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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:05 | |
two hairy men from the Midlands, and Matthew the painfully white. | 0:00:05 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:13 | |
cinematic screw-ups and filmic failures. | 0:00:13 | 0:00:16 | |
They travelled as far as Odeon and through the many caverns of Vue, | 0:00:18 | 0:00:22 | |
where they have returned with their prey, | 0:00:22 | 0:00:25 | |
captured on shiny golden rings known as DVDs. | 0:00:25 | 0:00:29 | |
Fine, fine, I know they're not gold. | 0:00:29 | 0:00:33 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:33 | 0:00:38 | |
-Continuity. -What? When you have trouble with your bowels? | 0:00:40 | 0:00:43 | |
No, that's incontinuity. | 0:00:43 | 0:00:45 | |
-When you resume drinking a cup of PG Tips? -No, that's continue-a-tea. | 0:00:45 | 0:00:53 | |
Errors, like those two "jokes", | 0:00:53 | 0:00:55 | |
are things that should never have happened | 0:00:55 | 0:00:57 | |
-and continuity errors are the bread and butter of movie mistakes. -What? | 0:00:57 | 0:01:00 | |
When you move some Eskimos to the Home Counties? | 0:01:00 | 0:01:04 | |
-No, that's Kent-Inuit-ee. -Enough! | 0:01:04 | 0:01:08 | |
Some inspired performances in Hitchcock and, luckily, | 0:01:10 | 0:01:13 | |
some brilliant bloopers. | 0:01:13 | 0:01:15 | |
Alfred Hitchcock is in the middle of a chapter of Psycho | 0:01:15 | 0:01:17 | |
when Alma rudely interrupts him. | 0:01:17 | 0:01:20 | |
This could be the one, Hitch. | 0:01:23 | 0:01:26 | |
I'll read it later. | 0:01:26 | 0:01:28 | |
But now, he's reading from the start of the chapter. | 0:01:28 | 0:01:32 | |
-I sometimes have to reread things if I'm interrupted. -Re-reading, eh? | 0:01:32 | 0:01:35 | |
That's just showing off twice. | 0:01:35 | 0:01:37 | |
Here's Hitch in a napkin, reading a paper | 0:01:40 | 0:01:42 | |
-and displaying terrible table manners. -I can't see anything wrong. | 0:01:42 | 0:01:46 | |
I forgot to tell you... | 0:01:46 | 0:01:49 | |
Well, look, the paper's gone and he takes off his napkin. | 0:01:49 | 0:01:52 | |
But here they're both back. | 0:01:55 | 0:01:57 | |
And just to confuse and alienate Alma, they're both gone again! | 0:01:58 | 0:02:02 | |
Well, the actual mistake here is that he only sips at the wine. | 0:02:04 | 0:02:07 | |
He should drink it all before it goes off. | 0:02:07 | 0:02:09 | |
Now, I'd be the last person you'd think would enjoy | 0:02:13 | 0:02:15 | |
a high school movie about a cappella groups. | 0:02:15 | 0:02:18 | |
-No, you wouldn't. -I'm not shocked. | 0:02:18 | 0:02:21 | |
But check out the smart and sassy Pitch Perfect. | 0:02:21 | 0:02:24 | |
See how there's no-one sat behind the judges. | 0:02:24 | 0:02:27 | |
Well, now, there are two people and in just a tick, | 0:02:27 | 0:02:30 | |
there's only one of them. | 0:02:30 | 0:02:31 | |
And he's moved seats. | 0:02:31 | 0:02:33 | |
Undecided about how to wear your hair in the finals of a high school | 0:02:36 | 0:02:39 | |
a cappella music competition? | 0:02:39 | 0:02:41 | |
-Always. -So, do as Aubrey does. Wear it up... | 0:02:41 | 0:02:44 | |
..then down... | 0:02:50 | 0:02:52 | |
-..then up again! -Genius, thanks, Matthew. | 0:02:55 | 0:02:58 | |
-Tom, you don't have any hair. -Not on my head. | 0:02:58 | 0:03:02 | |
Yes! It's time for action thriller Jack Reacher. | 0:03:06 | 0:03:10 | |
I bloomin' love this film. | 0:03:10 | 0:03:11 | |
Out of the car! | 0:03:11 | 0:03:13 | |
Jack Reacher's my third favourite Jack after Daniels and E Collins. | 0:03:13 | 0:03:18 | |
Now, Jack's first concern in any high-speed car chase is safety. | 0:03:18 | 0:03:23 | |
See this Pennsylvania car safety inspection sticker? | 0:03:23 | 0:03:26 | |
The date on it starts off as September 2012. | 0:03:26 | 0:03:29 | |
But that nine soon changes itself to a six. | 0:03:31 | 0:03:33 | |
And then to a blurry eight. | 0:03:36 | 0:03:38 | |
Then seven. | 0:03:40 | 0:03:42 | |
And then back to nine. | 0:03:44 | 0:03:46 | |
Meaning he has his car safety-inspected a whopping | 0:03:48 | 0:03:51 | |
five times in just the one admittedly far too long chase. | 0:03:51 | 0:03:54 | |
The great thing about this show is that it can really ruin | 0:03:54 | 0:03:57 | |
action films for you on a more-or-less permanent basis. | 0:03:57 | 0:04:02 | |
You're welcome. | 0:04:02 | 0:04:03 | |
Now, look at this parking meter. | 0:04:10 | 0:04:13 | |
At first, it's a ten-hour limit. | 0:04:13 | 0:04:16 | |
Then it's just 30 minutes. | 0:04:16 | 0:04:19 | |
He really is a law unto himself. | 0:04:19 | 0:04:22 | |
-By "he", do you mean the continuity guy? -Sure. | 0:04:22 | 0:04:25 | |
It's you, the guy from the car. | 0:04:29 | 0:04:32 | |
-This bad guy plays by no rules, not even the rules of time. -How's that? | 0:04:32 | 0:04:36 | |
Check out his phone. | 0:04:36 | 0:04:38 | |
-Are you hurt? -No, she's going to be if you're not here in one hour. | 0:04:40 | 0:04:43 | |
The duration of the phone call changes from the mid-20s | 0:04:43 | 0:04:47 | |
to the low 10s. | 0:04:47 | 0:04:49 | |
It's perverse. | 0:04:49 | 0:04:51 | |
It's time for the awesome Iron Man 3 and my lifetime hero, Tony Stark. | 0:04:58 | 0:05:03 | |
Don't get too upset by this, Ben, | 0:05:03 | 0:05:05 | |
but it's not quite an ironclad addition to the movie franchise. | 0:05:05 | 0:05:08 | |
What?! | 0:05:08 | 0:05:09 | |
See this young lady? She takes off his glasses | 0:05:09 | 0:05:13 | |
and without turning them round, places them on her face! | 0:05:13 | 0:05:17 | |
No wonder he looks so confused. | 0:05:17 | 0:05:19 | |
Anachronisms. | 0:05:21 | 0:05:23 | |
-The fear of spiders. -No! | 0:05:23 | 0:05:25 | |
Anachrophobia is the fear of spiders. | 0:05:25 | 0:05:27 | |
Anachronisms are when you have the political beliefs of a spider. | 0:05:27 | 0:05:32 | |
Actually, it's when something from the wrong time period | 0:05:32 | 0:05:35 | |
appears in a film. | 0:05:35 | 0:05:37 | |
Ever since the digital watch in Ben-Hur, | 0:05:37 | 0:05:39 | |
eagle-eyed movie mistakes legends, such as ourselves... | 0:05:39 | 0:05:42 | |
Guilty as charged. | 0:05:42 | 0:05:43 | |
..have been spotting anachronisms, circling them in red pen, | 0:05:43 | 0:05:46 | |
pointing at them, laughing at them and high-fiving. | 0:05:46 | 0:05:49 | |
More mistakes from the brilliant Argo. | 0:05:53 | 0:05:55 | |
We're virtually Argo-nauts! | 0:05:55 | 0:05:58 | |
Now, check out that broken Hollywood sign. | 0:05:58 | 0:06:00 | |
Factually accurate. | 0:06:00 | 0:06:02 | |
Oh! You're wrong, Matthew. | 0:06:02 | 0:06:03 | |
Sure, it fell into disrepair in the '70s, | 0:06:03 | 0:06:05 | |
but, it was famously refurbished in 1978, | 0:06:05 | 0:06:09 | |
a full year before the Iranian hostage crisis began. | 0:06:09 | 0:06:13 | |
Amateurs. | 0:06:13 | 0:06:14 | |
The long and serious Lincoln again | 0:06:17 | 0:06:20 | |
and here's proof they had electrical sockets in the 19th century. | 0:06:20 | 0:06:23 | |
They did? | 0:06:23 | 0:06:24 | |
Well, they must have done, see? There it is. | 0:06:24 | 0:06:27 | |
As we all know, Spielberg is a details man. | 0:06:27 | 0:06:30 | |
OK, boys. What's wrong with | 0:06:35 | 0:06:36 | |
this scene? Listen close. | 0:06:36 | 0:06:39 | |
The war will take our son. | 0:06:39 | 0:06:40 | |
A sniper or a shrapnel shell, or typhus. | 0:06:40 | 0:06:43 | |
Same as it took Willie, it takes hundreds of boys a day. | 0:06:43 | 0:06:46 | |
He'll die uselessly... | 0:06:46 | 0:06:47 | |
-Something about Willie taking hundreds of boys a day? -No, no, no. | 0:06:47 | 0:06:50 | |
She used the term sniper. | 0:06:50 | 0:06:52 | |
As we all know, this term wasn't used in the US | 0:06:52 | 0:06:54 | |
until well after the Civil War. | 0:06:54 | 0:06:56 | |
She would have meant sharpshooter. | 0:06:56 | 0:06:58 | |
-I didn't know that. -Nor did I. | 0:06:58 | 0:07:01 | |
Well, that fact brought the house down at my | 0:07:01 | 0:07:03 | |
live action role-playing club! | 0:07:03 | 0:07:05 | |
Guys? | 0:07:06 | 0:07:08 | |
Who's up for a very petty anachronism from | 0:07:10 | 0:07:12 | |
the powerful, violent but underwhelming Lawless? | 0:07:12 | 0:07:16 | |
-Not me. -Please, no. | 0:07:16 | 0:07:18 | |
Yes, ladies and gentlemen, as you can see, that camera is | 0:07:18 | 0:07:21 | |
a Kodak Brownie Target Six-20, | 0:07:21 | 0:07:23 | |
which wasn't in production until 1946, | 0:07:23 | 0:07:25 | |
nine years after he used it! | 0:07:25 | 0:07:28 | |
-Is it over? -Yes. Thank God. | 0:07:28 | 0:07:32 | |
You've got to keep steady... | 0:07:33 | 0:07:35 | |
We weren't talking business yet. | 0:07:38 | 0:07:40 | |
We were discussing my curiosity. | 0:07:40 | 0:07:42 | |
Cor, Django Unchained! | 0:07:42 | 0:07:44 | |
I love an explosive, bloodthirsty tour de force! | 0:07:44 | 0:07:47 | |
I love how Quentin Tarantino plays fast and loose | 0:07:47 | 0:07:50 | |
with the rules of filmmaking. | 0:07:50 | 0:07:52 | |
You mean how he subverts the conventional | 0:07:52 | 0:07:54 | |
tropes of the Western genre? | 0:07:54 | 0:07:56 | |
No, how he gives DiCaprio a straw for his drink. | 0:07:56 | 0:07:59 | |
They weren't commercially available until 1888. | 0:07:59 | 0:08:02 | |
This is set in 1858! | 0:08:02 | 0:08:03 | |
-People used hollow reeds back then. -Wow. | 0:08:03 | 0:08:07 | |
What a maverick. | 0:08:07 | 0:08:09 | |
You don't make it sound too flattering, but more or less, yes. | 0:08:09 | 0:08:12 | |
Here's Charlie Sheen in the whimsical '70s clunker | 0:08:15 | 0:08:18 | |
A Glimpse Into the Mind of Charles Swan III. | 0:08:18 | 0:08:21 | |
-Catchy title. -Set in the '70s, you say? -Yes. | 0:08:21 | 0:08:24 | |
Well, I'm sure Galaga and Ms Pac-Man weren't around till 1981! | 0:08:24 | 0:08:27 | |
They should've shown a space hopper and an Etch A Sketch instead! Ha! | 0:08:27 | 0:08:31 | |
We shouldn't be too hard on the editors | 0:08:36 | 0:08:38 | |
responsible for these movie mistakes. | 0:08:38 | 0:08:40 | |
They're just having a bad day at work. | 0:08:40 | 0:08:42 | |
Yeah, like when I worked as a greeter at Hamleys | 0:08:42 | 0:08:44 | |
and attempted to fashion a noose out of modelling balloons. | 0:08:44 | 0:08:48 | |
Or when I worked in a pub | 0:08:48 | 0:08:49 | |
and accidentally poured £600 worth of beer | 0:08:49 | 0:08:53 | |
in my mouth. | 0:08:53 | 0:08:54 | |
Yeah. | 0:08:54 | 0:08:56 | |
Or when I tripped over mid-shift and spilt hot soup over everyone. | 0:08:56 | 0:09:00 | |
Didn't know you worked as a waiter, Tom. | 0:09:00 | 0:09:03 | |
No, sadly I was a midwife. | 0:09:03 | 0:09:05 | |
Good Lord. | 0:09:05 | 0:09:07 | |
Let's have a look at some more poorly-made movie bloopers. | 0:09:07 | 0:09:10 | |
The biggest mystery in the now overstretched | 0:09:10 | 0:09:13 | |
and underwhelming Bourne series | 0:09:13 | 0:09:16 | |
is not who Jason Bourne is, | 0:09:16 | 0:09:17 | |
or why he turns into Jeremy Renner, | 0:09:17 | 0:09:19 | |
but how the anyone missed this woman's glasses | 0:09:19 | 0:09:22 | |
appearing out of nowhere. | 0:09:22 | 0:09:25 | |
Specs-less. | 0:09:25 | 0:09:27 | |
Specs-ful. Brilliant. | 0:09:27 | 0:09:30 | |
She's not pulling this off on her own. Who the hell is helping her? | 0:09:30 | 0:09:33 | |
Now, Mama - the gloomy but visually stunning horror. | 0:09:35 | 0:09:39 | |
There's little I wouldn't do to | 0:09:39 | 0:09:40 | |
that bloke from Game of Thrones. | 0:09:40 | 0:09:42 | |
He's got a jawline carved from marble | 0:09:42 | 0:09:45 | |
and he'd make me feel safe. | 0:09:45 | 0:09:47 | |
Wow. Anyway, watch this. | 0:09:47 | 0:09:48 | |
See? It's a carpet tile! | 0:09:50 | 0:09:52 | |
The snow isn't real snow! | 0:09:52 | 0:09:54 | |
Carpet diem, eh, folks? | 0:09:54 | 0:09:56 | |
-Back to sleep, Ben. -Can do. | 0:09:56 | 0:09:58 | |
Now look at the shadows coming towards us | 0:10:03 | 0:10:05 | |
from the sun, as Burnsie discovers the cabin. | 0:10:05 | 0:10:08 | |
But what's this? Ha! A shadow on the door! | 0:10:08 | 0:10:12 | |
Which could only have come from something reflecting light. | 0:10:12 | 0:10:16 | |
-Like a tree? -A tree that reflects light? | 0:10:16 | 0:10:19 | |
-Could be metal. -There's no such thing as metal trees. | 0:10:19 | 0:10:22 | |
Hello...? | 0:10:22 | 0:10:23 | |
A silver birch? | 0:10:23 | 0:10:25 | |
MATTHEW SIGHS | 0:10:25 | 0:10:27 | |
Cracking film here - The Master, with Joaquin Phoenix | 0:10:30 | 0:10:34 | |
and Philip Seymour Hoffman doing some impressive heavyweight acting. | 0:10:34 | 0:10:38 | |
Props to the actors. | 0:10:39 | 0:10:41 | |
But not to the props department, sadly. Look at this. | 0:10:41 | 0:10:44 | |
Phoenix, having a diva-like strop, kicks a toilet to pieces, | 0:10:44 | 0:10:48 | |
but no water comes out. | 0:10:48 | 0:10:51 | |
Hoffman does not look impressed. | 0:10:51 | 0:10:53 | |
Here's a terrible gaffe with a darkroom kiss. | 0:10:59 | 0:11:02 | |
The weird smoochy sounds carry on after they finish kissing! | 0:11:02 | 0:11:06 | |
I sometimes pretend I'm still doing it, even though I've finished. | 0:11:17 | 0:11:21 | |
-Kissing? -Er...Yeah. | 0:11:21 | 0:11:24 | |
Freddie, stand in the middle of the room, please. | 0:11:28 | 0:11:31 | |
Now, look at the handkerchief in the right hand switching to the left. | 0:11:31 | 0:11:36 | |
You're about to see a continuity masterclass | 0:11:36 | 0:11:38 | |
from the brilliant Philip Seymour Hoffman. | 0:11:38 | 0:11:41 | |
He's thrown us off the scent with that hand change... | 0:11:41 | 0:11:44 | |
But then, bang! | 0:11:47 | 0:11:49 | |
It's in his right hand again! | 0:11:49 | 0:11:51 | |
Academy Award-winning clanger work there. | 0:11:51 | 0:11:54 | |
He's certainly the handker-chief of mistakes! | 0:11:54 | 0:11:57 | |
-Matthew, that was awful. -I'm so sorry. | 0:11:57 | 0:12:00 | |
-MAN: Just feels like glass. -That's cos it IS glass. | 0:12:00 | 0:12:03 | |
A cheeky clunker | 0:12:07 | 0:12:08 | |
from the pleasantly surprising fantasy thriller Byzantium. | 0:12:08 | 0:12:11 | |
Here's a customer visiting lady-of-the-night, Clara. | 0:12:11 | 0:12:14 | |
But before anything happens, he breaks down crying. | 0:12:14 | 0:12:18 | |
That happens to me a lot. | 0:12:18 | 0:12:20 | |
And somehow, without anyone having pulled them down, | 0:12:20 | 0:12:23 | |
his trousers are suddenly around his knees! | 0:12:23 | 0:12:26 | |
That happens to ME a lot. | 0:12:26 | 0:12:28 | |
Mike, I understand, but the bottom line is... | 0:12:30 | 0:12:33 | |
It's Snitch, everyone! Another nondescript and forgettable film | 0:12:33 | 0:12:37 | |
starring the brilliantly charismatic Dwayne "The Rock" Johnson. | 0:12:37 | 0:12:41 | |
The Rock's a multitasker - actor, wrestler, | 0:12:41 | 0:12:45 | |
telephone answerer | 0:12:45 | 0:12:47 | |
and golf-putterer. | 0:12:47 | 0:12:49 | |
But check out the putting green - suddenly it's gone missing! | 0:12:49 | 0:12:53 | |
Sloppy work. They should have just putting green-screened it back in. | 0:12:53 | 0:12:58 | |
And that's you lot. | 0:12:58 | 0:13:00 | |
See you soon for some more Great Movie Mistakes! | 0:13:00 | 0:13:04 | |
Subtitles by Red Bee Media Ltd | 0:13:22 | 0:13:26 |