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100 years ago this September one of the world's best love authors was | :00:10. | :00:15. | |
born right here in Cardiff. None other than the fantastic Mr Roald | :00:16. | :00:23. | |
Dahl. Generations of children and adults have been mesmerised by Roald | :00:24. | :00:31. | |
Dahl's literary creations and to celebrate his centenary, National | :00:32. | :00:33. | |
Theatre Wales and Wales Millennium Centre have come together to produce | :00:34. | :00:39. | |
a two-day citywide spectacle entitled the City of the Unexpected. | :00:40. | :00:44. | |
I'd taking a sneaky peek behind the scenes as Cardiff prepares to be | :00:45. | :00:45. | |
sprinkled by a touch of magic. If you make your way to Cardiff city | :00:46. | :00:59. | |
centre on the weekend of September 17-18, prepare to be amazed. With | :01:00. | :01:07. | |
over 75 events staged across public spaces and at iconic buildings, | :01:08. | :01:11. | |
entire streets will be closed off as thousands of performers bring the | :01:12. | :01:17. | |
city to a standstill with jaw-dropping Dahl inspired | :01:18. | :01:20. | |
spectacles. Events are all free of charge. Roald Dahl's books rowing up | :01:21. | :01:27. | |
a huge inspiration for me. The fact he is being celebrated on such a | :01:28. | :01:31. | |
huge scale is an amazing thing and I'm happy to play a small part in | :01:32. | :01:34. | |
these celebrations. In true Roald Dahl spile, -- style, anything can | :01:35. | :01:44. | |
happen. An update now on those unexpected weather systems and the | :01:45. | :01:47. | |
incidence of rhyming disease they've been causing across Wales. From | :01:48. | :01:53. | |
impromptu performances to a huge pillow fight on Bute Park. Anyone | :01:54. | :01:58. | |
and everyone is invited to take part in weird and wonderful events. For | :01:59. | :02:03. | |
two days we can expect the whole city to be turned upside down as if | :02:04. | :02:06. | |
Roald Dahl was up there in the sky pulling the strings of the city | :02:07. | :02:13. | |
creating mischief, mayhem, magic but certainly most of all the | :02:14. | :02:18. | |
unexpected. This ambitious collaboration between National | :02:19. | :02:20. | |
Theatre Wales and the Wales Millennium Centre has been two years | :02:21. | :02:25. | |
in the making and I have come to meet Graham Barrow from the | :02:26. | :02:29. | |
millennium Centre to find out more about the origins of the City of the | :02:30. | :02:34. | |
Unexpected. When you ask people, even people from Cardiff, lots of | :02:35. | :02:37. | |
people don't realise he was born here so partly was about trying to | :02:38. | :02:42. | |
reclaim first Waqar is one of us. We are used to have big sporting events | :02:43. | :02:47. | |
like the Rugby World Cup in Cardiff but I'm not sure there's ever been | :02:48. | :02:51. | |
at some creative event that has stopped the city and its tracks. The | :02:52. | :02:56. | |
team have called on the expertise of renowned theatre director Nigel | :02:57. | :03:02. | |
Jamieson from Sydney Australia. Having directed many large-scale | :03:03. | :03:10. | |
events, including the Olympics, the project is incapable hands. We had a | :03:11. | :03:14. | |
list of people we wanted to direct it and Nigel Jamieson was at the | :03:15. | :03:19. | |
top, our number one choice. In terms of outdoor spectacles, he is the | :03:20. | :03:25. | |
man. When we bagged him, we thought, we have got the makings of something | :03:26. | :03:32. | |
here. Director Nigel Jamieson 's track record is certainly | :03:33. | :03:36. | |
impressive. With rehearsals well underway, I managed to track him | :03:37. | :03:40. | |
down at Cardiff's Civic Centre to learn more about his vision. We had | :03:41. | :03:45. | |
the idea that what would it be like if Roald Dahl was sitting up there | :03:46. | :03:48. | |
in the sky and we suddenly said we going to hand you... If he was to be | :03:49. | :03:52. | |
given the reins. If he was the puppeteer. The puppeteers are two | :03:53. | :04:00. | |
days and the laws of physics and everything were thrown up in the | :04:01. | :04:04. | |
air. We would see lots of characters and themes we recognise that most of | :04:05. | :04:07. | |
all, it is what would he do today if he had a chance to play with 350,000 | :04:08. | :04:14. | |
people of Cardiff, all these wonderful buildings, parks. What | :04:15. | :04:21. | |
Julia to the project given -- what drew you to the project? It is a | :04:22. | :04:27. | |
singularly fantastic idea for an event. The idea of playing with the | :04:28. | :04:31. | |
whole city, rather than a stadium or theatre, we hope to put on an event | :04:32. | :04:36. | |
that no one has ever seen in the world. I'm working with an amazing | :04:37. | :04:40. | |
team of directors, composers, artists, designers. I'm having to | :04:41. | :04:48. | |
keep all the good things hidden! Not quite, because I've got an access | :04:49. | :04:52. | |
all areas pass and I'm not afraid to use it. The first place I'm heading | :04:53. | :04:57. | |
is to the show's costume department. With so many costumes to make from | :04:58. | :05:01. | |
scratch, their team has certainly got their work cut out. I know | :05:02. | :05:07. | |
you're busy this afternoon, what is on the agenda? We are working on our | :05:08. | :05:15. | |
insects. We are cutting, stitching, glueing things. Dan, a la designer, | :05:16. | :05:24. | |
as the main job, he has to design or these beautiful costumes and then it | :05:25. | :05:29. | |
is our job to realise them and make sure they are something someone can | :05:30. | :05:32. | |
wear what performing individual skills. What is keeping you busy? | :05:33. | :05:39. | |
I'm making the waistcoat for Mr Fox. It is made of the brightly coloured | :05:40. | :05:45. | |
fabric. It's a kind of English country gentlemen feel. The | :05:46. | :05:48. | |
waistcoat, trousers and striped shirt. Very dapper! And very bright | :05:49. | :05:54. | |
colour so he stands out from the crowd because he will do a lot of | :05:55. | :05:57. | |
different activities. I hope it fits. Need to! -- me to! Though it | :05:58. | :06:08. | |
is just a costume, I'm keeping my distance if that is OK. Took me | :06:09. | :06:11. | |
through the spider outfit. The insect costumes get lifted by a | :06:12. | :06:18. | |
crane so we have these harnesses the need to be one underneath them. | :06:19. | :06:21. | |
They'll soon need to be able to walk through doorways. The lyrics are all | :06:22. | :06:28. | |
movable. So it makes it a lot smaller. -- the Lairds. It isn't | :06:29. | :06:34. | |
just making a pretty dress. You have to think about what the performers | :06:35. | :06:37. | |
are doing, whether that is sitting on the floor or doing a backflip | :06:38. | :06:42. | |
will actually getting lifted by a crane. Though details of the show | :06:43. | :06:48. | |
are kept tightly under wraps, we can expect allsorts performances | :06:49. | :06:53. | |
inspired by Dahl's colourful characters to pop up unexpectedly | :06:54. | :06:56. | |
during the weekend including some larger than life creepy crawlies. | :06:57. | :07:03. | |
With the aim of getting as many people as possible involved in the | :07:04. | :07:09. | |
celebrations, the organisers have been staging creative workshops | :07:10. | :07:13. | |
around Cardiff. At the library I caught up with children from the | :07:14. | :07:17. | |
local area who were getting ready to make jeans come true, just like | :07:18. | :07:22. | |
Roald Dahl's much loved character the BFG. One of the things the Big | :07:23. | :07:28. | |
Friendly Giant does is he captures dreams in a cave and he puts them | :07:29. | :07:32. | |
into jars and then he takes them to children all over the world and he | :07:33. | :07:35. | |
blows them into their ear to make sure they have lovely dreams and not | :07:36. | :07:41. | |
horrible ones. Taking inspiration from Dahl's book, she is helping | :07:42. | :07:52. | |
youngsters create dreams and dream jars. We've got some lovely objects | :07:53. | :08:01. | |
to put in your dream jars. With all this fun going on, I couldn't resist | :08:02. | :08:14. | |
joining in. Good job. What is the aim of this workshop? It's a great | :08:15. | :08:19. | |
opportunity for children to be involved in the weekend and have | :08:20. | :08:24. | |
fun. They can use their imagination a bit and celebrate Roald Dahl's | :08:25. | :08:30. | |
work. Took me three or dream jar. It is about dinosaurs. A good dream or | :08:31. | :08:37. | |
a bad dream? A good dream. My full ways wanted to see a dinosaur. It is | :08:38. | :08:45. | |
like Jurassic Park in a jar. The dream jar with dinosaurs having fun | :08:46. | :08:50. | |
on holiday. That is amazing. Stegosaurus is standing upside down | :08:51. | :08:57. | |
having a little sleep in the tree. Because that is what they do. With | :08:58. | :09:02. | |
pterodactyls flying backwards on his tummy. That's a dream would all like | :09:03. | :09:09. | |
to have. With some simple props and an empty dream jar, the kids have | :09:10. | :09:13. | |
allowed their imagination to run wild which is exactly what Roald | :09:14. | :09:18. | |
Dahl is all about. It has been a BFG dream come true. The finished dream | :09:19. | :09:24. | |
jars will take pride of place in Bute Park on Sunday where everyone | :09:25. | :09:28. | |
is invited to whether pyjamas and joining The Great Pyjama Picnic. And | :09:29. | :09:32. | |
prizes will be awarded for the best feasts. Over at the Cardiff Central | :09:33. | :09:43. | |
youth club, a group of voluntary community performers are being put | :09:44. | :09:47. | |
through their paces by Nigel. In a line, keep it moving! They are | :09:48. | :09:53. | |
playing the part of the no-nonsense killjoys, the Ministry of the | :09:54. | :09:57. | |
predictable. What the hell is going on over here? Face that way. This | :09:58. | :10:02. | |
group is going to be responsible for keeping order in the city. They are | :10:03. | :10:07. | |
in charge of all the different codes and orders. They have thousands of | :10:08. | :10:11. | |
kilometres of hazard tape to place and they are desperately trying to | :10:12. | :10:15. | |
keep control. But like you all to take a pencil out of your left-hand | :10:16. | :10:20. | |
pocket and lived it up a little. And blew it because you kept it to the | :10:21. | :10:26. | |
finest point that you can. He is helping us move around and be stern | :10:27. | :10:29. | |
and writing notes and everything. Then you will stick it on to the | :10:30. | :10:37. | |
front of the camera without... And proper health and safety job, | :10:38. | :10:41. | |
really! The minister says... Runaround. Go! Stop! No! We often | :10:42. | :10:48. | |
use games, simple games to get the energy going. Runaround, go! Stop! | :10:49. | :10:58. | |
Let's go! Then focus on the drama, in this case, Simon says. That was | :10:59. | :11:05. | |
really, really fun. We were getting to work together as a unit. I'm | :11:06. | :11:12. | |
looking forward to it. Stop! No! Nigel is mental but perfect for this | :11:13. | :11:15. | |
sort of thing. Absolutely amazing working with him. Are you ready? | :11:16. | :11:26. | |
Let's move. Theatrical event on this scale needs all sorts of props and | :11:27. | :11:31. | |
sets to help tell the story and draw the story and so I've come to the | :11:32. | :11:35. | |
Royal Welsh College of music and drama's scenic workshop to meet the | :11:36. | :11:38. | |
team responsible for these all-important elements. You are busy | :11:39. | :11:45. | |
painting. You're the assistant designer. How many props are you | :11:46. | :11:50. | |
making? In all, there are thousands because there are so many people | :11:51. | :11:54. | |
involved. And different set for different books? There are certain | :11:55. | :11:59. | |
storylines we will follow. Some are secret. It's all under wraps, I love | :12:00. | :12:03. | |
it! Is this the biggest event you worked on? Yes. And the mistrustful? | :12:04. | :12:14. | |
Yes! -- the most stressful. We give me a guided tour? Yes. What is this? | :12:15. | :12:23. | |
This is one of our polar explorer sledgers. We'll have two in the end, | :12:24. | :12:27. | |
a Norwegian one and a British one and they are not to his past of | :12:28. | :12:32. | |
Roald Dahl being Norwegian. It is covered in some fake fur that we | :12:33. | :12:35. | |
have painted down to look like they are covered in snow with lots of | :12:36. | :12:39. | |
different fabrics. This looks like an icicle, maybe? We have been | :12:40. | :12:45. | |
making icicles to add on and these are made from a glue gun. The team | :12:46. | :12:51. | |
has sourced allsorts of props to make everything as realistic as | :12:52. | :12:55. | |
possible. The attention to detail is impressive. If you are in the | :12:56. | :13:01. | |
Arctic, you need a cup of tea. Of course! This is the British one. | :13:02. | :13:09. | |
We have a Fantastic Mr Fox here and his family. This is Mr Fox, his wife | :13:10. | :13:16. | |
and two children. These are masks that will be worn by performers so | :13:17. | :13:20. | |
you have to spot them during the day. They will get allsorts of | :13:21. | :13:24. | |
mischief. What are they made of? They aren't casting moulds that you | :13:25. | :13:30. | |
can see here. This is one part that has come out, his nose. It is | :13:31. | :13:36. | |
covered in fabric and then cut back. That is the fun bit, isn't it? Yes. | :13:37. | :13:44. | |
Can I try one on? Full the front down and over. Can you see three? | :13:45. | :13:50. | |
Is folksy lady! -- foxy. The props dotted around the workshop are | :13:51. | :14:02. | |
straight from the pages of Roald Dahl's books as every day materials | :14:03. | :14:07. | |
are turned into works of art. Today, they're turning tennis balls into | :14:08. | :14:12. | |
peaches for an all-important banqueting scene. We are putting | :14:13. | :14:18. | |
paint on it to give it more texture and colour. Do you want to have a | :14:19. | :14:25. | |
go? It's a very yellow peach. I'm not sure that's right! Did you take | :14:26. | :14:32. | |
inspiration from real peaches? Yes, we have real peaches we're using the | :14:33. | :14:35. | |
colours from. There are loads of different components we aim to get | :14:36. | :14:39. | |
involved in and our job is really fun, we get to do a lot of painting, | :14:40. | :14:44. | |
glueing, sewing, there is a lot of different elements. This looks | :14:45. | :14:49. | |
incredibly small considering that Roald Dahl is famously known for the | :14:50. | :14:55. | |
giant Peach. This is quite big, this is bigger, but will we be seeing a | :14:56. | :15:02. | |
Giant Peach? You'll have to come and see. I was grateful for the tour but | :15:03. | :15:10. | |
with the weekend fast approaching, it's back to work. The next stop is | :15:11. | :15:13. | |
something that is right up my street. | :15:14. | :15:27. | |
You have composed of three new pieces for the show. It is an | :15:28. | :15:37. | |
honour. I grew up reading all of Roald Dahl's children's books and | :15:38. | :15:41. | |
that is something really nice in my old age, my 30s, to pay tribute to | :15:42. | :15:47. | |
that man and his characters, getting to write music and lyrics to it is | :15:48. | :15:51. | |
really nice. As he hear what he was, how do you begin channelling that | :15:52. | :15:57. | |
wonderful imagination? He's got a vocabulary, is language is very | :15:58. | :16:07. | |
magical, he has words like whizzpopping. I'm having a lot of | :16:08. | :16:16. | |
fun with that. Hopefully the music suggests a sense of magic and | :16:17. | :16:23. | |
otherworldly and the unexpected. Who's going to be singing this magic | :16:24. | :16:28. | |
on the day? We've got lots of children's quires and community | :16:29. | :16:32. | |
choirs who are going to be singing the songs, so that in itself is such | :16:33. | :16:39. | |
a privilege. I can't wait to hear it. Keeping everything harmonious on | :16:40. | :16:52. | |
the day is music supervisor David Marney. It's a very exciting | :16:53. | :16:57. | |
opportunity and one of the most ambitious project I've ever been | :16:58. | :17:01. | |
involved with. We're looking at about 3000 musicians throughout the | :17:02. | :17:05. | |
weekend, so new to us all. In addition to established quires, -- | :17:06. | :17:15. | |
choirs, the project gives anyone the opportunity to take part and perform | :17:16. | :17:26. | |
the new music. And at the end of the weekend, the entire cast will come | :17:27. | :17:31. | |
together to perform his new anthem, title-mac thank you, Cardiff. | :17:32. | :17:46. | |
You'll have to come at the weekend to see the rest of it. Unexpected | :17:47. | :17:55. | |
pleasures in Cardiff, that's the excitement. I was a huge file of | :17:56. | :18:04. | |
Roald Dahl's books, the BFG, James the giant Peach, Charlie and the | :18:05. | :18:08. | |
factory, the list is endless and I cannot believe the man who brought | :18:09. | :18:14. | |
all these characters to life grew up in the village next to me. Roald | :18:15. | :18:22. | |
Dahl was born to Norwegian parents on the 3rd of September, 1916, and | :18:23. | :18:27. | |
was baptised in the Norwegian Church. They moved to Cumberland | :18:28. | :18:34. | |
Lodge following the death of his father and sister. A very important | :18:35. | :18:45. | |
figure was Joss Spivvis, we don't know anything about him other than | :18:46. | :18:52. | |
his name was Jones and he was a previous Rhondda miner. He used to | :18:53. | :18:55. | |
tell Roald Dahl terrible stories of when he went down the mine and that | :18:56. | :18:59. | |
comes back in interesting ways in Roald Dahl's description of the | :19:00. | :19:04. | |
giant elevator. They are described in exactly the same ways, so at the | :19:05. | :19:09. | |
heart of Charlie And The Chocolate Factory is a Rhondda minor's | :19:10. | :19:15. | |
experience. This blue plaque marks the four sweet shop where he used to | :19:16. | :19:20. | |
buy his sweets during his time at school which is well documented in | :19:21. | :19:27. | |
his autobiography, Boy. They played a trick on the miserable sweet shop | :19:28. | :19:31. | |
owner Mrs Pratchett by putting a dead mouse into a jug of -- jar of | :19:32. | :19:37. | |
gobstoppers. They didn't get away with it and they were trained by the | :19:38. | :19:45. | |
headmaster as punishment. In 1925, his mother sent across the Bristol | :19:46. | :19:50. | |
Channel to boarding school in Weston-Super-Mare but his boyhood in | :19:51. | :19:54. | |
Cardiff left a lasting impression. He never used to go to sleep unless | :19:55. | :20:03. | |
he was aligning himself in his bed with Llandaff over the Bristol | :20:04. | :20:08. | |
Channel that Roald Dahl always engaged in and it is my strong | :20:09. | :20:12. | |
belief he was constantly homing back to Wales in his writing. | :20:13. | :20:23. | |
The animal Wall on Castle Street with its serious of animals and | :20:24. | :20:28. | |
gargoyles peering over the castle wall is one of Cardiff's most iconic | :20:29. | :20:34. | |
features, but in keeping with the unexpected theme, where anything can | :20:35. | :20:39. | |
happen, design students from the Royal Welsh College and Trinity | :20:40. | :20:42. | |
College are working on a surprise of their own. They've been tasked with | :20:43. | :20:49. | |
creating their own Roald Dahl inspired animated puppets to sit | :20:50. | :20:54. | |
alongside the existing gargoyles and he's weird and wonderful creatures | :20:55. | :20:56. | |
will delight and surprise the audiences visiting the City of the | :20:57. | :21:06. | |
Unexpected. What are you up to? Obviously Roald Dahl talks about | :21:07. | :21:09. | |
different creatures from other worlds so we have taken those and | :21:10. | :21:17. | |
shuffled them all into one creature. It has these volcano horns that, it | :21:18. | :21:21. | |
is back and then he's got this enormous head which opens up to | :21:22. | :21:33. | |
reveal a little bird. We are puppeteering as well. We are the | :21:34. | :21:37. | |
kids that actually grew up with Roald Dahl's stories, so it is | :21:38. | :21:41. | |
fantastic to be able to channel are childhood imaginations into these | :21:42. | :21:44. | |
creations. It looks like you've got the messy job. It's the best job! | :21:45. | :21:50. | |
You've got to get nice and messy. It's latex. We're covering bits of | :21:51. | :21:57. | |
fabric in it, soaking it in it then applying it, it makes a really good | :21:58. | :22:03. | |
covering. This guy looks like he has an important job. You glueing his | :22:04. | :22:08. | |
head on? I'm using a soldering iron to melt into the shape I want, so | :22:09. | :22:13. | |
this is the head of Bert. He is mainly made out of thermoplastic, so | :22:14. | :22:18. | |
just heat it up and we can ship it into whatever we want. Show me how | :22:19. | :22:23. | |
it will work on the day. We got this frame that will open up on that sits | :22:24. | :22:28. | |
on the top of the wall so he kind of hangs on and this head hangs down. | :22:29. | :22:32. | |
It'll be able to open up and reveal little surprise inside. I love it. | :22:33. | :22:42. | |
Look out for Bert! What's this going to be? It's the bird from The Twits. | :22:43. | :22:54. | |
How does it work on the day? We will have the mother bird sat on top. She | :22:55. | :23:06. | |
will have her wings over like she's asleep, then she will open her wings | :23:07. | :23:11. | |
and she will pick a beat, blinked her eyes and the chicks will pop out | :23:12. | :23:20. | |
of the egg and say hello. This Roald Dahl world is definitely taking | :23:21. | :23:24. | |
shape and with the City of the Unexpected weekend just around the | :23:25. | :23:29. | |
corner, some very strange occurrences are being reported | :23:30. | :23:34. | |
online. Join us at the Riverside farmers market in Cardiff. | :23:35. | :23:37. | |
Eyewitnesses have described what appears to be a human sized fox like | :23:38. | :23:43. | |
figure enjoying the organic and home-made produce heat on the | :23:44. | :23:46. | |
market. We got a member of the ministry here today. Maybe we can | :23:47. | :23:52. | |
get some comments. No. Something seems to be happening. Let's get | :23:53. | :23:59. | |
this! I went to meet Matt Wright, digital designer for the online | :24:00. | :24:03. | |
content to find out more. We've created a really playful in world | :24:04. | :24:09. | |
Roald Dahl News website called the Bulletin, which provides a bit of | :24:10. | :24:12. | |
background content. If you're going to be there, you can actually | :24:13. | :24:20. | |
download an app we have created, so if there is something really | :24:21. | :24:23. | |
exciting happening over there and you are back here today bit | :24:24. | :24:25. | |
confused, you'll get a message coming through that tells you where | :24:26. | :24:31. | |
the sighting is happening. So you're signposting of these exciting | :24:32. | :24:37. | |
things? Exactly. There's some stuff on the website to see all ready, | :24:38. | :24:41. | |
isn't there? There is a selection of beautifully written stories. It also | :24:42. | :24:50. | |
suggests where a large food might appear -- fruit! We've also been | :24:51. | :24:58. | |
making nice video content. We worked with Derek Brockley. He forecasted | :24:59. | :25:13. | |
the weather in a very Roald Dahl we! -- way. If you're there during the | :25:14. | :25:23. | |
day, more information, how can you get involved? Either on your phone | :25:24. | :25:29. | |
or tablet, do you search for City of the Unexpected and all will be | :25:30. | :25:38. | |
revealed... Or not! There's no denying that this is an event on a | :25:39. | :25:49. | |
scale really seem in Wales -- seen. Down at this high school, the team | :25:50. | :25:54. | |
are rehearsing a particularly tricky set piece. The police have been | :25:55. | :25:57. | |
involved in the planning from the start, but Nigel has roped in | :25:58. | :26:01. | |
members of the public services into helping out and as per usual, | :26:02. | :26:09. | |
everything is top secret. We are rehearsing for the opening scene of | :26:10. | :26:14. | |
our event. We got fire engines, we got police, we've got all sorts to | :26:15. | :26:22. | |
cope with the very serious, dangerous thing that's going to | :26:23. | :26:31. | |
happen. We will treated exactly as we would leave real emergency. We | :26:32. | :26:34. | |
will work with the police force. I can't really say too much. Police, | :26:35. | :26:47. | |
let's move in a little bit, that's for a cauldron around it. Director | :26:48. | :26:52. | |
Nigel must only action skills of all involved to make the scene as | :26:53. | :26:57. | |
realistic as dramatic as possible. You're not at a picnic, a few at a | :26:58. | :27:08. | |
national disaster! -- you're at! What would be the next procedure if | :27:09. | :27:14. | |
it was radioactive? We can evacuate the immediate area. Congratulations, | :27:15. | :27:26. | |
we got the Oscar polished down here. I think the performing arts must sit | :27:27. | :27:30. | |
in the heart of the Welsh people and certainly the public services, who | :27:31. | :27:35. | |
had an important part of this scene -- who are an important part. True | :27:36. | :27:40. | |
to its title, City of the Unexpected will keep the visitors to Cardiff on | :27:41. | :27:44. | |
their toes as they enjoy some Roald Dahl magic and mayhem on the very | :27:45. | :27:48. | |
streets of this city that made him. After two years of planning and | :27:49. | :27:54. | |
months of designing, creating an rehearsing, all that's left to do is | :27:55. | :27:58. | |
to add some final finishing touches. We are all a little bit weary, but | :27:59. | :28:04. | |
very excited. Fingers crossed. As long as we don't get hit with too | :28:05. | :28:09. | |
many unexpected events from the heavens, I think we possibly got | :28:10. | :28:13. | |
something that people will remember, hopefully, for a long time. The last | :28:14. | :28:18. | |
few details are being put in place. I just can't wait for this magical | :28:19. | :28:24. | |
celebration to unfold. I'll be back next Wednesday at 7:30pm to bring | :28:25. | :28:28. | |
you all of the highlights. Remember, you can get life update sent | :28:29. | :28:31. | |
straight to your phone by visiting the City of the Unexpected website. | :28:32. | :28:36. | |
One thing is for sure, it's going to be an unmissable weekend and we can | :28:37. | :28:38. | |
expect the unexpected! Hello, I'm Tina Daheley | :28:39. | :29:07. | |
with your 90 second update. Today, nurse Pauline Cafferkey | :29:08. | :29:11. | |
has been cleared of misconduct. | :29:12. | :29:14. |