Browse content similar to 1965-2011. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Let's take ourselves back to 1920. | 0:00:11 | 0:00:14 | |
It's first light on a cold and misty morning in London's Dockland. | 0:00:14 | 0:00:19 | |
A ship slips into its berth | 0:00:20 | 0:00:22 | |
and 20-year-old Lam Fook steps onto British soil, | 0:00:22 | 0:00:26 | |
a new life ahead of him. | 0:00:26 | 0:00:29 | |
It was here, in Limehouse, that he met, | 0:00:32 | 0:00:34 | |
and fell in love with, an English girl. | 0:00:34 | 0:00:37 | |
They had a child, Connie, and she was born into a time | 0:00:37 | 0:00:40 | |
and place where being mixed was to be thought of as mysterious, | 0:00:40 | 0:00:45 | |
exotic, but also morally corrupt. | 0:00:45 | 0:00:48 | |
But if that prejudice defined the lives of those early families, | 0:00:51 | 0:00:56 | |
the whole history of mixed race Britain | 0:00:56 | 0:00:59 | |
has seen a sea-change in attitudes. | 0:00:59 | 0:01:01 | |
Britain, today, has one of the most ethnically diverse | 0:01:02 | 0:01:06 | |
populations in Europe. | 0:01:06 | 0:01:08 | |
And this is the story of a nation transformed. | 0:01:08 | 0:01:11 | |
Connie, a gracious 87-years-old now, | 0:01:17 | 0:01:20 | |
presides over a family that is as British as they come. | 0:01:20 | 0:01:26 | |
-How are you? Good to see you again. -Yes. | 0:01:26 | 0:01:29 | |
So we've got four generations here. | 0:01:29 | 0:01:32 | |
-Yes, yes. -That's incredible. | 0:01:32 | 0:01:33 | |
One, two, three, four. | 0:01:33 | 0:01:37 | |
-You're the mixed race family, really, aren't you? -We are. | 0:01:37 | 0:01:42 | |
-What happened to you?! -I know! | 0:01:42 | 0:01:44 | |
We've come a long way. | 0:01:45 | 0:01:47 | |
In the 1970s, mixed race people were, themselves, | 0:01:47 | 0:01:50 | |
still struggling to define who they were and the country, too, | 0:01:50 | 0:01:53 | |
was confused about how to deal with a rising mixed race population. | 0:01:53 | 0:01:58 | |
His mother is an English girl | 0:02:00 | 0:02:02 | |
and his father is African, and he really has got | 0:02:02 | 0:02:06 | |
the nicest disposition, as so many of these little Negros boys has. | 0:02:06 | 0:02:10 | |
We got some very unpleasant letters - | 0:02:10 | 0:02:13 | |
I should be "horsewhipped down the street." | 0:02:13 | 0:02:15 | |
And it wasn't just white society that was struggling to cope. | 0:02:17 | 0:02:21 | |
-So what if she pregnant, so what if the father's black! -Black! | 0:02:21 | 0:02:25 | |
If my sister had come home with a black guy, | 0:02:25 | 0:02:29 | |
then I would have been against it. | 0:02:29 | 0:02:32 | |
Connie's lifetime has seen mixed race people | 0:02:34 | 0:02:36 | |
move into the mainstream. | 0:02:36 | 0:02:38 | |
Her grandchildren and great-grandchildren | 0:02:38 | 0:02:40 | |
are testament to that, but for earlier generations, | 0:02:40 | 0:02:44 | |
a search for an identity they could call their own | 0:02:44 | 0:02:47 | |
was often a painful process, especially as it took place | 0:02:47 | 0:02:51 | |
against a backdrop in which what colour you were, | 0:02:51 | 0:02:54 | |
was a political issue. | 0:02:54 | 0:02:56 | |
Whitechapel in London. | 0:03:13 | 0:03:15 | |
In 1961, in the school holidays, | 0:03:15 | 0:03:18 | |
a 14-year-old girl headed for the Wimpy Bar. | 0:03:18 | 0:03:22 | |
Where else? | 0:03:22 | 0:03:24 | |
She went up to the counter and waited to be served. | 0:03:24 | 0:03:27 | |
I ordered food... | 0:03:30 | 0:03:32 | |
He came up from behind and he served me | 0:03:32 | 0:03:37 | |
and just... I caught his eye, | 0:03:37 | 0:03:40 | |
just...his mop of black hair. | 0:03:40 | 0:03:44 | |
From that time, I thought, "Yes." | 0:03:46 | 0:03:50 | |
What, even the first time you met him, did you think, | 0:03:50 | 0:03:53 | |
-"Oh, he's all right"? -Yeah. -Did you? -Yeah, I did! | 0:03:53 | 0:03:58 | |
TRADITIONAL INDIAN MUSIC | 0:03:58 | 0:04:01 | |
The first date was when we went to see an Indian movie called Sangam. | 0:04:08 | 0:04:13 | |
That's quite unusual. There you are, a white girl | 0:04:23 | 0:04:26 | |
and, presumably, had no idea of what you were listening to or watching. | 0:04:26 | 0:04:30 | |
-Did you mind that? -No, I didn't mind at all. | 0:04:30 | 0:04:32 | |
Because you were sitting next to him? | 0:04:32 | 0:04:34 | |
Yes! Hm-mm. | 0:04:34 | 0:04:38 | |
Shafique Uddin had arrived in the UK from Bangladesh in 1960, | 0:04:40 | 0:04:44 | |
aged just 18. | 0:04:44 | 0:04:47 | |
Like immigrants everywhere, | 0:04:47 | 0:04:48 | |
this young, single man was looking for work. | 0:04:48 | 0:04:52 | |
Shafique was part of one of the last big waves of immigration, | 0:04:54 | 0:04:57 | |
before Britain began to close its doors | 0:04:57 | 0:05:00 | |
to people from its former colonies. | 0:05:00 | 0:05:02 | |
Between 1962 and 1971 there had been a succession of immigration acts. | 0:05:02 | 0:05:08 | |
By that time, the number of South Asians | 0:05:08 | 0:05:10 | |
stood at almost half a million. | 0:05:10 | 0:05:13 | |
In the 1960s, more and more Bangladeshi families | 0:05:17 | 0:05:20 | |
were settling here, around Brick Lane. | 0:05:20 | 0:05:23 | |
Like generations of immigrants before them, | 0:05:23 | 0:05:25 | |
they found the housing cheap and the jobs plentiful. | 0:05:25 | 0:05:28 | |
They moved in alongside old East End families, like Pamela's, | 0:05:28 | 0:05:32 | |
people who were rooted in the area. | 0:05:32 | 0:05:34 | |
The arrival of these new settlers led to growing racial tension. | 0:05:36 | 0:05:39 | |
Brick Lane would eventually become a favoured | 0:05:39 | 0:05:42 | |
hunting ground for the far right. | 0:05:42 | 0:05:45 | |
They've opened the flood gates of our country to an invasion | 0:05:45 | 0:05:49 | |
even more foreign than that which threatened us in 1914 or 1940. | 0:05:49 | 0:05:56 | |
The far right's ugly politics, embodied by the National Front, | 0:06:05 | 0:06:08 | |
was a growing feature of the 1970s. | 0:06:08 | 0:06:11 | |
Support was particularly strong in East London | 0:06:13 | 0:06:16 | |
and Shafique's Wimpy Bar was on the front line. | 0:06:16 | 0:06:19 | |
POLICE SIRENS | 0:06:19 | 0:06:20 | |
Sieg heil! Sieg heil! Sieg heil! Sieg heil! | 0:06:37 | 0:06:42 | |
# When there is always something there to remind me. # | 0:06:53 | 0:06:57 | |
When Pamela and Shafique began courting, racial prejudice | 0:06:57 | 0:07:00 | |
was already bubbling beneath the surface. | 0:07:00 | 0:07:03 | |
No wonder they met in secret. | 0:07:03 | 0:07:05 | |
Naturally, we had a lot of problems, you know, like racist remarks | 0:07:05 | 0:07:10 | |
and things like that, with my girlfriends and boyfriends | 0:07:10 | 0:07:13 | |
in my estate, where I lived and everything. | 0:07:13 | 0:07:16 | |
But eventually, they had to come out of the shadows. | 0:07:35 | 0:07:38 | |
When you decided this is a man you loved, | 0:07:41 | 0:07:44 | |
what was it like telling your parents about it? | 0:07:44 | 0:07:46 | |
My mum did accept it straight away. | 0:07:48 | 0:07:51 | |
I said, "I'll speak to Dad myself", | 0:07:51 | 0:07:53 | |
and he just didn't want to hear about it. | 0:07:53 | 0:07:55 | |
-He was angry, was he? -He was very, very angry, | 0:07:55 | 0:07:58 | |
why I'm going out with an Asian person. | 0:07:58 | 0:08:01 | |
Despite that reaction, | 0:08:06 | 0:08:08 | |
Pamela and Shafique went ahead with their marriage in 1965. | 0:08:08 | 0:08:12 | |
Her father refused to attend the wedding. | 0:08:12 | 0:08:14 | |
They became one of the first | 0:08:14 | 0:08:16 | |
mixed raced couples to get married in Brick Lane Mosque. | 0:08:16 | 0:08:19 | |
Did you, Shafique, when you realised that Pamela's father | 0:08:22 | 0:08:26 | |
was not going to bless your marriage, | 0:08:26 | 0:08:28 | |
did you think, "Well, maybe this is the wrong thing to do?" | 0:08:28 | 0:08:31 | |
# What good is love | 0:08:44 | 0:08:46 | |
# Mmmm, that no-one shares? # | 0:08:51 | 0:08:55 | |
The impending arrival of a baby, | 0:08:55 | 0:08:58 | |
a grandchild for Pamela's disapproving father, | 0:08:58 | 0:09:01 | |
brought matters to a head. | 0:09:01 | 0:09:04 | |
Difficult as it was, she decided to confront him. | 0:09:04 | 0:09:07 | |
I said, "I'm going to start a family | 0:09:09 | 0:09:12 | |
"and I want everything to be fine between me and you. | 0:09:12 | 0:09:17 | |
"We've got to get all this put behind us." | 0:09:17 | 0:09:19 | |
He just got up, walked out, slammed the sitting room door, | 0:09:19 | 0:09:23 | |
went in his own bedroom. I gave him an ultimatum, | 0:09:23 | 0:09:28 | |
like, "It's either not having me as your daughter any more | 0:09:28 | 0:09:31 | |
"or you're going to come around, you're going to speak to Shafique." | 0:09:31 | 0:09:35 | |
-Really, you went that far? -Yeah. | 0:09:35 | 0:09:37 | |
And after that, he come around slowly. | 0:09:37 | 0:09:40 | |
It must have been a huge relief for you. | 0:09:40 | 0:09:43 | |
It was. Really was. | 0:09:43 | 0:09:45 | |
What do you get upset for? | 0:09:50 | 0:09:52 | |
-Don't worry, Pamela. -You don't have to get emotional. | 0:09:59 | 0:10:01 | |
It's OK. It is emotional. You're an incredibly brave woman. | 0:10:01 | 0:10:06 | |
The baby was born in 1968, the first of six children. | 0:10:13 | 0:10:17 | |
From those inauspicious beginnings, Pamela and Shafique | 0:10:17 | 0:10:20 | |
have raised a family - and proved their critics wrong. | 0:10:20 | 0:10:24 | |
I am very proud, very proud, of what I've achieved today, | 0:10:27 | 0:10:30 | |
in the 45 years I've been married to Shafique. | 0:10:30 | 0:10:34 | |
So Pamela and Shafique had to overcome the disapproval of family | 0:10:37 | 0:10:42 | |
and, as if that weren't bad enough, | 0:10:42 | 0:10:44 | |
they were falling in love at a time of growing racial tension. | 0:10:44 | 0:10:47 | |
Identity, how you saw yourself, how others looked at you - | 0:10:47 | 0:10:51 | |
that was becoming a major issue, | 0:10:51 | 0:10:53 | |
and if you were mixed race, finding and describing | 0:10:53 | 0:10:56 | |
your own unique identity was more complex and more difficult | 0:10:56 | 0:11:00 | |
and nowhere was that played out more starkly | 0:11:00 | 0:11:03 | |
than in the field of adoption. | 0:11:03 | 0:11:05 | |
# All alone am I | 0:11:12 | 0:11:16 | |
# Ever since your goodbye. | 0:11:16 | 0:11:20 | |
# All alone with just a beat of my heart. # | 0:11:20 | 0:11:24 | |
It's October 1959 and Paddington Station is busy. | 0:11:24 | 0:11:29 | |
# People all around but I don't hear a sound | 0:11:29 | 0:11:34 | |
# Just the lonely beating of my heart. # | 0:11:34 | 0:11:40 | |
Scanning the departures board for her train, | 0:11:40 | 0:11:43 | |
a nervous-looking woman hurries towards the platform. | 0:11:43 | 0:11:46 | |
In one hand, she carries a suitcase | 0:11:46 | 0:11:48 | |
and holding her other hand tightly, is a pretty two-year-old - | 0:11:48 | 0:11:53 | |
a mixed race child. | 0:11:53 | 0:11:55 | |
The girl's name was Rosemary Walter and the journey | 0:11:56 | 0:11:59 | |
she was about to embark on would change her life forever. | 0:11:59 | 0:12:02 | |
She couldn't have known it, of course, | 0:12:02 | 0:12:04 | |
but she was being rejected, hidden. You see, Rosie's mother, | 0:12:04 | 0:12:09 | |
a white woman married to a white man, had had a black lover | 0:12:09 | 0:12:12 | |
and Rosie was living proof of a relationship | 0:12:12 | 0:12:16 | |
that was not just illicit, but in those days, deemed utterly shameful. | 0:12:16 | 0:12:21 | |
The year before, in 1958, a survey had showed that | 0:12:25 | 0:12:29 | |
71% of British people disapproved of mixed relationships. | 0:12:29 | 0:12:33 | |
In other words, they disapproved of women like Gladys, Rosie's mother. | 0:12:33 | 0:12:38 | |
She had to leave the marital home. She never told her husband why, | 0:12:38 | 0:12:42 | |
but she left the marital home | 0:12:42 | 0:12:44 | |
and she lived in a small flat in Clapham. She got pneumonia | 0:12:44 | 0:12:49 | |
and I think she needed a break. I think she was a sad person | 0:12:49 | 0:12:52 | |
and had quite a sad life, as a result of what happened, | 0:12:52 | 0:12:55 | |
in regards to me being born. | 0:12:55 | 0:12:56 | |
Gladys, no longer in a relationship with her black lover, | 0:12:58 | 0:13:01 | |
was living alone. | 0:13:01 | 0:13:03 | |
She was depressed and finding it hard to cope with a baby. | 0:13:03 | 0:13:07 | |
She'd often sort of refer to the fact that her life changed | 0:13:07 | 0:13:10 | |
drastically for the worst once I was born. | 0:13:10 | 0:13:12 | |
But she also maintained that she loved me dearly | 0:13:14 | 0:13:16 | |
and it was very sad for her, having to let me go. | 0:13:16 | 0:13:20 | |
And what about the wider family, your white family, | 0:13:20 | 0:13:22 | |
your mother's family? | 0:13:22 | 0:13:24 | |
She'd asked her sister if we could both go and stay | 0:13:24 | 0:13:30 | |
and her sister said that I couldn't, as she didn't want the neighbours to see a black child. | 0:13:30 | 0:13:34 | |
They didn't want it known that her sister had had a child with a black man. | 0:13:34 | 0:13:38 | |
Spurned by her family and friends, desperate for help, | 0:13:41 | 0:13:45 | |
Gladys made a decision which would mark Rosie's life forever. | 0:13:45 | 0:13:49 | |
Rosie's mother went to the National Children's Home for help, | 0:13:53 | 0:13:57 | |
but they told her there were no places available in London. | 0:13:57 | 0:14:00 | |
Rosie would have to go to Swansea. | 0:14:00 | 0:14:03 | |
So, on Saturday, 5th October, 1959, | 0:14:03 | 0:14:07 | |
Rosie and her mother found themselves here on platform one. | 0:14:07 | 0:14:12 | |
# All alone with just the beat of my heart. # | 0:14:12 | 0:14:17 | |
The two-year-old child was handed over by her mother | 0:14:17 | 0:14:20 | |
to a social worker. | 0:14:20 | 0:14:22 | |
The train pulled away and Rosie Walters would spend | 0:14:25 | 0:14:29 | |
the next 16 years living in care homes. | 0:14:29 | 0:14:32 | |
She'd spend those years battling to fit in | 0:14:32 | 0:14:35 | |
with black or white children, but found herself rejected by both. | 0:14:35 | 0:14:40 | |
Rosemary's mother was by no means on her own. | 0:14:48 | 0:14:50 | |
There were many other women with their own secrets to hide. | 0:14:50 | 0:14:53 | |
and, like Rosie, they too ended up in care. | 0:14:53 | 0:14:57 | |
Exactly how many, well, that's difficult to know. | 0:14:57 | 0:14:59 | |
Nobody was actually collating that kind of information, | 0:14:59 | 0:15:03 | |
but what is clear from social workers and other subsequent studies | 0:15:03 | 0:15:06 | |
is that there were many more mixed race children in care than you'd expect. | 0:15:06 | 0:15:12 | |
Hello, sunshine! | 0:15:12 | 0:15:13 | |
That was because it was difficult to find adoptive homes | 0:15:15 | 0:15:18 | |
for these children in the 1960s. | 0:15:18 | 0:15:20 | |
There are so many of these little Negro boys waiting for families, | 0:15:22 | 0:15:26 | |
at the moment, we just haven't any homes for them. | 0:15:26 | 0:15:29 | |
Come on! | 0:15:29 | 0:15:31 | |
There simply weren't many couples prepared to foster or adopt | 0:15:34 | 0:15:38 | |
mixed race children. | 0:15:38 | 0:15:41 | |
And a care network run largely by the well-meaning | 0:15:41 | 0:15:45 | |
was ill-equipped to change attitudes. | 0:15:45 | 0:15:48 | |
His mother is an English girl and his father is African. | 0:15:50 | 0:15:56 | |
He's not a big baby, he's quite a compact little boy. | 0:15:56 | 0:16:00 | |
He's sort of coffee-coloured, big brown eyes, | 0:16:00 | 0:16:04 | |
nicely-shaped mouth and he really has got the nicest disposition | 0:16:04 | 0:16:11 | |
as so many of these little Negro boys has. | 0:16:11 | 0:16:14 | |
No wonder middle-class Britain, with its privet hedges | 0:16:17 | 0:16:20 | |
and milk carts, remained resistant | 0:16:20 | 0:16:23 | |
to the idea of mixed race relationships, | 0:16:23 | 0:16:25 | |
let alone adopting the children that followed. | 0:16:25 | 0:16:28 | |
But in the early 1960s, there was a challenge to this jaundiced view | 0:16:30 | 0:16:35 | |
and it came from the most unlikely quarter - | 0:16:35 | 0:16:37 | |
the heart of the British aristocracy. | 0:16:37 | 0:16:39 | |
All set? | 0:16:39 | 0:16:41 | |
'Lady March gives her youngest daughter, Louisa, | 0:16:41 | 0:16:44 | |
'a running commentary on the elements of horsemanship.' | 0:16:44 | 0:16:47 | |
The Goodwood Estate in Sussex, | 0:16:47 | 0:16:50 | |
home to the Duke and Duchess of Richmond. | 0:16:50 | 0:16:52 | |
Susan Grenville-Grey had married the future Duke in 1951. | 0:16:54 | 0:16:59 | |
The couple had three birth children of their own | 0:16:59 | 0:17:02 | |
but they wanted more and decided to adopt. | 0:17:02 | 0:17:06 | |
Adoption is a big thing, and on top of that you decide | 0:17:06 | 0:17:09 | |
to go and adopt mixed race children. | 0:17:09 | 0:17:12 | |
It must have been quite a tough decision, wasn't it? | 0:17:12 | 0:17:14 | |
It was a tough decision to decide whether to adopt | 0:17:14 | 0:17:19 | |
but it wasn't so tough to decide what child we thought we would adopt | 0:17:19 | 0:17:23 | |
cos we particularly wanted to have children | 0:17:23 | 0:17:25 | |
that wouldn't get much of a chance otherwise. | 0:17:25 | 0:17:27 | |
By 1960, they had adopted one mixed race baby, Maria. | 0:17:30 | 0:17:35 | |
But the duke and duchess didn't stop there. | 0:17:35 | 0:17:38 | |
When Mum came and picked me up, I sat on her hip, | 0:17:40 | 0:17:43 | |
held her thumb and that was the end of that, there was no way | 0:17:43 | 0:17:46 | |
that she would put me down or that I wouldn't be going with her. | 0:17:46 | 0:17:49 | |
'Nimmy March is a promising rider and whenever she's free | 0:17:49 | 0:17:52 | |
'from her comprehensive school at Chichester...' | 0:17:52 | 0:17:55 | |
Born to a white English mother and a black South African father | 0:17:55 | 0:17:59 | |
in 1962, Nimmy March was adopted when she was six months old. | 0:17:59 | 0:18:03 | |
The Duchess's father had been firmly against the idea | 0:18:06 | 0:18:09 | |
but her arrival softened even the hardest of hearts. | 0:18:09 | 0:18:12 | |
He changed his mind as soon as saw the kids? | 0:18:14 | 0:18:17 | |
Well, yes, and my mother's a very fair person and she decided | 0:18:17 | 0:18:21 | |
when they were there, she would treat them | 0:18:21 | 0:18:23 | |
as her grandchildren...mostly, anyway, so it was all right. | 0:18:23 | 0:18:27 | |
And then he was very wonderful, wasn't he, with both of my children? | 0:18:27 | 0:18:31 | |
I adored him, absolutely. | 0:18:31 | 0:18:32 | |
We were passionate about what we doing | 0:18:38 | 0:18:41 | |
and we didn't probably realise what ructions there would be. | 0:18:41 | 0:18:45 | |
-We got some very unpleasant letters. -Did you? -Yes. | 0:18:45 | 0:18:48 | |
-What kind of letters? -What did they say? | 0:18:48 | 0:18:50 | |
Oh, that I should be horsewhipped down the street, um... | 0:18:50 | 0:18:54 | |
and that we should be, you know, drummed out of everywhere. | 0:18:54 | 0:18:57 | |
But the Duke and Duchess had rather more pressing problems | 0:18:59 | 0:19:02 | |
closer to home. | 0:19:02 | 0:19:04 | |
We had quite a few hair issues, didn't we... Do you remember? | 0:19:04 | 0:19:07 | |
-What was the hair issue? -Trying to detangle it! | 0:19:07 | 0:19:12 | |
Using conventional kind of Caucasian hair brushes on my hair | 0:19:12 | 0:19:18 | |
-just wasn't going to work. -Oh, OK. | 0:19:18 | 0:19:20 | |
And so, you know, it was a while before we discovered the Afro comb | 0:19:20 | 0:19:24 | |
and ways of not making my eyes water quite so much as Mum tried to | 0:19:24 | 0:19:28 | |
drag an ordinary comb through this curly mess! | 0:19:28 | 0:19:31 | |
And as the swinging '60s gave way to the 1970s, | 0:19:41 | 0:19:45 | |
Britain gained a reputation for the avant-garde. | 0:19:45 | 0:19:49 | |
# There must be some kinda way outta here... # | 0:19:52 | 0:19:57 | |
By the '60s, Britain was cool and it was fashionable | 0:19:57 | 0:20:00 | |
and, whether home-grown or from abroad, this was the hip place to be | 0:20:00 | 0:20:04 | |
if you were a musician, an actor or an artist. | 0:20:04 | 0:20:08 | |
And these people had one thing in common. | 0:20:08 | 0:20:11 | |
They bucked the social conventions, including those narrow attitudes | 0:20:11 | 0:20:15 | |
about what race your partner should be. | 0:20:15 | 0:20:18 | |
Many of these starlit couples got married or, at least, | 0:20:20 | 0:20:23 | |
had long-term relationships | 0:20:23 | 0:20:25 | |
and you have to remember, these were iconic people, | 0:20:25 | 0:20:28 | |
so how they lived their lives as mixed race couples... | 0:20:28 | 0:20:32 | |
Well, that sent out a powerful signal. | 0:20:32 | 0:20:34 | |
They were confident, they were carefree. | 0:20:34 | 0:20:36 | |
Above all, they seemed happy. | 0:20:36 | 0:20:39 | |
# How does it feel to be | 0:20:39 | 0:20:42 | |
# One of the beautiful people? # | 0:20:42 | 0:20:46 | |
But the relaxed, carefree attitudes of film stars and rock legends, | 0:20:47 | 0:20:51 | |
protected in their own gilded world, | 0:20:51 | 0:20:54 | |
still had little resonance in ordinary homes. | 0:20:54 | 0:20:57 | |
I think there will be tensions in your children. | 0:20:59 | 0:21:02 | |
They will neither be white nor black, | 0:21:02 | 0:21:04 | |
I think this is going to be a big hazard in your life. | 0:21:04 | 0:21:07 | |
-Well, I hope to prove you wrong. -Hope. -I hope, yes! | 0:21:07 | 0:21:11 | |
I honestly hope so, yes. | 0:21:11 | 0:21:13 | |
But I wonder what Martin will think when he sees his first son, | 0:21:13 | 0:21:18 | |
if it should be dark in colour. | 0:21:18 | 0:21:20 | |
Yes, but I mean, I hope Martin has got more intelligence | 0:21:20 | 0:21:23 | |
to accept whatever colour this child is. | 0:21:23 | 0:21:25 | |
# Mixed blessings It has to be... # | 0:21:25 | 0:21:30 | |
After the aristocracy and showbiz, it was television's turn | 0:21:30 | 0:21:33 | |
to chip away at prejudice. | 0:21:33 | 0:21:36 | |
A 1970s TV series featured a black and white couple | 0:21:36 | 0:21:39 | |
who'd just secretly got married. | 0:21:39 | 0:21:42 | |
Congratulations, Mrs Simpson. I am very glad you're my wife. | 0:21:42 | 0:21:45 | |
Thomas and Susan...are married. | 0:21:45 | 0:21:48 | |
Oh, my God! | 0:21:48 | 0:21:51 | |
Whatever you do, Edward, don't embarrass her. | 0:21:51 | 0:21:53 | |
Thomas, what have you done?! | 0:21:53 | 0:21:55 | |
Dad, you've got yourself a daughter-in-law. | 0:21:55 | 0:21:58 | |
I suppose my wife Frances and I are the kind of couple | 0:21:59 | 0:22:02 | |
the show was trying to portray. | 0:22:02 | 0:22:04 | |
We met at university in the 1970s and I'm happy to say, | 0:22:04 | 0:22:08 | |
both our immediate families were completely onside. | 0:22:08 | 0:22:11 | |
In fact, more than that, they went out and batted for us. | 0:22:11 | 0:22:14 | |
Well, they could be white. | 0:22:14 | 0:22:15 | |
Or they could be black one side and white the other! | 0:22:15 | 0:22:18 | |
It wasn't quite so easy for the TV couple. | 0:22:18 | 0:22:21 | |
There was the thorny issue of children. | 0:22:21 | 0:22:24 | |
They'll be black, and that puts them at a disadvantage in this society, | 0:22:24 | 0:22:28 | |
as I'm sure Susan well knows. | 0:22:28 | 0:22:29 | |
Yes, I do, but we're sort of hoping it won't be such a problem one day. | 0:22:29 | 0:22:34 | |
'It all looks so dated now, doesn't it? Let's face it,' | 0:22:34 | 0:22:38 | |
the characters are a cliche, perfect examples | 0:22:38 | 0:22:41 | |
of the stereotype, but I don't really think that's the point. | 0:22:41 | 0:22:44 | |
The fact that a show like Mixed Blessings | 0:22:44 | 0:22:46 | |
was on prime time TV at all, well, that was an achievement in itself. | 0:22:46 | 0:22:51 | |
It showed that mixed race relationships | 0:22:51 | 0:22:54 | |
were becoming a reality in 1970s Britain. | 0:22:54 | 0:22:57 | |
# Who is the man that would risk his neck for his brother man? # | 0:22:57 | 0:23:02 | |
# Shaft Can you dig it? # | 0:23:02 | 0:23:05 | |
But just as mixed race relationships were carving out a space | 0:23:05 | 0:23:08 | |
in the public consciousness, | 0:23:08 | 0:23:10 | |
there was a parallel rise in black militant politics. | 0:23:10 | 0:23:15 | |
It was influenced by America's Black Power movement. | 0:23:15 | 0:23:18 | |
From the '60s onwards, it produced icons like Angela Davis | 0:23:18 | 0:23:22 | |
and the black American athletes who took their silent but potent protest | 0:23:22 | 0:23:26 | |
against racial discrimination into the 1968 Mexico Olympics. | 0:23:26 | 0:23:32 | |
"Be black, be proud" - that was the new mantra. | 0:23:32 | 0:23:35 | |
And the black stars of the day symbolised that pride. | 0:23:39 | 0:23:43 | |
But what if you were neither black nor white? | 0:23:47 | 0:23:51 | |
People of mixed race found themselves | 0:23:51 | 0:23:53 | |
in a sort of racial no-man's-land, | 0:23:53 | 0:23:55 | |
caught in limbo between the new black consciousness | 0:23:55 | 0:23:58 | |
and a white status quo. | 0:23:58 | 0:24:01 | |
John Conteh, champion boxer and '70s celeb, | 0:24:01 | 0:24:04 | |
was born to a father from Sierra Leone and an Anglo-Irish mother. | 0:24:04 | 0:24:07 | |
Do you think of yourself as a black family | 0:24:12 | 0:24:14 | |
rather than a white family or a mixed or a coloured family? | 0:24:14 | 0:24:17 | |
Speaking for meself | 0:24:20 | 0:24:21 | |
I just regard meself as meself, | 0:24:21 | 0:24:23 | |
and as a person of the world and as a human being. | 0:24:23 | 0:24:27 | |
Not black, white, blue, pink, anything, you know. Just me. | 0:24:27 | 0:24:31 | |
There was a sort of invisibility of mixed race people in the '70s. | 0:24:31 | 0:24:35 | |
Umm... On the one hand, they were there and they were recognised | 0:24:35 | 0:24:40 | |
because the use of the term "half-caste" | 0:24:40 | 0:24:42 | |
was very prevalent in the '70s. | 0:24:42 | 0:24:44 | |
People who were from mixed white and black backgrounds | 0:24:44 | 0:24:47 | |
tended more to be seen as black. | 0:24:47 | 0:24:50 | |
There wasn't that sort of sophistication of understanding | 0:24:50 | 0:24:54 | |
racial identities in the '70s that we have now, | 0:24:54 | 0:24:56 | |
and so there was very much a sense of you're either white | 0:24:56 | 0:25:01 | |
or you're not white. | 0:25:01 | 0:25:02 | |
But if mixed race children had to be classified as black or white, | 0:25:08 | 0:25:11 | |
where did that leave their prospects for adoption? | 0:25:11 | 0:25:15 | |
It was a whole new battleground. | 0:25:15 | 0:25:18 | |
In the '60s, there'd been little debate | 0:25:18 | 0:25:20 | |
about what became known as "trans-racial adoption." | 0:25:20 | 0:25:24 | |
Was it good or bad for mixed race children to have white parents? | 0:25:24 | 0:25:28 | |
There was no official guideline, | 0:25:28 | 0:25:30 | |
each family muddling its way through the fog of prejudice and ignorance. | 0:25:30 | 0:25:34 | |
Are there any problems in fostering coloured children? | 0:25:34 | 0:25:38 | |
Not really, but once, I was out shopping with Carol, | 0:25:38 | 0:25:41 | |
and there was two little boys playing. They said, | 0:25:41 | 0:25:45 | |
"I say, missus, is that your kid there?" And I said "Yes, | 0:25:45 | 0:25:48 | |
"that's my daughter and I'm proud of her" | 0:25:48 | 0:25:51 | |
and Carol just got hold of my hand, squeezed it and said, | 0:25:51 | 0:25:54 | |
"You're not really my mother, are you?" | 0:25:54 | 0:25:56 | |
I said "I am your mother within the heart because I do love you." | 0:25:56 | 0:25:59 | |
It was only in 1970 that the Home Office gave a formal view | 0:26:05 | 0:26:09 | |
on the subject, saying that children of mixed race | 0:26:09 | 0:26:11 | |
should be considered for adoption | 0:26:11 | 0:26:14 | |
by both black couples and white couples. | 0:26:14 | 0:26:16 | |
But it very quickly sparked off a lively | 0:26:20 | 0:26:24 | |
and sometimes angry debate about culture and heritage. | 0:26:24 | 0:26:28 | |
Mixed race children brought up by white families | 0:26:28 | 0:26:31 | |
were accused of being like coconuts - | 0:26:31 | 0:26:34 | |
brown on the outside but white inside. | 0:26:34 | 0:26:37 | |
Racial identity was about to take centre stage. | 0:26:37 | 0:26:41 | |
In 1975, Judith Logan was born to a mixed Caribbean father | 0:26:46 | 0:26:51 | |
and a white mother. She was adopted as a baby. | 0:26:51 | 0:26:54 | |
Yes, I would describe myself | 0:26:55 | 0:26:57 | |
as a happy child growing up because I had a loving family. | 0:26:57 | 0:27:00 | |
They kept me safe | 0:27:00 | 0:27:03 | |
and sheltered me from a lot I wasn't aware of. | 0:27:03 | 0:27:05 | |
Her new parents were white | 0:27:05 | 0:27:08 | |
and lived in Inverness, the Scottish Highlands. | 0:27:08 | 0:27:11 | |
It was a very small town. It wasn't big. | 0:27:13 | 0:27:15 | |
I mean we had like one set of traffic lights, | 0:27:15 | 0:27:19 | |
that's how small it was, | 0:27:19 | 0:27:20 | |
so there wasn't a great diversity of colour. It was quite white. | 0:27:20 | 0:27:24 | |
Where you lived has always had an impact | 0:27:28 | 0:27:30 | |
on the experience of people of mixed race | 0:27:30 | 0:27:33 | |
and for Judith her isolation soon caused problems. | 0:27:33 | 0:27:37 | |
I mean, my secondary school, it was a living hell. | 0:27:37 | 0:27:40 | |
I hated every single moment of it. | 0:27:40 | 0:27:44 | |
From basically day one until I left. | 0:27:44 | 0:27:47 | |
I was visibly on my own, you know. There was the usual name-calling. | 0:27:47 | 0:27:50 | |
I got called "nigger", I got called "monkey". | 0:27:50 | 0:27:53 | |
I got told that I should go back to where I belong, | 0:27:53 | 0:27:55 | |
got told I smelt bad. | 0:27:55 | 0:27:57 | |
Judith says she got little help from her teachers | 0:27:57 | 0:28:01 | |
and, try as they might, she feels her white parents | 0:28:01 | 0:28:03 | |
simply couldn't understand what it was like to be black. | 0:28:03 | 0:28:07 | |
My mother would try and support me but it wasn't | 0:28:07 | 0:28:10 | |
the same as going to somebody who's black and going | 0:28:10 | 0:28:13 | |
"Look, you've probably been in the same situation as me, you're black." | 0:28:13 | 0:28:17 | |
White people...they don't tend to get called "niggers", | 0:28:17 | 0:28:20 | |
that I'm aware of, and, um... | 0:28:20 | 0:28:23 | |
So it was, you know, it was... it was difficult. | 0:28:23 | 0:28:25 | |
Judith's case, along with some others, | 0:28:28 | 0:28:30 | |
set alarm bells ringing for black social workers. | 0:28:30 | 0:28:34 | |
Even more than the bullying, what worried them | 0:28:34 | 0:28:36 | |
was that these children, brought up within white families, | 0:28:36 | 0:28:39 | |
were losing out on their racial heritage. | 0:28:39 | 0:28:42 | |
Across the Atlantic, in America, black social workers there | 0:28:42 | 0:28:46 | |
were already involved in a campaign against trans-racial adoption. | 0:28:46 | 0:28:50 | |
They called it "cultural genocide". | 0:28:50 | 0:28:53 | |
The American experience was soon mirrored here in Britain. | 0:28:55 | 0:28:58 | |
By the early 1980s, there was a hot debate about trans-racial adoption. | 0:28:58 | 0:29:03 | |
In 1983, a report by the British Association for Adoption | 0:29:03 | 0:29:07 | |
and Fostering argued that most trans-racial adoptions | 0:29:07 | 0:29:10 | |
had been successful. | 0:29:10 | 0:29:12 | |
White families provided stable homes and children were happy. | 0:29:12 | 0:29:17 | |
But one of the findings in the report proved hugely contentious. | 0:29:17 | 0:29:20 | |
It said that mixed race children adopted by white families, | 0:29:20 | 0:29:24 | |
and I'm quoting here, | 0:29:24 | 0:29:26 | |
"saw themselves as white in all but skin colour and had little knowledge | 0:29:26 | 0:29:30 | |
"or experience of their counterparts growing up in the black community". | 0:29:30 | 0:29:34 | |
That comment caused outrage among some black social workers. | 0:29:38 | 0:29:42 | |
They fired off a document to the House of Commons denouncing | 0:29:42 | 0:29:46 | |
the evils of trans-racial adoption, | 0:29:46 | 0:29:48 | |
describing it as "internal colonialism" and a new form | 0:29:48 | 0:29:51 | |
of slave trade, but this time, they said, only black children are used. | 0:29:51 | 0:29:56 | |
The difference between a white and black family | 0:29:58 | 0:30:00 | |
in terms of parenting is essentially one | 0:30:00 | 0:30:03 | |
revolving around the black parent, in a black family, | 0:30:03 | 0:30:07 | |
having the crucial function | 0:30:07 | 0:30:09 | |
of teaching its children to cope with a fundamentally racist society. | 0:30:09 | 0:30:14 | |
-INTERVIEWER: -You're talking about educating children for racism. | 0:30:14 | 0:30:18 | |
Isn't that a self-fulfilling prophecy? | 0:30:18 | 0:30:21 | |
It's an absolute prerequisite of any conscious black family life. | 0:30:21 | 0:30:26 | |
We are trying to teach our children to survive. | 0:30:26 | 0:30:28 | |
THEY CHANT | 0:30:28 | 0:30:32 | |
I wanted to fit in. | 0:30:32 | 0:30:34 | |
You know, I think it's hard to fit in | 0:30:34 | 0:30:37 | |
when your entire family is one colour...and you're not. | 0:30:37 | 0:30:41 | |
All the time I used to always want to be brought up in a black family, | 0:30:41 | 0:30:46 | |
I wanted to... at least have one black parent. | 0:30:46 | 0:30:49 | |
Doesn't have to be all black - but I wanted to be brought up | 0:30:49 | 0:30:53 | |
in a mixed race family, so there was a black parent. | 0:30:53 | 0:30:56 | |
Imagine the anguish, not only in the classroom but even at home. | 0:30:56 | 0:31:01 | |
For Judith, the racism she experienced during her childhood led to low self-esteem. | 0:31:01 | 0:31:07 | |
She spent many years questioning who she really was. | 0:31:07 | 0:31:11 | |
It is important for me to have that mixed race identity. | 0:31:11 | 0:31:15 | |
It's who I am, I wouldn't be me without it. | 0:31:15 | 0:31:17 | |
But the acute challenges of being mixed race | 0:31:24 | 0:31:26 | |
were not restricted only to those children who'd been adopted. | 0:31:26 | 0:31:29 | |
'On our side of the street we had a black family, | 0:31:29 | 0:31:33 | |
'and then the rest of the street was predominantly white. There were no Asians.' | 0:31:33 | 0:31:38 | |
And when there was ever confrontations | 0:31:38 | 0:31:41 | |
between the black family and the white kids, | 0:31:41 | 0:31:44 | |
I was always, like, "Which side should I take?" | 0:31:44 | 0:31:48 | |
Clement Cooper grew up in Moss Side, Manchester. | 0:31:59 | 0:32:02 | |
Clement's father was black Jamaican, his mother white, | 0:32:03 | 0:32:08 | |
but he'd begun to consider himself black. | 0:32:08 | 0:32:11 | |
In the early '80s, Clement started a career as a professional photographer. | 0:32:14 | 0:32:18 | |
By 1988, he had enough work | 0:32:19 | 0:32:22 | |
for an exhibition at the Cornerhouse gallery in Manchester. | 0:32:22 | 0:32:25 | |
He called it "Presence". | 0:32:27 | 0:32:29 | |
It was a series of intimate and telling portraits of people | 0:32:31 | 0:32:34 | |
from his neighbourhood, most of whom were black. | 0:32:34 | 0:32:37 | |
But, within a week of the exhibition opening, there was trouble. | 0:32:39 | 0:32:43 | |
I got a telephone call to say, | 0:32:46 | 0:32:48 | |
a group of black youths had marched into the gallery with screwdrivers, | 0:32:48 | 0:32:52 | |
bypassed the security system, and had removed from the walls | 0:32:52 | 0:32:56 | |
a set of the photographs of the black young men from the youth club. | 0:32:56 | 0:33:01 | |
Clement wanted his pictures back, and so he approached the youths of the club. | 0:33:02 | 0:33:07 | |
Their reply shocked him. | 0:33:07 | 0:33:09 | |
Their line of attack was one of my race, | 0:33:13 | 0:33:15 | |
and they started to abuse me along racial lines. | 0:33:15 | 0:33:18 | |
And attacking me for me being mixed race. | 0:33:20 | 0:33:23 | |
And they used expressions of "You half-caste" and "You half-breed". | 0:33:23 | 0:33:26 | |
And I eventually got assaulted, the pictures never got returned, | 0:33:26 | 0:33:30 | |
I got death threats... | 0:33:30 | 0:33:32 | |
My family had to be very mindful where they went to, | 0:33:32 | 0:33:36 | |
my father in particular... | 0:33:36 | 0:33:37 | |
How can you defend against that kind of torrent of anger and aggression, | 0:33:41 | 0:33:45 | |
when it's directed at the very thing what your being's about, your identity? | 0:33:45 | 0:33:49 | |
The attack pushed Clement into a period of soul-searching. | 0:33:54 | 0:33:59 | |
He set off to the land of his father. | 0:33:59 | 0:34:00 | |
Only to be told he wasn't really one of them either. | 0:34:04 | 0:34:08 | |
I went to Jamaica thinking, "If I'm rejected here, | 0:34:10 | 0:34:13 | |
"I could be accepted in a Jamaican environment." | 0:34:13 | 0:34:16 | |
Only to be told by my aunt, at a time of giving | 0:34:16 | 0:34:20 | |
a blood transfusion to a boy from the community who was dying, | 0:34:20 | 0:34:25 | |
that "Clement" - in front of the whole crowd from the community - | 0:34:25 | 0:34:28 | |
"can't give blood, cos he's got white blood in him. | 0:34:28 | 0:34:31 | |
"And white blood cannot be transfused or taken and put into a black person - | 0:34:31 | 0:34:35 | |
"especially a black child." | 0:34:35 | 0:34:36 | |
So Clement Cooper returned to Britain. | 0:34:39 | 0:34:42 | |
He'd gone halfway around the world and still didn't know where he fitted in. | 0:34:42 | 0:34:47 | |
As it happened, the answer was just a few miles | 0:34:47 | 0:34:49 | |
down the M62 from Manchester to Liverpool - | 0:34:49 | 0:34:53 | |
a port city that had always been home to one of the largest mixed race communities. | 0:34:53 | 0:34:57 | |
I went to this club called the Ebo club, | 0:35:00 | 0:35:02 | |
at the bottom of Parliament Street. | 0:35:02 | 0:35:04 | |
And I went in there for the very first time one evening, | 0:35:04 | 0:35:07 | |
and I opened this door, | 0:35:07 | 0:35:08 | |
and for the first time in my whole life, at the age of 29, | 0:35:08 | 0:35:11 | |
there was this roomful of people who looked very similar to me. | 0:35:11 | 0:35:17 | |
It was a revelation. Finally, he felt he knew who he was. | 0:35:18 | 0:35:22 | |
He didn't have to try to be white OR black. | 0:35:22 | 0:35:25 | |
Not just in terms of the complexion, but the whole structure | 0:35:26 | 0:35:30 | |
and the way...just the way they looked and acted, and it was | 0:35:30 | 0:35:34 | |
a complete shock, to see so many people like myself in one space. | 0:35:34 | 0:35:41 | |
Clement's journey marks one little victory for all mixed race people. | 0:35:45 | 0:35:49 | |
One more step in their fight to carve out | 0:35:53 | 0:35:56 | |
an identity for themselves. | 0:35:56 | 0:35:58 | |
But there was still one major battle. | 0:36:02 | 0:36:05 | |
It pitted black activists against those in charge of social policy. | 0:36:05 | 0:36:10 | |
Should mixed race children be defined by their colour, | 0:36:10 | 0:36:14 | |
or by their need? | 0:36:14 | 0:36:16 | |
In 1989, those black activists and social workers got what they'd campaigned for. | 0:36:25 | 0:36:31 | |
The new Children's Act effectively reversed the previous guidance of 1970, | 0:36:31 | 0:36:36 | |
saying race SHOULD be given due consideration. | 0:36:36 | 0:36:39 | |
Councils should try whenever appropriate | 0:36:39 | 0:36:42 | |
to match black children to black couples, | 0:36:42 | 0:36:44 | |
and mixed race children to black OR mixed race couples. | 0:36:44 | 0:36:48 | |
However well-meaning that instruction to consider race was, | 0:36:49 | 0:36:53 | |
it effectively meant that many mixed race children | 0:36:53 | 0:36:56 | |
ended up in care rather than with a family. | 0:36:56 | 0:36:59 | |
There simply weren't enough mixed race couples who wanted to take them in. | 0:36:59 | 0:37:03 | |
One mixed race couple bucked that trend. | 0:37:07 | 0:37:10 | |
On the 10th of February 1988, Mike and Julie DeSouza | 0:37:10 | 0:37:14 | |
were sitting outside a room awaiting a decision on adoption. | 0:37:14 | 0:37:19 | |
They came back and... just sat down with us, I think. | 0:37:19 | 0:37:23 | |
Just said, "I'm really sorry, we need to talk to you." | 0:37:23 | 0:37:28 | |
Yeah, just delivered the news that we had actually been... | 0:37:29 | 0:37:32 | |
we hadn't been approved. | 0:37:32 | 0:37:34 | |
It was a personal rejection of who I was, and I just felt like... | 0:37:34 | 0:37:40 | |
..that I wasn't good enough to be the father of a mixed race child. | 0:37:41 | 0:37:48 | |
MUSIC: "No Ordinary Love" by Sade | 0:37:48 | 0:37:51 | |
Mike and Julie had got married in 1989. | 0:37:55 | 0:37:59 | |
Born in London, Mike was himself the child of a mother | 0:38:02 | 0:38:05 | |
from the Caribbean, and a Chinese-Portuguese father. | 0:38:05 | 0:38:09 | |
After getting married, they'd had two children of their own, | 0:38:10 | 0:38:14 | |
but wanted to have a larger family. | 0:38:14 | 0:38:16 | |
So, in 1996, they'd approached Barnardo's, believing they would be | 0:38:18 | 0:38:22 | |
the perfect candidates to adopt a mixed race child. | 0:38:22 | 0:38:25 | |
How wrong they'd been. | 0:38:27 | 0:38:29 | |
As the meeting unfolded, it became apparent | 0:38:29 | 0:38:32 | |
that the social workers didn't think they were ready. | 0:38:32 | 0:38:35 | |
The family needed some extra training. | 0:38:35 | 0:38:39 | |
I thought it was a bit of a joke, to be honest. I thought, this is... | 0:38:40 | 0:38:45 | |
Joke? I think I would have been pretty angry. | 0:38:45 | 0:38:47 | |
-I don't want to put words into YOUR mouth. -The anger came later. | 0:38:47 | 0:38:51 | |
It was after the second panel. Because we figured, OK, | 0:38:51 | 0:38:54 | |
it's just one more hoop to jump through - | 0:38:54 | 0:38:56 | |
once we get through this, it'll be fine, we'll have our son. | 0:38:56 | 0:39:00 | |
The extra training for Mike and Julie was a year-long racial awareness course. | 0:39:03 | 0:39:08 | |
By now, they'd begun to select a child to take home, | 0:39:08 | 0:39:11 | |
so, in February 1988, they attended a final adoption panel. | 0:39:11 | 0:39:16 | |
There were 13 people in the room - 12 of them were white English, | 0:39:19 | 0:39:23 | |
there was an Asian woman, | 0:39:23 | 0:39:25 | |
and I was the only black male in the room. And they were saying that | 0:39:25 | 0:39:29 | |
their concern was I wouldn't be able to equip a black boy | 0:39:29 | 0:39:33 | |
to deal with racism as he grew up. | 0:39:33 | 0:39:36 | |
They would rather revoke our approval | 0:39:36 | 0:39:40 | |
and allow a child to grow up in the care system, | 0:39:40 | 0:39:42 | |
than to be placed in a home with parents who would love and care | 0:39:42 | 0:39:47 | |
and want to nurture that child. I just felt that was so wrong. | 0:39:47 | 0:39:50 | |
Sue was told she couldn't adopt because she was too tall. | 0:39:50 | 0:39:55 | |
Mike was told he wasn't black ENOUGH to adopt. | 0:39:55 | 0:40:00 | |
This is The Vanessa Show. | 0:40:00 | 0:40:02 | |
The story of the DeSouza adoption process soon broke nationally, | 0:40:02 | 0:40:07 | |
causing outrage in the media. | 0:40:07 | 0:40:09 | |
Barnardo's at that time | 0:40:12 | 0:40:14 | |
said they HAD involved a black social worker at an earlier stage in the process. | 0:40:14 | 0:40:18 | |
A new dawn has broken, has it not? | 0:40:21 | 0:40:23 | |
CHEERING | 0:40:23 | 0:40:25 | |
The row had coincided with a change at national level, | 0:40:25 | 0:40:28 | |
with the election in 1997 of a new Labour government, | 0:40:28 | 0:40:32 | |
and with it came Britain's first mixed race MPs. | 0:40:32 | 0:40:37 | |
I was a child of mixed heritage - my mother was white, | 0:40:42 | 0:40:45 | |
my father was black - | 0:40:45 | 0:40:47 | |
and I was brought up as a young black African male. | 0:40:47 | 0:40:51 | |
That's how I saw myself. | 0:40:51 | 0:40:54 | |
Because frankly, when the National Front or the British Movement | 0:40:54 | 0:40:57 | |
are kicking your head in, George Alagiah, | 0:40:57 | 0:40:59 | |
they don't ask whether you are of Indian origin, | 0:40:59 | 0:41:02 | |
or whether you are mixed race, or black... You're a nigger. | 0:41:02 | 0:41:05 | |
You're black, you're a wog. And they kick your head in. | 0:41:05 | 0:41:08 | |
Now, if you are bringing up a child into such a world, | 0:41:08 | 0:41:12 | |
then that's a very heavy responsibility. | 0:41:12 | 0:41:15 | |
And you have to be equipped to give them that sense of self-worth | 0:41:15 | 0:41:19 | |
and strength of identity that sees them through that. | 0:41:19 | 0:41:23 | |
But there are white parents that can do that, there are black parents who can do that, | 0:41:23 | 0:41:27 | |
there are white parents who fail in that, and black parents and mixed race parents who fail in that, | 0:41:27 | 0:41:32 | |
because parenting in such a situation is a very difficult job. | 0:41:32 | 0:41:36 | |
By 1998, Paul Boateng was a junior minister. | 0:41:39 | 0:41:43 | |
He drew on his own experience | 0:41:43 | 0:41:45 | |
when he decided to change once again the guidance on adoptions. | 0:41:45 | 0:41:48 | |
He said it was unacceptable for a child to be denied loving adoptive parents | 0:41:51 | 0:41:56 | |
solely on the grounds that the child | 0:41:56 | 0:41:58 | |
and adopters did not share the same racial or cultural background. | 0:41:58 | 0:42:03 | |
'It's a decision he continues to stand by.' | 0:42:04 | 0:42:07 | |
Is it preferable in any event, to have two loving white parents - | 0:42:08 | 0:42:14 | |
who are making an effort to bring the child up | 0:42:14 | 0:42:17 | |
with a good sense of self-worth and identity - | 0:42:17 | 0:42:21 | |
is it better that they should be brought up by such a couple, | 0:42:21 | 0:42:25 | |
than languish in a children's home, | 0:42:25 | 0:42:28 | |
or languish in a situation where they're fostered | 0:42:28 | 0:42:31 | |
from one foster home to another? | 0:42:31 | 0:42:33 | |
Yes - because all the evidence is | 0:42:33 | 0:42:36 | |
that the state is a pretty bad parent. And that's the reality. | 0:42:36 | 0:42:39 | |
The DeSouzas didn't give up. | 0:42:41 | 0:42:43 | |
A year later they applied to be adoptive parents again - | 0:42:43 | 0:42:46 | |
this time with Hackney Council. | 0:42:46 | 0:42:50 | |
After a year we were unconditionally approved, | 0:42:50 | 0:42:53 | |
and then four months later we got our son. | 0:42:53 | 0:42:55 | |
-Whose name is...? -Caleb. | 0:42:57 | 0:42:59 | |
-How old is he now? -He's ten. We got him at eight months. | 0:42:59 | 0:43:03 | |
His birth mother was half Nigerian and half Welsh, I believe, | 0:43:03 | 0:43:07 | |
and his biological father was white English. | 0:43:07 | 0:43:10 | |
So he's quarter Nigerian, in fact. | 0:43:11 | 0:43:14 | |
But he's fantastic, he's such a great little kid. | 0:43:14 | 0:43:18 | |
So you're kind of a regular United Nations! | 0:43:18 | 0:43:21 | |
We really are. That's right. | 0:43:21 | 0:43:23 | |
A happy ending for the DeSouzas. But even today, | 0:43:23 | 0:43:27 | |
mixed race children still account for more than 8% of those in care, | 0:43:27 | 0:43:32 | |
when they only make up 3% of our population. | 0:43:32 | 0:43:35 | |
There are signs of change - | 0:43:41 | 0:43:43 | |
the new coalition government issued more guidance, | 0:43:43 | 0:43:46 | |
making race just one of many factors that need to be considered, | 0:43:46 | 0:43:50 | |
and it's no longer the most important one. Here's what it says. | 0:43:50 | 0:43:54 | |
"As long as a family can meet all the emotional needs of a child | 0:43:54 | 0:43:58 | |
"seeking a permanent home, | 0:43:58 | 0:43:59 | |
"their ethnic origin should not be a factor." | 0:43:59 | 0:44:03 | |
That reinforcement of the Labour guidelines | 0:44:10 | 0:44:12 | |
is not a hard and fast rule. | 0:44:12 | 0:44:15 | |
It's still down to adoption agencies and local councils. | 0:44:15 | 0:44:20 | |
In the '90s, despite previous attempts to limit non-European | 0:44:27 | 0:44:30 | |
immigration, Britain continued to attract new arrivals. | 0:44:30 | 0:44:35 | |
Wars and conflicts produced a stream of refugees | 0:44:35 | 0:44:39 | |
from every corner of the world, and they made their new homes here. | 0:44:39 | 0:44:43 | |
Vietnamese boat people built a community in Nottingham, | 0:44:49 | 0:44:54 | |
Bosnians congregated in London, | 0:44:54 | 0:44:56 | |
and the Congolese headed for Sheffield. | 0:44:56 | 0:44:58 | |
So refugee by refugee, migrant by migrant, | 0:45:08 | 0:45:11 | |
Britain was becoming one of the most ethnically diverse places on earth. | 0:45:11 | 0:45:16 | |
It meant that an Arab from Morocco | 0:45:16 | 0:45:18 | |
could fall in love with a Cambodian | 0:45:18 | 0:45:21 | |
or that an Iranian could marry a Burmese girl - | 0:45:21 | 0:45:24 | |
and their children would be mixed-race and British. | 0:45:24 | 0:45:28 | |
And attitudes towards mixed-race couples were changing too. | 0:45:32 | 0:45:36 | |
While in the '50s, the majority of British people | 0:45:38 | 0:45:41 | |
had disapproved of mixed marriages, | 0:45:41 | 0:45:44 | |
one survey showed that by the mid-'90s, | 0:45:44 | 0:45:46 | |
only 10% would admit to being against them. | 0:45:46 | 0:45:49 | |
From the '50s to the '90s, obviously a lot changed. | 0:45:50 | 0:45:53 | |
One, people living side by side with each other, but on top of that, | 0:45:53 | 0:45:58 | |
at an official level, we have race legislation being brought in. | 0:45:58 | 0:46:03 | |
And so this changing idea that it's normal | 0:46:03 | 0:46:06 | |
to have different races living side by side, | 0:46:06 | 0:46:09 | |
but also that racism isn't normal, | 0:46:09 | 0:46:13 | |
that racism is wrong. | 0:46:13 | 0:46:16 | |
But Britain itself was changing. | 0:46:19 | 0:46:22 | |
By the early 1990s, the mixed-race population in Britain | 0:46:22 | 0:46:27 | |
was estimated to be over 300,000. | 0:46:27 | 0:46:29 | |
It was by no means huge, | 0:46:29 | 0:46:30 | |
but a considerable part of the population nonetheless. | 0:46:30 | 0:46:34 | |
Proof of that could be found on most estates, | 0:46:36 | 0:46:39 | |
in virtually every suburb | 0:46:39 | 0:46:40 | |
and in the homes of the rich, the famous and the titled. | 0:46:40 | 0:46:45 | |
In 1992, rock legend David Bowie married the Somalian model Iman. | 0:46:49 | 0:46:54 | |
And in 1995, cricketing royalty Imran Khan | 0:47:03 | 0:47:07 | |
married English gentry Jemima Goldsmith. | 0:47:07 | 0:47:11 | |
Then two years later Diana, Princess of Wales - | 0:47:13 | 0:47:16 | |
then considered the most famous woman in the world - | 0:47:16 | 0:47:19 | |
was photographed with her new Egyptian boyfriend, Dodi Al-Fayed. | 0:47:19 | 0:47:24 | |
What happens when you began to see famous mixed-race relationships, | 0:47:28 | 0:47:35 | |
and I'm thinking of people like Jemima Goldsmith | 0:47:35 | 0:47:38 | |
and Imran Khan, the cricketer, | 0:47:38 | 0:47:39 | |
Princess Diana and Dodi, what was the effect of that? | 0:47:39 | 0:47:44 | |
I think it brought the idea of mixed-race relationships | 0:47:44 | 0:47:50 | |
into a different public realm, | 0:47:50 | 0:47:55 | |
and it questioned, slightly, | 0:47:55 | 0:47:58 | |
some of the assumptions and stereotypes that were out there | 0:47:58 | 0:48:02 | |
about mixed-race relationships and, you know, the idea | 0:48:02 | 0:48:05 | |
that these are primarily working class, and so to see these | 0:48:05 | 0:48:10 | |
high-profile celebrities in these mixed relationships - | 0:48:10 | 0:48:14 | |
in particular, people like Princess Diana and Dodi Fayed, | 0:48:14 | 0:48:17 | |
made people think, "Oh, that's interesting, | 0:48:17 | 0:48:22 | |
"I didn't think it was those sort of people that mixed race." | 0:48:22 | 0:48:25 | |
The irony was that while white Britain - | 0:48:28 | 0:48:31 | |
whether it was the mother to a future king or someone down the road - | 0:48:31 | 0:48:34 | |
seemed to be more relaxed about mixed-race relationships, | 0:48:34 | 0:48:38 | |
some immigrants were still locked into the old ways. | 0:48:38 | 0:48:41 | |
The Asian community still remains one of those | 0:48:41 | 0:48:44 | |
with the lowest rates of marrying out. | 0:48:44 | 0:48:47 | |
So what if she's pregnant? So what if the father's black? | 0:48:47 | 0:48:50 | |
-Black? -This is the 20th century, you know? | 0:48:50 | 0:48:53 | |
-SHE SPEAKS HER OWN LANGUAGE -That will kill your family, you know? | 0:48:53 | 0:48:57 | |
Let's just calm down, sisters, all right? | 0:48:57 | 0:49:00 | |
The film Bhaji On The Beach was greeted with outrage by many Asians, | 0:49:00 | 0:49:05 | |
especially the sight of an Indian girl kissing a black man. | 0:49:05 | 0:49:09 | |
It showed how hard it was for them to break with the past. | 0:49:09 | 0:49:13 | |
If my sister had come home with a black guy, | 0:49:14 | 0:49:17 | |
then I would have been against it, if I'm telling the truth, | 0:49:17 | 0:49:22 | |
because culturally | 0:49:22 | 0:49:23 | |
I would have not been able to accept that, | 0:49:23 | 0:49:26 | |
and I can't say why, but that's just the way I think I'm programmed | 0:49:26 | 0:49:30 | |
as an Indian. | 0:49:30 | 0:49:32 | |
But love, they say, conquers all. | 0:49:34 | 0:49:36 | |
As we've seen in this story, | 0:49:36 | 0:49:38 | |
it can break down even the firmest of cultural barriers. | 0:49:38 | 0:49:42 | |
I assumed my whole life that I was going to actually just marry | 0:49:42 | 0:49:46 | |
an Indian girl, as that was what was expected from me, | 0:49:46 | 0:49:50 | |
from my family and relatives. | 0:49:50 | 0:49:52 | |
That's the way I was brought up, so I had to marry someone | 0:49:52 | 0:49:56 | |
that was going to be the perfect daughter-in-law for my family | 0:49:56 | 0:50:01 | |
and me as a husband. | 0:50:01 | 0:50:02 | |
I never thought it was going to turn into a serious relationship | 0:50:04 | 0:50:07 | |
cos he mentioned that when he would get married, | 0:50:07 | 0:50:10 | |
it would be to an Indian girl. | 0:50:10 | 0:50:12 | |
But Jaspreet Panglea didn't get married to an Indian girl. | 0:50:12 | 0:50:16 | |
He married Primrose Jackson in Hounslow in 2009. | 0:50:18 | 0:50:22 | |
The bride wore a white wedding dress during the day, | 0:50:25 | 0:50:27 | |
and in the evening, Asian dress. | 0:50:27 | 0:50:30 | |
To them, the day was a blending of their different cultures - | 0:50:32 | 0:50:35 | |
Zimbabwean and Sikh. | 0:50:35 | 0:50:37 | |
It all went smoothly on the day, | 0:50:39 | 0:50:41 | |
but the road to the wedding was anything but. | 0:50:41 | 0:50:45 | |
I was thinking, she's a nice girl, but I thought to myself | 0:50:45 | 0:50:48 | |
there's no way I could ever get serious with this girl | 0:50:48 | 0:50:51 | |
because this is not going to go anywhere | 0:50:51 | 0:50:53 | |
and I could lose everyone in my life if I do this, | 0:50:53 | 0:50:56 | |
like, went with a girl... a black girl, basically. | 0:50:56 | 0:51:00 | |
Jaspreet's parents are from India | 0:51:05 | 0:51:08 | |
and he's been brought up in a very traditional Punjabi Sikh household. | 0:51:08 | 0:51:12 | |
I told my parents. That was hard, very hard. | 0:51:16 | 0:51:19 | |
The hardest thing I ever did in my life. | 0:51:19 | 0:51:21 | |
My dad was very supportive and he was ready to get us married straight away. | 0:51:21 | 0:51:27 | |
But there were people obviously that said, "We're not happy | 0:51:27 | 0:51:30 | |
"and we're not going come to the wedding if he's going to do this." | 0:51:30 | 0:51:33 | |
So those people didn't come. | 0:51:33 | 0:51:36 | |
I got over it and I wake up every morning the happiest man on the planet | 0:51:36 | 0:51:40 | |
so for me, that's all that matters. | 0:51:40 | 0:51:43 | |
The couple both accept that it will take time for some people | 0:51:47 | 0:51:51 | |
to accept their relationship fully. | 0:51:51 | 0:51:54 | |
But they're rather hoping their latest news will make it easier. | 0:51:54 | 0:51:59 | |
When we have children. Yes, we are actually expecting a kid now. | 0:51:59 | 0:52:03 | |
-There's a little baby in there. -We're ecstatic. | 0:52:04 | 0:52:09 | |
It's really good. Can't wait to be a dad. | 0:52:09 | 0:52:11 | |
I'm really looking forward to that. | 0:52:11 | 0:52:13 | |
This will be an infusion of both of us. | 0:52:13 | 0:52:16 | |
I wish the nine months would go quicker. Yeah. | 0:52:16 | 0:52:19 | |
Quite proud of myself, actually. | 0:52:19 | 0:52:21 | |
Remember that little girl on the platform at Paddington station? | 0:52:29 | 0:52:33 | |
Rosie Walters was put into care when she was just two years old | 0:52:37 | 0:52:41 | |
because her white mother couldn't cope with having a mixed-race child. | 0:52:41 | 0:52:46 | |
Ten years later, | 0:52:46 | 0:52:47 | |
she was moved from the mainly white area of Swansea | 0:52:47 | 0:52:50 | |
to the mixed area of Stockwell, in London, | 0:52:50 | 0:52:53 | |
where she grew up and still lives. | 0:52:53 | 0:52:55 | |
The changes in her life mirror and reflect the changes in our country. | 0:52:56 | 0:53:01 | |
I was about 31 years old when I was able to stand up | 0:53:04 | 0:53:07 | |
and say, "I am a black woman of mixed parentage." | 0:53:07 | 0:53:09 | |
I started to feel more comfortable with who I was. | 0:53:09 | 0:53:12 | |
I started to recognise my own worth in society. | 0:53:12 | 0:53:17 | |
I think when I started to branch out and meet different people | 0:53:17 | 0:53:20 | |
from different backgrounds, I started to realise | 0:53:20 | 0:53:23 | |
it's actually all right to be yourself, you know, Rose. | 0:53:23 | 0:53:25 | |
She's found herself and her country has found her. | 0:53:28 | 0:53:32 | |
20 years ago, when she first started filling out the National Census form, | 0:53:34 | 0:53:39 | |
she only had the box marked "other". | 0:53:39 | 0:53:41 | |
Now it is different. | 0:53:41 | 0:53:42 | |
This is 2011 and, of course, it's census year. | 0:53:46 | 0:53:49 | |
In a way, Britain's going to give you the opportunity | 0:53:49 | 0:53:51 | |
to tick something and say you're mixed-race. | 0:53:51 | 0:53:54 | |
How does that feel? | 0:53:54 | 0:53:55 | |
I think it's a big step forward, isn't it, really? | 0:53:55 | 0:53:57 | |
And it does show that there's some recognition. | 0:53:57 | 0:54:00 | |
So what are you going to put? White Afro-Caribbean? | 0:54:00 | 0:54:03 | |
White Afro-Caribbean, yeah. That's what I am. That's who I am. | 0:54:03 | 0:54:07 | |
Done. You're official. | 0:54:10 | 0:54:13 | |
At last. At last. | 0:54:13 | 0:54:14 | |
Been a long time coming, hasn't it? But you know, yeah. | 0:54:14 | 0:54:17 | |
# This is the world that we live in | 0:54:17 | 0:54:23 | |
# I feel myself get tired | 0:54:23 | 0:54:26 | |
# This is the world that we live in... # | 0:54:26 | 0:54:31 | |
The census may not reveal the mixed-race population | 0:54:33 | 0:54:36 | |
in all its complexity, but it has shattered one stereotype - | 0:54:36 | 0:54:40 | |
that it's largely a working class phenomenon. | 0:54:40 | 0:54:44 | |
There is a very middle class dimension | 0:54:50 | 0:54:52 | |
to mixed-race families in Britain. | 0:54:52 | 0:54:56 | |
They tend to have higher levels of home ownership, | 0:54:56 | 0:54:59 | |
er, higher levels of the educational profiles, | 0:54:59 | 0:55:04 | |
which again challenges this idea that it's a working class | 0:55:04 | 0:55:08 | |
or even an underclass phenomenon, | 0:55:08 | 0:55:11 | |
something that you only find in council estates, in inner cities. | 0:55:11 | 0:55:15 | |
In fact, the picture of mixing in Britain is something | 0:55:15 | 0:55:19 | |
which is more middle class and spread throughout the country, | 0:55:19 | 0:55:24 | |
not just in pockets of cities. | 0:55:24 | 0:55:28 | |
There are places in Britain where colour, mixed-race or otherwise, | 0:55:30 | 0:55:33 | |
is still a rarity - perhaps exotic - | 0:55:33 | 0:55:36 | |
but here in Newham in East London, | 0:55:36 | 0:55:38 | |
75%, three-quarters of all newborn babies, | 0:55:38 | 0:55:42 | |
will have mothers who were themselves born outside the UK. | 0:55:42 | 0:55:46 | |
So imagine you're a teenager | 0:55:46 | 0:55:49 | |
and you're out looking for a boyfriend or girlfriend | 0:55:49 | 0:55:51 | |
and you want to stick to your own kind. | 0:55:51 | 0:55:54 | |
You may find the choice is rather limited. | 0:55:54 | 0:55:57 | |
I've come back to where our story began, Limehouse docks. | 0:56:02 | 0:56:07 | |
Waves of new arrivals since then have swelled our ethnic population | 0:56:07 | 0:56:12 | |
and resulted in Britain's mixed-race people | 0:56:12 | 0:56:15 | |
becoming one of the fastest-growing and youngest ethnic groups in the country. | 0:56:15 | 0:56:20 | |
In the 2001 census, | 0:56:20 | 0:56:22 | |
there were well over half a million mixed-race people in the UK. | 0:56:22 | 0:56:26 | |
That figure is now thought to have grown to one million. | 0:56:26 | 0:56:29 | |
I asked some of those I'd met on my journey to join me | 0:56:35 | 0:56:38 | |
to come together and celebrate their differences - | 0:56:38 | 0:56:41 | |
but also what they shared in common. | 0:56:41 | 0:56:43 | |
There was Connie, who'd endured the humiliation | 0:56:45 | 0:56:49 | |
of having her head measured by race scientists | 0:56:49 | 0:56:51 | |
to see if mixed-race children were as intelligent as others. | 0:56:51 | 0:56:55 | |
Mary and Jake, who once faced intolerance and abuse | 0:56:57 | 0:57:00 | |
for simply dancing together. | 0:57:00 | 0:57:02 | |
And Dauod, the son of Olive and Ali Salaman from Tiger Bay, | 0:57:07 | 0:57:12 | |
home of one of our first and proudest mixed-race communities. | 0:57:12 | 0:57:17 | |
Take a look at them. They're British, every one of them. | 0:57:19 | 0:57:23 | |
When I set out, I wanted to explore the lives of mixed-race people | 0:57:33 | 0:57:37 | |
but week by week, interview by interview, | 0:57:37 | 0:57:40 | |
I've realised that their story is also the story of modern Britain. | 0:57:40 | 0:57:45 | |
We've seen how this country has been exposed to the same poisonous mix | 0:57:45 | 0:57:49 | |
of racist theory and prejudice as the rest of Europe and America. | 0:57:49 | 0:57:54 | |
Through it all, we have cut a rather unique path. | 0:57:54 | 0:57:57 | |
Trade and Empire had a part to play, | 0:57:57 | 0:58:00 | |
personal courage was matched by a sort of communal pragmatism. | 0:58:00 | 0:58:03 | |
And then, of course, there was love and lust. | 0:58:03 | 0:58:06 | |
Whatever the reasons, | 0:58:06 | 0:58:08 | |
Britain has emerged as one of the most mixed nations on earth | 0:58:08 | 0:58:12 | |
and I, for one, am proud of that. | 0:58:12 | 0:58:15 | |
Subtitles by Red Bee Media | 0:58:43 | 0:58:45 | |
E-mail [email protected] | 0:58:45 | 0:58:48 |