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the Premier League with the top two set to meet. That is in Sports day | :00:00. | :00:00. | |
at 6.30. Now time for The Film Review. | :00:00. | :00:18. | |
Hello and welcome to The Film Review on BBC News. | :00:19. | :00:20. | |
To take us through this week's cinema releases is Mark Kermode. | :00:21. | :00:23. | |
We have Trumbo, with a stand out performance by Bryan Cranston. We | :00:24. | :00:38. | |
have Rams an Icelandic film about sheep and sibling rivalry and Dad's | :00:39. | :00:46. | |
Army, coming back to the big screen. All human life is here. First | :00:47. | :00:53. | |
Trumbo, the story of a screen writer who suffered under the | :00:54. | :00:57. | |
anti-communist purge in the 40s and 50s and was blacklisted as a writer. | :00:58. | :01:04. | |
When we meet him he is a highly respected writer. He is asked to | :01:05. | :01:09. | |
testify before the house of representatives and then he faces | :01:10. | :01:14. | |
jail and is employable. This is before this happens when he is with | :01:15. | :01:16. | |
his wife and the I like the film in | :01:17. | :01:32. | |
show forced labour! think Bryan Cranston does a great | :01:33. | :02:22. | |
job. But Diane Lane does a great interesting that blacklist is | :02:23. | :02:25. | |
something that has been returned to Woody Allen film. In any version of | :02:26. | :02:44. | |
this story there will be a degree of simplification. You have | :02:45. | :02:47. | |
reservations. I loved the performances, I thought the heart | :02:48. | :02:51. | |
was in the right place, but the script was not. One of children | :02:52. | :02:59. | |
goes, daddy, what is a communist. He said if one kid doesn't have lunch, | :03:00. | :03:00. | |
you share your lunch. No, in 50s a communist was Stalin occupying | :03:01. | :03:08. | |
eastern Europe and sending people to Gu lags. I get the point about | :03:09. | :03:13. | |
simplification. Rather like the film about Margaret Thatcher, where you | :03:14. | :03:17. | |
didn't understand why people didn't like her, you didn't understand why | :03:18. | :03:20. | |
people didn't like people who were communists in the 50s. Interestingly | :03:21. | :03:31. | |
the daughter was asked about th conversation and said id did it lap. | :03:32. | :03:35. | |
He give me an answer. I said can I be a communist. He said, no you're | :03:36. | :03:41. | |
not 21. In real life the character of Trumbo was different. What it | :03:42. | :03:46. | |
does get is that you don't just get a portrait of a sort of civil a | :03:47. | :04:00. | |
martyr, but someone who is writing B movies for John Goodman, he said I | :04:01. | :04:04. | |
have a gorilla suit, I need something to do with it. You esee | :04:05. | :04:10. | |
him as difficult and I mean I agree that I think it is not the best | :04:11. | :04:14. | |
written piece. I think to some extent it is, it has a television | :04:15. | :04:20. | |
quality, but Cranston's performance is great. That has got all the | :04:21. | :04:24. | |
recognition so far. I think it is important how much Diane Lane's | :04:25. | :04:28. | |
character enables you to tap into living with Trumbo. And all his | :04:29. | :04:32. | |
difficulties. I didn't know what he had written. I won't spoil it, but | :04:33. | :04:38. | |
the reveals of what he wrote in secret was amazing. Probably the | :04:39. | :04:42. | |
best film on Icelandic sheep I will see all week. That is underselling | :04:43. | :04:50. | |
it but two brothers both of whom are raising sheep and they have this | :04:51. | :04:53. | |
regular competition for the best ram, but they don't talk to each | :04:54. | :04:59. | |
other. It seems they're not ever going to talk and then the herd is | :05:00. | :05:04. | |
threatened by scrapie. What is interesting about the film that was | :05:05. | :05:10. | |
the Icelandic entry for the Oscar best foreign film award, it has that | :05:11. | :05:17. | |
Nordic dead pan, is it comic or tragic, funny or heartbreaking? Is | :05:18. | :05:22. | |
it hilarious or really sort of deeply worrying. What I like about | :05:23. | :05:26. | |
it is that so much of the film plays out not to do with dialogue, but | :05:27. | :05:33. | |
beardy Mo rose gesture. You need to see is in the cinema, it has a | :05:34. | :05:37. | |
lovely sweep to it and there an end of the world quality to it. I went | :05:38. | :05:41. | |
in not knowing what to expect, I thought it was drol, and also | :05:42. | :05:47. | |
touching and tragic. One of best performances by a sheepdog in a | :05:48. | :05:52. | |
movie I have seen for a long time. I love a good sheepdog. It runs | :05:53. | :05:59. | |
between the brothers, because they don't talk. And they have the sheep | :06:00. | :06:05. | |
Oscars. That was the best ram competition. One comes first and | :06:06. | :06:10. | |
second, but they don't speak. It is oddly moving and strangely droel. I | :06:11. | :06:15. | |
love Dad's Army and want to see this film and lake it. But I haven't. You | :06:16. | :06:19. | |
hear of the casting and you think it is create. You have Toby Jones and | :06:20. | :06:26. | |
Michael Gambon and Tom Courtney. How could it go wrong? Here is a clip. | :06:27. | :06:32. | |
Very good men, breaking up the outline. | :06:33. | :06:34. | |
You're not taking this seriously, are you Walker? | :06:35. | :06:39. | |
Ah, put some thought into this Jones. | :06:40. | :06:49. | |
Thank you captain, Mrs Fox lent it me from last year's | :06:50. | :06:52. | |
production of Robin Hood, I'm a tiny bit of Sherwood Forest. | :06:53. | :06:56. | |
You look like you're on a cruise to the South Seas. | :06:57. | :07:05. | |
Thank you so much Sir, that's very kind of you. | :07:06. | :07:08. | |
I got the idea from a picture I saw last week, South of Pago Pago. | :07:09. | :07:11. | |
Now, listen men, Sergeant Wilson's mission is to reach our | :07:12. | :07:24. | |
So we all need to keep our eyes peeled at all times. | :07:25. | :07:31. | |
If I know Wilson he will have charmed his way into a lift. | :07:32. | :07:43. | |
There are things to like in that. The problem is this - those small | :07:44. | :07:52. | |
moments, Michael Gambon, he says you look terrible, he says thank you | :07:53. | :07:57. | |
very much. Those moments are good. What it lacks is the script, which | :07:58. | :08:04. | |
does haven't the interpersonal intimacy of the TV show. This is | :08:05. | :08:08. | |
partly of making a film, you have to open it out. It is as far as the | :08:09. | :08:14. | |
direction is concerned, it is fairly plodding, it opens with a bull in a | :08:15. | :08:21. | |
field and ends with a battle on a beach and you lose that Dad's Army | :08:22. | :08:26. | |
was about nothing happening, but them being in a church hall. There | :08:27. | :08:30. | |
was a war somewhere. They want to be part of it, but they weren't. So now | :08:31. | :08:35. | |
I didn't not laugh, I laughed a few times. I didn't laugh as much as I | :08:36. | :08:41. | |
should have done considering how good the cast are, but it is not a | :08:42. | :08:46. | |
total failure. But what it is is a sort of moderate disappointment with | :08:47. | :08:50. | |
moments in it that make you think that there could have been a better | :08:51. | :08:55. | |
film in this. Gambon as private Godfrey is very funny. Toby Jones | :08:56. | :09:02. | |
gets the slapstick and the pathos of the pompous Mainwaring. But the | :09:03. | :09:08. | |
script is weird, it gives them both too much and too little to do. There | :09:09. | :09:13. | |
is too much baggy narrative and what you want is them standing in the | :09:14. | :09:21. | |
church hall bickering. We saw Bill Nighy. I will give it a go. Maybe | :09:22. | :09:26. | |
not with high expectations. There are moments that work, but they make | :09:27. | :09:30. | |
you realise how much the best of it isn't. The best it. Room. Yes go see | :09:31. | :09:37. | |
Room. It is not the film you think it is. It is an uplifting story. | :09:38. | :09:45. | |
Your DVD choice is the Martians. I loved it. I am not sure the science | :09:46. | :09:51. | |
stands up. Most of it does stand up, apart from the storm. But apparent | :09:52. | :09:59. | |
think rest of it does. The film that won the gloelden globe for -- Golden | :10:00. | :10:10. | |
Globe for best musical comity. The story is Matt Damon is stuck on Mars | :10:11. | :10:23. | |
and will use his botany skills. It is a drama with comedy in it. It is | :10:24. | :10:31. | |
not a musical, because it plays Abba in the middle. I loved the film, but | :10:32. | :10:38. | |
I ain't a musical or a comedy. On that happy note... | :10:39. | :10:41. | |
A quick reminder before we go that you'll find more film news | :10:42. | :10:44. | |
and reviews from across the BBC online, including | :10:45. | :10:47. |