Browse content similar to 08/08/2014. Check below for episodes and series from the same categories and more!
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Rory McIlroy. We were happy latest on the US PGA championship. That is | :00:00. | :00:00. | |
at 6:30pm. Now it is time for the film review. | :00:00. | :00:26. | |
review on BBC News. To take us through the releases is Jason | :00:27. | :00:31. | |
Solomons. First up we will be looking at mad men at the movies as | :00:32. | :00:37. | |
Christina Hendricks plays a grieving mother in the US drama temp `` God's | :00:38. | :00:47. | |
Pocket. Then we will be looking at Patagonia through the eyes of a | :00:48. | :00:52. | |
12`year`old girl. Who is the girl taking an unhealthy interest in her | :00:53. | :00:56. | |
health? And finally the mighty Gerard Depardieu gives a mighty | :00:57. | :01:01. | |
performance in the thinly veiled Dominic Strauss Kahn sex case in | :01:02. | :01:08. | |
welcome to New York. The world 's best`known Belgian apparently, he | :01:09. | :01:12. | |
has gone there to avoid certain tax problems. God's Pocket. It is a | :01:13. | :01:18. | |
fictional place conjured up in a novel. I think it is opposed to be a | :01:19. | :01:23. | |
working class corner of Philadelphia. You live there and you | :01:24. | :01:27. | |
cannot leave, everyone is either a gangster or a drunk or both. | :01:28. | :01:31. | |
Everyone keeps the secrets away from the police, it rules itself. It is | :01:32. | :01:37. | |
well created by the director John Slattery, some people will know him | :01:38. | :01:41. | |
from madmen in which he plays Roger Sterling, his secretary is played by | :01:42. | :01:46. | |
Christina Hendricks who here gives her best performance so far in a | :01:47. | :01:50. | |
major movie. Here she plays a grieving mother who suspects that | :01:51. | :01:54. | |
the death of her son in a workplace was something else other than what | :01:55. | :01:57. | |
has in reported `` has been. What I has in reported `` has been. What I | :01:58. | :02:05. | |
did is nothing to do with you, you have to make sure everything is all | :02:06. | :02:08. | |
right Saturday and then you get your money. Johnny, John. Don't look at | :02:09. | :02:17. | |
me like that, Jack. What are you talking about? Don't look at me like | :02:18. | :02:26. | |
that. You get a flavour that that it is very brown and orange. It is, | :02:27. | :02:33. | |
lots of interiors. Eddie Marsden, a British actor, playing an | :02:34. | :02:38. | |
undertaker. It becomes a bit farcical. Philip Seymour Hoffman in | :02:39. | :02:42. | |
one of his final performance, a lot of his final films, all claiming | :02:43. | :02:47. | |
they were his last. There is not a power law of death that hangs over | :02:48. | :02:52. | |
it, but you have too enjoyed it. `` there is not a sense of death. | :02:53. | :02:59. | |
Richard Jenkins plays a journalist. He is drunk at the bar and manages | :03:00. | :03:05. | |
to sleep with everyone because he is a local celebrity. I am not sure the | :03:06. | :03:10. | |
film builds up entirely satisfactory to all sorts of things, but there is | :03:11. | :03:14. | |
a very great atmosphere that pervades, I could not take my eyes | :03:15. | :03:19. | |
off it. Christina Hendricks is fantastic. It is Elmore Leonard | :03:20. | :03:23. | |
territory, scuzzy people would not very nice lives who do not very nice | :03:24. | :03:28. | |
things. A lot of meat in the fridge rated trucks. A bit of Rocky. They | :03:29. | :03:37. | |
are low lives, but I did enjoy it. It is US indie at its best. The film | :03:38. | :03:44. | |
that really intrigues me is the next choice which is Wakolda. It is an | :03:45. | :03:50. | |
absolutely special film. It has lived on in my nightmares ever since | :03:51. | :03:57. | |
I saw it. It is through the eyes of a 12`year`old girl. A German man | :03:58. | :04:02. | |
with an evil moustache takes interest in her. He says he can help | :04:03. | :04:08. | |
out with growth hormones. Who is this man? Why does he speak German, | :04:09. | :04:12. | |
why are there so many German`speaking people in this | :04:13. | :04:19. | |
neighbourhood? It is a true almost story, a mix of fact and fiction, | :04:20. | :04:25. | |
what happened in the 1960s when many fugitives from Nazi Germany were | :04:26. | :04:30. | |
helped through South America. I do not want to give anything away, who | :04:31. | :04:35. | |
this man might be, but it becomes quite obvious and Mossad are quite | :04:36. | :04:40. | |
interested in him. There are just enough clues and when you open up | :04:41. | :04:46. | |
this man's notebooks, there is horror inside. You have not given it | :04:47. | :04:51. | |
away entirely, but this is about 15 years after the war. The Nazis were | :04:52. | :04:57. | |
not all decrypted men then, some of them were still in their prime. `` | :04:58. | :05:05. | |
decrepit. The ideology was not dead either, especially in | :05:06. | :05:09. | |
German`speaking Patagonia. It looks like the Black Forest, mountains and | :05:10. | :05:14. | |
chalets, Eichmann has recently been caught in the manhunt. He has been | :05:15. | :05:20. | |
taken back to Israel, plenty of Nazis on the run at that time. I | :05:21. | :05:25. | |
thought this was terrific, it robs with threat and mystery. It is | :05:26. | :05:29. | |
confusing, seeing it through the eyes of a 12`year`old girl who has | :05:30. | :05:34. | |
no idea. It is not the boys from Brazil. It is not that, there is a | :05:35. | :05:42. | |
bit of that in there. I thought it was very exciting. It is about | :05:43. | :05:48. | |
confusion and agenda. Welcome to New York, starring Gerard Depardieu who | :05:49. | :05:52. | |
is not entirely popular in France because of his decision to claim | :05:53. | :05:57. | |
Belgian citizenship. He is not, but wherever he lives or goes, he is one | :05:58. | :06:01. | |
of the finest actors of the last 40 years, 170 odd movies. When he came | :06:02. | :06:07. | |
on the scene in the 1970s, he was this huge, life force that ran | :06:08. | :06:13. | |
through all these things. He is back on that sort of form here, playing a | :06:14. | :06:17. | |
thinly veiled version of Dominic Strauss Kahn, the head of the World | :06:18. | :06:29. | |
Bank. The film starts with a disclaimer saying none of this is | :06:30. | :06:31. | |
true, but it may remind you of a case that took over world headlines. | :06:32. | :06:34. | |
There are moments when they drop stock footage in from the trial. The | :06:35. | :06:38. | |
first half of this film, the first half hour, it is an all night long | :06:39. | :06:43. | |
Porgy, that is quite as relating and sexy and then it becomes | :06:44. | :06:54. | |
dehumanising and empty. `` or grams `` sex party. What are you doing? | :06:55. | :07:06. | |
What are you doing? I am putting you under arrest for the moment sir. I | :07:07. | :07:14. | |
am Detective Sergeant David from the police department. You will be here | :07:15. | :07:19. | |
until the NYPD comes, they want to talk to you. This is an fair and | :07:20. | :07:25. | |
unnecessary. It is very necessary. Can I use your bathroom first remark | :07:26. | :07:37. | |
`` can I use your bathroom? I have diplomatic immunity. Can you prove | :07:38. | :07:47. | |
that? It is on my passport. It was not on the passport that he showed | :07:48. | :07:55. | |
us. In another passport. I want you to call the French consulate. When | :07:56. | :08:00. | |
NYPD arrives, they will take you and when you get the chance to call, you | :08:01. | :08:07. | |
can call them. Can you take off the handcuffs, they hurt me. They are | :08:08. | :08:12. | |
not built for comfort, sir. The arrogance of power. LAUGHTER | :08:13. | :08:23. | |
It is the arrogance of power. I mention the sex scenes where he is | :08:24. | :08:27. | |
wasting champagne, he is suddenly clapped into this system again where | :08:28. | :08:31. | |
he is degraded and debased and he does not understand it at all. | :08:32. | :08:39. | |
Totally unrepentant. Do you know who I am? They do know who he is. It is | :08:40. | :08:45. | |
about the arrogance of power, human foibles, wealth, degrading | :08:46. | :08:50. | |
behaviour, disgusting behaviour. It is all in there, it is directed by | :08:51. | :08:57. | |
the man who did the driller killer and the fable of New York, it is | :08:58. | :09:04. | |
kind of odious. We could not possibly show him letting it all | :09:05. | :09:08. | |
hang out, there is a lot of it, he is a man landslide when he is | :09:09. | :09:14. | |
undressed. He gets undressed to be frisked and searched as well. It is | :09:15. | :09:19. | |
very well disguised. Three cracking films. We had a quiet period with | :09:20. | :09:26. | |
the World Cup, now some good stuff. Do you really like this film? | :09:27. | :09:44. | |
Inbetweeners two. It has already been out. It has broken box office | :09:45. | :09:50. | |
records for the biggest UK comedy to open at UK box office. It is funny. | :09:51. | :09:56. | |
It is a guilty pleasure, there are to jokes, banter. It is about mates | :09:57. | :10:04. | |
growing up. `` cc jokes. We have nailed it here. All the gross out | :10:05. | :10:12. | |
comedy is, it is actually really sweet. The four of them played | :10:13. | :10:16. | |
really well together. There are some comedy genius moments, one in a | :10:17. | :10:22. | |
water park I will never forget. I can just imagine, I have not seen | :10:23. | :10:26. | |
they have 20 B in between. I these franchise? There is the point | :10:27. | :10:39. | |
guys are 28, 30. We will not get them going into college. I suspect | :10:40. | :10:43. | |
the box office figures may persuade them back in. It sounds terrific | :10:44. | :10:48. | |
first summer evening. The DVD is the double, I have some friends who | :10:49. | :10:50. | |
hated it, others loved it. Jesse Eisenberg gives a fantastic | :10:51. | :10:58. | |
performance. He plays his own double gang. One cannot get the photocopier | :10:59. | :11:05. | |
to work and the other is brilliant. It is created by a character in the | :11:06. | :11:12. | |
IT crowd. I like the retro world that he conjures. It is considered | :11:13. | :11:17. | |
and artistic. It is impressive. People build it as a hilarious | :11:18. | :11:24. | |
comedy, it is not that. It is quite tiring on the brain. You can see why | :11:25. | :11:29. | |
people become irritated by it. The story is meant to be irritating. It | :11:30. | :11:35. | |
is irritating, people trapped in their own world. Jesse Eisenberg is | :11:36. | :11:39. | |
wonderful, you can always tell which one he is, even though they look | :11:40. | :11:43. | |
exactly the same. The way the camera is placed, I thought it was very | :11:44. | :11:48. | |
well directed. Thank you very much. A quick reminder before we go that | :11:49. | :11:52. | |
you will find more films and reviews on all our previous shows | :11:53. | :12:01. |