Browse content similar to 1940-1965. Check below for episodes and series from the same categories and more!
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Cambridgeshire, and a quintessentially English village. | 0:00:08 | 0:00:12 | |
I'm here to tell the story of a boy born back in 1946. | 0:00:12 | 0:00:16 | |
He was a little different to the others, a mass of curly black hair. | 0:00:16 | 0:00:20 | |
That baby was the result of a love affair | 0:00:25 | 0:00:28 | |
between a white mother and a black American GI, | 0:00:28 | 0:00:32 | |
one of almost a thousand or so born during the War and just after. | 0:00:32 | 0:00:37 | |
In Britain, they were called "war casualties", | 0:00:37 | 0:00:40 | |
in America "the offspring of the scum of the British Isles". | 0:00:40 | 0:00:44 | |
Well, I'm on my way to meet that baby now. | 0:00:44 | 0:00:47 | |
Of course, he's in his sixties and his name is Tony Martin. | 0:00:47 | 0:00:51 | |
To me, he's never been a statistic, he's never been a victim. | 0:00:51 | 0:00:55 | |
He's simply the man who married my sister. | 0:00:55 | 0:00:59 | |
He's my brother-in-law. | 0:00:59 | 0:01:01 | |
Hi, George! | 0:01:04 | 0:01:06 | |
Seeing him now, you'd never have guessed it, | 0:01:07 | 0:01:09 | |
but like so many other mixed-race war babies, | 0:01:09 | 0:01:12 | |
Tony was put into care by his unmarried mother. | 0:01:12 | 0:01:16 | |
I met my real mother when I was nine, I think. She came to see me. | 0:01:16 | 0:01:21 | |
And I think she asked me if I wanted to go back and live with her, | 0:01:21 | 0:01:24 | |
and, well, I said no, I was happy where I was. | 0:01:24 | 0:01:28 | |
I felt a little sad, I think, you know... | 0:01:29 | 0:01:32 | |
sorry for her that she'd come back for me, | 0:01:32 | 0:01:36 | |
but I felt...where I was was fine. | 0:01:36 | 0:01:40 | |
The Second World War turned lives upside down. | 0:01:44 | 0:01:47 | |
People from different races worked together and played together. | 0:01:47 | 0:01:52 | |
Building this history of mixed-race Britain, the young found forbidden love | 0:01:52 | 0:01:57 | |
and the old...well, they just couldn't understand it. | 0:01:57 | 0:02:00 | |
I do remember my father saying, | 0:02:00 | 0:02:04 | |
"Now you've taken up with this black man, | 0:02:04 | 0:02:08 | |
"you will never get a decent boyfriend. Never". | 0:02:08 | 0:02:15 | |
The decades after the War saw society go from official contempt... | 0:02:15 | 0:02:20 | |
The black man has a different set of standards, | 0:02:20 | 0:02:23 | |
values, morals and principles. | 0:02:23 | 0:02:25 | |
In many cases, their grandfathers were eating each other. | 0:02:25 | 0:02:28 | |
..to grudging acceptance. | 0:02:28 | 0:02:30 | |
I'm not racial, I'm not prejudiced of any kind. | 0:02:30 | 0:02:33 | |
But I wouldn't let my children inter-marry. | 0:02:33 | 0:02:37 | |
Through it all, love across the racial divide would prevail. | 0:02:38 | 0:02:42 | |
To me, it was just wonderful meeting all these different people. | 0:02:42 | 0:02:45 | |
I thought they were beautiful looking, cos I always loved | 0:02:45 | 0:02:49 | |
people with dark skin. They're so attractive and they look so healthy. | 0:02:49 | 0:02:52 | |
I thought I had won the jackpot, I really did. | 0:02:52 | 0:02:57 | |
It was like a new day in my life, | 0:02:59 | 0:03:02 | |
something that I've been looking for and I think I've clinched it. | 0:03:02 | 0:03:06 | |
In the decades after the War, mass immigration meant | 0:03:08 | 0:03:12 | |
Britain would never look the same again. | 0:03:12 | 0:03:15 | |
Mixed-race families were appearing all over the country, | 0:03:15 | 0:03:18 | |
no longer just confined to their little enclaves in port cities. | 0:03:18 | 0:03:22 | |
Behind them, of course, | 0:03:22 | 0:03:23 | |
lay the discredited pseudo-science of racial difference | 0:03:23 | 0:03:26 | |
but ahead of them an almighty battle to be treated like anyone else, | 0:03:26 | 0:03:31 | |
with the freedom to meet, to fall in love and live life to the full. | 0:03:31 | 0:03:35 | |
From the workplace to the big screen, | 0:03:35 | 0:03:37 | |
the '50s and '60s would see the colouring of a nation. | 0:03:37 | 0:03:41 | |
-NEWSREEL: -From the four corners of the earth they come, | 0:03:50 | 0:03:53 | |
men from the British Empire, upon which the sun never sets. | 0:03:53 | 0:03:57 | |
African troops of the desert lands | 0:03:57 | 0:03:58 | |
are in the front line in the defence of democracy. | 0:03:58 | 0:04:03 | |
Black men fighting and dying for the cause - | 0:04:03 | 0:04:06 | |
what better way to show how different we were to the Nazis? | 0:04:06 | 0:04:10 | |
They are not conscripts but volunteers | 0:04:10 | 0:04:12 | |
who have found the Union Jack worth living under and fighting for. | 0:04:12 | 0:04:16 | |
What about back home? | 0:04:16 | 0:04:19 | |
Britain's small mixed-race population | 0:04:19 | 0:04:21 | |
was keen to do its bit for Britain. | 0:04:21 | 0:04:24 | |
But what many mixed-race people discovered | 0:04:26 | 0:04:29 | |
was that being born in Britain or even having a British mother | 0:04:29 | 0:04:33 | |
didn't necessarily qualify them to serve their country. | 0:04:33 | 0:04:37 | |
In 1939, a 22-year-old mixed-race man | 0:04:43 | 0:04:47 | |
made his way to an office in Whitehall. | 0:04:47 | 0:04:50 | |
He'd come to be interviewed | 0:04:50 | 0:04:51 | |
by a recruiting officer from the British Army. | 0:04:51 | 0:04:55 | |
Charles Arundel Moody, loyal to king and country, | 0:04:56 | 0:05:00 | |
thought of himself as perfect officer material. | 0:05:00 | 0:05:03 | |
He wasn't prepared for what happened next. | 0:05:03 | 0:05:06 | |
The recruiting officer told him, "You may have been born in Britain, | 0:05:06 | 0:05:09 | |
"but we can't make you a British officer, | 0:05:09 | 0:05:11 | |
"because you're not of pure European descent." | 0:05:11 | 0:05:15 | |
It was like waving a red rag at a bull. | 0:05:15 | 0:05:18 | |
Charles Moody wasn't a man to take no for an answer, | 0:05:24 | 0:05:27 | |
and neither was his father, Dr Harold Moody, | 0:05:27 | 0:05:31 | |
a Jamaican-born GP who'd married a white English nurse, Olive, in 1913. | 0:05:31 | 0:05:36 | |
In 1931, he'd set up the League of Coloured Peoples, | 0:05:38 | 0:05:42 | |
Britain's first black pressure group. | 0:05:42 | 0:05:45 | |
So when he heard about his son's rejection, | 0:05:50 | 0:05:54 | |
a furious Moody immediately contacted | 0:05:54 | 0:05:56 | |
the Secretary of State for the Colonies, Malcolm MacDonald. | 0:05:56 | 0:06:00 | |
"If the colour bar is not broken down now, | 0:06:00 | 0:06:03 | |
"it will break down the Empire," | 0:06:03 | 0:06:05 | |
he explained in no uncertain terms. | 0:06:05 | 0:06:08 | |
"We're proud of our heritage | 0:06:08 | 0:06:10 | |
"and do not want to be subjected to any experience | 0:06:10 | 0:06:12 | |
"which will rob us of that pride or which will cast a slur thereupon." | 0:06:12 | 0:06:18 | |
After weeks of lobbying and letter writing, Moody got what he wanted. | 0:06:21 | 0:06:25 | |
At least for the duration of the War, | 0:06:25 | 0:06:27 | |
the Government scrapped the clause in the 1914 Manual of Military Law | 0:06:27 | 0:06:32 | |
which barred people of colour from becoming commissioned officers. | 0:06:32 | 0:06:36 | |
So in 1940, Charles Moody was finally accepted as an officer | 0:06:36 | 0:06:41 | |
in the Royal West Kent Regiment, | 0:06:41 | 0:06:42 | |
the first mixed-race Briton | 0:06:42 | 0:06:45 | |
to achieve this rank during World War Two. | 0:06:45 | 0:06:48 | |
Recruits from the Empire didn't just fight overseas. | 0:06:50 | 0:06:53 | |
Many were stationed here in Britain. | 0:06:53 | 0:06:56 | |
While serving in the RAF, Jake Jacobs from Trinidad | 0:06:57 | 0:07:01 | |
met and fell in love with Mary, a young Jewish girl from Liverpool. | 0:07:01 | 0:07:06 | |
Jake was one of more than 6,000 black servicemen from the Colonies | 0:07:06 | 0:07:10 | |
who came here. | 0:07:10 | 0:07:12 | |
They were here to help in the war effort, but they did much more. | 0:07:14 | 0:07:18 | |
Their presence transformed Britain forever. | 0:07:18 | 0:07:21 | |
These young, uniformed men set hearts a-flutter. | 0:07:21 | 0:07:25 | |
Mary remembers what it was like. | 0:07:25 | 0:07:27 | |
Well, it was exciting, because we hadn't seen anybody like that before. | 0:07:28 | 0:07:35 | |
I'd never had close contact with anybody of a different colour. | 0:07:35 | 0:07:39 | |
They were very different from the local boys that we'd seen, | 0:07:39 | 0:07:44 | |
and we were interested to get to know them better. | 0:07:44 | 0:07:47 | |
They were young. They were quite dashing, really. | 0:07:47 | 0:07:51 | |
-Royal Air Force - of course we were dashing! -The RAF? -The RAF! | 0:07:51 | 0:07:55 | |
So, Jake, just describe for me, what were your first impressions | 0:07:55 | 0:07:59 | |
of this woman you would end up living with? | 0:07:59 | 0:08:01 | |
Jet-black hair... | 0:08:01 | 0:08:04 | |
tanned face... | 0:08:04 | 0:08:06 | |
and beautiful eyes. | 0:08:06 | 0:08:08 | |
What else more could you wish for? | 0:08:08 | 0:08:12 | |
He sort of was more friendly with me than the others were. | 0:08:12 | 0:08:17 | |
-I used to quote Shakespeare. -You used to quote Shakespeare? Wow! | 0:08:17 | 0:08:22 | |
That really got me, because I love Shakespeare. | 0:08:22 | 0:08:26 | |
Just think of it - here's a man, | 0:08:26 | 0:08:28 | |
he's dashing, he's in a uniform and he quotes Shakespeare, | 0:08:28 | 0:08:31 | |
-It's enough to turn any girl's head! -Yes! | 0:08:31 | 0:08:34 | |
Love affairs like theirs were still relatively rare, | 0:08:36 | 0:08:40 | |
but that changed when our American allies arrived in 1942. | 0:08:40 | 0:08:45 | |
Many more of these mixed-race romances blossomed. | 0:08:45 | 0:08:49 | |
These images of black GIs dancing with English girls | 0:08:50 | 0:08:53 | |
so alarmed the American government | 0:08:53 | 0:08:55 | |
it deemed them "material calculated to unduly inflame racial prejudice". | 0:08:55 | 0:09:00 | |
The publication of any photographs | 0:09:01 | 0:09:03 | |
conveying what was described as "boyfriend-girlfriend implications" | 0:09:03 | 0:09:07 | |
were subsequently banned. | 0:09:07 | 0:09:09 | |
And no wonder - back in the US, | 0:09:09 | 0:09:11 | |
mixed-race marriages were illegal in two thirds of the states. | 0:09:11 | 0:09:15 | |
No such laws existed in Britain, | 0:09:18 | 0:09:20 | |
but here, too, the arrival of black Americans en masse | 0:09:20 | 0:09:23 | |
began to cause concern in some quarters. | 0:09:23 | 0:09:27 | |
Over 100,000 African-American servicemen | 0:09:27 | 0:09:30 | |
were stationed all over the country. | 0:09:30 | 0:09:32 | |
-NEWSREEL: -Anything new in the way of drill is news nowadays, | 0:09:34 | 0:09:37 | |
and a company of coloured troops in Kettering give the town quite a show | 0:09:37 | 0:09:41 | |
every time they march through on their way to chow. | 0:09:41 | 0:09:44 | |
For many Britons living in villages and market towns, | 0:09:44 | 0:09:47 | |
it was the first time they'd ever seen a black face. | 0:09:47 | 0:09:50 | |
And for some, it caused panic. | 0:09:50 | 0:09:52 | |
Take Mrs May, for example, a vicar's wife from Weston-super-Mare. | 0:09:58 | 0:10:03 | |
According to an article in the Sunday Pictorial, | 0:10:03 | 0:10:05 | |
the minute she heard that black American troops had reached her husband's parish, | 0:10:05 | 0:10:10 | |
she called an emergency meeting of the WI to advise local women | 0:10:10 | 0:10:14 | |
about how they should behave towards the black Americans. | 0:10:14 | 0:10:18 | |
Just listen to what she had to say. | 0:10:18 | 0:10:20 | |
"Move if seated next to them in the cinema, | 0:10:20 | 0:10:22 | |
"cross the road to avoid them, | 0:10:22 | 0:10:24 | |
"have no social relationship, | 0:10:24 | 0:10:27 | |
"and under no account must coloured troops be invited | 0:10:27 | 0:10:30 | |
"into the homes of white women." | 0:10:30 | 0:10:31 | |
Unfortunately for the Mrs Mays of this world, | 0:10:34 | 0:10:38 | |
more and more young women were choosing to ignore her advice. | 0:10:38 | 0:10:41 | |
They not only invited black GIs into their homes | 0:10:41 | 0:10:45 | |
but also into their beds. | 0:10:45 | 0:10:47 | |
And now it wasn't only | 0:10:48 | 0:10:49 | |
the self-appointed guardians of British morality that were alarmed. | 0:10:49 | 0:10:55 | |
In Parliament, the Conservative MP Maurice Petherick | 0:10:55 | 0:10:59 | |
warned the Secretary of State for War, Anthony Eden, | 0:10:59 | 0:11:02 | |
that "The blackamoors consorting with white girls | 0:11:02 | 0:11:05 | |
"will result in a number of half-caste babies when they're gone, | 0:11:05 | 0:11:10 | |
"a bad thing for any country." | 0:11:10 | 0:11:13 | |
But in dance halls up and down the country, | 0:11:15 | 0:11:18 | |
British women made their own choices. | 0:11:18 | 0:11:20 | |
My mother always had a real liking for dancing, | 0:11:22 | 0:11:26 | |
and she would go to the Grafton dance hall, | 0:11:26 | 0:11:29 | |
and that's where my mother and father met each other. | 0:11:29 | 0:11:33 | |
She obviously took a liking to my father. | 0:11:33 | 0:11:37 | |
I mean, he was a very handsome fellow. | 0:11:37 | 0:11:40 | |
I honestly think, looking back, | 0:11:40 | 0:11:43 | |
that she was in love with my father. | 0:11:43 | 0:11:46 | |
# Oh, give me land, lots of land | 0:11:50 | 0:11:53 | |
# Under starry skies Don't fence me in... # | 0:11:53 | 0:11:58 | |
The black GIs had been in Britain for three years when the War ended. | 0:11:58 | 0:12:02 | |
When it was time for them to leave, | 0:12:02 | 0:12:04 | |
many of their girlfriends were distraught. | 0:12:04 | 0:12:06 | |
# Don't fence me in... # | 0:12:06 | 0:12:10 | |
Early in the morning on August 26th 1945, | 0:12:10 | 0:12:14 | |
a bunch of screaming girls descended on a barracks in Bristol | 0:12:14 | 0:12:17 | |
where black American GIs were preparing to go home. | 0:12:17 | 0:12:22 | |
Singing the Bing Crosby hit Don't Fence Me In, | 0:12:22 | 0:12:26 | |
they clamoured at the gates. | 0:12:26 | 0:12:27 | |
Eventually, a fence was broken in | 0:12:27 | 0:12:30 | |
and they ran into the arms of their departing sweethearts. | 0:12:30 | 0:12:35 | |
"To hell with your US Army colour bar," | 0:12:35 | 0:12:37 | |
a plucky 18-year-old was quoted as saying. | 0:12:37 | 0:12:40 | |
"We're going to give our sweeties a good send-off she said, | 0:12:40 | 0:12:43 | |
"and what's more, we're going to go with them to America." | 0:12:43 | 0:12:47 | |
BING CROSBY: # I want to ride to the ridge | 0:12:49 | 0:12:53 | |
# Where the West commences... # | 0:12:53 | 0:12:55 | |
Sadly, this was rarely the case. | 0:12:55 | 0:12:58 | |
GIs had to get the approval of the US Army to marry, | 0:12:58 | 0:13:02 | |
and permission was usually denied | 0:13:02 | 0:13:04 | |
because of America's attitude to mixed-race marriages. | 0:13:04 | 0:13:07 | |
# Don't fence me in | 0:13:07 | 0:13:11 | |
# Papa, don't you fence me in. # | 0:13:11 | 0:13:14 | |
And it wasn't just heartbroken girlfriends they left behind. | 0:13:15 | 0:13:20 | |
About 1,000 mixed-race babies were now fatherless. | 0:13:21 | 0:13:26 | |
Those earlier warnings about black GIs leaving babies behind | 0:13:26 | 0:13:30 | |
had become a reality. | 0:13:30 | 0:13:31 | |
A concerned Harold Moody sponsored a survey | 0:13:34 | 0:13:37 | |
through his League of Coloured Peoples | 0:13:37 | 0:13:39 | |
to assess the scale | 0:13:39 | 0:13:40 | |
of the "brown baby problem", as it came to be known. | 0:13:40 | 0:13:43 | |
Of the 184 women interviewed, | 0:13:46 | 0:13:49 | |
nearly half had been unfaithful to their British husbands. | 0:13:49 | 0:13:53 | |
The stigma of having brown babies, | 0:13:57 | 0:13:59 | |
plus the fact that they were illegitimate, | 0:13:59 | 0:14:01 | |
turned many of these women into social pariahs. | 0:14:01 | 0:14:04 | |
"I'm shunned by the whole village," wrote one desperate mother. | 0:14:04 | 0:14:08 | |
"The inspector for the National Society for the Prevention of Cruelty to Children | 0:14:08 | 0:14:13 | |
"has told my friend to keep her children away from my house, | 0:14:13 | 0:14:16 | |
"as didn't she know I had two illegitimate coloured children?" | 0:14:16 | 0:14:20 | |
So for many of these women, and it didn't matter whether they were married or single, | 0:14:20 | 0:14:25 | |
hanging on to their brown babies in the face of widespread disapproval | 0:14:25 | 0:14:29 | |
was just too difficult. | 0:14:29 | 0:14:31 | |
A shocking number ended up in care. | 0:14:31 | 0:14:34 | |
My mother Sheila had me when she was only 16 years of age, | 0:14:37 | 0:14:42 | |
and the fact that she was from a strict Catholic family | 0:14:42 | 0:14:47 | |
and then of course the fact that she had a baby out of wedlock, | 0:14:47 | 0:14:52 | |
it didn't go down very well. | 0:14:52 | 0:14:54 | |
Shortly after he was born in Liverpool in 1944, | 0:14:56 | 0:15:00 | |
Brian was put into care by his mother. | 0:15:00 | 0:15:02 | |
I think she had this deep-rooted... | 0:15:04 | 0:15:08 | |
conscience about it and never been able to forgive herself. | 0:15:08 | 0:15:11 | |
But I've never been able to blame her, because she was so young. | 0:15:11 | 0:15:15 | |
The thing would have been taken out of her hand by her parents, really. | 0:15:15 | 0:15:20 | |
Brian's mother took him | 0:15:22 | 0:15:23 | |
to one of the few places open to babies like him at the time. | 0:15:23 | 0:15:28 | |
Sheila was just one of hundreds of desperate mothers | 0:15:29 | 0:15:33 | |
who came knocking on the door of the African Churches Mission | 0:15:33 | 0:15:36 | |
here in Liverpool. | 0:15:36 | 0:15:38 | |
It was actually opened back in 1931 | 0:15:38 | 0:15:40 | |
to help African seamen who'd fallen on hard times, | 0:15:40 | 0:15:44 | |
but within a few years it was turned into an unofficial care home | 0:15:44 | 0:15:48 | |
for abandoned mixed-race children. | 0:15:48 | 0:15:51 | |
Now, the building itself is long gone, | 0:15:51 | 0:15:54 | |
but memories of the place and the extraordinary man who ran it | 0:15:54 | 0:15:57 | |
are still vivid for many of those who passed through it. | 0:15:57 | 0:16:00 | |
The minister of the mission, Daniels Ekarte, | 0:16:04 | 0:16:06 | |
to me, he was my idol. | 0:16:06 | 0:16:09 | |
He had this African smile. | 0:16:09 | 0:16:12 | |
Once he smiled at you, | 0:16:12 | 0:16:14 | |
you could do anything for him. | 0:16:14 | 0:16:17 | |
It really...motivated you to behave. | 0:16:17 | 0:16:21 | |
Ebony was a very famous magazine for black people in America, | 0:16:21 | 0:16:26 | |
and they did a feature on the home, didn't they? | 0:16:26 | 0:16:29 | |
Yes, they came to the home. | 0:16:29 | 0:16:31 | |
This is Mrs Roberts here. | 0:16:31 | 0:16:33 | |
-She was the housekeeper. -Yes. | 0:16:33 | 0:16:35 | |
-And this is me in the other bed. -Oh, in bed! -Yeah. | 0:16:35 | 0:16:38 | |
-This is quite a normal scene, like a mum putting a kid to bed. -Yes. | 0:16:38 | 0:16:42 | |
So, where are you in this? | 0:16:42 | 0:16:44 | |
Well, this is obviously teatime, and I'm just here. | 0:16:44 | 0:16:48 | |
The cup is nearly as big as my face! | 0:16:48 | 0:16:50 | |
-GEORGE CHUCKLES -You were tiny! | 0:16:50 | 0:16:52 | |
I was very tiny, yes. | 0:16:52 | 0:16:53 | |
When you have a look at that picture, | 0:16:53 | 0:16:56 | |
what goes through your mind now? | 0:16:56 | 0:16:57 | |
When I first saw these pictures, | 0:16:57 | 0:16:59 | |
I cried, | 0:16:59 | 0:17:02 | |
for the simple reason that I saw | 0:17:02 | 0:17:05 | |
how vulnerable I was as a child. | 0:17:05 | 0:17:09 | |
And I never really perceived | 0:17:09 | 0:17:13 | |
how small and little I was. | 0:17:13 | 0:17:16 | |
Pastor Daniels undoubtedly did an enormous amount of good. | 0:17:20 | 0:17:25 | |
But, as the Ebony article made clear, | 0:17:25 | 0:17:27 | |
he simply did not have the money or resources | 0:17:27 | 0:17:30 | |
to take in all those on his waiting list. | 0:17:30 | 0:17:32 | |
The Ebony article really got to the heart of the problem. | 0:17:34 | 0:17:38 | |
What was to be done with the large number | 0:17:38 | 0:17:40 | |
of what it called "brown babies in care"? | 0:17:40 | 0:17:43 | |
Who'd be responsible for them? Who'd pay for them? | 0:17:43 | 0:17:46 | |
It would be, as the writer said, | 0:17:46 | 0:17:48 | |
"a crucial test of Britain's racial liberalism". | 0:17:48 | 0:17:51 | |
Harold Moody argued that they should be treated as "war casualties" | 0:17:54 | 0:17:57 | |
whose care should be jointly funded | 0:17:57 | 0:18:00 | |
by the British and American governments. | 0:18:00 | 0:18:04 | |
Send them to the States | 0:18:04 | 0:18:06 | |
to live with their black fathers or other black families, said others. | 0:18:06 | 0:18:11 | |
But America didn't want its mixed-race war babies. | 0:18:12 | 0:18:16 | |
A Republican Congressman at the time, one John E Rankin, | 0:18:16 | 0:18:19 | |
described them as "the offspring of the scum of the British Isles". | 0:18:19 | 0:18:23 | |
You've got to remember, America had race laws at the time. | 0:18:23 | 0:18:26 | |
So any thought of shipping these children across the Atlantic | 0:18:26 | 0:18:29 | |
had to be shelved because of what the Home Office itself described as | 0:18:29 | 0:18:34 | |
America's "appalling discrimination". | 0:18:34 | 0:18:37 | |
No, this was a problem that Britain would have to deal with by itself. | 0:18:37 | 0:18:41 | |
In the early hours of June 3rd 1949, | 0:18:46 | 0:18:49 | |
local authority health officials, accompanied by the police, | 0:18:49 | 0:18:53 | |
descended on the African Churches Mission. | 0:18:53 | 0:18:56 | |
KNOCKING ON DOOR | 0:18:56 | 0:18:59 | |
They came without any notice. | 0:18:59 | 0:19:01 | |
They locked Pastor Ekarte up in his office | 0:19:01 | 0:19:05 | |
and they forcibly removed us - after a fight, of course. | 0:19:05 | 0:19:11 | |
We were only little children, but we knew these houses back to front. | 0:19:11 | 0:19:15 | |
And when these officials came, well, we gave them the run-around, | 0:19:15 | 0:19:19 | |
hiding in the cellars and the attics and screaming. | 0:19:19 | 0:19:23 | |
I can remember biting a few of the officials | 0:19:25 | 0:19:29 | |
in my struggles for them not to take me, you know? | 0:19:29 | 0:19:34 | |
It's something you never forget. | 0:19:35 | 0:19:38 | |
I mean, I know I was approaching five, | 0:19:38 | 0:19:42 | |
but you never forget those occasions. | 0:19:42 | 0:19:45 | |
-It's on your mind all the time. -Even now? | 0:19:45 | 0:19:48 | |
-Even now, as though it happened yesterday. -Really? | 0:19:48 | 0:19:52 | |
And I'm 66 years of age. | 0:19:52 | 0:19:54 | |
So, you know, you always remember that kind of trauma. | 0:19:57 | 0:20:02 | |
The Home Office had decided it was time to shut down Ekarte's makeshift orphanage. | 0:20:08 | 0:20:13 | |
Brian and all the other brown babies in Liverpool | 0:20:13 | 0:20:16 | |
would be cared for in state-run care-homes from now on. | 0:20:16 | 0:20:20 | |
My brother-in-law, Tony, started his life at Barnardo's - a private charity. | 0:20:31 | 0:20:35 | |
After five years he was placed with a foster family, the Tabors, | 0:20:35 | 0:20:40 | |
who lived in the village of Balsham, near Cambridge. | 0:20:40 | 0:20:42 | |
It was the beginning of a life-long closeness to his adopted sister, Joyce. | 0:20:46 | 0:20:51 | |
-Do you remember Tony arriving at Balsham? -Yes, I do. | 0:20:56 | 0:20:59 | |
It was like going home from school and finding you've got another brother or sister, it was fantastic. | 0:21:00 | 0:21:06 | |
And Joyce, did you notice that he was different from you? | 0:21:08 | 0:21:10 | |
-No. -Really? No. | 0:21:10 | 0:21:12 | |
I mean here was a little brown baby with frizzy hair. | 0:21:12 | 0:21:14 | |
Yes, but no I didn't and it wasn't until we went swimming one day | 0:21:14 | 0:21:18 | |
and I said, "Well why does my hair go like rats' tails? " | 0:21:18 | 0:21:22 | |
And he shook his head and it was dry and I thought wow! | 0:21:22 | 0:21:26 | |
But no. | 0:21:26 | 0:21:27 | |
-Was Tony in any way, was he a troubled child? -He was agitated. | 0:21:27 | 0:21:31 | |
When you say agitated, what do you mean? | 0:21:31 | 0:21:32 | |
But Dad would just cuddle him and that's when he used to say, | 0:21:32 | 0:21:36 | |
"All he needs is loving." | 0:21:36 | 0:21:37 | |
He needed to feel he belonged. And he did belong. | 0:21:38 | 0:21:42 | |
Describe the Tabors, who brought you up here in Balsham. | 0:21:43 | 0:21:48 | |
My father was very quiet, he loved his dog, a lovely dog, | 0:21:48 | 0:21:50 | |
and my mother was always there for me, she was there for everybody. | 0:21:50 | 0:21:54 | |
We were treated all the same, my brothers and sisters. | 0:21:54 | 0:21:57 | |
It was a happy place, it was a very happy place. | 0:21:57 | 0:22:00 | |
But while Tony settled happily into his new family, | 0:22:03 | 0:22:06 | |
his birth mother clearly had regrets. | 0:22:06 | 0:22:09 | |
I met my real mother when I was nine, she came to see me. | 0:22:10 | 0:22:15 | |
And she asked me did I want to go and live with her | 0:22:15 | 0:22:18 | |
and I said no, I was quite happy where I was. | 0:22:18 | 0:22:21 | |
I felt a little sad I think. | 0:22:21 | 0:22:23 | |
Sorry for her that she'd come back for me. | 0:22:26 | 0:22:28 | |
But I felt... | 0:22:28 | 0:22:29 | |
Where I was was fine. | 0:22:29 | 0:22:31 | |
I was happy living with my family. | 0:22:31 | 0:22:34 | |
Do you think about her now at all? | 0:22:34 | 0:22:36 | |
No, I don't, really. | 0:22:39 | 0:22:40 | |
It's such an awful thing to say. | 0:22:40 | 0:22:43 | |
But I was so ensconced at home | 0:22:43 | 0:22:45 | |
that that was the place I wanted to be. | 0:22:45 | 0:22:48 | |
And what about your father, your natural father. | 0:22:48 | 0:22:52 | |
There were some periods in my life when I would have liked to find out, | 0:22:53 | 0:22:58 | |
when I went to America on business and went to New York and thought, you know... | 0:22:58 | 0:23:02 | |
But as a whole, no, I didn't really, I was happy, my home was in Balsham. | 0:23:02 | 0:23:07 | |
Tony was one of the lucky ones. He'd found his place in a loving, happy family and never looked back. | 0:23:09 | 0:23:16 | |
But for others, not knowing who their real parents were proved to be a more haunting experience. | 0:23:16 | 0:23:22 | |
This little girl's father was one of the thousands of seaman from across the world | 0:23:22 | 0:23:27 | |
who flocked to Britain during the war, but he was never to be a part of her life. | 0:23:27 | 0:23:32 | |
I grew up thinking I'd been deserted. | 0:23:33 | 0:23:37 | |
Our mothers died thinking they'd been deserted, | 0:23:37 | 0:23:40 | |
because they didn't know this story. | 0:23:40 | 0:23:43 | |
What happened here on the streets of Liverpool in the summer of 1946 | 0:23:50 | 0:23:55 | |
was one of the most shameful episodes in Britain's postwar history. | 0:23:55 | 0:24:01 | |
In a number of dawn raids, the police descended on the area. | 0:24:01 | 0:24:04 | |
Their mission - to round up any Chinese seamen they could find. | 0:24:04 | 0:24:08 | |
They went from house to house, loaded the men onto trucks which took them down to the docks, | 0:24:08 | 0:24:13 | |
where a boat was ready and waiting for their journey to China. | 0:24:13 | 0:24:17 | |
As a port city, Liverpool had long been a magnet for seamen from all over the world. | 0:24:20 | 0:24:25 | |
But during WW2, there was a huge influx of foreign sailors. | 0:24:27 | 0:24:31 | |
Around 2,000 Chinese sailors settled in Liverpool after serving in the merchant navy. | 0:24:33 | 0:24:38 | |
Many had married local women and had started families, | 0:24:41 | 0:24:45 | |
boosting the city's already established mixed-race community. | 0:24:45 | 0:24:49 | |
They thought they were here to stay. | 0:24:50 | 0:24:52 | |
But the government had other ideas. | 0:24:56 | 0:24:58 | |
Despite their undoubted contribution to Britain's war effort, | 0:24:58 | 0:25:02 | |
ministers decided the Chinese seamen had to go. | 0:25:02 | 0:25:06 | |
It made no difference whether that broke up families or not. | 0:25:06 | 0:25:09 | |
Home Office minutes made their reasons clear. | 0:25:13 | 0:25:16 | |
"The Chinese seamen have caused a good deal of trouble to the police, | 0:25:16 | 0:25:20 | |
"but it has hitherto not been possible to get rid of them. | 0:25:20 | 0:25:24 | |
"Now, however, the China coast is open again and it is proposed to set in motion the usual steps | 0:25:24 | 0:25:30 | |
"for getting rid of foreign seamen whose presence here is unwelcome." | 0:25:30 | 0:25:33 | |
In total, 1,362 Chinese men were forced to leave. | 0:25:40 | 0:25:45 | |
Of those, some 300 were married. | 0:25:45 | 0:25:48 | |
Somewhere between 500 and 1,000 children were left fatherless. | 0:25:51 | 0:25:55 | |
One of these was Yvonne Foley, who grew up unaware of her Chinese heritage. | 0:25:58 | 0:26:04 | |
When I was about seven I made friends with somebody who I thought was a full Chinese boy | 0:26:05 | 0:26:10 | |
who'd just come to live in the neighbourhood. | 0:26:10 | 0:26:13 | |
And I ran home to Mum and said, "Oh, we've got a new lad in the street, he's Chinese." | 0:26:13 | 0:26:18 | |
My mother said, "No, no, no, he's like you, half Chinese - half English, half Chinese." | 0:26:18 | 0:26:24 | |
And I thought, "Huh, what's that about?" | 0:26:24 | 0:26:26 | |
-It really came as a complete surprise? -Yes. | 0:26:26 | 0:26:29 | |
And I thought, OK, and my mum said, "Well your dad is not your real dad. Your dad is a Chinese dad." | 0:26:29 | 0:26:37 | |
And didn't think anything of it. | 0:26:37 | 0:26:40 | |
And then snippets of information came as I got older. | 0:26:40 | 0:26:43 | |
What Yvonne discovered was that her real father had been a ship's engineer from Shanghai, | 0:26:46 | 0:26:50 | |
who'd met her mother in Liverpool during the war. | 0:26:50 | 0:26:53 | |
But by the time Yvonne had been born he'd disappeared. | 0:26:53 | 0:26:57 | |
I have a photograph of myself as a baby | 0:27:00 | 0:27:03 | |
and I discovered on the back of it is a date. | 0:27:03 | 0:27:07 | |
I was born in February '46 and on the back of the photograph it says, | 0:27:07 | 0:27:12 | |
"March 23rd 1946. To Daddy." | 0:27:12 | 0:27:15 | |
Who'd obviously never got it. | 0:27:17 | 0:27:19 | |
Why do you think so many women, including your mother, | 0:27:19 | 0:27:24 | |
thought they'd been deserted by their menfolk? | 0:27:24 | 0:27:27 | |
Well, I think when they went away to sea, | 0:27:27 | 0:27:30 | |
they would go on long-term contracts, say two years. | 0:27:30 | 0:27:35 | |
They didn't hear from their husbands one way or the other. | 0:27:35 | 0:27:37 | |
And in my mother's case, she had felt she'd been deserted, because she'd heard nothing. | 0:27:37 | 0:27:42 | |
What do you think actually happened to your father? | 0:27:47 | 0:27:50 | |
I'm convinced he's one of the men that were forced back. | 0:27:50 | 0:27:53 | |
I've got nothing to prove this at all, as most of us don't. | 0:27:55 | 0:27:59 | |
We can't find any names on a list. | 0:27:59 | 0:28:01 | |
But I believe he was one of those forced to leave. | 0:28:03 | 0:28:07 | |
The whole murky episode has scarred the families those Chinese men left behind. | 0:28:09 | 0:28:15 | |
Yvonne has talked to others who found themselves in the same position as her. | 0:28:15 | 0:28:19 | |
I actually did an interview with one lady who said to me... It was quite emotional. | 0:28:19 | 0:28:26 | |
Sorry. | 0:28:28 | 0:28:29 | |
It's OK. | 0:28:35 | 0:28:36 | |
What she actually said was... | 0:28:41 | 0:28:43 | |
"It's nice to think at my age of 86 that I might not have been deserted." | 0:28:43 | 0:28:48 | |
And a lot of our mothers went to their graves thinking that they had been. | 0:28:51 | 0:28:55 | |
Ironically, just as Britain was sending some people packing, | 0:29:05 | 0:29:09 | |
others were being welcomed into Britain. | 0:29:09 | 0:29:12 | |
"The arrival of more than 400 happy Jamaicans. | 0:29:16 | 0:29:19 | |
"They've come to seek work in Britain and are ready and willing to do any kind of job | 0:29:19 | 0:29:23 | |
"that will help the motherland along the road to prosperity. | 0:29:23 | 0:29:26 | |
"They're all full of hope for the future, | 0:29:26 | 0:29:28 | |
"so let's make them very welcome as they begin their new life over here." | 0:29:28 | 0:29:31 | |
Now came the years of mass immigration, following a change in the law in 1948 | 0:29:33 | 0:29:38 | |
giving British citizenship to anyone from the Commonwealth and the Colonies | 0:29:38 | 0:29:42 | |
and the right to settle here. | 0:29:42 | 0:29:44 | |
Thousands of single men arrived looking for work. | 0:29:45 | 0:29:48 | |
They'd left their families and sweethearts behind. | 0:29:48 | 0:29:51 | |
Inevitably, they found solace in the arms of local white girls | 0:29:51 | 0:29:55 | |
- Britain's racial landscape changed forever. | 0:29:55 | 0:29:58 | |
Amongst those new arrivals was Jake Jacobs, recently demobbed from the RAF. | 0:30:01 | 0:30:06 | |
He left Trinidad for good in 1948. | 0:30:06 | 0:30:08 | |
He headed straight for Birmingham, where there were plenty of jobs. | 0:30:10 | 0:30:13 | |
"He is here because he has heard there are jobs for coloured men in Birmingham, | 0:30:15 | 0:30:18 | |
"a city with a reputation for kindness to its immigrants." | 0:30:18 | 0:30:22 | |
In those days, you had to go to the labour exchange | 0:30:23 | 0:30:26 | |
and fill a form in and they used to pick a job out for you. | 0:30:26 | 0:30:32 | |
And the labour exchange offered me the Post Office or the railway. | 0:30:32 | 0:30:37 | |
What was it like in the early days? | 0:30:41 | 0:30:43 | |
Well, it wasn't easy in the sense... There was a lot of prejudice, with a doubt. | 0:30:43 | 0:30:49 | |
And you you got the dirty jobs, you got the worst shifts as well. | 0:30:49 | 0:30:53 | |
But like everything else, once you make your name you're treated well. | 0:30:53 | 0:30:59 | |
And I went with them and I worked for 38 years, fantastic job. | 0:31:00 | 0:31:05 | |
It wasn't only the prospect of a good job that had lured Jake back to Britain. | 0:31:05 | 0:31:12 | |
All the time he'd been away in Trinidad, | 0:31:12 | 0:31:15 | |
Jake had been writing love letters to Mary in Liverpool. | 0:31:15 | 0:31:18 | |
And now he was determined to pick up where he'd left off. | 0:31:18 | 0:31:22 | |
Was she as pretty as you remembered? | 0:31:24 | 0:31:25 | |
Oh yeah, oh, yes, as beautiful as ever. | 0:31:25 | 0:31:29 | |
What was the day like, from your point of view? | 0:31:29 | 0:31:33 | |
Oh, it was like a new year for me, that's the way I can put it. | 0:31:33 | 0:31:37 | |
It was like a new day in my life. | 0:31:37 | 0:31:39 | |
And that was it. | 0:31:40 | 0:31:43 | |
Something I'd been looking for through my life sort of thing. | 0:31:43 | 0:31:48 | |
And I think I've clinched it. | 0:31:48 | 0:31:50 | |
So how did you go about wooing this woman again? | 0:31:50 | 0:31:54 | |
He said things, what did you say to me, come on? | 0:31:54 | 0:31:57 | |
"To be or not to be, would you please marry me". | 0:31:57 | 0:32:00 | |
That was your proposal? | 0:32:00 | 0:32:02 | |
My proposal! | 0:32:02 | 0:32:04 | |
-Shakespeare came to the rescue. -Of course. | 0:32:04 | 0:32:06 | |
But though Jake and Mary were sure they wanted to spend the rest of their lives together, | 0:32:08 | 0:32:13 | |
Mary's father was against their love affair. | 0:32:13 | 0:32:16 | |
My father wouldn't acknowledge it. | 0:32:17 | 0:32:20 | |
What do you mean, he wouldn't acknowledge it? | 0:32:20 | 0:32:22 | |
He just didn't look at me, didn't say anything. | 0:32:22 | 0:32:25 | |
And I just didn't know what to do. | 0:32:26 | 0:32:29 | |
What was going through your mind? | 0:32:30 | 0:32:33 | |
I mean, this is your dad, but this is also the man you love. | 0:32:33 | 0:32:35 | |
You're caught in the middle. | 0:32:35 | 0:32:36 | |
Oh I do remember him saying, whether it was at that point or earlier, | 0:32:37 | 0:32:44 | |
I remember him saying, "Now you've taken up with this young man from Trinidad, | 0:32:44 | 0:32:53 | |
"this black man, | 0:32:54 | 0:32:56 | |
"you will never get a decent boyfriend. Never." | 0:32:56 | 0:33:01 | |
Did your father actually say that to you? | 0:33:03 | 0:33:06 | |
Yes, he said, "Don't come back here, I don't want to ever see you again." | 0:33:06 | 0:33:10 | |
And my mother and I were both crying. | 0:33:10 | 0:33:12 | |
And I came away thinking that that was the end, | 0:33:15 | 0:33:18 | |
that I would never see my family again. | 0:33:18 | 0:33:21 | |
Despite that, in 1948 Mary and Jake got married. | 0:33:23 | 0:33:26 | |
No family whatsoever were there. | 0:33:28 | 0:33:30 | |
We had no-one. | 0:33:31 | 0:33:33 | |
It is only friends that were there. | 0:33:33 | 0:33:35 | |
-It's quite a rough way to start a marriage, isn't it? -It is. | 0:33:35 | 0:33:39 | |
Without the support of a family. | 0:33:39 | 0:33:41 | |
That's correct. | 0:33:41 | 0:33:42 | |
And it hurts, you look around and think to yourself, well, is this what life is all about? | 0:33:42 | 0:33:49 | |
Mary and Jake were brave enough to follow their hearts. | 0:33:56 | 0:33:59 | |
Others were more timid. | 0:33:59 | 0:34:01 | |
A letter from a "Liz of Cardiff" to a woman's magazine in 1951, sums up the situation pretty neatly. | 0:34:01 | 0:34:08 | |
"I'm very much in love with a coloured man, he's the nicest, | 0:34:08 | 0:34:12 | |
"kindest boy I've ever met and I know he'll make a splendid husband. | 0:34:12 | 0:34:17 | |
"But my parents are against our marriage. | 0:34:17 | 0:34:19 | |
"Can they stop me marrying?" | 0:34:19 | 0:34:22 | |
And the agony aunt's reply? | 0:34:22 | 0:34:24 | |
"Not unless you're under 21, but I hope for your own sake that you think things over very carefully. | 0:34:24 | 0:34:31 | |
"Many coloured men are fine people, but scientists don't yet know if it is wise | 0:34:31 | 0:34:35 | |
"for two such very different races as white and black to marry. | 0:34:35 | 0:34:40 | |
"For sometimes children of mixed marriages seem to inherit the worst characteristics of each race." | 0:34:40 | 0:34:47 | |
In fact such thinking - put forward by the eugenics movement before the war - was outdated. | 0:34:52 | 0:34:57 | |
Now take me, I'm just a plain and simple citizen of Europe, | 0:35:02 | 0:35:06 | |
I can see that this race theory has caused misery and suffering, | 0:35:06 | 0:35:11 | |
but do you really mean that there's nothing in it, it's all a lot of bunk? | 0:35:11 | 0:35:15 | |
In 1950, the UN's education and science agency had ruled that there was | 0:35:16 | 0:35:22 | |
"no biological justification for prohibiting intermarriage | 0:35:22 | 0:35:25 | |
"between persons of different ethnic groups." | 0:35:25 | 0:35:28 | |
This official stamp of approval for mixed-race marriages was soon | 0:35:29 | 0:35:32 | |
to be tested by a very high-profile wedding. | 0:35:32 | 0:35:36 | |
In 1953, the ever so respectable, 32-year-old Peggy Cripps, | 0:35:38 | 0:35:43 | |
daughter of Labour MP Sir Stafford Cripps, got married. | 0:35:43 | 0:35:46 | |
The wedding took place in London's fashionable St John's Wood | 0:35:48 | 0:35:51 | |
and was THE society wedding of the year. | 0:35:51 | 0:35:53 | |
But this was a society wedding with a difference, | 0:35:55 | 0:35:57 | |
because Peggy Cripps's groom was not some British toff, | 0:35:57 | 0:36:01 | |
he was Joe Appiah, a Ghanaian chieftain's son. | 0:36:01 | 0:36:05 | |
"An African with some kind of a snake charm said to bring luck was in the picture at the church." | 0:36:07 | 0:36:11 | |
When a journalist asked her why she was marrying a coloured man, Peggy replied, | 0:36:16 | 0:36:20 | |
"Because I love him and love is greater than colour, creed or race." | 0:36:20 | 0:36:26 | |
What she was saying so simply yet so eloquently was that love could cross all racial barriers. | 0:36:26 | 0:36:32 | |
Actually, their wedding said even more than that. | 0:36:35 | 0:36:38 | |
It showed that mixed-race relationships were happening at all levels of society. | 0:36:38 | 0:36:44 | |
For left-leaning liberals, Peggy and Joe's union symbolised the ideal of a multicultural society | 0:36:44 | 0:36:50 | |
But when their wedding photos were syndicated around the world, many were outraged. | 0:36:50 | 0:36:55 | |
Charles Swart, South Africa's Justice Minister | 0:37:00 | 0:37:03 | |
and one of the architects of the country's apartheid system, | 0:37:03 | 0:37:06 | |
brandished their wedding photograph in parliament and declared, | 0:37:06 | 0:37:10 | |
"It's a disgusting photograph of a wedding between the daughter | 0:37:10 | 0:37:14 | |
"of a former British cabinet minister and a black native. | 0:37:14 | 0:37:18 | |
"If such a thing were ever to happen in South Africa, it would be the end." | 0:37:18 | 0:37:23 | |
Of course, the reaction in Britain was nowhere near as extreme, | 0:37:29 | 0:37:33 | |
but neither were we quite ready to welcome this couple with open arms. | 0:37:33 | 0:37:37 | |
"After the ceremony the happy pair smilingly faced the cameras once more. | 0:37:37 | 0:37:42 | |
"It is understood Mr and Mrs Appiah, after spending their honeymoon in Paris | 0:37:42 | 0:37:46 | |
"intend to live on the Gold Coast." | 0:37:46 | 0:37:48 | |
When the couple announced they planned to start their new married life together in Ghana, not Britain, | 0:37:49 | 0:37:55 | |
you could virtually hear the sighs of relief. | 0:37:55 | 0:37:59 | |
The problem of this high-profile mixed marriage was about to be exported. | 0:37:59 | 0:38:04 | |
But the problem, as some saw it, wasn't really going away. | 0:38:08 | 0:38:12 | |
Far from it. Across country it was getting bigger. | 0:38:12 | 0:38:16 | |
"Lambeth and Brixton have been much in the news recently following the controversy | 0:38:16 | 0:38:20 | |
"that has raged over the immigration of West Indians to this country." | 0:38:20 | 0:38:24 | |
On average, 12,000 West Indians were entering Britain each year | 0:38:25 | 0:38:29 | |
and more and more were settling down with local women. | 0:38:29 | 0:38:34 | |
"To help solve the problems raised when white and coloured people live in the same neighbourhood, | 0:38:34 | 0:38:39 | |
"the Borough of Lambeth organised a 'no colour bar' dance." | 0:38:39 | 0:38:42 | |
By the time this film was made in 1955, | 0:38:43 | 0:38:46 | |
the total black population in Britain had risen to 125,000, | 0:38:46 | 0:38:51 | |
but the sight of mixed-race couples on the dance-floor was still something that caused a stir. | 0:38:51 | 0:38:58 | |
"East had met West on common ground, few were wallflowers for very long. | 0:38:58 | 0:39:02 | |
"The rhythm of the Mambo was doing its bit towards racial unity!" | 0:39:02 | 0:39:06 | |
Officially, scientific racism had been rejected, | 0:39:09 | 0:39:11 | |
but amongst the general public, prejudice was still widespread. | 0:39:11 | 0:39:14 | |
Mary, dancing was a big part of your courtship in the early years of marriage. | 0:39:17 | 0:39:22 | |
When you went to dance halls were you free of discrimination? | 0:39:22 | 0:39:26 | |
No, no, you weren't. | 0:39:26 | 0:39:28 | |
If you danced with a black man you were discriminated against, because people didn't like it. | 0:39:31 | 0:39:36 | |
Did you feel people were making a judgement on you because you were on the arm of a black man? | 0:39:36 | 0:39:42 | |
Oh, yes. | 0:39:42 | 0:39:44 | |
And were you aware that people might be looking at Mary and making a judgement about her? | 0:39:44 | 0:39:50 | |
Oh, yes, I mean some people used to more or less come to your face and tell you straight. | 0:39:50 | 0:39:56 | |
Without a doubt. | 0:39:56 | 0:39:57 | |
Tell you straight what? | 0:39:57 | 0:39:58 | |
What you going with that black bastard for? | 0:39:58 | 0:40:02 | |
-Really? Language like that? -Oh, yes. | 0:40:02 | 0:40:06 | |
People would comment, "You ought to be ashamed of yourself" as you walked past. | 0:40:06 | 0:40:13 | |
People my mother's age, I suppose, would be thinking, | 0:40:13 | 0:40:18 | |
"I wouldn't like my daughter to do what she's doing." | 0:40:18 | 0:40:22 | |
Mary and Jake's experience was not unique. | 0:40:27 | 0:40:29 | |
But it didn't deter the growing numbers of mixed-race couples. | 0:40:43 | 0:40:48 | |
I am married to a coloured man and I am proud of him. | 0:40:48 | 0:40:51 | |
Cos he helps me with all my work, he helps me to do the washing. | 0:40:52 | 0:40:59 | |
He's very good to me and my baby. I wouldn't find it in an Englishman. | 0:40:59 | 0:41:02 | |
And as more and more of the new arrivals from the West Indies | 0:41:05 | 0:41:09 | |
settled down with local white women, | 0:41:09 | 0:41:11 | |
Pathe news was on hand to reflect just how fundamentally | 0:41:11 | 0:41:14 | |
British families were changing. | 0:41:14 | 0:41:17 | |
In what are clearly outtakes, there's no sound, | 0:41:17 | 0:41:20 | |
you see these young white women with their black husbands, | 0:41:20 | 0:41:24 | |
with their happy little children, | 0:41:24 | 0:41:27 | |
the fathers and mother engage with the kids. | 0:41:27 | 0:41:30 | |
They were intended to show this is ordinary. | 0:41:30 | 0:41:32 | |
It's an ordinary, everyday thing that's happening here. | 0:41:32 | 0:41:36 | |
It's like any other married couple. | 0:41:36 | 0:41:38 | |
They probably have their ups and downs, | 0:41:38 | 0:41:40 | |
but at heart, they're a loving couple. | 0:41:40 | 0:41:43 | |
In many respects, it's a kind of antidote | 0:41:43 | 0:41:46 | |
to some of the forms of stigmatising of these relationships | 0:41:46 | 0:41:52 | |
and saying, "look, it's ordinary, what are you worried about?" | 0:41:52 | 0:41:56 | |
But apparently, plenty of people were. | 0:42:00 | 0:42:03 | |
A poll taken by a Vicar in his north London parish at this time | 0:42:03 | 0:42:07 | |
had asked the question, | 0:42:07 | 0:42:09 | |
"would you approve of your sister or daughter marrying a coloured man?" | 0:42:09 | 0:42:14 | |
91% had said they wouldn't approve. | 0:42:14 | 0:42:16 | |
Shortly afterwards, the vicar, Reverend Clifford Hill, | 0:42:18 | 0:42:21 | |
who was also a part-time sociologist, | 0:42:21 | 0:42:24 | |
made his way to the British Broadcasting Corporation | 0:42:24 | 0:42:27 | |
to give a radio interview about his findings. | 0:42:27 | 0:42:30 | |
When the Reverend himself was asked by the radio interviewer | 0:42:35 | 0:42:39 | |
if he'd mind if his own daughter married a black man, he said, | 0:42:39 | 0:42:42 | |
"I wouldn't worry if my grandchildren were half-caste." | 0:42:42 | 0:42:46 | |
"I wouldn't mind at all." | 0:42:46 | 0:42:47 | |
The next day, the words, "nigger-loving priest" | 0:42:47 | 0:42:50 | |
and "race-mixing priest" were daubed on the pavement outside his house. | 0:42:50 | 0:42:55 | |
Sadly, that might have been the real Britain speaking. | 0:42:55 | 0:42:59 | |
Mixed-race relationships had become an issue of national debate. | 0:43:01 | 0:43:05 | |
ITV pitched in. | 0:43:05 | 0:43:07 | |
People say that the colour bar is beginning to fade. | 0:43:11 | 0:43:15 | |
But I wonder if it is. | 0:43:15 | 0:43:17 | |
I think if we were honest with ourselves, | 0:43:17 | 0:43:19 | |
we'd admit it would be a bit of a shock | 0:43:19 | 0:43:21 | |
if we were told that our sister or daughter | 0:43:21 | 0:43:24 | |
was going to marry a coloured man. | 0:43:24 | 0:43:27 | |
Conservative parliamentary candidate, James Wentworth Day, | 0:43:27 | 0:43:31 | |
certainly had strong feelings on this matter. | 0:43:31 | 0:43:34 | |
My view is this, | 0:43:34 | 0:43:35 | |
that no first-class nation can afford to produce a race of mongrels. | 0:43:35 | 0:43:39 | |
That is what we're doing. | 0:43:39 | 0:43:41 | |
Too much mixed blood. | 0:43:41 | 0:43:43 | |
Look at the other angle, the black man - | 0:43:43 | 0:43:46 | |
and I refuse this humbug of talking about the coloured man. | 0:43:46 | 0:43:48 | |
He's black and we're white, has a different set of standards, | 0:43:48 | 0:43:52 | |
values, morals and principles. | 0:43:52 | 0:43:54 | |
In many cases, their grandfathers were eating each other. | 0:43:54 | 0:43:57 | |
In some inner-city areas, | 0:44:05 | 0:44:07 | |
prejudice was being fuelled by tension over jobs and housing. | 0:44:07 | 0:44:11 | |
On Friday August 29th 1958, | 0:44:15 | 0:44:18 | |
there was a petty domestic dispute between Jamaican, Ray Morrison, | 0:44:18 | 0:44:21 | |
and his pregnant Swedish wife, Majbritt in London's Notting Hill. | 0:44:21 | 0:44:25 | |
The rowing couple were seen by a crowd of white Teddy boys | 0:44:30 | 0:44:33 | |
who started to heckle Ray. | 0:44:33 | 0:44:34 | |
They were about to go even further, | 0:44:34 | 0:44:37 | |
but were shocked by Majbritt's reaction. | 0:44:37 | 0:44:39 | |
She shouted at them and told them to leave her husband alone. | 0:44:39 | 0:44:43 | |
The next night, and it was after pub closing time, | 0:44:43 | 0:44:46 | |
the gang spotted Majbritt again. | 0:44:46 | 0:44:48 | |
She was out on her own. | 0:44:48 | 0:44:50 | |
"There's goes the black man's trollop," they shouted. | 0:44:50 | 0:44:53 | |
They chased her and she was hit with an iron bar. | 0:44:53 | 0:44:57 | |
Over the next few nights, | 0:45:04 | 0:45:06 | |
violent scenes erupted all over Notting Hill. | 0:45:06 | 0:45:09 | |
A fear that West Indians were not only taking their jobs and housing, | 0:45:09 | 0:45:13 | |
but their women as well, | 0:45:13 | 0:45:14 | |
led to vicious "nigger hunts" by white Teddy Boys. | 0:45:14 | 0:45:18 | |
In the early Sixties, a rash of British feature films | 0:45:23 | 0:45:26 | |
tackled the racial prejudice | 0:45:26 | 0:45:27 | |
that had been so graphically exposed by the '58 riots. | 0:45:27 | 0:45:30 | |
In Roy Ward Baker's 1961 film, Flame in the Streets, | 0:45:33 | 0:45:37 | |
the Teddy Boy thugs are lifted straight from the streets of Notting Hill. | 0:45:37 | 0:45:42 | |
Hold up, that'll send 'em crackers! | 0:45:46 | 0:45:49 | |
But the real focus of the film is the interracial relationship | 0:45:49 | 0:45:53 | |
between factory worker Gabriel Gomez and his pregnant wife, Judy. | 0:45:53 | 0:45:58 | |
You all right? | 0:45:58 | 0:46:00 | |
-How you feeling woman? You ain't sick? -No, just tired. | 0:46:00 | 0:46:03 | |
I feel like I'm carrying an elephant. | 0:46:03 | 0:46:06 | |
I'll get your tea. | 0:46:06 | 0:46:07 | |
No, you stay there. | 0:46:07 | 0:46:09 | |
This film was truly groundbreaking. | 0:46:09 | 0:46:11 | |
It was the first time cinemagoers would've seen a black man | 0:46:11 | 0:46:15 | |
kissing a white woman. | 0:46:15 | 0:46:16 | |
All those fears about the perfect British family being invaded, | 0:46:16 | 0:46:21 | |
they were being played out on the big screen. | 0:46:21 | 0:46:24 | |
Listen, from now on, I do the shopping, see? | 0:46:24 | 0:46:28 | |
I ain't let you carry them heavy loads up the stairs. | 0:46:28 | 0:46:31 | |
Actor, Earl Cameron, was himself in a mixed-race marriage | 0:46:31 | 0:46:34 | |
when he appeared in Flame in the Streets. | 0:46:34 | 0:46:36 | |
For him, the film was just a mirror of real life. | 0:46:36 | 0:46:40 | |
That kiss that you gave your wife, Judy, | 0:46:40 | 0:46:44 | |
that was a pivotal moment, wasn't it? | 0:46:44 | 0:46:47 | |
I suppose so. | 0:46:47 | 0:46:48 | |
On the set, it didn't mean anything. | 0:46:48 | 0:46:50 | |
We didn't rehearse it, it just came natural, I just did it. | 0:46:50 | 0:46:54 | |
You're kidding? | 0:46:54 | 0:46:56 | |
That kiss that has since been looked at over and over again, | 0:46:56 | 0:46:59 | |
that's a first screen kiss? | 0:46:59 | 0:47:01 | |
That wasn't in the script? | 0:47:01 | 0:47:02 | |
No. In fact, I thought afterwards | 0:47:02 | 0:47:06 | |
I should've kissed her a little stronger. | 0:47:06 | 0:47:09 | |
It's a natural thing for me to have kissed the girl. | 0:47:10 | 0:47:13 | |
Well, it's happening every day in life, isn't it? | 0:47:13 | 0:47:15 | |
Since the late '50s, progressive young white people, | 0:47:18 | 0:47:22 | |
trend setters, if you like, | 0:47:22 | 0:47:24 | |
had immersed themselves in black music and culture. | 0:47:24 | 0:47:29 | |
And mixing was by no means limited to the dance floor. | 0:47:29 | 0:47:33 | |
London at that time was very mixed. I mean, the clubs and so on, | 0:47:33 | 0:47:37 | |
all classes. | 0:47:37 | 0:47:39 | |
A lot of society women would come to places like the Caribbean Club | 0:47:39 | 0:47:43 | |
just to mix with black men. | 0:47:43 | 0:47:46 | |
Very high-class women from time to time. | 0:47:46 | 0:47:49 | |
It was all rather decadent, to be honest. | 0:47:49 | 0:47:52 | |
But that's what the '60s was about. | 0:47:52 | 0:47:54 | |
In the early 1960s, any self-respecting bohemian | 0:48:03 | 0:48:06 | |
would've come to The Caribbean Totobag club here in Notting Hill. | 0:48:06 | 0:48:12 | |
Now it didn't look like much, but it was the cool hangout | 0:48:12 | 0:48:16 | |
for the likes of author Colin MacInnes or pop star Georgie Fame. | 0:48:16 | 0:48:21 | |
# Walkin' the dog | 0:48:28 | 0:48:30 | |
# Just a-walking the dog | 0:48:30 | 0:48:34 | |
Legend has it that other regulars would be aristocrats | 0:48:36 | 0:48:39 | |
from the very top of society. | 0:48:39 | 0:48:41 | |
They would rock up in their Rolls and leave their chauffeurs outside. | 0:48:41 | 0:48:46 | |
Inside, they would mix with men like Alfred Harvey. | 0:48:46 | 0:48:50 | |
He was a tall, handsome Jamaican, | 0:48:50 | 0:48:53 | |
who also answered to the name, King Dick. | 0:48:53 | 0:48:56 | |
Good sex was the thing that really attracted them to us. | 0:48:57 | 0:49:03 | |
Sex played a great part in it, the stamina, you know, | 0:49:03 | 0:49:07 | |
that's why they call me King Dick. | 0:49:07 | 0:49:10 | |
Well the Dick's gone now but the King still remains. | 0:49:10 | 0:49:15 | |
In the mid-sixties, the sight of a mixed-race couple kissing | 0:49:24 | 0:49:28 | |
would still have been offensive to many. | 0:49:28 | 0:49:31 | |
But what about beaming it into the nation's homes? | 0:49:32 | 0:49:36 | |
In 1964, ITV set the nation's pulse racing with a television first. | 0:49:38 | 0:49:43 | |
For weeks, the story of the relationship | 0:49:46 | 0:49:48 | |
between Dr Mahler and Dr Farmer, | 0:49:48 | 0:49:51 | |
had been building to this critical moment. | 0:49:51 | 0:49:54 | |
What are you doing? | 0:49:56 | 0:49:58 | |
I want to kiss you. | 0:49:58 | 0:50:00 | |
What for? | 0:50:00 | 0:50:02 | |
Just because. | 0:50:02 | 0:50:03 | |
Oh, that's better. | 0:50:09 | 0:50:11 | |
Emergency Ward 10 was one of Britain's most popular soap operas, | 0:50:14 | 0:50:18 | |
regularly pulling in audiences of 15 million | 0:50:18 | 0:50:22 | |
and up to 24 million at its peak. | 0:50:22 | 0:50:24 | |
The film, Flame in the Streets, | 0:50:24 | 0:50:26 | |
had already featured mixed-race relationships three years earlier. | 0:50:26 | 0:50:30 | |
But this was the first time a mixed-race couple was actually seen | 0:50:30 | 0:50:34 | |
kissing on British television. | 0:50:34 | 0:50:36 | |
This was different. | 0:50:36 | 0:50:37 | |
This brought the issue right into people's living rooms. | 0:50:37 | 0:50:40 | |
Early call for me tomorrow. | 0:50:41 | 0:50:43 | |
Yes, and me. | 0:50:43 | 0:50:45 | |
I remember it at the time and I remember the huge furore. | 0:50:45 | 0:50:49 | |
There were headlines in the newspapers the next day | 0:50:49 | 0:50:52 | |
about this kiss. | 0:50:52 | 0:50:53 | |
I think it was partly because this was coming into people's homes, | 0:50:53 | 0:50:57 | |
the TV is always much more intimate, isn't it? | 0:50:57 | 0:50:59 | |
All of a sudden, you've got this intrusion | 0:50:59 | 0:51:02 | |
that you hadn't expected or anticipated. | 0:51:02 | 0:51:04 | |
Emergency Ward 10 proved to be right on the button. | 0:51:08 | 0:51:11 | |
By the mid '60s, the NHS was playing match maker. | 0:51:13 | 0:51:16 | |
Mixed-race romance was blossoming in hospitals | 0:51:16 | 0:51:19 | |
up and down the country. | 0:51:19 | 0:51:21 | |
Maureen Walsh, from County Clare in Ireland, was just 18 years old | 0:51:27 | 0:51:31 | |
and working as a trainee nurse at Burnley General Hospital | 0:51:31 | 0:51:34 | |
when she met her future husband. | 0:51:34 | 0:51:36 | |
We had a wonderful social life, as we thought then in the '60s. | 0:51:39 | 0:51:43 | |
We may have had a party once a year. | 0:51:43 | 0:51:46 | |
That's when I first met him. | 0:51:46 | 0:51:49 | |
I think he asked me to dance. | 0:51:49 | 0:51:52 | |
Was it love at first sight? | 0:51:52 | 0:51:54 | |
Well, I did think he looked very nice. | 0:51:54 | 0:51:57 | |
My heart used to miss a beat. | 0:51:57 | 0:51:59 | |
-When you saw him? -Yes, it did, yes, it did. | 0:51:59 | 0:52:04 | |
What did you think, Bez? | 0:52:04 | 0:52:06 | |
To me, when I met Maureen, I thought she's beautiful girl, | 0:52:06 | 0:52:11 | |
beautiful mind, I fell in love. | 0:52:11 | 0:52:15 | |
-At that first meeting? -Yes. | 0:52:15 | 0:52:16 | |
I've only just found that out now, I didn't know! | 0:52:16 | 0:52:20 | |
By the mid-'60s, Britain's immigrant population had expanded. | 0:52:25 | 0:52:30 | |
As well as West Indians and Africans, | 0:52:30 | 0:52:32 | |
over 100,000 Indian and Pakistanis had entered the country, | 0:52:32 | 0:52:37 | |
despite the 1962 Commonwealth Immigrants Act | 0:52:37 | 0:52:40 | |
which sought to stem the flow. | 0:52:40 | 0:52:42 | |
Some were young Asian doctors who, like Dr Bezboruah, | 0:52:44 | 0:52:47 | |
had come to Britain to find work in the expanding NHS. | 0:52:47 | 0:52:52 | |
Can you remember your first day, | 0:52:54 | 0:52:56 | |
what it was like being amongst other members of staff? | 0:52:56 | 0:52:59 | |
Yes, I enjoyed it straight away | 0:52:59 | 0:53:02 | |
because doctors, nurses, consultants, they're all friendly, | 0:53:02 | 0:53:09 | |
they all knew each other. | 0:53:09 | 0:53:11 | |
We all lived in, so the hospital was like its own community | 0:53:12 | 0:53:18 | |
and we felt like brothers and sisters. | 0:53:18 | 0:53:21 | |
The NHS was a magnet for people of all nationalities, | 0:53:23 | 0:53:27 | |
many of whom were still a novelty | 0:53:27 | 0:53:29 | |
for the young English and Irish nurses like Maureen. | 0:53:29 | 0:53:32 | |
So what attracted you to these Indian doctors, people like Bez? | 0:53:32 | 0:53:38 | |
I thought they were beautiful looking. | 0:53:38 | 0:53:40 | |
I always loved people with dark skin, | 0:53:40 | 0:53:42 | |
I think they're so attractive and look so healthy. | 0:53:42 | 0:53:45 | |
-Was there a sense of excitement meeting people like that? -Oh, yes. | 0:53:45 | 0:53:48 | |
They looked different, they acted different, they cooked different. | 0:53:48 | 0:53:53 | |
It was wonderful. | 0:53:54 | 0:53:57 | |
We were trying things we'd never tried before or heard of before. | 0:53:57 | 0:54:02 | |
You make it sound like a really exciting period. | 0:54:02 | 0:54:05 | |
It really was, it was so simple but it was so exciting. | 0:54:05 | 0:54:10 | |
After a two-year courtship, Maureen and Bez got married. | 0:54:14 | 0:54:18 | |
He was very well received by my family, | 0:54:20 | 0:54:23 | |
but my father, he was concerned | 0:54:23 | 0:54:28 | |
in case there would be any repercussions from people | 0:54:28 | 0:54:35 | |
because of a mixed marriage, he was obviously protecting me. | 0:54:35 | 0:54:37 | |
What about your mum? | 0:54:37 | 0:54:39 | |
My mother said to me, | 0:54:39 | 0:54:41 | |
"Maureen, I married the man I loved and you must do the same". | 0:54:41 | 0:54:46 | |
She said she didn't want me to go through life | 0:54:47 | 0:54:51 | |
and not have married the man I loved and perhaps be unhappy for ever more. | 0:54:51 | 0:54:57 | |
She said she couldn't live with that. | 0:54:57 | 0:54:59 | |
What a mum to have. | 0:54:59 | 0:55:01 | |
Yes, she's still alive at 89. | 0:55:01 | 0:55:03 | |
Once you married and had kids, was that a challenge at all? | 0:55:07 | 0:55:12 | |
I didn't think so. | 0:55:12 | 0:55:14 | |
No, it never worried me, never. | 0:55:14 | 0:55:17 | |
We had wonderful neighbours, nobody looked at my children. | 0:55:17 | 0:55:21 | |
Maybe I wasn't looking, because I was so happily married | 0:55:21 | 0:55:25 | |
with my baby. | 0:55:25 | 0:55:27 | |
She looked beautiful, her colouring was gorgeous | 0:55:28 | 0:55:31 | |
and I was so proud of her. | 0:55:31 | 0:55:34 | |
By 1968, there were two Race Relations Acts | 0:55:37 | 0:55:40 | |
which outlawed discrimination in jobs and housing, | 0:55:40 | 0:55:44 | |
protecting the rights of immigrants | 0:55:44 | 0:55:46 | |
wanting to make a life for themselves in this country. | 0:55:46 | 0:55:49 | |
Prejudice amongst the public had certainly not been eradicated, | 0:55:54 | 0:55:58 | |
but a new liberalism was in the air. | 0:55:58 | 0:56:01 | |
The late '60s saw the Summer of Love, | 0:56:11 | 0:56:14 | |
the questioning of old ideas and changing attitudes towards sex, | 0:56:14 | 0:56:18 | |
gender and race. | 0:56:18 | 0:56:20 | |
In 1968, the BBC screened this pioneering documentary. | 0:56:23 | 0:56:28 | |
Donald Raymond, wilt thou have this woman to thy wedded wife, | 0:56:29 | 0:56:34 | |
to live together after God's ordinance | 0:56:34 | 0:56:36 | |
in the holy estate of Matrimony? | 0:56:36 | 0:56:38 | |
Another screen kiss, | 0:56:45 | 0:56:47 | |
but unlike all those fictional clinches | 0:56:47 | 0:56:50 | |
in the films and soaps that went before it, | 0:56:50 | 0:56:52 | |
this was the first time a genuine kiss had been seen on British TV. | 0:56:52 | 0:56:56 | |
These weren't actors going through the motions, | 0:56:56 | 0:56:58 | |
this was a real couple in love. | 0:56:58 | 0:57:01 | |
The editor of the Radio Times magazine | 0:57:04 | 0:57:06 | |
refused to use a photo of the couple kissing to publicise the programme. | 0:57:06 | 0:57:10 | |
He said it was too provocative. | 0:57:10 | 0:57:13 | |
Instead, he opted for this. | 0:57:13 | 0:57:14 | |
But despite the flurry of headlines this caused in the popular press, | 0:57:19 | 0:57:22 | |
the programme itself was well received. | 0:57:22 | 0:57:26 | |
It attracted huge viewing figures | 0:57:26 | 0:57:28 | |
and the broadsheets called it moving and compassionate. | 0:57:28 | 0:57:31 | |
By the late 1960s, Britain had undoubtedly changed. | 0:57:34 | 0:57:37 | |
We'd gone from calling children like my brother in law, Tony, | 0:57:37 | 0:57:41 | |
war casualties, | 0:57:41 | 0:57:42 | |
to having mixed race relationships on primetime television. | 0:57:42 | 0:57:46 | |
Postwar Britain was finally coming to terms | 0:57:46 | 0:57:49 | |
with just how diverse it had become. | 0:57:49 | 0:57:52 | |
The new race relations legislation was a sign of that. | 0:57:52 | 0:57:55 | |
But, in many ways, this was still tolerance rather than celebration. | 0:57:55 | 0:58:00 | |
It would be some time before we really embraced | 0:58:00 | 0:58:02 | |
the idea of a mixed Britain. | 0:58:02 | 0:58:05 | |
That would not come till the '70s and beyond, | 0:58:05 | 0:58:08 | |
when I started to make my way in this country. | 0:58:08 | 0:58:11 | |
In the next programme, aristocratic adoptions, rock star marriages, | 0:58:13 | 0:58:19 | |
the search for identity and forbidden love. | 0:58:19 | 0:58:24 | |
Subtitles by Red Be Media Ltd | 0:58:36 | 0:58:40 | |
E-mail [email protected] | 0:58:50 | 0:58:54 |