Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:05 | |
two hairy men from the Midlands, and Matthew, the painfully white. | 0:00:05 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:13 | |
cinematic screw-ups and filmic failures. | 0:00:13 | 0:00:18 | |
They travelled as far as Odeon and through the many caverns of Vue, | 0:00:18 | 0:00:22 | |
where they have returned with their prey, | 0:00:22 | 0:00:25 | |
captured on shiny golden rings known as DVDs. | 0:00:25 | 0:00:29 | |
Fine, fine, I know they're not gold. | 0:00:29 | 0:00:33 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:33 | 0:00:38 | |
-This will surprise you guys, but I'm actually a bit of a nerd. -Stop it. | 0:00:40 | 0:00:43 | |
No, all true, all true. | 0:00:43 | 0:00:45 | |
It's all right, Matthew, | 0:00:45 | 0:00:46 | |
it's actually pretty cool nowadays to be a nerd. | 0:00:46 | 0:00:49 | |
Yeah, in fact coming up next, we've got | 0:00:49 | 0:00:50 | |
a whole section dedicated to movie mistakes that happen in nerdy films. | 0:00:50 | 0:00:54 | |
Oh, fantastic. | 0:00:54 | 0:00:56 | |
Is there anything from the biopic of George de Mestral, | 0:00:56 | 0:00:58 | |
the inventor of Velcro, or from the 1970s documentary | 0:00:58 | 0:01:02 | |
Velcro Wars, about the golden age of the Velcro industry? | 0:01:02 | 0:01:05 | |
-Uh...no. -No. | 0:01:05 | 0:01:09 | |
It's like comic book stuff and sci-fi and things. | 0:01:09 | 0:01:14 | |
Oh. That's actually fairly mainstream these days. | 0:01:16 | 0:01:19 | |
Certainly nothing about Velcro. | 0:01:19 | 0:01:21 | |
You massive nerd. | 0:01:23 | 0:01:25 | |
Yeah. Nerd. | 0:01:25 | 0:01:28 | |
It's blood-sucking vampire Bella in the ever-rancid | 0:01:29 | 0:01:32 | |
and ghastly Twilight series. | 0:01:32 | 0:01:34 | |
Hey, you're just bitter because you're Team Jacob | 0:01:34 | 0:01:37 | |
-and she picked Edward. -What?! Spoiler alert! | 0:01:37 | 0:01:40 | |
Well, here's a spoiler, boyos. | 0:01:40 | 0:01:42 | |
-Look at the page from The Merchant Of Venice. -Yep, I see it. | 0:01:42 | 0:01:46 | |
Just a regular smudge-free page. | 0:01:46 | 0:01:48 | |
-But wait! Where did those smudges come from? -Smudge-tastic. | 0:01:53 | 0:01:57 | |
This fight scene is the one redeeming feature of all five | 0:02:01 | 0:02:04 | |
-Twilight films. -Or is it? | 0:02:04 | 0:02:07 | |
-Because even this epic scene has a movie mistake. -No! | 0:02:07 | 0:02:11 | |
Afraid so, Tom. | 0:02:15 | 0:02:16 | |
Look, there she is with high heels just as Edward hurls her, | 0:02:16 | 0:02:19 | |
in one of Twilight's many potent feminist moments. | 0:02:19 | 0:02:22 | |
-And now? Flat boots. -Oh, I give up. | 0:02:25 | 0:02:28 | |
Spooky things in the mediocre and lacklustre horror Dark Skies. | 0:02:33 | 0:02:38 | |
Daniel's got a new job, hence the flowers. | 0:02:38 | 0:02:41 | |
We need to celebrate for a change. | 0:02:41 | 0:02:43 | |
Hey. Where did they go? | 0:02:45 | 0:02:48 | |
Either she dropped them or she tucked them into his jeans | 0:02:48 | 0:02:50 | |
so they could snog. | 0:02:50 | 0:02:52 | |
Let's celebrate. | 0:02:52 | 0:02:54 | |
And now he's got them again. Somehow. | 0:02:54 | 0:02:56 | |
Though Mr Ratner is a portly man, he's clearly an elite martial artist. | 0:03:03 | 0:03:07 | |
Few have mastered the Mobius hand punch in which you start | 0:03:07 | 0:03:11 | |
punching someone with your right hand and finish with your left. | 0:03:11 | 0:03:15 | |
Impressive. | 0:03:15 | 0:03:17 | |
Dredd was a well-made, | 0:03:19 | 0:03:21 | |
violent but fan-pleasing interpretation of the strip. | 0:03:21 | 0:03:24 | |
As megafans know, Dredd's never seen without his helmet or without his gun. | 0:03:24 | 0:03:29 | |
Well, helmet is fully intact there. Stallone, take note. | 0:03:29 | 0:03:34 | |
Where's his gun? | 0:03:34 | 0:03:36 | |
Phew! There it is! Franchise nearly ruined there. | 0:03:36 | 0:03:39 | |
Four mean-looking thugs walking down a hallway. | 0:03:48 | 0:03:50 | |
Hang on, is this a clip from Dredd or an old music video from Blue? | 0:03:50 | 0:03:55 | |
-Cracking reference, Tom. -Agreed! | 0:03:56 | 0:03:59 | |
Point is there are now only three of them. | 0:03:59 | 0:04:02 | |
Lee Ryan probably got confused looking at his reflection | 0:04:02 | 0:04:04 | |
in a broken window. | 0:04:04 | 0:04:06 | |
Handcuffs in the future are brilliant. | 0:04:09 | 0:04:12 | |
-Brilliantly accommodating, that is. -Wahey! | 0:04:12 | 0:04:14 | |
There they go, becoming invisible | 0:04:18 | 0:04:20 | |
-and moving apart. -Like my parents. | 0:04:20 | 0:04:23 | |
Dredd's not a lawman of the future but the past. | 0:04:28 | 0:04:32 | |
Pause here and you see this shot of old stony face in action. | 0:04:32 | 0:04:35 | |
But wind back exactly an hour and you get exactly the same moment again. | 0:04:35 | 0:04:40 | |
And they complain about there being too many repeats on TV. | 0:04:40 | 0:04:44 | |
Yeah, I saw this movie four times in one day in the same cinema. | 0:04:44 | 0:04:50 | |
Unbelievable. | 0:04:50 | 0:04:51 | |
It's Peter Jackson's rather-expected return to Middle Earth | 0:04:55 | 0:04:59 | |
with the far-too-long and eked-out The Hobbit: An Unexpected Journey. | 0:04:59 | 0:05:03 | |
Check it out, guys. Here's Bilbo with his hand on the door. | 0:05:03 | 0:05:09 | |
-Now, it's by his side. -Hmm, it's not a massive mistake. | 0:05:09 | 0:05:13 | |
Yeah, well, he is tiny. | 0:05:13 | 0:05:16 | |
Who said? | 0:05:16 | 0:05:17 | |
I'm not afraid, I'm up for it. | 0:05:19 | 0:05:22 | |
I'll give him a taste of dwarfish iron right up his jacksy. | 0:05:22 | 0:05:25 | |
James Nesbitt here as Bofur, the cheeky dwarf. | 0:05:26 | 0:05:29 | |
Look at him leaning forward with his pipe out of his mouth, | 0:05:29 | 0:05:32 | |
and now leaning against the wall with his pipe IN his mouth. | 0:05:32 | 0:05:36 | |
Classic Murphy's Law. | 0:05:36 | 0:05:38 | |
The bad thing about movies is if you watch a terrible one, you can't get the time back. | 0:05:41 | 0:05:45 | |
True, that. | 0:05:45 | 0:05:46 | |
I wrote to Ben Affleck after I watched Pearl Harbor | 0:05:46 | 0:05:49 | |
demanding that he send me back three hours plus interest. | 0:05:49 | 0:05:53 | |
-He never replied! -What were you expecting he'd send? | 0:05:53 | 0:05:57 | |
Three and a half hours. | 0:05:57 | 0:05:59 | |
Maybe a bit more, according to the exchange rate. | 0:05:59 | 0:06:01 | |
I was very disappointed by Gone In 60 Seconds. | 0:06:01 | 0:06:05 | |
Way longer than advertised. | 0:06:05 | 0:06:06 | |
I think that's the time it took them to write the script. | 0:06:06 | 0:06:08 | |
ALL: Hey-o! | 0:06:08 | 0:06:11 | |
Actually, I was pleasantly surprised by The NeverEnding Story. | 0:06:11 | 0:06:15 | |
Slightly alarmist title, that one. | 0:06:15 | 0:06:17 | |
So, as a public service, we've trawled through the world's | 0:06:17 | 0:06:20 | |
worst films and highlighted the mistakes so you don't have to. | 0:06:20 | 0:06:24 | |
Yippie-ki-yay, Mother Hubbard. | 0:06:24 | 0:06:26 | |
-Good old Brucie as John McClane, can't go wrong. -I beg to differ. | 0:06:28 | 0:06:32 | |
Look at the car window - open. | 0:06:32 | 0:06:35 | |
Then closed. | 0:06:35 | 0:06:37 | |
That's about as wrong as it gets, mate. | 0:06:37 | 0:06:39 | |
Check out this packed courtroom. | 0:06:42 | 0:06:44 | |
I had a similar turn out when I was in court for my naked rambling. | 0:06:44 | 0:06:48 | |
Yeah, you really shouldn't have rambled nude | 0:06:48 | 0:06:50 | |
-through the packed courtroom, Ben. -So it transpired. | 0:06:50 | 0:06:53 | |
Oh, my days, it's a triple car bomb! Pe-eow, pe-eow, pe-eow! | 0:06:53 | 0:06:57 | |
Don't worry, through the medium of continuity errors, | 0:06:57 | 0:07:00 | |
everyone in the courtroom has miraculously escaped. | 0:07:00 | 0:07:04 | |
-Except for that guard. -Don't worry, he gets shot. -Yay. | 0:07:04 | 0:07:07 | |
Pay close attention and you'll see it. | 0:07:13 | 0:07:15 | |
There it is, proof that A Good Day To Die Hard was in fact | 0:07:16 | 0:07:20 | |
a film filmed by a crew. | 0:07:20 | 0:07:22 | |
Cor, you've really lifted the lid on that one(!) | 0:07:22 | 0:07:25 | |
You're welcome. | 0:07:25 | 0:07:27 | |
What is it with old people and phones? | 0:07:30 | 0:07:32 | |
They just can't work them properly. | 0:07:32 | 0:07:33 | |
I'd argue this old lad is actually quite impressive. | 0:07:33 | 0:07:36 | |
He successfully made an outgoing call while still on the dialling screen. | 0:07:36 | 0:07:41 | |
Either that, or he's having | 0:07:41 | 0:07:42 | |
a full-blown discussion with the voices in his head - | 0:07:42 | 0:07:45 | |
in which case, that whole scene is just really upsetting. | 0:07:45 | 0:07:48 | |
Wait for my command to execute... | 0:07:51 | 0:07:53 | |
An all-star cast doesn't make a great film, | 0:07:53 | 0:07:55 | |
as Olympus Has Fallen shows. | 0:07:55 | 0:07:57 | |
What ruins it for me is this. | 0:07:57 | 0:07:59 | |
Even I know the plural of terrorist isn't terrorist! | 0:08:00 | 0:08:03 | |
Go on, then. What is it, then? | 0:08:03 | 0:08:06 | |
Terrori? | 0:08:06 | 0:08:08 | |
..the most protected building on earth. | 0:08:08 | 0:08:10 | |
In After Earth, our planet's now host to giant creatures. | 0:08:13 | 0:08:17 | |
And camera cranes. | 0:08:17 | 0:08:18 | |
Ah, yes, and camera cranes, | 0:08:18 | 0:08:20 | |
one of which reveals itself with its shadow. | 0:08:20 | 0:08:22 | |
This really is a slow and tedious film. Let's move on. Quick! | 0:08:22 | 0:08:26 | |
Judd Apatow goes grown-up at the request of absolutely no-one, | 0:08:31 | 0:08:34 | |
in the coarse and plot-less This Is 40. | 0:08:34 | 0:08:36 | |
-It's just a bunch of guys that get together and ride. -I know, I know. | 0:08:36 | 0:08:40 | |
But watch, as Barry heckles the dangerous driver. | 0:08:40 | 0:08:44 | |
The car disappears! | 0:08:44 | 0:08:46 | |
-You want to see pictures of the kids? -Oh, yeah! | 0:08:49 | 0:08:52 | |
Hooray! 3rd Rock From The Sun! | 0:08:53 | 0:08:55 | |
John Lithgow's done much more than that, Ben. | 0:08:55 | 0:08:58 | |
-He's a Shakespearean actor. -Yes, but that mobile is clearly upside-down. | 0:08:58 | 0:09:02 | |
Is he playing "Man Who Can't Use an iPhone Properly" from Hamlet? | 0:09:05 | 0:09:08 | |
That sixth form update of Hamlet you did was NOT the definitive version! | 0:09:08 | 0:09:13 | |
As we all know, Americans are only capable of driving automatic vehicles. | 0:09:15 | 0:09:19 | |
They also can't handle roundabouts. | 0:09:19 | 0:09:23 | |
But to make things tricky, Pete and Debbie are driving whilst their car | 0:09:23 | 0:09:26 | |
is in park mode, when the thing shouldn't be able to move at all! | 0:09:26 | 0:09:30 | |
-Bit of a non-starter all round, this movie. -Boring. | 0:09:30 | 0:09:34 | |
-What does he have you doing? -Nothin', baby... | 0:09:36 | 0:09:40 | |
If you're one of the 11 people who have seen Stolen, I can only | 0:09:40 | 0:09:43 | |
offer you my condolences. | 0:09:43 | 0:09:44 | |
It is not strong, though it does mark a milestone | 0:09:44 | 0:09:48 | |
in that it is Nicolas Cage's ten millionth film! | 0:09:48 | 0:09:52 | |
But it does have this blunder. Here, Cage knocks this guy off his stool... | 0:09:52 | 0:09:56 | |
MAN GROANS | 0:09:58 | 0:09:59 | |
And now, somehow, the stool is back upright. | 0:09:59 | 0:10:03 | |
You tell me where she is | 0:10:03 | 0:10:04 | |
or I'll blow your lunch all over this carpet. | 0:10:04 | 0:10:07 | |
Yeah, honestly, don't see this film. | 0:10:07 | 0:10:09 | |
Here's where Stolen goes from savagely mediocre to really gross. | 0:10:13 | 0:10:17 | |
Nicolas Cage escapes from his handcuffs using | 0:10:17 | 0:10:19 | |
the time-honoured method of dislocating his left thumb. | 0:10:19 | 0:10:23 | |
Oi, nasty! | 0:10:23 | 0:10:24 | |
Hello. I'm here... | 0:10:30 | 0:10:33 | |
Then, after a preposterous double car crash, | 0:10:33 | 0:10:35 | |
he gets out of the car and resets his RIGHT thumb. | 0:10:35 | 0:10:38 | |
Or possibly also dislocates it for fun. Who knows? | 0:10:38 | 0:10:41 | |
Really comin' down to the wire on this one. | 0:10:41 | 0:10:44 | |
It's the ghastly and unwanted Sweeney movie. | 0:10:46 | 0:10:50 | |
Now, we've seen over-keen extras in films, | 0:10:50 | 0:10:52 | |
but it's a bit much when the extra is St Paul's Cathedral. | 0:10:52 | 0:10:56 | |
-See it here? -Yep. | 0:10:56 | 0:10:58 | |
Ah, yes, it also pops up later on the other side of the car here. | 0:10:58 | 0:11:02 | |
They also seem to be driving along the same bridge for absolutely ages. | 0:11:03 | 0:11:07 | |
What secret massive bridge are they using? | 0:11:07 | 0:11:10 | |
The one next to the two St Paul's Cathedrals, I guess. | 0:11:10 | 0:11:13 | |
Sharknado, a concept so daft Ben could have come up with it. | 0:11:16 | 0:11:19 | |
You say that, but I still haven't attracted any funding | 0:11:19 | 0:11:22 | |
for Goatpocalypse Now. | 0:11:22 | 0:11:23 | |
Thank God for that. | 0:11:23 | 0:11:25 | |
Now, searching for mistakes in this is like shooting fish in a barrel, | 0:11:25 | 0:11:28 | |
which is probably the way the special effects were filmed. | 0:11:28 | 0:11:31 | |
Here we see a house clearly massively flooded | 0:11:31 | 0:11:34 | |
and sharks are swimming all over the place, | 0:11:34 | 0:11:36 | |
which really begs the question of how they opened the door! | 0:11:36 | 0:11:39 | |
And why the water level outside is almost nonexistent. | 0:11:39 | 0:11:43 | |
And how they managed to close the door again. | 0:11:43 | 0:11:46 | |
And why there are sharks in tornadoes! | 0:11:46 | 0:11:48 | |
And what Tara Reid did to her once promising career. | 0:11:49 | 0:11:53 | |
Great news, guys! | 0:11:53 | 0:11:54 | |
She's just signed up for Goatpocalypse Now! | 0:11:54 | 0:11:56 | |
Everybody out of the pool! | 0:11:59 | 0:12:01 | |
In a film with amazingly ropey special effects, | 0:12:01 | 0:12:03 | |
it's remarkable that they wasted money on this effect | 0:12:03 | 0:12:06 | |
that makes absolutely no sense. | 0:12:06 | 0:12:08 | |
Specifically, that Connect Four game. | 0:12:08 | 0:12:11 | |
-Is one of the reds actually floating in mid-air? -Yes, Tom, it is. | 0:12:11 | 0:12:16 | |
Great work, art department(!) | 0:12:16 | 0:12:18 | |
-And that's your lot. -See you soon for some more... | 0:12:18 | 0:12:21 | |
ALL: Great Movie Mistakes! | 0:12:21 | 0:12:24 |