10/02/2013 The British Academy Film Awards


10/02/2013

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This programme contains some strong language and scenes of repetitive

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This programme contains some strong language and scenes of repetitive

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This programme contains some strong language and scenes of repetitive

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Tonight, the Royal Opera House plays host do some of the most

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celebrated stars in cinema. He is is hugely thrilling for Main.

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one of the nights in the business that is the pinnacle. The BAFTAs

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are a great events. And the red carpet is where it starts, the fans.

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Very passionate! To have people who love music -- movies this match,

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the love the event, who want to see the people on screen, standing out

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in the sleet and snow, it says a lot to me, it is really inspiring.

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We are British, we can handle this! I feel bad for them standing in the

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wet and cold. This is not bad weather, it is summer rain!

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No-one does glamour like London. The biggest names in film. Who will

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be taking home the much coveted BAFTA mask? Django Unchained was

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probably my favourite. There are so many international nominees tonight.

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I hope the British take it home! They are all good, that is why they

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are here. A lot of Bond fans. expect me to say anything but

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Django?! Ladies and gentlemen, please take your seats for the 2013

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British Academy Film Awards. Ladies and gentlemen, please welcome your

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Thank you very much. Thank you very much. Thank you very much indeed.

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Thank you, thank you. Good evening, my lords, ladies and gentlemen. Yes,

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sorry about this, but I suspect that I'm not the only actor who's

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come here tonight with a beard. It gives you great pleasure to welcome

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me to the Royal Opera House Covent Garden for the EE British Academy

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Film Awards. The EE British Academy Film Awards, I hear you scream! Now,

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please, do not become hysterical, I assure you there is no need to

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panic, you are in the right place, we have simply prefixed a new

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prefix to our name for reasons. Allah loyal supporters have just

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had a makeover, we hope the evening will be doubly good. That is the

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kind of skill for, kidney rupturing hilarious word play you can expect

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this evening, you lucky people! It is our philosophy here at BAFTA,

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and I use that word quite wrongly... To focus not on self-congratulation,

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but on admiration and celebration, so let's get on and be quite

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unabashed about celebrating what has been based simply magnificent

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year in film-making. I can honestly say, having presented these awards

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on many occasions, I cannot remember a roster of films,

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performances, scripts and productions that I have so admired

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and more importantly enjoyed. We are bursting at the seams here

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tonight with more panache, elan, radiance, joy, esprit, verve and

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obsession than you'd find at a perfume counter. This has been the

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year of the silent letter with Lincoln, Les Miserables and Django

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Unchained all benefiting from wholly unnecessary alphabetic

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incursions. Unlike the stars of those films, who are here tonight.

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Not a wasted letter amongst their names, just listen to how they

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resound, Daniel Day-Lewis, Samuel L Les Miserables, from the French

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novel, featuring stand-out American and Australian performances is, of

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course a British film! It was a remarkable experience, quite

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astonishing, not least seeing Helena Bonham Carter burst in to

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spontaneous song before she'd had a drink. I am joking, of course, she

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was drunk every day on set! Banging the drum a little more, our very

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own 007, James Bond, came up against his most formidable

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adversary yet last year, a steely foe who sat at the head of a shady

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operation hell-bent on world domination. Of course, as ever, he

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emerged victorious when in the final scene he threw Her Majesty

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out of the helicopter. Talking of old queens, oh, no, I promised the

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BBCi would not do that one! 2012 was the year of the film franchise

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With the likes of The Hobbit: An Unexpected Journey, a film I don't

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mind telling you I played a small part in, though it remains in the

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cutting room, thus making it for me, more of The Hobbit: A Wasted

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Journey. In fact, I think my scenes will be shown next year in the

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second Hobbit film. Or if they can squeeze, by which I mean of course,

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lovingly craft another six films out of the slim volume Tolkien

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wrote, expect to see me in The Hobbit 9: Are We Nearly Home Yet,

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Gandalf? There was also Men In Black 3, The Twilight Saga:

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Breaking Dawn Part 2, The Bourne Legacy and the latest in the Batman

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series, The Dark Knight Rises, where the caped crusader works

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tirelessly for the good of his beloved city. Interestingly, I

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believe they based it on London's very own superhero, Boris Johnson,

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though he doesn't keep his alter- ego as a millionaire quite as

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hidden. Then there was the first in The Hunger Games trilogy, where

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children are forced to fight to the death in a simulated arena, an idea

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we were very keen on to determine tonight's winners, but Quentin

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Tarantino was just a bit too keen on the idea. Most marvelously,

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though, the young shining star of The Hunger Games, the mesmeric

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Jennifer Lawrence, is with us tonight hoping to bag a BAFTA for

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her simply sublime performance in Silver Linings Playbook. Now,

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Jennifer, last year a certain Brad Pitt was here and did us the great

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honour of blowing a kiss to our audience at home, a joyous moment

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that I replay in my mind often and 18 times a day on YouTube. It is a

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tradition we had started, and we would be delighted if you would

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continue the contrition down the barrel of camera nine... Gone, blow

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a kiss! Wonderfully kind! A nation's hunger has been sated! We

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also welcome along one of my all time heroines Sally Field, star of

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Lincoln and of course amongst so many other things, Forrest Gump's

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mother. Just to be in the same room as her makes my heart beat a tiny

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bit faster. Also here is the director of the incredible Life of

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Pee, Ang Li. Hang on, went astray there somehow. He knows what I mean,

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a brilliant film and director! Star of The Master, the masterful

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Joaquin Phoenix is with us, he's hoping to join the BAFTA winners'

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club and become a Baftologist, where he could reach Thetan level

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and... I'm being told by the voice, I think it is Tom Cruise telling me

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to stop! I will leave it there. Yes, a terrifically terrific year all

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round, so let's take a trawl, and who better to take a look through

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such a wonderful year in film with than the ravishingly brilliant

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young British singer-songwriter who has penned hits aplenty, as well as

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appearing in St Trinian's and The Imaginarium Of Doctor Parnassus. To

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take us through this year in film, who better than the radiant Paloma

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Apology for the loss of subtitles for 97 seconds

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# And they could never tear us # And they could never ever tear us

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Apology for the loss of subtitles for 97 seconds

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# And they could never tear us # And they could never ever

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# Ever tear us apart Brilliant! Thank you. Ladies and

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gentlemen out front, as much as I am a-quiver to see all of you here

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in your finery and in some cases your onesies, this is not some

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exclusive A-list superstar Party, that is later! Tonight we will come

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along our beloved television audience, you are as welcome as

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George Clooney at a hen party. And we all hope you have a wonderful

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I know people like to bet on who is going to win in various categories,

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but let me assure you that the only match that is fixed here is my

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dance with Jeremy Irvine at the after party. A final word before we

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immerse ourselves, Lord knows, if I was ever to beat awarded one of

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these, I would need a restraining order to prevent me from thanking

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everyone had anything to do with it, the cats, the magistrate who gave

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me one final chance... But you are not me, and I feel certain that

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when your name is called out, your production is called out, he will

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leave your feet like a startled gazelle, he will not French Kiss Or

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hug anyone around you, you will run like a freak in Giselle to the

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stage, and you will collect your mask and you will keep your gushing

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to the barest minimum. Let me put down the needle of insinuation and

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pick up the club of statement, the swift, the damnably swift, and you

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Led me prong of the award for into the cast-iron cauldron of this

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likely -- lightly bubbling fondu of film. We're kicking off with

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outstanding British film presented in honour of Alexander Korda. As

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this is the first award of the evening, the award genie granted us

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three wishes. So, first I wished for eternal youth, which as you can

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see, was indeed granted. And then I wished for two of the biggest, most

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talented stars of the moment. And would you believe it? Those wishes

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also came true. Ladies and gentlemen, please welcome the star

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of Silver Linings Playbook, Bradley Cooper, and the director and star

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of Argo, Ben Affleck. His home city is currently under three feet of

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Good evening. This is our first time at the BAFTAs and it is

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thrilling to be here. I have always been in awe of the excellence of

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the British film industry. Influential behind and in front of

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the camera since its inception. is an honour for me, too. I know I

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speak for both of us when I say we are delighted to present the BAFTA

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award for outstanding British film. He is keen to get home! I'm not

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used to being spoken to like that by a man I met once at a railway

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But Lord! And now... Have no dripping. No drip. I five. I don't

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know why I did that. I have never They should just drive off into the

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desert and pitch a tent and talk. No shoot-outs, no pay-offs, just

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Apology for the loss of subtitles for 97 seconds

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human beings talking. What, are we Well, big banks to buy -- a big

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thanks to BAFTA. This is a first for James Bond. And a big thank you

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to the cast and crew of Skyfall. And that NGN, Gary, Jonathan and

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Roger. Peter Taylor's team in the UK, who broke the all-time box-

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Skyfall was conceived 60 years ago when Ian Fleming wrote the first

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James Bond novel. It was born 50 years ago when the first film was

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produced. Since then, it has been nurtured by a whole host of

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directors, actors, cast and crew. So today, James Bond is loved

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throughout the world. It is on behalf of those film-makers that

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Barbara and I accept this award. 1292 people worked on this movie

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and I stand here on behalf of all of them. We all had very high

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expectations for the film and I think it is fair to say that all of

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them have been exceeded. This really is the icing on the cake.

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Thank you very much, BAFTA. There are two people I want to say a

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special thank you to. The person around whom we build this movie and

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without whom the movie could not have happened, and that is of

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course Daniel Craig. For his bravery and his brilliance and his

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friendship and his sheer bloody- mindedness. And last but by no

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means least, I want to say thank you to someone who is not here, the

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great Ian Fleming. 60 years ago almost to the date, he sat down and

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wrote that he was a secret agent and still alive thanks to the

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detail of his profession. Here's to Although the Royal Opera House is

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nothing like as glamorous as a car- park in Leicester, let's hope we

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can unearth some royal bones here in what I hope will be confirmed as

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the award for the original screenplay. To present it, the

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sumptuous and superlatively scrum to us actor, whose career is now

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entering its 6th decade. She just keeps getting better and better. I

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compare her to the likes of Meryl Streep and Always Rain as one of

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the true immortals of Hollywood. -- Louise Rayner. She is still at the

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top of her game. It goes me enormous pleasure to welcome the

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Thank you, thank you, thank you. I was supposed to be out here with

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the fabulous Eddie Redmayne, but he seems to be puking his guts out

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back there. He and I did a rehearsal and we were kind of, you

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know, close. Really close. If I turn grey and start not to feel

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well, we will know what it is and we are all doomed because this

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thing spreads like mad. I am absolutely thrilled to be here and

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I am very happy to be here to be presenting the award for best

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Original screenplay. As we know, that is where it starts, with the

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text. Without great text, you do not have a great performance and

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you do not have a great film. So, I am curious what makes you so

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curious. What did you say, boy? Calm down. No offence given or

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This is it. There is no one coming to rescue. There is nobody hidden

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away. There is just us. And we are Is there something frightening

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here? Frightening? Yes. What scares you so much about travelling into

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the past? Are you afraid that we might discover that our past has

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Apology for the loss of subtitles for 97 seconds

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And the BAFTA goes to... Oh, Thanks a lot. This is really nice.

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Really cool. First I want to thank my actors for doing a banger out a

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job with my dialogue. Thanks a lot, guys, I appreciate it. And I want

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to thank BAFTA for giving me this. I think you guys are a terrific

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organisation. I am famous for not joining organisations but having

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said that, I am proud to be one of yours. And one last thing about the

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script. I would also like to thank, in particular, Harvey and Amy

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because this was a pretty hot potatoes script. For them to do it,

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pony up a lot of money, do it in the right way, take that same

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script and go out and make a hit, that is pretty impressive. Thanks a

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Congratulations. Now, ladies and gentlemen, 5 Great films including

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Django Unchained are in contention for the best film accolade. There

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are five films, just five, in contention for best film. I could

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tell you who has won now and save a lot of time and shiny envelopes.

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Although times are hard, that is not how we roll around here. We are

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very much going against the fabric of award shows and we would destroy

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them for ever and then where we would be is... Don't answer that.

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We will take a leisurely look at each of the five contenders for

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best film and the first is the edge of your seat powerhouse Argo. It

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could be my age, my hectic schedule, or my alcoholism, but when I heard

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of this film, I fell foul of a misunderstanding. I was thrilled

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when Argo turned out to be unnerved shred of the highest order.

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Magnificently made. So now go fill The American embassy is attacked

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and all of the people are taking hostages. Six of the hostages have

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got out. Tony works doing X for alterations, getting people out of

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places safely. -- filtrations. is going to wake up tomorrow

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morning and be in the movie business? I need you to make a fake

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movie. You are going to be the big shot without doing anything? He yes.

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I think we were able to get such great actors and that just reflects

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on the story. I want to cement in people's minds that this is real

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and it is happening. If I am making a fake movie it has to be a fake it.

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This will be a first. We are putting them in harm's way and we

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have to get them out. We don't say it is impossible. People have no

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idea how hard it is to direct yourself and the other actors. When

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I am on set, he does it with ease. What is great about Argo, although

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it is steeped in espionage and bureaucracy at the highest level,

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it is about the inexperience. you give me a break? I can't

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breathe. It only takes one second for them to spot you. It is about

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normal people facing fear. If they stay here, they will be taken,

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probably not alive. There is heroism and patriotism and it is an

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escape story. There is an explosive world event when people's lives are

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hanging in the balance and the clock is ticking. We do not have

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the go-ahead from the President. tried to make something

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entertaining and funny and scary and thrilling. This is what I do. I

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get people out. I have never loved A film about a script that is

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actually written and is never made, as if! But will Argo make it past

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the ferocious BAFTA Revolutionary Guard and take off with the price?

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That's it is yet to be written, as are the scripts which tell us he

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will win best director, actor and actress, not to mention best film.

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The award for best supporting actor has now arrived, so to tell us who

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has not written an acceptance speech in vain, a brilliant young

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actor on such an upward trajectory, trajectory, she will soon be space

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jumping with Felix Baumgartner, which is easier to say than

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trajectory! Their performance that had us all salivating in The Hunger

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Games, quite peckish over here, in Silver Linings Playbook she is

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quite breathtaking, so please calculate wildly for Jennifer

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Thank you. For a film to beef truly great, every role has to be filled

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by the very best. The five actors nominated tonight almost certainly

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that, let's take a closer look at the nominees for supporting actor.

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I am at a slight disadvantage, in so far as I do not know what they

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look like. But you do. Don't you? You want to set up a fake movie,

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like to Hollywood, where everybody lies for a living, then sneak 007

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into a country where they drink blood on their breakfast cereal.

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What do you do? I too many, many things. I am a writer, a doctor, a

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nuclear physicist, a theoretical philosopher. But above all, I am a

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man. What violates natural law? I do not give a damn about what

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they want. This is for the good of the people without caring much for

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There is a first time for everything. What makes you think

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And the BAFTA goes to... Christoph Thank you, thank you so much of

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this immense honour. It is... Why I get to stand here is not a mystery,

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because it says so at the very beginning of our movie, written and

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directed by Quentin Tarantino. But of course I want to thank Jamie Fox

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and Leonardo DiCaprio and Sam Jackson and Kerry Washington for

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their camaraderie and help, and Harvey Weinstein, for the attention

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and... I want to thank Adam Schweitzer for his support and

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enthusiasm, Lisa Costello for making me shine. But it all starts

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and ends with Quentin. And... Really, beyond everything that I

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need and want to thank you for, Quentin, the thing that touches me

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the most is your unconditional trust that I will put your creation

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to its proper use. Use silver pens We now turn to outstanding debut by

:34:55.:34:58.

a British writer, director or producer given in honour of the

:34:58.:35:06.

great writer and producer Carl Foreman. He was the writer of the

:35:06.:35:11.

immortal High Noon, a victim of the McCarthy era, he came to Britain,

:35:11.:35:18.

and we hear were the winners in gaining Carl Foreman's talents as a

:35:18.:35:22.

producer-director, and this award is named for him and all victims of

:35:22.:35:26.

censorship and suppression. To tell us who has again failed to write

:35:26.:35:29.

that acceptance speech in vain, Scotland's finest folk singer

:35:29.:35:34.

turned comedian turned A-list film star turned banjo player turned

:35:34.:35:41.

hairstyle turned hobbit Corp. In fact, Scotland's only one of those,

:35:41.:35:46.

the star Quartet, The Hobbit and Brave, the force of nature that is

:35:46.:35:56.
:35:56.:36:20.

I am overcome with joy. I am awash with bliss. At the very thought of

:36:21.:36:24.

presenting an unsuspecting stranger with a desk man -- death mask on a

:36:24.:36:34.
:36:34.:36:36.

For the most outstanding debut by a British writer, director or

:36:36.:36:40.

producer, clearly this is an award for someone relatively new to the

:36:40.:36:44.

industry, which kind of rules me out of it. But I might be in with a

:36:44.:36:49.

chance if the Watt was outstanding swansong for an old fart. Looking

:36:49.:36:59.
:36:59.:36:59.

around the room, I might have some stiff competition. And the BAFTA...

:36:59.:37:09.
:37:09.:37:18.

We are The Muppets, and these are our biggest fans! James uses The

:37:19.:37:24.

Muppets to bring them back to the big screen as Kermit and friends

:37:24.:37:27.

reunite to save the studios from demolition. Start at the bottom and

:37:27.:37:37.

work our way back up to the top! Experienced television documentary

:37:37.:37:40.

producers, their first feature is a dark and stylish mix of interviews

:37:41.:37:44.

and reconstructions telling the story of a young Frenchman who

:37:44.:37:50.

successfully posed as a missing American child. The reward was

:37:50.:37:55.

eventually to be put in a place where they really cared about me. I

:37:56.:38:03.

mean, I was reborn. Tina Gharavi, I Am Nasrine. Iranian born film-maker

:38:03.:38:06.

Tina Gharavi left the country when she was seven and studied cinema in

:38:06.:38:11.

France. The movie explores a modern refugees journey and the challenge

:38:11.:38:18.

changing world. We just want to be somewhere where we can live, where

:38:18.:38:28.

we can breathe! Brother and sister David and Jacqui Morris created his

:38:28.:38:31.

intimate rapport -- Portrait of a revered photographer, gaining

:38:31.:38:36.

unique access to his story and his archive. I was building his

:38:36.:38:40.

reputation as a war photographer, suddenly I felt uncomfortable and

:38:40.:38:43.

dirty, being called a war photographer was like being called

:38:43.:38:53.
:38:53.:38:55.

a mesmeric. -- a mercenary. He was that? That is your old man. Dexter

:38:55.:38:59.

Fletcher is now behind the camera, teaming up with Danny King to

:38:59.:39:09.
:39:09.:39:19.

create a tough gangster film with a Bart Layton and Dmitri Doganis for

:39:19.:39:29.
:39:29.:39:48.

Wow! Thank you so much. First, Samuel L Jackson, peeing next to

:39:48.:39:54.

Samuel L Jackson and now this! I do not know... I don't think we ever

:39:54.:39:58.

imagined that this amazing journey was going to lead us to be in this

:39:58.:40:04.

room, doing some shaky public speaking in front of so many of our

:40:04.:40:11.

heroes! There are so many people we should thank for this. Poppy

:40:11.:40:16.

Dickson, our co-producer, who is somewhere in the room. We sent her

:40:16.:40:22.

to taxes enough search of a story that did not want to be found, and

:40:22.:40:26.

without her we probably would not have the film. -- Texas. Wally

:40:26.:40:32.

Thompson, Katherine Butler at FilmFour. Tabitha Jackson. They

:40:32.:40:36.

believed that we could mount this documentary and tell it like a

:40:36.:40:40.

thriller, rather than a traditional documentary, and they believed in

:40:40.:40:45.

two first-timers. And obviously, Andrew, our editor, and my very

:40:45.:40:50.

dear friends and cinematographers, Eric and Linda, all of you, thank

:40:50.:41:00.
:41:00.:41:00.

you so very much, thank you very Well, now it is time to consider

:41:00.:41:05.

the next of the five nominees vying for the best film supremacy. And

:41:05.:41:09.

the simply mind-blowing achievement that is Life Of Pi, we are looking

:41:09.:41:16.

at now. Once again... Yeah, what a piece of work. My feeble mind let

:41:16.:41:21.

me down, and first hearing of it, I assumed it to be the latest

:41:21.:41:30.

with fruit filled pastries. I suppose we will have to wait for

:41:30.:41:33.

the director's cuts. It is of course a magical tale featuring,

:41:33.:41:43.
:41:43.:41:44.

among others, that great Russian And it contains some really special

:41:44.:41:47.

special effects that are so startling, so well judged that they

:41:47.:41:56.

give real life to the astounding, An old man at the table next to be

:41:56.:42:02.

struck up a conversation, an amazing story. Where do we begin?

:42:02.:42:06.

Life of by is the story of a 16- year-old boy who ends up on a

:42:06.:42:11.

lifeboat with a tiger. -- Life Of Pi. As I was writing the book,

:42:11.:42:15.

cinematic as it was in my mind, I thought it was completely on

:42:15.:42:21.

filmable. You have to take those little symbols on the page and turn

:42:21.:42:28.

them into a visual reality. Facing the big idea of the unknown, it is

:42:28.:42:33.

a mental scope. Because of that, I thought I might need another

:42:33.:42:43.
:42:43.:42:47.

dimension, the new look of 3D, a I think there were a lot of

:42:47.:42:52.

unknowns about making this movie to begin with. It is about adventure,

:42:52.:42:56.

survival, hope, wonder, but there is spirituality and faith, thinking

:42:56.:43:06.
:43:06.:43:12.

We are really portraying a journey of a person in relation to nature

:43:12.:43:22.
:43:22.:43:24.

That is pretty grand material! can tell you my story. You will

:43:24.:43:34.
:43:34.:43:38.

decide for yourself what you The colour, the vividness, the

:43:38.:43:43.

lushness, the extraordinary enigma, the sheer beauty and majesty of

:43:43.:43:48.

life of pie. If you have not seen it, please do. Well, would it be

:43:48.:43:51.

living the life of Riley later tonight, that remains to be seen

:43:51.:43:56.

and heard and possibly caressed. I cannot wait for the sequel, Life Of

:43:56.:44:00.

Pi R squared. Now, to special visual effects, and waiting

:44:00.:44:04.

backstage is a man who was really excited to be here, although I

:44:04.:44:07.

believe security has now escorted him from the building so I can

:44:07.:44:11.

introduce our awards presenter, a damn fine actor, and the reason

:44:11.:44:16.

there was gridlock around the cinemas during rush-hour. He is

:44:16.:44:19.

also the reason we drove frantically back to the picture

:44:19.:44:22.

houses, routing our horns and a light cook at his stunning

:44:22.:44:28.

performance in Silver Linings Playbook. Welcome Chris taco. --

:44:28.:44:38.
:44:38.:44:43.

It is great to be here to present the award for special visual

:44:43.:44:49.

effects. Visual effects have become an integral part of cinema today.

:44:49.:44:54.

Thank goodness, because without them some of us might be forced to

:44:54.:45:00.

actually act! I'm only kidding. The union would never allow that! Let's

:45:00.:45:10.
:45:10.:45:10.

My mother warned me about getting into cars with strange men. At is

:45:10.:45:20.
:45:20.:45:20.

Apology for the loss of subtitles for 97 seconds

:45:20.:47:04.

And the BAFTA is awarded to Life Of Wow. Thank you, BAFTA, this is

:47:04.:47:11.

incredible. I am astounded by the other nominees city have this award

:47:11.:47:15.

is truly spectacular. One of the central themes of Life Of Pi is

:47:15.:47:21.

asking the audience to question what they think is real. That was

:47:21.:47:25.

our job in visual effects, to ask the audience if the tiger and the

:47:25.:47:31.

ocean were real. I guess if we are holding this, we did OK. I thank

:47:31.:47:36.

you. I want to thank Elizabeth and built for persevering to make this

:47:36.:47:42.

film for 10 years. And their director, Ang Lee. The work is

:47:42.:47:47.

astounding and it was a dream job to work with you. Thank you so much.

:47:47.:47:52.

For those of us that the visual effects, you mark us for our

:47:52.:47:59.

science at times but we are artists and if you give us the opportunity

:47:59.:48:09.
:48:09.:48:11.

then we will make art with you. Now, tonight is amongst other

:48:11.:48:20.

things a night of firsts. It's the first time Billy Connolly has kept

:48:20.:48:25.

all of his clothes on in public. And Daniel Day-Lewis is speaking in

:48:25.:48:31.

a British accent. But most remarkably of all, it is the very

:48:31.:48:34.

first time this next actor has ever presented an award here at BAFTA.

:48:34.:48:37.

Yes, after years and years we've finally caved in to his constant

:48:37.:48:40.

barrage of phone calls begging us to be allowed to present an award

:48:40.:48:43.

after a slot become available due to a last-minute drop out by David

:48:43.:48:46.

Hasslehoff. It's the award for supporting actress and I would ask

:48:46.:48:50.

you to ensure that your loins are well girded as I go all silly and

:48:50.:49:00.
:49:00.:49:14.

say, "Oh, my good sweet Lord. It's I would like to thank David

:49:14.:49:19.

Hasselhoff! I would like to thank you, for making it OK for leading

:49:19.:49:27.

men to have facial hair. Thank you so much for that. All right! My job

:49:27.:49:30.

tonight is to present best supporting actress, so let's get

:49:30.:49:40.
:49:40.:49:43.

The only way to defend ourselves is to attack. If we don't do that, we

:49:44.:49:47.

will lose every battle we are engaged in. We will never dominate

:49:47.:49:57.
:49:57.:50:07.

our environment the way we should # And there are storms we cannot

:50:07.:50:17.
:50:17.:50:26.

How special this has been for May. It is not going to help you. It is

:50:26.:50:36.
:50:36.:50:40.

going to make it worse. Mrs Lincoln. How difficult it must be for you to

:50:40.:50:46.

know that and yet how important to remember it.

:50:46.:50:54.

Go on. See if I care. What do you expect? An apology? You know the

:50:54.:50:58.

rules of the game. You have been playing it long enough. We both

:50:58.:51:08.
:51:08.:51:10.

have. Maybe too long. Speak for All right. And the BAFTA is awarded

:51:10.:51:20.
:51:20.:51:41.

What am I thinking? I'll must walk past George Clooney without tugging

:51:41.:51:51.
:51:51.:51:53.

him! -- I almost walked past. I did not hard him. That is stupid. I'm

:51:53.:52:00.

coming down with laryngitis because of the giddiness. I might sing.

:52:00.:52:06.

That went better in my head. I share this with the cast and crew

:52:06.:52:13.

of Les Miserables for the most golden hearted group of laughs his

:52:13.:52:23.
:52:23.:52:24.

talent knocked me sideways every day. -- loves. I must give special

:52:24.:52:28.

thanks to Tom Hooper for the ground as of his dreams and the ability to

:52:28.:52:31.

make them come true. Hugh Jackman, I run out of superlatives for you,

:52:31.:52:39.

man, you are the best. Thank you. Oh, gosh, feel better, Eddie. I

:52:39.:52:44.

would be holding your hair back, but, you know... Third poisoning is

:52:44.:52:54.
:52:54.:52:55.

just the worst. -- food poisoning. I have to thank everyone

:52:55.:52:59.

responsible for making Les Miserables the theatrical

:52:59.:53:06.

juggernaut that it is. Thank you to Working Title, Universal, and Debra

:53:06.:53:10.

Hayward. And very special thanks for Victor Hugo, without whom none

:53:10.:53:20.
:53:20.:53:32.

of us would be here. Thank you so The third film in contention for

:53:32.:53:35.

the best film award is the enthralling Zero Dark Thirty. This

:53:35.:53:37.

was billed as history's greatest manhunt for the world's most

:53:37.:53:40.

dangerous man, so naturally I assumed it was the National Rifle

:53:40.:53:50.
:53:50.:53:52.

Association of America's attempt to track down Piers Morgan. I was

:53:52.:53:58.

reluctant to see it because I had not seen 29th of the other an Zero

:53:58.:54:02.

Dark Thirty brand to his films. Behold, the sensational and Zero

:54:02.:54:12.

The movie takes you behind the scenes on the decade-long hunt that

:54:12.:54:16.

led to finding the world's most dangerous man. I want to make

:54:16.:54:19.

something absolutely clear. There is nobody else coming to the rescue,

:54:19.:54:24.

it is just us. Nobody knows what it is like to disappear in the shadows

:54:24.:54:29.

as a CIA operative in that part of the world. Why should I help you?

:54:29.:54:33.

Why do you only call me when I need help? How about a Lamborghini? I

:54:33.:54:38.

only need a phone number. But there are lots of people across the world

:54:38.:54:42.

involved in the hunt and we could not capture every aspect. He has

:54:42.:54:47.

called from two payphones, never using the same telephone number

:54:47.:54:53.

twice. It was those specific and it led the CIA to him. You cannot run

:54:53.:54:57.

a global network of interconnected cells from a cave. He is in a city.

:54:58.:55:05.

They always work in grave danger. don't think that there was any one

:55:05.:55:10.

person who was the hero. There is a 60% probability that he is there.

:55:10.:55:14.

think there were many heroes in that story. I know that this freaks

:55:14.:55:21.

you out but it is 100. It is going to happen? When? Tonight. The Zero

:55:21.:55:26.

Dark Thirty means 20 minutes past midnight, which means wait until it

:55:26.:55:36.
:55:36.:55:51.

is dark enough and then come in. Quite literally history in the

:55:51.:55:54.

making and the making of history. But will it complete its not-quite-

:55:54.:55:57.

as-secret mission tonight and carry off the BAFTA? I have no idea, but

:55:58.:56:01.

I'll stick my neck out and say it has a one in five chance. The award

:56:02.:56:05.

for best film is one of the many delights still awaiting us. Others

:56:05.:56:09.

include, but are not limited to, the awards for rising star,

:56:09.:56:10.

documentary, actor, actress and of course the fellowship. All in good

:56:10.:56:16.

time though. Or just time. So, in the pre-ordained order of things we

:56:16.:56:19.

now come to adapted screenplay. To present this award we have found

:56:19.:56:21.

ourselves a couple of real belters from opposite sides of the Atlantic.

:56:21.:56:24.

Representing the UK is an English King Midas who has worked his magic

:56:24.:56:28.

on such as Star Trek and Mission Impossible. And representing the US

:56:28.:56:31.

is an award-winning actress whose multi-talented talents have been on

:56:31.:56:35.

display in the likes of Pearl Harbour and Juno. Please go "yee-

:56:35.:56:38.

ha" and "jolly good show" in equal measure for Simon Pegg and Jennifer

:56:38.:56:48.
:56:48.:56:56.

Thank you. I think I speak for both of us when I say how excited we are

:56:56.:57:00.

to be presenting the award for adapted screenplay. You certainly

:57:00.:57:06.

do. I thought that rather come up with something original and funny,

:57:06.:57:11.

we would adapt the words that we used last year. With that in mind,

:57:11.:57:17.

please give it up for Jennifer. OK, here goes. Let's take a look at

:57:17.:57:27.
:57:27.:57:35.

Why did you ordered tea? Because you or did raisin bread. I didn't

:57:35.:57:39.

want you to mistake it for a date. It can still be a date if you order

:57:39.:57:49.
:57:49.:57:51.

raisin bread. That is not a date. Do you want to be dead? No. The E

:57:51.:57:58.

want to leave me alone? -- do you want to leave me alone? If you be

:57:58.:58:08.
:58:08.:58:09.

I never thought it would bring me so much happiness. That a bucket

:58:09.:58:16.

and a knife could become my greatest treasure. In times like

:58:16.:58:20.

these, I remember that he has as little experience of the real-world

:58:20.:58:30.
:58:30.:58:33.

In that 2000 year-old book of mechanical law, it is a self-

:58:33.:58:36.

evident truth that things that are equal to the same thing are equal

:58:36.:58:43.

to each other. If you are going to do this, you

:58:43.:58:51.

have got to do it. You cannot build cover stories around a movie that

:58:51.:58:57.

does not exist. You need a script and a producer. You are an

:58:57.:59:07.
:59:07.:59:09.

Who do you want to win? The Bath did goes to Silver Linings Playbook.

:59:09.:59:19.
:59:19.:59:49.

This is a wonderful year for film and for writers, and it is very

:59:49.:59:52.

difficult to put all these films together. Our film is about emotion

:59:53.:59:57.

and people, and this is for every family that faced those emotions,

:59:57.:00:01.

those struggles, and millions do it every day. I want to think Jennifer

:00:01.:00:07.

Lawrence, Bradley Cooper, Robert De Niro, Chris Tucker, our entire cast.

:00:07.:00:15.

I want to thank my son, who inspired the story. And I... I am

:00:15.:00:20.

probably forgetting lots of people, but I will keep it short. God bless

:00:20.:00:25.

you, BAFTA, thank you, BAFTA. Matthew Quick, the writer of the

:00:25.:00:34.

We can now to the outstanding contribution to British cinema,

:00:34.:00:40.

which is presented in honour of one of Britain's foremost producers,

:00:40.:00:45.

Daniel Day-Lewis' grandfather, the great Michael Bolton. To make this

:00:45.:00:48.

presentation, a multi-award-winning director has made an outstanding

:00:48.:00:51.

contribution to sport, although if you have ever seen him on a pommel

:00:51.:00:56.

horse, you will know that I do not mean athletically. He was the

:00:56.:01:00.

creative genius behind the greatest Olympic Opening Ceremony of all

:01:00.:01:04.

time, and with films like Trainspotting and Slumdog

:01:04.:01:07.

Millionaire to his credit, he is one of the greats. Please welcome

:01:07.:01:17.
:01:17.:01:26.

Thanks very much! Barcelona are arguably the greatest football team

:01:26.:01:27.

ever, but when asked to was the greatest living footballer, their

:01:27.:01:34.

midfield general, Iniesta and Messi picked Paul Scholes of Manchester

:01:34.:01:42.

United. Stick with me! There was surprise, because Paul Scholes is a

:01:42.:01:46.

modest man who shuns the limelight, even when his car is nicked from

:01:46.:01:52.

his driveway. I am very proud to be here tonight to thrust another shy

:01:52.:01:56.

genius into the spotlight on behalf of the British film industry. Their

:01:57.:02:01.

incredible effort, determination and belief are why power industry

:02:01.:02:04.

continues to thrive. She is a visionary, someone who was willing

:02:04.:02:08.

to take a chance, take a risk and back a writer, director or producer

:02:08.:02:13.

when others have turned them away. As head of film and drama at

:02:13.:02:16.

FilmFour, she has passionately championed new talent and actively

:02:16.:02:20.

sought out challenging and controversial projects that were

:02:20.:02:24.

deemed too risky or unprofitable by the open market. What is more, time

:02:24.:02:28.

and again, their uncanny instinct has been proven right, and these

:02:28.:02:32.

projects have become huge worldwide successes. Many of us here tonight,

:02:32.:02:37.

myself included would not be where we are today without her wise,

:02:37.:02:43.

indefatigable, modest and, yes, capable of the odd mistimed tackle,

:02:43.:02:47.

I can pay her no greater compliment than to say she really is the poor

:02:47.:02:53.

skills of the British film industry. Let's take a look at some of her

:02:53.:03:00.

work. -- Paul Scholes. Right, Mr Braithwaite, the sun will come out

:03:00.:03:10.
:03:10.:03:14.

I am sick of all these stereotypical murderous type movies.

:03:14.:03:24.
:03:24.:03:27.

You do not know karate! Crazy! repairs and a racist talk. Is that

:03:27.:03:37.
:03:37.:04:00.

Everything all right? Ready? Set? 1, 2, 3, Go! It stops them taking

:04:00.:04:10.
:04:10.:04:10.

Apology for the loss of subtitles for 97 seconds

:04:10.:04:53.

I think it could work, don't you? Ladies and gentlemen, the Michael

:04:53.:04:55.

Balcon Award for Outstanding Contribution to British cinema goes

:04:55.:05:05.
:05:05.:05:24.

Well, thank you, thank you so much. You will have seen those clips and

:05:24.:05:27.

you will know jolly well that work is by a host of other people, an

:05:27.:05:33.

army of other people and not me, not least this wonderful man, whom

:05:33.:05:37.

I have had the most wonderful time working with. I would love to list

:05:37.:05:40.

aims and do proper thank-yous, but the list is so long that I thought

:05:40.:05:44.

she would not mind and you would forget me if I just said a huge

:05:44.:05:47.

thank-you to the extraordinary writers and visionary directors,

:05:47.:05:52.

the magical technicians and actors, the dogged producers that I have

:05:52.:05:55.

had the huge privilege of working with. I have learnt something every

:05:55.:05:59.

day and continue to do so, and in truth those wild, winding, Crazy

:05:59.:06:03.

Jenny's, looking at Danny, have been the very best bit of the work

:06:03.:06:09.

for me. -- Crazy journeys. I get to take this wonderful thing home to

:06:09.:06:13.

put it on my mantelpiece. I have looked jealously at the team's

:06:13.:06:17.

coming up, because I share this with my team at FilmFour, a group

:06:17.:06:21.

of people who are truly exceptional and like a second family. They are

:06:21.:06:25.

incredibly committed, they are clever, they are passionate and

:06:25.:06:29.

patient, full of ingenuity, and they have huge integrity. They do a

:06:29.:06:34.

huge amount with very little, and really the reason we can work this

:06:34.:06:38.

built 30 years ago by some brilliant people, amongst them

:06:38.:06:43.

David Rose and Jeremy Isaacs. The vision was very simple, and it was

:06:43.:06:47.

this, to take the values of what was then a very new public service

:06:47.:06:52.

channel, Channel 4, and those values were of taking risks, of

:06:52.:06:55.

nurturing talent, of doing things differently, of challenging

:06:55.:06:58.

preconceptions, and taking those values to the community in this

:06:58.:07:01.

country, talented people who want to make feature films, and really

:07:01.:07:05.

that is it. It is as simple as that, and that is the vision we have

:07:05.:07:09.

today. As the world changes and our business changes at a rate of knots,

:07:09.:07:12.

it seems those values are what cherishing and working with even

:07:12.:07:18.

more than ever before. It really works like this, my team and I meet

:07:18.:07:21.

somebody, somebody we have never met, somebody who has a story to

:07:21.:07:25.

tell that we could not have imagined. A story that only that

:07:25.:07:29.

person could have told, and our job is to support that person, to

:07:29.:07:34.

protect their creativity above all else, to give them time and energy

:07:34.:07:39.

and money. And there is no greater privilege than supporting people

:07:39.:07:44.

like that. So thank you very much for this. It is wonderful to be

:07:44.:07:46.

part of building a legacy that his film for, but in truth the thing

:07:46.:07:49.

that matters most to me is that it should continue to do bigger and

:07:49.:07:53.

braver things and that it should be a central part of the cultural life

:07:53.:08:03.
:08:03.:08:09.

for very many years. Thank you very For those of you keeping count, and

:08:09.:08:12.

those of you that can't, we now come to the fourth film sweating it

:08:12.:08:17.

out in the best film category, the epic, thought-provoking Lincoln. I

:08:18.:08:21.

actually got an email inviting me to join this film, the call from

:08:21.:08:25.

Spielberg has come at last, I thought. Sadly, though, on closer

:08:25.:08:35.

inspection I had in fact been invited to join LinkedIn. A huge

:08:35.:08:40.

disappointment that we all share, will you stop it, LinkedIn?! But

:08:40.:08:45.

then I thought, who wants to be in a film about a small cathedral town

:08:45.:08:49.

in the English countryside. So I bought the rights! Call me Susan in

:08:50.:08:53.

Lincoln did not turn out to be a master work about a masterful

:08:53.:08:57.

leader. As my dear old grandmother used to say, cop a load of this,

:08:57.:09:07.

I have always been interested in telling the story of Abraham

:09:07.:09:11.

Lincoln, one of the most compelling figures in American history and in

:09:11.:09:15.

my life. Abolishing slavery by constitutional provision settles

:09:15.:09:21.

the fate For All coming Time! wanted to show him accomplishing

:09:21.:09:27.

something monumental. On February 1st I will sign the 13th Amendment!

:09:27.:09:31.

However, we also wanted to show he was a man, not a monument.

:09:31.:09:34.

choosing the last four months of the war, you get not only a

:09:35.:09:38.

beginning, middle and end to an incredibly thrilling question of

:09:38.:09:44.

whether the 13th Amendment is going to pass Congress... But you also

:09:44.:09:48.

get Lincoln, you get his interior fighting with himself, you get the

:09:48.:09:54.

people around him, people he trusts, and you get his political skills.

:09:54.:09:58.

This gang of talentless six rejected the amendment 10 months

:09:58.:10:03.

ago, we will lose. I like our chances now. In such a rich way,

:10:03.:10:07.

through his intellect, his humour, his melancholy, we see someone

:10:07.:10:13.

whose life is lived at one and the same time in that strange paradox

:10:13.:10:17.

of public and private. I wanted to make a film that represented the

:10:17.:10:22.

Times and mood of the nation, the mood of the individuals trying to

:10:22.:10:27.

find the solutions. I wanted to feel there was a real sense of

:10:27.:10:30.

authenticity on the set were the only real imposition would be the

:10:30.:10:35.

camera. Lincoln is relevant to the present because his presidency, I

:10:35.:10:40.

believe, offers the most vivid model of a leader, and I always

:10:40.:10:42.

believe that trying to make sense of what actually happened in the

:10:42.:10:46.

past always helps to shape our present, and that history is always

:10:46.:10:49.

relevant in the sense that understanding how we got to where

:10:49.:10:56.

we are well help figure out where we want to go from here. Congress

:10:56.:11:05.

must never declare equal those who God created unequal! Slavery, sir,

:11:05.:11:15.
:11:15.:11:15.

A truly inspired work, but what does the more immediate future hold

:11:15.:11:23.

for Lincoln? It doesn't have a reputation for doing well in

:11:23.:11:30.

theatres, that this will change everything. We now come by both

:11:30.:11:34.

hook and crook to film not in the English language. To present it,

:11:34.:11:38.

two gobsmackingly talented actors whose subtitles read wow and crikey.

:11:38.:11:42.

One made the progression from Quantum Of Solace all the way to

:11:43.:11:48.

tomorrow Drew, while the other, after recovering from working with

:11:48.:11:55.

me, has been in Reservoir Dogs, pop fiction and Broken. Please spank

:11:55.:12:05.
:12:05.:12:15.

palms audibly for Gemma Arteton and It is an absolute pleasure to be

:12:15.:12:20.

presenting the award for film not in the English language. Five

:12:20.:12:24.

incredible films in this category, showing just how exciting movie-

:12:24.:12:27.

making talent there is across the world and how this art form really

:12:27.:12:37.
:12:37.:12:37.

Apology for the loss of subtitles for 97 seconds

:12:37.:14:43.

thrives without borders. Let's take And the BAFTA goes to... Michael

:14:43.:14:49.

Haneke or for Amour. Michael and Margaret could not be with us this

:14:49.:14:59.
:14:59.:15:04.

evening so we will make sure that Now, ladies and gentlemen, they

:15:04.:15:08.

don't call me Stephen "Move On To The Next Award Swiftly And With The

:15:08.:15:11.

Absolute Minimum Of Fuss And Waffle" Fry for nothing. So let's

:15:11.:15:14.

now move on to the next award swiftly and with the absolute

:15:14.:15:18.

minimum of fuss and waffle. It is the EE rising star award, presented

:15:18.:15:23.

in honour of the great casting director Mary Selway. To present it

:15:23.:15:25.

two hugely gifted actors who've followed differing paths to both

:15:25.:15:31.

end up at new Disney animation Wreck-It Ralph. His path took him

:15:31.:15:35.

to Gangs Of New York, Chicago and We Need To Talk About Kevin. Hers

:15:35.:15:38.

involved shock, outrage, daring and brilliant comedy, and by the end of

:15:38.:15:42.

the night our lawyers may well need to talk about Sarah. Please welcome,

:15:42.:15:52.
:15:52.:16:05.

It is such a pleasure to be asked to present the EE Rising Star Award.

:16:05.:16:11.

I love it because these young nominees are still untouched by

:16:11.:16:15.

fame and fortune so they are not all jaded and gross like, well, you

:16:15.:16:24.

know... Yeah, that is why I have always made a conscious decision to

:16:24.:16:29.

be real and down-to-earth. I'm love that... Of canny move over because

:16:29.:16:39.

you are in my like? -- can you move over because you are in my light?

:16:39.:16:49.
:16:49.:16:57.

Thank you, sweetie. Let's look at I think Juno Temple is fantastic

:16:57.:17:03.

and a wonderful person and a great actress. You go by yourself because

:17:03.:17:13.
:17:13.:17:14.

I have to sue Jove. -- I have to see Joe. Now I know who I am.

:17:14.:17:22.

attitude is infectious. You have to be quiet. We are going to wake up

:17:22.:17:32.
:17:32.:17:33.

mummy. Look at the way that he is showing off. I think Suraj Sharma's

:17:33.:17:43.
:17:43.:17:46.

innocence is a talent. It is How long are you staying? I don't

:17:46.:17:53.

know. It depends on you. What if it doesn't like me. What if they don't

:17:53.:18:03.
:18:03.:18:06.

like me? She is going to be a huge Attractive, my dear, is a polite

:18:06.:18:10.

way of saying that a woman has made the most of what she has got.

:18:10.:18:16.

has a face that can play a range of ages and emotion. I never forget a

:18:17.:18:26.
:18:27.:18:27.

Apology for the loss of subtitles for 97 seconds

:18:27.:19:14.

Thank you. Wow! Thank you to BAFTA for this huge, huge honour and for

:19:14.:19:18.

including me on this list of such wonderful, wonderful actors. And

:19:18.:19:23.

thank you to all of the voters, especially my little brother Felix,

:19:23.:19:29.

you I think got his entire school to vote for me. I could not do any

:19:30.:19:35.

of this without Michael or Billy Lazarus, the most amazing agents

:19:35.:19:45.
:19:45.:19:46.

that you could ever ask for. I also have to thank Terry, and Tesco, for

:19:46.:19:52.

somehow keeping me in check. And for my wonderful family and friends.

:19:52.:19:59.

-- Terry and Jessica or. And to this inspirational room of

:19:59.:20:02.

wonderful people and to my father who made him want to do this. Thank

:20:02.:20:12.
:20:12.:20:22.

We come now to that sad interlude where we take a few, all too short,

:20:22.:20:25.

moments to remember those from our industry who have sadly passed away

:20:25.:20:28.

during the last twelve months. As Abraham Lincoln said, "In the end,

:20:28.:20:32.

it's not the years in your life that count, it's the life in your

:20:32.:20:35.

years." and the wonderful memories they have given us are testament to

:20:35.:20:45.
:20:45.:21:13.

I have travelled so far and all I I am just a fat, little man. A fat,

:21:13.:21:23.
:21:23.:21:31.

ugly man. The one not ugly. I am Careful! I put the real one in the

:21:31.:21:41.
:21:41.:21:50.

What would you do if I told him? You see, you don't even know. Make

:21:50.:22:00.
:22:00.:22:10.

up your mind and then I will tell Yes! Yes! I will have what she is

:22:10.:22:20.
:22:20.:22:20.

Apology for the loss of subtitles for 97 seconds

:22:20.:23:02.

You are my best friend. No, really. Angels just light up in heaven.

:23:02.:23:12.
:23:12.:23:31.

Now, my radar has picked up very strong signals that the award for

:23:32.:23:34.

documentary is close by, so let's get the presenters out here and

:23:35.:23:38.

hope that it's correct. One of them has taken a leaf out of my book and

:23:38.:23:41.

is about to be seen wearing his underpants over his trousers,

:23:41.:23:44.

though in his case it's because he's the new Superman as opposed to

:23:44.:23:50.

an absent-minded old oaf. And the other has been delighting us all as

:23:50.:23:57.

Bilbo Baggins. He will continue to for many years, as many years as

:23:57.:24:02.

Warner Brothers can squeeze, again I mean lovingly craft... Ladies and

:24:02.:24:12.
:24:12.:24:18.

gentlemen, Martin Freeman and Henry Good evening. Perhaps more than any

:24:18.:24:22.

other form of art the documentary has the almost unique ability to

:24:22.:24:31.

inform, astonish, and enthral and entertain its audience at the same

:24:31.:24:37.

time. The five powerful words nominated in tonight's category do

:24:37.:24:47.
:24:47.:24:53.

The way he played against the National Front guys. We beat them a

:24:53.:25:03.
:25:03.:25:17.

I got on the telephone and I told So I told him, you will be more

:25:17.:25:27.
:25:27.:25:27.

The main thing I am going to be thinking about is the person who

:25:27.:25:37.

killed his three kids is still out Sometimes people used to say to me,

:25:37.:25:47.

do you have nightmares? I would say And the BAFTA is awarded to

:25:47.:25:57.
:25:57.:26:27.

What an honour. There is so much stuff I would like to say but I am

:26:27.:26:31.

not going to do that tonight. I want to say thank you to some

:26:31.:26:39.

people, firstly BAFTA. This is fantastic. Thank you, BAFTA. I want

:26:39.:26:49.

to thank Sony Classics, Simon, John, sitting over there, wonderful.

:26:49.:26:53.

Thank you to Studio Canal as well. We are incredibly gratified to be

:26:53.:27:00.

able to introduce the wonderful Rodriguez and his music to say many

:27:00.:27:07.

people through this film. You want to say something? We hope to would

:27:07.:27:12.

be here but at this very moment he is playing to a sold-out stadium in

:27:12.:27:19.

Cape Town. It is particularly great that he is finally getting the

:27:19.:27:29.
:27:29.:27:34.

recognition and royalties that he Now where would the top five best

:27:34.:27:37.

film category be without the fifth film? Well, a top four, but you

:27:37.:27:40.

nominated five, so five you will jolly well have. That final nominee

:27:40.:27:48.

is the earth-shattering triumph Les Miserables. Now I must say, when I

:27:48.:27:51.

went to see Les Mis, I found the 3D effects to be quite remarkable,

:27:51.:27:54.

though somewhat less so when I realised I'd gone to see it on

:27:54.:28:04.
:28:04.:28:09.

stage. I assumed it would be in French and I managed to understand

:28:09.:28:16.

80% of it! Feast your eyes on the spectacle, the wonderful, filmed

:28:16.:28:26.
:28:26.:28:27.

with the accent on the second From the very beginning, what

:28:27.:28:32.

excited me about doing Les Miserables was doing it live. There

:28:32.:28:36.

is something about what an actor does live on the day, that whether

:28:36.:28:41.

you pre-record or post record, is never the same. Singing live is

:28:41.:28:46.

daunting but what it gives you is freedom. When you are doing a love

:28:46.:28:50.

scene as an actor you wish there was music to help you get there.

:28:50.:28:55.

But now you can hear the piano and the music. What comes with this way

:28:55.:28:59.

of working is the fragility of the voice, which matches with the

:28:59.:29:06.

emotions of what a character is saying. Everybody felt that it was

:29:06.:29:10.

breaking a lot of very new ground. You have got to find a language and

:29:10.:29:20.

the language in this film comes right from the actives' hearts. --

:29:20.:29:25.

actors'. There seems to be something selfish about going for

:29:25.:29:35.
:29:35.:29:36.

the British version. Les Miserables has to feel real, immediate. There

:29:36.:29:43.

is an emotional level to those that cannot be created in the studio.

:29:43.:29:46.

thought there was an amazing opportunity to do something

:29:46.:29:56.
:29:56.:30:11.

So five awards remain, but not any five, just listen, director,

:30:11.:30:16.

actress, actor, film and fellowship. They meatier bunch of awards you

:30:16.:30:22.

could not wish for, and not a trace Macca -- a trace of horse in any of

:30:22.:30:26.

them. The first to concern us is the award for director, named in

:30:26.:30:32.

honour of David Lean, and to present it a towering, shining,

:30:32.:30:37.

multi-award-winning, accolade receiving acting legend, ladies and

:30:37.:30:47.
:30:47.:30:55.

gentlemen, the Peerless Divinity, Stephen, good evening, ladies and

:30:55.:30:59.

gentlemen. Of the many people who contribute to the making of a film

:30:59.:31:06.

and its success, none works harder than the director. None has more

:31:06.:31:09.

responsibility, in that the director affects the work of

:31:09.:31:13.

everyone else working on the film, and that is why actors so often

:31:13.:31:17.

want to share their best acting awards with the director, and why

:31:17.:31:24.

the same is certainly true of awards for best film. And now the

:31:24.:31:28.

five contrasting and outstanding directors whom BAFTA has said have

:31:28.:31:38.
:31:38.:31:46.

been working at their very best I Denmead the biscuit, but God made

:31:46.:31:51.

Tigers carnivores, so I must learn to catch fish. If I don't, I'm

:31:51.:32:01.
:32:01.:32:02.

afraid his last meal will be a This is the best bad idea we have,

:32:02.:32:08.

so. By far! The United States government has just sanctioned your

:32:08.:32:18.
:32:18.:32:36.

How do you know it is Bin Laden? Bin Laden is there. And you are

:32:36.:32:46.
:32:46.:33:09.

And the BAFTA for best director it goes, for his film Argo, Ben

:33:09.:33:19.
:33:19.:33:34.

Thank you so much! I will try to be brief, everyone has been so

:33:34.:33:38.

eloquent and brief. I have to thank Warner Brothers, who supported

:33:38.:33:42.

Payne, Sue, Veronica, Geoff, I remember their names in part

:33:42.:33:49.

because they are sitting right there! They did amazing things,

:33:49.:33:53.

Graham Kane, the greatest producers in the world, they use their cachet

:33:53.:33:58.

to make great films and they stood by me, George Clooney, really

:33:58.:34:03.

spectacular. Chris Terrio wrote the script, it is masterful, it will

:34:03.:34:07.

always be my favourite, I owe you everything. Liam Goldberg, you said

:34:07.:34:12.

such a nice things, I have nothing equal to say except I love you. My

:34:12.:34:20.

wife, I also love you... Very much! And our children, Violet, Sarah and

:34:20.:34:24.

Sam, very much, although I am quite sure they are asleep by now.

:34:24.:34:29.

Everyone who worked on the Mowgli, everybody this movie is about, all

:34:29.:34:32.

the international people, the Persians, the Turks, the people in

:34:32.:34:35.

North America are made this a wonderful international movie. I

:34:35.:34:44.

want to thank everyone. And I want to say, you know, this is a second

:34:44.:34:48.

act for me. And you have given me that, these Industry has given me

:34:48.:34:53.

that, and I want to thank you. And I am so grateful and proud, I just

:34:53.:34:58.

want to dedicate this to anyone else out there who was trying to

:34:58.:35:08.
:35:08.:35:17.

get their second act. Thank you Congratulations. We now travel to

:35:17.:35:21.

the ward for actors, and two handed over to the lucky recipient, a male

:35:21.:35:27.

actress of the highest order, his credits are up to die for, with

:35:27.:35:30.

Mission: Impossible, The Bourne Legacy and The Hurt Locker jumping

:35:30.:35:35.

out and walloping us in the mouth. His latest project is Hansel And

:35:35.:35:39.

Gretel, which is why I presume he has left a trail of breadcrumbs to

:35:39.:35:42.

guide him to the stage. Please welcome the stupendous Jeremy

:35:42.:35:52.
:35:52.:36:01.

Thank you! Thank you, ladies and gentlemen. As an American visitor

:36:01.:36:07.

to this great city, I must say it is amazing to be here. This is all

:36:07.:36:12.

new to me, by the way! In the shadow of one of Britain's finest

:36:12.:36:16.

institutions, whose beauty, grandeur, sheer majesty is both

:36:16.:36:24.

breathtaking and humbling, that is enough about Stephen... Let's take

:36:24.:36:34.
:36:34.:36:37.

a look at the nominations for I guess I know all about the Lord

:36:37.:36:41.

Of the flies, a bunch of boys of Ireland, they have a shell, and

:36:41.:36:45.

whoever has the shell has the power, and if you do not have it, you do

:36:45.:36:48.

not have the power. There is a chubby boy, they are really mean,

:36:48.:36:53.

and then there is a murder. Humanity is just nasty, there is no

:36:53.:37:03.
:37:03.:37:27.

Go to work on something that is not an Alfred Hitchcock production and

:37:27.:37:30.

I met with accusations and criticisms! The work I am doing

:37:30.:37:34.

gives me pleasure and purpose, and it takes absolutely nothing away

:37:34.:37:44.
:37:44.:38:03.

The truth is, you do not understand Pakistan, and you don't know Al-

:38:04.:38:07.

Qaeda! Give me the team I need to follow this lead, or the other

:38:07.:38:11.

thing you will have on your resume is the first station chief being

:38:11.:38:14.

called before a Congressional committee to suburbs the efforts to

:38:14.:38:24.
:38:24.:38:27.

capture or kill Bin Laden! -- some And the BAFTA goes to... Emmanuelle

:38:27.:38:36.

Unfortunately, Emmanuelle is not able to be here, but I will make

:38:36.:38:46.
:38:46.:38:50.

Congratulations. Now, of course, if we did not follow the award for

:38:50.:38:53.

actress with the award for actor, there would be something very

:38:53.:39:00.

strange, and there is nothing odd about BAFTA, as you have found out,

:39:00.:39:04.

so to presented an angelic actress who kept Sex And The City going for

:39:04.:39:08.

12 years. Stick that in your Tantric pipe and smoke it, Mr Sting.

:39:08.:39:12.

Please welcome the woman so talented they named her thrice,

:39:12.:39:22.
:39:22.:39:33.

Thank you, ladies and gentlemen. actors working today that I believe

:39:33.:39:37.

we are going through something sort of like a golden age. When you

:39:37.:39:43.

consider the sheer talent, range and ability of the individuals

:39:43.:39:47.

nominated in his leading actor category, it really is quite

:39:47.:39:57.
:39:57.:40:02.

staggering. Let's take a look at What was the last movie you

:40:02.:40:06.

produce? Who paid for that? What is your middle name? What is your

:40:06.:40:12.

middle name? He is an American spy! They have gone to try to break you,

:40:12.:40:20.

get you agitated. You have to know your resume back to front. About a

:40:20.:40:26.

week before I call the cops, she was plotting to members of money

:40:26.:40:34.

from the local high school. -- embers of. It was untrue, it was a

:40:34.:40:40.

delusion. I later found out from the hospital it was because I am...

:40:40.:40:50.
:40:50.:40:59.

I cannot accomplish a goddamn thing with any human meaning for worth

:40:59.:41:09.
:41:09.:41:16.

until we cure ourselves of slavery I do not know! I told her I would

:41:16.:41:21.

come back and I never went back, I have got to get back to her! I

:41:21.:41:31.
:41:31.:41:36.

# Yucel, your honour, this man bears no more killed than you...

:41:36.:41:46.
:41:46.:42:18.

And the BAFTA goes to... Daniel Thank you, ladies and gentlemen,

:42:19.:42:25.

thank you, BAFTA. Well, just on the chance that I might one day have to

:42:25.:42:29.

speak on an evening such as this, I have actually stayed in character

:42:29.:42:39.
:42:39.:42:45.

I had a varied selection of sets down scaled, dating from the late

:42:45.:42:50.

1950s, placed in every single room of every house I have ever lived in.

:42:50.:42:56.

And every time I rise from nature, it spontaneously unleashes a

:42:56.:43:03.

soundtrack of thunderous applause, with a few boos and some drunken

:43:03.:43:13.
:43:13.:43:17.

I am so very grateful to BAFTA for this and for all the encouragement

:43:17.:43:22.

you have given me over the years, it has meant a great deal to me,

:43:22.:43:26.

such generous recognition of our film. My fellow nominees, I do not

:43:26.:43:29.

know if I deserve this, but I know that every single one of you

:43:30.:43:38.

deserves it at least as much as I do. My colleagues, represented here

:43:38.:43:45.

by the wonderful producer Kathleen Kennedy, I... I miss you, I Miss We

:43:45.:43:49.

were still on this expedition together, and it turns out we were

:43:49.:43:55.

not on a rudderless boat. Steven Spielberg was the rudder, the

:43:55.:44:00.

helmsman, the boat builder, the boat and the sea we sailed on, and

:44:00.:44:10.
:44:10.:44:17.

to the end of my days, thank you, So, we've teased and tantalised the

:44:17.:44:23.

nominees for best film and now it's time to coax out the winner. To

:44:23.:44:26.

help us find our presenter we enlisted some of the world's top

:44:26.:44:31.

casting directors and gave them a seemingly impossible task. We

:44:31.:44:34.

specified that we wanted a brilliant actor who's appeared in

:44:34.:44:40.

some of the biggest films ever and Snakes On A Plane. He had to be A

:44:40.:44:47.

List, cool, legendary and most importantly in London tonight.

:44:47.:44:50.

Frankly, we didn't think they'd come up with anyone suitable, but

:44:50.:45:00.
:45:00.:45:20.

boy were we wrong. Please welcome Can I just said I... Of course I

:45:20.:45:26.

can say, I am Samuel L Jackson! It has been an absolutely marvellous

:45:26.:45:29.

evening and I think half of Hollywood is here tonight. It is

:45:29.:45:36.

not just movie-star us here. Everybody has made the trip. Agents,

:45:36.:45:40.

lawyers, management, PR people, everyone. I know because they were

:45:40.:45:50.

all on my flight. I was doing a remake of Snakes on a Plane. But

:45:50.:45:55.

enough about award-winning films of the past. It has been a truly

:45:55.:45:59.

magnificent year in film which is why I could not pick a winner out

:45:59.:46:03.

of the five great works of film in the best Film category. Let's take

:46:03.:46:13.
:46:13.:46:25.

It is either amendment or Confederate peace. You cannot have

:46:25.:46:30.

both. If you can look into the seeds of time and say which grain

:46:30.:46:40.
:46:40.:46:43.

will grow and which will not, speak # Do you hear the people saying?

:46:43.:46:53.
:46:53.:46:56.

Nobody is supposed to be there. You might have spooked them already.

:46:56.:47:06.
:47:06.:47:06.

Procedures only work if we follow Have we got an option? Why do we

:47:06.:47:16.
:47:16.:47:47.

need an auction? -- option? And the Well, you know, I have to say, if

:47:47.:47:50.

this is your second act, I don't know what the hell you are going to

:47:50.:47:55.

do for a third act. You are remarkable at what you do. You are

:47:55.:47:58.

smart and you know what you want but more importantly you love what

:47:58.:48:02.

you are doing and I cannot tell you what an honour it has been to work

:48:02.:48:07.

with you. Grant, 30 years ago we were in a play together in Los

:48:07.:48:14.

Angeles. We were both broke. He got an episode of Happy Days. He loaned

:48:14.:48:22.

me $100 to get head shots. I still use those! We have been partners

:48:22.:48:25.

ever since. We have failed a tremendous amount of our careers

:48:25.:48:31.

are over time, which were great lessons. I am so proud to be able

:48:31.:48:35.

to stand up here and introduce you to a man who I believe to be the

:48:35.:48:42.

best producer that I have ever worked with and a dear friend.

:48:42.:48:52.

Thank you. We would like to thank BAFTA for this. This is amazing. Of

:48:52.:48:58.

course all the folks at Warner Brothers and a whole litany of

:48:58.:49:03.

people to thank that we will do on our own. I want to turn to Ben

:49:03.:49:07.

Affleck, the director of this film. I want to say thank you for coming

:49:07.:49:12.

on board and taking us on this journey. It has been amazing. I

:49:12.:49:16.

also wanted to say how much I love my beautiful wife Lisa and our

:49:16.:49:22.

children. Thank you so much, everybody, really. That was what I

:49:22.:49:27.

was going to whisper in his ear. Every single person that is part of

:49:27.:49:34.

BAFTA and has welcome doves and been so -- welcomed us and been so

:49:34.:49:37.

kind, when I was back in the studio they said that we never win, and

:49:37.:49:43.

everybody has been so nice. I want to thank BAFTA, and just everybody.

:49:43.:49:53.
:49:53.:50:02.

A wonderful evening for Argo. Congratulations to everyone

:50:02.:50:06.

concerned. We now come to the fellowship, the highest honour

:50:06.:50:09.

bestowed by the British Academy. To make the presentation a double

:50:09.:50:12.

Oscar winning, BAFTA winning actor. He is a true master of his craft

:50:12.:50:15.

and to his eternal credit has chosen to live in England rather

:50:15.:50:18.

than his native America. Amazing how quickly he's picked up the

:50:18.:50:21.

language. If I said The Usual Suspects, your pulse rate would

:50:21.:50:26.

increase. If I said LA Confidential, you'd begin to feel an almost

:50:26.:50:29.

uncontrollable excitement. And if I said American Beauty you would

:50:29.:50:32.

break out in unrestrained rapturous and riotous applause for the

:50:32.:50:42.
:50:42.:51:00.

Good evening. Why is Alan Parker? Why is he? Hello. Congratulations.

:51:00.:51:05.

It is a great privilege for me to present the BAFTA Fellowship Award

:51:05.:51:09.

tonight, the highest accolade bestowed upon an individual in

:51:09.:51:11.

recognition of outstanding an exceptional contribution to the art

:51:11.:51:17.

of motion pictures. Once in a lifetime, a generation, an

:51:17.:51:20.

individual, comes along who transforms and transcends their

:51:20.:51:24.

craft and tonight's recipient, ladies and gentlemen, is no

:51:24.:51:32.

exception. He is a legendary writer, producer, cartoonist, a chef... Are

:51:32.:51:37.

you a chef? You are tonight. Story teller, champion of emerging film-

:51:37.:51:42.

makers, teacher. Famed as much for his clarity of vision and film-

:51:42.:51:45.

making originality as for his unswerving support of the British

:51:45.:51:51.

film industry, that he loves so very much. Alan Parker's entry into

:51:51.:51:55.

directing could not have been less planned. He had successfully worked

:51:55.:51:58.

in commercials and he asked his boss if his team could be given a

:51:58.:52:02.

budget to continue the experiment in advertising. One guy held the

:52:02.:52:07.

camera, one guided the art department, and he decided to be

:52:07.:52:11.

the guy that said action. His films played two or wide audience but

:52:11.:52:18.

each is significant and unusual. -- played to a wide audience. His work

:52:18.:52:21.

with actors is crucial but he also lets his camera subtle on people,

:52:21.:52:26.

sometimes people new to the art form. He allows his lens to be

:52:26.:52:36.
:52:36.:52:37.

patient anti-freeze them up. His work allows us to get close. -- and

:52:37.:52:46.

he makes them free. He has given us some of the most memorable movie

:52:46.:52:51.

moments ever. His incomparable contribution to British cinema has

:52:51.:52:55.

won him the acclaim that he so clearly deserves. His films have

:52:55.:53:00.

won a breathtaking 19 BAFTAs. He is a man that I am very proud to call

:53:00.:53:06.

a colleague and above all a friend. Let's take a look at some of Sir

:53:06.:53:16.
:53:16.:53:21.

Do you know what today is? It is anything can happen day. You have

:53:21.:53:28.

been watching too many movies. are not taking that. We have to.

:53:28.:53:35.

The stairs will kill him. yourself out of here on the

:53:35.:53:40.

Midnight Express. I say bring him in, strap him down and let him walk

:53:40.:53:49.

it off. We also got a video. 50 but because you can see my tits. The

:53:49.:53:59.
:53:59.:53:59.

version without his 35. -- is 35. Don't you want success? Sure, I

:53:59.:54:09.
:54:09.:54:18.

just don't think my tits are up to # Fame! I'm going to live for ever.

:54:18.:54:28.
:54:28.:54:44.

Ladies and gentlemen, please be upstanding for a remarkable film-

:54:44.:54:48.

maker. If you come to the party after, he has promised to make you

:54:48.:54:58.
:54:58.:55:38.

Oh, boy. Thank you. Thanks. God, this is incredibly flattering. When

:55:38.:55:43.

it was first mooted that I might get this award, I thought about

:55:43.:55:51.

what I might say. 10 years went by... So Russell Crowe has written

:55:51.:56:00.

me a poem. It will only be cut out. When you are halfway through your

:56:00.:56:08.

first film, you are certain that it is surely going to be your last.

:56:08.:56:13.

Then you kind of blink, and 40 years have gone by. And then you

:56:13.:56:19.

have made 14 films. It is quite a surprise, really. But you always

:56:19.:56:23.

know you are going to get there. However hard it is on the movie, if

:56:23.:56:27.

you squeeze your eyes together, you're always going to get to the

:56:27.:56:33.

wrap party, even if you think not. When I was a little boy I was aged

:56:33.:56:42.

about 10 and my junior school. We had been to see Jack plans and Jeff

:56:42.:56:49.

Chandler in Sign of the pagan. I came back and I divided the entire

:56:49.:56:56.

playground into Roman's and hands. Although I did not actually say

:56:56.:57:02.

action, I did give the command for them to attack the Romans, who were

:57:02.:57:09.

defended the outside toilets. The resultant bloodshed, which was

:57:09.:57:16.

quite considerable, meant that I went before the headmaster. He said,

:57:16.:57:21.

why, Parker? Why? If I had known then that I was going to get this I

:57:21.:57:31.

could have really shut him up! I will be very brief. My mentor, the

:57:31.:57:35.

great Fred Zimmerman, who used to critique each of my films, not

:57:35.:57:42.

always kindly, said to me that it is a great privilege to be a

:57:43.:57:50.

director. Don't waste it. Hopefully over the last 40 years, some of the

:57:50.:58:00.
:58:00.:58:12.

time I did not waste it. Thank you, Well, I don't know when I have had

:58:12.:58:17.

more fun, certainly not without the use of a water-soluble lubricant.

:58:17.:58:22.

Till everybody watching, thank you for supporting film. Keep going to

:58:22.:58:27.

your local cinemas, keep talking and arguing about film. Some of you

:58:27.:58:31.

watching will find your way to this stage one day. If you do, contrary

:58:31.:58:36.

to popular belief, you will not find yourself in the company of a

:58:37.:58:41.

bunch of bitches, self-obsessed, up themselves Prix Madonnas, well,

:58:41.:58:46.

maybe one or two. You will be in the company of film-makers whose

:58:46.:58:50.

overriding passion is to make a film that succeeds well enough to

:58:50.:58:54.

allow them to make another one. What they will have in common is a

:58:54.:58:59.

deep desire to tell stories, stories of today, yesterday and

:58:59.:59:03.

tomorrow. Stories about you and me. This year they have done it as well

:59:03.:59:07.

as it can be done. I congratulate everyone here and to those of you

:59:07.:59:13.

out there, keep watching, get writing, start shooting you sure

:59:13.:59:23.
:59:23.:59:25.

it's... That sounds of! Enough. -- start shooting your shorts. That

:59:25.:59:31.

sounds strange! Thank you and good night.

:59:31.:59:41.
:59:41.:59:42.

The awards presented earlier: Short film. Swimmer. I always thought the

:59:42.:59:46.

BAFTA at for short film should go to new talent, not old gits like us.

:59:46.:59:56.
:59:56.:59:56.

But thank you. Short animation. Making of Longbird. Thank you, I am

:59:56.:00:06.
:00:06.:00:08.

very honoured. Costume design. BAFTA goes to... Anna Karenina.

:00:08.:00:13.

Thank you to Sarah Greenwood and Seamus for framing the costumes so

:00:13.:00:17.

beautifully. Thank you to Jo Wright and Keira Knightley for inspiring

:00:17.:00:25.

me. Make-up and hair. Miserables. Unfortunately, Lisa

:00:25.:00:28.

cannot be here tonight but we will make sure that she gets this.

:00:29.:00:38.
:00:39.:00:40.

Animated film. The BAFTA goes to Brave. Thank you, BAFTA, for this

:00:40.:00:50.
:00:50.:00:53.

amazing and beautiful award. Sound. Les Miserables. Les Miserables was

:00:53.:00:57.

a massive collaborative effort and we are overjoyed that BAFTA has

:00:57.:01:03.

recognised the film for its sound. Thank you very much. Editing.

:01:03.:01:08.

It is unbelievable, thank you. Cinematographer Yves. A life of

:01:08.:01:18.
:01:18.:01:25.

five. -- cinematographer. Life Of Pi. He can be here tonight but his

:01:25.:01:30.

speeches about how great it is to work with me! The original music.

:01:30.:01:40.
:01:40.:01:49.

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