-fest. | 0:05:30 | 0:05:33 | |
# It's win-win! # | 0:05:33 | 0:05:36 | |
Here these officials take off their hats | 0:05:36 | 0:05:39 | |
as Valjean is being captured, as ever. | 0:05:39 | 0:05:41 | |
So how come THIS fellow happens to still be wearing his? | 0:05:41 | 0:05:45 | |
As Mr Miyagi once said, "Hats on, hats off." Almost. | 0:05:45 | 0:05:50 | |
Ah, the "Fantine teleports around a group of disgruntled factory workers" scene, | 0:05:54 | 0:05:59 | |
that's rarely performed in the West End. | 0:05:59 | 0:06:01 | |
Look! She's got different neighbours in every shot. | 0:06:01 | 0:06:05 | |
Jowly Mc-Scowl-a-Lot's on Hathaway's right... | 0:06:05 | 0:06:08 | |
and then she's at the end of the line! | 0:06:08 | 0:06:10 | |
Poor Fantine has been convinced to be a prostitute. | 0:06:15 | 0:06:19 | |
In order to win some business from this captain, | 0:06:19 | 0:06:22 | |
she's hidden her shawl somewhere about her person | 0:06:22 | 0:06:24 | |
and then made it...come back again. | 0:06:24 | 0:06:26 | |
I think it's fair to say Anne "Hathaway" with continuity errors. | 0:06:26 | 0:06:30 | |
Incredible. | 0:06:30 | 0:06:32 | |
Heck of a blooper now. Here's Enjolras, pamphlets in hand. | 0:06:39 | 0:06:43 | |
-But wait, pause that! Where have the pamphlets gone? -No, Matthew! | 0:06:43 | 0:06:48 | |
He's clearly thrown them in the air, and a few moments later | 0:06:48 | 0:06:52 | |
-caught them. -There's no better way to rouse a crowd | 0:06:52 | 0:06:54 | |
than with a bit of juggling. | 0:06:54 | 0:06:56 | |
The boys are up to their old tricks here. | 0:06:59 | 0:07:01 | |
Chivalrous Enjorlas, in his splendid red coat, is picking up Eponine. | 0:07:01 | 0:07:06 | |
He's not chivalrous enough to carry her away, though. | 0:07:09 | 0:07:11 | |
He's clearly chucked her to his mate. | 0:07:11 | 0:07:13 | |
-Shut up, that's teamwork. -Implausible, badly-edited teamwork. | 0:07:13 | 0:07:18 | |
Ah, young Gavroche. So tragically killed. | 0:07:22 | 0:07:26 | |
Such a young talent. What a waste. | 0:07:26 | 0:07:28 | |
Don't worry, Ben, they didn't really kill him. | 0:07:28 | 0:07:31 | |
-Oh. -Look. Do you see his wide-open eyes? | 0:07:31 | 0:07:35 | |
Now they're closed. | 0:07:35 | 0:07:36 | |
-And now they're open. -It's a miracle. -Huzzah! | 0:07:39 | 0:07:43 | |
This scene is great and all, but you know what it could do with? | 0:07:46 | 0:07:50 | |
A bit of furniture. | 0:07:50 | 0:07:51 | |
What? Like this? | 0:07:51 | 0:07:53 | |
Where did that wardrobe come from? | 0:07:54 | 0:07:56 | |
-Much better. Thank you, Tom. -"Mon pleasure." | 0:07:56 | 0:07:59 | |
With seven classic clangers, | 0:08:00 | 0:08:02 | |
Les Mis takes the crown for most mistakes this year! | 0:08:02 | 0:08:06 | |
-And that's your lot. -See you soon for some more... | 0:08:06 | 0:08:09 | |
ALL: Great Movie Mistakes! | 0:08:09 | 0:08:11 |